Nordic Instrumental Music

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Composer Arranger	Title	Ensemble Medium	Publisher_Code	Date	Time	Difficulty	Recommended Level	Comments
ABRAHAMSEN, HANS	10 PRELUDES	STRING QUARTET	WHANSEN	1982		M/H	C/U	TEN SHORT MOVEMENTS WITH A RANGE OF DIFFICULTY. A WELL CRAFTED SCORE FROM A GOOD COMPOSER.
ABRAHAMSEN, HANS	WALDEN (WOODWIND QUINTET NO 2)	WOODWIND QUINTET	WHANSEN	1978	11 MIN	H	C/U	FOUR MOVEMENTS: 1 & 2 HAVE SPARSE NOTATION, SILENCES, QUICK DYNAMIC CHANGES. 3 & 4 ARE RHYTHMIC. CONTEMPORARY SOUNDS.
ANDERSEN, BO	PENSIERI NOTTURNI #1	WOODWIND TRIO	KONTRAPUNKT	1999	EST 4+ MIN	M/H	C/U	FLUTE, CL IN A, BASSOON. RHYTHMICALLY INTRICATE, BUT A GOOD SCORE AND PARTS WILL MAKE THE EARNING PROCESS MOVE ALONG. NOT EASY, BUT PLAYABLE BY THE C/U ENSEMBLE.
ANDERSEN, EJVIN	INTRADA	BRASS TRIO	WHANSEN	1983		H	C/U	TRPT, HN & TRB. HARD, BUT PLAYABLE.
ANDERSEN, EJVIN	SONATINA	TROMBONE & PIANO	WHANSEN	1968		H	C/U	WORTHWHILE ADDITION TO THE REPERTOIRE.
ANDERSEN, JOHANNES	KVINTET	WOODWIND QUINTET	SAMFUNDET	1968	23 MIN	M/H	C/U	THREE MOVEMENTS IN A SOLID SCORE THAT IS PLAYABLE, STRAIGHT AHEAD MATERIAL WITH NO SURPRISES.
ANDRESEN, MOGENS	3 SWEDISH TUNES	TROMBONE QUARTET	DANISH BRASS	198	EST 7-8 MIN	M	C/U	MS IS A BIT TRICKY. MUTES. NEED BASS TROMBONE. LIGHT HEARTED PIECE.
ANDRESEN, MOGENS	RENAISSANCE MUSIC	BRASS QUINTET	WHANSEN	1982		M	C/U/HS	2TRPT,HN,2TRB,OPT TBA,SNARE DRUM,TIMPANI. SIX MOVEMENTS: 1. SERENADE 2. INTRADA 3. EMILIA MIA GENTILE 4. DIE NACHTIGALL 5. ECCO LA PRIMAVERA 6. THE KING OF DENMARK'S GALLIARD.
BACH, ERIK	DEPARTURE, OP 29	WOODWIND TRIO	DMIC	1978	18 MIN	H	C/U	FL, CL IN A, BSN. 4 MOVEMENTS, SOME NONTRADITIONAL NOTATION AND TECHNIQUES. THE MANUSCRIPT IS MARGINAL.
BACH, ERIK	SON VENT	WOODWIND QUINTET	EDITION EGTVED	1974	14 MIN	M/H	C/U	TWO MOVEMENTS THAT ARE QUITE TRADITIONAL. LOTS OF PLAYABLE NOTES!
BACH, ERIK	STRAIGHT FLUSH IN A FUNNY GAME, OP 6	WOODWIND QUINTET	EDITION EGTVED	1970	6-7 MIN	M	C/U	FIVE SHORT MOVEMENTS(NO 5 IS 10 SECONDS). A LITTLE FUN FOR THE CARD PLAYING WW PERFORMERS.
BENTZON, JORGEN	INTRODUCTION, VARIATIONS & RONDO	SAXOPHONE(ALTO) & STRING ORCH	WHANSEN	1938		M/H	C/U/HS	THREE MOVEMENTS PLAYED ATTACCA. SOLO PART IN COMFORTABLE RANGE. GOOD SCORE AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL.
BENTZON, JORGEN	INTRODUCTION, VARIATIONS AND RONDO	SAXOPHONE(ALTO) & STRING ORCH	WHANSEN	1989	EST 20+ MIN	M/H	C/U	MORE TRADITIONAL WORK ALTHOUGH THE COMPOSER DEFINITELY USES CONTEMPORARY TECHNIQUES. EASIER THAN MANY -- PLAYABLE BY BOTH HE AVERAGE COLLEGE STUDENT AND THE SCHOOL ORCHESTRA.
BENTZON, JORGEN	KAMMERKONCERT NO 3, OP 39	CLARINET & PIANO	SAMFUNDET	1943	16 MIN	M	C/U	THREE MOVEMENTS THAT SHOULD BE PLAYED ATTACCA. GOOD MATERIAL FOR MIDLEVEL C/U STUDENT RECITALS.
BENTZON, JORGEN	TEMA MED VARIATIONER, OP.14	CLARINET ALONE	WHANSEN	1928		M	C/U	STUDY OR RECITAL - INTRO TO SOLO ALONE WORK.
BENTZON, NIELS V.	SIX VARIATIONS OVER EGET TEMA	FLUTE & PIANO	WHANSEN	1943		H	C/U	WELL PUT TOGETHER AND PLAYABLE.
BENTZON, NIELS VIGGO	BLÆSERKVINTET NR 3, OP 29	WOODWIND QUINTET	WHANSEN	1944	16 MIN	M/H	C/U	THREE MOVEMENTS OF A PLAYABLE, MAJOR WORK. TRADITIONAL IN RHYTHM, HARMONICALLY MORE CONTEMPORARY.
BENTZON, NIELS VIGGO	CONCERTO FOR TUBA AND ORCHESTRA	TUBA & ORCHESTRA	WHANSEN	CIR 1950	EST 18 MIN	H	C/U	3FL(PIC),2OB,2CL2BSN,CBSN,4HN,3TRPT,3TRB,TBA,TIMP,STRINGS. MOVEMENTS: (? ALLEGRO ?), MODERATO MA NON TROPPO,ALLEGRO MOLTO MODERATO. EASIER THAN SOME OF THE OTHER DANISH COMPOSERS. THE SCORE IS IN PASSABLE MS. THE SOLO PART PLAYS WITH AN A TOP NOTE.
BENTZON, NIELS VIGGO	EVERYDAY FANFARES (HVERDAGSFANFARER)	HORN QUARTET	SAMFUNDET	1978	11 MIN	M	C/U	THREE MOVEMENTS: 1. ON NATURAL HORN (NO FINGERS!) 2.SLOW 3. LOTS OF NOTES. PLAYABLE WITH NO RANGE PROBLEMS.
BENTZON, NIELS VIGGO	QUARTETTO TERTIO, OP 385	FLUTE QUARTET	WHANSEN	1978	EST 6+ MIN	H	C/U	MOVEMENTS: CON MOTO, ANDANTE TRANQUILLO, MOLTO ALLEGRO. NOTHING UNUSUAL, BUT IT WILL TAKE REHEARSAL AND INDIVIDUAL PRACTICE TO MAKE MUSIC. GOOD COMPOSER WITH IDEAS!
BENTZON, NIELS VIGGO	QUINTET NO 5, OP 116	WOODWIND QUINTET	WHANSEN	1984	16 MIN	M/H	C/U	FOUR MOVEMENTS THAT CAN STAND ALONE. STRAIGHT AHEAD MATERIAL IN A GOOD SCORE.
BENTZON, NIELS VIGGO	SONATA, OP 110	CELLO ALONE	WHANSEN	1956	20 MIN	H	C/U	THREE LARGE MOVEMENTS, ONLY THE BEST SHOULD APPLY! GOOD COMPOSER, BIG CHALLENGE.
BENTZON, NIELS VIGGO	SONATA, OP 47	HORN & PIANO	WHANSEN	1950	EST 12 MIN	H	C/U	THREE MOVEMENTS, REASONABLE RANGE REQUIREMENTS. RHYTHMICALLY COMPLICATED, BUT ACCESSIBLE. RECITAL MATERIAL.
BENTZON, NIELS VIGGO	SONATA, OP 73	TRUMPET & PIANO	WHANSEN	1970	EST 10 MIN	M/H	C/U/HS	THREE MOVEMENTS FOR TRUMPET IN Bb. MODEST RANGE, GOOD RHYTHMIC WORK OUT AND MANY NOTES TO SHOW YOU ARE A SKILLED PERFORMER
BENTZON, NIELS VIGGO	STRING QUARTET VI, OP 124	STRING QUARTET	WHANSEN	1961		H	C/U	THREE MOVEMENTS(F-S-F), GOOD SCORE, GOOD COMPOSER, HARD, BUT PLAYABLE WITH FEW SURPRISES.
BENTZON, NIELS VIGGO	SYMPHONY NO 7, OP 83	ORCHESTRA	WHANSEN	1952	27 MIN	H	C/U	PIC,2FL,2CL,BCL,2OB,EH,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP, CELESTE,STRINGS. A ONE MOVEMENT WORK THAT IS HARD BUT PLAYABLE BY THE GOOD C/U AND COMMUNITY ORCHESTRA. GOOD COMPOSER-GOOD WORK. SCORE FOR SALE, PARTS RENTAL.
BENTZON, NIELS VIGGO	TRIO	BRASS TRIO	WHANSEN	1964		M/H	C/U	THREE MOVEMENTS(M-F-M) THAT LOOK LIKE FUN. TRPT,HN,TRB.
BENTZON, NIELS VIGGO	TWO PIECES FOR OBOE & PIANO, OP 41	OBOE & PIANO	WHANSEN	1948	EST 5 MIN	H	C/U	COMFORTABLE CHALLENGE FROM A GOOD COMPOSER WITH NICE RHYTHMIC CONTENT.
BJERRE, JENS	5 SHORT PIECES	CELLO & PIANO	WHANSEN	1972	EST 5 MIN	M	C/U	FIVE SHORT WORKS THAT HAVE MUSICAL POTENTIAL. RECITAL MATERIAL.
BJERRE, JENS	SONATE	CELLO ALONE	SAMFUNDET	1947	EST 12 MIN	H	C/U	FIVE MOVEMENTS THAT CAN STAND ALONE IN A GOOD WORK OUT FOR CELLO ALONE. NO SPECIAL TECHNIQUES, JUST MANY NOTES. FREE, NO BAR LINES.
BJERRE, JENS	VARIETE	FLUTE & PIANO	WHANSEN	1952	EST 10 MIN	M/H	C/U/HS	ELEVEN SHORT MOVEMENTS OF VARYING DIFFICULTY, SOME MELODIC AND SOME RHYTHMIC.
BORRESEN, HAKON	RADHUS INTRADA	WOODWIND ENSEMBLE	WEMUS	CIR 2003	EST 5 MIN	E/M	C/U/HS	2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. GREAT MATERIAL FOR THE YOUNGER ENSEMBLE - SEE OTHER THINGS WITH THIS COMPANY AND ARRANGER.
BORRESEN, HAKON	SERENADE	HORN & PIANO	SAMFUNDET	1943	14 MIN	E/M	C/U/HS	THREE MOVEMENTS OF VERY ACCESSIBLE MUSIC FOR THE STUDENT RECITAL. LYRICAL ALTHOUGH THERE ARE A LOT OF NOTES.
BRENE, ERLING	KAMMERKONCERT FOR VIOLIN OG STRYGEORKESTER, OP 52	VIOLIN & STRING ORCHESTRA	DMIC	1951	17 MIN	M	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL AND NO PROBLEMS. SOLO PART BY A FINE C/U STUDENT.
BROEDSGAARD, ANDERS	BLUES/TRE ETAGER	CLARINET ALONE	DKF	2002	2+ MIN	H	C/U	WORKS THE LOW RANGE OF THE CLARINET WITH 19/16 TIME SIGNATURE AND QUITE SLOW. MODERN AND DIFFICULT!
BROEDSGAARD, ANDERS	SOFT MACHINE	PERCUSSION ALONE	WHANSEN	1995	8 MIN	H	C/U	FUN FOR THE ADVANCED C/U PERCUSSIONIST. DIAGRAM IS INCLUDED ON HOW TO SET UP ALL OF THE INSTRUMENTS TO MAKE THIS SOLO WORK. A SOW OFF PIECE FOR RECITAL!
CHRISTENSEN, MOGENS	WEIHNACHT UND TROMPETE	TRUMPET & ORCHESTRA	AURITUS	1999	8 MIN	H	C/U	2FL(PIC,2OB,2CL,2BSN,4HN,2TRPT,3TRB,2PERC,STRINGS. A ONE MOVEMENT WORK THAT TAKES IT EASY ON THE TRUMPET PLAYER, BUT MAKES THE ORCHESTRA THINK AND WORK. CONTEMPORARY HARMONY AS ARE OTHER WORKS BY THIS COMPOSER.
CHRISTENSEN, SIMON	SAXOFILIA	SAXOPHONE(TENOR) & ORCHESTRA	SAMFUNDET	CIR 2000	7 MIN 30 SEC	H	C/U	CTRPT,2TRB,PERC,PO,2VLN,VIOLA,CELLO,STRBASS. DANISH COMPOSERS ARE THINKING OF THE BEST MUSICIANS WHEN THEY WORK. THIS FINE SCORE IS NO EXCEPTION, BENT NOTES, CONTEMPORARY HARMONY AND THE NEED FOR AN EXCEPTIONAL PIANIST.
CHRISTIANSEN, HENNING	DEN ARKADISKE, OP 32	VIOLIN & PIANO	SAMFUNDET	1966	10 MIN	M	C/U	NONTRADITIONAL NOTATION, CAGE-LIKE WITH SILENCES, ETC. NOT DIFFICULT.
CHRISTIANSEN, HENNING	DET FORSOMTE FORAR	CLARINET & PIANO	EDITION EGTVED	1978		M	C/U	FOUR SHORT MOVEMENTS. INTERESTING & PLAYABLE.
