Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| LANGGAARD, RUED | DIES IRAE | TUBA & PIANO | Denmark | DANISH BRASS | 1986 | EST 3 MIN | E/M | C/U/HS | NOTES ARE EASY, BUT RANGE TO D AND A NUMBER OF LARGE INTERVALS. |
| LANSIO, TAPANI | MERRY PIPER | CLARINET ALONE | Finland | SULASOL | 2004/05 | EST 4 MIN | H | C/U | FOR THE PRACTICE STAND, THEN SHOW OFF AT RECITAL. NOTES ALL OVER THE PLACE! TOP C/U PLAYERS. |
| LARSSON GOTHE, MATS | CIELO | ORCHESTRA | Sweden | SMIC | 2003 | 12 MIN | H | C/U | 2FL(PIC),2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,CELESTA,HARP,STRINGS. SEVERAL MUTES FOR THE BRASS. COMPOSED FOR THE ROYAL STOCKHOLM PHILHARMONIC ORCH. PROFESSIONAL MUSIC POSSIBLE BY FINE C/U GROUPS. |
| LARSSON GOTHE, MATS | CLOCKWORKS | BRASS QUINTET & BAND | Sweden | SMIC | 1992 | 10 MIN. 30 SEC | H | C/U | HARD FOR THE BAND AS WELL AS THE QUINTET. MANY CHANGES OF METER FROM THIS IMPORTANT SWEDISH COMPOSER. BOTH QUINTET AND BAND WILL HAVE TO WORK TO MAKE THIS PRESENTABLE. BUT, THE AUDIENCE WILL BE REWARDED. BIG WORK! |
| LARSSON GOTHE, MATS | GOPAK | SAXOPHONE QUARTET | Sweden | REIMERS | 1994 | EST 8 MIN | H | C/U | SS,AS,TS,,BS. ANOTHER FINE SWEDISH COMPOSER WHO WRITES FOR THE SAXOPHONE QUARTET AND WRITES VERY WELL. THIS IS VERY HARD, BUT LOGICAL AND PLAYABLE WITH ATTENTION TO DETAIL MIXED METER, ETC. GOOD WORK! |
| LARSSON GOTHE, MATS | HILLBORG-VARIATIONERNA | BRASS QUINTET | Sweden | SMIC | 1996 | 12 MIN | H | C/U | USUAL INSTRUMENTATION - TRUMPETS IN C. ONE LONG PIECE WITH NUMEROUS CHANGES OF TEMPO AND STYLE. FINE COMPOSER WHO WROTE THIS FOR A PROFESSIONAL ENSEMBLE. MUTES NEEDED FOR TRUMPET AND TROMBONE. |
| LARSSON GOTHE, MATS | LAST CALL BEFORE CLOSING | TROMBONE ALONE | Sweden | SMIC | 1993 | 4 MIN. | M/H | C/U | A CHANCE FOR THE TROMBONIST TO SHOW HIS INTERPRETIVE AND MUSICAL SKILLS. DYNAMICS, RHYTHMIC ACCENTS, SOME MIXED METER, A NICE BIG PEDAL Bb ONE TIME AND A FEW OTHER THINGS TO MAKE IT INTERESTING FOR PLAYER AND AUDIENCE. |
| LARSSON GOTHE, MATS | LUNAIRE FOR STRING ORCHESTRA | STRING ORCHESTRA | Sweden | SMIC | 1999/2000 | 15 MIN | H | C/U | THIS IS AS THE UPPER END OF THE DIFFICULTY LEVEL FOR THE C/U GROUPS. A LOT OF DIVISI AND NOTES FROM AN EXCELLENT SWEDISH COMPOSER. BE SURE TO CHECK OUT ANYTHING HE COMPOSES! |
| LARSSON GOTHE, MATS | PAESAGGI DI WAHLBERG | SAXOPHONE QUARTET | Sweden | SMIC | 2000 | 16 MIN | H | C/U | SS,AS,TS,BS. DIFFICULT!! GREAT SAX QUARTETS IN SWEDEN, SO THE DEMANDS BY THE COMPOSERS IS HIGH. 6 MOVEMENTS: CITY LANDSCAPE, GREY INTERIOR, EVENING LANDSCAPE, FANTASY LANDSCAPE AND MAGIC MUFFLER’S FIAT. NOT IMPOSSIBLE BY THE HIGHEST LEVEL SAXOPHONE QUARTET. |
| LARSSON GOTHE, MATS | CONCERTO FOR CELLO AND WIND INSTRUMENTS | CELLO & WIND ENSEMBLE | Sweden | SMIC | 1999 |
23 MIN | H | C/U | PIC),2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,MARIMBA. MUTES FOR ALL BRASS. WE LIKE THIS SCORE! NO REAL MOVEMENTS, JUST A FEW BREAKS, USUALLY WHILE THE CELLIST IS PLAYING A CADENZA. THE WORK OPENS WITH A LONG CADENZA. SOME EXCELLENT COMPOSITIONAL IDEAS HERE! |
| LARSSON GOTHE, MATS | CONCERTO FOR VIOLIN AND WIND INSTRUMENTS | VIOLIN AND BAND | Sweden | SMIC | 2000/2001 | 20 MIN | H | C/U | 2FL,OB,EH,2CL,2BSN,2HN,2TRPT(C),2TRB,TBA,TIMP,GLOCK. THEME AND VARIATIONS. PLAYABLE BY BEST C/U SMALL BANDS OR WIND ENSEMBLES AND VIOLINIST WILLING TO LEARN THE SOLO PART. THIS COMPOSER PRODUCES A BEAUTIFUL, LOGICAL AND DIFFICULT SCORE. YOU WILL LIKE. |
| LARSSON, CURT | MARCIETTA | BAND | Sweden | LEMA | 1982 | 5 MIN 40 SEC | E/M | HS/JHS | GOOD CROSS SCORING, NICE 6/8 MARCH. STANDARD INSTRUMENTATION. |
| LARSSON, HAKAN | AUBADE - NOTTURNO PER 10 CELLI | CELLO ENSEMBLE | Sweden | SMIC | 2001 | 10 MIN | H | C/U | YES, TEN CELLOS! AND, THEY MUST BE VERY GOOD PLAYERS. EVERYONE GETS IN THE ACT. THERE AR A NUMBER OF CELLO ENSEMBLE PIECES IN THE SMIC LIBRARY NEEDING A VARIETY OF NUMBERS OF CELLOS. |
| LARSSON, HAKAN | DROMSKARVOR (FRAGMENTS OF DREAMS) | ORCHESTRA | Sweden | SMIC | 2004 | 15 MIN | H | C/U | PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,HARP,PIANO,STRINGS. DIFFICULT, BUT PLAYABLE FOR C/U ORCHESTRAS. A SUBDUED ENDING, NOT AT THE END OF A CONCERT. COMPOSER HAS OTHER LISTING IN SMIC IN DUBIOUS MS - IF HE PUTS THEM N PRINT, GET THEM! THIS ONE IS PRINT! |
| LARSSON, HAKAN | LITEN SVIT | STRING BASS & PIANO | Sweden | SMIC | 1991 | 14 MIN | M/H | C/U | MOVEMENTS: POLKA,INTERMEZZO, VALS, INTERMEZZO II, GIGUE. THE MS IS MARGINAL, IF YOU HAVE AN AVERSION TO READING MS, STAY AWAY. THIS IS A GOOD COMPOSER AND THE SUPPLY OF GOOD MATERIALS FOR THE STRING BASS PLAYER IS LIMITED. |
| LARSSON, HAKAN | TOCCATA FOR TWO VIOLINS AND STRING ORCHESTRA | VIOLIN & STRING ORCHESTRA | Sweden | SMIC | 2000 | 6 MIN | M/H | C/U | IT IS MAINLY FOR THE TWO VIOLINIST. THE ACCOMPANIMENT PART IS JUST THAT. JUST LET THE TWO SOLOISTS DO IT! CONTEMPORARY HARMONIES. |
| LARSSON, LARS-ERIK | CONCERTINO FOR TROMBONE, OP 45 NR 7 | TROMBONE & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | H | C/U | STANDARD LITERATURE FOR COLLEGE TROMBONE PLAYER, STRING ORCHESTRA PARTS AVAILABLE. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 1 | FLUTE & PIANO | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 1 | FLUTE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS. EXCELLENT COMPOSER AND MOST WORTHY MUSIC. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 10 | CELLO & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 10 | CELLO & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 11 | STRING BASS & PIANO | Sweden | GEHRMANS | 1957 | 12 MIN | H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 11 | STRING BASS & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 MIN | H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 2 | OBOE & PIANO | Sweden | GEHRMANS | 1957 | 9 1/2 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 2 | OBOE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 9 MIN 30 SEC | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 3 | CLARINET & PIANO | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 3 | CLARINET & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 4 | BASSOON & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS ARE ATTACCA. STRING ORCHESTRA PARTS AVAILABLE. RECITAL OR CONCERT. GOOD MATERIAL. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 4 | BASSOON & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 5 | HORN & PIANO | Sweden | GEHRMANS | 1957 | 13 MIN | M/H | C/U | THREE MOVEMENTS OF MATERIAL TO GIVE THE MOZART SONATAS A LITTLE REST. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 5 | HORN & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 6 | TRUMPET & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 8 MIN | M | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 7 | TROMBONE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 8 | VIOLIN & PIANO | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 8 | VIOLIN & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 MIN 30 SEC | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 9 | VIOLA & PIANO | Sweden | GEHRMANS | 1957 | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 9 | VIOLA & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| LARSSON, LARS-ERIK | GUSTAVIANSK SVIT, OP 28 | STRING ORCHESTRA | Sweden | SMIC | E/M | C/U/HS | FIVE MOVEMENTS THAT ARE ACCESSIBLE AND PLAYABLE. RENTAL ONLY. | ||
| LARSSON, LARS-ERIK | IN MEMORIAM | STRING ORCHESTRA | Sweden | GEHRMANS | 1969 | 6 MIN | M | C/U/HS | A CONTEMPLATIVE PIECE BY A FINE COMPOSER. PLEASANT CHALLENGE FOR THE STRINGS. |
| LARSSON, LARS-ERIK | SONATIN | VIOLIN & PIANO | Sweden | GEHRMANS | 1984 | M/H | C/U | THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| LARSSON, LARS-ERIK | STRAKKVARTETT NR 1, OP 31 | STRING QUARTET | Sweden | MUSIKALISKA KONSTFORENINGEN | 1956 | M/H | C/U | THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| LARSSON, LARS-ERIK/MARK F. WALKER | CONCERTINO FOR TROMBONE, OP 45 NR 7 | TROMBONE & BAND | Sweden | GEHRMANS | 1979 | 11 MIN | M | C/U | 3CL,BCL,OB,2BSN,4HN,3TRPT,3TRB,EUP,2TBA,CONTRA CL IN Eb OR SB. FINE SCORING OF THIS EXCELLENT SOLO MAKES THIS VERY PLAYABLE AND USEABLE. |
| LARSSON, LARS-ERIK/OWE GREEN | MELODI | BAND | Sweden | EHRLING | 1980 | EST 3+MIN | M | C/U/HS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, SB. A 3/4 MELODY. FINE COMPOSER AND ARRANGER. SCORE IS IN MS PARTS PRINTED. HAS THAT 'SWEDISH' FEEL. |
| LARSSON, LARS-ERIK/STIG GUSTAFSON | CONCERTINO FOR TRUMPET, OP 45 NR 6 | TRUMPET & BAND | Sweden | GEHRMANS | 1979 | 8 MIN | M | C/U | 2FL,3CL,BCL,OB,2BSN,AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,2PERC,TMP,SB. GOOD ARRANGEMENT BY LEADING SWEDISH ARRANGER OF A FINE TRUMPET SOLO. |
| LARSSON, LARS-ERIK/STIG GUSTAFSON | INTERMEZZO AND EPILOGUE (FROM THE WINTER'S TALE) | BAND | Sweden | GEHRMANS | 1978 | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,2PERC,TMP,SB. TWO NICE PIECES FROM A FINE COMPOSER AND ARRANGER. | |
| LARSSON, LARS-ERIK/STIG GUSTAFSON | ROMANS FROM PASTORAL SUITE | BAND | Sweden | GEHRMANS | 1988 | 5 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,PERC,SB. PLAYABLE BY THE SMALLER, INCOMPLETE BAND. FINE COMPOSER & EXCELLENT ARRANGER. |
| LASANEN, PENTTI | BASIE STREET | STAGE BAND | Finland | ELVIS | 4+MIN | M | C/U/HS | CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE. | |
| LAUTRUP-LARSEN, HANS | KVINTET NO.2 | WOODWIND QUINTET | Denmark | ENGSTROM & SODRING | 1990/94 | EST 6+ MIN | E/M | C/U/HS | MOVEMENTS: LENTO CON MOTO/ALLEGRO CON BRIO, LARGHETTO, ALLEGRO. WELL WRITTEN AND QUITE EASY, A GOOD ONE FOR THE NOVICE QUINTET. MOSTLY TRADITIONAL HARMONY - STANDARD RHYTHMS. NO RANGE PROBLEMS. |
| LEHTINEN, RAUNO | BALATON | ORCHESTRA | Finland | FiMIC/FAZER | 1967 | EST 5 MIN | E/M | C/U/HS | 2FL,2CL,2BSN,2HN,2TRPT,2TRB,TBA,TMP,HARP,STRINGS AND OBOE SOLO. LIGHT MUSIC FOR THE POPS OR TO LIGHTEN A SERIOUS CONCERT. |
| LEHTINEN, RAUNO | BARBARIUS | ORCHESTRA | Finland | FiMIC/FAZER | 1969 | EST 5 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,3COR,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. POP CONCERT MUSIC. |
| LEHTINEN, RAUNO | LETKIS | ORCHESTRA | Finland | FiMIC/FAZER | 1964 | EST 4-5 MIN | M | C/U/HS | PIC,FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,HARP OR PIANO,STRINGS. LIGHT MUSIC FOR THE POP CONCERT. |
| LEHTO, JUKKA-PEKKA | CONCERTINO | TROMBONE & BAND | Finland | MUSACT | 1995 | EST 12 + MIN | H | C/U | PIC,2FL2OB,eBCL,3CL,BCL,2BSN,AS,TS,BS,RHN,3TRPT,3TRB,EUP,2TBA,STRBS,3PERC,PIANO. HIGH TESSETURA NEEDED.MIXED METER, SOME ALEATORY, BUT WELL EXPLAINED. GOOD LOOKING SCORE. |
| LEHTO, JUKKA-PEKKA | FUUSIO | FLUTE & PIANO | Finland | MUSACT | 2001 | EST 2+ MIN | E/M | C/U/HS | FLUTE PLAYER STOMPS FOOT IN THREE PLACES. A FEW RHYTHMIC PROBLEMS, BUT THIS WILL PLAY AND BE FUN. |
| LEIFS, JON | CONSOLATION, OP 66 | STRING ORCHESTRA | Iceland | ITM | 1968 | EST 9+MIN | M | C/U | AN INTERMEZZO WITH DIVISI FOR ALL BUT STRING BASS. MARKED ANDANTE TRANQUILLO. MESSY SCORE, GOOD PARTS. FINE COMPOSER. |
| LEIFS, JON | ELEGY FOR STRINGS, OP 53 | STRING ORCHESTRA | Iceland | ITM | 1961 | EST 4+MIN | M | C/U | ONE MOVEMENT ADAGIO. MUCH DIVISI. MESSY SCORE BUT READABLE PARTS FROM A FINE COMPOSER. |
| LEIFS, JON | FINE I, OP 55 | ORCHESTRA | Iceland | ITM | 1963 | EST 4 MIN | E/M | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,4TRPT,3TRB,TBA,2PERC,TMP,EH,CBSN, STRINGS. ONE MOVEMENT WITH SOME STRING DIVISI, SOMETIMES QUITE THINLY SCORED. SCORE IS MESSY BUT GOOD PARTS. FINE COMPOSER. |
| LEIFS, JON | FINE II, OP 56 | STRING ORCHESTRA | Iceland | ITM | 1963 | EST 4 MIN 30" | E/M | C/U/HS | ALSO USES A VIBRAPHONE BUT NOT AS A SOLOIST. ANDANTE AND STRAIGHT AHEAD. VERY PLAYABLE. |
| LEIFS, JON | GEYSIR, ORCHESTRAL PRELUDE, OP 51 | ORCHESTRA | Iceland | ITM | 1961 | EST 9 MIN | H | C/U | PIC,2FL,BCL,2OB,2BSN,4HN,4TRPT,3TRB,TBA,3PERC,TMP,EH,CBSN,STRINGS.A FEW PERFORMANCE SURPRISES HERE WITH MIXED METER AND EXTRA PERCUSSION WORK. MESSY SCORE BUT GOOD PARTS FROM A FINE COMPOSER. |
