Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| KAIPAINEN, JOUNI | CONCERTO FOR HORN AND ORCHESTRA, OP. 61 | HORN & ORCHESTRA | Finland | WHANSEN | 2001 | 24+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,3TRB,3PERC,PIANO,STRINGS. MOVEMENTS: MAESTOSO, LARGHETTO, VIVACE. SOME RANGE PROBLEMS FOR THE HORN AND LOTS OF NOTES. ORCHESTRA WILL NEED REHEARSAL TIME TO GET THE RHYTHMIC THINGS TO WORK OUT |
| KALLSTENIUS, EDVIN | DIVERTIMENTO, OP 29 | WOODWIND QUINTET | Sweden | SMIC | 1943 | 15 MIN | M/H | C/U | THREE MOVEMENTS OF PLAYABLE MUSIC WITH NO SURPRISES FROM A GOOD COMPOSER. |
| KALLSTENIUS, EDVIN | KLARINETT-KVINTETT, OP 17 | CLARINET & STRING QUARTET | Sweden | SUECIA | 1930 | EST 11-12 MIN | H | C/U | NOT A CLARINET SOLO - EVERYBODY WORKS! THREE MOVEMENTS THAT CAN STAND ALONE. |
| KALLSTENIUS, EDVIN | SVIT, OP 23 | WIND ENSEMBLE | Sweden | SMIC | 1938 | 12 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,TMP. 1 MARSCH, 2 POLONAISE, 3 MARCHFUNEBRE, 4 BURLESK. BEST PLAYED ONE ON A PART. |
| KANKANEN, AIMO | CANTINO | TRUMPET & PIANO | Finland | FiMIC | 1993 | EST 3 MN | E/M | C/U/HS | TRUMPET IN C. THIS IS A LYRICAL PIECE, GOES TO B AND STRAIGHT FORWARD. COMPOSER ALSO HAS SEVERAL OTHER WORKS AT THIS LEVEL FOR THIS COMBINATION WITH FIMIC. |
| KANKANEN, AIMO | JOY | SAXOPHONE (ALTO) AND ORGAN | Finland | FiMIC | 2000 | EST 3 1/2 MIN | M/H | C/U | A SERIOUS MODERN SETTING FOR ‘JOY’ WITH A FINE ORGAN ACCOMPANIMENT. THE SCORE IS JUST FUN TO LOOK AT -- PLAY IT! |
| KARJALAINEN, AHTI | CONCERTO FOR ORCHESTRA | TROMBONE & ORCHESTRA | Finland | FiMIC | 1942 | 19 MIN | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. HAS BEEN FREQUENTLY PERFORMED IN FINLAND. RANGE TO C. SCORE IS OLD AND IN MS. RENTAL ONLY. |
| KARJALAINEN, AHTI | KVINTETTO | WOODWIND QUINTET | Finland | FiMIC | 1977 | EST 9/10 MIN | H | C/U | THREE MOVEMENTS. I HAS MANY TIME CHANGES AND RHYTHMIC CHALLENGES, MESSY SCORE BUT GOOD PARTS. |
| KARJALAINEN, KARI | CAPRICCIOSO | TROMBONE & PIANO | Finland | FENNICA | 2003 | 5 MIN | M | C/U/HS | MIDDLE REGISTER ON THE TROMBONE. QUITE LYRICAL, SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. EARLY RECITAL OR CONTEST. |
| KARJALAINEN, KARI | FOUR PRACTICAL PIECES, OP.5 | TRUMPET & PIANO | Finland | FAZER | 1982 | 4 MIN 30 SEC | E | C/U/HS | 1. LULLABY, 2. CRAZY TONES, 3. BLUE HARMONY, 4. QUICK TONES. GOOD WORK AND FUN. |
| KARJALAINEN, KULLERVO | NUOREN MIEHEN MIELI | CLARINET TRIO | Finland | FIMIC | 1996 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ANDANTINO, GIOCOSO, IN TEMPO LIBERA, MODERATO, MODERATO. THE MOVEMENTS ALSO HAVE DESCRIPTIVE TITLES LIKE, “SAND AND WITCHES”. A FEW RHYTHMIC PROBLEMS AND A LOT OF NOTES IN PLACES. |
| KARKOFF, INGVAR | CHANT | SAXOPHONE AND ORGAN | Sweden | SMIC | 1997 | 3 MIN | E/M | C/U/HS | AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE. |
| KARKOFF, INGVAR | CONCERTO FOR TRUMPET & SYMPHONIC BAND | TRUMPET & BAND | Sweden | SMIC | 2002 | 18 MIN. | H | C/U | 2FL (PIC),2OB (ENGHN),EbCL,3CL,BASCL,2BSN,2AS.TS,BS,4HN,4TRB,2TBA,3PERC,PIANO,STRBS. SOLO TRUMPET IN C. ONE LONG PIECE, ACCOMPANIMENT PARTS ARE INTERESTING, THE TRPT SOLO IS VERY PLAYABLE AND THE WORK DESERVES PERFORMANCES. |
| KARKOFF, INGVAR | DREAM | WIND ENSEMBLE | Sweden | SMIC | 2000 | 11 MIN, 30 SEC | H | C/U | FL,OB,BSN,3CL,3TRPT,2HN,3TRB,EUP,TBA,SRBS,DRUM SET. INTENDED FOR THE SMALL BAND OR WIND ENSEMBLE. WRITTEN AS MOVIE MUSIC AFTER A ROBERTO CANALES FILM. EPISODIC, WITH SHORT SCENES, ETC. |
| KARKOFF, INGVAR | MEDITATION I, II, III | VIOLA & PIANO | Sweden | SMIC | 1992 | 9 MIN | M | HS/JHS | THREE MOVEMENTS. VERSIONS FOR ALTO FLUTE, CLARINET AND ALTO SAXOPHONE. IF YOU WANT TO PLAY THIS WORK, NEED GREAT PIANO PLAYER. THE VIOLA FLOATS ON TOP OF A LOT OF PIANO NOTES IN THE FIRST MOVEMENT, THEN JOINS IN THE FUN IN THE SECOND. THIRD MOVEMENT SLOW AND SERIOUS. |
| KARKOFF, INGVAR | NATTSTYCKEN (NIGHT PIECES) | FLUTE(ALTO) & HARP | Sweden | SMIC | 1989 | H | C/U | FOUR MOVEMENTS FOR AN UNUSUAL COMBINATION. WORK NEEDED BUT NO SPECIAL PROBLEMS. | |
| KARKOFF, INGVAR | PROCESS | BAND | Sweden | SMIC | 1980 | 12 MIN | H | C/U | PIC,4FL,3CL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,5PERC,PIANO. ESOTERIC WITH SOME NONTRADITIONAL NOTATION, RHYTHMIC CHALLENGES, FINE PERCUSSION PARTS. UNUSUAL INSTRUMENTATION. |
| KARKOFF, INGVAR | SOMMARMUSIK FOR SAXOFONKVARTETT | SAXOPHONE QUARTET | Sweden | SMIC | 2004 | 9 MIN 30 SEC | E/M | C/U/HS | SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS. |
| KARKOFF, MAURICE | 6 PEZZI BREVI, OP 113 | OBOE ALONE | Sweden | GEHRMANS | 1977 | M | C/U/HS | SIX SHORT SECTIONS: 1. MEDITAZIONE, 2. PASTORALE, 3. SCHERZETTO, 4. CANZONETTA, 5. CAPRICCIO, 6. CONTEMPLAZIONE. MUSICAL AND PLAYABLE. | |
| KARKOFF, MAURICE | A SHORT SYMPHONY FOR SYMPHONIC BAND, OP 147 | BAND | Sweden | SMIC | 1981 | 14 MIN | H | C/U | PIC,FL,4CL,BCL,OB,2BSN,AS,TS,2HN,2COR,2TRPT,2TRB,EUP,TBA,2PERC, TMP,SB. 3 MOVEMENTS. MOVEMENTS 1 & 3 HAVE RHYTHMIC COMPLEXITY. GOOD SCORE. |
| KARKOFF, MAURICE | CEREMONIMUSIK NR 1, OP 134 | BAND | Sweden | SMIC | 1977 | 4 MIN | H | C/U | 3FL,EbCL,6CL,AS,TS,BS,4HN,6COR,3TRB,2EUP,2TBA,2PERC,TMP. NOTE INSTRUMENTATION! FREQUENT METER CHANGES IN A PLAYABLE SCORE. |
| KARKOFF, MAURICE | CONCERTO, OP 132 | TRUMPET & ORCHESTRA | Sweden | SMIC | 1976 | 20 MIN | H | C/U | FL,CL,BCL,OB,BSN,2HN,TRB,4PERC,STRINGS. FOUR MOVEMENT WORK FOR THE VERY BEST. STRAIGHT AHEAD AND HARD FOR BOTH SOLOIST AND ORCHRSTRA. RENTAL ONLY. |
| KARKOFF, MAURICE | KORTA VARIATIONER, OP 9 | STRING ORCHESTRA | Sweden | SUECIA | 1963 | EST 9 1/2 MIN | M | C/U | EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST BUT FEW PROBLEMS FOR PERFORMANCE. SCORE FOR SALE, PARTS RENTAL. |
| KARKOFF, MAURICE | KORTA VARIATIONER, OP 9 | STRING QUARTET | Sweden | SUECIA | 1963 | EST 9 1/2 MIN | M | C/U | EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST -- FEW PROBLEMS FOR PERFORMANCE. |
| KARKOFF, MAURICE | KVARTETT FOR MASSINGSBLASARE, OP 33 | BRASS QUARTET | Sweden | SUECIA | 1973 | 14 MIN | H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. MIXED METER. NEEDS REHEARSAL. 2TRPT,HN,TRB. COMFORTABLE CHALLENGE. |
| KARKOFF, MAURICE | POEM (DROMMERI), OP 165 | CLARINET & PIANO | Sweden | SMIC | 1988 | 17 MIN | H | C/U | A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY. |
| KARKOFF, MAURICE | POEM (DROMMERI), OP 166 | SAXOPHONE(ALTO) & PIANO | Sweden | SMIC | 1988 | 17 MIN | H | C/U | A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY. |
| KARKOFF, MAURICE | POEM (DROMMERI), OP 166 | VIOLA & PIANO | Sweden | SMIC | 1988 | 17 MIN | H | C/U | A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY. |
| KARKOFF, MAURICE | TRE COLORI, OP 142 | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 5 MIN | H | C/U | THREE MOVEMENTS, MIXED METER , PARTS PLAYABLE. |
| KARLSEN, KJELL MORK | CHORALE SONATE NR 2 | BASSOON & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| KARLSEN, KJELL MORK | CHORALE SONATE NR 2 | CELLO & ORGAN | Norway | NORSK | 1973 | M | C/U | SUGGEST USE FOR TROMBONE, EUPHONIUM OR BASSOON. A GENTLY FLOWING PIECE YOU WILL LIKE. BASED ON 'AUS TIEFER NOT SCHREI ISH ZU DIR'. | |
| KARLSEN, KJELL MORK | CHORALE SONATE NR 2 | EUPHONIUM & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| KARLSEN, KJELL MORK | CHORALE SONATE NR 2 | TROMBONE & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| KARLSEN, KJELL MORK | CONCERTO FOR EUPHONIUM AND BRASS BAND, OP.26 | EUPHONIUM & BRASS BAND | Norway | NMIC | 1986 | 17 MIN | H | C/U | A MAJOR WORK FOR EUPHONIUM! STANDARD BRASS BAND INSTRUMENTATION. |
| KARLSEN, KJELL MORK | CONCERTO FOR ORGAN & SYMPHONIC BAND, OP 28B | BAND & ORGAN | Norway | NMIC | 20 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 2PERC,TMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. LOTS OF EXCITEMENT FOR A ROOM WITH SPACE FOR THE LARGE ENSEMBLE BUT NOT TOO WILLING ACOUSTICALLY. | |
| KARLSEN, KJELL MORK | CONCERTO FOR ORGAN AND BAND | BAND AND ORGAN | Norway | NMIC | 1973/1986 | 20 MIN. | M/H | C/U | PIC,2FL,OB,BSN,EbCL,3CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,3PERC. MOVEMENTS: DIALOG, CHORAL, RONDO-FINALE. FOR SCHOOLS WITH A GOOD ORGAN AND ORGANIST A WORK THEY CAN COMBINE ON. THIS IS PLAYABLE MUSIC ON A SCORE WITH GOOD MS. . |
| KARLSEN, KJELL MORK | CONCERTO FOR ORGAN, BRASS INSTRUMENTS & PERC,OP 28 | BRASS & ORGAN | Norway | NMIC | 20 MIN | M | C/U | 3TRPT,2HN,3TRB,TBA,PERC,TIMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. MUCH EXCITEMENT. SEE BAND VERSION (OP 28B). | |
| KARLSEN, KJELL MORK | CONCERTO FURVUS | TUBA & BAND | Norway | NMIC | 1990 | 17 MIN | H | C/U | 3FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,EbTBA,BbTBA,4PERC. ALL SECTIONS CONNECTED. TUBA NEEDS THE HIGH F. BAND ACCOMPANIMENT IS EASIER THAN THE SOLO PART. OUTSIDE THE OCCASIONAL RANGE QUESTION THE SOLO PART IS NOT TOO DIFFICULT. |
| KARLSEN, KJELL MORK | MEDITATIO PER OBOE SOLO | OBOE ALONE | Norway | NORSK | 1996 | 5 MIN | M/H | C/U | PLENTY ROOM FOR RUBATO STYLE PLAYING. FORM IS SLOW, FAST,SLOW. THE FAST SECTION IS SHORT, MOSTLY SLOW MEDITATIVE. |
| KARLSEN, KJELL MORK | PARTITA BREVIS OVER EN NORSK FOLKTONE | VIOLA & ORGAN | Norway | NMIC | 1993 | EST 5+ MIN | M/H | C/U | ACCOMPANIMENT CAN BE PLAYED BY A PIANO. THIS SOLO IS ALSO FOR CLARINET. THE MUSIC IS IN MODERATELY GOOD MS, BUT GOOD LITERATURE FOR THIS INSTRUMENT IS IN SHORT SUPPLY SO TRY THIS WORK BY A GOOD COMPOSER. SOLOIST NEEDS ALTO AND TREBLE CLEF. |
| KARLSEN, KJELL MORK | SALMESYMFONI NO.2, OP. 73 (PSALM SYMPHONY) | BAND WITH CHOIR & ORGAN | Norway | NMIC | 1986 | 28 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC,SB,CHOIR,ORGAN. ONE MOVEMENT, A MAJOR WORK. ORGAN PART THIN, CHOIR EASY, BAND HARD. ENDS QUIETLY. |
| KARLSEN, KJELL MORK | SERENATA PER FAGOTTO E ARCHI | BASSOON & STRING ORCHESTRA | Norway | NMIC | 2001 | 16 MIN | H | C/U | SCORE IS IN FAIR MS. WE LIKE THIS COMPOSER SO WORTH THE EFFORT. A LOT OF NOTES FOR THE SOLOIST, BUT MOSTLY REASONABLE RANGE. C/U MATERIAL. |
| KARLSEN, KJELL MORK | SONATA FOR TRUMPET & PIANO | TRUMPET & PIANO | Norway | NORSK | 1980 | H | C/U | FOUR MOVEMENTS: 1 ALLEGRO, 2 SERENADE, 3 MARCH, 4 IMPROVISATION - FINALE. DOUBLE TONGUE, VARIETY OF STYLES, MUSICALITY, GOOD PIECE. | |
| KARLSEN, KJELL MORK | SONATINE OVER EN FOLKETONE FRA ETNE | FLUTE & PIANO | Norway | NORSK | 1992 | EST 8 MIN | M/H | C/U | MOVEMENTS: ALLEGRO,BICINIUM OSTINATO E CHORALE, FUGE. COMPOSER SUGGEST THAT THE WORK CAN BE PLAYED BY FLUTE AND ORGAN. SOME MIXED METER. GOOD ACCOMPANIST NEEDED. |
| KARLSEN, KJELL MORK | VIKINGHYMNE, OP 59A | BAND | Norway | NMIC | 12 MIN 30 SEC | M/H | C/U/HS | FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. AN OLD VIKING HYMN WITH LOTS OF WORK FOR THE WW'S IN A GOOD SCORE. | |
| KARLSSON, SVANTE/STIG GUSTAFSON | MALM-GUTTEN (MARCH) | BAND | Sweden | LEMA | 1986 | 2 MIN 40 SEC | E/M | HS/JHS | GOOD SCORING FOR INCOMPLETE BANDS, 6/8 MARCH, CLEAN SCORE. PARTS ARE MARCH SIZE. STANDARD INSTRUMENTATION. |
| KATILA, TIMO | MUISTOJA ALEGONIASTA (MEMORIES FROM ALEGONIA) | TRUMPET (2) AND PIANO | Finland | FiMIC | 2003 | EST 8+ MIN | E/M | C/U/HS | MOVEMENTS: ALLEGRO, CANTABILE, ALLEGRETTO. EASY MUSIC WITH A SOLO VERSION AVAILABLE. |
| KAYSER, LEIF | CALEIDOSCOPIO | FLUTE & ORGAN | Denmark | DMIC | 1976 | 15 MIN | M/H | C/U | FREQUENT CHANGE OF TIME SIGNATURE BUT A STEADY PULSE. FLUTE PART MODERATE, ORGAN DIFFICULT. |
| KAYSER, LEIF | CONCERTO | HORN & STRING ORCHESTRA | Denmark | DMIC | 1951 | 25 MIN | M/H | C/U | SECTIONS ATTACCA - NO STOPS! DIFFICULT FOR HORN, MEDIUM FOR ORCHESTRA. A MAJOR WORK AND WORTHY. |
| KAYSER, LEIF | "KONG KRISTIAN STOD" KONCERT OUVERTURE, OP 5 | ORCHESTRA | Denmark | SAMFUNDET | 1951 | 9 MIN | M | C/U/HS | PIC,2FL,2CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ENERGY FILLED PIECE. SOLID PROGRAM OPENER. |
| KAYSER, LEIF | TRILOGIA PASQUALE | WOODWIND QUINTET | Denmark | DMIC | 1980 | 14 MIN | M | C/U | THREE MOVEMENTS: 1 BALLATA, 2 SEQUENZA, 3 CHIRLANDE. RHYTHMIC THROUGHOUT, FLOWS IN 2 & 3. HIGHLY POLYPHONIC. |
| KEKKONEN, REIJO | SUITE FOR BRASS QUINTET | BRASS QUINTET | Finland | SULASOL | 2004 | EST 10+ MIN | M | C/U/HS | MOVEMENTS: FANFARE-MAESTOSO, CAROL, BALLADE, VALSE, COUNT DOWN-TRANQUILLO, ALLEGRO. THE ONLY MOVEMENT THAT MAY CONFOUND IS THE BALLADE WHERE THE COMPOSER DOES SOME TRICKY THINGS WITH THE RHYTHM. |
| KEMPE, HARALD | SERENAD | OBOE & PIANO | Sweden | SMIC | 1945 | 11 1/2 MIN | M | C/U/HS | 1. MARCIETTA, 2. ARIA, 3. CANZONETTA QUASI MINUETTO, 4. MARCIA BURLESKA. MOVEMENTS CAN STAND ALONE. STRAIGHT AHEAD MATERIAL. |
| KENTISH, OLIVER | BAGATELLE | STRING BASS ALONE | Iceland | ITM | 2001 | 7 MIN | M/H | C/U | SOME NICE PERCUSSIVE EFFECTS BY TAPPING THE BASS WHILE PLAYING -- SOMETHING OF A JAZZ FEEL TO THE WORK. LOOKS LIKE FUN! |
| KENTISH, OLIVER | DREAMS & DANCES | VIOLA & ORCHESTRA | Iceland | ITM | 2002 | 25 MIN | H | C/U | FL(PIC),OB(EH),CL(BCL),BSN,HN,TRPT,TRB,PIANO,2PERC,STRINGS. THE OPENING WILL TAKE A LITTLE WORK FOR THE ORCHESTRA. AFTER THAT IT GETS EASIER TO SUPPORT THE SOLOIST WHO WILL BE WORKING QUITE HARD! |
| KENTISH, OLIVER | ETERNITY | CELLO & ORCHESTRA | Iceland | ITM | 1999 | EST 15+ MIN | H | C/U | THREE MOVEMENTS OF INTERESTING MATERIAL - ESPECIALLY FOR THE CELLIST, BUT A COMFORTABLE ACCOMPANIMENT BY THE STRING ORCHESTRA. SOME NICE EFFECTS. SEE ALSO HIS TRIPTYCH WITH SAME INSTRUMENTATION. |
| KENTISH, OLIVER | IN G | TROMBONE ALONE | Iceland | ITM | 1999 | 9 MIN | M/H | C/U | THREE MOVEMENTS THAT MAKE REASONABLE DEMANDS UPON THE PLAYER. GOOD FOR A FIRST SOLO ALONE WORK. |
| KENTISH, OLIVER | RUNE ROW | BASS CLARINET ALONE | Iceland | ITM | 2003 | 20 MIN | H | C/U | THREE MOVEMENTS OF INTERESTING MATERIAL FOR THE DEDICATED BASS CLARINETIST. SHORT SECTION OF SUGGESTED MULTI-PHONICS, BUT WE THINK YOU WILL LIKE THIS ONE! |
| KENTISH, OLIVER | SINFONIETTA | STRING ORCHESTRA | Iceland | ITM | 1998 | 30 MIN | M/H | FOUR MOVEMENTS. SOME TRICKY SECTIONS, BUT THIS SHOULD PLAY BY GOOD C/U ENSEMBLES. | |
| KENTISH, OLIVER | SONATINE | OBOE & PIANO | Iceland | ITM | 1999 | EST 10+ MIN | M/H | C/U | CONTEMPORARY SETTING AND PLAYABLE. NOT ALL NOTES WILL QUITE FIT, BUT THIS WILL PLAY BY THE C/U STRONG STUDENT. |
| KENTISH, OLIVER | SONNET | VIOLIN & PIANO | Iceland | ITM | 2000 | 9 MIN | M/H | C/U | THE VIOLIN WILL SING ON THIS ONE WITH A NICE ACCOMPANIMENT. MAINLY SLOW TEMPOS. |
| KENTISH, OLIVER | TOCCATA-RONDO | STRING ORCHESTRA | Iceland | ITM | 2005 | 6 MIN 30 SEC | M/H | C/U | A VERY NICE SCORE WITH SOME MIXED METER, BUT ALL PLAYABLE. ALSO SEE THIS COMPOSER’S EASIER WORK TITLED, ‘REGRET’. |
| KENTISH, OLIVER | WOODWIND QUARTET | WOODWIND QUARTET | Iceland | ITM | 1989 | 30 MIN | H | C/U | FL,OB,CL,BSN. SOME RHYTHMIC DIFFICULTIES TO SMOOTH OUT. SOMETHING FOR EACH MEMBER OF THE ENSEMBLE TO CONTRIBUTE AND NEED REHEARSAL TIME. |
| KILPIO, LAURI | BLACK JOY | HORN ALONE | Finland | Uusinta | 2002 | EST 4 MIN | H | RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT | |
| KJAERNES, BJORN MORTEN | BLA KONTRASTER | BAND | Norway | FROST | 1987 | 5 MIN 45 SEC | E/M | HS | PIC,2FL,3CL,ACL,BCL,OB,AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,3PERC,TMP, SB. OVERTURE WITH LOTS OF PERCUSSION AND SOME NONTRADITIONAL NOTATION. CLEAN SCORE & PLAYABLE. |
| KJAERNES, BJORN MORTEN | FORM AND COLOURS | BAND | Norway | WARNER/CHAPPELL | 2000 | EST 11 MIN | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. BASED ON A MATHEMATIC FORMULA OR TONE ROW. A SHORT ALEATORIC SECTION. GOOD WORK FOR THE YOUNG ENSEMBLE WILLING TO WORK AT A CONTEMPORARY STYLE OF WRITING. GOOD INSTRUCTIONS BY THE COMPOSER. |
| KJAERNES, BJORN MORTEN | FORM OG FARGER | BAND | Norway | NMIC | 1982 | H | C/U/HS | PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,2PERC,TMP,SB. OVERTURE -LIKE WITH ACTION FOR ALL, MUCH VARIETY. FUN FOR PLAYERS AND AUDIENCE. | |
| KJAERNES, BJORN MORTEN | I MITT HJERTES HAVE | BAND | Norway | FROST | 1985 | EST 5 MIN | E/M | HS | 3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. OVERTURE. SWING IN SOME SECTIONS, OTHERS FLOW. GOOD MATERIAL FOR THE YOUNG BAND. |
| KJELDAAS, ARNLJOT | INTRADA FESTIVALE | BAND | Norway | NMIC | 4 MIN | E | C/U/HS | PIC,FL,2CL,BCL,OB,BSN,AS,TS,3HN,3COR,2TRPT,2TRB,EUP,2TBA,2PERC, (TBA IN Bb AND Eb.) OPENER FOR CONCERT. 4/4 ALL THE WAY. POSSIBLE CONTEST PIECE. NOTE INSTRUMENTATION. | |
| KJELDAAS, ARNLJOT | SONATE FOR CELLO OG KLAVER, OP 68 | CELLO & PIANO | Norway | NMIC | 1987 | M | C/U | THREE MOVEMENTS(FSF) OF MATERIAL FOR COLLEGE RECITALS. NO PROBLEMS. | |
| KLAMI, UUNO | ALKUSOITTO (LUSTSPIELOUVERTURE) | ORCHESTRA | Finland | FAZER | 1936 | 9 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TMP,STRINGS. MOSTLY IN 2/4. PROGRAM OPENER. FUN FOR THE PERFORMERS AND INTERESTING FOR THE AUDIENCE. RENTAL ONLY. |
| KLAMI, UUNO | CONCERTO FOR VIOLIN & ORCHESTRA, OP 32 | VIOLIN & PIANO | Finland | FAZER | 1967 | EST 12+MIN | H | C/U | THREE MOVEMENTS. LATE 19TH CENTURY COMPOSER. WORK WAS COMPLETED BY OTHERS FROM COPIES OF THE ORIGINAL. ORCHESTRA PARTS NOT AVAILABLE. |
| KLAMI, UUNO | FOUR FINNISH FOLK SONGS, OP 12 | STRING ORCHESTRA | Finland | FAZER | 1942 | EST 9+MIN | E/M/ | C/U/HS | NEEDS PIANO. IN FOUR MOVEMENTS THAT CAN STAND ALONE. PLAYABLE AND ACCESSIBLE. |
| KLAMI, UUNO | HOMMAGE A HAENDEL, OP 21 | STRING ORCHESTRA | Finland | FAZER | 1931 | EST 30 MIN | M | C/U/HS | FOUR MOVEMENTS WITH PIANO. NOT A PIANO SOLO, BUT PIANIST MUST BE COMPETENT. BAROQUE IN SOUND AND APPROACH. |
| KLAMI, UUNO | HUMORESQUE,OP 36 & CHANSON TRISTE,OP36/2 | VIOLIN & PIANO | Finland | FAZER | 1985 | 7 MIN | E/M | C/U/HS | EACH PIECE CAN STAND ALONE. SOLO AND RECITAL MATERIAL. LYRICAL, FLOWING AND STRAIGHT AHEAD. |
| KLEIBERG, STALE | SONATA FOR FLUTE & PIANO | FLUTE & PIANO | Norway | NORSK | 1999.2003 | EST 10+ MIN | H | C/U | TWO MOVEMENTS, THE FIRST IS HIGHLY RUBATO WITH FREQUENT CHANGES OF TEMPO ENDING WITH A STRICT TEMPO EXCHANGE WITH THE PIANO. 2ND MOVEMENT IS MORE RHYTHMIC. NEED AN EXCELLENT, UNDERSTANDING AND SENSITIVE PIANIST! GREAT ADDITION TO THE LITERATURE. |
| KNOPH, JOACHIM | SONATA | OBOE & PIANO | Norway | 2L | 2001 | 16 MIN | H | C/U | MOVEMENTS: MODERATO, TRANQUILLO, ALLEGRO DECISO. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD MATERIAL AND PLAYABLE BY THE GOOD V/U STUDENT. GO TO THE WEB SITE TO DOWNLOAD THIS MATERIAL: WWW.2L.NO. |
| KOCH, DAGFINN | BEYOND BAYAT | BAND | Norway | WARNER/CHAPPELL | 1999/2000 | EST 4 MIN | M | C/U/HS | 2FL(PIC),OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. THE WORK MAY BE PLAYED BY A SMALLER INSTRUMENTATION AS NOTED IN THE SCORE BY THE COMPOSER. A SLOW, EUROPEAN STYLE MARCH. NICE SWEEPING WW LINES AND SOME EXCITEMENT. |
| KOCH, DAGFINN | URBAN RHAPSODY | CLARINET ALONE | Norway | NMIC | 1997 | 4 MIN 30 SEC | M/H | C/U | INTERESTING LAYOUT TO THIS SOLO PIECE. C/U STUDENTS SHOULD ENJOY WORKING ON THIS COMPOSITION. OPPORTUNITY TO MAKE MUSIC ALONE. |
| KOCH, ERLAND VON | AUDA | BRASS QUINTET | Sweden | PEER | 1981 | 10 MIN | M | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. ITS STRAIGHT AHEAD. |
| KOCH, ERLAND VON | CANTILENA - VIVO | SAXOPHONE QUARTET | Sweden | GEHRMANS | 1978 | 4 1/2 MIN | E/M | C/U/HS | S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL. |
| KOCH, ERLAND VON | CANTILENA E MARCIA POPULARE NO.1 | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 5 MIN | E | C/U/HS | GOOD COMPOSER OF MUSIC THAT IS PLAYABLE AND WORTHWHILE FOR SCHOOL ENSEMBLES. |
| KOCH, ERLAND VON | CAPRICIETTO | FLUTE & PIANO | Sweden | SMIC | 1992 | est. 2 min | M | C/U/HS | OTHER THAN SOME VERY HIGH REGISTER PLAYING, THIS IS VERY PLAYABLE MUSIC. PIANO ACCOMPANIMENT IS NOT HARD, BUT APPROPRIATE. |
| KOCH, ERLAND VON | DANS NO 2 | CELLO & PIANO | Sweden | NORDISKA | 1938 | CA 3 MIN | M/H | C/U | STRAIGHT AHEAD RECITAL TYPE PIECE. |
| KOCH, ERLAND VON | DANS NO 2 | VIOLIN & PIANO | Sweden | NORDISKA | 1938 | CA 3 MIN | M/H | C/U | STRAIGHT AHEAD RECITAL TYPE PIECE. |
| KOCH, ERLAND VON | FESTMARSCH | ORCHESTRA | Sweden | SMIC | 1974 | 4 1/2 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. A SLOW CONCERT MARCH MARKED MM=80. GOOD SCORE. RENTAL ONLY. |
| KOCH, ERLAND VON | FOLKLIG MARSCH NR 2 | STRING ORCHESTRA | Sweden | SMIC | 1983 | EST 3 MIN | E | C/U/HS | FOLK TUNE & STRAIGHT AHEAD. VLN 3 SUB FOR VIOLA IF NEEDED. NICE AND EASY. RENTAL ONLY. |
| KOCH, ERLAND VON | MELO-RITMO | BRASS QUINTET | Sweden | GEHRMANS | 1980 | 6 MIN | M/H | C/U | IT WORKS AND IS VERY PLAYABLE. TWO MOVEMENTS. |
| KOCH, ERLAND VON | MELODI | FLUTE & PIANO | Sweden | SMIC | I992 | est. 2 min 15 sec | E/M | C/U/HS | THE COMPOSER SUGGESTS THAT THE WORK MAY BE PLAYED BY ANY TREBLE CLEF INSTRUMENT. HE ALSO WRITES THAT IT CAN BE PLAYED SUCCESSFULLY WITHOUT PIANO ACCOMPANIMENT. |
| KOCH, ERLAND VON | "MINIATYRER" FOR SAXOPHONE QUARTET | SAXOPHONE QUARTET | Sweden | BREITKOPF & HÄRTEL | 1970 | M/H | C/U/HS | S.A.T.B. FOUR MOVEMENTS OF VERY PLAYABLE MATERIAL IN GOOD RANGES FOR THE INSTRUMENTS. | |
| KOCH, ERLAND VON | MONOLOG NR 1 | FLUTE ALONE | Sweden | GEHRMANS | 1977 | 6 MIN | M/H | C/U/HS | TWO MOVEMENTS OF PLAYABLE CHALLENGE BY A GOOD COMPOSER. |
| KOCH, ERLAND VON | MONOLOG NR 11 | PERCUSSION ALONE | Sweden | GEHRMANS | 1978 | M/H | C/U | MANY INSTRUMENTS AND EXCELLENT FOR RECITAL. | |
| KOCH, ERLAND VON | MONOLOG NR 15 | VIOLIN ALONE | Sweden | GEHRMANS | 1978 | 5 1/2 MIN | M/H | C/U/HS | RECITAL OR STUDIO MATERIAL. GOOD UNDERSTANDING OF THE INSTRUMENT DISPLAYED BY THE COMPOSER. |
| KOCH, ERLAND VON | MONOLOG NR 2 | OBOE ALONE | Sweden | GEHRMANS | 1977 | 6 MIN | M | C/U/HS | TWO MOVEMENTS OF PLAYABLE, STRAIGHT AHEAD MATERIAL. |
| KOCH, ERLAND VON | MONOLOG NR 3 | CLARINET ALONE | Sweden | GEHRMANS | 1977 | 6 MIN | M | C/U | TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER. ALSO FOR Eb CLARINET AND BASS CLARINET. |
| KOCH, ERLAND VON | MONOLOG NR 4 | SAXOPHONE ALONE | Sweden | GEHRMANS | 1977 | 5 1/2 MIN | M | C/U/HS | TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER AND DEDICATED TO SIGRUD RACSHER. |
| KOCH, ERLAND VON | MONOLOG NR 6 | HORN ALONE | Sweden | GEHRMANS | 1977 | 6 MIN | H | C/U | TWO MOVEMENTS USING EXTREME RANGES. MOVEMENT 1 IS EXPRESSIVE AND 2 MOVES. |
| KOCH, ERLAND VON | MONOLOG NR 7 | TRUMPET ALONE | Sweden | GEHRMANS | 1977 | 5 MIN | M | C/U | TWO MOVEMENTS USING MODEST RANGE. MUSICALLY CHALLENGING. |
| KOCH, ERLAND VON | MONOLOG NR 8 | TROMBONE ALONE | Sweden | GEHRMANS | 1977 | 6 MIN | H | C/U | STUDY MATERIAL OR FIRST SOLO ALONE. 2 MOVEMENTS, TO HIGH C. |
| KOCH, ERLAND VON | MONOLOG NR 9 | TUBA ALONE | Sweden | GEHRMANS | 1977 | 2 1/2 MIN | M/H | C/U/HS | TWO MOVEMENTS WITH HIGH TESSITURA, BUT OSSIA PARTS AVAILABLE. |
| KOCH, ERLAND VON | PIANO CONCERTO NR 3 (VERSION B) | BAND & PIANO | Sweden | SMIC | 1970 | 14 MIN | M/H | C/U | PIC,2FL,4CL,BCL,2OB,2BSN,AS,2TS,2HN,2COR,2TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. THREE MOVEMENT OPPORTUNITY FOR THE FACULTY PIANIST OR TOP STUDENT PERFORMER. BAND DEMANDS ARE MODEST. |
| KOCH, ERLAND VON | RONDO | SAXOPHONE(ALTO) & STRING ORCH | Sweden | DORN PUBLICATIONS | 1983 | CA 4 MIN | M | C/U/HS | VERY PLAYABLE BY A GOOD COMPOSER. |
| KOCH, ERLAND VON | RONDO | ALTO SAXOPHONE & STRING ORCHESTRA | Sweden | SMIC | 1983 | CA 4 MIN | M | C/U/HS | VERY PLAYABLE BY A GOOD COMPOSER. RENTAL ONLY. |
| KOCH, ERLAND VON | SAXOPHONIA | SAXOPHONE QUARTET & BAND | Sweden | DORN PUBLICATIONS | 1976 | 18 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES. |
| KOCH, ERLAND VON | TROMBONIA | TROMBONE & ORGAN | Sweden | SMIC | 1983 | CA 5 MIN | H | C/U | ONE MOVEMENT, MODERATO, SOME HIGH REGISTER. STRING ORCHESTRA PARTS AVAILABLE. |
| KOCH, ERLAND VON | TUBA CONCERTO | TUBA & STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. SCORE FOR SALE, PARTS RENTAL. |
| KOCH, ERLAND VON | TUBA CONCERTO | TUBA & PIANO | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. STRING ORCHESTRA PARTS AVAILABLE. |
| KOCH, ERLAND VON | TUBANIA | TUBA & PIANO | Sweden | SMIC | 1983 | H | C/U | EXTREME HIGH REGISTER FOR TUBA. IT LAYS WELL FOR THE EUPHONIUM. GOOD SCORE. ONE MOVEMENT. | |
| KOCH, ERLAND VON/ERNST KALLBERG | RYTMISKA STRAKBAGATELLER`FYRA STYCKEN FOR RHTHMISK | STRING ORCHESTRA | Sweden | GEHRMANS | 1979 | 10 MIN | M | C/U/HS | THREE MOVEMENTS FROM 'FYR STYCKEN FUR RHTMISKA FOR PIANO.' LOTS OF DIVISI. |
| KOCH, ERLAND VON/GOSTA MORBERG | EN SOMMARLAT | WOODWIND ENSEMBLE | Sweden | GEHRMANS | 1979 | M | C/U | 2 FL, 2 OB, 2CL, 2 HN, 2 BSN. MOSTLY STRAIGHT AHEAD MATERIAL. | |
| KOCH, JESPER | DOWN THE RAABBIT-HOLE | WOODWIND QUINTET | Denmark | KONTRAPUNKT | 1996/98 | EST 5+ MIN | M/H | C/U | NOTE CLARINET IN A. THIS IS A MOODY PIECE WITH MANY CHANGES OF EMOTION AND TEMPO. THE TITLE MAKES ONE WANT TO PLAY IT AND IT IS PLAYABLE BY THE ATTENTIVE C/U ENSEMBLE, BUT THEY WILL NEED TIME TO WORK OUT A FEW PROBLEMS. |
| KOHLENBERG, OLIVER | LE TORRE DI BOLOGNA | TUBA ALONE | Finland | JASEMUSIIKKI | 1985/91 | EST 8+ MIN | M/H | C/U | EIGHT SECTIONS, EACH WITH A DIFFERENT RHYTHMIC PATTERN AND TWO WITH HIGH RANGE NEEDED. SECTIONS MAY BE WORKED ON SEPARATELY. GOOD PRACTICE STAND MATERIAL. |
| KOISITOINEN, EERO | EN VOI UNHOITTAA SUA MIELESTANI POIES | STAGE BAND | Finland | ELVIS | 1982 | M/H | C/U | STANDARD INSTRUMENTATION, TRUMPETS DOUBLE FLUGELHORNS, TENOR SOLO, KEY OF G. SWING. | |
| KOIVISTOINEN, EERO | KUKONPESA | STAGE BAND | Finland | FiMIC | EST 7+MIN | H | C/U/HS | MEDIUM UP TEMPO STRAIGHT AWAY JAZZ. GOOD THINGS FOR THE SAX AND BLOWERS WITHOUT RHYTHM SECTION A LA ROB MCCONNELL. | |
| KOIVISTOINEN, EERO | SMORREBROD | STAGE BAND | Finland | FiMIC | EST 6+MIN | M/H | C/U/HS | MEDIUM FAST SWING. GOOD SCORE. ENSEMBLE AND SOLO BACKGROUNDS ARE GOOD. | |
| KOKKONEN, JOONAS | DUO FOR VIOLINE UND KLAVIER | VIOLIN & PIANO | Finland | FiMIC | 1955 | M/H | C/U | THREE MOVEMENTS, LIKE A SONATA, FOR RECITAL OR STUDY. A GOOD SCORE AND PLAYABLE. | |
| KOKKONEN, JOONAS | IL PAESAGGIO FOR ORCHESTRA DA CAMERA. | ORCHESTRA | Finland | FiMIC | 1990 | EST 6+ MIN | M | C/U/HS | FL,OB,CL,BSN,HN,STRINGS. BASICALLY A WW QUINTET AND STRING ORCHESTRA. NOTHING A GOOD HS OR C/U WW QUINTET AND STRING ORCHESTRA CANNOT PLAY. SCORE IS MS. |
| KOKKONEN, JOONAS | MUSIC FOR STRING ORCHESTRA | STRING ORCHESTRA | Finland | FAZER | 1957 | H | C/U | FOUR MOVEMENTS WITH SOME DIVISI AND PLAYABLE. | |
| KOKKONEN, JOONAS | QUARTETTO | STRING QUARTET | Finland | FiMIC | 1973 | M/H | C/U | THREE MOVEMENTS IDEAL FOR THE COLLEGE QUARTET. | |
| KOKKONEN, JOONAS | QUINTET | WOODWIND QUINTET | Finland | SCHIRMER | 1977 | H | C/U | THREE MOVEMENTS IN A GOOD SCORE AND PLAYABLE MUSIC. | |
| KOKKONEN, JOONAS | SINFONIA DA CAMERA | STRING ORCHESTRA | Finland | FiMIC | 1964 | H | C/U | FOUR MOVEMENTS FOR 7 VIOLINS, 2 VIOLAS, 2 CELLOS AND STRING BASS. SOLID SCORE FOR GOOD COLLEGE STRINGS. RENTAL ONLY. | |
| KOKKONEN, JOONAS | SINFONIA IV | ORCHESTRA | Finland | SCHIRMER | 1911 | 21 MIN | H | C/U | 3FL,AFL,2CL,BCL,2OB,EH,2BSN,CBSN,4HN,3TRPT,3TRB,PERC,TMP,HARP,STRINGS. THREE MOVEMENTS THAT CAN STAND ALONE. SOME CLUSTERS AND CONTEMPORARY SOUNDS. |
| KOKKONEN, JOONAS | SONATA | CELLO & PIANO | Finland | FAZER | 1977 | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WELL LAID OUT WITH PLAYABLE CHALLENGES AND ACCESSIBILITY. | |
| KOLBERG, KARE | OTTONI | BRASS QUINTET | Norway | NORSK | 1981 | 6 MIN | H | C/U | ONE MOVEMENT WITH HIGH TRPT 1 PART. SOME NONTRADITIONAL TECHNIQUES. GOOD SCORE. |
| KOMPPA, KARI | A FRENCH CONNECTION | STAGE BAND | Finland | ELVIS | 1988 | 7 MIN | M/H | C/U/HS | NEED STRONG BASS AND RHYTHM GUITARISTS. LATIN/BEBOP. IT MOVES - SOLOS. |
| KOMPPA, KARI | MAKUMOKA | STAGE BAND | Finland | FiMIC | 1984 | EST 7-8 MIN | H | C/U | HIGH TRUMPET WORK IN 'LAID BACK' SWING. ACOUSTIC AND DX7 PIANOS. |
| KONDRUP, EVA NOER | DIARY FROM THE MOUNTAINS | FLUTE ALONE | Denmark | SAMFUNDET | 1996 | 9 MIN | H | C/U | A SHORT AND INNOCENT PRELUDE AS A FIRST MOVEMENT FOLLOWED BY A CHALLENGING SECOND. MIXED METER, LARGE INTERVAL SKIPS AND LOTS OF NOTES. SCORE IS LAID OUT WELL. |
| KOPISTO, MARKKU | AVES CLARINETISTAE | CLARINET QUARTET | Finland | ELVIS | 1991 | EST 8 + MIN | E/M | C/U/HS | FOUR Bb CLARINETS WORKING EASIER MATERIAL IN FIVE MOVEMENTS: ANDANTE, ADAGIO, ADAGIO, ANDANTE, LARGHETTO. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNG CLARINETISTS. |
| KOPPEL HERM D | CONCERTINO NO 2, OP 66 | STRING ORCHESTRA | Denmark | SAMFUNDET | 1957 | 20 MIN | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED SCORE AND A LOT OF DIVISI. |
| KOPPEL HERM D | FEST - OUVERTURE, OP 33 | ORCHESTRA | Denmark | SAMFUNDET | 1939 | 8 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. SOLID SCORE, MOSTLY RHYTHMIC, MANY NOTES, BUT STRAIGHT AHEAD. |
| KOPPEL HERM D | KONCERT FOR OBO OG ORKESTER, OP 82 | OBOE & PIANO | Denmark | SAMFUNDET | 1970 | 18 MIN | M/H | C/U | FOUR MOVEMENTS WITH A NICE CHALLENGE, BUT PLAYABLE. COLLEGE OBOIST CAN PLAY THE PART. SEE ORCHESTRA LISTING. |
| KOPPEL HERM D | KONCERT FOR OBO OG ORKESTER, OP 82 | OBOE & ORCHESTRA | Denmark | SAMFUNDET | 1970 | 18 MIN | H | C/U | 2FL,23CL,2BSN,2HN,3PERC,CELESTA,HARP,STRINGS. FOUR MOVEMENTS THAT CAN STAND ALONE. A FORMIDABLE WORK BUT NO SURPRISES - JUST HARD WORK. SEE OBOE AND PIANO LISTING. |
| KOPPEL, ANDERS | CONCERTO FOR DOUBLE BASS AND STRING QUARTET | STRING BASS & STRING QUARTET | Denmark | WHANSEN | 2000/01 | 17 MIN | H | C/U | ALL SECTIONS ATTACCA. AN EXPERIENCED QUARTET IS NECESSARY AS WELL AS A TOP STRING BASS PLAYER. HOWEVER, HE SCORE IS VERY CLEAN WHICH SHOULD MAKE LEARNING THE MUSIC A LITTLE EASIER. |
| KOPPEL, ANDERS | CONCERTO FOR PERCUSSION | PERCUSSION AND ORCHESTRA | Denmark | WHANSEN | 2001 | 2 MIN | H | C/U | 3FL(PIC),2OB,2CL,3BSN(CBSN),4HN,2TRPT,3TRB,TBA,PO,STRINGS. FIVE CONTRASTING MOVEMENTS. SOLOIST PLAYS 40 PERCUSSION INSTRUMENTS. ORCH ACCOMPANIMENT IS NOT TOO DIFFICULT. |
| KOPPEL, ANDERS | CONCERTO NO. 4 FOR MARIMBA AND ORCHESTRA | PERCUSSION AND ORCHESTRA | Denmark | WHANSEN | 2006 | 21 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL,BCL(Eb),2BSN(CBSN),4HN,2TRPT,2TRB,TBA,2PERC,ORGAN,HARP,STRINGS. ALL SECTIONS PLAYED ATTACCA. THE ORCHESTRA ACCOMPANIMENT IS EASIER THAN THE SOLO MARIMBA. SO, IF THE MARIMBA PLAYER KNOWS THE MUSIC, THIS COULD PREPARE QUICKLY. |
| KOPPEL, ANDERS | CONCERTO NO.2 FOR SAXOPHONE & ORCHESTRA | SAXOPHONE(ALTO) & ORCHESTRA | Denmark | WHANSEN | CIR 2000 | 28 MIN | H | C/U | 3FL(PIC),2OB,EH,3CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. ALL SECTIONS ATTACCA. THE SCORE LAYS OUT VERY NICELY, WE WISH THE ORCHESTRA PARTS WERE NOT AS DIFFICULT AS THEY ARE. BUT, A GOOD COMPOSER AND GOOD SERIOUS SAXOPHONE LITERATURE. |
| KOPPEL, ANDERS | DIVERTIMENTO FOR BRASS QUINTET | BRASS QUINTET | Denmark | WHANSEN | 2004 | 12 MIN | M/H | C/U | MOVEMENTS: ALLEGRO MODERATO, ANDANTE, ALLEGRO VIVACE. SOME DRY HUMOR HERE AND ALL PLAYABLE. RHYTHMIC TEASERS AND SOME MODERN SOUNDS. GOOD! |
| KOPPEL, ANDERS | SONATINE FOR WOODWIND QUINTET | WOODWIND QUINTET | Denmark | WHANSEN | 2002 | 17 MIN | H | C/U | MOVEMENTS: MODERATO, ANDANTE SOSTENUTO, ALLEGRO CON BRIO. WILL TAKE A HIGH LEVEL ENSEMBLE TO PERFORM IN ORDER FOR THE NOTES TO MAKE MUSIC. IT LOOKS QUITE EASY FOR A WHILE THEN SOME DIFFICULTY. NICE SCORE. |
| KOPPEL, ANDERS | TUBA CONCERTO | TUBA & ORCHESTRA | Denmark | WHANSEN | 2003 | 20 MIN | M/H | C/U | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE MISTERISO, LENTO-ALLEGRO ASSAI. OUTSIDE OF SOME VERY HIGH NOTES THAT A SOLOIST MAY WANT TO TAKE DOWN AN OCTAVE, THIS IS NOT AN EXTREMELY DIFFICULT WORK FOR THE SOLOIST. |
| KOPPEL, HERM D | CAPRICCIO, OP 73 | FLUTE & PIANO | Denmark | LEDUC | 1961 | 8 MIN | H | C/U | ONE MOVEMENT, VIVACE ALL THE WAY. SHOW OFF PIECE FOR C/U STUDENT RECITAL. |
| KORTEKANGAS, OLLI | THRENODY | HORN & PIANO | Finland | JASEMUSIIKKI | 1985 | EST 3 MIN | M | C/U/HS | ANDANTE, MULTI PHONICS AND NONTRADITIONAL TUNING FOR HORN. INTERESTING AND PLAYABLE. |
| KORTELAINEN, JUKKA | LISALEHTIA MENNEESEEN | BAND | Finland | ELVIS | 1982 | 5-6 MIN | E/M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,2BS,4HN,3COR,3TRPT,4TRB, 3EUP,2TBA,PERC. PIANO SCORE. SHORT OVERTURE. GOOD FOR YOUNG BANDS. |
| KOSTA, ENSIO | IN DULCI JUBILO | WOODWIND QUINTET | Finland | FiMIC | 12+MIN | E/M | C/U/HS | SEVEN CHRISTMAS TUNES STARTING WITH "IN DULCI JUBILO". MOVEMENTS CAN STAND ALONE. VERY PLAYABLE. | |
| KOSTIAINEN, PEKKA | 0PUSCULUM SONABILE | FLUTE & PIANO | Finland | HELLAS | 1984 | 5 MIN | M | C/U/HS | MAINLY FLOWING WITH OPPORTUNITY TO SHOW SOME NOTES. HIGHLY PLAYABLE MUSIC. HS CONTEST OR EARLY RECITAL IN C/U |
| KOSTIAINEN, PEKKA | DIVERTIMENTO | WOODWIND TRIO | Finland | FiMIC | 1984 | 17 MIN | M/H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE FOR 2CL AND BSN. STRAIGHT AHEAD MUSIC. |
| KOSTIAINEN, PEKKA | HOMMAGE A' PROKOFIEFF | WOODWIND QUINTET | Finland | FiMIC | 1976 | 8 +MIN | M | C/U | THEME & VARIATIONS(4), USEFUL, VERY CLEAN SCORE. LOTS OF VARIETY AND MUSICAL INTEREST. |
| KOSTIAINEN, PEKKA | SONATA | CLARINET & PIANO | Finland | FAZER | 1977 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ADAGIO CANTABILE, ALLEGRO ASSAI, ADAGIO SOSTENUTO. SOME MIXED METER AND TRICKINESS IN THE LAST MOVEMENT. OTHERWISE, THIS PLAYS OUT WELL IN CONTEMPORARY HARMONY FOR THE C/U RECITALIST. |
| KOSTIAINEN, PEKKA | SONATINE | VIOLA & PIANO | Finland | FAZER | 1980 | 11 MIN | H | C/U | A LOT OF WORK IN ONE MOVEMENT. NO SURPRISES. |
| KRAFT, ALVAR & ARNE PARSON/MATS OLSSON | EN FATTIG TRUBADUR | BAND | Sweden | EHRLING | 1978 | EST 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SOME SCORE PROBLEMS. HIGH NOTES IN THE TROMBONE PART. |
| KRISTINSSON, SIGURSVEINN D | SUITE NO 1 | VIOLIN & PIANO | Iceland | ITM | H | C/U | THREE MOVEMENTS THAT HAVE MANY NOTES, YET PLAYABLE AND WORTHY. | ||
| KROGSETH, GISLE | ELEGI FOR CLARINET & STRINGS | CLARINET & STRING ORCHESTRA | Norway | NMIC | 2005 | 8 MIN 42 SEC | H | C/U | SOME MULTI-PHONICS IN THE CADENZA, CONTEMPORARY HARMONIES AND USE OF THE VERY TOP END OF THE CLARINET REGISTER (CONTROL UP THERE VITAL). OTHER TECHNICAL PROBLEMS NEGLIGIBLE. |
| KRUSE, BJORN | GYDAS HEMMELIGHET | SAXOPHONE(SOPRANO) & PIANO | Norway | NMIC | 1989 | CA 5 MIN | M/H | C/U | ONE MOVEMENT, LARGELY LYRICAL. MS IS MARGINAL BUT MUSIC IS WORTH THE EFFORT. |
| KRUSE, BJORN | MARINE FANFARE FANTASIA | BAND | Norway | NMIC | 1995 | 10 MIN | H | C/U | FL,OB,BSN,2CL,AS,TS,BS,2TRPT,3HN,3TRB,EUP,2TBA,STBS,3PERC. RHYTHMIC CHALLENGES, BUT A GOOD PIECE FOR C/U BANDS. NOT AS DIFFICULT AS SOME, BUT WILL BE NECESSARY FOR THE MUSICIANS AND CONDUCTOR BE ALERT! NICE CHANGES OF MOOD DURING THE WORK. |
| KRUSE, BJORN | PIERROT’S LAMENT | SAXOPHONE(SOP) & STRING ORCHESTRA | Norway | NMIC | 1996 | 10 MIN | H | C/U | MIXED METER, LOTS OF NOTES AND SOME METRIC PROBLEMS TO SOLVE BY BOTH THE SOLOIST AND THE STRING PLAYERS IN A CONTEMPORARY SETTING. |
| KRUSE, BJORN | REFLECTIONS | SAXOPHONE QUARTET | Norway | FROST | 1976 | 4 MIN | E/M | C/U/HS | SATB. GOOD FOR COLLEGE OR HS. |
| KRUSE, BJORN | SAXOPHONE CONCERTO | SAXOPHONE(TENOR) & ORCHESTRA | Norway | FROST | 1991 | 20 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,4TRPT,3TRB,TBA,4PERC.HARP,PIANO(CELESTA),STRINGS. THIS IS FOR A VIRTUOSO SAXOPHONE PLAYER AND FINE ORCHESTRA. SOLOIST HAS SOME IMPROVISING WITH ACCOMPANIMENT AND A CADENZA TO IMPROVISE. |
| KRUSE, BJORN | STATEMENT | SAXOPHONE QUARTET | Norway | NMIC | 1975 | 10 MIN | M | C/U | SATB. TWO MOVEMENTS, SOME FREE FORM WITH EASY ACCESS AT START OF MOVEMENT 2. NICE 7/8 SECTION IN 2. |
| KUHLAU, FRIEDRICH | ELVERHOJ | ORCHESTRA | Denmark | SAMFUNDET | 1973 | EST 11 MIN | E/M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,TRB,2PERC,TMP,STRINGS. CLASSICAL PERIOD IN STYLE. FIRST VIOLINS DO MOST OF THE WORK. |
| KUOSMA, KAUKO | SARJA KLARINETILLE JA PIANOLLE | CLARINET & PIANO | Finland | FiMIC | 1981 | M | C/U | 1. RAGTIME 2. WALTZ 3. BLUES 4. TANGO. NOT ALL RECITALS NEED BE BORING! GOOD SCORE & WORK. | |
| KUULA, TOIVO(1883-1918) | SONATE FOR KLAVIER UND VIOLINE | VIOLIN & PIANO | Finland | FAZER | EST 11+MIN | M/H | C/U | TRADITIONAL THREE MOVEMENTS IN 19TH CENTURY STYLE. MANY NOTES TO LOOK AFTER! | |
| KVAM, ODDVAR S | AIR, OP 46 NR 2 | CLARINET & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S | AIR, OP 46 NR 2 | FLUTE & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S | AIR, OP 46 NR 2 | SAXOPHONE(TENOR) & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S | AIR, OP 46 NR 2 | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. |
| KVAM, ODDVAR S | BREV, OP 31D | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1982 | CA 7 MIN | M | C/U | FEW SURPRISES IN SOUND BUT SATISFYING TO PLAY. MOSTLY STRAIGHT AHEAD. |
| KVAM, ODDVAR S | KVARTETT IN C, OP 73 | STRING QUARTET | Norway | MUSIKK-HUSET | 1988 | 21 MIN | M/H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. MOSTLY STRAIGHT AHEAD FROM A GOOD COMPOSER AND ACCESSIBLE MUSIC. |
| KVAM, ODDVAR S | LEGENDE, OP 31A | STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1977 | 7 MIN | M | C/U | 9 VIOLINS, 3 VIOLAS, 2 CELLOS, STRING BASS. SOME UNUSUAL TECHNIQUES EMPLOYED IN A GENTLE WAY. FINE SCORE AND GOOD COMPOSER. |
| KVAM, ODDVAR S | TRIM, OP 35 | STRING ORCHESTRA | Norway | NMIC | EST 8 MIN | E/M | HS | FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. | |
| KVAM, ODDVAR S. | CLARIMPETTE | CLARINET ALONE | Norway | MUSIKK-HUSET | 1986 | H | C/U | FOR STUDY OR RECITAL FROM A RESPECTED NORWEGIAN COMPOSER. | |
| KVAM, ODDVAR S. | CLARIMPETTE | TRUMPET ALONE | Norway | MUSIKK-HUSET | 1986 | H | C/U | STUDIO CHALLENGE THEN TO THE RECITAL STAGE. (ALSO CLARINET ALONE). | |
| KVAM, ODDVAR S. | CONCERTO GROSSO | BASSOON & PIANO | Norway | NMIC | 1996 | 16+MIN | H | C/U | MOVEMENTS: PRELUDIUM, SARABANDE, CHACONNE, BOUREE, POSTLUDIUM. ALL MOVEMENTS CAN STAND ALONE. FOR HE ADVANCED STUDENT, MAYBE GRADUATE/PROFESSIONAL LEVEL. |
| KVAM, ODDVAR S. | DOWNWARDS & UPWARDS, 0P.77A | BAND | Norway | NMIC | 1987 | 10 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2TBA,3PERC, TMP,(1TBA IN Eb & 1 IN BBb.) 'DOWNWARDS' EMPHASIZES THE WW'S AND 'UPWARDS' THE BRASS - NEED FINE TUBAS! EXPOSED HORN SECTION WORK. FUN FOR THE BAND. SCORE COULD BE CLEANER. |
| KVAM, ODDVAR S. | FROM THE YOUNG PEOPLE'S WORLD, OP. 46 | ORCHESTRA | Norway | MUSIKK-HUSET | 1979 | 14 MIN | M | C/U/HS | 3FL,2CL,2OB,2BSN,EH,4HN,2TRPT,2TRB,TBA,3PERC,TMP,ELECTRIC BASS GUITAR, STRINGS. THREE MOVEMENTS, MOSTLY STRAIGHT AHEAD. GOOD SCORE. |
| KVAM, ODDVAR S. | MONFONI FOR HORN, OP 43 #1 | HORN ALONE | Norway | MUSIKK-HUSET | 1978 | 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. | MONOFONI FOR BASSOON | BASSOON ALONE | Norway | MUSIKK-HUSET | 1978 | 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. | MONOFONI FOR CLARINET | CLARINET ALONE | Norway | MUSIKK-HUSET | 1978 | 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. | MONOFONI FOR FLUTE | FLUTE ALONE | Norway | MUSIKK-HUSET | 1978 | EST 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. | MONOFONI FOR OBOE | OBOE ALONE | Norway | MUSIKK-HUSET | 1978 | EST 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVANDAL, JOHAN | ARIA, CADENZA E FINALE, OP 24 | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1964 | EST 7 MIN | H | C/U | NEEDS A FINE PIANIST WITH CHALLENGE ALSO FOR THE VIOLINIST. AN ACCESSIBLE STYLE OF MUSIC FROM A FINE COMPOSER. |
| KVANDAL, JOHAN | CAPRICCIO, OP 16 NR 2 | VIOLIN & PIANO | Norway | NORSK | 1976 | EST 6 MIN | M | C/U | ADAGIO OPENING THEN ALLEGRO SCHERZANDO IN 9/8. GOOD COMPOSER AND A GOOD PIECE. |
| KVANDAL, JOHAN | DIVERTIMENTO, OP 3 | STRING ORCHESTRA | Norway | NORSK | 1942 | EST 10 MIN | M/H | C/U | CAN BE PLAYED BY 5 SOLO STRINGS OR STRING ORCHESTRA. FOUR MOVEMENTS AND NO SURPRISES. |
| KVANDAL, JOHAN | ELEGY AND CAPRICCIO, OP 47 | VIOLA ALONE | Norway | NORSK | 1978 | CA 4 1/2 MIN | H | C/U | NOTES TO CHALLENGE THE PERFORMER - WORK, BUT INTERESTING. |
| KVANDAL, JOHAN | INTRODUCTION AND ALLEGRO, OP 30 | HORN & PIANO | Norway | NORSK | 1970 | M | C/U/HS | INTRO IN 4/4, ALLEGRO MOSTLY IN 6/8. MODEST RANGE REQUIREMENTS. | |
| KVANDAL, JOHAN | LEGENDE, OP 61 | BASSOON & STRING ORCHESTRA | Norway | NORSK | 1986 | M | C/U | FINE COMPOSER OF A GOOD SCORE FOR COLLEGE STUDENTS. | |
| KVANDAL, JOHAN | MINIATYRER, OP.43 | VIOLIN QUARTET | Norway | MUSIKK-HUSET | 1977 | 7 MIN | M | C/U | FIVE SHORT MOVEMENTS. |
| KVANDAL, JOHAN | NIGHT MUSIC, OP 57 | WIND ENSEMBLE | Norway | NORSK | 1981 | M/H | C/U | 2OB,2CL,2BSN,2HN,SB,CBSN. FOUR MOVEMENTS, ONE ON A PART. MOVEMENTS CAN STAND ALONE. MUCH MUSICAL INTEREST. | |
| KVANDAL, JOHAN | NOMENCLATURA | ORCHESTRA | Norway | NORSK | 1985 | 15 MIN | 2FL(PIC),2OB,2CL,2BSN,4HN,3TRPT,3TRB,2PERC,STRINGS. MUSIC FOR HIRE. SIMILAR TO KVANDAHL’S, TRIPTYCHON IN DIFFICULTY AND STYLE. BOTH ARE VERY WORTHY WORKS. | ||
| KVANDAL, JOHAN | NORSK OUVERTURE, OP 7 | ORCHESTRA | Norway | MUSIKK-HUSET | 1969 | 7 MIN | E/M | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,4COR,2TRPT,TMP,STRINGS. ADAGIO OPENING THEN ALLEGRO THE REST OF THE WAY. ACCESSIBLE MUSIC. |
| KVANDAL, JOHAN | OUVERTURE-FANTASY, OP 59 | BRASS ENSEMBLE | Norway | NORSK | 1982 | 9 MIN 30 SEC | M/H | C/U | 2TRPT IN C,3HN,2TRB,TBA. CHANGING METER. A GOOD SCORE THAT WILL TAKE SOME REHEARSAL TIME. |
| KVANDAL, JOHAN | POEM FROM `A LOST WORLD',OP 66A | VIOLIN & PIANO | Norway | NORSK | 1985 | EST 4 MIN | M | C/U | ACCOMPANIMENT CAN BE ON ORGAN. FLOWING MUSIC THAT IS PLAYABLE AND ACCESSIBLE. |
| KVANDAL, JOHAN | QUINTET FOR WINDS | WOODWIND QUINTET | Norway | NORSK | 1971 | 18 MIN | M/H | C/U | FOUR MOVEMENTS STRAIGHT AHEAD. NOTES AND NICE CHALLENGE FOR EVERYONE. |
| KVANDAL, JOHAN | SALMETONE - HYMN TUNE | HORN ALONE | Norway | NORSK | 1985 | 3 MIN 15 SEC | M | C/U | GOOD COMPOSER - HYMN TUNE THAT IS VERY TONAL. |
| KVANDAL, JOHAN | SONATE,OP 45 | VIOLIN ALONE | Norway | NORSK | 1978 | EST 6 MIN | M/H | C/U | TWO MOVEMENTS OF A COMFORTABLE CHALLENGE FOR THE SOLO VIOLIN. DOUBLE-STOPS, HARMONICS AND ENOUGH NOTES TO KEEP INTEREST. |
| KVANDAL, JOHAN | TRIPTYCHON | ORCHESTRA | Norway | NORSK | 1979/1982 | EST 11+ MIN | H | PIC,2FL,2OB,2CL,2BSN,4HN,3TRB,3TRB,TBA,3PERC,STRINGS. MUSIC FOR HIRE. COULD BE PLAYED BY SELECT HS ENSEMBLES ALA ALL STATE GROUPS. VERY PLAYABLE BY C/U ENSEMBLES. A WELL RESPECTED NORWEGIAN COMPOSER. SEE OTHER WORKS BY IM IN THE NORSK CATALOG. | |
| KVANDAL,JOHAN | OKTETT 1946,OP 54 | WOODWIND ENSEMBLE | Norway | NORSK | 1980 | EST 6 MIN | M/H | C/U | 2OB,2CL,2BSN,2HN,STBS. SOME PROBLEMS WITH MANUSCRIPT. IN TWO MOVEMENTS. ACCESSIBLE PIECE. |
| KVERNDOKK, GISLE | CONCERTINO FOR PIANO AND SYMPHONIC BAND | BAND & PIANO | Norway | NMIC | 1986 | EST 20 MIN | H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,2EUP,2TBA,4PERC,TMP,ELEC.GUITAR,BASS GUITAR. FINE PIANIST NEEDED, BAND PARTS NOT SO HARD. NICE PERCUSSION WORK. |
| KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | CLARINET ALONE | Finland | FiMIC | 2000 | 1+ MIN | H | C/U | A SHORT CHALLENGE THAT IS EASIER THAN SOME OTHERS. THIS IS WELL WITHIN THE REACH OF THE GOOD C/U STUDENT. |
| KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | CLARINET ALONE | Finland | FiMIC | 1999 | 1 MIN | M/H | C/U | PRACTICE STAND MUSIC AN SHOW OFF AT THE RECITAL. MARKED, ANDANTE UN POCO RUBATO AD LIBITUM. |
| KYLLONEN, TIMO-JUHANI | CONTEMPLATION IN BLUE | CLARINET ALONE | Finland | WARNER/CHAPPELL | 1996 | EST 9+ MIN | M/H | C/U | COMPOSER SUGGESTS ALSO FOR BASS CLARINET. THE USUAL PROBLEMS FOR THE CLARINET ALONE: MIXED METER, ETC. BUT, THIS ONE HAS LESS OF THAT MAKING IT MORE PLAYABLE THAN MANY. |
| KYLLONEN, TIMO-JUHANI | HELSINKI OUVERTURE, OP. 51 | TRUMPET & ORCHESTRA | Finland | FiMIC | 1998 | EST 5+ MIN | M | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,4PERC,STRINGS. TRUMPET IN C. MARIMBA PART IS IMPORTANT. EXCELLENT SCORE WITH NICE IDEAS. EASY RANGE FOR THE TRUMPET. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission