5 Days of Repertoire Sessions — Exciting!

Peter Bucher (originally posted 2007 July 14)

Repertoire Session 1 The Dublin Concert Band in Repertoire Session 1 Gorb commenting on his work Adam Gorb (holding microphone at right) was one of the many composers who made comments on their compositions during the sessions organized by Jim Cochran (standing, left) Gorb commenting on his work The University of Cincinnati CCM Chamber Players (USA) in Reading Session 2 Repertoire Session 3 The Nagoya University of Arts Wind Orchestra in Repertoire Session 3 Repertoire Session 4 Trevor Ford guest-conducting one of his own compositions with the No. 1 Band of the Irish Defence Forces in Repertoire Session 4 Repertoire Session 5 The City of Brampton Concert Band (Canada) in Repertoire Session 5

More than 30 new and recent pieces were presented during Monday through Friday of this wonderful and exciting WASBE week. Five ensembles representing Japan, the USA, Canada and Ireland took on this big responsibility. These ensembles were The Dublin Concert Band (Gavin Maloney), The Cincinnati Conservatory Chamber Players (Rodney Winther), Nagoya University of Arts Wind Symphony (Masaichi Takeuchi), Band of the Defence Forces School of Music (Commandant Mark Armstrong) and The City of Brampton Concert Band (Darryl Eaton).

After the Singapore Conference, we were fortunate that Board member Jim Cochran from Shattinger Music organized, coordinated and presented these five repertoire sessions again. The new literature for ensembles of varying sizes and abilities was chosen very carefully and included international representation. It ranged from Grade 3 pieces up to music for the professional level. This variety made it extremely worthwhile and interesting. The performed pieces came from different countries such as Ireland, Australia, Brazil, Canada, the Czech Republic, England, France, Germany, Italy, Luxembourg, Norway, Switzerland, the Netherlands and the USA.

Presented on a colourful five-part organized handbook, its contents are a gift that will last well beyond the upcoming warmer summer days. It is a sort of guidebook we conductors can refer to until at least the next WASBE conference in the USA. No question, in Cincinnati in July 2009, a lot of composers will surprise us with more new, fresh and innovative music for winds. Thank you composers! Until then, thanks again Jim Cochran and the ensembles for giving us this assistance.


©2007 WASBE and/or the contributing author/photographer

Sessions by Day

Sunday 08

No Sessions

Monday 09

Repertoire Session 1 (Dublin Concert Band, Ireland)

Wind Chamber Music / Bastiaan Blomhert

Music for Wind Ensemble and Chorus / Keith Kinder

Tuesday 10

Repertoire Session 2 (University of Cincinnati CCM Chamber Players, USA)

Music for Wind Dectet / Pete Harrison

Conducting Masterclass / Gerhard Markson w/IYWO

The Wind Band: Dynamic System or Static Institution? / Gary Hill

Wednesday 11

Repertoire Session 3 (Nagoya University of Arts Wind Orchestra, Japan)

Repertoire for Saxophone and Wind Orchestra / Rob Buckland

Considerations in Writing for Voices and Winds / Symposium

Varèse and Duchamp: Different Mediums, Similar Inspiration / Colleen Richardson

IYWO Open Rehearsal / Gerhard Markson

Thursday 12

Repertoire Session 4 (No. 1 Band of the Irish Defence Forces)

Performance Masterclass / Evelyn Glennie

New Music for Wind Band 2005–2007 / Timothy Reynish

Friday 13

Repertoire Session 5 (City of Brampton Concert Band, Canada)

Presentation on Percussion / Evelyn Glennie

Composing wind music for an international constituency / Composers' Forum (Chair: Tom Duffy)

The Unknown Wind Music of Shostakovich / Odd Terje Lysebo w/Nanset WE

Young Composers’ Workshop / Ian Wilson

Saturday 14

Transcribing Greatness: Brahms’ Begräbnisgesang / James Ripley

Laban Technique in Conducting / Erica Neidlinger

Sessions by Presenter / Participant

See home page for Sessions

Venues

Reading Sessions and the Evelyn Glennie sessions were held in Ireland's National Events Centre (INEC). The IYWO/Markson sessions were held in the Banqueting Area of the Brehon Hotel. All other sessions were held in the Ballroom (Gleneagle Hotel).

View Programme-at-a-Glance


Return to the regular WASBE web site