Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| AAGAARD-NILSEN, TORSTEIN | CONCERTO FOR TUBA & ORCHESTRA | TUBA & ORCHESTRA | Norway | NMIC | 1997/2002 | 15 MIN | H | C/U | 2FL(PIC),2OB,CL,BCL,BSN,CBBSN,4HN,2TRPT,3TRB,2PERC,STRINGS. ONE MOVEMENT THAT IS FOR THE VERY BEST C/U OR PROFESSIONAL SOLOIST AND A GOOD ORCHESTRA. EXTREME HIGH RANGE FOR THE SOLO AND LOTS OF NOTES. |
| AAGAARD-NILSEN, TORSTEIN | 4 LYRISKE STYKKER (4 LYRIC PIECES) | EUPHONIUM ALONE | Norway | NORDIC SOUNDS | 2000 | EST 4 MN | H | C/U/HS | NEED TENOR AND BASS CLEF. FREQUENT CHANGES OF CLEF. UPPER REGISTER TO Eb. MUCH OPPORTUNITY TO BE EXPRESSIVE AND MUSICAL. THIS COMPOSER ALSO HAS A LONGER SOLO ALONE WORK TITLED ‘BLACK RAIN’ FROM SAME PUBLISHER. |
| AAGAARD-NILSEN, TORSTEIN | ARCTIC LANDSCAPE | BAND | Norway | NMIC | 1992 | 16 MIN 30 SEC | H | C/U | FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,3PERC A LONG WORK - SKILL TO SUSTAIN THE INTEREST. SLOW OPENING SECTION FOLLOWED BY A LONGER AGITATO SECTION, THEN SLOW WITH A FLOURISH AT THE END. TEST THE SKILL OF YOUR GROUP IN MAKING THIS THE ARCTIC LANDSCAPE! |
| AAGAARD-NILSEN, TORSTEIN | CANTILENA (CRADLE SONG) | TROMBONE & BAND | Norway | NMIC | 2002 | EST 8 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3TRPT,4H,3TRB,EUP,TBA,4PERC,OPT-PIANO. A ONE MOVEMENT WORK WITH MUCH MIXED METER AND OTHER RHYTHMIC PROBLEMS. TRB SOLO TO HIGH C. SCORE IS WELL DESIGNED FOR EASY COMPREHENSION. |
| AAGAARD-NILSEN, TORSTEIN | CONCERTO FOR EUPHONIUM AND ORCHESTRA | EUPHONIUM & ORCHESTRA | Norway | NMIC | 2000 | 20 MIN | H | C/U | FOR HIRE MATERIAL. PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,TBA,3ERC,HARP,STRINGS. A FINE SCORE FOR THE FINE ORCHESTRA AND VIRTUOSO EUPHONIUM PLAYER. EXCELLENT ADDITION TO THE LITERATURE. |
| AAGAARD-NILSEN, TORSTEIN | CONCERTO FOR TRUMPET AND STRING ORCHESTRA | TRUMPET & STRING ORCHESTRA | Norway | NMIC | 1996 | 18 MIN 20 SEC | H | C/U | MOVEMENTS: ADAGIO, ALLEGRO MOD. E LEGGIERO, LENTO MOLTO, VIVACE. ALL STRING PARTS DIVISI. TRUMPET (IN C) TO D, BUT PLAYS IN MODEST RANGE MOST OF THE TIME. NOT EASY, BUT PLAYABLE BY THE FINE C/U STUDENT. |
| AAGAARD-NILSEN, TORSTEIN | KAR (LITTLE OVERTURE FOR ORCHESTRA) | ORCHESTRA | Norway | NMIC | 1995/2003 | 7 MIN 45 SEC | H | C/U | PIC,FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,PO,STRINGS. CONTEMPORARY HARMONIES, MIXED METER, RHYTHMIC SITUATIONS. BUT A GOOD COMPOSER AND PLAYABLE BY THE C/U ENSEMBLE. |
| AAGAARD-NILSEN, TORSTEIN | REINLENDERFANTASI | BAND | Norway | WARNER/CHAPPELL | 1996 | EST 6 MIN | E/M | C/U/HS | PIC,2FL,OB,3CL,ACL,BCL,BSN,AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,2PERC. THIS IS EASIER THAN SOME OF THIS COMPOSERS OTHER WORKS (SEE NMIC CATALOG ON LINE). BASED UPON A FOLK TUNE. SOME VERY NICE EFFECTS CREATED HERE BY THIS ARRANGER |
| AAGAARD-NILSEN, TORSTEIN | SPIN | BRASS QUINTET | Norway | NMIC | 2000 | 4 MIN 30 SEC | M/H | C/U | RHYTHMIC FUN. MIXED METER AND SPIN! TRPTS IN C. NICE USE OF DYNAMICS. |
| AAGAARD-NILSEN, TORSTEIN | PROLOG FOR SOLO CELLO | CELLO ALONE | Norway | NMIC | 1995 | EST 3 MIN | E | C/U/HS | A NICE EASY SOLO ALONE FOR A FIRST WITH THIS MEDIUM, CELLO MUST SING WITH A GOOD SOUND. |
| AAGAARD-NILSSEN, TORSTEIN | EFFORESCENT | TUBA QUARTET | Norway | NORDIC SOUNDS | 2000 | EST 8+ MIN | H | C/U | 4TBA. MOVEMENTS: PAS DE QUATRE, MEDITATION, THE TUBA SHALL SOUND. VERY HIGH, VERY HARD, SOME ALEATORY AND A LOTS OF NOTES! |
| AALTONEN, ERKKI | PRELUDI JA ALLEGRO | VIOLA & PIANO | Finland | FAZER/AALTONEN | 1948 | EST 5-6 MIN | M/H | C/U | MARKED ANDANTE CON MOTO; ALLEGRO-VIVACE. GOOD MATERIAL AND STRAIGHT AHEAD. |
| ABERG, THOMAS | MUSIC FOR STRINGS | STRING ORCHESTRA | Sweden | SMIC | 2000 | 7 MIN | M | C/U/HS | ARRANGED BY EYVIND HALLNAS. STRAIGHT AHEAD MATERIAL WITH LITTLE DIVISI. LOOKS GOOD FOR C/U AND GOOD HS ENSEMBLES. |
| ABRAHAMSEN, HANS | 10 PRELUDES | STRING QUARTET | Denmark | WHANSEN | 1982 | M/H | C/U | TEN SHORT MOVEMENTS WITH A RANGE OF DIFFICULTY. A WELL CRAFTED SCORE FROM A GOOD COMPOSER. | |
| ABRAHAMSEN, HANS | WALDEN (WOODWIND QUINTET NO 2) | WOODWIND QUINTET | Denmark | WHANSEN | 1978 | 11 MIN | H | C/U | FOUR MOVEMENTS: 1 & 2 HAVE SPARSE NOTATION, SILENCES, QUICK DYNAMIC CHANGES. 3 & 4 ARE RHYTHMIC. CONTEMPORARY SOUNDS. |
| AGRELL, JOHAN JOACHIM (1701-1765) | OBOEKONSERT | OBOE & STRING ORCHESTRA | Sweden | BUSCH | EST 9 MIN | M | C/U | NEED CONTINUO INSTRUMENT, THREE MOVEMENTS(FSF). BAROQUE AND PLAYABLE. REVISED 1983 BY BO ERIKSSON. | |
| AGUSTSSON, HERBERT H | ANDANTE FOR HORN AND STRINGS | HORN & STRING ORCHESTRA | Iceland | ITM | 1950 | 5 MIN | M | C/U/HS | THE HORN SINGS IN A MODEST RANGE AND STRING PARTS PLAYABLE BY A COMPETENT HIGH SCHOOL STRING SECTION. |
| AGUSTSSON, HERBERT H | CONCERTO FOR HORN AND ORCHESTRA | HORN & ORCHESTRA | Iceland | ITM | 1965 | 14 MIN | H | C/U | FL,2CL,2OB,2BSN,TMP,STRINGS. 3 MOVEMENTS IN TRADITIONAL STYLE. |
| AGUSTSSON, HERBERT H | KAMMER MUSIK NO 1 FUR 9 BLASER | WOODWIND ENSEMBLE | Iceland | ITM | 1963 | 10 MIN | M | C/U | FL(PIC),2CL,2OB,2BSN,2HN. FOUR WELL CRAFTED MOVEMENTS. PARTS ARE PLAYABLE. |
| AGUSTSSON, HERBERT H | QUINTET | WOODWIND QUINTET | Iceland | ITM | 1986 | 8 MIN 55 SEC | M/H | C/U | A WELL CONSTRUCTED WORK IN 3 MOVEMENTS(FSF). SOME NONTRADITIONAL NOTATION IN 2ND MOVEMENT. WORTHWHILE MUSIC ! |
| AGUSTSSON, HERBERT H | QUINTET FOR WOODWINDS | WOODWIND QUINTET | Iceland | ITM | 1968 | M | C/U | BEAUTIFUL SCORE AND CRAFTSMANSHIP. FREQUENT METER CHANGES. 3 MOVEMENTS. | |
| AGUSTSSON, HERBERT H | RONDO FOR HORN & STRINGS | HORN & STRING ORCHESTRA | Iceland | ITM | 1973 | 9 MIN | M | C/U/HS | HORN PART PLAYABLE BY A FINE HS HORN PLAYER. STRING PARTS ALSO BY COMPETENT HS STRINGS. MOSTLY STRAIGHT AHEAD WITH SOME RHYTHMIC INTEREST. |
| AGUSTSSON, HERBERT H | SCHERZO | WIND ENSEMBLE | Iceland | ITM | 1984 | E/M | C/U | 2CL,2OB,2BSN,TRPT,2HN. RELATIVELY SHORT WORK IN TRIPLE METER. HIGH TESSITURA FOR OBOES. PARTS MOVE ALONG! | |
| AGUSTSSON, HERBERT H | SEVEN SHORT INVENTIONS, OP 11 | CLARINET & BASSOON | Iceland | ITM | 1964 | 10 MIN | M/H | C/U | FUN FOR THE STUDIO OR RECITAL. |
| AGUSTSSON, HERBERT H | SUITA FOR BRASS QUARTET | BRASS QUARTET | Iceland | ITM | 1969 | 11 MIN | E/M | C/U | 2TRPT,HN,TRB. 7 SHORT MOVEMENTS THAT ARE WELL SCORED AND PLAYABLE. |
| AHLBERG, GUNNAR | AGITATO | BAND | Sweden | SMIC | 1985 | 9 MIN | H | C/U/HS | 3FL(PIC),3CL,BCL,2OB,2BSN,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA, 2PERC, TMP, SB. FINE PERCUSSION PARTS. WELL SCORED. A FEW NONTRADITIONAL TECHNIQUES. |
| AHLBERG, GUNNAR | NATURMUSIK | BRASS ENSEMBLE | Sweden | SMIC | 1974 | 8 MIN | M | C/U | 4HN,6TRPT,6TRB,2TBA,PERC,TIMP(ONE TRUMPET IN Eb). SERENE, MUCH SOFT PLAYING, LOUDEST IS A FORTE. STRAIGHT AHEAD, NO PROBLEMS. |
| AHLBERG, GUNNAR | OSTINATO | FLUTE & HARP | Sweden | SMIC | 1989 | M | C/U/HS | THREE SECTIONS PLAYED ATTACCA: SOSTENUTO, MOBILE & MESTO. COLLEGE RECITAL MATERIAL. | |
| AHLBERG, GUNNAR | PEZZO PER FLAUTO SOLO | FLUTE ALONE | Sweden | SMIC | 1986 | 4 MIN | M | C/U/HS | GOOD COMPOSER AND PIECE. RECITAL OR STUDY. PLAYABLE MUSIC. |
| AHLBERG, GUNNAR | SONATA | FLUTE & PIANO | Sweden | SMIC | 1987 | 13 MIN 20 SEC | M/H | C/U | ONE MOVEMENT MARKED MODERATO TEMOROSO. RHYTHMIC CHALLENGES. |
| AHLIN, SVEN | NARRATIVES | TROMBONE & ORCHESTRA | Sweden | SMIC | 1989 | 16 MIN | H | C/U | PIC,2FL,2CL,2HN,2TRB,TMP,STRINGS. DEDICATED TO CHRISTIAN LINDBERG AND CALLS FOR A FINE PERFORMER. LOW, HIGH & HARD! ORCHESTRA PARTS ALSO HAVE BIG NEEDS. ONE MOVEMENT. FOR RENTAL ONLY. |
| AHLIN, SVEN | NOLHAGA, OP 11 | TROMBONE QUARTET | Sweden | SMIC | 1986 | 4 - 5 MIN | H | C/U | FINE WRITING FOR THE TROMBONE. ONE ON A PART, SOME FREE RHYTHMIC THINGS. SEE OTHER TWO AHLIN QUARTETS. |
| AHLIN, SVEN | RITUAL FOR HUITZILOPOCHTLI | PERCUSSION ENSEMBLE | Sweden | SMIC | 10 MIN | H | C/U | SIX PLAYERS. HUITZILOPCHTLI WAS AN AZTEC WAR GOD. TUNED & NON-TUNED INSTRUMENTS. | |
| AHLIN, SVEN | SKUNKY FUNK | BRASS QUINTET | Sweden | SMIC | 1993 | 12 MIN | H | C/U | THREE MOVEMENTS: SKUNKY FUNK, LANGUISH IN A RED MOOD AND IN OTHER WORDS. HARD MUSIC THAT IS FUN TO WORK OUT AND FOR THE AUDIENCE. JUST DO WHAT THE TITLES TO THE MOVEMENTS TELL YOU TO DO! |
| AHLIN, SVEN | SOUNDING BRASS, OP 10 | TROMBONE QUARTET | Sweden | SMIC | 1986 | 6 MIN | H | C/U | ONE ON A PART - NO DOUBLES. RHYTHMICALLY CHALLENGING, BUT PLAYABLE. GOOD USE OF SLIDE AND F-ATTACHMENTS. |
| AHLIN, SVEN | SPEECH, OP 12 | TROMBONE QUARTET | Sweden | SMIC | 1987 | 4+MIN | M/H | C/U | ONE ON A PART - NO DOUBLES. UNUSUAL NOTATION, BUT EASILY UNDERSTOOD. REASONABLE TESSITURAS. GOOD MATERIAL & PLAYABLE! MUTES. |
| AHMAS, HARRI | HIC ET NUNC FOR WIND BAND | BAND | Finland | FiMIC | 2000 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,4PERC. THIS ONE HAS ALL THE TRAPS THAT WILL MAKE ALL WORK, INCLUDING THE CONDUCTOR! MIXED METER, NOTES, - EVERYBODY DOES SOMETHING. EXCITING AND HARD! THE BEST C/U GROUPS. | |
| AHMAS, HARRI | SINFONIETTA FOR WIND ORCHESTRA | BAND | Finland | FiMIC | 2002 | 26 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,PIANO,3CTRPT,4HN,3TRB,EUP,2TBA,4PERC. MOVEMENTS: PRELUDI, EL SUR FOR MR. LUIS PASQUET, FINALE. LOADED WITH THINGS TO WORK OUT, BUT ALL ARE POSSIBLE. IDEAL FOR THE LARGE C/U BAND. |
| AHO, KALEVI | SOLO VIII | EUPHONIUM ALONE | Finland | FENNICA | 2003 | 9 MIN | H | C/U | THIS IS A WORK FOR THE PRACTICE ROOM -- AFTER CONSIDERABLE TIME THE BEST PLAYER MIGHT PLAY THIS FOR A RECITAL TO SHOW OFF -- IT IS THAT KIND OF WORK. BASS & TENOR CLEF, RANGE UP AN DOWN, RHYTHM! |
| AHO, KALEVI | STRING QUARTET III | STRING QUARTET | Finland | FAZER | 1978 | EST 10 MIN | H | C/U | SECTIONS ATTACCA MAKING ONE MOVEMENT. RHYTHMIC CHALLENGES, IE. 11/16, 13/16 AND OTHER MIXED METER THINGS. STILL PLAYABLE! |
| AHO, KALEVI | TRISTIA | BAND | Finland | FiMIC | 1999 | 11 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2AS,TS,BS,2BSN,3TRPT,4HN,EUP,3TRB,TBA,2PERC. THE SCORE IS IN A MESSY MS - THE PARTS ARE PRINTED. LOTS OF CHANGING METER AND OTHER PROBLEMS, BUT WE SEE NOTHING THAT MAKES THIS IMPOSSIBLE, DIFFICULT, YES. |
| AHVENLAHTI, OLLI | ONE FOR LIBERTAD | STAGE BAND | Finland | FiMIC | 1978 | EST 4 1/2 MIN | H | C/U | A 'COOKER'! STRAIGHT AHEAD ACTION. |
| ALBERTSEN, PER HJORT | PASTORALE | VIOLA & PIANO | Norway | NMIC | CA 2 MIN | E/M | C/U/HS | LYRICAL PIECE MOVING INTO THE UPPER REGISTER. MAKES PRETTY MUSIC! | |
| ALFVEN, HUGO | DEN FORLORADE SONEN BALETTSVIT | ORCHESTRA | Sweden | SUECIA | 1957 | 16 - 17 MIN | M | C/U/HS | PIC,3FL,EbCL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,TMP,EH, CBSN,HARP,STRINGS. SEVEN SECTIONS SOME ATTACCA. NOT ALL MOVEMENTS HAVE FULL INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL. |
| ALFVEN, HUGO | NOTTURNO ELEGIACO, OP 5 | CELLO & ORGAN | Sweden | GEHRMANS | 1952 | EST 6+MIN | M | C/U/HS | A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ALSO WORKS WELL WITH PIANO. |
| ALFVEN, HUGO | NOTTURNO ELEGIACO, OP 5 | HORN & ORGAN | Sweden | GEHRMANS | 1952 | EST 6+MIN | M | C/U/HS | A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ORIGINALLY FOR CELLO. ALSO WORKS WELL WITH PIANO. |
| ALFVEN, HUGO | NOTTURNO ELEGIACO, OP 5 | TROMBONE & ORGAN | Sweden | GEHRMANS | 1952 | EST 6+MIN | M | C/U/HS | A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. COMPOSED FOR CELLO. ALSO WORKS WELL WITH PIANO. |
| ALFVEN, HUGO | SONAT, OP 1 | VIOLIN & PIANO | Sweden | LUNDQUIST | H | C/U | FOUR MOVEMENTS FROM THE EARLY WORKS OF A LEADING SWEDISH COMPOSER FROM EARLY 20TH CENTURY. | ||
| ALFVEN, HUGO | TVA FOLKMELODIER | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | EST 3 1/2 MIN | E | C/U/HS | TWO SHORT FOLK TUNES. SCORE FOR SALE, PARTS RENTAL. |
| ALFVEN, HUGO/FLOYD E. WERLE | ROSLAGSVAR (SWEDISH POLKA) | BAND | Sweden | GEHRMANS | 1980 | 3 MIN | E | HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,3TRB, EUP,2TBA, PERC,TMP,SB. CONDENSED SCORE ONLY. EASY MARCH. |
| ALFVEN, HUGO/GUNNAR JOHANSSON | FEST-OUVERTURE,OP 29 | BAND | Sweden | SUECIA | 1974 | 7 MIN | M/H | C/U/HS | 3FL,EbCL,4CL,ACL,BCL,2OC,2BSN,2AS,TS,BS,2COR,4TRPT,4HN,3TRB,EUP, 2TBA,2PERC,TMP,SB. PROGRAM OPENER, GOOD EXCITEMENT, ALL PARTS DO SOMETHING. SAXOPHONE PARTS OPTIONAL. |
| ALFVEN, HUGO/STIG GUSTAFSON | ROSLAGSPOLKETTA | BAND | Sweden | GEHRMANS | 1979 | 3 MIN | E | HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA, PERC,TMP,SB. SELECTIONS FROM A BALLET, PLAYABLE BY SMALLER BAND, WORKOUT FOR WW, EASY FOR BRASS & PERCUSSION. |
| ALFVEN, HUGO/STIG GUSTAFSON | UR "MIDSOMMARVAKA" (SWEDISH RHAPSODY) | BAND | Sweden | LEMA | 1978 | 5 MIN 30 SEC | M | C/U/HS | 2FL,EbCL,4CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,PERC, TMP,SB. FINE SWEDISH COMPOSER & EXCELLENT ARRANGER. THIS WILL HAVE FINE AUDIENCE & PLAYER APPEAL! |
| ALMIA, ATSO | CONCERTO II PER TUBA | TUBA & BAND | Finland | FiMIC | 2004 | EST 20+ MIN | H | C/U | PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER. |
| ALMILA, ATSO | AIR FOR BRASS, OP 18/3 | BRASS ENSEMBLE | Finland | ELVIS | 1982 | EST 4-5 MIN | M | C/U/HS | COR IN Eb,2TRPT,2HN IN Eb,2TRB,2EUP,2TBA,PERC. PIANO SCORE. MELODIC AND PLAYABLE, SUGGEST FLUEGELHORN FOR Eb CORNET PART. |
| ALMILA, ATSO | CONCERT-TANGO | BRASS ENSEMBLE | Finland | FiMIC | 1977 | 7 MIN | M/H | C/U | ONE MOVEMENT OF A SOMETIMES DRAMATIC TANGO. MODEST RANGE DEMANDS. |
| ALMILA, ATSO | CONCERTO FOR BASSOON | BASSOON & ORCHESTRA | Finland | FiMIC | 2001/2002 | 19 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TIMP,STRINGS. SECTIONS ARE CONNECTED. SOLO FOR TOP UPPER LEVEL C/U OR GRADUATE STUDENT. ORCHESTRA PART HAS JUST A FEW PLACES TO BE CONCERNED WITH. NICE SCORE! |
| ALMILA, ATSO | CONCERTO FOR TUBA AND STRING ORCHESTRA | TUBA & STRING ORCHESTRA | Finland | FiMIC | 1986 | 16 MIN | H | C/U | COMPOSED FOR MICHAEL LIND. USUAL THREE MOVEMENTS WITH RANGE TO D JUST ONCE, OTHERWISE MODEST DEMANDS. STRING PARTS QUITE PLAYABLE. RENTAL ONLY. |
| ALMILA, ATSO | DEDICATIONS, MEMORIES, OP 27 | BRASS QUINTET | Finland | FiMIC | 1985 | 11 MIN | M/H | C/U | THREE MOVEMENTS(F-S-F) OF GOOD MATERIAL BUT MANUSCRIPT IS MARGINAL. |
| ALMILA, ATSO | EPOSIMO | BAND | Finland | FiMIC | 2003 | M/H | C/U | PIC,FL,OB,2CL,BCL,AS,TS,BS,COR,2TRPT,2EbHN,2TRB,EUP,TBA,3PERC. NOTE THE UNUSUAL INSTRUMENTATION. A FINE COMPOSER OF BAND MUSIC WITH A CLEAN SCORE TO WORK FROM. HOPE THE HORNS CAN TRANSPOSE! | |
| ALMILA, ATSO | KONSERTTO, OP 20 | STRING BASS & ORCHESTRA | Finland | FiMIC | 1979 | 17 MIN | H | C/U | 2FL,2CL,2HN,PERC,STRINGS. THREE MOVEMENTS WITH NO SURPRISES. IDEAL FOR COLLEGE BASS STUDENT. ORCHESTRA PARTS NOT DIFFICULT. RENTAL ONLY. |
| ALMILA, ATSO | PIENI SARJA NELJAILE KAYRATORVELLE | HORN QUARTET | Finland | FiMIC | 1987 | 7 MIN 40 SEC | M/H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC CHALLENGE. GOOD SCORE AND FINE COMPOSER. "LITTLE SUITE FOR HORN QUARTET". |
| ALMILA, ATSO | RAGINSKI | BRASS QUINTET | Finland | FiMIC | 1985 | EST 5+ MIN | M/H | C/U | A RAG - ALMILA STYLE. IN A GOOD MS. ALL PLAYERS HAVE TO PLAY, BUT THIS IS FUN AND WILL BE EXCELLENT PROGRAM MUSIC. SEE ALSO HIS BRASSQUINTET (1991) IN THE FIMIC ONLINE CATALOG. |
| ALMILA, ATSO | SINFONIA II | BAND | Finland | FiMIC | 2003 | 25 MIN | H | C/U | 2FL(PIC),OB,EbCL,2CL,BCL,BSN,AS,TS,3HN,3TRPT,3TRB,EP,TBA,2PERC. ALL SECTIONS CONNECTED. A MAJOR WORK BY A MAJOR COMPOSER FOR WINDS. NOTE THE INSTRUMENTATION. NO BIG PROBLEMS - JUST A LONG PIECE. |
| ALMILA, ATSO | SUITE, OP 8 | TROMBONE & PIANO | Finland | FAZER | 1976 | M/H | C/U/HS | THREE MOVEMENTS. 1 & 2 SING AND 3 MOVES! RANGE TO D. GOOD SCORE AND STRING ORCHESTRA PARTS AVAILABLE FROM FMIC. | |
| ALMILA, ATSO | TAIKALAMPPU - THE MAGIC LANTERN | BRASS TRIO | Finland | FiMIC | 1990 | EST 4 MIN | H | C/U | CTRPT,HN,TRB. A FAST MOVING PIECE WITH SOME TRICKY RHYTHMIC THINGS. CONTEMPORARY SETTING AND CAN BE SOME FUN! |
| ALMILA, ATSO | TROMBONE CONCERTO | TROMBONE & ORCHESTRA | Finland | FiMIC | 1994 | EST 12+ MIN | H | C/U | FL,OB,BSN,HN,TRPT,STRINGS. WE ARE RELUCTANT TO PUT THIS ONE 0N OUR LIST BECAUSE IT IS SO DIFFICULT, BUT SO WELL LAID OUT. SOME THEATER, MUTES, AND DEMONSTRATIONS OF THE COMPOSER’S COMPLETE KNOWLEDGE OF THE TROMBONE. |
| ALMILA, ATSO | UNICORNO, OP 14 | HORN ALONE | Finland | FAZER | 1976 | 8 MIN | H | C/U | FOUR MOVEMENTS WITH 3 & 4 ATTACCA. NONTRADITIONAL TECHNIQUES BUT LAID OUT WELL. CIRCULAR BREATHING OPTIONAL. RANGE DEMANDS MODEST. |
| ALMILA, ATSO | VISIONS FROM THE NORTH | BAND | Finland | FiMIC | 1997 | 19 MIN | H | C/U | 2FL,2OB,EbCL,3CL,BCL,2BSN,AS,TS,BS,4TRPT.4HN,3TRB,EUP,TBA,AT LEAST 2PERC. MOVE: IN TIMES OF WAR (ALLEGRETTO), DANCE OF THE MIDNIGHT SUN (MODERATO), INTRODUCTION: THE MYTHICAL GODS (TRANQUILLO) ATTACCA TO FINALE: THE KING’S MARCH (ALLEGRO MODERATO). EXCELLENT WORK! |
| ALMILA, ATSO | ZIBELJOSH | BASSOON TRIO | Finland | FiMIC | 2003 | 9 MIN | H | C/U | MOVEMENTS: ALLEGRETTO, VALSE VERY LENTE ALLEGRO CABARETTO. ALL NEED CLEFS AND FINGERS. GOOD USE OF DYNAMICS IN THE SCORE. |
| ALMILA, ATSO | PUHALLINKVINTETTO | WOODWIND QUINTET | Finland | FiMIC | 1993 | EST 14+ MIN | M/H | C/U | MOVEMENTS: ANIMATO, LARGO MA TENSIVO, TRANQUILLO/PRESTO. ALMILA ALWAYS DOES SOMETHING TO MAKE IT UNUSUAL AND INTERESTING. THE ARE A LOT OF NOTES TO PUT IN SOME MEASURES, OTHERWISE THIS ONE GOES STRAIGHT AHEAD. |
| ALMLA, ATSO | TAIKALAMPPU - THE MAGIC LANTERN | BRASS QUARTET | Finland | FiMIC | 1993 | ST 3+ MIN | M/H | C/U | 2 TRPT, 2 TRB IN BASS AND TENOR CLEF. THIS IS MADE HARDER THAN IT LOOKS BECAUSE OF THE JUXTAPOSITION OF ONE RHYTHMIC PATTERN UPON ANOTHER, IE 6 ON 4, ETC. A COMPOSER WITH FUN IDEAS. ALSO SEE HIS BRASS TRIO OF THIS MUSIC |
| AM, MAGNAR | GRATIA | HARP AND BAND | Norway | NMIC | 1994,2002 | 10 MIN | E/M | C/U/HS | 2FL(PIC),EH,4CL,BCL,BSN,AS(SS),TS,3TRPT,2HN,2TRB,EUP,2TBA,3PERC. IT IS MAINLY THE HARPIST. PARTS ARE QUITE EASY, JUST A NICE ACCOMPANIMENT FOR THE HARP SOLOIST. |
| AM, MAGNAR | RIST LAUS! | BAND | Norway | NMIC | CIR 2000 | EST 10 MIN | M | C/U/HS | PIC,FL,2OB,2CL,ACL,BCL,2BSN,2AS,TS,BS,2COR,2TRPT,4HN,2TRB,EUP,TBA,STRBS,2-3PERC. INTRO - SLIDING TROMBONE FOLLOWED BY SLIDING ALTO SAX. LATIN JAZZ IN 4/8. SOME OFF BEAT NOTES MIGHT INFURIATE THE PLAYERS. SEE WORKS BY COMPOSER IN NMIC CATALOG. |
| AM,MAGNAR | STUDY ON A NORWEGIAN HYMN | STRING ORCHESTRA | Norway | NORSK | 1977 | CA 9 MIN | M/H | C/U | A WELL PREPARED SCORED. MODEST RHYTHMIC PROBLEMS. |
| AM,MAGNAR | SVEVANDE DJUPNER | STRING BASS ALONE | Norway | NMIC | 1986 | EST 5 MIN | H | C/U | HARMONICS, SPECIAL TECHNIQUES, SOME NONTRADITIONAL NOTATION. FOR THE VERY ADVANCED PLAYER. |
| AMDAHL, MAGNE | BOBINETTE | STRING QUARTET | Norway | NMIC | 1977 | EST 3 MIN | E | C/U/HS | EASY FIRST STRING QUARTET. PLAYERS MUST BE COMPETENT BUT IT PLAYS. |
| AMDAHL, MAGNE | ELEGI | TROMBONE & PIANO | Norway | MUSIKK-HUSET | 1975 | H | C/U | A CHALLENGE FOR THE FINE PLAYER. | |
| ANDERSEN, BO | PENSIERI NOTTURNI #1 | WOODWIND TRIO | Denmark | KONTRAPUNKT | 1999 | EST 4+ MIN | M/H | C/U | FLUTE, CL IN A, BASSOON. RHYTHMICALLY INTRICATE, BUT A GOOD SCORE AND PARTS WILL MAKE THE EARNING PROCESS MOVE ALONG. NOT EASY, BUT PLAYABLE BY THE C/U ENSEMBLE. |
| ANDERSEN, EJVIN | INTRADA | BRASS TRIO | Denmark | WHANSEN | 1983 | H | C/U | TRPT, HN & TRB. HARD, BUT PLAYABLE. | |
| ANDERSEN, EJVIN | SONATINA | TROMBONE & PIANO | Denmark | WHANSEN | 1968 | H | C/U | WORTHWHILE ADDITION TO THE REPERTOIRE. | |
| ANDERSEN, JOHANNES | KVINTET | WOODWIND QUINTET | Denmark | SAMFUNDET | 1968 | 23 MIN | M/H | C/U | THREE MOVEMENTS IN A SOLID SCORE THAT IS PLAYABLE, STRAIGHT AHEAD MATERIAL WITH NO SURPRISES. |
| ANDERSEN, KJELL MAGNE | FANTASY FOR SOLO FLUTE | FLUTE ALONE | Norway | NMIC | 2003 | EST 3 MIN | M/H | C/U/HS | NEED A SOLID UP REGISTER AND MODEST DIGITAL FACILITY. THE PART INVITES INTERPRETATION AND MUSICALITY. NICE SHORT WORK. |
| ANDERSEN, KJELL MAGNE | HAPPY HOUR | OBOE ALONE | Norway | NMIC | 2003 | EST 1 MIN | M/H | C/U | SHORT, MARKED SCHERZOSO. THE TITLE SUGGESTS THE SPIRIT OF THE PIECE. |
| ANDERSEN, KJELL MAGNE | KRINGSJA (PANORAMA) | TRUMPET & ORGAN | Norway | NMIC | 2005 | EST 2 MIN 30 SEC | E | C/U/HS | JUST A NICE, EASY MELODY FOR ORGAN AND TRUMPET. THERE IS MUSIC HERE. |
| ANDERSEN, KJELL MAGNE | SUITE FOR SYMPHONIC BAND, OP 12 | BAND | Norway | NMIC | 2002 |
18 MIN | M/H | C/U/HS | PIC,2FL,OB,BSN,2CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. MOVE:OVERTURE, ROMANCE, MARCIA FUNEBRE, FUGE. THIS IS STRAIGHT AHEAD MUSIC PLAYABLE BY FINE HS GROUPS AS WELL AS ANY COMPETENT C/U ENSEMBLE. |
| ANDERSEN, KJELL MAGNE | TEMA MED VARIASJONER | CLARINET ALONE | Norway | NMIC | 1999 | 5 MIN | M/H | C/U | THEME AND 5 VARIATIONS. ALTERNATING TEMPOS AND STYLES. PLAYABLE MATERIAL FOR THE C/U STUDENT. |
| ANDERSEN, KJELL MAGNE | TRE RAPSODIER | WOODWIND QUINTET | Norway | NMIC | 1994 | 6 MIN 30 SEC | E/M | C/U/HS | USUAL INSTRUMENTATION. MOVEMENTS: ALLEGRO MODERATO, ALLEGRETTO, ALLEGRO MODERATO, GOOD, EASY MATERIAL FOR THE YOUNG QUINTET |
| ANDERSEN, KJELL MAGNE | TRIO FOR FLUTE, CLARINET, BASSOON | WOODWIND TRIO | Norway | NMIC | 1996 | 11 MIN 30 SEC | M | C/U/HS | MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, RONDO-ALLEGRO. VERY PLAYABLE MATERIAL FOR ANY UPPER LEVEL OF PLAYER. NO SURPRISES, JUST STRAIGHT AHEAD AND HAVE FUN MAKING MUSIC |
| ANDERSSON, B TOMMY | IMPROMPTU | CLARINET & PERCUSSION | Sweden | SMIC | 1987 | 3 MIN 45 SEC | M/H | C/U | VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET. |
| ANDERSSON, B TOMMY | SONAT FOR HORN | CELLO & PIANO | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. COMPOSER ALSO SUGGESTS FOR CELLO. | |
| ANDERSSON, B TOMMY | SONAT FOR HORN | HORN & PIANO | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. | |
| ANDERSSON, KJELL | DIVERTIMENTO FOR BLASKVINTETT | WOODWIND QUINTET | Sweden | SMIC | 1987 | M/H | C/U/HS | THREE MOVEMENTS OF A WELL CONSTRUCTED PIECE IN CONTEMPORARY STYLE. | |
| ANDERSSON, KJELL | TUKU TUKU | ORCHESTRA | Sweden | SMIC | 1985 | 11 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,HARP,STRINGS. NEED GOOD PERCUSSIONISTS. ONE OF THE CL PARTS IS IN 'A'. GOOD SCORE. FOR RENTAL ONLY. |
| ANDERSSON, MAGNUS F | BOPBOP | BASSOON QUARTET | Sweden | SMIC | 2002 | 4 MIN | H | C/U | 3 BASSO0NS AND CONTRABASSOON. ALL THREE BASSOON PLAYERS GO BACK FORTH BETWEEN BASS AND TENOR CLEFS. THE SCORE IS FUN TO STUDY AND THE PLAYERS WILL ENJOY THIS CHALLENGE ALSO. BASSOONS CAN HAVE FUN TOO! |
| ANDERSSON, MAGNUS F. | 1397 | BAND | Sweden | SMIC | 1996 | LESS THAN I MIN | M/H | C/U/HS | 2FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2HN,3TRB,EUP,2PERC. A FANFARE LIKE WORK WITH LOTS OF ACTIVITY FOR ALL. DRAMATIC! GOOD INTRODUCTION TO THIS COMPOSERS WORK. |
| ANDERSSON, MAGNUS F. | CONCERTO: HOUSE OF SEVEN ROOMS | BAND | Sweden | SMIC | 1994 | EST 15 MIN | H | C/U | 3FL(ALFL,PIC,)EbCL,6CL,BCL,CBCL,2BSN,2AS,TS,BS,3CTRPT,2BbTRPT,4HN,4TRB,EUP,3TBA2STBS,4PERC. SEVEN MOVEMENTS! THIS IS A HUGE WORK, LOTS OF PERCUSSION INSTRUMENTS NEEDED AND GOOD PLAYERS. INTENDED FOR THE LARGE COLLEGE BAND WITH LOTS OF MUSICAL FACILITY. |
| ANDERSSON, MAGNUS F. | LITEN BOSTAD | BAND | Sweden | SMIC | 1993 | M/H | C/U/HS | FL,OB,3CL,BCL,BSN,AS,TS,4TRPT,2HN,3TRB,EUP,TBA,STBS,3PERC. NOT AS FORMIDABLE AS SOME OF THE OTHER WORKS LISTED HERE BY THIS COMPOSER - WOULD BE A NICE INTRODUCTION TO HIM. ALL PARTS PLAYABLE BY THE GOOD HS OR COLLEGE BAND. | |
| ANDERSSON, MAGNUS F. | UNDER RON, UNDER TIDEN = SOUS LE PONT SOUS LE TEMPS | BAND | Sweden | SMIC | 1991 | 14 MIN | H | C/U | 4FL(PIC),3OB,3CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC. ANOTHER HUGE WORK BY THIS IMPORTANT COMPOSER. IT IS VERY PLAYABLE BY THE GROUP THAT PAYS ATTENTION TO DETAIL. LOTS OF INTERESTING PERCUSSION. EXCELLENT FOR THE BIG COLLEGE BAND. |
| ANDRESEN, MOGENS | 3 SWEDISH TUNES | TROMBONE QUARTET | Denmark | DANISH BRASS | 198 | EST 7-8 MIN | M | C/U | MS IS A BIT TRICKY. MUTES. NEED BASS TROMBONE. LIGHT HEARTED PIECE. |
| ANDRESEN, MOGENS | RENAISSANCE MUSIC | BRASS QUINTET | Denmark | WHANSEN | 1982 | M | C/U/HS | 2TRPT,HN,2TRB,OPT TBA,SNARE DRUM,TIMPANI. SIX MOVEMENTS: 1. SERENADE 2. INTRADA 3. EMILIA MIA GENTILE 4. DIE NACHTIGALL 5. ECCO LA PRIMAVERA 6. THE KING OF DENMARK'S GALLIARD. | |
| ANTONSEN, IVAN | TRE PLANETER | WIND ENSEMBLE | Norway | NMIC | 1978 | 6 MIN | M | C/U/HS | FL,4CL,OB,BSN,2HN,3COR,3TRB,TBA,3PERC. I. MERCUR, II. VENUS, III. MARS, VERY ACCESSIBLE MUSIC, ONE ON A PART OR DOUBLED. |
| ARNASON, JON MULI/GUNNAR R SVEINSSON | VIKIVAKI | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | FULL SCORE:FL,SB,VIB,GUITAR. HEAD WITH CHANGES IN Bb. | ||
| ARNESTAD, FINN | SONATE | STRING BASS ALONE | Norway | NMIC | 1980 | 15 MIN | M/H | C/U | THREE MOVEMENTS. UPPER REGISTER & TENOR CLEF IN 1ST MOVE. MANY FLOWING NOTES IN 2ND. 3RD STARTS ADAGIO AND ENDS VIVO. GOOD COLLEGE STUDENT MATERIAL. |
| ARNESTAD, FINN | VAESLE - TJENNET | ORCHESTRA | Norway | MUSIKK-HUSET | 1987 | CA 3 MIN | M | C/U | FL,2CL,OB,BSN,2HN,EH,STRINGS. FOLK LIKE, LYRICAL. NOTE THE SMALL INSTRUMENTATION. |
| ARVEHEIM, MATTIAS | DE LEKTE... (AND SO THEY PLAYED..) | BRASS QUINTET | Sweden | BLAS-BASEN | 2004 | EST 3 MIN | M/H | C/U | PIC TRPT IN A,BbTRPT,HN,TRB,TBA. RELATIVELY SHORT, MOVING WORK. THE PICCOLO TRUMPET IS A MUST. FLOWING NOTES PATTERNS TOGETHER. THIS ALSO AVAILABLE BRASS, CLARINET AND SAXOPHONE QUARTET VERSIONS. |
| ARVEHEIM, MATTIAS | SUITE FOR BRASS | BRASS ENSEMBLE | Sweden | BLAS-BASEN | 2002 | EST 8 MIN | M | C/U | MOVEMENTS: KNYPPEL-STINA, THE WALTZ, INTERLUDE, TO YOU. 3 TRP,FLUG,4TRB,TBA. PLAYABLE MUSIC WITH SOME NICE IDEAS. THE THIRD, SHORT MOVEMENT IS FOR ONE TRUMPET, ONE HORN AND ONE TROMBONE AND ATTACCA’S IN TO THE LAST MOVEMENT. |
| ARVEHEIM, MATTIAS | THE DANCE OF LAKE MAGELUNGEN | BRASS QUARTET | Sweden | BLAS-BASEN | 2002 | EST 4 MIN | M | C/U | 2BbTRPT,2TRB. FOLK LIKE MUSIC - NEED TO OBSERVE THE COMPOSER’S RECOMMENDED STYLE STATED IN THE MUSIC. NO RANGE, RHYTHM OR TECHNICAL PROBLEMS, JUST TAKE CARE TO PLAY IT IN THE CORRECT STYLE. ALSO AVAILABLE IN A SAXOPHONE QUARTET VERSION. |
| ARVEHEIM, MATTIAS | THE MILLSTREAM | BRASS QUINTET | Sweden | BLAS-BASEN | 2004 | EST 3 MIN 30 SEC | E/M | C/U/HS | USUAL INSTRUMENTATION. SWINGING EIGHTH NOTES IN 3/4 TIME. TUBA PART IS NICE. THIS IS ALSO AVAILABLE IN BRASS AND SAXOPHONE QUARTET VERSIONS. |
| ASGEIRSSON, JON | A POEM OF SEVEN STRINGS | STRING ORCHESTRA | Iceland | ITM | 1968 | 10 MIN 30 SEC | M | C/U | 3VLN,2VLA,CELLO,SB. ONE ON A PART OR STRING ORCHESTRA. USEFUL AND PLAYABLE MATERIAL WITH NO SURPRISES. |
| ASGEIRSSON, JON | OKTET | WOODWIND OCTET | Iceland | ITM | 1977 | 7 MIN | M | C/U | 2FL(PIC),CL,BCL,OB,BSN,EH,CBSN. PLAYABLE WORK - TRY ALTERNATE INSTRUMENTS FOR EH OR CBSN IN A WOODWIND CHOIR. |
| ASGEIRSSON, JON | QUARTET | STRING QUARTET | Iceland | ITM | 1999 | EST 10+ MIN | E/M | C/U/HS | SEVERAL FOLK LIKE PIECES THAT WILL WORK VERY NICELY OF THE YOUNGER QUARTET AS WELL AS PEOPLE WHO WANT SOMETHING SPECIAL FOR A PERFORMANCE. GOOD COMPOSER AND A NICE SCORE. |
| ASGEIRSSON, JON | QUINTET FOR WOODWINDS | WOODWIND QUINTET | Iceland | ITM | 1971 | 9 MIN 55 SEC | M | C/U | THREE MOVEMENTS WITH A GOOD SCORE. |
| ASGEIRSSON, JON | THREE ICELANDIC FOLK SONGS | STRING QUARTET & PIANO | Iceland | ITM | 1975 | 9 MIN 10 SEC | M | C/U | THREE MOVEMENTS, PLAYABLE BY THE GOOD COLLEGE QUARTET AND PERHAPS FACULTY PIANIST OR EXCELLENT COLLEGE STUDENT. |
| ASGEIRSSON, JON | WIND QUINTET NO. 2 | WOODWIND QUINTET | Iceland | ITM | 1999 | EST 10+ MIN | M | C/U/HS | A GOOD COMPOSER WITH AN EASIER WORK FOR ALL. EXCELLENT C/U MUSIC! |
| ASHEIM, NILS HENRIK | GLASSHUS | SAXOPHONE QUARTET | Norway | NMIC | 2001 | 9 MIN | H | C/U | SS,AS,TS,BS. THIS IS VERY HARD MATERIAL, BUT AN EXAMPLE OF THE MUSIC HEARD FROM SAX QUARTETS IN THE NORDIC COUNTRIES. VERY MODERN: MIXED METER, RHYTHMIC PROBLEMS, DRAMATIC. EXCELLENT SCORE. |
| ASHEIM, NILS HENRIK | OLYMPISK FANFAREMARSJ | BAND | Norway | NMIC | 1993 | EST 2 MIN | M | C/U/HS | 2FL,OB,EbCL,3CL,BCL,2AS,TS,BS,BSN,3COR,2HN,3TRB,EUP,TBA,4PERC. A DIGNIFIED MARCH IN 3/4 FOR THE OLYMPICS AT LILLEHAMMER 1994. PLAYABLE, NO SURPRISES! |
| ASHEIM, NILS HENRIK | VINDU | VIOLIN & PIANO | Norway | NORSK | 1985 | CA 6 MIN | H | C/U | CONTEMPORARY HARMONY AND APPROACH. MANY DOUBLE STOPS & NEEDS A FINE ACCOMPANIST. |
| ATTERBERG, KURT/GOSTA MORBERG | DE FAVITSKA JUNGFRURNA: RAPSODI | BAND | Sweden | GEHRMANS | 1979 | 9 MIN | M | C/U/HS | 3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, TMP,SB,EH. EXCELLENT SCORE, NICE DEVELOPMENT OF A SWEDISH THEME. SOME PARTS QUITE EASY, VERY PLAYABLE. |
| ATTERBRG, KURT | SONAT, OP 27b | HORN & PIANO | Sweden | SMIC | 1930 | H | C/U | ORIGINALLY FOR CELLO. HORN PART ADAPTED BY DOMENICO CECCAROSSI IN 1955. A MAJOR WORK & WORTH WHILE MUSIC. |
©1991, 2007 Mark Lammers
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