CHRISTIANSEN, HENNING	KLARINETKVINTET, OP. 38	CLARINET & STRING QUARTET	ENGSTROM & SODRING	1971	EST 10+ MIN	M	C/U	MOVEMENTS: ANDANTE, ALLEGRETTO. TWO SOLID MOVEMENTS THAT WILL PLAY, NOTE THE DATE OF COMPOSITION FOR IDEA OF THE HARMONIC STRUCTURE -- MORE TRADITIONAL.
CHRISTIANSEN, HENNING	SYMFONI 2, OP 69 "DEN FORSVUNDNE"	ORCHESTRA	SAMFUNDET	1972	EST 20 MIN	M/H	C/U	PIC,2FL,3CL,BCL,2OB,2BSN,CBSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,SB. THREE MOVEMENTS: 1. EKSPLOSION 2. HAMMEREN 3.AMSTEDLYKKEVALS. SOLID,STRAIGHT AHEAD MATERIAL FROM A GOOD COMPOSER. SCORE FOR SALE, PARTS RENTAL.
CHRISTIANSEN, HENNING	TRIO, OP 7B	WOODWIND TRIO	DMIC	1954	17 MIN	M	C/U	FIVE MOVEMENTS, MODEST RANGES, CONTEMPORARY HARMONY & RHYTHMIC CONTENT. OB,CL IN A, BSN.
CHRISTIANSEN, HENNING	WHY-THERFORE-PLAY, OP 137	FLUTE & PIANO	DMIC	1981	15 MIN 30 SEC	H	C/U	SOME THEATER EXPECTATIONS, VOCALIZATIONS, NEEDS EXCELLENT PIANIST. THREE MOVEMENTS AND FUN!
COLDING-JORGENSEN, HENRIK	BOAST	TUBA ALONE	SAMFUNDET	1980	5 MIN	H	C/U	A CHALLENGE! HIGH TESSITURA, LARGE INTERVALS, RHYTHMIC PROBLEMS AND ALL BY YOURSELF!
COUR, NIELS LA	BLÆSERKVINTET NR 1	WOODWIND QUINTET	SAMFUNDET	1977	12 MIN	M	C/U	ONE MOVEMENT WITH MODEST CHALLENGE FOR GOOD C/U PERFORMER. NO SURPRISES.
COUR, NIELS LA	BLÆSERKVINTET NR 2	WOODWIND QUINTET	SAMFUNDET	1980	27 MIN	H	C/U	A MAJOR 4 MOVEMENT WORK WITH COMFORTABLE CHALLENGE FOR ALL PLAYERS.
COUR, NIELS LA	COMMUNIO - STRING QUARTET NO 3	STRING QUARTET	SAMFUNDET	1977	17 MIN	H	C/U	TWO MOVEMENTS OF PLAYABLE MUSIC WITH A FEW SURPRISES THAT ARE EASILY WORKED OUT FOR THE C/U ENSEMBLE.
COUR, NIELS LA	MILD UND LEISE	STRING QUARTET	SAMFUNDET	1972	6 MIN 15 SEC	M/H	C/U	ONE MOVEMENT WITH MODERN SOUNDS BUT TECHNICALLY STRAIGHT AHEAD.
FABRICIUS, JACOB C (1849-1919)	KVARTET I E-MOL	STRING QUARTET	SAMFUNDET	1866	EST 20 MIN	H	C/U	FOUR MOVEMENTS OF PLAYABLE, TRADITIONAL MATERIAL.
FABRICIUS, JACOB C (B.1949)	SONATE PATETICO NR 2	CELLO ALONE	ENGSTROM & SODRING	1987	EST 12 MIN	H	C/U	FOUR MOVEMENTS OF A MAJOR SOLO WORK WITH MANY NOTES, CLEFS, STOPS, ETC. YOU MUST BE COMPETENT!
FIEVE, PETER	KONCERT FOR KONTRABAS OG STRYGERE	STRING BASS & STRING ORCHESTRA	DKF	1979	EST 4 MIN 30 SEC	M	C/U	THE ONLY THING THAT MAY MAKE THIS WORK DIFFICULT IS THE HIGH RANGE - TO C ABOVE THE TREBLE CLEF. THE LINE MOVES SMOOTHLY IN MOST PLACES WITH THE STRING ACCOMPANIMENT SPARSE. TWO MOVEMENTS: ALLEGRO, ADAGIO.
FORSMAN, JOHN VAINOE	SONATINA DIVERTANTE, OP 16A	FLUTE & PIANO	BARENREITER	1955	EST 8 MIN	M	C/U	THREE MOVEMENTS, STUDENT RECITAL MATERIAL, MANY NOTES BUT STRAIGHT AHEAD.
FRANDSEN, JOHN	RITE OF PASSAGE	PERCUSSION ALONE	DKF	1999	12 MIN	H	C/U	A VERY GOOD SCORE FOR THE SOLO PERCUSSIONIST PLAYING INSTRUMENTS THAT ARE STRUCK: WOOD BLOCK, TOM TOM, COWBELLS, GR.CASSA, GONG AND A FEW NOTES ON TUBULAR BELLS. ALWAYS CHANGING METER! FRANDSEN HAS OTHER PERCUSSION PIECES AVAILABLE.
FRIIS, FLEMMING	NOVEMBER, OP. 24 FOR FLUTE, CLARINET & BASSOON	WOODWIND TRIO	SAMFUNDET	1992	17 MIN	H	C/U	MOVEMENTS: ALL SAINTS DAY, DANCE OF DEATH, BUT THE ANGELS!, MEDITATION ON THE CLEAR SUNSETS. CL IN A. WELL LAID OUT SCORE THAT IS PLAYABLE BY BEST C/U PAYERS OR PERHAPS GRADUATE STUDENTS.
FUNDAL, KARSTEN	WOVEN LINES	CLARINET ALONE	WHANSEN	1993	6 MIN	H	C/U	TYPICAL MODERN DANISH COMPOSITION ALWAYS CHALLENGING THE MUSICIAN IN ALL WAYS. THIS IS FOR THE VERY BEST WITH A DESIRE TO PLAY IT ALL: RANGE, RHYTHM, TONAL SEQUENCE -- IT IS ALL HERE. HAVE FUN! THE SCORE IS GOOD AND WILL HELP LEARNING THE WORK.
FUZZY	KRONPRINS FREDERIKS HONNORMARCH	BAND	WHANSEN	CIR 1995	EST 5 MIN	M	C/U/HS	PIC,FL,OB,EbCL,3CL,BSN,2AS,TS,BS,2COR,3TRPT,4HN,2TEBHN,EUP,3TRB,TBA,3PERC. A SHORT INTRO IN 2/4 THEN TO 6/8. THE SLOWER EUROPEAN TEMPO FOR THIS ONE. THIS IS A TONAL STRAIGHT AHEAD MARCH. PLAYABLE BY C/U AND HS BANDS!
GADE, NIELS W	FANTASIAS, OP 43	CLARINET & PIANO	WHANSEN		EST 7 MIN	M	C/U/HS	FOUR MOVEMENTS THAT CAN STAND ALONE. NICE RANGE FOR THE CLARINET AND VERY PLAYABLE.
GADE, NIELS W	FANTASIAS, OP 43	VIOLIN & PIANO	WHANSEN		EST 7 MIN	M	C/U/HS	FOUR MOVEMENTS THAT CAN STAND ALONE. NICE RANGE FOR THE VIOLIN AND VERY PLAYABLE.
GLASS, LOUIS	SKOVSYMFONI IN D DUR NO 3, OP 30	ORCHESTRA	SAMFUNDET	1925		M/H	C/U	2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS OF PLAYABLE, STRAIGHT AHEAD MATERIAL IN A FINE SCORE REPRESENTATIVE OF THE 1920'S. SCORE FOR SALE OR RENTAL, PARTS RENTAL.
GLINDEMANN, IB	CONCERTO FOR TRUMPET	TRUMPET & ORCHESTRA	WHANSEN	1988	EST 25 MIN	M/H	C/U	2FL(PIC),2OB,EH,2CL,BCL,2BSN,4HN,3TRPT,3TRB,TBA,4PERC,STRINGS. MOVEMENTS: ALLEGRO CON BRIO, ANDANTE CON SENTIMENTO, ALLEGRO SPAGNUOLO. MANY NEWER DANISH COMPOSITIONS USE VERY MODERN HARMONIES. THIS ONE NO -- MORE TRADITIONAL. RANGE TO D FOR THE C TRUMPET. THREE PLAYABLE MOVEMENTS.
GRAUGAARD, LARS	ELATIONS	WOODWIND TRIO	ENGSTROM & SODRING	1994/95	13 MN	H	C/U	FLUTE, CLARINET AND BASSOON. ALL INSTRUMENTS NEED EVERYTHING. MOVING NOTES FOR SPECIAL TUNING, DYNAMICS THAT CHANGE CONSTANTLY. GOOD SCORE AND PLENTY OF CHALLENGE
GRAUGAARD, LARS	FLEETING TARRY	WOODWIND TRIO	ENGSTROM & SODRING	1996	EST EST 9+ MIN	H	C/U	FLUTE, OBOE AND BASSOON. IN THE VERY HARD ZONE HERE, WITH CHALLENGES FOR ALL INSTRUMENTS. A GOOD SCORE WILL HELP THE LEARNING PROCESS.
GREEN, OLE-CARSTEN	INTERRUPTIONS	SAXOPHONE QUARTET	DMIC	1980	12 MIN	E/M	C/U/HS	SIX SHORT MOVEMENTS OF STRAIGHT AHEAD MATERIAL, NO PROBLEMS, JUST PLAY IT!
GRONDAHL, LAUNY	CONCERTO FOR TROMBONE & ORCHESTRA	TROMBONE & BAND	SAMFUNDET	1984	16 MIN	M	C/U/HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRB,2EUP,TBA,PERC,TMP,SB,OPT PIANO. PIANO SCORE. BAND PARTS MODERATE DIFFICULTY.
GRONDAHL, LAUNY	CONCERTO FOR TROMBONE & ORCHESTRA	TROMBONE & PIANO	SAMFUNDET	1924	16 MIN	M	C/U/HS	ONE OF THE FINE TROMBONE SOLOS AVAILABLE. ALSO SEE BAND & ORCHESTRA LISTINGS.
GRONDAHL, LAUNY	KONCERT FOR BASSOON AND ORCHESTRA	BASSOON & PIANO	SAMFUNDET	1944		H	C/U	THREE MOVEMENTS OF GOOD CHALLENGE FOR C/U STUDENT FROM A FINE COMPOSER.
GRONDAHL, LAUNY	KONCERT FOR TROMBONE OG ORKESTER	TROMBONE & ORCHESTRA	SAMFUNDET	1924	16 MIN	M	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,TMP,PIANO, STRINGS. ORCHESTRA PARTS ON RENTAL. ACCOMPANIMENT PARTS VERY PLAYABLE. A GREAT TROMBONE SOLO! SCORE AND PARTS RENTAL ONLY.
GRONDAHL, LAUNY	KONCERT FOR VIOLIN IN D-DUR	VIOLIN & PIANO	SAMFUNDET	1916		H	C/U	THREE MOVEMENTS WITH CONTEMPORARY SOUNDS. SOLID COMPOSER & WORK.
GUDMUNDSEN-HOLMGREEN, PELLE	PLATEAUX POUR DEUX	CELLO & PERCUSSION	WHANSEN	1970	12 MIN	E/M/H	C/U/HS	FIVE MOVEMENTS WITH SOME NONTRADITIONAL WORK. PERCUSSION USES USUAL AND UNUSUAL INSTRUMENTS. MOVEMENTS OF VARYING DIFFICULTY. PERCUSSION PART EASIER THAN CELLO.
GUDMUNDSEN-HOLMGREN, PELLE	TERRACE	WOODWIND QUINTET	WHANSEN	1970	16 MIN	M/H	C/U	FIVE MOVEMENTS THAT CAN STAND ALONE, 1 & 5 SUSTAINED TONES WITH SILENCE, 2 & 3 RHYTHMIC COMPLEXITY, MOVEMENT 4 IS THE HARD ONE!
HAMERIK, EBBE	KVINTET	WOODWIND QUINTET	SAMFUNDET	1942	15 MIN	M/H	C/U	FOUR MOVEMENTS WITH STRAIGHT AHEAD RHYTHMIC CHALLENGES AND PLAYABLE.
HANSEN, THORVALD	ROMANCE	TRUMPET & PIANO	WHANSEN		EST 2 1/2 MIN	E	C/U/HS	A SONG - SUGGEST ALSO TRY CORNET OR FLUEGELHORN. RANGE TO G.
HANSEN, THORVALD	SCHERZO	TRUMPET & PIANO	WHANSEN		EST 2 MIN	E	C/U/HS	A MOVING 6/8 SOLO FOR CORNET OR FLUEGELHORN. RANGE TO A.
HANSEN, THORVALD/KETIL CHRISTENSEN	SONATA, OP 18	TRUMPET & PIANO	DANISH BRASS	1984	EST 6 MIN	M	C/U/HS	SUGGESTS CORNET. RANGE TO C, BUT OSSIA PART. ONE MOVEMENT FOR CONTEST OR RECITAL.
HANSEN, THORVALD/MOGENS ANDRESEN	BRASS QUINTET	BRASS QUINTET	DANISH BRASS	1984	EST 10 MIN	M	C/U	FOUR MOVEMENTS WITH NICE CONTRASTS. VERY PLAYABLE AND ACCESSIBLE.
HARTMANN, J.P.E.	PRELUDE	FLUTE & ORGAN	ENGSTROM & SODRING	(1805-1900)	EST 4+ MIN	E/M	C/U	ONE OF DENMARK’S EARLY RECOGNIZED COMPOSERS. A NICE MELODY WITH ORGAN. THE ORGAN PART COULD POSSIBLY BE PLAYED BY PIANO.
