Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| MADETOJA, LEEVI | KULLERVO, OP 15 (SYMPHONIC POEM) | ORCHESTRA | Finland | FAZER | 1947 | 18 MIN | M/H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. WELL LAID OUT STRAIGHT AHEAD PIECE. ROMANTIC STYLE. |
| MADETOJA, LEEVI | OKON FUOKO, SUITE I, OP 58 | ORCHESTRA | Finland | FAZER | 1936 | 14 MIN | M/H | C/U | PIC,3FL,2CL,2OB,2BSN,4HN,3TRPT,4TRB,TBA,3PERC,TMP,HARP,CELESTE, STRINGS. MUSIC FROM A BALLET. ALL SECTIONS OF THE SUITE ARE CONNECTED. FLOWING MUSIC IN ROMANTIC STYLE. |
| MADETOJA, LEEVI | SONATINE, OP 19 | VIOLIN & PIANO | Finland | FAZER | 1967 | EST 6 MIN | M | C/U | THREE MOVEMENTS. I & 2 ARE QUITE LYRICAL WHILE 3 IS A `PERPETUUM MOBILE'. LOTS OF NOTES FOR A RECITAL CLOSER. TRADITIONAL SOUNDS AND STYLE. |
| MADETOJA, LEEVI/TEUVO LAINE | ALKUSOITTOFANTASIA, OP 69 | BAND | Finland | STM | 1967 | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. AN OVERTURE WITH CHANGING METER & TEMPOS, OTHERWISE QUITE STRAIGHT AHEAD. | |
| MADSEN, TRYGVE | CLARINET MARMALADE | CLARINET QUARTET | Norway | MUSIKK-HUSET | 1992 | EST 8+ MIN | M | C/U/HS | 3BbCL, BCL. MOVEMENTS: ALLEGRETTO, ANDANTE, ALLEGRO. ALL PARTS PLAYABLE AND LOGICAL PROGRESSIONS. THIS COMPOSER EXCELLENT FOR THIS LEVEL LITERATURE. VERY USEFUL MATERIAL IN THE SCHOOL SITUATION. |
| MADSEN, TRYGVE | CONCERTINO FOR EUPHONIUM AND SYMPHONIC BAND | EUPHONIUM & BAND | Norway | MUSIKK-HUSET | 2004 | EST 11 MIN | M | C/U/HS | 2FL,2OB,3CL,2BSN,2AS,TS,BS,2HN,2TRPT,TRB,TBA,3PERC. MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, POCO ADAGIO/ALLEGRO. RANGE TO HIGH Bb FOR THE SOLOIST, BUT NO REALLY TOUGH TECHNICAL MATERIAL UNLESS YOU TAKE THE LAST MOVE VERY FAST. THERE IS A PIANO REDUCTION! |
| MADSEN, TRYGVE | CONCERTINO FOR HORN SOLO & SYMPHONIC BAND | HORN & BAND | Norway | NMIC | CIR. 2005 | EST 12 MIN | M/H | C/U/HS | 2FL(PIC),EbCL,3CL,BCL,BSN,2AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC. MOVEMENTS: INTRADA, CAVATINA, RONDO. THIS IS IN A LEGIBLE MS. ALL PARTS PLAYABLE. GOOD ADDITION TO THE LITERATURE. |
| MADSEN, TRYGVE | CONCERTINO FOR TRUMPET AND SYMPHONIC BAND | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 2001 | EST 10 MIN | M | C/U/HS | MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, ALLEGRO, NGE JUTS TO Ab ABOVE STAFF. HIS IS GOOD EDUCATIONAL MATERIAL. THERE IS A BAND ACCOMPANIMENT AVAILABLE. COMPOSER HAS MANY THINGS LIKE THIS IN THE MUSIKK-HUSETS CATALOG. |
| MADSEN, TRYGVE | CONCERTO FOR BASSOON AND ORCHESTRA | BASSOON & ORCHESTRA | Norway | NMIC | 1994 | EST 15 MIN | M/H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),BSN,3PERC,STRINGS. MOVEMENTS: ALLEGRO MODERATO, POCO ADAGIO, VIVACE (LAST TWO ATTACCA). MADSEN WRITES FOR GOOD C/U STUDENT. NO SURPRISES, JUST STRAIGHT AHEAD MATERIAL. CHECK WITH MUSIKK-HUSETS IF THERE IS A PIANO REDUCTION AVAILABLE. |
| MADSEN, TRYGVE | CONCERTO FOR HORN AND ORCHESTRA, OP 45 | HORN & ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | EST 8+MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,TMP,STRINGS. THREE MOVEMENTS PLAYABLE BY A GOOD COLLEGE STUDENT. ORCHESTRA PARTS MEDIUM DIFFICULTY. |
| MADSEN, TRYGVE | CONCERTO FOR OBOE AND SMALL ORCHESTRA, OP.30 | OBOE & STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1981 | EST 10 MIN | M/H | C/U | ADVANCED PLAYERS ONLY. 3 MOVEMENTS IN GOOD SCORE AND GOOD COMPOSER. STRINGS PLUS CELESTE AND XYLOPHONE. PIANO ACCOMPANIMENT AVAILABLE. |
| MADSEN, TRYGVE | CONCERTO FOR TROMBONE & ORCHESTRA | TROMBONE & PIANO | Norway | MUSIKK-HUSET | 2001 | EST 12+ MIN | M/H | C/U | GREAT C/U RECITAL MATERIAL. SAME LEVEL AS L E LARSSON. MOVEMENTS: ALLEGRO,ANDANTE CON MOTO ALLEGRO. NOTE THAT ORCH ACCOMPANIMENT IS AVAILABLE. |
| MADSEN, TRYGVE | CONCERTO POUR CLARINETTE ET ORCHESTRE,OP.40 | CLARINET & STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | EST 10 MIN | H | C/U | USUAL 3 MOVEMENTS. CHALLENGE FOR GOOD COLLEGE STUDENT, COMPETENT STRINGS NEEDED. PIANO ACCOMPANIMENT AVAILABLE. |
| MADSEN, TRYGVE | DIVERTIMENTO FOR BRASS & PERCUSSION, OP 47 | BRASS ENSEMBLE | Norway | MUSIKK-HUSET | 1988 | H | C/U | 4TRPT IN C,4HN,3TRB,TBA,TIMP,2PERC. THREE MOVEMENTS OF SOLID MUSIC IN A GOOD SCORE. | |
| MADSEN, TRYGVE | DIVERTIMENTO, OP 43 | HORN & TUBA | Norway | MUSIKK-HUSET | 1986 | EST 8 MIN | H | C/U | TUBA PART IN F FOR FUN WITH AN UNUSUAL COMBINATION. |
| MADSEN, TRYGVE | FESTOUVERTURE, OP 53 | ORCHESTRA | Norway | MUSIKK-HUSET | 1988 | EST 7 MIN | M/H | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. PROGRAM OPENER OF STRAIGHT AHEAD MATERIAL. FINE HS ORCH, COLLEGE OR COMMUNITY ORGANIZATION. SCORE FOR SALE AND PARTS ON HIRE. |
| MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | TUBA & BAND | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLOIST OR TOP LEVEL AMATEUR. | |
| MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | TUBA & BAND | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLO OR TOP LEVEL AMATEUR. | |
| MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | TUBA & PIANO | Norway | NMIC | 10 MIN | H | C/U | ALSO AVAILABLE WITH ORCHESTRA. GOOD WORK AND A NICE CHALLENGE. | |
| MADSEN, TRYGVE | KONZERTOUVERTURE | ORCHESTRA | Norway | MUSIKK-HUSET | 1981 | EST 15 MIN | M/H | C/U | 3FL(PIC),2OB,2CL(EbCL),2BAN,4HN,3TRPT,3TRB,TBA,4PERC,STRINGS. MADSEN WRITES FOR GROUPS LIKE THE C/U ORCHESTRA. NOT EASY, BUT PLAYABLE. NO REAL SURPRISES. GOOD FOR SELECT HS ORCHESTRAS. SEE HIS FESTOVERTURE, SYMPHONIES AND WORKS IN THE MUSIKK-HUSETS CATALOG. |
| MADSEN, TRYGVE | MICHAEL & I | TUBA & PIANO | Norway | NMIC | CR. 2000 | EST 2 MIN 45 SEC. | M | C/U/HS | PA NICE MEDIUM TEMPO SONG LEADS TO A MOLTO ALLEGRO, BUT ALMOST ALWAYS SINGING. VERY PLAYABLE WITH GOOD ACCOMPANIMENT. IN CLEAN MS. |
| MADSEN, TRYGVE | PER SPELMANN | BRASS ENSEMBLE | Norway | MUSIKK-HUSET | 1988 | 3 MIN | M | C/U | 4TRPT IN C,4HN,3TRB,TBA,TIMP,2PERC. MODEST RANGES, WELL SCORED. LAYS WELL AND LOOKS TO BE PLAYED! |
| MADSEN, TRYGVE | SAXOPHONE MARMALADE | SAXOPHONE QUARTET | Norway | MUSIKK-HUSET | 1997 | EST 9:00 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: POCO ADAGIO/ALLEGRO, MODERATO, POCO ADAGIO/ALLEGRO. NOT ALL NORDIC SAX QUARTETS ARE TOUGH -- TIS ONE IS RELATIVELY EASY AND A SOLID ADDITION TO THE HS, EARLY COLLEGE MATERIAL. ALWAYS CHECK OUT THIS COMPOSER FOR PLAYABLE MUSIC. |
| MADSEN, TRYGVE | SERENADE, OP 48 | BRASS QUINTET | Norway | MUSIKK-HUSET | 1988 | EST 8 MIN | M | C/U/HS | TRPTS IN C WITH A GOOD SCORE, COMPOSER, AND PLAYABLE MUSIC. |
| MADSEN, TRYGVE | SERENADE, OP 52 | STRING TRIO | Norway | MUSIKK-HUSET | 1987 | EST 7 MIN | M | C/U | THREE MOVEMENTS(FSF), TRADITIONAL STYLE AND SOUNDS. VERY PLAYABLE. FOR VIOLIN, VIOLA, & CELLO. |
| MADSEN, TRYGVE | SEXTETT | BRASS QUINTET & PIANO | Norway | MUSIKK-HUSET | 1986 | 13 MIN | H | C/U | A FINE NORWEGIAN COMPOSER AND SCORE. |
| MADSEN, TRYGVE | SONATA | EUPHONIUM & PIANO | Norway | MUSIKK-HUSET | 1997 | EST 7 MIN | M/H | C/U/HS | MOVEMENTS: INTRADA (ALLEGRO MODERAT0), INTERMEZZO (POCO ADAGIO), FINALE (ALLEGRO). RANGE TO HIGH Bb. THIS COMPOSER SPECIALIZES IN MATERIAL THAT IS VERY USEFUL IN THE SCHOOL SITUATION. SEE MANY OTHER TITLES BY THIS COMPOSER FOR MOST INSTRUMENTS |
| MADSEN, TRYGVE | SONATA | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 1994 | EST 9 MIN | M/H | C/U/HS | USUAL 3 MOVEMENTS. NO RANGE CHALLENGES. ENOUGH NOTES TO KEEP THE PLAYER ALERT AND THE AUDIENCE INTERESTED. THIS IS GOOD RECITAL MATERIAL AS ARE A LOT OF THIS COMPOSERS WORKS. |
| MADSEN, TRYGVE | SONATA | STRING BASS & PIANO | Norway | MUSIKK-HUSET | 1995 | ST 15+ MIN | M/H | C/U | MOVEMENTS: INTRADA (MODERATO), SCHERZO (ALLEGRETTO), THEMA CON METAMRFOSI (POCO ADAGIO - MODERATO CON MOTO). MADSEN DOES IT FOR ALL 0F THE INSTRUMENTS. PLAYABLE MATERIAL SO VERY USEFUL BY THE C/U SERIOUS STUDENT. |
| MADSEN, TRYGVE | SONATA FOR ALTO SAXOPHONE & PIANO | SAXOPHONE(ALTO) & PIANO | Norway | MUSIKK-HUSET | 1994 | EST 12 MIN | M/H | C/U/HS | MOVEMENTS: THEME AND VARIATIONS, AIR, FINALE-ALLEGRO. THIS COMPOSER WORKS FOR THE C/U STUDENT. THE PARTS ARE ALWAYS PLAYABLE AND THE ACCOMPANIMENTS REASONABLE. NOTE THAT HE ALSO HAS SONATAS FOR SOPRANO, TENOR AND BARITONE SAXOPHONE. |
| MADSEN, TRYGVE | SONATA FOR FLUTES AND PIANO, OP. 21 | FLUTE(2) & PIANO | Norway | MUSIKK-HUSET | 1978 | H | C/U | STRAIGHT AHEAD MUSIC WITH NO SURPRISES. WORKS. | |
| MADSEN, TRYGVE | SONATA FOR HORN AND PIANO, OP. 24 | HORN & PIANO | Norway | MUSIKK-HUSET | 1979 | H | C/U | HARD BUT USEABLE AT ADVANCED LEVEL. | |
| MADSEN, TRYGVE | SONATA FOR TUBA AND PIANO, OP. 34 | TUBA & PIANO | Norway | MUSIKK-HUSET | 1980 | H | C/U | HIGH TESSITURA, WRITTEN FOR THE F TUBA, BUT POSSIBLE ON THE BBb INSTRUMENT. | |
| MADSEN, TRYGVE | SONATA, OP 33 | VIOLA & PIANO | Norway | MUSIKK-HUSET | 1987 | M/H | C/U | USUAL THREE MOVEMENTS AND MOSTLY LYRICAL WITH OPPORTUNITIES TO SHOW TECHNIQUE. GOOD COMPOSER. | |
| MADSEN, TRYGVE | SONATA, OP. 23 | CLARINET & PIANO | Norway | MUSIKK-HUSET | 1981 | 15 MIN | H | C/U | GOOD ADDITION TO THE LITERATURE FOR ADVANCED LEVEL STUDENTS. |
| MADSEN, TRYGVE | SONATE FOR BASSOON AND PIANO, OP25 | BASSOON & PIANO | Norway | MUSIKK-HUSET | 1987 | H | C/U | A SOLID COMPOSER, A GOOD SCORE AND MATERIAL FOR COLLEGE STUDENTS. | |
| MADSEN, TRYGVE | SONATE, OP 49 | CELLO & PIANO | Norway | MUSIKK-HUSET | 1986 | H | C/U | MADSEN WRITES THINGS THAT WORK WELL MUSICALLY AND FOR PEDAGOGICAL PURPOSES. | |
| MADSEN, TRYGVE | SONATE, OP. 22 | OBOE & PIANO | Norway | MUSIKK-HUSET | 1979 | H | C/U | COLLEGE OR ADVANCED PLAYERS ONLY! | |
| MADSEN, TRYGVE | SUITE FOR KONTRABASS OG KLAVER, OP 7 | STRING BASS & PIANO | Norway | NMIC | 1970 | EST 9 MIN | M | C/U | FOUR SHORT MOVEMENTS. NOTHING TRICKY, JUST STRAIGHT AHEAD. MOVEMENTS CAN STAND ALONE. COLLEGE RECITAL MATERIAL. |
| MADSEN, TRYGVE | SUITE NO III FOR SYMPHONIC BAND | BAND | Norway | NMIC | CIR, 1995 | EST. 10 MIN | M/H | C/U/HS | PIC,2FL,OB,EbL,3CL,BCL,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,TBA,5PERC. MOVE: INTRODUCTION, WALTZ, INTERMEZZO,POLKA, FINALE. COMPOSER HAS MANY TITLES FOR BAND AVAILABLE AT NMIC (ALSO AT MUSIKK-HUSETS FORLAG). WORK IS STRAIGHT FORWARD AND PLAYABLE. IN A READABLE MS. |
| MADSEN, TRYGVE | THE DREAM OF THE RHINOCEROS | HORN ALONE | Norway | MUSIKK-HUSET | 1994 | EST 2 MIN 30 SEC | M/H | C/U | RANGE TO G ABOVE THE STAFF. NO MAJOR PROBLEMS TO KEEP ONE FROM INTERPRETING AND MAKING MUSIC ALONE. SEE OTHER WORKS BY THIS COMPOSER! |
| MADSEN. TRYGVE | CONCERTO FOR TUBA AND ORCHESTRA, OP 35 | TUBA & ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | M/H | C/U | 2FL,2CL,2OB,2BSN,3PERC,TMP,EH,STRINGS,TUBA SOLO. IMPORTANT ENGLISH HORN PART. HARD FOR TUBA, ORCHESTRA MEDIUM. 4 MOVEMENTS - MOVE. 3 FOR TUBA AND STRINGS ONLY. GOOD SCORE! | |
| MADSEN. TRYGVE | SERENATA MONELLESEA | WOODWIND TRIO | Norway | MUSIKK-HUSET | 1980 | 13 MIN | H | C/U | FLUTE, OBOE AND BASSOON. A CHALLENGE FROM A GOOD COMPOSER. |
| MAEGAARD, JAN | BLAESERKVINTET, OP 11 | WOODWIND QUINTET | Denmark | ENGSTROM & SODRING | 1998 | M/H | C/U | MOVEMENTS: PRELUDIO, TEMA CON VARIAZIONO, FINALE-METAMORFOSE. THE THEME AND 9 VARIATIONS. CL IN A. LOT OF NOTES AND THE BASSOON PLAYER SPENDS SOME TIME IN TENOR CLEF. | |
| MAEGAARD, JAN | MUSICA RISERVATA NO 1 | STRING QUARTET | Denmark | ENGSTROM & SODRING | 1972 | 17 MIN | H | C/U | NONTRADITIONAL NOTATION AND RHYTHMICALLY FREE. INTRODUCTION, 2 MOVEMENTS AND EPILOGUE. CONTEMPORARY MUSIC. |
| MAEGAARD, JAN | TRIO FOR OBOE, CLARINET OG FAGOT | WOODWIND TRIO | Denmark | SAMFUNDET | 1950 | 8 MIN | M | C/U | ONE MOVEMENT IN 3 SECTIONS. COMFORTABLE CHALLENGE FOR 3 COMPETENT PLAYERS. |
| MAGLE, FREDERIK | JOURNEY IN TIME | VIOLIN & PIANO | Denmark | DKF | 1999 | 12 MIN | M/H | C/U | BEGINNING: A VERY NICE EMOTIONAL SONG WITH INTERESTING ACCOMPANIMENT. LATER: INTENSE, RHYTHMIC - ALTERNATING A SIMPLE PRESENTATION WITH THAT IDEA, CADENZA NEAR THE END. |
| MAGNUSSON, THORDUR | SONATA FOR VIOLA & PIANO | VIOLA & PIANO | Iceland | ITM | 2004 | ST 10+ MIN | H | C/U | THERE MAY BE A PROBLEM GETTING THIS WORKED OUT TOGETHER. LOT OF MIXED METER AND MOOD. PLENTY TO WORK ON TO MAKE MUSIC. |
| MALMBORG WARD, PAULA AF | YAKUZI | SAXOPHONE QUARTET | Sweden | SMIC | 1993 | 6 MIN 30 SEC | M/H | C/U | SS,AS,TS,BS. THE WORK MOVES ALONG WITH TIGHT ENSEMBLE NEEDED, THEN GETS A LITTLE TRICKY, BUT NOTHING THE GOOD C/U ENSEMBLE CANNOT HANDLE. MUCH ATTENTION TO ACCENTS AND DYNAMICS! |
| MALMLOF-FORSSLING, CARIN | SONATA SVICKEL | FLUTE ALONE | Sweden | SMIC | M | C/U | MEDIUM LENGTH AND DIFFICULTY WITH NO SURPRISES. | ||
| MARCUSSEN, KJELL | FESTIVALOUVERTURE | BAND | Norway | NMIC | 1994 | 10 MIN. | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. A NICE SCORE THAT EXHIBITS SOME INTERESTING HARMONIC STRUCTURE FORM TIME TO TO TIME. VERY USEABLE MATERIAL. |
| MARCUSSEN, KJELL | FESTIVALOUVERTURE | ORCHESTRA | Norway | NMIC | 1994 | EST 12+ MN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. A BOLD PIECE THAT IS GREAT IN SCORE AND PLAYABLE BY THE BEST HS SELECT GROUP ALA ALL-STATE GROUPS AND C/U ENSEMBLES. CONTEMPORARY SETTING, MIXED METER, MODERN HARMONY. GOOD PIECE. |
| MARCUSSEN, KJELL | STREETDANCE | SAXOPHONE QUARTET | Norway | NMIC | CIR 2001 | EST 10 MIN | E/M/H | C/U/HS | SS,AS,TS,BS. MOVEMENTS: FUNKY, BALLADE, METALBOOGIE. HIS IS MUSIC FOR THE YOUNGER GROUP, BUT FUN FOR ALL. PLAYABLE, BUT THE BARI SAX WILL HAVE TO CONCENTRATE ON THE RHYTHM IN THE FIRST MOVEMENT WHICH IS HE HARDEST MOVEMENT FOR ALL. |
| MARCUSSEN, KJELL | THREE MOMENTS | CLARINET & PIANO | Norway | NMIC | 1993 | EST 8+ MIN | M | C/U/HS | USUAL 3 MOVEMENTS. GOOD C/U MATERIAL. STRAIGHT AHEAD RHYTHMICALLY WITH A WELL WRITTEN ACCOMPANIMENT. |
| MARCUSSEN, KJELL | THREE MOMENTS | CLARINET & STRING ORCHESTRA | Norway | NMIC | CIR 2000 | EST 11+ MIN | M | C/U | MOVEMENTS: ALLEGRO MODERATO, ADAGIO ESPRESSIVO, ALLEGRO MA NON TROPPO. CONTEMPORARY HARMONY, BUT VERY PLAYABLE AND FINE ADDITION TO THE C/U REPERTOIRE. |
| MARMORSTEIN, DAN | SKELETON KEYS IN THE RAIN | CELLO ALONE | Denmark | DKF | 1995 | EST 9+MIN | H | C/U | BASS, TREBLE AND TENOR CLEFS, DOUBLE STOPS, AND ENOUGH NOTES TO KEEP ALL INTERESTED. |
| MAROS, MIKLOS | AIR POUR BASSOON | BASSOON ALONE | Sweden | NORDISKA | 1973 | 4 MIN | H | C/U | NONTRADITIONAL NOTATION, FOR THE TOP C/U STUDENTS. |
| MAROS, MIKLOS | CAUSERIE | FLUTE & PIANO | Sweden | NORDISKA | 1976 | 6 MIN 30 SEC | H | NONTRADITIONAL NOTATION ALL THE WAY! | |
| MAROS, MIKLOS | ETUDES FOR TUBA (ETYDER FÖR TUBA) | TUBA ALONE | Sweden | NORDISKA | 1976 | 6 MIN 30 SEC | H | C/U | ONLY FOR THE MOST ABLE PLAYERS WHO ARE INTERESTED IN AN AVANT-GARDE CHALLENGE. |
| MAROS, MIKLOS | INTRODUZIONE E MARCIA | BAND | Sweden | SMIC | 1986 | 7 MIN 30 SEC | M/H | C/U/HS | PIC,FL,3CL,BCL,BSN,AS,TS,BS,HN,2TRPT,TRB,EUP,TBA,3PERC,SB. NOTE THE INSTRUMENTATION. SOME NONTRADITIONAL NOTATION AND TECHNIQUES. WELL SCORED. |
| MAROS, MIKLOS | KONZERT FUR POSAUNE | TROMBONE & ORCHESTRA | Sweden | SUECIA | 1987 | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,PERC,TMP,STRINGS. THREE MOVEMENTS COMPOSED FOR CHRISTIAN LINDBERG. MULTI-PHONICS, NONTRADITIONAL NOTATION FOR THE VIRTUOSO TROMBONIST AND A FINE ORCHESTRA! SCORE & SOLO PART FOR SALE, PARTS RENTAL. | |
| MAROS, MIKLOS | MUSICA DA CACCIA | SAXOPHONE QUARTET | Sweden | SMIC | 1997 | 9 MIN. | M | C/U | SS,AS,TS,BS. TIGHT ENSEMBLE PLAYING NEEDED WITH MOVING PATTERNS AND CONTRASTING STYLES WITHIN THE WORK. STRAIGHT AHEAD MATERIAL - SHOULD BE NO PROBLEMS FOR THE SOLID C/U ENSEMBLE. |
| MAROS, MIKLOS | RIPPLE | FLUTE QUARTET | Sweden | SMIC | 2002 | 6 MIN. | M/H | C/U/HS | SOME MIXED METER AND OTHER RHYTHMIC PROBLEMS TO SOLVE. FOR ADVANCED PLAYERS WHO ENJOY A MODEST CHALLENGE. |
| MAROS, MIKLOS | SYMPHONIE NR 2 | BAND | Sweden | SMIC | 1979 | 14 MIN | H | C/U | PIC,3FL,4CL,BCL,3OB,4HN,4TRPT,4TRB,TBA,4PERC. THREE MOVEMENTS - NOTE THE INSTRUMENTATION. NICE PERCUSSION WRITING. SOME NONTRADITIONAL TECHNIQUES. |
| MAROS, MIKLOS | WINDINGS | SAXOPHONE QUARTET & BAND | Sweden | SMIC | 2006 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC. SOLO INSTRUMENTS: 2AS,TS,BS. THERE ARE SEVERAL CONTRASTING SECTIONS THAT ARE CONNECTED. THE SAXOPHONE SECTION WILL WORK FOR THIS ONE, BUT THE BAND HAS IT A LITTLE EASIER. GOOD COMPOSER AND INTERESTING MUSIC. |
| MARTENSON, LASSE | STORMSKARS MAJA | ORCHESTRA | Finland | MÅRTENSONG | 1976 | EST 7 MIN | M | C/U/HS | 2FL,2CL,OB,BSN,3HN,3TRPT,3TRB,PERC,PIANO,GUITAR,STRINGS. ARRANGED FOR FINNISH TELEVISION PROGRAM. LIGHT MUSIC FOR THE POPS CONCERT. RENTAL ONLY. |
| MARTINSSON, ROLF | A.S. IN MEMORIAM, OP. 50 | STRING ORCHESTRA | Sweden | GEHRMANS | 1999 | 12 MIN | H | S | FOR 15 STRINGS: 9VLN,3VLA,2CLO,STBS. A GORGEOUS PIECE OF MUSIC AFTER ARNOLD SCHOENBERG’S ‘VERKLARTE NACHT. HEAR A RECORDING: DAPHNE RECORDS: 1022 - WWW.DAPHNE.SE. HAS THE IMPACT OF THE SAMUEL BARBER, ‘ADAGIO’. ALSO SEE OP. 55 - ‘STRING MOMENTS’. |
| MARTINSSON, ROLF | CAPRICCIO FOR SOLOVIOLIN, OP. 29 | VIOLIN ALONE | Sweden | SMIC | 1991 | 10 MN | H | C/U | IN CLEAN MS. ADVANCED TECHNIQUE REQUIRED. VIOLINIST MUST HAVE GREAT COMMAND OF HE INSTRUMENT. AT TIMES QUITE DRAMATIC! |
| MARTINSSON, ROLF | FLAMES | WOODWIND QUARTET | Sweden | SMIC | 2003 | 11 MIN | H | C/U | FL,CL,HN,BSN. IN FOUR CONNECTED SECTIONS. OPENS WITH A DRAMATIC FLUTE CADENZA LIKE SECTION THEN TO ENSEMBLE PROBLEMS WITH INTEREST FOR ALL. REHEARSAL TIME WILL BE NEEDED. BUT, THE SCORE IS VERY INTERESTING. FROM A FINE COMPOSER. |
| MARTINSSON, ROLF | OPEN MIND, OP. 71 | ORCHESTRA | Sweden | GEHRMANS | 2005 | 10 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),2BSN,(CBSN),4HN,2TRPT,3TRB,3PERC,STRINGS. STARTS BIG, ENDS QUIETLY. NOTES FOR EVERYONE FROM A FINE COMPOSER. EXCELLENT SCORE. |
| MARTINSSON, ROLF | SHIMMERING BLUE - FLUTE CONCERTO NO. 1 | FLUTE & ORCHESTRA | Sweden | SMIC | 2005 | 25 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),2HN,2TRPT,TRB,PERC,STRINGS. ONE LONG MOVEMENT WITH MUSIC FOR THE MOST PRACTICED PLAYERS AS SOLOIST AND ORCHESTRA MUSICIANS. NICE USE OF VIBRAPHONE. HARMON MUTES IN THE TRUMPETS. |
| MARTINSSON, ROLF | SOLOBRIDGE | TRUMPET ALONE | Sweden | SMIC | 1998 | 4 MIN. | H | C/U | THIS IS THE CADENZA FROM THE COMPOSER’S CONCERTO NO. 1 OP 47 COMPOSED FOR HAKEN HARDENBERGER. BRING YOUR BEST STUFF -- HARD, CHALLENGING. |
| MARTINSSON, ROLF | TRIPTYK | CLARINET(BASS) & PIANO | Sweden | BUSCH | 1989 | 12 MIN | H | C/U | THREE MOVEMENTS TO ADD TO THE CLARINET RECITAL. |
| MARTINSSON, ROLF | WIND LAYERS | BAND | Sweden | SMIC | 2002 | 11 MIN | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS32TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. A THREE MOVEMENT WORK THAT HAS MUCH INTEREST FOR PLAYER AND LISTENER. MOSTLY STRAIGHT FORWARD WITH A FEW RHYTHMIC PROBLEMS TO SOLVE. BEAUTIFUL SCORE. |
| MARTTINEN, TAUNO | DER GNOM, OP. 198 | BASS CLARINET ALONE | Finland | ERES | 1982 | 7 MIN | M/H | C/U/HS | FLOWING MUSIC FOR THE BASS CLARINETIST FOR RECITAL AND PRACTICE TO MAKE MUSIC. NO SPECIAL DEMANDS. |
| MARTTINEN, TAUNO | ILLUSIO, OP. 214 | CLARINET ALONE | Finland | FIMIC | 1982 | EST 6+ MIN | M/H | C/U | THIS COMPOSER IS BECOMING MORE POPULAR BECAUSE HIS WORKS ARE PLAYABLE AND LOGICAL AS IS THIS ONE. NOTHING IS PARTICULAR IS HARD, JUST A LOT OF NOTES. |
| MARTTINEN, TAUNO | KYLALAISTEN TANSSI - DANCE OF THE VILLAGE PEOPLE | CLARINET & PIANO | Finland | FiMIC | 1962/2001 | EST 2 MIN | E | C/U/HS | A GOOD FIRST SOLO FOR HS CONTEST OR C/U EARLY RECITAL. NO PROBLEMS JUST PLAY THE NOTES AND MAKE MUSIC! SEE OTHER WORK BY THIS COMPOSER FOR CLARINET AND PIANO - “HAATANHU”. |
| MARTTINEN, TAUNO | LOITSU | PERCUSSION ENSEMBLE | Finland | FAZER | 1963 | M/H | C/U/HS | THREE MOVEMENTS FOR THREE OR MORE PLAYERS. NO MALLET EXCEPT FOR TIMPANI. | |
| MARTTINEN, TAUNO | PAN JA HUILU, OP. 29 B | FLUTE & PIANO | Finland | FIMIC | 1985 | EST 4 MN | M | C/U | MOSTLY A NICE FLOWING LINE WITH ONE SECTION OF ARTICULATING NOTE PATTERNS. NOT AS MODERN SOUNDING AS SOME. |
| MARTTINEN, TAUNO | SOLITUDE FOR SOLO BASSOON | BASSOON ALONE | Finland | FiMIC | 1999 | EST 3+ MN | M/H | C/U | BASS AND TENOR CLEFS. MARKED, LENTO RUBATO - TIME TO MAKE MUSIC. GOOD LOOKING SCORE. |
| MARTTINEN, TAUNO | TEN SHORT PIECES | TRUMPET & PIANO | Finland | FAZER | 1976 | EST 8 MIN | E | C/U/HS | VERY SHORT PIECES FOR STUDIO OR INCIDENTAL PERFORMANCE. WORK FOR STYLE AND MUSICIANSHIP. SOLOS & DUETS. |
| MARTTINEN, TAUNO | THE NORTH - SYMPHONIC POEM FOR WINDS, OP 67 | BAND | Finland | FiMIC | 1972 | EST 8-9 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,TS,BS,4HN,4TRPT,3TRB,EUP,TBA,PERC,TMP. NO ALTO SAX PART. DRAMATIC WORK. STARTS AND ENDS ADAGIO WITH EXCITEMENT BETWEEN. GOOD SCORE. |
| MARTTINEN, TAUNO | THE OLD MILL TELLS ITS TALE, OP. 143 | CLARINET ALONE | Finland | ERES | 1982 | 7 MIN | M/H | C/U | GOOD MATERIAL TO BEGIN PLAYING CLARINET ALONE MUSIC. NO SPECIAL DEMANDS. A LOT OF NOTES AND THE CHALLENGE TO TURN THEM IN TO MUSIC. |
| MARTTINEN, TAUNO & PENTTI RAITIO | MUSIC FOR TROMBONE | TROMBONE & PIANO | Finland | ASSOCIATION OF FINNISH MUSIC | M | C/U/HS | A COLLECTION OF SOLOS WITH PIANO, DUOS, TRIOS AND ONE FOR ALTO TROMBONE & PIANO. | ||
| MARTTINEN,TAUNO & PENTTI RAITIO | MUSIC FOR FRENCH HORN | HORN & PIANO | Finland | ASSOCIATION OF FINNISH MUSIC | 1973 | E | C/U/HS | FOR STUDY AND CASUAL PERFORMANCE. 4 SOLOS, 4 DUETS, 1 TRIO. | |
| MARTTINEN,TAUNO & PENTTI RAITIO | MUSIC FOR TRUMPET | TRUMPET & PIANO | Finland | ASSOCIATION OF FINNISH MUSIC | M | C/U/HS | COLLECTION OF SOLOS AND DUETS. HIGHLY USEFUL IN THE STUDIO LESSON AND EARLY PERFORMANCE CHALLENGE. | ||
| MARVIA, EINARI | QUARTET | WOODWIND QUARTET | Finland | WARNER/CHAPPELL | 1999 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, TRANQUILLO RUBATO, FINALE - VIVACE. EVERYONE HAS TO PLAY, BUT IF THEY DO, THIS WILL NOT BE HARD TO WORK OUT FOR THE GOOD C/U ENSEMBLE. NO BIG SURPRISES. |
| MASSON, ASKELL | A VOCE SOLA | VIOLA ALONE | Iceland | BIM | 1984 | 6 MIN | H | C/U | NEED WORK INTO TREBLE CLEF, DOUBLE STOPS AND ABILITY TO MAKE MUSIC OUT OF A LOT OF NOTES. |
| MASSON, ASKELL | BASUNUKONSERT (TROMBONE CONCERTO) | TROMBONE & ORCHESTRA | Iceland | ITM | 1987 | 24 MIN | H | C/U | 2FL,2CL,2OB,2BSN,6HN,3TRPT,3TRB,EUP,TBA,3PERC,TMP,STRINGS. DEDICATED FOR AND PREMIERED BY CHRISTIAN LINDBERG. A VIRTUOSO PIECE FOR TROMBONE & NEAR PROFESSIONAL ORCHESTRA. |
| MASSON, ASKELL | BLIK | CLARINET ALONE | Iceland | ITM | 1979 | H | C/U | MILDLY NONTRADITIONAL NOTATION & APPROACH. SOME MULTI PHONICS. | |
| MASSON, ASKELL | BOREAS | TUBA ALONE | Iceland | BIM | 1999 | 6 MIN | H | C/U | SOME NONTRADITIONAL THINGS, BUT THE SCORE LOOKS INVITING JUST LOOKING FOR THE TALENTED, AMBITIOUS C/U STUDENT. |
| MASSON, ASKELL | BRUDARMARS (BRIDESMARCH) | TRUMPET & ORGAN | Iceland | ITM | 1984 | 3 MIN | E | C/U/HS | A LITTLE, PLAYABLE MARCH WITH SPECIAL ATTENTION NEEDED FOR TRILLS AND OTHER SPECIAL TECHNIQUES. |
| MASSON, ASKELL | CADENZA | VIOLA ALONE | Iceland | ITM | 1987 | EST 3 1/2 MIN | H | C/U | ONE MOVEMENT WITH TRADITIONAL CHALLENGES AND NOTES - NO SURPRISES. |
| MASSON, ASKELL | CADENZA (1985) | TROMBONE ALONE | Iceland | ITM | 1987 | 8 MIN | H | C/U | ONLY THE BEST MAY APPLY, COMPOSED FOR CHRISTIAN LINDBERG. MULTI PHONICS - THE WORKS! |
| MASSON, ASKELL | CROSSINGS | PERCUSSION & ORCHESTRA | Iceland | BIM | 2002 | 22 MIN | H | C/U | 2FL(PIC),3CL(BCL),2BSN,CBSN,4HN,2TRPT,3TRB,TBA,4PERC,HARP,STRINGS. FOR TWO SOLO PERCUSSIONISTS WITH ORCH. A GREAT ADDITION TO THE PERCUSSIONISTS WORLD! PLENTY TO WORK 0N! |
| MASSON, ASKELL | FANTASY ON A CHINESE POEM | CLARINET & PERCUSSION | Iceland | ITM | 1987 | H | C/U | A SERIOUS WORK FOR STUDY OR COLLEGE RECITAL. THE PERCUSSION INSTRUMENT IS CALLED 'DARABOUKT' OR HAND DRUM. | |
| MASSON, ASKELL | INTROITUS | BRASS & ORGAN | Iceland | ITM | 1985 | 3 MIN | M | C/U | 4TRPT,4TRB,4HN,EUP,TBA,TIMP,ORGAN. MARKED ANDANTE, NO TECHNICAL PROBLEMS AND A NICE LOOKING SCORE. |
| MASSON, ASKELL | KONZERTSTUCK FOR SNARE DRUM & ORCHESTRA | PERCUSSION AND ORCHESTRA | Iceland | BIM | 1982 | 10 MIN | H | C/U | 2FL,2OB,2CL,2BSN,6HN,2TRPT,3TRB,TBA,4PERC,STRINGS. TEN MINUTES OF HEAVY WORK FOR THE SNARE DRUMMER! CHANGING TIME SIGNATURES, BUT THIS SHOULD PLAY - LOOKS GREAT IN SCORE! |
| MASSON, ASKELL | KVINTETT | WOWOODWIND QUINTET | Iceland | BIM | 1991 | 18 MIN | H | C/U | THREE MOVEMENTS OF VERY INTRICATE MUSIC WELL LAID OUT IN A VERY LEGIBLE MS. THIS IS BORDERLINE FOR C/U GROUPS UNLESS THEY HAVE TIME AND DETERMINATION TO MAKE A HARD WORK PLAY. |
| MASSON, ASKELL | MAES HOWE - CONCERTO FOR TUBA & ORCHESTRA | TUBA & ORCHESTRA | Iceland | BIM | 1999 | 14 min | H | C/U | FL,OB,CL,BSN,HN,3PERC,STRINGS. TUBA TO A UP THERE WHICH MAKES THIS FOR THE BEST PLAYERS OR ONES WITH A SMALL INSTRUMENT. MIXED METER AND SOME NONTRADITIONAL THINGS TO WORK OUT. STRONG WORK FOR A FINE PLAYER. |
| MASSON, ASKELL | MELODIES (LAGASAFN) | FLUTE(2) & PERCUSSION | Iceland | ITM | 1974 | 9 MIN | M | C/U/HS | TWO FLUTES AND VIBRAPHONE. SIX MOVEMENTS, SOME FOR JUST THE FLUTES AND OTHER COMBINATIONS. GOOD SCORE AND MUSIC! |
| MASSON, ASKELL | METAMORPHES (MYNDHVORF) | BRASS ENSEMBLE | Iceland | ITM | 1983 | H | C/U | PICTRPT IN A,2TRPT,3TRB,4HN,EUP,TBA. GOOD SCORE WITH RHYTHMIC AND TIMBRE INTEREST. | |
| MASSON, ASKELL | PRIM FOR SNARE DRUM | PERCUSSION ALONE | Iceland | BIM | 1984 | 7 MIN | M/H | C/U/HS | SEVEN WONDERFUL MINUTES OF SNARE DRUM FANTASTICS! THE PERCUSSIONISTS WILL WANT TO TRY THIS! ALSO, SAME COMPOSER, SAME INSTRUMENT - ‘KIM’. |
| MASSON, ASKELL | SILJA (CECILIA) | PERCUSSION ENSEMBLE | Iceland | ITM | 1972 | 11 MIN | M/H | C/U | VERY CLEAR NONTRADITIONAL NOTATION. 3 PERSONS PLAYING MANY INSTRUMENTS. |
| MASSON, ASKELL | SONATA (SONATA FANTASIA) | PERCUSSION ENSEMBLE | Iceland | ITM | 1981 | 10 MIN | M | C/U/HS | FOR TUNED PERCUSSION INSTRUMENTS, GOOD SCORE. |
| MASSON, ASKELL | SPARKS (SINDUR) | PERCUSSION ENSEMBLE | Iceland | ITM | 1989 | 25 MIN | H | C/U | FOUR MOVEMENTS FOR 4 PLAYERS. MOVEMENTS CAN STAND ALONE. A GOOD SCORE FOR MANY PERCUSSION INSTRUMENTS. |
| MASSON, ASKELL | THE BLUE LIGHT | FLUTE(2) & PERCUSSION | Iceland | ITM | 1978 | 8 MIN 40 SEC | M/H | C/U | TWO FLUTES AND 2 PERCUSSIONISTS. NEEDS AN ALTO FLUTE. SCORE A LITTLE HARD TO READ. GOOD COMPOSER. |
| MASSON, ASKELL | TRILOGY | WOODWIND TRIO | Iceland | ITM | 1985 | 16 MIN 15 SEC | M/H | C/U | OB, CL, BSN. CALLS FOR DOUBLE ON FLUTE, BUT CAN USE ANOTHER PERSON. THREE MOVEMENTS AND NICE SCORE. |
| MATRE, ORJAN | HUNTING HIGH AND LOW | EUPHONIUM & BAND | Norway | NMIC | 2006 | EST 19 MIN | H | C/U | 2FL(PIC),OB(EH),EbCL,5CL,BCL,BSN,ABS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. S(SS),TS(SS)BS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. HUNTING FOR HIGH AND LOW NOTES FOR THE SOLOIST AND THE ACCOMPANIMENT. THIS IS VERY HARD MATERIAL. A CHALLENGE RESERVED FOR THE BEST! |
| MELARTIN, ERKKI | QUARTETTO, OP 153 | BRASS QUARTET | Finland | FiMIC | 10 MIN | M/H | C/U | FOUR MOVEMENTS. FIRST MOVEMENT IS ABOUT 5 MINUTES, OTHERS SHORTER. 2TRPT, HN, TRB. MS IS A LITTLE PROBLEM. | |
| MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET & BASSOON, OP 154 | WOODWIND TRIO | Finland | FiMIC | EST 11 MIN | M | C/U | FOUR MOVEMENTS OF PLAYABLE MUSIC AND A FINE SCORE. | |
| MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET AND BASSOON, OP. 154 | WOODWIND TRIO | Finland | FiMIC | 1929 PUB 1993 | EST 12+ MN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, MENUETTO, FUGA (ALLEGRO). TRADITIONAL HARMONIES AND STRAIGHT AHEAD. A FINE ADDITION TO THE WW TRIO LIBRARY. |
| MELCHERS, H M | ELEGI, OP 17 | STRING ORCHESTRA | Sweden | SUECIA | 1945 | EST 7 1/2 MIN | M/H | C/U | ALTERNATING TONAL & RHYTHMIC SECTIONS. SOME DIVISI. GENERALLY SOFT AND REFLECTIVE. RENTAL ONLY. |
| MELCHERS, H M | STRAKKVARTETT, OP 17 | STRING QUARTET | Sweden | SUECIA | 1945 | M/H | C/U | FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. QUITE TRADITIONAL IN STYLE. | |
| MELIN, STEN | BOUBOU | TROMBONE QUARTET | Sweden | SMIC | 1987 | EST 6 MIN | H | C/U | EXCELLENT USE OF THE SLIDE, INTRICATE RHYTHMS AND FREQUENT TEMPO CHANGES. ONE ON A PART, NO DOUBLES. |
| MELIN. STEN | SONORA | TRUMPET & PIANO | Sweden | SMIC | 1985 | 4 MIN | H | C/U | PROVOCATIVE, DIFFICULT, AN ANTIDOTE TO THE BAROQUE FOR THE PICCOLO TRUMPET IN Bb. RHYTHMICALLY FREE. |
| MELLNAS, ARNE | BESVSMICARJELSER | BAND | Sweden | SMIC | 1978 | 11 MIN | H | C/U/HS | 2PIC,2FL,4CL,2AS,2TS,BS,3HN,4TRPT,4TRB,2EUP,2TBA,4PERC. NOTE UNUSUAL INSTRUMENTATION. THREE MOVEMENTS THAT LOOK VERY GOOD AND PLAYABLE. |
| MELLNAS, ARNE | BLOW | BAND | Sweden | SMIC | 1974 | 12 MIN | M/H | C/U | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,3HN,4TRPT,3TRB,EUP,TBA,2PERC,SB. SOME NONTRADITIONAL TECHNIQUES THAT ARE WELL SET OUT. MIXED METER. SOME FUN AS WELL AS MUSICAL INTEREST HERE FROM A FINE COMPOSER. |
| MELLNAS, ARNE | NO ROSES FOR MADAME F. | SAXOPHONE QUARTET | Sweden | SUECIA | 1991 | 3 MIN | H | C/U | SS.AS,TS,BS. SHORT AND PLAYABLE FOR THE TALENTED ENSEMBLE. EXHIBIT TIGHT ENSEMBLE WITH SWEEPING PATTERNS OF NOTES AND STOCCATO MOTIFS. EXAMINE 0THER WORKS BY THIS FINE COMPOSER. |
| MELLNAS, ARNE | SONAT FOR OBOE OCH PIANO | OBOE & PIANO | Sweden | SMIC | M/H | C/U | THREE MOVEMENTS FROM A GOOD COMPOSER. | ||
| MELLNAS, ARNE | STAMPEDE | SAXOPHONE QUARTET | Sweden | REIMERS | 1985 | 7 MIN | M/H | C/U | ONE MOVEMENT WITH INTERESTING RHYTHMIC PROBLEMS. COMPOSED FOR THE RASCHER QUARTET. A FEW UNUSUAL DEMANDS ON THE PERFORMERS. PERFORMANCE SCORE FOR SALE. |
| MERIKANTO, OSKAR | VALSE LENTE FOR WIND QUINTET | WOODWIND QUINTET | Finland | ARTEMUSA | PUB CIR 2000 | EST 5+ MIN | E/M | C/U/HS | ARRANGED BY ARTHUR FUHRMANN. GOOD EARLY WORK FOR THE YOUNG QUINTET. ALL PARTS PLAY IN NORMAL REGISTERS WITH NO SURPRISES. |
| MERIKANTO, OSKARI/GEORGE DE GODZINSKY | KESAILLAN VALSSI | ORCHESTRA | Finland | FiMIC | EST 7 MIN | M | C/U/HS | LIGHT MUSIC FOR POPS CONCERT- THIS ONE A WALTZ. RENTAL ONLY. | |
| MERILAINEN, USKO | GRANDFATHER BENNO'S NIGHT MUSIC | HORN ALONE | Finland | FAZER | 1976 | EST 3+MIN | M | C/U | SOME RHYTHMIC CHALLENGE. HIGH NOTE IS Ab, BUT MUCH LOW HORN WORK IN A GOOD SCORE. |
| MERILAINEN, USKO | MARSSI | BRASS QUARTET | Finland | FiMIC | M | C/U | SHORT LITTLE MARCH FOR 2TRPT, HN & TRB IN MS. | ||
| MERILAINEN, USKO | NELJA BAGATELLIA | STRING QUARTET | Finland | FiMIC | H | C/U | FOUR SHORT MOVEMENTS WITH INTEREST TO CHALLENGE THE YOUNG STRING QUARTET. SOME NONTRADITIONAL SOUNDS AND TECHNIQUES. | ||
| MERILAINEN, USKO | PARTITA FOR BRASS | BRASS ENSEMBLE | Finland | KING | 1959 | M/H | C/U | 4TRPT,4HN,3TRB,TBA. FOUR MOVEMENTS AND A FINE SCORE. | |
| MEYERS, RANDALL | TRITTICO | CELLO & PIANO | Norway | WHANSEN | 1994 | 16 MIN | H | C/U | THREE MOVEMENTS OF DIFFICULT MATERIAL FOR THE MOST ADVANCED C/U STUDENT OR PROFESSIONAL. PIANIST ALSO MUST BE EXCELLENT. GREAT SCORE. |
| MILLER, PHILIP | CONCERTO PER CONTRABASSO E ORCHESTRA DA CAMERA | STRING BASS & ORCHESTRA | Sweden | SMIC | 1998 | 20 MIN | H | C/U | FL(PIC),OB,CL(BCL),BASN(CBSN),HN,TRPT,TRB,PERC.STRINGS. ONLY THE HIGHEST LEVEL PERFORMERS MAY APPLY FOR THIS DIFFICULT WORK. MIXED METER ALL THE WAY ON THIS ONE MOVEMENT COMPOSITION. VERY CLEAN MS. CHALLENGE FOR ALL! |
| MODEER, HJALMAR/BIRGER JARL | GOTA LEJON (MARCH) | BAND | Sweden | LEMA | 1986 | 3 MIN 15 SEC | E/M | HS/JHS | MARCH SIZE, PLAYABLE BY SMALLER BAND. ALLA BREVE MARCH. STANDARD INSTRUMENTATION. |
| MODEER, HJALMAR/BIRGER JARL | SCOUTING (MARCH) | BAND | Sweden | LEMA | 1985 | 3 MIN 15 SEC | E/M | HS/JHS | SIX FLATS, ALLA BREVE MARCH, CAN BE PLAYED BY THE SMALL INCOMPLETE BAND. MARCH SIZE. STANDARD INSTRUMENTATION. |
| MOE, BODVAR D. | IKKE TRAKK PA MINE TUBA SKO | TUBA QUARTET | Norway | NMIC | 2004 | 15 MIN 30 SEC | H | C/U | 4 TBA. IF ALL ARE TUBA PLAYERS, THE FIRST TWO PARTS WILL NEED GREAT UPPER REGISTERS. THREE MOVEMENTS WITH ALL THE CHALLENGE A TUBA PLAYER WILL EVER WANT. BRAGGING RIGHTS ONCE THIS ONE IS PERFORMED WELL. GREAT SCORE. |
| MOE, BODVAR D. | TRELEK | TROMBONE TRIO | Norway | NMIC | 1999 | 4 MIN 30 SEC | E/M | C/U/HS | NO RANGE PROBLEMS. GOOD SCORE THAT WILL PLAY. LIKE HIS IDEAS. FINE ADDITION TO THE LITERATURE. |
| MOGENSEN, ERIK JULIUS | STRING QUARTET NO. II | STRING QUARTET | Iceland | ITM | 2001 | 17 MIN | M/H | C/U | IN DECENT MS. SOME MIXED METER AND A FEW RHYTHMIC PROBLEMS, BUT THIS SHOULD PLAY BY THE C/U GROUP OR ANY STRING QUARTET . |
| MOGENSEN, RENE | STUDY FOR SOLO SAXOPHONE (TENOR) | SAXOPHONE ALONE | Denmark | DKF | 1994 | EST 6 MIN | H | C/U | MOVEMENTS: PROTAGONIST AND ANTAGONIST, CONFLICT, RESOLUTION. THIS IS NOT EASY MUSIC, BUT THE EXCELLENT MAPPING OF IT ON THE PAGE MAKES IT PLAYABLE. |
| MOGENSEN, RENE | THOUGHT IN FIVE PARTS | CLARINET & PERCUSSION | Denmark | DKF | 1998 | 4 MIN 30 SEC | H | C/U | FIVE SHORT MOVEMENTS FOR THE ADVANCED C/U CLARINETIST AND AN ADVENTUROUS PERCUSSIONIST. MULTI-PHONICS, MIXED METER AND TIME NEEDED TO GET THE TWO PARTS TO SOUND TOGETHER! |
| MOGENSEN, RENE | THREE SONGS WITHOUT WORDS | WOODWIND QUINTET & STRING ORCH | Denmark | DKF | 2001 | 7 MIN | M/H | C/U | MOVEMENTS: SONG OF WAVES, SONG WITHOUT PICTURES, DANCE. THERE IS MUCH TO LIKE IN THIS COMPOSITION AND IN THIS COMPOSERS WORKS. THE SCORES ARE BEAUTIFUL! GET ACQUAINTED WITH THIS COMPOSER! |
| MONONEN, SAKARI | PIENI SARJA PUHALLINORKESTERILLE, OP 31 | BAND | Finland | SULASOL | 1975 | EST 6 MIN | M | C/U/HS | 2FL,2CL,BCL,2OB,2BSN,AS,4HN,4TRPT,2TRB,EUP,TBA,PERC,TMP. MARCH LIKE OPENING, THEN 3/4, 6/8 AND MIXED METER. PROGRAM OPENER. |
| MONONEN, SAKARI | SONAATTI KLARINETILLE JA PIANOLLE | CLARINET & PIANO | Finland | FiMIC | 1973 | EST 10 MIN | H | C/U | FOUR MOVEMENTS WITH RHYTHMIC INTEREST AND CONTEMPORARY SOUNDS. |
| MORBERG, GOSTA | BRUDMARSCH FRAN DELSBO | BAND | Sweden | GEHRMANS | 1977 | 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SLOW MARCH, TRADITIONAL SWEDISH FOLK MUSIC. |
| MORBERG, GOSTA | GAMMAL FABODPSALM | BAND | Sweden | GEHRMANS | 1977 | CA 2'30" | E | HS/JHS | 2FL,4CL,ACL,BCL,OB,2BSN,2AS,2TS,BS.2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SWEDEN’S MOST FAMILIAR FOLK SONG. BEAUTIFUL AND PLAYABLE BY ALL! |
| MORBERG, GOSTA | GANGLAT FRAN APPELBO | BAND | Sweden | EHRLING | 1978 | 3 MIN 30 SEC | E | HS/JHS | SCORE IS NOT CLEAR. NOT BOUND. KEYS OF G, C, F. STANDARD INSTRUMENTATION. |
| MORBERG, GOSTA | GANGLAT FRAN UPPLAND | BAND | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | HS/JHS | 2FL,5CL,ACL,BCL,OB,2BSN,2AS,2TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,PERC, TMP,SB,EH. CONDENSED SCORE, KEY OF C, 4/4 STRAIGHT AHEAD SWEDISH FOLK TUNE. |
| MORBERG,GOSTA | VISA FRAN RATTVIK | BAND | Sweden | GEHRMANS | 1978 | 2 MIN 30 SEC | E | HS/JHS | 3FL,4CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,TMP,SB, EH. CONDENSED SCORE, EASY SINGING TRADITIONAL MELODY OF SWEDEN AND WELL ARRANGED. |
| MORTENSEN, FINN | ADAGIO OG FUGE, OP 43 | HORN ENSEMBLE | Norway | NMIC | 1976 | EST 6 MIN | H | C/U | SIXTEEN PARTS! AND FOR FINE PLAYERS! WORK WILL FIT EASILY IF THE PLAYERS ARE CAPABLE. |
| MORTENSEN, FINN | FANTASY FOR TROMBONE SOLO, OP.46A | TROMBONE ALONE | Norway | NORSK | 1980 | 3 MIN | M | C/U/HS | STUDY SOLO FOR RECITAL OR FUN. |
| MORTENSEN, OTTO | QUINTETTE | WOODWIND QUINTET | Denmark | WHANSEN | 1944 | 20 MIN | M/H | C/U | OBOE DOUBLES ENGLISH HORN IN MOVEMENT TWO OF A THREE MOVEMENT WORK. TRADITIONAL WW QUINTET WORK IN NORDIC STYLE. |
| MORTENSEN, OTTO | SONATA FOR OBOE AND PIANO | OBOE & PIANO | Denmark | WHANSEN | 1953 | EST 6+ MIN | M | C/U/HS | MOVEMENTS: MODERATO, ALLEGRO VIVACE. FROM AN EARLIER TIME AND VERY PLAYABLE, IDEAL FOR CONTEST OR RECITAL. LOT OF NOTES BUT QUITE TRADITIONAL. |
| MORTHENSON, JAN W | ARIA | BRASS QUINTET | Sweden | REIMERS | 1983 | 12 MIN | H+ | C/U | A HIGHLY UNUSUAL WORK WITH MOST OF IT IN NONTRADITIONAL NOTATION AND STYLE. A GOOD SCORE THAT DESERVES ATTENTION. TRPT IN C & Bb,HN,TRB,TBA. PERFORMANCE SCORE FOR SALE. |
| MORTHENSON, JAN W | ENERGIA I | BAND | Sweden | REIMERS | 1984 | CA 8 MIN | H | C/U | 4FL,4CL,BCL,2OB,3AS,2TS,2BS,4HN,4TRPT,3TRB,TBA,3PERC,ELECTRIC PIANO, SYNTHESIZER. NOTE THE INSTRUMENTATION. HIGHLY RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL. |
©1991, 2007 Mark Lammers
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