| LEIFS, JON | HEKLA, ORCHESTRAL PRELUDE, OP 52 | ORCHESTRA | Iceland | ITM | 1961 | 9 MIN | H | C/U | 2PIC,2FL,2CL,BCL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,4PERC,TMP,CBSN,STRINGS. A MESSY SCORE BUT GOOD PARTS, CONTEMPORARY SOUNDS FROM A FINE COMPOSER. NICE PERCUSSION WORK. |
| LEIFS, JON | QUARTETTO I - MORS ET VITA, OP 21 | STRING QUARTET | Iceland | ITM | 26 MIN | M/H | C/U | A MAJOR WORK WITH A GOOD LOOKING SCORE AND A FINE COMPOSER. | |
| LEIFS, JON | REFLECTIONS FROM THE NORTH | STRING ORCHESTRA | Iceland | ITM | 1952 | 20 MIN | H | C/U | MUCH DIVISI AND FREQUENT METER CHANGES. MODERATO. MESSY SCORE BUT GOOD PARTS FROM A FINE COMPOSER. |
| LEIFS, JON | SCHERZO CONCRETO, OP 58 | ORCHESTRA | Iceland | ITM | 1964 | 5 MIN | M | C/U | PIC,FL,CL,OB,BSN,TRB,TBA,EH,VIOLA,CELLO. NOTE THE INSTRUMENTATION! A NICE CONCERT FEATURE FROM A FINE COMPOSER. PROGRAMMATIC ASPECTS. |
| LEIFS, JON | THREE IMAGES FOR CHAMBER ORCHESTRA | ORCHESTRA | Iceland | ITM | 1960 | 12 MIN | M/H | C/U | PIC,FL,2CL,BCL,OB,BSN,2HN,TRPT,TRB,TBA,TMP,CBSN,STRINGS. THREE MOVEMENTS OF PLAYABLE MUSIC. A MESSY SCORE BUT GOOD PARTS FROM A FINE COMPOSER. |
| LEIFS, JON | VARIAZIONI PASTORALI, OP 8 | ORCHESTRA | Iceland | ITM | 1927 | M | C/U | NINE VARIATIONS ON A THEME BY BEETHOVEN. A FINE SCORE FROM THE YOUNG JON LEIFS. | |
| LEIFS, JON | VIKINGASVAR, OP 54 | BAND | Iceland | ITM | 1962 | EST 10 MIN | H | C/U | PIC,2FL,EbCL,CL,OB,EH,2BSN,CBSN,SS,AS,TS,BS,2HN,2TRPT,2TRB,TBA,PERC,TMP,STBS,VIOLA. VIOLA IS BEST DOUBLED. A FINE COMPOSER AND COMPOSITION, IT WILL BE WORTH FINDING THE VIOLAS. SCORE IS MESSY, BUT PARTS GOOD. |
| LERSTAD, TERJE | CONCERTO GROSSO NO.2 | SAXOPHONE QUARTET & BAND | Norway | NMIC | 1985 | 16 MIN 30 SEC | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION. |
| LEVITT, VLADIMIR | CONCERTO FOR STRING ORCHESTRA | STRING ORCHESTRA | Sweden | SMIC | 2002 | 19 MIN | M | C/U | IN TWO MOVEMENTS. GOOD MS TO READ. NO GREAT PROBLEMS TO MAKE THIS SOUND. NO DIVISI, BUT THE COMPOSER RECOMMENDS 6 - 5 - 4 - 3 - 1 PEOPLE FOR THE PARTS, VIOLIN I - STRING BASS. ALSO SEE THIS COMPOSER’S CONCERTO GROSSO NO. 3 FOR STRING ORCHESTRA. |
| LEWKOVITCH, BERNHARD | SIX PARTITAS | BRASS QUINTET | Denmark | WHANSEN | 1988 | EACH 8-9 MIN | M | C/U | SIX COMPOSITIONS BASED UPON "AUS TIEFER MOT", "JESU MEINE FREUDE", "NUN DANKET ALLE GOTT", "O LAMM GOTTES UNSHELDIG", "VATER UNSER IMHIMMELREICH", "NUN BITTEN WIR DEN HEIL GEN GEIST". |
| LILJA, BERNHARD | LITEN HUMORESK | WOODWIND QUARTET | Sweden | SMIC | EST 3+MIN | E | C/M/HS | A LITTLE PIECE, A LITTLE FUN, NO PROBLEMS. FL,OB,CL,BSN. | |
| LILJEFORS, RUBEN (1871-1936) | OUVERTURE | ORCHESTRA | Sweden | SMIC | M | C/M/HS | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TMP,STRINGS. EXCELLENT FOR THE HS OR COLLEGE ORCHESTRA. SCORE IS MS BUT READABLE. PARTS LAY WELL. RENTAL ONLY. | ||
| LILJEHOLM, THOMAS | ADJACENT TRACKS | VIOLIN AND BAND | Sweden | SMIC | 2004 | 18 MIN | H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BS, (BSN),4HN,4TRPT,4TRB,2TBA,4PERC. FOR THE C/U BAND AND A STUDENT VIOLINIST OR GUEST SOLOIST. PLAYABLE, WE LIKE PARTS FEATURING FOUR HORNS. PERCUSSION HAS A LOT OF NICE PLAY. ONE MOVE. IN GOOD MS WITH MIXED METER. |
| LILJEQUIST, BJORN | FANTASY FOR PERCUSSION ENSEMBLE | PERCUSSION ENSEMBLE | Sweden | BUSCH | 1984 | CA 6 MIN | H | C/U | WELL LAID OUT FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS. |
| LILJEQUIST, BJORN | IL CALAMARO | PERCUSSION ALONE | Sweden | BUSCH | 1986 | H | C/U | FOR THE OUTSTANDING COLLEGE PERCUSSIONIST! | |
| LILJEQUIST, BJORN | THREE AFRICAN DANCES | PERCUSSION ENSEMBLE | Sweden | BUSCH | 1988 | EST 6 MIN | E/M | C/U/HS | FOUR OR MORE PERCUSSIONISTS. THREE MOVEMENTS: NAIROBI, WEDDING DANCE OF THE PYGMIES, FESTIVAL DANCE FROM THE CONGO - ANGOLA. SOME`HOME MADE' INSTRUMENTS AND OTHER UNUSUAL INSTRUMENTS. |
| LILLEBJERKA, SIGMUND | BLASEKVINTETT NR. 2 | WOODWIND QUINTET | Norway | NMIC | 1999 | 13 + MIN | M/H | C/U | USUAL INSTR. MOVEMENTS: ALLEGRO, ALLEGRETTO, VIVACE, ALLEGRO. VERY NICE SCORE AND MATERIAL. A WELCOME ADDITION TO THE LITERATURE. PLAYABLE! |
| LILLEBJERKA, SIGMUND | CONCERTO FOR VIOLIN | VIOLIN & BAND | Norway | NMIC | 2001 | 17 MIN | M | C/U | 2FL,OB,3CL,BCL,BSN,AS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. MOVEMENTS: ALLEGRO MODERATO, ADAGIO, VIVACE. THIS WORK WAS ORIGINALLY FOR CHAMBER ORCH ACCOMP. BUT WORKS WELL WITH THIS COMBINATION. NOTE THE REDUCED INSTRUMENTATION. |
| LILLEBJERKA, SIGMUND | EPISODE | CLARINET & PIANO | Norway | NMIC | 1999 | 3 MIN | H | C/U | A SHORT , HARD, SHOW OFF WORK FOR THE ADVANCED PLAYER. DRAMATIC TO THE SUBTLE. |
| LILLEBJERKA, SIGMUND | SOIREE DANSANTE | OBOE & PIANO | Norway | NOTON | 1992 | EST 7 MIN | M/H | C/U/HS | MOVEMENTS: ALLEGRO MODERATO, MODERATO, MODERATO CON ESPRESSIONE, ALLEGRO. LIKE A SONATA OR SONATINE FOR THE YOUNGER OR LESS EXPERIENCED PLAYER. |
| LINDBERG, NILS | BALLAD FRAN MOCKFJARD | TRUMPET & STRING ORCHESTRA | Sweden | NORDISKA | 1974 | EST 6 MIN | M | C/U | FOLK TUNE SOUNDED BY THE TRUMPET, FOLLOWED BY STRINGS IN HARMONY, THEN TRUMPET IMPROVISATION WITH DRUM SET & STRINGS. |
| LINDBERG, NILS | BLUES FOR BILL | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES. | |
| LINDBERG, NILS | CONCERTO FOR TRUMPET, TROMBONE AND ORCHESTRA | TRUMPET, TROMBONE & ORCHESTRA | Sweden | GEHRMANS | 1991 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,3TRPT,3TRB,MUCH PERCUSSION,PIANO,STRINGS AND JAZZ BASS. THIS IS JAZZ. IMPROVISATION FOR THE TWO SOLOISTS AND THE PIANO PLAYER. IN ONE MOVEMENT. SHOULD BE A LOT OF FUN FROM A FINE COMPOSER/ MUSICIAN. |
| LINDBERG, NILS | FAR AWAY STAR | STAGE BAND | Sweden | NORDISKA | 1984 | M | C/U/HS | VOCAL - OR CAN BE AN INSTRUMENTAL SOLO. BALLAD. FINE TUNE! | |
| LINDBERG, NILS | GANGLAT FRAN VASTERDALARNA | ORCHESTRA | Sweden | NORDISKA | 1974 | EST 7 MIN | M/H | C/U | PIC,2FL,2CL,CL SOLO,BCL,2OB,EH,2BSN,4HN,3TRPT,3TRB,TBA,PERC, TMP,GUITAR,STRINGS. MARCHING TUNE. CLARINET AND PIANO SOLOS. IMPROVISATION, SWING SECTION, FOLK TUNE. SCORE FOR SALE, PARTS RENTAL. |
| LINDBERG, NILS | OLD WEDDING TUNE FROM AHL | STAGE BAND | Sweden | NORDISKA | 1985 | E/M | C/U/HS | EXCELLENT SCORE OF AN OLD WEDDING MARCH FROM THE AREA OF ÅHL. SOME GOOD BUT TRICKY SAXOPHONE WORK. | |
| LINDBERG, NILS | POLSKA WITH A TRUMPET | STAGE BAND | Sweden | NORDISKA | 1983 | M/H | C/U/HS | USUAL INSTRUMENTATION PLUS 2 FLUTES & 2 HORNS. SOLO TRUMPET WRITTEN AND IMPROVISATION. FINE ARRANGER. | |
| LINDBERG, NILS | ROLF BILLBERG IN MEMORIUM | STAGE BAND | Sweden | NORDISKA | 1985 | H | C/U/HS | LONG CHART, CONCERT FEATURE, TRPT 2 AND PIANO SOLOS, SPECIAL RHYTHMIC PROBLEMS IN A VERY SLOW TEMPO. | |
| LINDBERG, NILS | TORN ERIK'S SONG | STAGE BAND | Sweden | NORDISKA | 1984 | M | C/U/HS | BALLAD BASED ON SWEDISH FOLK MELODY. 3/4. SOLOS FOR PIANO, TRPT 2 AND GUITAR. | |
| LINDBERG, NILS | TRUMPET SONG (VISA MED TRUMPET) | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | A TRUMPET SOLO BASED IN A LARGE PART ON IMPROVISATION. | |
| LINDBERG, NILS & RED MITCHELL | AS YOU ARE (PETRA) | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | VERY NICE SLOW BALLAD. | |
| LINDBERG, NILS(TRADITIONAL) | SOMETIMES I FEEL LIKE A MOTHERLESS CHILD | STAGE BAND | Sweden | NORDISKA | 1985 | M | C/U/HS | VOCALIST NEEDS A GOOD EAR, MUCH WORK WITHOUT BACKUP. NICE CHART. | |
| LINDBERG, OSKAR | GAMMAL FABODPSALM FRAN DALARNA | CELLO & PIANO | Sweden | NORDISKA | 1950 | CA 3 MIN | E/M | C/U/HS | SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY! |
| LINDBERG, OSKAR | GAMMAL FABODPSALM FRAN DALARNA | VIOLIN & PIANO | Sweden | NORDISKA | 1950 | CA 3 MIN | E/M | C/U/HS | SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY! |
| LINDBERG, OSKAR/MOGENS ANDERSEN | GAMMAL FABODPSALM(AN OLD TUNE FROM DALECARLIA) | BRASS QUINTET | Sweden | NORDISKA | 1986 | EST 4 MIN | M | C/U | ONE OF SWEDEN'S MOST BEAUTIFUL AND FAMILIAR FOLK SONGS, WELL SCORED. |
| LINDBERG, OSKAR/STIG GUSTAFSON | GAMMAL FABODPSALM | BAND | Sweden | LEMA | 1979 | 4 MIN | E/M | C/M/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, SB. ONE OF SWEDEN'S MOST FAMILIAR FOLK MELODIES. WELL SCORED. |
| LINDE, BO | KONSERTANT MUSIK FOR ORKESTER, OP 27 | ORCHESTRA | Sweden | SMIC | 1963 | EST 20+MIN | H | C/U | PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TRB,PERC,TMP,STRINGS. A WELL RESPECTED SWEDISH COMPOSER IN A THREE MOVEMENT WORK. LINDE LIKES THINGS RHYTHMIC. RENTAL ONLY. |
| LINDE, BO | LITEN KONSERT, OP 35 | WOODWIND QUINTET & STRING ORCH | Sweden | SMIC | 1967 | EST 12+MIN | H | C/U | FOUR MOVEMENTS WITH LINDE'S USUAL RHYTHMIC INTEREST. RENTAL ONLY. |
| LINDE, BO | MINIATUR-SUITE (IN MODO BAROCCO) | OBOE & PIANO | Sweden | BUSCH | 1974 | 10 MIN 15 SEC | M | C/U | FOUR MOVEMENTS: INTRADA, BOURÉE, ARIA, GIGUE. ALSO AVAILABLE WITH STRING ORCHESTRA. |
| LINDE, BO | MINIATUR-SUITE (IN MODO BAROCCO) | OBOE & STRING ORCHESTRA | Sweden | BUSCH | 1974 | 10 MIN 15 SEC | M | C/U | FOUR MOVEMENTS: INTRADA, BOURÉE, ARIA, GIGUE. ALSO AVAILABLE WITH PIANO REDUCTION. |
| LINDE, BO | PRELUDIO E FINALE, OP 16 | STRING ORCHESTRA | Sweden | SMIC | 1955 | EST 7+MIN | H | C/U | A MAJOR WORK FROM A FINE COMPOSER. LARGE NUMBERS ARE NOT NEEDED FOR SUCCESSFUL PERFORMANCE. LISTENER INTEREST. SOME METRIC MANIPULATIONS. RENTAL ONLY. |
| LINDE, BO | SONATE | VIOLIN & PIANO | Sweden | BUSCH | 1972 | 25 MIN | H | C/U | THREE MOVEMENTS THAT ARE A COMFORTABLE MUSICAL AND TECHNICAL CHALLENGE. |
| LINDE, BO | SUITE BOULOGNE | ORCHESTRA | Sweden | SMIC | 1966 | 12 MIN 40 SEC | M/H | C/U | PIC,FL,CL,OB,BSN,HN,TRPT,TRB,PERC,PIANO, STRINGS. SIX SHORT MOVEMENTS OF PLEASING MUSIC FOR THE LISTENER AND PERFORMER. RENTAL ONLY. |
| LINDGREN, OLOF | DE TRE TRUMPEDORERNA - CONCERT POLKA | TRUMPET TRIO & BAND | Sweden | BLAS-BASEN | 1997 | 5 MN | M | C/U/HS | A CHANCE FOR THE TRUMPETS TO SHOW OFF IN A COMFORTABLE SETTING. RANGE FOR TRUMPET I TO C AT THE END, OTHERWISE EASILY PLAYABLE RANGES. A GREAT FEATURE WORK. BAND PART IS ACCESSIBLE FOR THE GOOD HS OR COLLEGE BAND. |
| LINDGREN, OLOF | KONSERTSTYCKE FOR FAGOTT OCH STRAKORKESTER | BASSOON & STRING ORCHESTRA | Sweden | SMIC | 1986 | 10 MIN | M | C/U/HS | THREE MOVEMENTS OF GOOD MATERIAL THAT ARE PLAYABLE AND ENJOYABLE. RENTAL ONLY. |
| LINDHOLM AND OTHERS/GUNNAR SVENSSON | FLOTTANS KAVALJERER | STAGE BAND | Sweden | EHRLING | 1978 | E/M | C/U/HS | SWING, SCORE IS MESSY, TENOR SOLO AND CAN BE OPENED, HIGH TRB 1 & 2 FOR E/M CHART. | |
| LINDHOLM, HERBERT | 24 ETUDES FOR FLUTE, OP. 16 | FLUTE ALONE | Finland | FiMIC | 1992 | EACH 1 -2 MIN | E/M/H | C/U/HS | EACH ETUDE CAN SAND ALONE AND ARE WORTHY OF PERFORMANCE. OF VARYING DIFFICULTY. COMPOSER WRITES WELL FOR THE FLUTE. |
| LINDHOLM, HERBERT | CHAMBER CONCERTO FOR FLUTE, OP. 31 | FLUTE & PIANO | Finland | FiMIC | 1999 | EST 9+ MIN | H | C/U | THIS IS ALSO AVAILABLE WITH 2 VIOLINS, CLARINET, CELLO, STRING BASS AND PIANO. MOVEMENTS: TRANQUILLO - MODERATO, ANDANTE LACRIMOSO, MOLTO VIVACE. MOSTLY STRAIGHT AHEAD IN MODERN HARMONIC SETTING. LOTS OF NOTES AND A SUPPORTIVE PIANO PART. |
| LINDHOLM, HERBERT | QUATTRO CANZONI, OP. 15 | FLUTE & ORGAN | Finland | FiMIC | 1992 | 20 MIN | M/H | C/U | CANZONAS: RECITATIVO, MISTERIOSO/ALLEGRO GIOCOSO, ANDANTE/COM LAMENTO, ALLEGRO MISTERIOSO.ORGAN PLAYS QUITE DELICATELY THROUGH THE MOST IF IT. LETS THE FLUTE, PLAYING MANY NOTES, BE HEARD. |
| LINDHOLM, HERBERT | SONATIINI, OP. 10 | CLARINET ALONE | Finland | FiMIC | 1990 | 6 MIN | H | C/U | MOVEMENTS: RECITANDO, ALLEGRO. NOTES WELL MANAGED BY A COMPOSER WHO KNOWS THE CLARINET. CAN BE PRACTICE STAND MATERIAL OR RECITAL. |
| LINDSTEN, RUNE | CONCERTINO FOR TRUMPET | TRUMPET & ORGAN | Sweden | SMIC | 1996 | 10 MIN | E/M/H | C/U/HS | GOOD MS. THREE MOVEMENTS. THE ADVANCED HS PLAYER SHOULD BE ABLE TO MAKE MUSIC WITH THESE NOTES (TRUMPET TO B ABOVE THE STAFF INFREQUENTLY). THE NATURE OF THE ORGAN PART SUGGESTS THAT IT MAY WORK WITH PIANO ALSO. |
| LINDSTROM, ERIK | BALLAD | STAGE BAND | Finland | FiMIC/ERIK LINDSTRöM | EST 5 MIN | M | C/U/HS | SLOW BALLAD. FLUGELHORN FEATURE. | |
| LINDSTROM, ERIK | EIKU | STAGE BAND | Finland | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | FAST SWING, GOOD SAX PARTS, SOLOS, A BARNBURNER! | |
| LINDSTROM, ERIK | FRESKO | STAGE BAND | Finland | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | A FEW HIGH NOTES FOR TRUMPET 1, SLOW SWING. TRB SOLO OPENING. | |
| LINDSTROM, ERIK | INTRODUCTION BLUES | STAGE BAND | Finland | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM UP SWING, TROMBONE SECTION WORK, SOLOS. GOOD THINGS HERE. | |
| LINDSTROM, ERIK | OVER BOILING | STAGE BAND | Finland | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM SWING, TIGHT ENSEMBLE, SOLOS, SCORE & PARTS A BIT MESSY. | |
| LINJAMA, JAAKKO | SARAH SUITE FOR CELLO & PIANO | CELLO & PIANO | Finland | FAZER | 1970 | EST 12 MIN | H | C/U | THREE MOVEMENTS. 3 IS A CHALLENGE. 2 IS A CRADLE SONG IN 11/4. MOVEMENTS CAN STAND ALONE. |
| LINJAMA, JYRKI | CHIARO | HORN ALONE | Finland | SULASOL | 2004 | EST 3+ MIN | H | C/U | HARD, BUT PLAYABLE BY THE C/U STUDENT OF HIGH LEVEL. USUAL ISSUES TO SOLVE LIKE RHYTHM - NO RANGE PROBLEM. A WELL LAID OUT SCORE. |
| LINKOLA, JUKKA | TANGO-TARANTELLA | TRUMPET & BAND | Finland | FiMIC | 2001 | EST 10+ MIN | M/H | C/U | FL,2OB,2CL,BSN,[OPT.AS,TS],3HN,TRPT,3TRB,[OPT EUP],TBA,3PERC. CONNECTED SECTIONS. TRUMPET PLAYS MOSTLY COMFORTABLE RANGE. STRAIGHT AHEAD WITH CONTEMPORARY IDEAS. YOU WILL LIKE THIS COMPOSER! |
| LINKOLA, JUKKA | BEN BAY | STAGE BAND | Finland | FiMIC | 1985 | EST 6-7 MIN | H | C/U | TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'. |
| LINKOLA, JUKKA | BETWEEN 2ND AND 3RD | STAGE BAND | Finland | FiMIC | 1978 | EST 6 MIN | M | C/U/HS | LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4. |
| LINKOLA, JUKKA | BRASS QUINTET NO. 2 | BRASS QUINTET | Finland | FiMIC | 1996 | ST 15+ MIN | H | C/U | MOVEMENTS: ANIMATO, LENTO-SOSTENUTO, ALLEGRO BRILLANTE. IF YOU DO NOT HAVE HIS FIRST QUINTET YOU SHOULD, THEN THIS ONE. HARD, MUCH MIXED METER THAT MAKES SENSE AND OTHER PERFORMANCE PROBLEMS, BUT AN EXCELLENT COMPOSER WITH MARGINAL MS. |
| LINKOLA, JUKKA | EL MONGO | PERCUSSION ENSEMBLE | Finland | FiMIC | 1987 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, 2 MARIMBA, SET, LATIN INSTRUMENTS. COMPOSER WHO WRITES WELL FOR THIS MEDIUM. |
| LINKOLA, JUKKA | EUPHONIUM CONCERTO | EUPHONIUM & ORCHESTRA | Finland | FENNICA | 1996/2004 | EST 20+ MIN | H | C/U | FL,OB,CL,BSN,HN,TRPT,TRB,2PERC,PIANO,STRINGS. SCORE IS IN ACCEPTABLE MS. PIANO REDUCTION AND SCORE IS PRINT. THE EUP PART WE SAW WAS IN Bb TREBLE CLEF, BUT IN SCORE IT IS BASS CLEF. MIXED METER AND NOTES, THIS IS FOR THE BEST PLAYERS - BAND AND EUPHONIUM. |
| LINKOLA, JUKKA | POLONEESI | PERCUSSION ENSEMBLE | Finland | FiMIC | 1987 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, MARIMBA, TIMPANI, ETC. GOOD COMPOSER & PLAYABLE. |
| LINKOLA, JUKKA | SISU | BAND | Finland | FiMIC | 1999 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,CALCL,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,STBS,PIANO,4PERC. COMMISSIONED BY THE CONCORDIA COLLEGE BAND. MUCH CHANGE OF METER AND PLENTY NOTES TO PLAY FROM THIS EXCELLENT COMPOSER | |
| LINKOLA, JUKKA | STRUCTURES | STAGE BAND | Finland | FiMIC | 1987 | 14 MIN | H | C/U | A CONCERT JAZZ PIECE. LIKE THREE MOVEMENTS. LOTS OF GOOD TIGHT ENSEMBLE AND IMPROVISATIONAL SOLOS. |
| LINKOLA, JUKKA | SUITE FOR BRASS QUINTET | BRASS QUINTET | Finland | FiMIC | 1985 | EST 11 MIN | M/H | C/U | 1. RAGTIME, 2. LULLABY, 3. MARCH. FUN MUSIC AND SOME NONTRADITIONAL TECHNIQUES AS WELL AS RHYTHMIC COMPLEXITY. |
| LINKOLA, JUKKA | THE GAME IS OVER | PERCUSSION ENSEMBLE | Finland | FiMIC | 1985 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. MESSY SCORE BUT A GOOD COMPOSER WHO WRITES LIVELY MUSIC. 2 MARIMBA, 2 VIBE, MISC PERCUSSION INSTRUMENTS. |
| LINKOLA, JUKKA | THREE BAGATELLES FOR BRASS SEPTET | BRASS ENSEMBLE | Finland | FiMIC | 1989 | 10 MIN | M | C/U | Eb TRPT,2Bb TRPT,HN IN Eb,2EUP,TBA. THREE MOVEMENTS FROM A GOOD COMPOSER AND WORTH THE EFFORT. |
| LINKOLA, JUKKA | TRUMPET CONCERTO II | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1993/95 | 20 MIN | H | C/U | MOVEMENTS: CANTANDO-QUASI RUBATO, BALLADE-MODERATO, RITMICO. WE WISH HE HAD BETTER MS, BUT WHEN HE WRITES, WE PAY ATTENTION. TRUMPET IN C WITH AN OPTIONAL VERSION FOR Eb TRUMPET. SOME MIXED METER. |
| LINKOLA, JUKKA | WEDDING MUSIC FOR SYMPHONIC BAND | BAND | Finland | FiMIC | 1998 | EST 15+ MIN | C/U | PC,2FL,OB,3CL,BCL,BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,4PERC. MOVEMENTS: THE MARCH, THE WEDDING WALTZ, THE CEREMONY. A GREAT COMPOSER FOR WIND INSTRUMENTS AND A WORK PLAYED MUCH BY FINNISH BANDS- YOU WILL LIKE IT! POSSIBLE BY THE FINE HS BAND. YES! | |
| LINNALA, EINO | SUOMALAINEN RAPSODIA (FINNISH RHAPSODY) | ORCHESTRA | Finland | FAZER | 1938 | 10 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,EH,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT STRAIGHT AHEAD. PLAYABLE MUSIC WITH MUCH EXCITEMENT. |
| LINTINEN, KIRMO | CONCERTO PER SASSOFONO E ORCHESTRA | SAXOPHONE(ALTO) & ORCHESTRA | Finland | FiMIC | 2000 | 20 MIN | H | PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA. | |
| LINTINEN, KIRMO | INTRODUCTION AND GIGUE | BASSOON ENSEMBLE | Finland | FiMIC | 1993 | 5 MIN | M/H | C/U | SIX BASSOONS AND A CONTRA! CLEFS NEEDED FOR THE TOP FOUR PARTS. THE SCORE IS CLEAN AND PLAYABLE. SEE ALSO THE LISTING FOR SAME COMBINATION BY HJELT. |
| LINTINEN, KIRMO | QUATTRO CAPRICCI | SAXOPHONE QUARTET | Finland | FiMIC | 2002/06 | 13 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: ALLEGRETO MECCANICO (NEON), NOSTALGICO (MIGN0N), VIVACE PERSISTENTE (CANON), SPIRITOSO (KEATON). CONTEMPORARY HARMONIC SETTINGS AND ALL PLAYABLE - SOME HUMOR OR CAPRICIOUSNESS IN THE MUSIC. |
| LIUKKO. EINO | QUARTETTO PER CORNI | HORN QUARTET | Finland | FiMIC | H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. SCORE IN C. | ||
| LOFBERG, MARIA | DAGSVIT FOR CELLO OCH ORGEL | CELLO & ORGAN | Sweden | SMIC | 2005 | EST 8:00 | E/M | C/U | MOVEMENTS: MORGON, DAGVISA, AFTON, NATT. GOOD MATERIAL FOR THE CELLIST WITH AN ORGAN ACCOMPANIST AVAILABLE. GOOD LINES FOR THE CELLIST. NO SURPRISES. A NICE ‘DAY SUITE’. |
| LOFGREN, ALBERT/BIRGER JARL | DANSLATAR FRAN VASTERGOTLAND | BAND | Sweden | INTERSONG | 1982 | E/M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. 3 MOVEMENTS, LOTS OF NOTES THAT LAY WELL FOR THE INSTRUMENTS. NICE SCORE. | |
| LOFGREN, ALBERT/BIRGER JARL | YRHATTAN/DIAPHONY (THE WHIRLWIND) | BAND | Sweden | INTERSONG | 1982 | EST 3 MIN | E/M | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. WELL ARRANGED. 2/4 AND IN Bb. VERY PLAYABLE. |
| LOFGREN, ALBERT/STIG GUSTAFSON | ALVSBORGSLATAR | BAND | Sweden | GEHRMANS | 1981 | CA 9 MIN | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. GOOD SCORE AND BALANCE, 8 SHORT MOVEMENTS. SOME PARTS OPTIONAL. |
| LONDON, POUL | THE TROMBONE SERENADE | TROMBONE & PIANO | Denmark | WHANSEN | 1963 | H | C/U | ORCHESTRA SCORE & PARTS AVAILABLE, HIGH TESSITURA FOR THE TROMBONIST. | |
| LORENTZEN, BENT | CIRCLES | TROMBONE ALONE | Denmark | WHANSEN | 1996 | EST 7 MIN | H | C/U | USES THE AVANTE GUARDE TECHNIQUES AVAILABLE: MULTI-PHONICS, FLUTTER TONGUE, RIPS, GLISSANDO, ETC. COMFORTABLE PLAYING RANGE. |
| LORENTZEN, BENT | FANFARES | TRUMPET ALONE | Denmark | ENGSTROM & SODRING | 1994 | M/H | C/U | TWO FANFARES, EACH ABOUT ONE MINUTES OR LESS. `ALL TRUMPET PLAYERS SHOULD HAVE SOMETHING LIKE THIS READY TO PLAY. THESE WILL MAKE YOURS A LITTLE SPECIAL.COMFORTABLE RANGE. | |
| LORENTZEN, BENT | GRANITE | CELLO ALONE | Denmark | WHANSEN | 1971 | 8 MIN | H | C/U | FOUR MOVEMENTS, SPECIAL TECHNIQUES SUGGESTED, FREE FEELING TO THE WORK. |
| LORENTZEN, BENT | LATIN SUITE NO 2 | BAND | Denmark | ENGSTROM & SODRING | 1987 | 12 MIN | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB, EUP,TBA,4PERC,TMP. 1. MAMBO, 2. CAIXA DO DIVINO, 3. ABOIOS, 4. MAMBO. CLARINET CADENZA, SOME NONTRADITIONAL DEMANDS. LIKE A BIG BAND PROPELLED BY THE PERCUSSION. |
| LORENTZEN, BENT | TIEFE | STRING BASS ALONE | Denmark | WHANSEN | 1993 | 9 MIN | M/H | C/U | NEED BASS, TENOR AND TREBLE CLEFS. THE MUSIC IS MARKED QT = 72 AO THERE IS TIME TO PLAY THE NOTES AND MAKE SOME MUSIC. |
| LUMBYE, H C/MOGENS ANDRESEN | CHAMPAGNE GALOP | BRASS ENSEMBLE | Denmark | DANISH BRASS | 1986 | 2 MIN 10 SEC | M/H | C/U | Eb COR,2BbCOR,TRPT,2HN,2TRB,EUP,TBA,PERC. FAST MOVING AND FUN! SUGGEST Eb PART BE TRANSPOSED FOR Bb OR PICCOLO TRUMPET. |
| LUMBYE, H.C. | CHAMPAGNE GALOP | WOODWIND QUINTET | Denmark | WEMUS | EST PUB 2002 | EST 2 MIN | E | C/U/HS | ARRANGED FOR WW QT BY MICHAEL WEHDING. LUMBYE IS AN EARLIER DANISH COMPOSER OF THIS POPULAR WORK PLAYED FREQUENTLY BY BRASS INSTRUMENTS. FUN FOR ALL INCLUDING THE AUDIENCE. ALSO AVAILABLE FOR 8 CLARINETS. |
| LUMBYE, H.C./STIG GUSTAFSON | COLUMBINE POLKA-MAZURKA | BAND | Sweden | GEHRMANS | 1978 | E | HS | STANDARD INSTRUMENTATION. FINE ARRANGER. BUT NO FULL SCORE. | |
| LUND, GUDRUN | 3 PIECES FOR HORN | HORN ALONE | Denmark | LUND | 1997 | EST 6 MIN | M/H | C/U | MOVEMENTS: MODERATO - STRICTLY RHYTHMICAL, LIKE A MARCH, QUASI RECITATIVO, ALLEGRO GIOCOSO. RANGE NOT PROBLEM FOR THE GOOD PLAYER. SOME MIXED METER AND NEED TO CAREFULLY FOLLOW THE ARTICULATION MARKINGS. |
| LUND, GUDRUN | SONATINA FOR BASS TROMBONE AND PIANO | TROMBONE(BASS) & PIANO | Denmark | LUND | 2000 | EST 5+MIN | M | C/U | MOVEMENTS: MODERATO MAESTOSO, ALLEGRETT0 MISTERIOSO, A DIALOGUE, ALLEGRO CON BRIO. RANGE TO A, PLAYABLE BY TENOR TRB WITH F ATTACHMENT. SOME MIXED METER AND SOME FUN EXTRAS. SOME DENSE HARMONIES IN THE PIANO AND LOTS OF NOTES FOR BOTH IN 3RD MOVE. |
| LUND, GUDRUN | SPIL FOR ULIGE PARTNERE, OP 58 | FLUTE & STRING BASS | Denmark | DMIC | 1981 | 16 MIN | M | C/U/HS | FOUR MOVEMENTS OF FUN FOR TWO UNLIKELY DUETISTS! |
| LUND, GUDRUN | THREE SUBJECTS IN DIFFERENT CONTRASTING MOODS,OP68 | TROMBONE TRIO | Denmark | DMIC | 1982 | 14 MIN | H | C/U | ALTO, TENOR & BASS TROMBONE. SOME NONTRADITIONAL TECHNIQUES AND PLAYABLE IN 4 MOVEMENTS. |
| LUNDE, IVAR | NUANCES, OPUS 55 | CLARINET CHOIR | Norway | NORSK | 1976 | 9 MIN 40 SEC | H | C/U | AVAILABLE IN THE U.S. THROUGH KENDOR. |
| LUNDE, IVAR JR | ELEGY FOR SYMPHONIC BAND, OP 61 | BAND | Norway | NMIC | 1976 | EST 10 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,EH,CBCL IN Eb & Bb, CELESTE. MIXED METER, DRAMATIC CHANGES IN INTENSITY. A CLEAN SCORE. |
| LUNDE, IVAR JR | EMBELLISHMENTS | TRUMPET & TUBA | Norway | NORSK | 1976 | EST 2 1/2 MIN | M/H | C/U | TRPT PART CAN BE PICCOLO(Bb). MIXED METER AND RHYTHMIC CHALLENGES. |
| LUNDE, IVAR JR | POEM FOR TROMBONE,PIANO,VIBES & PERCUSSION, OP 74 | TROMBONE & PIANO | Norway | NORSK | 1984 | EST 6 MIN | H | C/U | VERY HIGH TESSITURA FOR THE TROMBONE. ONE PERCUSSIONIST. CONTEMPORARY SOUNDS AND DIFFICULT. |
| LUNDE, IVAR JR | PULSATIONS, OP 89 | TROMBONE QUARTET | Norway | NMIC | 1985 | 8 MIN | H | C/U | ALTO TRB, 2 TEN TRB, BASS TRB & TUBA. ALTO PART CAN BE PLAYED BY TRPT AND TUBA BY BASS TROMBONE. MUTES AND RHYTHMIC. |
| LUNDE, IVAR JR | QUARTET FOR SAXOPHONES, OP 54 | SAXOPHONE QUARTET | Norway | NMIC | 1975 | EST 5 MIN | M | C/U | SATB. SOME NONTRADITIONAL TECHNIQUES IN ONE MOVEMENT. LOTS OF NOTES THAT LAY WELL AND FIT TOGETHER. |
| LUNDE, IVAR JR | SERENADE FOR THE WOODWIND QUINTET, OP 26 | WOODWIND QUINTET | Norway | SHAWNEE | 1980 | 9 MIN | M/H | C/U | THREE MOVEMENTS, MIXED METER, VARIED TEMPOS. GOOD INSTRUCTIONS IN THE SCORE FOR PERFORMANCE. |
| LUNDE, IVAR JR | SONATA FOR ALTO SAXOPHONE IN ONE MOVEMENT,OP 49 | SAXOPHONE(ALTO) & PIANO | Norway | NMIC | 1973 | EST 11 MIN | M/H | C/U | MANY NOTES, BUT RHYTHMICALLY STRAIGHT AHEAD. COLLEGE RECITAL MATERIAL. FLOWS. |
| LUNDE, IVAR JR | SUITE FOR BRASS QUINTET | BRASS QUINTET | Norway | NMIC | 1971 | EST 12 MIN | M | C/U | SIX SHORT MOVEMENTS THAT CAN STAND ALONE. SOME USE OF MUTES FOR FUN. STRAIGHT AHEAD. |
| LUNDE, IVAR JR | THREE BAGATELLES FOR WOODWIND QUINTET | WOODWIND QUINTET | Norway | SHAWNEE | 1974 | EST 5 MIN | E | HS | EASY, BUT WELL CONSTRUCTED FOR THE YOUNG PLAYERS. |
| LUNDE, IVAR JR | UNE PETITE SUITE, OP 23 | WOODWIND QUINTET | Norway | SHAWNEE | 1979 | 8 1/2 MIN | M/H | C/U | FIVE MOVEMENTS, MIXED METER. MOVEMENT 3 IS A PICCOLO AND BASSOON DUO. |
| LUNDE, IVAR, JR. | CAPRICIOUS SUITE FOR BAND,OP 72 | BAND | Norway | SHAWNEE | 1983 | 14 MIN 30 SEC | E/M | HS/JHS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP,Eb & Bb CONTRA CL. 6 MOVEMENTS THAT CAN STAND ALONE. NONTRADITIONAL NOTATION IN 4TH MOVEMENT IS EASY TO FOLLOW. |
| LUNDE, IVAR, JR. | JOY, OP. 84 | ORCHESTRA | Norway | NMIC | 1986 | 7 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,2PERC,TMP,EH,HARP,STRINGS. SCORE FOR SALE, PARTS RENTAL, GOOD SCORE WITH LOTS OF RHYTHMIC INTEREST. PLAYS LIKE AN OVERTURE. SCORE FOR SALE, PARTS RENTAL. |
| LUNDE, JR., IVAR | TRIO FOR FLUTE, OBOE AND Bb CLARINET | WOODWIND TRIO | Norway | SKYLINE | 1989 | EST 3 MIN 30 SEC | E/M | C/U/HS | ACCESSIBLE MATERIAL FOR THE YOUNG ENSEMBLE. SEE OTHER ITEMS LIKE THIS BY CONTACTING THE COMPANY AS NOTED HERE. |
| LUNDEN-WELDEN,GUNNAR | 4 SMABITAR FOR 6 TRABLASARE | WOODWIND ENSEMBLE | Sweden | SUECIA | 1987 | EST 6 MIN | M | C/U | 3FL, 2CL, 1BSN. FOUR VERY SHORT MOVEMENTS. |
| LUNDIN, DAG | ARIOSO FROM FJORTON SOLOSTYCKEN | OBOE & PIANO | Sweden | SMIC | 2003 | EST 4 MIN | E/M | C/U/HS | FLOWING WORK WITH NICE ACCOMPANIMENT. NO TECHNICAL PROBLEMS TO GET IN THE WAY OF MAKING MUSIC. IF YOU LIKE THIS ONE TRY LUNDIN’S FRAN FRU MUSICAS TRADGARD. A LONGER WORK, BUT VERY GOOD! |
| LUNDIN, DAG | BOURREE BURLESQUE FROM FJORTON SOLOSTYCKEN | TUBA & PIANO | Sweden | SMIC | 2003 | EST 2 MIN | E | C/M/HS | GOOD MANUSCRIPT WITH SUPPORTIVE ACCOMPANIMENT FOR THE YOUNGER SOLOIST. RANGE TO A ON TOP LINE FOR THE BASS CLEF FOR THE TUBA PLAYER. |
| LUNDIN, DAG | EN LITEN VIOLINKONSERT | VIOLIN & STRING ORCHESTRA | Sweden | SMIC | 2000 | EST 14 MIN | M | C/U/HS | MOVEMENTS: APPASSIONATO, SICILIANO, ENERGICO. THIS IS MATERIAL FOR THE ADVANCED HS STUDENT AND ASPIRING C/U STUDENT. SOLO PART IS HIGHLY PLAYABLE AS ARE THE ORCHESTRA PARTS. GOOD STUDENT MATERIAL. |
| LUNDIN, DAG | FYRA MINIATYRER | SAXOPHONE QUARTET | Sweden | SMIC | 1995 | 8 MIN 30 SEC | E | C/M/HS | 2AS,TS,BA. FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. STARTING WTH A LITTLE MARCH, THEN A GAVOTTE, SICILIANO AND FINALE. THIS COMPOSER SPECIALIZES IN STUDENT MATERIALS THAT ARE TEACHING YET INTERESTING. GOOD MS. |
| LUNDIN, DAG | INVOCATIO FROM FJORTON SOLOSTYCKEN | HORN & PIANO | Sweden | SMIC | 2003 | EST 4 MIN | M | C/U/HS | CLEAN MS OF GOOD RECITAL OR HS CONTEST MATERIAL. CONTRASTING STYLES IN A SHORTER WORK. RANGE TO G ABOVE STAFF. PLAYABLE MUSIC AND NICE FOR THE LISTENER. |
| LUNDIN, DAG | LOFOT - SUITE FOR ORCHESTRA | ORCHESTRA | Sweden | SMIC | 1999 | EST 20+ MIN | M/H | C/U | PIC,2FL,3OB(EH),2CL,BCL,2BSN,4HN,4TRPT,3TRB,TBA,4PERC,HARP,(SOLO VIOLIN), STRINGS. MOVEMENTS: DOWN BY THE SEA, FIDDLERS TUNE, THE ABANDONED CHURCHYARD BY THE SEA, COAST FISHING. THE TITLES OF THE MOVEMENTS GIVE THE IDEA. EXCELLENT PROGRAM MATERIAL - SCORE IS IN A GOOD MS. |
| LUNDIN, DAG | MANSVIT NR. 3 | CELLO & PIANO | Sweden | SMIC | 2005 | EST 7 MIN | M/H | C/U | EXCELLENT MS WITH PLAYABLE PARTS FOR BOTH PARTIES. GET ACQUAINTED WITH THIS COMPOSER FOR MANY OTHER WORKS FOR ALL OF THE INSTRUMENTS WITH MATERIAL LIKE THIS VERY USEABLE WORK. |
| LUNDIN, DAG | RUSTICO FOR KONTRABAS OCH PIANO | STRING BASS & PIANO | Sweden | SMIC | 2003 | EST 2 MIN | E/M | C/U/HS | GOOD EARLY RECITAL MUSIC FOR THE YOUNG STRING BASS PLAYER OR FOR INCIDENTAL MUSIC ON THE PROGRAM OF A MORE ADVANCED PERFORMER. PLAYABLE AND WORKABLE. |
| LUNDIN, DAG | SIX VARIATIONS ON A SORMLANDSK VALLVISA | TUBA ALONE | Sweden | SMIC | 1994 | 8 MIN 30 SEC. | M/H | C/U | IN GOOD MS. THEME AND 6 VARIATIONS. RANGE TO C ABOVE THE STAFF. WILL TAKE MUSICIANSHIP AS WELL AS TECHNIQUE TO MAKE THIS HAPPEN. ENJOY! |
| LUNDIN, DAG | SONAT FOR EN UNG VIOLINIST | VIOLIN & PIANO | Sweden | SMIC | 1999 | EST 12 MIN | M | C/U/HS | CLEAN MS. COMPOSER SPECIALIZES IN THIS TYPE OF LITERATURE FOR DEVELOPING PERFORMER. FOUR MOVEMENTS OF INTERESTING MATERIAL WITH NO PARTICULAR SET OF PROBLEMS. SEARCH OF THE SMIC LIBRARY FOR MORE OF THIS COMPOSERS COMPOSITIONS FOR ALL INSTRUMENTS. |
| LUNDIN, DAG | SONATA CLASSICA | STRING BASS & PIANO | Sweden | SMIC | 2001 | EST 6 MIN | M | C/U | FOUR MOVEMENTS: INTRADA, SCHERZO, SERENATA, RONDINO. IN AN AREA WHERE THERE IS A SHORTAGE OF MATERIAL FOR THE UNDERGRADUATE STRING BASS PLAYER ,THIS SELECTION SHOULD BE OF GREAT VALUE. NO SURPRISES, STRAIGHT AHEAD AND MAKE MUSIC! |
| LUNDIN, DAG | SONATA DUO CONCERTANTE | CLARINET & PIANO | Sweden | SMIC | 1996 | 29 MIN | M/H | C/U | 4 MOVEMENTS THAT CAN STAND ALONE: APPASSIONATO,SCHERZO, CANZONETTA, GIOCOSO. PLAYABLE MUSIC FOR THE ADVANCED STUDENT CLARINETIST. A GOOD COMPOSER AND COMPOSITION FOR THE SENIOR RECITAL. MOSTLY STRAIGHT AHEAD, BUT OPPORTUNITIES FOR MUSICALITY. |
| LUNDIN, DAG | SONATIN FROM FJORTON SOLOSTYCKE NO. 8 | TROMBONE & PIANO | Sweden | SMIC | 2003 | EST 7 MIN | M | C/U/HS | THREE MOVEMENTS IN GOOD MS. VERY PLAYABLE MUSIC WITH NO RANGE PROBLEMS. PIANO ACCOMPANIMENT IS AT THE SAME LEVEL. HS OR EARLY COLLEGE MATERIAL. |
| LUNDIN, DAG | TILL STRAKORKESTERNS LOV | STRING ORCHESTRA | Sweden | SMIC | 1994 | EST 12+ MIN | M | C/U/HS | MOVEMENTS: OSTINATO, LAMENTOSO, GIOCOSO. STRONG WRITING FOR THE YOUNGER ORCHESTRA OR ANYONE WHO WANTS A WELL COMPOSED PIECE OF MUSIC TO PLAY IN A MORE TRADITIONAL STYLE. |
| LUNDIN, DAG | VALSE SERIEUSE FOR VIOLA OCH PIANO | VIOLA & PIANO | Sweden | SMIC | 2003 | EST 4 MIN 30 SEC | E/M | C/U/HS | VERY PLAYABLE MUSIC FOR THE GOOD STUDENT. ACCOMPANIMENT IS SUPPORTIVE OF THE LINE. THIS COMPOSER SPECIALIZES IN MUSIC FOR THE ASPIRING PLAYER/STUDENT. THIS IS FROM FOURTEEN SUCH COMPOSITIONS FOR MANY INSTRUMENTS. |
| LUNDIN, DAG | VINTERBALETT | ORCHESTRA | Sweden | SMIC | 2003 | 10 MIN | M/H | C/U/HS | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,5PERC,STRINGS. STARTS OUT N 6/8 IN TWO PATTERN THAT DEVELOPS IN TO A 3/4 LATER. A FINE SCORE FROM A COMPOSER WHO GETS PLAYED! SEE ALSO LUNDIN’S, ‘LAGERSBERGS-SVIT’ (IN GOOD MS). |
| LUNDIN, DAG | VIOLONCELLKONSERT | FLUTE & ORCHESTRA | Sweden | SMIC | 1998 | EST 25 MIN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,3PERC,STRINGS. MOVMENTS: ELEGIACO APPASSIONATO, NOTTURNO,FINALE:ENTHUSIASTICO. VERY CLEAN MS. THIS COMPOSER ALWAYS PRESENTS A CLEAN, GOOD LOOKING SCORE AND READILY PLAYABLE MUSIC. IT IS NOT EASY, BUT HIGHLY ACCESSIBLE. IDEAL FOR C/U/STUDENTS. |
| LUNDKVIST, PER | SKANSEN-SVIT | BAND | Sweden | SUECIA | 1985 | 13 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. FOLK LIKE, IN THREE MOVEMENTS. WELL SCORED FOR FULL BAND AND PLAYABLE. |
| LUNDQUIST, TORBJORN IWAN | AL FRESCO | FLUTE & PIANO | Sweden | SMIC | 1976 | 8 MIN | H | C/U | A MAJOR WORK WITH RHYTHMIC CHALLENGE. IT FITS TOGETHER NICELY. |
| LUNDQUIST, TORBJORN IWAN | ARKTIS | BAND | Sweden | SMIC | 1984 | 9 MIN | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB, EUP,2TBA,2PERC,TMP,SB. GOOD WORK WITH RHYTHMIC INTEREST & EXCITEMENT. NICE SCORE. |
| LUNDQUIST, TORBJORN IWAN | KOPPARSTICK | BRASS SEXTET | Sweden | SMIC | 1974 | 7 MIN | M | C/U | 2TRPT, HN, 2TRB, TBA. 5 SHORT MOVEMENTS. TRPTS IN C - TRPT ONE TO D FOR A SOLID PLAYER. |
| LUNDQUIST, TORBJORN IWAN | LANDSCAPE (SEA ROOM) | HORN & PIANO | Sweden | SMIC | 1978 | 16 MIN | H | C/U | ALSO AVAILABLE FOR TUBA. OPTIONAL STRING PARTS AVAILABLE. A MAJOR WORK FOR THIS INSTRUMENT. |
| LUNDQUIST, TORBJORN IWAN | SCANDINAVIAN MUSIC | BRASS QUINTET | Sweden | SMIC | 1978 | 8 MIN | H | C/U | MANY CHANGES OF METER, MODEST RANGES. BASED ON MATERIAL FROM "ARKTIS", A WORK FOR BAND. |
| LUNDQUIST, TORBJORN IWAN | SEA ROOM | TUBA & PIANO | Sweden | SMIC | 1976 | 16 MIN | H | C/U | ALSO AVAILABLE FOR HORN. OPTIONAL STRING PARTS AVAILABLE. |
| LUNDQUIST, TORBJORN IWAN | SISU | PERCUSSION ENSEMBLE | Sweden | SUECIA | 1989 | 8 MIN | M/H | C/U/HS | RECORDED BY KROUMATA. SIX PLAYERS PLAYING MANY INSTRUMENTS. GOOD SCORE AND WORK. |
| LUNDQUIST, TORBJORN IWAN | TRUMPET MUSIC | TRUMPET & PIANO | Sweden | SMIC | 1980 | EST 12 MIN | H | C/U | THREE MOVEMENTS WRITTEN FOR BO NILSSON. FLUEGELHORN, PICCOLO TRUMPET AND LOTS OF NOTES. WOULD LIKE TO SEE A FEW MORE RESTS. |
| LUNDQUIST, TORBJORN IWAN | VINDKRAFT (WINDPOWER) | BAND | Sweden | SMIC | 1978 | 18 MIN | M/H | C/U/HS | FL,4CL,OB,BSN,AS,TS,BS,2HN,4TRPT,TRB,EUP,2TBA,2PERC,SB,(I TRPT IN C, 3 IN Bb). A MAJOR WORK! SCORE IS INTERESTING. SUGGEST ONE ON A PART. |
| LUNDSTEN, RALPH/CLAUDE GENETAY | NORDIC NATURE SYMPHONY NO 4,"A SUMMER SAGA" OP 257 | ORCHESTRA | Sweden | GEHRMANS | 1983 | 17 MIN | E | C/U/HS | PIC,FL,CL,OB,BSN,2HN,STRINGS. SCORE PUBLISHED - PARTS HIRE. FOR SMALL ORCHESTRA - NOTE INSTRUMENTATION. 1. OUT IN THE WIDE WORLD, 2. CLOUD DREAMS, 3. SUMMER LONGING. SCORE FOR SALE, PARTS RENTAL. |
| LUOLAJAN-MIKKOLA, VILHO | AT MESSILA MANOR | OBOE & PIANO | Finland | ARTEMUSA | CIR 2000 | EST EST 10+ MIN | M | C/U | MOVEMENTS: SPRING IN THE AIR (VIVACE), EARLY MORNING (COMMODO AD LIB ), CLOUDLESS SKY (ALLEGRO ASSAI), EVENING ON THE TERRACE (MODERATO). TITLES SHOULD NOT HAMPER PLAYING THE MOVEMENTS ALONE. NICE SCORE AND MUSIC. |
| LUOLAJAN-MIKKOLA, VILHO | ELOKUISESSA HELSINGISSÄ | SAXOPHONE(ALTO) & PIANO | Finland | FiMIC | M | C/U/HS | THREE MOVEMENTS OF MATERIAL FOR RECITAL OR CONTEST. | ||
| LYLLOFF, BENT | ARHUS ETUDE NO 10 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | SIX PLAYERS, TRIANGLE, TAMBOURINE, SNARE, CYMBALS & BASS DRUM, TIMPANI. SOME MIXED METER, BUT VERY PLAYABLE. |
| LYLLOFF, BENT | ARHUS ETUDE NO 11 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | M | C/U/HS | FOUR PLAYERS, SLIGHTLY MORE DIFFICULT THAN OTHERS IN THIS SERIES, BUT NO PROBLEM FOR THE COMPETENT PERCUSSIONIST. |
| LYLLOFF, BENT | ARHUS ETUDE NO 2 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 1 MIN | E | C/U/HS | SNARE, STREET DRUM, CYMBALS, BASS DRUM, TIMP. EASY, FAST MOVING - COULD BE A STREET BEAT. 5 PLAYERS. |
| LYLLOFF, BENT | ARHUS ETUDE NO 4 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | E | C/U/HS | FOUR PLAYERS. TRIANGLE, SNARE, CYMBALS & BASS DRUM. EASY AND FAST MOVING. | ||
| LYLLOFF, BENT | ARHUS ETUDE NO 5 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN 15 SEC | E/M | C/U/HS | THREE PLAYERS, EACH PLAYING AT LEAST 3 INSTRUMENTS. SOME TRICKY RHYTHMS. SUGGEST MEDLEY WITH OTHER LYLLOFF PIECES. |
| LYLLOFF, BENT | ARHUS ETUDE NO 6 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | THREE PLAYERS, 2 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. MARKED ADAGIO WITH SOME TRICKY RHYTHMS BUT VERY PLAYABLE. |
| LYLLOFF, BENT | ARHUS ETUDE NO 7 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | FIVE PLAYERS, 4 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. FREQUENT METER CHANGES, QUICK TEMPO. |
| LYLLOFF, BENT | ARHUS ETUDE NO 8 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E/M | C/U/HS | FIVE PLAYERS, ALL PLAYING AT LEAST 2 INSTRUMENTS, MOSTLY MEMBRANOPHONES - ONE VIBRAPHONE. LARGHETTO IN 12/8. |
| LYLLOFF, BENT | ARHUS ETUDE NO.3 | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1970 | 2 MIN | E | C/U/HS | SHORT AND EASY, BUT WORTHY. FOUR PLAYERS. |
| LYNE, PETER | INCANTATION | VIOLIN & ORCHESTRA | Sweden | SMIC | 2004 | 7 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,4PERC,PO,STRINGS. GREAT SCORE. SOFT, BUT DRAMATIC OPENING. SOME MIXED METER, MOSTLY STRAIGHT AHEAD MATERIAL. CONTEMPORARY HARMONY. |
| LYYTIKAINEN, PASI | AGORA | TUBA ALONE | Finland | Uusinta | 1999 | 3 MIN 45 SEC | H | C/U | TRY THIS ONE AS SOMETHING YOU WORK ON IN THE PRACTICE ROOM TO EXPAND YOUR ABILITY THEN, WHEN READY, SHOW OFF IN A RECITAL. HARD+. NOT IN HIGH RANGE, JUST A LOT OF NOTES AND RHYTHMIC THINGS. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission