Nordic Instrumental Music
For Colleges and Universities
By Composer
| Composer Arranger | Title | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| TAKALO, ARTTU | DON’T GO AWAY | BASSOON TRIO | Finland | FiMIC | 1998 | EST 5+ MIN | M/H | C/U | ALL MUST HAVE CLEFS. MARKED, COMODO SEMPLICEMENTE (MA CON ANIMA - A LA POP). SOME FUN FOR HE BASSOONS! |
| TAKALO, ARTTU | PRINSESSA JA JAATYNYT PUUTARHA - PRINCESS & A FROZEN GARDEN | BASSOON ENSEMBLE | Finland | FiMIC | 1995 | EST 6+ MIN | M/H | C/U | 6 BASSOONS AND A CONTRA. EASIER THAN THE OTHERS OF THIS INSTRUMENTATION ON THIS LIST. CLEFS NEEDED IN TWO OF THE PARTS. |
| TAKALO, ARTTU | SCI-FI | BAND | Finland | FiMIC | 2006 | EST 1O+ MIN | M/H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. MOVE: EMPORER (ANDANTE QUASI FESTIVO), BATTLE (ALLEGRO MOLTO). SCORE IS PASSABLE MS, PARTS PRINTED. A POPULAR COMPOSER OF FINNISH BAND MUSIC -- SEE HIS ‘THE WASTELANDS AND ‘SYMPHONY’ - BETTER MS! |
| TALVITIE, RIIKKA | HOBBYHORSING AROUND - KEPPIHEVOSTELLEN | STRING ORCHESTRA | Finland | FiMIC | 1999 | EST 12+ MIN | H | C/U | MOVEMENTS: WALKING AND PACING (ANDANTE), GALLOPING AND TROTTING (SCHERZO). ENJOY THIS PIECE MADE DIFFICULT BY THE MANY CHANGES OF METER. THERE IS SOME DIVISI. FOR THE GOOD C/U ENSEMBLE WITH MUSICIANS THAT CAN COUNT AND HAVE REHEARSAL TIME. |
| TANGGAARD, SVEND ERIK | RAPSODISK | FLUTE & STRING ORCHESTRA | Denmark | DKF | 1981 | EST 4 MIN | M/H | C/U | THIS IS HIGHLY MARGINAL MS. SO BEWARE! COMPOSER HAS NICE IDEAS AND IF THE MUSIC WERE PRINTED WOULD BE POPULAR. HE HAS MANY WORKS WITH THE SAME UNFORTUNATE PROBLEM - UNFORTUNATE BECAUSE HE HAS GOOD IDEAS FOR THE MUSIC STUDENT WITH WHICH TO MAKE MUSIC.. |
| TARP, SVEND ERIK | CONCERTINO, OP 30 | FLUTE & ORCHESTRA | Denmark | SAMFUNDET | 1939 | M | C/U/HS | 2OB,2BSN,2HN,PERC,STRINGS. 3 MOVEMENTS THAT ARE PLAYABLE BY ALL. GOOD SCORE. | |
| TARP, SVEND ERIK | SYMPHONI NR 3, OP 66 | ORCHESTRA | Denmark | SAMFUNDET | 1958 | 23 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,PIANO OR CELESTE,STRINGS. SECTIONS PLAYED ATTACCA AS ONE MOVEMENT. PLAYABLE, NO SURPRISES OR COMPLICATIONS. CLEAN SCORE. |
| TAUBE, EVERT/STIG GUSTAFSON | SA SKIMRANDE VAR ALDRIG HAVET | BAND | Sweden | LEMA | 1981 | 3 MIN 15 SEC | E | HS | 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. TAUBE WAS A COMPOSER OF POPULAR SONGS (1890-1976). GOOD TREATMENT OF ONE OF HIS TUNES BY STIG. |
| TAUBE,EVERT/STIG EKLUND | RONNERDALS POLKA | BAND | Sweden | INTERSONG | 1982 | E/M | HS/JHS | GOOD DEVELOPMENT, PLAYABLE. STANDARD INSTRUMENTATION. | |
| TEIRILA, TUOMO | EMMENTAL FOR OBOE, CLARINET AND BASSOON | WOODWIND TRIO | Finland | SML | 1993 | E/M/H | C/U/HS | MOVEMENTS: ALLEGRO MODERATO, ADAGIO, ALLEGRO MOLTO. SOME TRICKY THINGS HERE AND THERE TO WORK OUT, BUT THIS WILL PLAY WITH THE ADVANCED HS STUDENT AND C/U MUSICIANS. | |
| TEIRILA, TUOMO | VASKIKVINTETTO - BRASS QUINTET | BRASS QUINTET | Finland | JASEMUSIIKKI | 1993 | EST 9+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, PRESTO, ALLEGRO MOLTO. SOME MIXED METER AND THE TRUMPET ONE PART MAY CARRY A BIT MORE OF THE LOAD THEN THE REST OF THE ENSEMBLE. MOVEMENTS CAN STAND ALONE. |
| THEORIN, HAKAN | CANTO | FLUTE & ORGAN | Sweden | SMIC | 1987 | E | C/U/HS | EASY, TONAL, SUSTAINED WORK. | |
| THEORIN, HAKAN | SAXOFONCONCERTINO | SAXOPHONE(ALTO) & BAND | Sweden | SMIC | 1987 | 12 MIN | E/M | C/U/HS | FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING. |
| THORARINSSON, JON | SONATA FOR CLARINET AND PIANO | CLARINET & PIANO | Iceland | ITM | 1969 | 12 MIN 10 SEC | M | C/U/HS | PLAYABLE, GOOD ADDITION TO THE REPERTOIRE FOR COLLEGE AND HIGH SCHOOL STUDENTS. 3 MOVEMENTS - GIVE MOZART A LITTLE REST! |
| THORARINSSON, LEIFUR | A SMALL TRIO | FLUTE, CELLO & PIANO | Iceland | ITM | 1975 | 10 MIN | H | C/U | A DIFFICULT WORK BUT INTERESTING ENOUGH TO MAKE THE EFFORT. SCORE A BIT MESSY. |
| THORARINSSON, LEIFUR | QUINTET | WOODWIND QUINTET | Iceland | ITM | 1973 | 6 MIN 50 SEC | M/H | C/U | INTERESTING MUSIC BUT A MESSY SCORE. |
| THORKELSDOTTIR, MIST | ARISE (RISUPP) | TRUMPET TRIO | Iceland | ITM | 1988 | M | C/U/HS | SHORT AND ACCESSIBLE FOR COLLEGE & HS PLAYERS. SOME CLUSTERS. 'FANFARE-LIKE' AND PLAYABLE. | |
| THORVALDSDOTTIR, ANNA S. | A MOMENT OF PEACE | ORCHESTRA | Iceland | ITM | 2002 | 15 MIN | H | C/U | FL,BCL,CBSN,TRB,3PERC,STRINGS DIVISI. NEED A STRONG MARIMBA PLAYER AND MANY STRINGS. PLAYERS ASKED TO DO A NUMBER 0F NONTRADITIONAL THINGS EXPLAINED CLEARLY IN THE SCORE. |
| THYBO, LEIF | CONCERTO PER ARCHI | STRING ORCHESTRA | Denmark | SAMFUNDET | 1957 | 20 MIN | H | C/U | THREE MOVEMENTS, (2VLN, VLA, 2CELLO, BASS), A FEW RHYTHMIC SURPRISES. |
