Illustrated with recordings and scores, this
discussion will include reference to the commissioning process,
specific technical challenges and significance within the repertoire in
general.
©2007 WASBE and/or the contributing author/photographer
No Sessions
Repertoire Session 1 (Dublin Concert Band, Ireland)
Wind Chamber Music / Bastiaan Blomhert
Music for Wind Ensemble and Chorus / Keith Kinder
Repertoire Session 2 (University of Cincinnati CCM Chamber Players, USA)
Music for Wind Dectet / Pete Harrison
Conducting Masterclass / Gerhard Markson w/IYWO
The Wind Band: Dynamic System or Static Institution? / Gary Hill
Repertoire Session 3 (Nagoya University of Arts Wind Orchestra, Japan)
Repertoire for Saxophone and Wind Orchestra / Rob Buckland
Considerations in Writing for Voices and Winds / Symposium
Varèse and Duchamp: Different Mediums, Similar Inspiration / Colleen Richardson
IYWO Open Rehearsal / Gerhard Markson
Repertoire Session 4 (No. 1 Band of the Irish Defence Forces)
Performance Masterclass / Evelyn Glennie
New Music for Wind Band 2005–2007 / Timothy Reynish
Repertoire Session 5 (City of Brampton Concert Band, Canada)
Presentation on Percussion / Evelyn Glennie
Composing wind music for an international constituency / Composers' Forum (Chair: Tom Duffy)
The Unknown Wind Music of Shostakovich / Odd Terje Lysebo w/Nanset WE
Young Composers’ Workshop / Ian Wilson
Transcribing Greatness: Brahms’ Begräbnisgesang / James Ripley
Laban Technique in Conducting / Erica Neidlinger
Reading Sessions and the Evelyn Glennie sessions were held in Ireland's National Events Centre (INEC). The IYWO/Markson sessions were held in the Banqueting Area of the Brehon Hotel. All other sessions were held in the Ballroom (Gleneagle Hotel).