HEGAARD, LARS	5 FRAGMENTER FOR STRYGEKVARTET	STRING QUARTET	SAMFUNDET	1982	21 MIN	H	C/U	VERY DIFFICULT 5 MOVEMENTS. MOVEMENTS CAN STAND ALONE. ALL PLAYERS MUST BE HIGH QUALITY.
HEGAARD, LARS	FOUR SQUARE DANCES	SAXOPHONE QUARTET	SAMFUNDET	1991	11 MIN	H	C/U	SS,AS,TS,BS. MOVEMENTS: QT = 66, SOTTO VOCE ED ESPRESSIVO, ESATICO E DANZANTE, LEGGIERO E ON BRIO.SAXQUARTET IN THESE COUNTRIES IS LARGE AND MUSIC COMPOSED FOR THEM REFLECTS THE MANY ASPECTS OF AVANTE GUARDE AND ESOTERIC WRITING AVAILABLE. A CLEAN SCORE PLAYABLE BY THE BEST!
HEGAARD, LARS	INVOCATIONS	SAXOPHONE(2) AND ORGAN	SAMFUNDET	1995	7 MIN	H	C/U	SS,AS AND ORGAN. JUST ON THE EASIER SIDE OF DIFFICULT. THIS CAN BE PLAYED BY TOP LEVEL C/U STUDENTS AND A TALENTED ORGANIST. IT IS ESOTERIC, CONTEMPORARY AND INTERESTING.
HELWEG, KIM	SHLAG UNS NOCH LIEFDO	TUBA & PIANO	DKF	1993/97	EST 12 MIN	H	C/U	THE RANGE IS HIGH AND LOW, OUTSIDE OF THAT PROBLEM THIS IS PLAYABLE SOLO. PIANO PART NEEDS A GOOD PLAYER. THIS IS ADVANCED, CONTEMPORARY MATERIAL! THREE MOVEMENTS: ALLEGRO ENERGICO, ADAGIO, SCHERZOFINALE. (TRANSLATION MAY BE, ‘HIT ME AGAIN LIEFDO’)
HENDZE, JESPER	ESCALATIONS FOR PERCUSSION	PERCUSSION ALONE	SAMFUNDET	1986	9 MIN	H	C/U	FOR THE PERCUSSIONIST WHO DOES IT ALL. THREE MOVEMENTS WITH CONTRACTING SETS OF INSTRUMENTS. DIAGRAM INCLUDED TO ILLUSTRATE HOW TO SET UP THE INSTRUMENTS FOR PERFORMANCE.
HENDZE, JESPER	GO	PERCUSSION ENSEMBLE	DKF	1995	10 MIN	H	C/U	FOUR PLAYERS PLAYING LOTS OF INSTRUMENTS. PLAYER 1 SHOULD HAVE A DRUM SET. BASED UPON A WEST AFRICAN RHYTHM.
HENDZE, JESPER	KVARTS	PERCUSSION ENSEMBLE	SAMFUNDET	1982	5 MIN 30 SEC	H	C/U	MARIMBA, VIBRAPHONE, [GLOCKENSPIEL, SNARE DRUM,TOM-TOM], [BASS MARIMBA AND CYMBAL]. LOADED WITH THE USUAL PERCUSSION PROBLEMS, BUT LAID OUT WELL AND PLAYABLE WITH PRACTICE.
HENDZE, JESPER	ZEITBILDER	PERCUSSION ENSEMBLE	SAMFUNDET	1991/95	EST 12 MIN	H	C/U	FOUR PLAYERS, MULTIPLE INSTRUMENTS IN THREE MOVEMENTS: AGITATO, TENUTO, QT =90-100. GOOD MATERIAL FOR THE UPPER DIVISION PERCUSSIONISTS.
HOFFDING, FINN	DET ER GANSKE VIST, OP 37 (IT IS PERFECTLY TRUE)	ORCHESTRA	SAMFUNDET	1952		M/H	C/U	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT OF PLAYABLE, STRAIGHT AHEAD MATERIAL IN A GOOD SCORE.
HOFFDING, FINN	OUVERTURE FOR LILLE ORKESTER	STRING ORCHESTRA	ENGSTROM & SODRING	1947	EST 6 MIN	M/H	C/U	STRINGS PLUS PIANO AND FLUTE. NOT A FLUTE SOLO. SOME CHANGING METER AND MOVES ALONG.
HOFFDING, FINN	SINFONIA CONCERTANTE FOR KAMMERORKESTER	ORCHESTRA	SAMFUNDET	1934		M/H	C/U	FL,CL,OB,BSN,HN,PIANO, STRINGS. THREE MOVEMENTS, STRAIGHT AHEAD, ACCESSIBLE, PLAYABLE, GOOD SCORE.
HOJSGAARD, ERIK	INTRADA	BRASS QUINTET	SAMFUNDET	1981	3 MIN	H	C/U	BIG CHALLENGE. HIGH TESSITURA FOR ALL BUT TUBA, RHYTHMIC PROBLEMS, MUTING.
HOJSGAARD, ERIK	SONATE IN C - DUR, OP 18	CELLO ALONE	SAMFUNDET	1980	16 MIN	H	C/U	THREE MOVEMENTS OF VERY CHALLENGING MATERIAL. ADVANCED CELLISTS ONLY!
HOLM, MOGENS WINKEL	CONCERTO PICCOLO, OP 12	ORCHESTRA	SAMFUNDET	1965	7 MIN	M/H	C/U	PIC,FL,2CL,BCL,2OB,EH,BSN,CBSN,4HN,2TRPT,2TRB,TBA,5PERC,TMP, PIANO,STRINGS. FOUR SHORT MOVEMENTS THAT ARE RHYTHMIC AND HAVE LOTS OF PERCUSSION. PIANO IS ESSENTIAL.
HOLM, MOGENS WINKEL	NOTE-BOOK	WOODWIND TRIO	SAMFUNDET	1983	25 MIN	H	C/U	THIRTEEN MOVEMENTS, ALL HARD IN DIFFERENT WAYS. GREAT CHALLENGE FOR THE BEST STUDENTS OR TEACHERS! CONTEMPORARY APPROACH. OB,CL,BSN.
HOLM, MOGENS WINKEL	SONATE, OP 25	WOODWIND QUINTET	WHANSEN	1965	18 MIN	H	C/U	NONTRADITIONAL NOTATION WITH GOOD INSTRUCTIONS. PLAYERS WORK FROM A FULL SCORE - FIVE SCORES INCLUDED.
HOLM, PEDER	CONCERTINO	CLARINET & ORCHESTRA	WHANSEN	1973	10 MIN	M	C/U	FL,OB,BSN,HN,STRINGS. ONE MOVEMENT OF PLAYABLE MUSIC. CLARINETIST MAY BE A GOOD COLLEGE PLAYER. GOOD C/U ORCHESTRA CAN PERFORM. SCORE FOR SALE, PARTS RENTAL.
HOLM, PEDER	CONCERTINO FOR TRUMPET AND CHAMBER ORCHESTRA	TRUMPET & ORCHESTRA	WHANSEN	1970		H	C/U	TRUMPET PART IS VERY PLAYABLE AND THE STRING PARTS INTERESTING. SCORE FOR SALE, PARTS RENTAL.
HOLM, PEDER	DIVERTIMENTO, OP 17A	BRASS TRIO	DMIC	1955	13 MIN	M/H	C/U	FOUR MOVEMENTS FOR 2TRPT,TRB. MOSTLY STRAIGHT AHEAD. SOME HIGH TESSITURA FOR THE TROMBONE.
HOLM, PEDER	FANTASI FOR VIOLA/CELLO AND PIANO	VIOLA & PIANO	SAMFUNDET	1954	EST 5 + MIN	M/H	C/U	THE MS IS READABLE. TELL YOUR FRIENDS IT CAN BE PLAYED BY CELLO ALSO. THE ONE THING THAT MAY GET IN THE WAY OF QUICK LEARNING IS THE LARGE NUMBER OF ACCIDENTALS.
HOLM, PEDER	KVINTET, OP 65	BRASS QUINTET	DMIC	1980	10 MIN	H	C/U	THREE MOVEMENTS: 1. FLOWS IN 5/2 AND 5/4. 2. INTRICATE RHYTHMS 3. RHYTHMIC BUT FLOWS. MODEST RANGES.
HOLM, PEDER	MINIATURE SUITE, OP 7A	VIOLIN & ORCHESTRA	DMIC	1948	7 MIN	E/M	C/U/HS	FL,CL,OB,BSN,HN,STRINGS. 5 SHORT MOVEMENTS. ALL PLAYABLE AND IN TRADITIONAL FORM - NO SURPRISES.
HOLM, PEDER	PEZZO CONCERTANTE	ORCHESTRA	SAMFUNDET	1964	6 1/2 MIN	M	C/U	PIC,2FL,2CL,2OB,2BSN,2TRPT,3TRB,PERC,TMP,STRINGS. VERY PLAYABLE PIECE WITH SOME SOLO TRUMPET, FLUTE AND VIOLIN. FINE SCORE.
HOLM,PEDER	TWO PIECES FOR WIND QUINTET	WOODWIND QUINTET	WHANSEN	1971		H	C/U	NONTRADITIONAL SCORING, MIXED METER - HARD.
HOLMBOE, VAGN	3. CONCERTO	CLARINET & ORCHESTRA	WHANSEN	1940/42	EST 16 MIN	H	C/U	2TRPT,2HN,STRINGS. NOTE THIS INSTRUMENTATION). MOVEMENTS(2): ALLEGRO NON TROPPO,ALLEGRO GIOCOSO. EARLY WORK OF HOLMBOE. IN GOOD MS. N0T AS DIFFICULT AS SOME AND VERY PLAYABLE. NO SURPRISES.
HOLMBOE, VAGN	CONCERTO	TROMBONE & ORCHESTRA	WHANSEN	1960	EST 18 MIN	H	C/U	3FL(PIC),2OB,2CL,2BSN,4HN,3TRPT,2PERC,STRINGS. PLAYS LIKE ONE MOVEMENT WITH SECTIONS ATTACHED. TROMBONE TO C, BUT PLAYS MOST OF THE TIME IN COMFORTABLE RANGE. GOOD COMPOSER, GOOD MUSIC.
HOLMBOE, VAGN	CONCERTO FOR TUBA	TUBA & ORCHESTRA	WHANSEN	1977	EST 18 MIN	H	C/U	2FL,2OB,2CL,2BSN,2TRPT,4HN,2PERC,STRINGS. ALL MUSICAL SECTIONS ARE CONNECTED. THIS IS HARD MUSIC FOR THE BEST TUBA PLAYER, BUT WE PAY ATTENTION TO THIS COMPOSER, WE THIN HE WRITES WELL FOR BRASS. TUBA TO Ab.
HOLMBOE, VAGN	CONCERTO II	TRUMPET & STRING ORCHESTRA	WHANSEN	1948		E/M	C/U/HS	THREE MOVEMENTS FOR SOLO TRUMPET IN C. ORCHESTRA: 2 HORNS & STRINGS. MODEST DEMANDS FOR ALL FROM A FINE COMPOSER. SCORE AND PARTS RENTAL.
HOLMBOE, VAGN	CONCERTO NO. 2	FLUTE & ORCHESTRA	WHANSEN	1981/82	EST 20 MIN	H	C/U	2OB,2CL,2BSN,4HN,2TRPT,CELEST,VIB,STRINGS. MOVEMENTS: ALLEGRO GIUSTO, ANDANTE DEVOZIONE, ALLEGRO CON BRIO. IN A GOOD MS. IMPORTANT COMPOSER FOR THIS TYPE OF MATERIAL. ALWAYS HARD, ALWAYS PLAYABLE BY GOOD STUDENTS.
HOLMBOE, VAGN	CONCERTO PER FLAUTO E ORCHESTRA, OP 147	FLUTE & PIANO	WHANSEN	1981	15 MIN	M	C/U/HS	THREE MOVEMENTS THAT ARE TECHNICALLY CHALLENGING, AND A MUSICAL CHALLENGE. GOOD COMPOSER, GOOD MUSIC.
HOLMBOE, VAGN	CONCERTO, OP 126	FLUTE & ORCHESTRA	WHANSEN	1978	25 MIN	H	C/U	PIC,FL,2CL,2OB,2BSN,4HN,2TRPT,4PERC,TMP,STRINGS. 3 MOVEMENTS FOR C/U STUDENT. SOLO PART AND ACCOMPANIMENT NOT EASY BUT WELL CONSTRUCTED BY A FINE COMPOSER. SCORE FOR SALE, PARTS RENTAL.
HOLMBOE, VAGN	CONCERTO, OP 31	VIOLA & ORCHESTRA	WHANSEN	1959	EST 20 MIN	H	C/U	2FL,2OB,2CL,2BSN,2TRPT,2HN,TIMP,STRINGS. MOVEMENTS; ALLEGRO MOLTO E CON BRIO, ANDANTE CON MOTO, VIVACE. THIS INSTRUMENT IS ALWAYS LOOKING FOR GOOD COMPOSERS AND GOOD THINGS TO PLAY WITH ORCHESTRA. TAKE A GOOD LOOK AT THIS ONE. PLAYABLE MUSIC!
HOLMBOE, VAGN	NOTTURNO, OP 19	WOODWIND QUINTET	WHANSEN	1940	EST 12 MIN	M/H	C/U	FOUR MOVEMENTS FROM A FINE COMPOSER, SOLID SCORE AND PLAYABLE.
HOLMBOE, VAGN	QUARTETTO NO 12, OP 116	STRING QUARTET	WHANSEN	1975	18 MIN	M/H	C/U	FIVE MOVEMENTS OF VARYING DIFFICULTY AND STYLE. SOLID SCORE AND A FINE COMPOSER.
HOLMBOE, VAGN	QUINTET NO.2, OPUS 136	BRASS QUINTET	WHANSEN	1982	10 MIN	M	C/U	FIVE MOVEMENTS. MAJOR WORK FROM A FINE COMPOSER.
HOLMBOE, VAGN	QUINTET, OP 79	BRASS QUINTET	WHANSEN	1965	EST 12 MIN	M	C/U	FOUR MOVEMENTS, MUTES, MODEST RANGES, SOME RHYTHMIC THINGS THAT SHOULD BE FUN, LIKE 5/8 IN 3RD MOVEMENT. SOLID SCORE.
HOLMBOE, VAGN	SONATA FOR DOUBLEBASS SOLO, OP 82	STRING BASS ALONE	WHANSEN	1962	EST 4 1/2 MIN	M	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL EXCELLENT FOR THE C/U STUDENT.
HOLMBOE, VAGN	SONATA FOR VIOLINCELLO SOLO, OP 101	CELLO ALONE	WHANSEN	1969	EST 15 MIN	H	C/U	FOUR MOVEMENTS (3 & 4 ATTACCA). GOOD CHALLENGE FOR THE SERIOUS C/U PLAYER. NO UNUSUAL DEMANDS, JUST A LOT OF NOTES.
HOLMBOE, VAGN	SONATE NO 1, OP 2	VIOLIN & PIANO	SAMFUNDET	1935		M/H	C/U	THREE MOVEMENTS OF STANDARD, STRAIGHT AHEAD MATERIAL EXCELLENT FOR THE C/U STUDENT.
HOLMBOE, VAGN	SONATE, OP 71	FLUTE ALONE	DMIC	1957	EST 9 MIN	H	C/U	FOUR MOVEMENTS FROM A FINE COMPOSER. NO MAJOR PROBLEMS AND WORTHY.
HOLMBOE, VAGN	SWARM	STRING QUARTET	WHANSEN	1992	EST 15 MIN	H	C/U	ELEVEN SHORT MOVEMENTS THAT CAN STAND ALONE. GOOD WRITING, A CLEAN SCORE AND PLAYABLE BY THE C/U QUARTET. NOT REAL SURPRISES.
HOLMBOE, VAGN	TRIADE, OP 123	TRUMPET & ORGAN	WHANSEN		EST 11 MIN	M/H	C/U	THREE MOVEMENTS FOR TRUMPET IN C. COMPOSED FOR EDWARD TARR. WORTHY MUSIC FROM A FINE COMPOSER.
HORNEMAN, C F E	ALADDIN - OUVERTURE	ORCHESTRA	SAMFUNDET	1951		M/H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TMP,HARP,STRINGS. ONE MOVEMENT, STRAIGHT AHEAD, PLAYABLE GOOD SCORE.
JARNUM, KASPER	WHEN YOU LISTEN FOR BARITIONE SAXOPHONE	SAXOPHONE ALONE	DKF	2001	EST 3+ MIN	H	C/U	MULTIPHONICS WITH A FINGERING CHART TO PLAY THEM. NOTES AND OTHER SUGGESTIONS OT MAKE THE MUSIC INTERESTING, FOR INSTANCE HE MARKS NOTES ‘BRUTALE’. EXTREME DYNAMICS ASKED.
JERSILD, JORGEN	AT SPILLE I SKOVEN (MUSIC MAKING IN THE FOREST)	WOODWIND QUINTET	WHANSEN	1951	EST 12 MIN	M/H	C/U	THREE MOVEMENTS WITH A LOT OF ACTION. I GIOCOSO, 2 PASTORALE, 3 VIVO.
JOHANSEN, SVEND AAQUIST	"SOLLA FAMIRE DOSI...", OP 15	BRASS ENSEMBLE	SAMFUNDET	1976	8 MIN	H	C/U	5TRPTS IN C,2HN,3TRB IN TC. SOME NONTRADITIONAL TECHNIQUES, RHYTHMIC INTRICACY, GOOD INSTRUCTIONS AND SCORE.
JORGENSEN, AXEL	ROMANCE, OP.21	TROMBONE & PIANO	WHANSEN	1982		M	C/U/HS	GOOD COMPOSER & PLAYABLE MUSIC.
JORGENSEN, AXEL	SUITE POUR TROMBONE, OP.22	TROMBONE & PIANO	WHANSEN			H	C/U	GOOD COMPOSER FOR THE TROMBONE.
JORGENSEN, EMTOFT & ANDRESEN	SMALL PIECES FOR BRASS ENSEMBLE	BRASS QUARTET	DANISH BRASS	1986	9 MIN	E	C/U/HS	EIGHT VERY SHORT PIECES, PLAYABLE WITH ANY COMBINATION OF BRASS INSTRUMENTS, I.E. 4 TRPTS, 4 TRBS.
JORGENSEN, ERIK	FIGURE IN TEMPO	CELLO & PIANO	SAMFUNDET	1965	EST 4 MIN	M/H	C/U	CONTEMPORARY SOUNDS AND RHYTHMICALLY CHALLENGING, MANY CHANGES OF TIME SIGNATURE.
JORGENSEN, ERIK	IMPROVISATIONER FOR BLÆSERKVINTET	WOODWIND QUINTET	SAMFUNDET	1976	EST 12 MIN	H	C/U	OPENS WITH AN ALTO FLUTE CADENZA. MANY RHYTHMIC CHALLENGES, IMPROVISATION, CONTEMPORARY SOUNDS & APPROACH.
JORGENSEN, ERIK	MODELLO PER ARCHI	STRING ORCHESTRA	SAMFUNDET	1957	7 MIN	E/M	C/U/HS	SLOW TEMPO, FLOWING AND PLAYABLE.
JORGENSEN, KLAUS IB	5 STUDIES FOR MARIMBA	PERCUSSION ALONE (MARIMBA)	SAMFUNDET	1995	13 MIN	H	C/U	PLAYABLE BY THE C/U SERIOUS STUDENT NEEDING A CHALLENGE. A WELL CRAFTED SCORE THAT NEEDS PLAYING! IT HAS ALL THE USUAL PROBLEMS TO KEEP THE PLAYERS ATTENTION. ALL WILL LIKE.
KAYSER, LEIF	CALEIDOSCOPIO	FLUTE & ORGAN	DMIC	1976	15 MIN	M/H	C/U	FREQUENT CHANGE OF TIME SIGNATURE BUT A STEADY PULSE. FLUTE PART MODERATE, ORGAN DIFFICULT.
KAYSER, LEIF	CONCERTO	HORN & STRING ORCHESTRA	DMIC	1951	25 MIN	M/H	C/U	SECTIONS ATTACCA - NO STOPS! DIFFICULT FOR HORN, MEDIUM FOR ORCHESTRA. A MAJOR WORK AND WORTHY.
KAYSER, LEIF	"KONG KRISTIAN STOD" KONCERT OUVERTURE, OP 5	ORCHESTRA	SAMFUNDET	1951	9 MIN	M	C/U/HS	PIC,2FL,2CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ENERGY FILLED PIECE. SOLID PROGRAM OPENER.
KAYSER, LEIF	TRILOGIA PASQUALE	WOODWIND QUINTET	DMIC	1980	14 MIN	M	C/U	THREE MOVEMENTS: 1 BALLATA, 2 SEQUENZA, 3 CHIRLANDE. RHYTHMIC THROUGHOUT, FLOWS IN 2 & 3. HIGHLY POLYPHONIC.
KOCH, JESPER	DOWN THE RAABBIT-HOLE	WOODWIND QUINTET	KONTRAPUNKT	1996/98	EST 5+ MIN	M/H	C/U	NOTE CLARINET IN A. THIS IS A MOODY PIECE WITH MANY CHANGES OF EMOTION AND TEMPO. THE TITLE MAKES ONE WANT TO PLAY IT AND IT IS PLAYABLE BY THE ATTENTIVE C/U ENSEMBLE, BUT THEY WILL NEED TIME TO WORK OUT A FEW PROBLEMS.
KONDRUP, EVA NOER	DIARY FROM THE MOUNTAINS	FLUTE ALONE	SAMFUNDET	1996	9 MIN	H	C/U	A SHORT AND INNOCENT PRELUDE AS A FIRST MOVEMENT FOLLOWED BY A CHALLENGING SECOND. MIXED METER, LARGE INTERVAL SKIPS AND LOTS OF NOTES. SCORE IS LAID OUT WELL.
KOPPEL HERM D	CONCERTINO NO 2, OP 66	STRING ORCHESTRA	SAMFUNDET	1957	20 MIN	M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED SCORE AND A LOT OF DIVISI.
KOPPEL HERM D	FEST - OUVERTURE, OP 33	ORCHESTRA	SAMFUNDET	1939	8 MIN	M	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. SOLID SCORE, MOSTLY RHYTHMIC, MANY NOTES, BUT STRAIGHT AHEAD.
KOPPEL HERM D	KONCERT FOR OBO OG ORKESTER, OP 82	OBOE & PIANO	SAMFUNDET	1970	18 MIN	M/H	C/U	FOUR MOVEMENTS WITH A NICE CHALLENGE, BUT PLAYABLE. COLLEGE OBOIST CAN PLAY THE PART. SEE ORCHESTRA LISTING.
KOPPEL HERM D	KONCERT FOR OBO OG ORKESTER, OP 82	OBOE & ORCHESTRA	SAMFUNDET	1970	18 MIN	H	C/U	2FL,23CL,2BSN,2HN,3PERC,CELESTA,HARP,STRINGS. FOUR MOVEMENTS THAT CAN STAND ALONE. A FORMIDABLE WORK BUT NO SURPRISES - JUST HARD WORK. SEE OBOE AND PIANO LISTING.
KOPPEL, ANDERS	CONCERTO FOR DOUBLE BASS AND STRING QUARTET	STRING BASS & STRING QUARTET	WHANSEN	2000/01	17 MIN	H	C/U	ALL SECTIONS ATTACCA. AN EXPERIENCED QUARTET IS NECESSARY AS WELL AS A TOP STRING BASS PLAYER. HOWEVER, HE SCORE IS VERY CLEAN WHICH SHOULD MAKE LEARNING THE MUSIC A LITTLE EASIER.
KOPPEL, ANDERS	CONCERTO FOR PERCUSSION	PERCUSSION AND ORCHESTRA	WHANSEN	2001	2 MIN	H	C/U	3FL(PIC),2OB,2CL,3BSN(CBSN),4HN,2TRPT,3TRB,TBA,PO,STRINGS. FIVE CONTRASTING MOVEMENTS. SOLOIST PLAYS 40 PERCUSSION INSTRUMENTS. ORCH ACCOMPANIMENT IS NOT TOO DIFFICULT.
KOPPEL, ANDERS	CONCERTO NO. 4 FOR MARIMBA AND ORCHESTRA	PERCUSSION AND ORCHESTRA	WHANSEN	2006	21 MIN	H	C/U	2FL(PIC),2OB(EH),2CL,BCL(Eb),2BSN(CBSN),4HN,2TRPT,2TRB,TBA,2PERC,ORGAN,HARP,STRINGS. ALL SECTIONS PLAYED ATTACCA. THE ORCHESTRA ACCOMPANIMENT IS EASIER THAN THE SOLO MARIMBA. SO, IF THE MARIMBA PLAYER KNOWS THE MUSIC, THIS COULD PREPARE QUICKLY.
KOPPEL, ANDERS	CONCERTO NO.2 FOR SAXOPHONE & ORCHESTRA	SAXOPHONE(ALTO) & ORCHESTRA	WHANSEN	CIR 2000	28 MIN	H	C/U	3FL(PIC),2OB,EH,3CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. ALL SECTIONS ATTACCA. THE SCORE LAYS OUT VERY NICELY, WE WISH THE ORCHESTRA PARTS WERE NOT AS DIFFICULT AS THEY ARE. BUT, A GOOD COMPOSER AND GOOD SERIOUS SAXOPHONE LITERATURE.
KOPPEL, ANDERS	DIVERTIMENTO FOR BRASS QUINTET	BRASS QUINTET	WHANSEN	2004	12 MIN	M/H	C/U	MOVEMENTS: ALLEGRO MODERATO, ANDANTE, ALLEGRO VIVACE. SOME DRY HUMOR HERE AND ALL PLAYABLE. RHYTHMIC TEASERS AND SOME MODERN SOUNDS. GOOD!
KOPPEL, ANDERS	SONATINE FOR WOODWIND QUINTET	WOODWIND QUINTET	WHANSEN	2002	17 MIN	H	C/U	MOVEMENTS: MODERATO, ANDANTE SOSTENUTO, ALLEGRO CON BRIO. WILL TAKE A HIGH LEVEL ENSEMBLE TO PERFORM IN ORDER FOR THE NOTES TO MAKE MUSIC. IT LOOKS QUITE EASY FOR A WHILE THEN SOME DIFFICULTY. NICE SCORE.
KOPPEL, ANDERS	TUBA CONCERTO	TUBA & ORCHESTRA	WHANSEN	2003	20 MIN	M/H	C/U	PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE MISTERISO, LENTO-ALLEGRO ASSAI. OUTSIDE OF SOME VERY HIGH NOTES THAT A SOLOIST MAY WANT TO TAKE DOWN AN OCTAVE, THIS IS NOT AN EXTREMELY DIFFICULT WORK FOR THE SOLOIST.
KOPPEL, HERM D	CAPRICCIO, OP 73	FLUTE & PIANO	LEDUC	1961	8 MIN	H	C/U	ONE MOVEMENT, VIVACE ALL THE WAY. SHOW OFF PIECE FOR C/U STUDENT RECITAL.
KUHLAU, FRIEDRICH	ELVERHOJ	ORCHESTRA	SAMFUNDET	1973	EST 11 MIN	E/M	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,TRB,2PERC,TMP,STRINGS. CLASSICAL PERIOD IN STYLE. FIRST VIOLINS DO MOST OF THE WORK.
LANGGAARD, RUED	DIES IRAE	TUBA & PIANO	DANISH BRASS	1986	EST 3 MIN	E/M	C/U/HS	NOTES ARE EASY, BUT RANGE TO D AND A NUMBER OF LARGE INTERVALS.
LAUTRUP-LARSEN, HANS	KVINTET NO.2	WOODWIND QUINTET	ENGSTROM & SODRING	1990/94	EST 6+ MIN	E/M	C/U/HS	MOVEMENTS: LENTO CON MOTO/ALLEGRO CON BRIO, LARGHETTO, ALLEGRO. WELL WRITTEN AND QUITE EASY, A GOOD ONE FOR THE NOVICE QUINTET. MOSTLY TRADITIONAL HARMONY - STANDARD RHYTHMS. NO RANGE PROBLEMS.
LEWKOVITCH, BERNHARD	SIX PARTITAS	BRASS QUINTET	WHANSEN	1988	EACH 8-9 MIN	M	C/U	SIX COMPOSITIONS BASED UPON "AUS TIEFER MOT", "JESU MEINE FREUDE", "NUN DANKET ALLE GOTT", "O LAMM GOTTES UNSHELDIG", "VATER UNSER IMHIMMELREICH", "NUN BITTEN WIR DEN HEIL GEN GEIST".
LONDON, POUL	THE TROMBONE SERENADE	TROMBONE & PIANO	WHANSEN	1963		H	C/U	ORCHESTRA SCORE & PARTS AVAILABLE, HIGH TESSITURA FOR THE TROMBONIST.
LORENTZEN, BENT	CIRCLES	TROMBONE ALONE	WHANSEN	1996	EST 7 MIN	H	C/U	USES THE AVANTE GUARDE TECHNIQUES AVAILABLE: MULTI-PHONICS, FLUTTER TONGUE, RIPS, GLISSANDO, ETC. COMFORTABLE PLAYING RANGE.
LORENTZEN, BENT	FANFARES	TRUMPET ALONE	ENGSTROM & SODRING	1994		M/H	C/U	TWO FANFARES, EACH ABOUT ONE MINUTES OR LESS. `ALL TRUMPET PLAYERS SHOULD HAVE SOMETHING LIKE THIS READY TO PLAY. THESE WILL MAKE YOURS A LITTLE SPECIAL.COMFORTABLE RANGE.
LORENTZEN, BENT	GRANITE	CELLO ALONE	WHANSEN	1971	8 MIN	H	C/U	FOUR MOVEMENTS, SPECIAL TECHNIQUES SUGGESTED, FREE FEELING TO THE WORK.
LORENTZEN, BENT	LATIN SUITE NO 2	BAND	ENGSTROM & SODRING	1987	12 MIN	M/H	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB, EUP,TBA,4PERC,TMP. 1. MAMBO, 2. CAIXA DO DIVINO, 3. ABOIOS, 4. MAMBO. CLARINET CADENZA, SOME NONTRADITIONAL DEMANDS. LIKE A BIG BAND PROPELLED BY THE PERCUSSION.
LORENTZEN, BENT	TIEFE	STRING BASS ALONE	WHANSEN	1993	9 MIN	M/H	C/U	NEED BASS, TENOR AND TREBLE CLEFS. THE MUSIC IS MARKED QT = 72 AO THERE IS TIME TO PLAY THE NOTES AND MAKE SOME MUSIC.
LUMBYE, H C/MOGENS ANDRESEN	CHAMPAGNE GALOP	BRASS ENSEMBLE	DANISH BRASS	1986	2 MIN 10 SEC	M/H	C/U	Eb COR,2BbCOR,TRPT,2HN,2TRB,EUP,TBA,PERC. FAST MOVING AND FUN! SUGGEST Eb PART BE TRANSPOSED FOR Bb OR PICCOLO TRUMPET.
LUMBYE, H.C.	CHAMPAGNE GALOP	WOODWIND QUINTET	WEMUS	EST PUB 2002	EST 2 MIN	E	C/U/HS	ARRANGED FOR WW QT BY MICHAEL WEHDING. LUMBYE IS AN EARLIER DANISH COMPOSER OF THIS POPULAR WORK PLAYED FREQUENTLY BY BRASS INSTRUMENTS. FUN FOR ALL INCLUDING THE AUDIENCE. ALSO AVAILABLE FOR 8 CLARINETS.
LUND, GUDRUN	3 PIECES FOR HORN	HORN ALONE	LUND	1997	EST 6 MIN	M/H	C/U	MOVEMENTS: MODERATO - STRICTLY RHYTHMICAL, LIKE A MARCH, QUASI RECITATIVO, ALLEGRO GIOCOSO. RANGE NOT PROBLEM FOR THE GOOD PLAYER. SOME MIXED METER AND NEED TO CAREFULLY FOLLOW THE ARTICULATION MARKINGS.
LUND, GUDRUN	SONATINA FOR BASS TROMBONE AND PIANO	TROMBONE(BASS) & PIANO	LUND	2000	EST 5+MIN	M	C/U	MOVEMENTS: MODERATO MAESTOSO, ALLEGRETT0 MISTERIOSO, A DIALOGUE, ALLEGRO CON BRIO. RANGE TO A, PLAYABLE BY TENOR TRB WITH F ATTACHMENT. SOME MIXED METER AND SOME FUN EXTRAS. SOME DENSE HARMONIES IN THE PIANO AND LOTS OF NOTES FOR BOTH IN 3RD MOVE.
LUND, GUDRUN	SPIL FOR ULIGE PARTNERE, OP 58	FLUTE & STRING BASS	DMIC	1981	16 MIN	M	C/U/HS	FOUR MOVEMENTS OF FUN FOR TWO UNLIKELY DUETISTS!
LUND, GUDRUN	THREE SUBJECTS IN DIFFERENT CONTRASTING MOODS,OP68	TROMBONE TRIO	DMIC	1982	14 MIN	H	C/U	ALTO, TENOR & BASS TROMBONE. SOME NONTRADITIONAL TECHNIQUES AND PLAYABLE IN 4 MOVEMENTS.
LYLLOFF, BENT	ARHUS ETUDE NO 10	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	E/M	C/U/HS	SIX PLAYERS, TRIANGLE, TAMBOURINE, SNARE, CYMBALS & BASS DRUM, TIMPANI. SOME MIXED METER, BUT VERY PLAYABLE.
LYLLOFF, BENT	ARHUS ETUDE NO 11	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	M	C/U/HS	FOUR PLAYERS, SLIGHTLY MORE DIFFICULT THAN OTHERS IN THIS SERIES, BUT NO PROBLEM FOR THE COMPETENT PERCUSSIONIST.
LYLLOFF, BENT	ARHUS ETUDE NO 2	PERCUSSION ENSEMBLE	WHANSEN	1970	1 MIN	E	C/U/HS	SNARE, STREET DRUM, CYMBALS, BASS DRUM, TIMP. EASY, FAST MOVING - COULD BE A STREET BEAT. 5 PLAYERS.
LYLLOFF, BENT	ARHUS ETUDE NO 4	PERCUSSION ENSEMBLE	WHANSEN			E	C/U/HS	FOUR PLAYERS. TRIANGLE, SNARE, CYMBALS & BASS DRUM. EASY AND FAST MOVING.
LYLLOFF, BENT	ARHUS ETUDE NO 5	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN 15 SEC	E/M	C/U/HS	THREE PLAYERS, EACH PLAYING AT LEAST 3 INSTRUMENTS. SOME TRICKY RHYTHMS. SUGGEST MEDLEY WITH OTHER LYLLOFF PIECES.
LYLLOFF, BENT	ARHUS ETUDE NO 6	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	E/M	C/U/HS	THREE PLAYERS, 2 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. MARKED ADAGIO WITH SOME TRICKY RHYTHMS BUT VERY PLAYABLE.
LYLLOFF, BENT	ARHUS ETUDE NO 7	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	E/M	C/U/HS	FIVE PLAYERS, 4 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. FREQUENT METER CHANGES, QUICK TEMPO.
LYLLOFF, BENT	ARHUS ETUDE NO 8	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	E/M	C/U/HS	FIVE PLAYERS, ALL PLAYING AT LEAST 2 INSTRUMENTS, MOSTLY MEMBRANOPHONES - ONE VIBRAPHONE. LARGHETTO IN 12/8.
LYLLOFF, BENT	ARHUS ETUDE NO.3	PERCUSSION ENSEMBLE	WHANSEN	1970	2 MIN	E	C/U/HS	SHORT AND EASY, BUT WORTHY. FOUR PLAYERS.
MAEGAARD, JAN	BLAESERKVINTET, OP 11	WOODWIND QUINTET	ENGSTROM & SODRING	1998		M/H	C/U	MOVEMENTS: PRELUDIO, TEMA CON VARIAZIONO, FINALE-METAMORFOSE. THE THEME AND 9 VARIATIONS. CL IN A. LOT OF NOTES AND THE BASSOON PLAYER SPENDS SOME TIME IN TENOR CLEF.
MAEGAARD, JAN	MUSICA RISERVATA NO 1	STRING QUARTET	ENGSTROM & SODRING	1972	17 MIN	H	C/U	NONTRADITIONAL NOTATION AND RHYTHMICALLY FREE. INTRODUCTION, 2 MOVEMENTS AND EPILOGUE. CONTEMPORARY MUSIC.
MAEGAARD, JAN	TRIO FOR OBOE, CLARINET OG FAGOT	WOODWIND TRIO	SAMFUNDET	1950	8 MIN	M	C/U	ONE MOVEMENT IN 3 SECTIONS. COMFORTABLE CHALLENGE FOR 3 COMPETENT PLAYERS.
MAGLE, FREDERIK	JOURNEY IN TIME	VIOLIN & PIANO	DKF	1999	12 MIN	M/H	C/U	BEGINNING: A VERY NICE EMOTIONAL SONG WITH INTERESTING ACCOMPANIMENT. LATER: INTENSE, RHYTHMIC - ALTERNATING A SIMPLE PRESENTATION WITH THAT IDEA, CADENZA NEAR THE END.
MARMORSTEIN, DAN	SKELETON KEYS IN THE RAIN	CELLO ALONE	DKF	1995	EST 9+MIN	H	C/U	BASS, TREBLE AND TENOR CLEFS, DOUBLE STOPS, AND ENOUGH NOTES TO KEEP ALL INTERESTED.
MOGENSEN, RENE	STUDY FOR SOLO SAXOPHONE (TENOR)	SAXOPHONE ALONE	DKF	1994	EST 6 MIN	H	C/U	MOVEMENTS: PROTAGONIST AND ANTAGONIST, CONFLICT, RESOLUTION. THIS IS NOT EASY MUSIC, BUT THE EXCELLENT MAPPING OF IT ON THE PAGE MAKES IT PLAYABLE.
MOGENSEN, RENE	THOUGHT IN FIVE PARTS	CLARINET & PERCUSSION	DKF	1998	4 MIN 30 SEC	H	C/U	FIVE SHORT MOVEMENTS FOR THE ADVANCED C/U CLARINETIST AND AN ADVENTUROUS PERCUSSIONIST. MULTI-PHONICS, MIXED METER AND TIME NEEDED TO GET THE TWO PARTS TO SOUND TOGETHER!
MOGENSEN, RENE	THREE SONGS WITHOUT WORDS	WOODWIND QUINTET & STRING ORCH	DKF	2001	7 MIN	M/H	C/U	MOVEMENTS: SONG OF WAVES, SONG WITHOUT PICTURES, DANCE. THERE IS MUCH TO LIKE IN THIS COMPOSITION AND IN THIS COMPOSERS WORKS. THE SCORES ARE BEAUTIFUL! GET ACQUAINTED WITH THIS COMPOSER!
MORTENSEN, OTTO	QUINTETTE	WOODWIND QUINTET	WHANSEN	1944	20 MIN	M/H	C/U	OBOE DOUBLES ENGLISH HORN IN MOVEMENT TWO OF A THREE MOVEMENT WORK. TRADITIONAL WW QUINTET WORK IN NORDIC STYLE.
MORTENSEN, OTTO	SONATA FOR OBOE AND PIANO	OBOE & PIANO	WHANSEN	1953	EST 6+ MIN	M	C/U/HS	MOVEMENTS: MODERATO, ALLEGRO VIVACE. FROM AN EARLIER TIME AND VERY PLAYABLE, IDEAL FOR CONTEST OR RECITAL. LOT OF NOTES BUT QUITE TRADITIONAL.
NEERGAARD, NIELS	SAMBA SAMBUCA	BRASS QUINTET	LIBRA	2001	EST 3+ MIN	E/M	C/U/HS	USUAL INSTRUMENTATION OR SUB TRB FOR HN AND Eb TUBA FOR Bb TUBA. NICE MATERIAL. WATCH FOR THE TRICKY SAMBA RHYTHMIC PATTERN.
NIELSEN, CARL	CANTO SERIOSO	CELLO & PIANO	WHANSEN	1944	EST 4 MIN	M	C/U/HS	ALSO SCORED FOR HORN AND PIANO. COMFORTABLE RANGE FOR CELLO. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH MANY OF NOTES, END IS MELODIC AGAIN.
NIELSEN, CARL	CANTO SERIOSO	HORN & PIANO	WHANSEN	1944	EST 4 MIN	M	C/U/HS	ALSO SCORED FOR CELLO AND PIANO. EMPHASIS ON LOW HORN RANGE. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH A LOT OF NOTES, END IS MELODIC AGAIN.
NIELSEN, CARL	FANTASY	CLARINET & PIANO	WHANSEN	1881		E/M	C/U/HS	AN EARLY WORK FROM NIELSEN WITH MUSICAL CHALLENGES BUT TECHNICALLY COMFORTABLE.
NIELSEN, CARL	FYNSK FORAR, OP. 42	ORCHESTRA	WHANSEN		19 MIN	M/H	C/U/HS	2FL,2OB,2CL,2BSN,4HN,2TRPT,TIMP,STRINGS. MOVEMENTS: ALLEGRETTO U POSO, DANSEVISEN. THIS CAN AND SHOULD BE PLAYED BY GOOD HS ENSEMBLES AS WELL AS COLLEGE GROUPS. I T IS PLAYABLE AND MOST WORTHY MUSIC.
NIELSEN, CARL	HUMORESQUE	WOODWIND ENSEMBLE	WEMUS	EST UIB 2003	EST 2+ MIN	M	C/U/HS	2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. STRAIGHT AHEAD MATERIAL. NO RANGE OR RHYTHMIC PROBLEMS. ENJOY! ALSO AVAILABLE FOR 8 CLARINETS.
NIELSEN, CARL	KONCERT FOR FLOJTE	FLUTE & ORCHESTRA	SAMFUNDET	1952		M/H	C/U	2CL,2OB,2BSN,2HN,TRB,TMP,STRINGS. 2 MOVEMENTS. FLUTE IS A PART OF THE ORCHESTRA AS WELL AS A SOLOIST. GOOD SCORE. PIANO REDUCTION AVAILABLE.
NIELSEN, CARL	KONCERT FOR FLOJTE OG ORKESTER	FLUTE & PIANO	SAMFUNDET	1926		M/H	C/U	TWO MOVEMENTS BY A MAJOR COMPOSER. ALSO SEE FLUTE AND ORCHESTRA.
NIELSEN, CARL	KONCERT FOR KLARINET OG ORKESTER, OP 57	CLARINET & ORCHESTRA	SAMFUNDET	1931		M/H	C/U	2BSN, 2HN, STRINGS. STRINGS MUST BE STRONG. PLAYS AS ONE MOVEMENT. PIANO REDUCTION AVAILABLE.
NIELSEN, CARL	PRELUDIO E PRESTO, OP 52	VIOLIN ALONE	SAMFUNDET	1965		H	C/U	TWO MOVEMENTS AND A MAJOR CHALLENGE BY ONE OF DENMARK'S FINEST.
NIELSEN, CARL	ROMANCE	WOODWIND ENSEMBLE	WEMUS	CIR 2002	EST 3 MIN	E/M	C/U/HS	2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. VERY FEW PROBLEMS TO WORK OUT TECHNICALLY, JUST WORK TO MAKE MUSIC.
NIELSEN, CARL	SINFONIA ESPANSIVA, OP 27	ORCHESTRA	ENGSTROM & SODRING	1968	32 MIN	H	C/U	PIC,3FL,3CL,3OB,2BSN,CBSN4HN,3TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS OF UNUSUAL DIMENSIONS. NORDIC SOUNDS & PLAYABLE BY THE BEST C/U AND/OR COMMUNITY ENSEMBLES. SCORE FOR SALE, PARTS RENTAL.
NIELSEN, CARL	SONATE, OP 9	VIOLIN & PIANO	WHANSEN		EST 12 MIN	M/H	C/U	THREE MOVEMENTS(F-S-F) IN A MAJOR. THE NORDIC SOUND IN A STUDIO - RECITAL PIECE. STRAIGHT AHEAD MATERIAL.
NIELSEN, CARL	THE FOG IS LIFTING, OP 41	FLUTE & PIANO	WHANSEN	1952	EST 2 MIN	E/M	C/U/HS	PIANO PART IS ALSO LISTED FOR HARP. A 6/8 ANDANTINO.
NIELSEN, CARL	TWO FANTASY PIECES, OP 2	OBOE & PIANO	WHANSEN		EST 5 MIN	E/M	C/U/HS	ROMANZA AND HUMORESQUE PLAYABLE BY MANY. NO PERFORMANCE PROBLEMS. FINE FOR STUDIO, STUDY, RECITAL OR CONTEST.
NIELSEN, CARL/MOGENS ANDRESEN	FIVE PRELUDES	BRASS QUINTET	WHANSEN	1984	EST 7 MIN	M	C/U/HS	SHORT MOVEMENTS FROM 29 SMALL PRELUDES FOR PIANO.
NIELSEN, HANS PETER	TROMPET POLKA	TRUMPET & PIANO	WHANSEN	1967	EST 4 MIN	E	C/M/HS	PLAYABLE BY EVEN THE MOST YOUNG, SERIOUS PLAYER. THE USUAL POLKA FORMAT WITH REPEATS, DS, ETC. RANGE TO HIGH C WITH OPTIONAL DOWN AN OCTAVE.
NIELSEN, JOHN	15 VARIATIONER, OP 40	ORCHESTRA	SAMFUNDET	1967	13 MIN	M/H	C/U	PIC,2FL,2CL,BCL,2OB,EH,2BSN,CBSN,4HN,3TRPT,2TRB,TBA,2PERC,TMP,STRINGS. FREQUENT METER CHANGES BUT MOSTLY STRAIGHT AHEAD. THEME IS 3/4 IN ONE. MOST VARIATIONS ARE RHYTHMIC. NICE CHALLENGE.
NIELSEN, JOHN	CONCERTO DANESE, OP 51	TRUMPET & ORCHESTRA	DMIC	1972	17 MIN	M	C/U	FL,CL,BCL,OB,BSN,HN,TRPT,TRB,TBA,PERC,STRINGS. TWO MOVEMENTS: MODERATO & RONDO AMABILE. MODEST DEMANDS ON THE TRUMPET BUT NOT EASY FOR THE ORCHESTRA. SCORE AND PARTS RENTAL.
NIELSEN, JOHN	TRE DANSE, KVINTET, OP 60	BRASS QUINTET	DMIC	1978	16 MIN	H	C/U	THREE MOVEMENTS, A MAJOR WORK. TUBA PLAYS VERY LOW, 2ND TRPT PLAYS HIGH, MUTING, VARIETY OF STYLES.
NIELSEN, SVEND HVIDTFELT	ELEGI FOR SOPRANO SAXOPHONE	SAXOPHONE(SOP) ALONE	WHANSEN	2002	EST 4 MIN 30 SEC	H	C/U	INTENDED FOR THE HIGH LEVEL SAXOPHONE PLAYER. NOTES ARE ARE IN RANGE, BUT THERE WILL BE SOME INTERESTING PROBLEMS TO WORK OUT TO MAKE THIS INTO A MUSICAL PRESENTATION.
NIELSEN, SVEND HVIDTFELT	SCENARIER	WOODWIND QUINTET	WHANSEN	2002	12 MIN	H	C/U	SEVEN SHORT MOVEMENTS THAT CAN STAND ALONE. FLUTE DOUBLES PIC. HIGH LEVEL MATERIAL THAT IS VERY INTERESTING TO STUDY FOR THE ADVANCED ENSEMBLE.
NORBY, ERIK	ARABESQUE I & II	FLUTE ALONE	ENGSTROM & SODRING	1987	7 MIN	H	C/U	TWO STUDIES THAT CHALLENGE RHYTHMICALLY, ALSO SOME MULTI-PHONICS.
NORBY, ERIK	CANZONI A BALLO PER BANDA	BAND	SAMFUNDET	1989		M/H	C/U/HS	PIC,3FL,EbCL,3CL,BCL,3OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, 3TBA,2PERC,TMP,EH,2 TENOR HORN. FIVE MOVEMENTS WITH HIGH RHYTHMIC INTEREST ALL THE WAY. MANY CHANGES OF METER.
NORBY, ERIK	CAPRICCIO	TRUMPET & STRING ORCHESTRA	WHANSEN	1978		H	C/U	6VLN, 2VLA, 2CELLO, 2SB, PIANO. TRUMPET RANGE MODEST, MANY RHYTHMIC HURDLES. SCORE FOR SALE, PARTS RENTAL.
NORBY, ERIK	MUSIC FOR TWO TRUMPETS	TRUMPET DUET	WHANSEN	1961		E/M	C/U/HS	NICE, EASY TO MEDIUM DIFFICULTY THAT CAN BE USED BY ALL TREBLE CLEF INSTRUMENTS.
NORBY, ERIK	PARTITA	FLUTE & ORGAN	ENGSTROM & SODRING	1981	EST 6 MIN	M/H	C/U/HS	INTRODUCTION, PAVANE, CANTILENA, GIGUE. GLISSANDOS, RHYTHMIC COMPLEXITY IN A GOOD SCORE AND PLAYABLE.
NORBY, ERIK	PARTITA FOR FLUTE AND ORGAN	FLUTE & ORGAN	ENGSTROM & SODRING	1981	EST 6+ MN	E/M	C/U	MOVEMENTS: INTRODUCTION, PAVANE, CANTELINA, GIGUE. GOOD CONTEST OR RECITAL MUSIC BY RECOGNIZED COMPOSER. NO SURPRISES, JUST LAY THE MUSIC.
NORGARD, PER	I CHING	PERCUSSION ALONE	WHANSEN	1982		H	C/U	FOUR MOVEMENTS, A MAJOR SOLO WORK USING MOST OF THE PERCUSSION FAMILY OF INSTRUMENTS.
NORGARD, PER	QUARTETTO BRIOSO, OP 21	STRING QUARTET	WHANSEN	1958		H	C/U	THREE MOVEMENTS. NORGÅRD IS DENMARK'S LEADING COMPOSER - HE DOES NOT WRITE EASY MUSIC.
NORGARD, PER	SYN (SIGHT)(VISION)	BRASS QUINTET	WHANSEN	1988	8 MIN	H	C/U	EUPHONIUM INSTEAD OF TUBA. PLUNGERS & OTHER MUTES. CORNETS CALLED FOR WITH SWITCH TO TRUMPET IN F AND Bb. NORGÅRD WRITES INTERESTING BUT NOT EASY MUSIC.
NORGARD, PER	WITHIN THE FAIRY RING AND OUT OF IT	CLARINET ALONE	WHANSEN	1999	EST 5 MIN	H	C/U	NORGARD IS AN INVENTIVE COMPOSER WHOSE WORKS ALWAYS NEED ATTENTION. THIS WORK IS FOR THE VERY BEST C/U CLARINET PLAYER. MIXED METER, RHYTHMIC THINGS, AND OTHER FUN PROBLEMS. A VERY NICE CHALLENGE
NORGARD,PER	PASTORALE	FLUTE & PIANO	WHANSEN	1975	3 MIN	M	C/U	ONE OF DENMARK'S LEADING COMPOSERS. SOME NOTATION QUESTIONS ON THIS PIECE.
NORHOLM, IB	CONCERTO FOR CELLO AND ORCHESTRA	CELLO & ORCHESTRA	KONTRAPUNKT	1991	29 MIN	H	C/U	2FL(PIC),2OB(EH),2CL(BCL),BSN(CBSN),4HN,2TRPT,3TRB,TBA,HARP,CELEST,4PERC,STRINGS. MOVEMENTS: WITH OPEN EYES, ECHOES, REFLECTIONS ON SIMPLICITY. HARD WORK FOR CELLO AND ORCHESTRA. SCORE IS IN A GOOD MS.
NORHOLM, IB	CRIES OF SPRING	FLUTE & PIANO	KONTRAPUNKT	1992	EST 10 MIN	H	C/U	MOVEMENTS: QT = 92, QT = 56, QT = 72. LOTS OF NOTES FOR THE SOLOIST. ACCOMPANIMENT STAYS OUT OF THE WAY UNTIL THE LAST MOVEMENT, THEN NOTES. HIGH LEVEL FLUTIST AND PIANO NEEDED.
NORHOLM, IB	FROM THE MERRY LIFE OF A SPY	BRASS QUINTET	KONTRAPUNKT	1999/2000	EST 7 MIN 30 SEC	M/H	C/U/HS	MOVEMENTS: CAMARILLA, MISS Q, RESCUE-POST SCRIPT. FROM THE TITLE YOU AN TELL THAT THERE MIGHT BE SOME FUN HERE. ALL PARTS IN PLAYABLE REGISTERS. SOME TRICKY RHYTHMS AND LOTS OF NOTES IN SOME PLACES.
NORHOLM, IB	IMMANENS, OP 87	FLUTE ALONE	WHANSEN	1982	10 MIN	H	C/U	THREE MOVEMENTS OF CHALLENGING MUSIC BOTH MUSICALLY AND TECHNICALLY. GOOD PEDAGOGICAL MATERIAL FOR THE ADVANCED STUDENT.
NORHOLM, IB	IMPULS,OP 148	SAXOPHONE QUARTET	KONTRAPUNKT	1998	EST 6+ MIN	H	C/U	SS,AS,TS,BS. UNUSUAL TIME SIGNATURES, LIKE 10/8 WITH THE EIGHTH NOTE OT THE BEAT. A CLEAN SCORE AND IN SPITE OF THE UNUSUAL TIME SIGNATURES AND A FEW OTHER THINGS. THIS SHOULD PLAY WITH THE C /U ENSEMBLE.
NORHOLM, IB	KONCERT FOR VIOLA OG ORKESTER	VIOLA & ORCHESTRA	KONTRAPUNKT	1993/95	22 MIN	H	C/U	2FL(PIC),2OB,2CL(BCL),2BSN,2HN,2TRPT,4PERC,STRINGS. MOVEMENTS(2), ALLEGRO MODERATO, ANDANTE. COMPOSER WRITES FOR THE PROFESSIONAL OR HIGH LEVEL PLAYER AND ORCHESTRA. STUDY THE SCORE BEFORE BUYING, BUT IT IS PLAYABLE BY THE BEST C/U/ STUDENT.
NORHOLM, IB	KONCERT FOR VIOLIN OG ORKESTER NO. 2	VIOLIN & ORCHESTRA	KONTRAPUNKT	1992/93	EST 25 MIN	H	C/U	FL(PIC),OB,CL,BSN,2HN,TRPT,TRB,3PERC,HARP,STRINGS. MOVEMENTS: QT = 84, ANDANTE, QT = 108. NEED FOR HIGHEST LEVEL C/U STUDENT OR PROFESSIONAL AND ORCHESTRA. USUAL PROBLEMS WITH CONTEMPORARY LITERATURE. WORTHY COMPOSER AND WORK.
NORHOLM, IB	KVARTET FOR SAXOFONER, P 122	SAXOPHONE QUARTET	KONTRAPUNKT	1992	EST 10+ MIN	M/H	C/U	MOVEMENTS: UDVIKING I, SNAPSHOT, STILLEBEN, UDVIKING II. A LITTLE EASIER THAN SOME OF THE NORDIC SAXOPHONE QUARTETS IN A WELL SCORED WORK. PARTS ARE PRINTED AS DUETS SS & AS - TA & BS). WORTHY MATERIAL IN MODERN STYLE.
NORHOLM, IB	PRELUDES, OP 53	WOODWIND QUINTET	WHANSEN	1971	EST 6+ MIN	M/H	C/U	MOVEMENTS: POCO ALLEGRO, POCO ANDANTE E SOSTENUTO, MODERATO. A GOOD COMPOSER. SOME MIXED METER, CL IN A. HARMONIES ALA 1970.
NORHOLM, IB	TEA FOR TUBA	TUBA ALONE	KONTRAPUNKT	1986	EST 6 IN	H	C/U	THE TITLE IS THE EASIEST PART- MULTIPHONICS AND SOME EXTRA ORDINARY MUSICAL THINGS MAKES THIS ONE FOR ONLY THE BEST AND MOST CURIOUS. A VERY NICE SCORE TO WORK FROM.
OLSEN, POUL ROVSING	SINFONIA I, OP 40	ORCHESTRA	SAMFUNDET	1967	18 MIN	M/H	C/U	PIC,2FL,2CL,2OB,2BSN,2HN,TRPT,PERC,HARP,STRINGS. THREE MOVEMENTS WITH IMPORTANT HARP PART. MOSTLY STRAIGHT AHEAD WITH A FEW SURPRISES. GOOD SCORE.
PAPE, ANDY	CADANCE (1984)	PERCUSSION ENSEMBLE	SAMFUNDET	1984/1989	10 MIN	H	C/U	FOUR PARTS, NO MALLET INSTRUMENTS, STYLE A LA S. REICH. POLY-RHYTHMIC.
PAPE, ANDY	HIT’ N’ RUN	PERCUSSION ENSEMBLE	WHANSEN	1997	6-7 MIN	H	C/U	FOUR PERCUSSIONISTS WITH MANY INSTRUMENTS AND THE PLAYERS VOICES. THIS IS A GREAT SCORE - THE AUDIENCE IS WAITING TO HEAR IT PLAYED BY A FINE C/U ENSEMBLE.
PAPE, ANDY	MARRRIMBA	PERCUSSION ALONE	WHANSEN	1991/92	EST 5 MIN	H	C/U	THIS CAN BE A SOLO OR DUET WITH VIBRAPHONE. CONTINUOUS MIXED METER PLUS OTHER RHYTHMIC PROBLEMS TO SOLVE. FUN FOR THE ACCOMPLISHED PERCUSSIONIST(S).
PAPE, ANDY	SEARCHING	CLARINET ALONE	WHANSEN	2001	6 MIN 30 SEC	H	C/U	FOR A OR Bb CLARINET. THIS IS IMAGINATIVE, COMPLICATED AND FUN! THE CLARINET USES BODY MOTION TO ENHANCE THE MUSIC. ALL WILL ENJOY! CHECK OUT WHAT THIS COMPOSER WRITES!
PAPE, ANDY	TALKING DRUMS II	PERCUSSION ENSEMBLE(2)	WHANSEN	1992	5 MIN	H	C/U	TO KEEP THE ADVANCED DRUMMERS INTERESTED! ALL KIND OF RHYTHMIC THINGS TO WORK OUT AND THE AUDIENCE TO APPRECIATE. SEE OTHER ITEMS FOR PERCUSSION BY THIS COMPOSER!
PAPE, ANDY	THE MARCH OF THE 77TH TROMBONE	TROMBONE ALONE	WHANSEN	2001	11 MIN	H	C/U	COMPOSER WROTE: A MONOMOBILE FOR SOLO TROMBONE. THIS IS MORE FUN THAN MOST OF THIS TYPE OF WORK WE HAVE SEEN. THE PLAYER MARCHES IN DIFFERENT PATTERNS AS S/HE PLAYS, STOMPS FEET AND MOVES! SHOULD HAVE GREAT AUDIENCE APPEAL!
PEDERSEN, GUNNAR MOLLER	CONCERTINO FOR TRUMPET IN C	TRUMPET & ORCHESTRA	DKF	2004	EST 9+ MIN	H	C/U	FL,CL,BSN,HARP,PO,STRINGS. MOVEMENTS: QT = 80 (6/8), 8TH = 92 (6/8), QT = 60 (7/8). SMALL INSTRUMENTATION. MODEST RANGE FOR SOLOIST. MOVE I, COMPOSER MAKES MOST OF RHYTHMIC POSSIBILITIES OF 6/8, DEVELOPS WITH 7/8 IN THE LAST.
PEDERSEN, GUNNAR MOLLER	DANSK KIRKEINTERIOR - SUITE FOR TRUMPET AND ORGAN	TRUMPET & ORGAN	DKF	1961/78	EST 7+ MIN	M/H	C/U	FIVE SHORT MOVEMENTS. NO RANGE PROBLEMS FOR THE TRUMPET PLAYER. IN A CLEAN MS. SOME MUTES NEEDED. CHECK OUT OTHER WORKS BY THIS COMPOSER FOR VARIOUS INSTRUMENTS.
PEDERSEN, LAURIDS/MOGENS ANDRESEN	VILLAGE BAND MARCH	BRASS QUINTET	DANISH BRASS	1984	EST 4 MIN	E/M	C/U	LIGHT HEARTED TUNE IN ALLA BREVE.
PREHM, GEORG (1873-1916)	QUINTET, OP 4	WOODWIND QUINTET	WEMUS	(1873-1916)	EST 9+ MIN	E	C/U/HS	MOVEMENTS: ANDANTE, ALLEGRO MODERATO, ANDANTE GRAZIOSO, SCHERZO, FINALE-PRESTO. A DANISH COMPOSER FROM EARLIER TIMES PRESENTED WELL BY A MODERN PUBLISHER. EXCELLENT MATERIAL FOR THE YOUNG QUINTET.
RASMUSSEN, KARL AAGE	CAMERA OSCURA	SAXOPHONE QUARTET	WHANSEN	2000/20001	EST 15+ MIN	M/H	C/U	9 MOVEMENTS OF VARYING LENGTH AND STYLE. WAS COMMISSIONED BY THE RASCHER QUARTET. THE SCORE IS IN C, BUT WE ASSUME THE PARTS ARE FOR SS,AS,TS AND BS. SOME MOVEMENTS HARDER THAN OTHERS BUT, THIS IS MATERIAL FOR THE FINE C/U ENSEMBLE.
RASMUSSEN, SUNLEIF	CANTUS BOREALIS	WOODWIND QUINTET	SAMFUNDET	2003	10 MIN 30 SEC	H	C/U	MULTIPHONICS, MIXED METER AND A NUMBER OF OTHER WAYS TO MAKE THIS DIFFICULT TO PLAY. BUT, THE SCORE IS THE PRODUCT OF A KNOWLEDGEABLE COMPOSER AND IS LAID OUT SO THE PROBLEMS DO NOT SEEM AS GREAT AS THEY MIGHT BE.
RASMUSSEN, SUNLEIF	NORDISK FANFARE	BRASS ENSEMBLE	SAMFUNDET	2002	EST 2 MIN	M/H	C/U	2TRPT(C),2HN,TRB,TBA. BUILT MOSTLY IN 6/8 WITH A FEW METER CHANGES. ALL INSTRUMENTS IN RANGE MAKING THIS A VERY PLAYABLE WORK.
RIISAGER, KNUDAGE	CONCERTINO, OP 29	TRUMPET & STRING ORCHESTRA	WHANSEN	1935	10 MIN	M	C/U	TRPT IN C, MODEST RANGE FOR TRUMPET AND PLAYABLE STRING PARTS. SCORE & PIANO REDUCTION FOR SALE, PARTS RENTAL.
RIISAGER, KNUDAGE	CONVERSAZIONE, OP 26A	WOODWIND TRIO	ENGSTROM & SODRING	1966	EST 6 MIN	M	C/U	THREE MOVEMENTS WITH FUN FOR ALL. NO SCORE. OB ,CL IN A, BSN.
RIISAGER, KNUDAGE	DIVERTIMENTO	WOODWIND QUARTET	ENGSTROM & SODRING	1966	EST 8 MIN	M	C/U/HS	THREE MOVEMENTS OF STRAIGHT AHEAD MUSIC. NO SCORE. FL, OB, HN, BSN.
RIISAGER, KNUDAGE	KVARTET, OP 40A	WOODWIND QUARTET	SAMFUNDET	1951	13 1/2 MIN	M	C/U	THREE MOVEMENTS(F-S-F) OF STRAIGHT AHEAD MUSIC. EVERYONE PLAYS INTERESTING PARTS.
RIISAGER, KNUDAGE	TIL APOLLON, LYSETS GUD	ORCHESTRA	SAMFUNDET	1980	10 MIN	H	C/U	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,PIANO, STRINGS. A WELL CONSTRUCTED SCORE WITH PLENTY TO DO. SCORE FOR SALE, PARTS RENTAL.
ROEMER, HANNE	SAXOPHONE CONCERTO	SAXOPHONE(TENOR) & ORCHESTRA	DKF	1986	EST 20+ MIN	M/H	C/U	2FL,CL,OB,BSN,2TRPT/FLG,TRB,2PERC,HARP,STRINGS AND BASS PLAYING WITH PIANO AND DRUM SET. THREE MOVEMENTS: PRIORITIES, POSTPONED UNTIL TOMORROW, EVERYDAY I BELIEVE IN SOMETHING DIFFERENT. TITLES TELL YOU SOMETHING: SWING, JAZZ, IMPROVE, ETC. FUN AND PLAYABLE!
ROIKJER, KJELL	TRIO OP. 81 FOR TRUMPET, HORN AND TROMBONE	BRASS TRIO	ENGSTROM & SODRING	1987	EST 7+ MIN	M/H	C/U	MOVEMENTS: ALLEGRO MODERATO, ANDANTE MOLTO, GAIO. THIS IS IN MS AND SCORE FORM, BUT CONSIDER THE LACK OF MATERIAL FOR HIS MEDIUM! RANGES FOR ALL ARE COMFORTABLE.
ROIKJER, KJELL	10 INVENTIONER FOR 4 TUBAER	TUBA QUARTET	ENGSTROM & SODRING			M	C/U/HS	SUGGEST EUPHONIUM FOR AT LEAST THE TOP PART IF NOT THE TOP TWO PARTS. THIS IS HIGHLY PLAYABLE MATERIAL IF THE EUPHONIUM IS USED. STRAIGHT AHEAD AND ENJOY. A FORWARD IS INCLUDED BY MICHAEL LIND.
ROIKJER, KJELL	10 INVENTIONS	TUBA DUET	WHANSEN	1969		M/H	C/U	TUBA DUETS: 1 TO Eb ON 2 OF THE DUOS, OTHERS MORE MODEST RANGES. TRY EUPHONIUM & TUBA ALSO.
ROIKJER, KJELL	10 INVENTIONS FOR 2 TUBAS	BRASS ENSEMBLE	WHANSEN	1969		E/M	C/U/HS	JUST WHAT IS NEEDED WHEN TWO TUBA PLAYERS GET TOGETHER. WELL WRITTEN FOR ANY LEVEL OF PLAYER AND FUN FOR ALL IN THE BACK OF THE BAND.
ROIKJER, KJELL	5 SOLOSTYKKER FOR TUBA	TUBA ALONE	ENGSTROM & SODRING	1994		M/H	C/U	FOR THE SERIOUS TUBA PLAYER. SOME OF THE SOLO PIECES EASIER THAN OTHER AND CAN STAND ALONE. DEDICATED TO MICHAEL LIND.
ROIKJER, KJELL	BAGATELLER, OP 79	WOODWIND TRIO	DMIC	1985	11 MIN	M	C/U	FIVE MOVEMENTS WITH MARGINAL MS. STRAIGHT AHEAD MATERIAL FOR FLUTE, OBOE AND CLARINET.
ROIKJER, KJELL	CONCERTO FOR BASSOON AND STRING ORCHESTRA	BASSOON & PIANO	ENGSTROM & SODRING	1994	18 MIN	M/H	C/U	MOVEMENTS: ALLEGRO MODERATO, ANDANTE MOLTO E UN POCO TRANQUILLO, ALLEGRETTO SCHERZANDO. IDEAL MATERIAL OF THE C/U STUDENT. STRING ORCHESTRA ACCOMPANIMENT AVAILABLE. STRAIGHT AHEAD MUSIC!
ROIKJER, KJELL	DIVERTIMENTO NO 6, OP.72	SAXOPHONE QUARTET	KONTRAPUNKT	1992	EST 5+ MIN	M	C/U/HS	MOVEMENTS: MOLTO LENTO, ALLEGRETTO LEGGIERO E CON ELEGANZA, ANDANTE LENTO E MESTO,ALLERO RISOLUTO E RISVEGLIATO. ALL PARTS PLAY A LOT OF NOTES, BUT THE SCORE IS LAID OUT WELL AND THIS SHOULD SOUND!
ROIKJER, KJELL	DUOLOG, OP 84 NR 5	FLUTE & VIOLIN	ENGSTROM & SODRING	1987	EST 7 MIN	M	C/U/HS	THREE MOVEMENTS WITH MODERATE PERFORMANCE DEMANDS FOR STUDIO OR RECITAL.
ROIKJER, KJELL	PRELUDE ET RONDEAU, OP 43A	FLUTE ALONE	ENGSTROM & SODRING	1972	EST 4 MIN	M	C/U/HS	NO PROBLEMS, JUST STRAIGHT AHEAD. NICELY LAID OUT.
ROIKJER, KJELL	SCHERZO, OP 58	BRASS QUINTET	WHANSEN	1971	7 MIN	E/M	C/U	ABA - A IS ENERGETIC IN 3/4, B IS POCO MENO IN 3/4, VERY PLAYABLE.
ROSING-SCHOW, NIELS	MINIATURE FOR WOODWIND QUINTET	WOODWIND QUINTET	WHANSEN	1974	EST 6 MIN	H	C/U	THE SCORE LAYS OUT INNOCENTLY ENOUGH, BUT HARMONIC DANGER AHEAD AFTER A QUITE AND TONAL OPENING. INTERESTING MATERIAL AND PLAYABLE.
ROSING-SCHOW, NIELS	RITUS II	PERCUSSION ENSEMBLE	WHANSEN	1990	12 MIN	H	C/U	FOUR PLAYERS. VIBRAPHONE, MARIMBA AND MANY OTHER INSTRUMENTS MIXED METER AND CONSTANTLY CHANGING PATTERNS, C/U STUDENTS CALL DO IT.
RUDERS, POUL	CHA-CHA-CHA	PERCUSSION ALONE	WHANSEN	1981	EST 5 MIN	H	C/U	MAINLY AT THE DRUM SET. SOME THEATER AND LOTS OF NOTES.
RUDERS, POUL	STRING QUARTET NO 2	STRING QUARTET	WHANSEN	1983	11 MIN	H	C/U	TWO MOVEMENTS OF CONTEMPORARY SOUNDS & APPROACH.
SAVERY, FINN	BLAESERTRIO FOR OBOE, CLARINET AND BASSOON	WOODWIND TRIO	SAMFUNDET	1959	EST 12+MIN	H	C/U	MOVEMENTS: 1/8 = 152, VIVACE, ANDANTE CON VARIAZIONI. MOVE 1 ALTERNATES 7/8 AND 5/8, OTHER MOVEMENTS MORE TRADITIONAL. THE PARTS ARE IN COMFORTABLE RANGES AND PLAYABLE EXCEPT THE MS IS MARGINAL.
SAVERY, FINN	LIKE IN EVERYDAY LIFE	PERCUSSION ENSEMBLE	SAMFUNDET	1978		M	C/U	SIX PLAYERS ON MANY INSTRUMENTS INCLUDING STEEL DRUMS, XYLORIMBA, BASS-MARIMBA, ROT-DRUMS, ETC. FOUR MOVEMENTS OF QUITE STRAIGHT AHEAD MATERIAL. MUCH RHYTHMIC EMPHASIS.
SAVERY, FINN	SONATE FOR KONTRABAS OG KLAVER	STRING BASS & PIANO	SAMFUNDET	1970	13 MIN	M/H	C/U	ONE MOVEMENT OF NICE MATERIAL COMFORTABLE FOR THE C/U SERIOUS STUDENT. NEEDS A GOOD PIANIST.
SAVERY, FINN	SPIL - RUM - ROCK VIGNET	CELLO ALONE	SAMFUNDET	CIR 2000	EST 10+ MIN	H	C/U	THE MOVEMENTS ARE AS LISTED IN THE TITLE OF THE WORK. A LITTLE SWING TYPE THING IN FIRST MOVE. SECOND IS LIKE A BALLAD AND THE LAST - A LITTLE ROCK. THE TITLES DO NOT MAKE IT EASY - JUST INTERESTING!
SAVERY, FINN	STRING QUARTET NO. 3	STRING QUARTET	SAMFUNDET	1990	20 MIN	M/H	C/U	THE THREE MAJOR SECTIONS ARE PLAYED ATTACCA. THE M/H DIFFICULTY NOTED SIMPLY MEANS LESS DIFFICULT THAN MANY DANISH COMPOSERS WORKS. SOME NICE PEDAL POINT AND THE REPEATED OSTINATI IN THE FIRST & LAST SECTIONS PROVIDE INTEREST. IN A GOOD MS.
SAVERY, FINN	STRYGEKVARTET NR 2	STRING QUARTET	SAMFUNDET	1983	29 MIN	M/H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED WORK.
SCHMIDT, OLE	CONCERTO	HORN & ORCHESTRA	WHANSEN	1972	16 MIN	M/H	C/U	FL,CL,OB,BSN,TRPT,TRB,3PERC,TMP,HARP,STRINGS. 2 MOVEMENTS FROM A GOOD COMPOSER OF BRASS MUSIC. A FEW SURPRISES TO MAKE IT A LITTLE HARD TO PLAY, BUT INTERESTING! SCORE FOR SALE, PARTS RENTAL.
SCHMIDT, OLE	CONCERTO	TUBA & PIANO	WHANSEN	1977	EST 10 MIN	H	C/U	THREE MOVEMENTS WITH RANGE TO F#, BUT NOT CONSISTANTLY HIGH. GOOD BRASS COMPOSER.
SCHMIDT, OLE	ELEGI	OBOE & STRING ORCHESTRA	WHANSEN	1957	EST 4+MIN	M	C/U	AN EARLIER DANISH COMPOSER WHO’S WORK PLAY WELL FOR THE C/U STUDENT. THE MS IS JUST OK. THE MUSIC IS PLAYABLE BY ALL - AND ELEGANT!
SCHMIDT, OLE	KVINTET FOR MESSINGBLAESERE	BRASS QUINTET	SAMFUNDET	2001	26 MIN	H	C/U	USUAL BRASS QUINTET INSTRUMENTATION. MOVEMENTS: ALLEGRO MOLTO, LARGO, ALLEGRO. SOME MIXED METER AND OTHER CONTEMPORARY EFFECTS, MUTES AND MARGINAL MANUSCRIPT!
SCHMIDT, OLE	PIECE CONCERTANTE, OP 19	TRUMPET,TROMBONE & STRING ORCH	WHANSEN	1964	10 MIN	M/H	C/U	STRING ORCHESTRA PLUS PERCUSSION, TIMPANI, HARP, CELESTE AND HARP. TRPT IN C TO HIGH D, TROMBONE USES PEDAL REGISTER. ONE MOVEMENT. SCORE FOR SALE, PARTS RENTAL.
SCHMIDT, OLE	SUITE, OP 20	FLUTE & STRING ORCHESTRA	WHANSEN	1964	13 MIN	H	C/U	FOUR MOVEMENTS: RONDINO, WALTZER, INTERMEZZO, MARCH. STRINGS PLUS HARP AND PERCUSSION(2). MAJOR WORK FOR FLUTE, FRESH, 2OTH CENTURY SOUNDS. SCORE FOR SALE, PARTS RENTAL.
SCHRODER, WALTHER	ANDANTE CANTABILE	TROMBONE & PIANO	WHANSEN	1928	EST 4 MIN	E/M	C/U/HS	SOME TENOR CLEF, RANGE TO Bb, GOOD USE OF KEY SIGNATURES.
SENSTIUS, KAI	CONCERTINO, OP 5	FLUTE & PIANO	SAMFUNDET	1937		M/H	C/U/HS	THREE MOVEMENTS WITH A LOT OF PLAYABLE NOTES AND TRADITIONAL APPROACH.
SERMILA, JARMO	A WEEPING MYTH	FLUTE & PIANO	JASEMUSIIKKI	1982	6 MIN	H	C/U	A GOOD INTRODUCTION TO SOME NONTRADITIONAL NOTATION AND TECHNIQUES. EXPLANATIONS FOR PERFORMANCE INCLUDED.
SJOGREN, KIM	3 VARIATIONSETUDER	VIOLIN ALONE	ENGSTROM & SODRING	1988	EST 7 MIN	H	C/U	FIRST VARIATION IS 'OH, SUSANNA'. LOTS OF NOTES TO DISPLAY YOUR TECHNIQUE.
SORENSEN, BENT	THE BELLS OF VINETA	TROMBONE ALONE	WHANSEN	1995	7 MIN	H	C/U	DEDICATED TO CHRISTIAN LINDBERG. MULTI-PHONICS, AND EVERYTHING YOU HAVE EVER HEARD CHRISTIAN DO -- HARD AND MOST CHALLENGING.
SORENSEN, ERLING INGEMANN	CONCERTINO, OP 7	CLARINET & STRING ORCHESTRA	DMIC	1978	14 MIN	M	C/U	THREE MOVEMENTS OF COMFORTABLE CHALLENGE FOR THE CLARINET AND ACCESSIBLE FOR THE STRINGS.
SORENSEN, ERLING INGEMANN	SENSOMMER, OP 10	TUBA & STRING ORCHESTRA	DMIC	1981	10 MIN	M	C/U	GOOD WORKABLE RANGE FOR THE TUBA. IN SEVERAL SECTIONS PLAYED ATTACCA. STRING PARTS QUITE EASY.
TANGGAARD, SVEND ERIK	RAPSODISK	FLUTE & STRING ORCHESTRA	DKF	1981	EST 4 MIN	M/H	C/U	THIS IS HIGHLY MARGINAL MS. SO BEWARE! COMPOSER HAS NICE IDEAS AND IF THE MUSIC WERE PRINTED WOULD BE POPULAR. HE HAS MANY WORKS WITH THE SAME UNFORTUNATE PROBLEM - UNFORTUNATE BECAUSE HE HAS GOOD IDEAS FOR THE MUSIC STUDENT WITH WHICH TO MAKE MUSIC..
TARP, SVEND ERIK	CONCERTINO, OP 30	FLUTE & ORCHESTRA	SAMFUNDET	1939		M	C/U/HS	2OB,2BSN,2HN,PERC,STRINGS. 3 MOVEMENTS THAT ARE PLAYABLE BY ALL. GOOD SCORE.
TARP, SVEND ERIK	SYMPHONI NR 3, OP 66	ORCHESTRA	SAMFUNDET	1958	23 MIN	M	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,PIANO OR CELESTE,STRINGS. SECTIONS PLAYED ATTACCA AS ONE MOVEMENT. PLAYABLE, NO SURPRISES OR COMPLICATIONS. CLEAN SCORE.
THYBO, LEIF	CONCERTO PER ARCHI	STRING ORCHESTRA	SAMFUNDET	1957	20 MIN	H	C/U	THREE MOVEMENTS, (2VLN, VLA, 2CELLO, BASS), A FEW RHYTHMIC SURPRISES.
TREDE, YNGVE JAN	CONCERTO FOR VIOLA AND ORCHESTRA	VIOLA & ORCHESTRA	WHANSEN	1985	22 MIN	H	C/U	PIC,FL,2CL,OB,2BSN,2HN,TMP,STRINGS. A MAJOR CHALLENGE FOR VIOLIST AND ORCHESTRA. LONG CADENZA. SOLID SCORE AND WORK. SCORE FOR SALE,PARTS RENTAL.
TREDE, YNGVE JAN	KONZERT FOR ORGEL	ORCHESTRA & ORGAN	ENGSTROM & SODRING	1957	EST 20 MIN	H	C/U	ORGAN, STRINGS, 2 HORNS, TIMPANI. 3 MOVEMENTS WITH 1 & 2 EASIER THAN 3 WHICH HAS A HIGH DEGREE OF RHYTHMIC COMPLEXITY.
TREDE, YNGVE JAN	LE CHANT DES OYSEAUX	WOODWIND QUINTET	ENGSTROM & SODRING	1955	16 MIN	M/H	C/U	THREE MOVEMENTS OF A GOOD SCORE IN TRADITIONAL DESIGN. ALL PARTS ARE INTERESTING AND PLAYABLE.
VIDERO, FINN	FANTASI OVER: ZIONS VÆGTER HÆVER ROSTEN	BRASS QUINTET	ENGSTROM & SODRING	1965	EST 2 MIN	E/M	C/U/HS	3TRPTS, 2TRBS. 6/4, FLOWING, SHORT.
WEIS, FLEMMING	CONCERTINO FOR STRYGEORKESTER	STRING ORCHESTRA	SAMFUNDET	1960	16 MIN	M/H	C/U	THREE MOVEMENTS WITH FEW SURPRISES AND PLAYABLE MUSIC. SOME DIVISI.
WEIS, FLEMMING	MUSIK FOR FLOJTE, CLARINET OG FAGOT	WOODWIND TRIO	SAMFUNDET	1930		M/H	C/U	THREE MOVEMENTS WITH FREQUENT METER CHANGES. IN 2ND MOVEMENT, FIRST CLARINET IN A, 2ND & 3RD CL IN Bb.
WEIS, FLEMMING	SINE NOMINE	ORCHESTRA	SAMFUNDET	1978	14 MIN	M/H	C/U	2FL, 2CL, 2OB, 2BSN, 2HN, TMP, STRINGS. GOOD SCORE OF PLAYABLE MUSIC. CONTEMPORARY HARMONIES.
WEIS, FLEMMING	SONATE	CLARINET & PIANO	SAMFUNDET	1928	12 MIN	M	C/U	THREE MOVEMENTS FOR CLARINET IN A. RECITAL PIECE WITH MODEST CHALLENGE.
WEIS, FLEMMING	STRYGEKVARTET NR 6	STRING QUARTET	SAMFUNDET	1977	11 MIN	M/H	C/U	IN MOVEMENTS BUT ALL ATTACCA. SOME METER CHANGING, ACCESSIBLE FOR THE C/U QUARTET.
WELLEJUS, HENNING	KVINTET, OP 36	WOODWIND QUINTET	SAMFUNDET	1971	10 MIN	E/M	C/U/HS	THREE MOVEMENTS OF VERY PLAYABLE MUSIC. MOVEMENTS CAN STAND ALONE. EVERYONE HAS A COMFORTABLE WORKOUT.
WILKENSCHILDT, GEORG	BAGATELLE POUR TROMPETTE	TRUMPET & PIANO	WHANSEN	1969	3 MIN 35 SEC	E/M	C/U/HS	SHORT CONTEST OR RECITAL PIECE. TO C AND D ONCE EACH, OTHERWISE MODEST RANGE FOR THE Bb TRUMPET.
WILKENSCHILDT, GEORG	CAPRICE	TROMBONE & PIANO	WHANSEN	1969	6 MIN 30 SEC	H	C/U	ALL IN TENOR CLEF, RANGE TO C#, MANY NOTES, BUT LYRICAL.
WILKENSCHILDT, GEORG	IMPROMPTU	TROMBONE & PIANO	WHANSEN	1969	EST 2 MIN	M/H	C/U/HS	SHORT WORK IN TRIPLET RHYTHM, EASY WITH RANGE TO Eb, ALL IN TENOR CLEF.