| TIENSUU, JUKKA | MOOD - STEREOPHONIC MUSIC FOR SMALL ORCHESTRA | ORCHESTRA | Finland | FiMIC | 1999 | 9 MIN | H | C/U | PIC,FL,OB,CL,CBCL,BSN,CBSN,HN,CTRPT,TRB,TBA,STRINGS. WOULD BE EASY TO OVERLOOK THIS WORK. BUT IT WILL PLAY! DIVIDED ORCHESTRA ON STAGE ON SIDES OF THE AUDIENCE. HARD, BECAUSE IT WILL TAKE REHEARSAL TIME, BUT IT SHOULD BE EFFECTIVE! TRY IT! |
| TIKKA, KARI | PARTHIA VASKIKVINTETILLE | BRASS QUINTET | Finland | FiMIC | 1965 | M | C/U | TWO VERSIONS: 2TRPT, 2TRB, TBA OR 2TRPT, HN, TRB, TBA. IN MS. | |
| TIKKA, KARI | YOLLA - IN THE NIGHT | CLARINET & PIANO | Finland | FiMIC | 2002 | H | C/U | THE NOTES OR NOT HARD, BUT THE CONTEMPORARY SETTING WILL NEED A MUSICIAN WHO HAS HAD SOME EXPERIENCE IN MODERN SOUND AND APPROACH. VERY NICE SCORE IN 3 MOVEMENTS: NIGHTMARE (ALLEGRO PESANTE), LULLABY (DOLCE), IT’S ALMOST MORNING (ALLEGRO PESANTE). | |
| TOIVIO, LAURI | KIMPALE | FLUTE & BAND | Finland | FiMIC | 2003 | EST 3 MIN | E/M | C/U/HS | FL,OB,2CLBSN,AS,TS,2TRPT,HN,EUP,TRB,TBA,3PERC. AT LAST A FLUTE SOLO WITH BAND THAT WILL WORK FOR MANY STUDENTS AND MANY BANDS. TRADITIONAL IN MOST WAYS. |
| TOIVIO, LAURI | TRIO FOR FLUTE, CLARINET AND BASSOON | WOODWIND TRIO | Finland | Uusinta | 1988/90 | 13 MIN | M/H | C/U | MOVEMENTS: KOLERIA(ALLEGRO VIVO), FOBIA (ADAGIO), MELANKOLIA (ANDANTE), FINALE (ALLEGRO GIOCOSO). A FEW LITTLE PROBLEMS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. |
| TOMASSON, HAUKUR | CONCERTO FOR FLUTE AND ORCHESTRA | FLUTE & ORCHESTRA | Iceland | ITM | 1997 | 18 MIN | H | C/U | 2FL,3OB,3CL(BCL),3BSN(CBSN),4HN,3TRPT,3TRB,TBA,PIANO(AMPLIFIED),HARP(AMPLIFIED),4PERC. LARGE STRING SECTION. INSTRUMENTATION SHOWS WHAT YOU HAVE HERE. EVEN WITH LARGE NUMBERS THE ORCH PART STAYS OUT OF THE WAY. SEE ALSO HIS CONCERTO NO. 2 |
| TOMASSON, HAUKUR | STEMMA | ORCHESTRA | Iceland | ITM | 1997 | 9 MIN | H | C/U | 3FL(PIC),3OB(EH),3CL,3BSN(CBSN),4HN,3TRPT,3TRB,TBA,PIANO/CELESTA,HARP,3PERC,STRINGS. A LARGE ORCHESTRA WITH A FEW PROBLEMS TO SOLVE. NEED FINE PERCUSSIONISTS! LARGE STRING SECTION FOR DIVISI. |
| TOMASSON, JONAS | AUBE ET SERENA | FLUTE & HARPSICHORD | Iceland | ITM | 9 MIN 35 SEC | M/H | C/U | RECITAL PIECE FOR COLLEGE STUDENTS. WELL CONSTRUCTED. | |
| TOMASSON, JONAS | BALLET III | STRING QUARTET | Iceland | ITM | 10 MIN 10 SEC | M | C/U | ONE MOVEMENT IN A FINE SCORE. | |
| TOMASSON, JONAS | CONCERTO NO 3 `MINI' | BRASS QUINTET | Iceland | ITM | 1946 | M | C/U | RHYTHMICALLY DIFFICULT, BUT MUSICALLY INTERESTING. METER CHANGES AND NOTE LENGTH CHANGES W/O TIME SIGNATURE CHANGES. | |
| TOMASSON, JONAS | NOTTURNO III | VIOLA & CEMBALO | Iceland | ITM | 9 MIN 25 SEC | M | C/U | SIX SHORT MOVEMENTS. CAN BE PERFORMED WITH HARPSICHORD OR PIANO. | |
| TOMASSON, JONAS | NOTTURNO IV | ORCHESTRA | Iceland | ITM | 1982 | 9 MIN 10 SEC | H | C/U | 2FL,2OB,EbCL,2CL,2BSN,4HN,2TRPT,3TRB,TBA,2PERC,STRINGS. BOTH SCORE AND PARTS ARE IN AN ACCEPTABLE MS. THERE ARE A LOT OF INTERESTING THINGS HERE TO WORK OUT AND DISCOVER. MAYBE A M/H IF IT WERE A PRINTED SCORE AND PARTS. |
| TOMASSON, JONAS | SONATA IX | STRING QUARTET | Iceland | ITM | M | C/U | FOUR SHORT MOVEMENTS THAT ARE RHYTHMICALLY CENTERED - YOU WILL NEED TO COUNT! | ||
| TOMASSON, JONAS | SONATA V | CELLO & ORGAN | Iceland | ITM | 1973 | M | C/U | ACCESSIBLE PIECE THAT CAN WORK ON FOR A NUMBER OF INSTRUMENTS. SUGGEST EUPHONIUM AND/OR TROMBONE. | |
| TOMASSON, JONAS | SONATA XIII | STRING TRIO | Iceland | ITM | 1977 | 8 MIN 18 SEC | M | C/U | CLEAN SCORE, WELL CRAFTED. |
| TOMASSON, JONAS | SONATA XIX | CLARINET(BASS) & PIANO | Iceland | ITM | M | C/U/HS | SIX MOVEMENTS THAT CAN BE VERY USEFUL FOR RECITAL AND STUDY. | ||
| TOMASSON, JONAS | SONATA XVII | HORN, TUBA & PIANO | Iceland | ITM | 1987 | M/H | C/U | SIX MOVEMENTS OF FUN IN AN UNUSUAL COMBINATION. NOT ALL MOVEMENTS HAVE TO BE PLAYED FOR FORMAL PERFORMANCE. | |
| TRAULSEN, PALMER | THREE HUMOROUS ANIMAL PICTURES | TROMBONE DUET | Sweden | BUSCH | 1979 | H | C/U | HARD, CHALLENGING AND FUN! | |
| TREDE, YNGVE JAN | CONCERTO FOR VIOLA AND ORCHESTRA | VIOLA & ORCHESTRA | Denmark | WHANSEN | 1985 | 22 MIN | H | C/U | PIC,FL,2CL,OB,2BSN,2HN,TMP,STRINGS. A MAJOR CHALLENGE FOR VIOLIST AND ORCHESTRA. LONG CADENZA. SOLID SCORE AND WORK. SCORE FOR SALE,PARTS RENTAL. |
| TREDE, YNGVE JAN | KONZERT FOR ORGEL | ORCHESTRA & ORGAN | Denmark | ENGSTROM & SODRING | 1957 | EST 20 MIN | H | C/U | ORGAN, STRINGS, 2 HORNS, TIMPANI. 3 MOVEMENTS WITH 1 & 2 EASIER THAN 3 WHICH HAS A HIGH DEGREE OF RHYTHMIC COMPLEXITY. |
| TREDE, YNGVE JAN | LE CHANT DES OYSEAUX | WOODWIND QUINTET | Denmark | ENGSTROM & SODRING | 1955 | 16 MIN | M/H | C/U | THREE MOVEMENTS OF A GOOD SCORE IN TRADITIONAL DESIGN. ALL PARTS ARE INTERESTING AND PLAYABLE. |
| TUBIN, EDUARD | SONAT FOR SOLO VIOLIN | VIOLIN ALONE | Sweden | SUECIA | 1962 | M/H | C/U | RECITAL OR STUDIO MATERIAL IN A GOOD SCORE. | |
| TUBIN, EDUARD | SONATE | SAXOPHONE(ALTO) & PIANO | Sweden | SMIC | 1951 | M/H | C/U/HS | THREE MOVEMENTS FOR COLLEGE RECITAL THAT PLAYS OUT WELL. | |
| TUBIN, EDUARD | SUITE FROM THE BALLET KRATT | ORCHESTRA | Sweden | SUECIA | 1980 | 25 MIN | H | C/U | PIC,2FL,2CL,OB,BSN,2HN,2TRPT,2TRB,PERC,TMP,EH,PIANO,STRINGS. THREE SECTIONS THAT CAN STAND ALONE. MUSICAL INTEREST AND VARIETY IN EACH SECTION. SCORE FOR SALE, PARTS RENTAL. |
| TULINDBERG, ERIK | STRING QUARTET NR 1 | STRING QUARTET | Finland | FAZER | 1964 | EST 12 MIN | E/M/ | C/U | FOUR MOVEMENTS, NO SCORE, FINE FOR THE YOUNG OR BEGINNING STRING QUARTET OF COMPETENT PLAYERS. HE HAS ALSO COMPOSED 6 OTHER STRING QUARTETS IF YOU LIKE THIS ONE. |
| TUOMELA, TAPIO | PILKE 1 | SAXOPHONE(ALTO) & PIANO | Finland | FiMIC | 2005 | 11 MIN | H | C/U | SOME AVANTE GUARDE TECHNIQUES REQUIRED AND COMPLETE MASTERY OF THE INSTRUMENT ALONG WITH A FINE AND ADVENTUROUS PIANIST. THE SCORE IS VERY WELL LAID OUT FOR ITS UNDERSTANDING. |
| TUULSE, TOOMAS | MENUETT | WOODWIND ENSEMBLE | Sweden | SMIC | 1976 | M | C/U | 2FL, 2OB, 2CL, BCL, 2HN, 2BSN. FLOWING AND EASY. HORN PART IS HIGH AND STAYS THERE. | |
| TVEITT, GEIRR | SINFONIA DI SOFFIATORI NR 3 | BAND | Norway | WARNER/CHAPPELL | 2001 | EST 7 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,HARP,4PERC. LARGE SYMPHONIC BAND. THERE ARE OTHER WORKS HARDER, BUT THE FEW SPOTS THAT ARE DIFFICULT WILL MAKE IT INTERESTING FOR AUDIENCE, PERFORMER AND CONDUCTOR. |
| TVEITT, GEIRR | SINFONIETTA DI SOFFIATORI,OP 203 | BAND | Norway | NORSK | 1962 | EST 15 MIN | M/H | C/U/HS | PIC,2FL,EbCL,4CL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,TMP,2TENHN,SSAX,(HNS IS Eb). FIVE MOVEMENTS, WITH GOOD VARIETY OF KEYS AND TEMPOS. MOVEMENTS CAN STAND ALONE. |
| TVEITT, GEIRR | SOLGUD-SYMFONIEN, OP.81 | ORCHESTRA | Norway | NMIC | 1997/99 | M/H | C/U | 3FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. THIS VERSION WAS RECONSTRUCTED BY KAARE DYVIK HUSBY. THREE MOVEMENTS IN TRADITIONAL HARMONIES AND RHYTHMS. TVEITT (1908-1981) IS WELL THOUGHT OF BY CONDUCTORS IN NORWAY. | |
| TYBONI, BORJE | ROMANZA | FLUTE ALONE | Sweden | SMIC | 2000 | 3 MIN. | E/M | C/M/HS | SUGGEST YOU PLAY WITH SAME COMPOSER’S VAGEN. SHOULD BE GOOD AS A FIRST EXPERIENCE WITH SOLO ALONE PLAYING. |
| TYBONI, BORJE | VAGEN | FLUTE ALONE | Sweden | SMIC | 1996 | 3 MIN. | E/M | C/M/HS | SUGGEST TO PLAY WITH SAME COMPOSER’S ROMANZA. THE TWO TOGETHER WILL MAKE A NICE ADDITION TO A RECITAL EVEN FOR THE ADVANCED PLAYER. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission