5 Days of Repertoire Sessions — Exciting!

Peter Bucher (originally posted 2007 July 14)

Repertoire Session 1 The Dublin Concert Band in Repertoire Session 1 Gorb commenting on his work Adam Gorb (holding microphone at right) was one of the many composers who made comments on their compositions during the sessions organized by Jim Cochran (standing, left) Gorb commenting on his work The University of Cincinnati CCM Chamber Players (USA) in Reading Session 2 Repertoire Session 3 The Nagoya University of Arts Wind Orchestra in Repertoire Session 3 Repertoire Session 4 Trevor Ford guest-conducting one of his own compositions with the No. 1 Band of the Irish Defence Forces in Repertoire Session 4 Repertoire Session 5 The City of Brampton Concert Band (Canada) in Repertoire Session 5

More than 30 new and recent pieces were presented during Monday through Friday of this wonderful and exciting WASBE week. Five ensembles representing Japan, the USA, Canada and Ireland took on this big responsibility. These ensembles were The Dublin Concert Band (Gavin Maloney), The Cincinnati Conservatory Chamber Players (Rodney Winther), Nagoya University of Arts Wind Symphony (Masaichi Takeuchi), Band of the Defence Forces School of Music (Commandant Mark Armstrong) and The City of Brampton Concert Band (Darryl Eaton).

After the Singapore Conference, we were fortunate that Board member Jim Cochran from Shattinger Music organized, coordinated and presented these five repertoire sessions again. The new literature for ensembles of varying sizes and abilities was chosen very carefully and included international representation. It ranged from Grade 3 pieces up to music for the professional level. This variety made it extremely worthwhile and interesting. The performed pieces came from different countries such as Ireland, Australia, Brazil, Canada, the Czech Republic, England, France, Germany, Italy, Luxembourg, Norway, Switzerland, the Netherlands and the USA.

Presented on a colourful five-part organized handbook, its contents are a gift that will last well beyond the upcoming warmer summer days. It is a sort of guidebook we conductors can refer to until at least the next WASBE conference in the USA. No question, in Cincinnati in July 2009, a lot of composers will surprise us with more new, fresh and innovative music for winds. Thank you composers! Until then, thanks again Jim Cochran and the ensembles for giving us this assistance.


©2007 WASBE and/or the contributing author/photographer

Choral/Vocal Strand

Sessions

Music for Wind Ensemble and Chorus / Keith Kinder

Considerations in Writing for Voices and Winds / Symposium

Transcribing Greatness: Brahms’ Begräbnisgesang / James Ripley

Concerts

Irish Youth Wind Ensemble, Ireland / Norah King, Soprano

Chetham’s School of Music Symphonic Wind Orchestra and Chamber Choir, UK

Chetham’s School of Music Dectet and Chamber Choir, UK (@ Killarney Cathedral)

Nanset Wind Ensemble, Norway / Opera: The Priest and his servant Balda

Royal Symphonic Band Vooruit, Belgium

Percussion Strand

Sessions

Performance Masterclass / Evelyn Glennie

Presentation on Percussion / Evelyn Glennie

Concerts

Royal Irish Academy of Music Percussion Ensemble
and Percussion Ensemble Crescendo, The Netherlands

Birmingham Symphonic Winds, UK / Simone Rebello, Percussion

International Youth Wind Orchestra / Evelyn Glennie, Percussion

Chamber Music Strand

Sessions

Wind Chamber Music / Bastiaan Blomhert

Repertoire Session 2 / University of Cincinnati Chamber Players

Music for Wind Dectet / Pete Harrison

Concerts

University of Cincinnati Chamber Players, USA

University of Louisville Wind Ensemble, USA

Chetham’s School of Music Dectet and Chamber Choir, UK (@ Killarney Cathedral)

Venues

Concerts, Repertoire Sessions and the Evelyn Glennie sessions were held in Ireland's National Events Centre (INEC) except as noted. All other sessions were held in the Ballroom (Gleneagle Hotel).

View Programme-at-a-Glance


Return to the regular WASBE web site