Nordic Instrumental Music
For Colleges and Universities
By Country
| Composer Arranger | Title | Ensemble Medium | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|
| AALTONEN, ERKKI | PRELUDI JA ALLEGRO | VIOLA & PIANO | FAZER/AALTONEN | 1948 | EST 5-6 MIN | M/H | C/U | MARKED ANDANTE CON MOTO; ALLEGRO-VIVACE. GOOD MATERIAL AND STRAIGHT AHEAD. |
| AHMAS, HARRI | HIC ET NUNC FOR WIND BAND | BAND | FiMIC | 2000 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,4PERC. THIS ONE HAS ALL THE TRAPS THAT WILL MAKE ALL WORK, INCLUDING THE CONDUCTOR! MIXED METER, NOTES, - EVERYBODY DOES SOMETHING. EXCITING AND HARD! THE BEST C/U GROUPS. | |
| AHMAS, HARRI | SINFONIETTA FOR WIND ORCHESTRA | BAND | FiMIC | 2002 | 26 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,PIANO,3CTRPT,4HN,3TRB,EUP,2TBA,4PERC. MOVEMENTS: PRELUDI, EL SUR FOR MR. LUIS PASQUET, FINALE. LOADED WITH THINGS TO WORK OUT, BUT ALL ARE POSSIBLE. IDEAL FOR THE LARGE C/U BAND. |
| AHO, KALEVI | SOLO VIII | EUPHONIUM ALONE | FENNICA | 2003 | 9 MIN | H | C/U | THIS IS A WORK FOR THE PRACTICE ROOM -- AFTER CONSIDERABLE TIME THE BEST PLAYER MIGHT PLAY THIS FOR A RECITAL TO SHOW OFF -- IT IS THAT KIND OF WORK. BASS & TENOR CLEF, RANGE UP AN DOWN, RHYTHM! |
| AHO, KALEVI | STRING QUARTET III | STRING QUARTET | FAZER | 1978 | EST 10 MIN | H | C/U | SECTIONS ATTACCA MAKING ONE MOVEMENT. RHYTHMIC CHALLENGES, IE. 11/16, 13/16 AND OTHER MIXED METER THINGS. STILL PLAYABLE! |
| AHO, KALEVI | TRISTIA | BAND | FiMIC | 1999 | 11 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2AS,TS,BS,2BSN,3TRPT,4HN,EUP,3TRB,TBA,2PERC. THE SCORE IS IN A MESSY MS - THE PARTS ARE PRINTED. LOTS OF CHANGING METER AND OTHER PROBLEMS, BUT WE SEE NOTHING THAT MAKES THIS IMPOSSIBLE, DIFFICULT, YES. |
| AHVENLAHTI, OLLI | ONE FOR LIBERTAD | STAGE BAND | FiMIC | 1978 | EST 4 1/2 MIN | H | C/U | A 'COOKER'! STRAIGHT AHEAD ACTION. |
| ALMIA, ATSO | CONCERTO II PER TUBA | TUBA & BAND | FiMIC | 2004 | EST 20+ MIN | H | C/U | PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER. |
| ALMILA, ATSO | AIR FOR BRASS, OP 18/3 | BRASS ENSEMBLE | ELVIS | 1982 | EST 4-5 MIN | M | C/U/HS | COR IN Eb,2TRPT,2HN IN Eb,2TRB,2EUP,2TBA,PERC. PIANO SCORE. MELODIC AND PLAYABLE, SUGGEST FLUEGELHORN FOR Eb CORNET PART. |
| ALMILA, ATSO | CONCERT-TANGO | BRASS ENSEMBLE | FiMIC | 1977 | 7 MIN | M/H | C/U | ONE MOVEMENT OF A SOMETIMES DRAMATIC TANGO. MODEST RANGE DEMANDS. |
| ALMILA, ATSO | CONCERTO FOR BASSOON | BASSOON & ORCHESTRA | FiMIC | 2001/2002 | 19 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TIMP,STRINGS. SECTIONS ARE CONNECTED. SOLO FOR TOP UPPER LEVEL C/U OR GRADUATE STUDENT. ORCHESTRA PART HAS JUST A FEW PLACES TO BE CONCERNED WITH. NICE SCORE! |
| ALMILA, ATSO | CONCERTO FOR TUBA AND STRING ORCHESTRA | TUBA & STRING ORCHESTRA | FiMIC | 1986 | 16 MIN | H | C/U | COMPOSED FOR MICHAEL LIND. USUAL THREE MOVEMENTS WITH RANGE TO D JUST ONCE, OTHERWISE MODEST DEMANDS. STRING PARTS QUITE PLAYABLE. RENTAL ONLY. |
| ALMILA, ATSO | DEDICATIONS, MEMORIES, OP 27 | BRASS QUINTET | FiMIC | 1985 | 11 MIN | M/H | C/U | THREE MOVEMENTS(F-S-F) OF GOOD MATERIAL BUT MANUSCRIPT IS MARGINAL. |
| ALMILA, ATSO | EPOSIMO | BAND | FiMIC | 2003 | M/H | C/U | PIC,FL,OB,2CL,BCL,AS,TS,BS,COR,2TRPT,2EbHN,2TRB,EUP,TBA,3PERC. NOTE THE UNUSUAL INSTRUMENTATION. A FINE COMPOSER OF BAND MUSIC WITH A CLEAN SCORE TO WORK FROM. HOPE THE HORNS CAN TRANSPOSE! | |
| ALMILA, ATSO | KONSERTTO, OP 20 | STRING BASS & ORCHESTRA | FiMIC | 1979 | 17 MIN | H | C/U | 2FL,2CL,2HN,PERC,STRINGS. THREE MOVEMENTS WITH NO SURPRISES. IDEAL FOR COLLEGE BASS STUDENT. ORCHESTRA PARTS NOT DIFFICULT. RENTAL ONLY. |
| ALMILA, ATSO | PIENI SARJA NELJAILE KAYRATORVELLE | HORN QUARTET | FiMIC | 1987 | 7 MIN 40 SEC | M/H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC CHALLENGE. GOOD SCORE AND FINE COMPOSER. "LITTLE SUITE FOR HORN QUARTET". |
| ALMILA, ATSO | RAGINSKI | BRASS QUINTET | FiMIC | 1985 | EST 5+ MIN | M/H | C/U | A RAG - ALMILA STYLE. IN A GOOD MS. ALL PLAYERS HAVE TO PLAY, BUT THIS IS FUN AND WILL BE EXCELLENT PROGRAM MUSIC. SEE ALSO HIS BRASSQUINTET (1991) IN THE FIMIC ONLINE CATALOG. |
| ALMILA, ATSO | SINFONIA II | BAND | FiMIC | 2003 | 25 MIN | H | C/U | 2FL(PIC),OB,EbCL,2CL,BCL,BSN,AS,TS,3HN,3TRPT,3TRB,EP,TBA,2PERC. ALL SECTIONS CONNECTED. A MAJOR WORK BY A MAJOR COMPOSER FOR WINDS. NOTE THE INSTRUMENTATION. NO BIG PROBLEMS - JUST A LONG PIECE. |
| ALMILA, ATSO | SUITE, OP 8 | TROMBONE & PIANO | FAZER | 1976 | M/H | C/U/HS | THREE MOVEMENTS. 1 & 2 SING AND 3 MOVES! RANGE TO D. GOOD SCORE AND STRING ORCHESTRA PARTS AVAILABLE FROM FMIC. | |
| ALMILA, ATSO | TAIKALAMPPU - THE MAGIC LANTERN | BRASS TRIO | FiMIC | 1990 | EST 4 MIN | H | C/U | CTRPT,HN,TRB. A FAST MOVING PIECE WITH SOME TRICKY RHYTHMIC THINGS. CONTEMPORARY SETTING AND CAN BE SOME FUN! |
| ALMILA, ATSO | TROMBONE CONCERTO | TROMBONE & ORCHESTRA | FiMIC | 1994 | EST 12+ MIN | H | C/U | FL,OB,BSN,HN,TRPT,STRINGS. WE ARE RELUCTANT TO PUT THIS ONE 0N OUR LIST BECAUSE IT IS SO DIFFICULT, BUT SO WELL LAID OUT. SOME THEATER, MUTES, AND DEMONSTRATIONS OF THE COMPOSER’S COMPLETE KNOWLEDGE OF THE TROMBONE. |
| ALMILA, ATSO | UNICORNO, OP 14 | HORN ALONE | FAZER | 1976 | 8 MIN | H | C/U | FOUR MOVEMENTS WITH 3 & 4 ATTACCA. NONTRADITIONAL TECHNIQUES BUT LAID OUT WELL. CIRCULAR BREATHING OPTIONAL. RANGE DEMANDS MODEST. |
| ALMILA, ATSO | VISIONS FROM THE NORTH | BAND | FiMIC | 1997 | 19 MIN | H | C/U | 2FL,2OB,EbCL,3CL,BCL,2BSN,AS,TS,BS,4TRPT.4HN,3TRB,EUP,TBA,AT LEAST 2PERC. MOVE: IN TIMES OF WAR (ALLEGRETTO), DANCE OF THE MIDNIGHT SUN (MODERATO), INTRODUCTION: THE MYTHICAL GODS (TRANQUILLO) ATTACCA TO FINALE: THE KING’S MARCH (ALLEGRO MODERATO). EXCELLENT WORK! |
| ALMILA, ATSO | ZIBELJOSH | BASSOON TRIO | FiMIC | 2003 | 9 MIN | H | C/U | MOVEMENTS: ALLEGRETTO, VALSE VERY LENTE ALLEGRO CABARETTO. ALL NEED CLEFS AND FINGERS. GOOD USE OF DYNAMICS IN THE SCORE. |
| ALMILA, ATSO | PUHALLINKVINTETTO | WOODWIND QUINTET | FiMIC | 1993 | EST 14+ MIN | M/H | C/U | MOVEMENTS: ANIMATO, LARGO MA TENSIVO, TRANQUILLO/PRESTO. ALMILA ALWAYS DOES SOMETHING TO MAKE IT UNUSUAL AND INTERESTING. THE ARE A LOT OF NOTES TO PUT IN SOME MEASURES, OTHERWISE THIS ONE GOES STRAIGHT AHEAD. |
| ALMLA, ATSO | TAIKALAMPPU - THE MAGIC LANTERN | BRASS QUARTET | FiMIC | 1993 | ST 3+ MIN | M/H | C/U | 2 TRPT, 2 TRB IN BASS AND TENOR CLEF. THIS IS MADE HARDER THAN IT LOOKS BECAUSE OF THE JUXTAPOSITION OF ONE RHYTHMIC PATTERN UPON ANOTHER, IE 6 ON 4, ETC. A COMPOSER WITH FUN IDEAS. ALSO SEE HIS BRASS TRIO OF THIS MUSIC |
| BASHMAKOV, LEONID | ALKUSOITTO "1971" | BAND | FiMIC | 1971 | 10 MIN | H | C/U/HS | PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, 2PERC,TMP. A GOOD COMPOSER, SOMEWHAT MESSY SCORE. USES THE INSTRUMENTS VERY WELL. |
| BASHMAKOV, LEONID | CASSIONE | TUBA ALONE | FAZER | 1976 | EST 3-4 MIN | M/H | C/U | RANGE TO D AND PLAYABLE. |
| BASHMAKOV, LEONID | CONCERTO PER ORGANO E ORCHESTRA | BRASS & ORGAN | FiMIC | 1975 | 17 MIN | H | C/U | 4TRPT,4HN,3TRB,TBA,PERC,ORGAN. THREE MOVEMENTS WITH MANY RHYTHMIC CHALLENGES FROM A FINE COMPOSER. |
| BASHMAKOV, LEONID | CRESCENDO | BAND | FiMIC | 1980 | 5 MIN | M/H | C/U | PIC,2FL,4CL,BCL,2OB,EH,2BSN,2AS,TS,BS,4HN,8TRPT,4TRB,EUP,2TBA,2PERC,TMP,STRB. GOOD SCORE BUT A BIT MESSY. A FINE COMPOSER WHO KNOWS HOW TO USE THE INSTRUMENTS. |
| BASHMAKOV, LEONID | FANTASIA PER FLAUTI | FLUTE ALONE | FiMIC | 1972 | 6 MIN 30 SEC | M/H | C/U | A FINE COMPOSER AND A MOST INTERESTING PIECE. SOLOIST SWITCHES BETWEEN GRAND FLUTE, ALTO FLUTE AND BASS FLUTE! |
| BASHMAKOV, LEONID | PRELUDE JA SCHERZO | BAND | FiMIC | 1973 | M/H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC, TMP. GENTLE OPENING WITH 2 HORNS THEN 2 CLARINETS. FINE CONCERT MATERIAL FROM A VERY GOOD COMPOSER. | |
| BASHMAKOV, LEONID | SONATA | BASSOON ALONE | FiMIC | 1976 | H | C/U | FINE COMPOSER AND COMFORTABLE CHALLENGE. | |
| BASHMAKOV, LEONID | SONATA FOR RAINER | PERCUSSION ENSEMBLE | FiMIC | 1970 | CA 12 MIN | H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. 2-5 PERSONS PLAYING AT ONE TIME. BOTH TUNED & NON-TUNED INSTRUMENTS. |
| BERGMAN, ERIK | THREE FANTASIAS, OP 42 | CLARINET & PIANO | FAZER | 1954 | EST 8 MIN | M/H | C/U | MIXED METER IN THE THREE MOVEMENTS AND ALL TEMPOS QUITE SLOW. CONTEMPORARY SOUNDS AND RHYTHMIC EMPHASIS, YET PLAYABLE. |
| BERGSTROM, HARRY | A PARTY IN HESPERIA PARK | ORCHESTRA | FiMIC | 1980 | EST 10+ MIN | M | C/U/HS | PIC,2FL,2CL,2OB,BSN,4HN,2TRPT,3TRB,2PERC,ELECT GUITAR,BASS GUITAR,STRINGS. FOR THE POP MUSIC CONCERT. THIS ONE MOVES ALONG. CROWD PLEASER! RENTAL ONLY. |
| BERGSTROM, HARRY | AMETISTI | ORCHESTRA | FiMIC | 1980 | EST 10+ MIN | M/H | C/U/HS | PIC,2FL,2CL,OB,BSN,4HN,2TRPT,2TRB,TIMP,STRINGS,PIANO SOLO. THE 'HEAVY' NUMBER FOR THE SPRING POPS CONCERT. RENTAL ONLY. |
| BOEHM, ILKKA VON | THREE DIMENSIONS | FLUTE ALONE | FiMIC | 2002 | 5 MIN | H | C/U | INTERESTING AND INNOVATIVE. LARGE INTERVALS AND NOTES. PRACTICE STAND FOR A TIME, THEN SHOW OFF AT RECITAL. |
| BORG, KIM | CHURCH MUSIC, OP 26 | TROMBONE & ORGAN | FiMIC | 1977 | H | C/U | 1. PSALM 2. MEDITATION 3. PRAYER. RANGE TO D. A GOOD SCORE COMPOSED FOR CARSTEN SVANBERG. | |
| BORG, KIM | CONCERTO FOR TROMBONE & ORCHESTRA, OP 21 | TROMBONE & PIANO | FiMIC | 1977 | H | C/U | USUAL THREE MOVEMENTS, RANGE TO D. ORCHESTRA PARTS AVAILABLE. SCORE IS A BIT MESSY. GOOD CONTRASTS IN THE MUSIC. | |
| BORG, KIM | DIATONIC QUINTET, OP 44 | WOODWIND QUINTET | FAZER | 1985 | M | C/U | 1. FOLK SONG 2. DANCES 3. LANDSCAPE 4. FANFARE. CLARINET PART IS FOR BASS CLARINET! STRAIGHT AHEAD MUSIC. | |
| BORG, KIM | FINNISH RHAPSODY, OP 32 | TUBA & PIANO | FiMIC | EST 6-7 MIN | M | C/U/HS | THREE MOVEMENTS. RANGE TO D. 1. ON THE ROAD 2. SUMMER NIGHT 3. WEDDING. RECITAL CONCERT PROGRAM. CHAMBER ORCHESTRA ACCOMPANIMENT AVAILABLE. | |
| BORG, KIM | HUMORESKI FOR TRUMPET AND STRING ORCHESTRA | TRUMPET & STRING ORCHESTRA | FiMIC | 1995 | 8 MIN | M | C/U | MOVEMENTS: MARCH, WALTZ, POLKA. TRUMPET N C. RANGE TO C, BUT MOSTLY COMFORTABLE RANGE. SCORE IS IN DECENT MS. ALL PLAYABLE MUSIC FLIRTING WITH CONTEMPORARY HARMONY. |
| BORG, KIM | QUARTETTO PER TROMBONI, OP 41 | TROMBONE QUARTET | FiMIC | 1983 | H | C/U | USUAL THREE MOVEMENTS. TECHNICAL CHALLENGES AND HIGH TESSITURA FOR TROMBONE 1. | |
| BRUK, FRIDRICH | SONATA FOR CLARINET | CLARINET ALONE | BRUK | 1991 | EST 8+ MIN | M/H | C/U | MOVEMENTS: MODERATO, SCHERZOSO, ALLEGRO. NO PARTICULAR PROBLEMS, NOTES AND STRAIGHT AWAY. EASIER THAN SOME. |
| BRUK, FRIDRICH | THE STEPPE | WOODWIND QUARTET | FAZER | 1962 | 6 MIN 30 SEC | E/M | C/U/HS | FL,OB,CL,BSN. 1. THE ENDLESS WINTRY STEPPE 2. SPRING FLOW 3. MORNING ON THE STEPPE. TRADITIONAL AND STRAIGHT AHEAD. |
| BUJANOVSKI, VITALI | SONATA NO 2 "FINNISH" | HORN ALONE | FAZER | 1984 | EST 10+MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. RHYTHMIC & MELODIC COMPLEXITY WITH MODEST RANGE DEMANDS. |
| BYSTROM, THOMAS | SONATA II | VIOLIN & PIANO | FAZER | 1972 | EST 6+MIN | E/M | C/U/HS | LATE 18TH CENTURY COMPOSER. THREE MOVEMENTS FOR RECITAL AND STRAIGHT AHEAD. HE ALSO HAS A SONATA I. |
| CRUSELL, BERNARD HENRIK | THREE PROGRESSIVE DUETS | CLARINET DUET | HINRICHSEN | PUB. 1960 | EST 8+ MIN | M | C/U/HS | THE THREE ARE SOLD SEPARATELY. THESE ARE MUST HAVE ITEMS FOR ANY SERIOUS CLARINET PLAYER. JUST STRAIGHT AHEAD AND ENJOY. |
| CRUSELL, BERNHARD | CONCERTINO | BASSOON & PIANO | FAZER | 1984 | EST 8+MIN | M/H | C/U | LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. A VERY PLAYABLE PIECE FOR RECITAL. |
| CRUSELL, BERNHARD | INTRODUCTION ET AIR SUEDOIS VARIE, OP 12 | CLARINET & PIANO | FAZER | 1980 | EST 5 MIN | H | C/U | LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. CLARINETS ANSWER TO HERBERT L. CLARK. SHOW OFF MUSIC, RECITAL CLOSER. NOTES! |
| CRUSELL, BERNHARD HENRIK | SONATA FOR FLUTE AND PIANO | FLUTE & PIANO | FAZER | 1990 | EST 12+ MIN | M/H | C/U/HS | ARRANGED FOR THIS COMBINATION BY TIMO HONGISTO FROM THE OPUS 8 FOR FLUTE QUARTET BY CRUSELL. TRADITIONAL HARMONIES AND WELL SCORED. GOOD HS CONTEST OR EARLY C/U RECITAL. MOVEMENTS. |
| CRUSELL, BERNHARD HENRIK (1775-1838) | POT-POURRI FOR CLARINET, HORN AND BASSOON | WOODWIND TRIO | ARTEMUSA | 2001 | EST 10+ MIN | M/H | C/U | CRUSELL IS A MUST IN MOST WOODWIND PLAYERS REPERTOIRE. THIS WORK RECONSTRUCTED IN 2001 SHOULD JOIN THE OTHER CRUSELL WORKS IN THOSE PERSONAL LIBRARIES. JUST FUN TO PLAY! |
| CRUSELL,BERNHARD HENRIK(1775-1838) | KLARINETTKONSERT NO. 3, OP. 11 | CLARINET & ORCHESTRA | FiMIC | PUB 1995 | EST 20+ MIN | M/H | C/U | FL,2OB,2BSN,2H,2TRPT,TIMP,STRINGS. MOVEMENTS: ALLEGRO RISOLUTO, ANDANTE MODERATO, ALLA POLLACCA. NOTE THE DATES FOR THE COMPOSER. IDEAL FOR EARLY CONCERTO PLAYING AND HE HAS TWO OTHERS AVAILABLE FROM FIMIC. CLARINETISTS SHOULD KNOW THIS COMPOSER |
| EEROLA, LASSE | FANTASIA | CLARINET & PIANO | HELLAS | 1985 | EST 6+ MIN | H | C/U | NOT AS DIFFICULT AS SOME, JUST LEARN THE NOTES AND MAKE MUSIC. FOR UPPER DIVISION C/U. SOME MODERN SOUNDS! |
| EEROLA, LASSE | FANTASY FOR CLARINET & WIND ORCHESTRA | CLARINET & BAND | FiMIC | 1986 | 12 MIN | M/H | C/U/HS | PIC,3FL,EbCL,4CL,ACL,BCL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP, 2TBA,3PERC,TMP,PIANO IS OPT. SECTIONS CONNECTED BY CADENZAS OR OTHER MEANS. FREQUENT TIME SIGNATURE CHANGES. OPPORTUNITY TO FEATURE THE BANDS FIRST CLARINETIST. |
| EEROLA, LASSE | HAARAPALPAKKO | CLARINET & PIANO | FiMIC | 1990 | 6 1/2 MIN | M/H | C/U | THIS COMPOSER WRITES WELL FOR THE CLARINET. DEFINITELY MODERN, BUT LOGICAL MAKING IT EASIER TO PLAY. GOOD C/U RECITAL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE FIMIC CATALOG ONLINE |
| EEROLA, LASSE | HARMO | BRASS QUINTET | FiMIC | 1991 | EST 4 MIN 30 SEC | M/H | C/U | SOME CLOSE HARMONIC EVENTS AND IN 6/8 @ 108 MOST OF THE WAY. CONFOUNDING 5/8 ENDING. DYNAMICS IMPORTANT ERE! |
| EEROLA, LASSE | HEVONHIERAKKA | CLARINET & PIANO | FiMIC | 1992 | EST 3+ MIN | M/H | C/U | A CONTEMPORARY SETTING AND MIXED METER, BUT THIS LOOKS LIKE A LOT OF FUN TO WORK OUT. YOU WILL LIKE THE ENDING! SEE OTHER WORKS BY THIS COMPOSER FOR THIS COMBINATION - LIKE “HARMIO”. |
| EEROLA, LASSE | MUSIC FOR BRASS QUINTET AND WIND ORCHESTRA | BRASS QUINTET & BAND | FiMIC | 1997/98 | 17 MIN | M/H | C/U | FL(PIC),OB,4CL,BCL,BSN,2AS,TS,BS,4HN,3TRPT,EUP,3TRB,TBA,3PERC,BRASS QUINTET. MOVEMENT: BRISKLY, SLOWLY, QUICKLY. FOR THE FACULTY BRASS QUINTET AND THE COLLEGE BAND. EACH GROUP GETS TO SHOW OFF AT DIFFERENT TIMES. |
| EEROLA, LASSE | MUSIC FOR TUBA AND ORCHESTRA | TUBA & ORCHESTRA | FiMIC | 1991 | 11 MIN | H | C/U | 2FL(PIC),2CL(BCL),BSN,2HN,PIANO,3PERC,STRINGS. ONE MOVEMENT WITH SOLO TO HIGH Ab AND VICINITY A FEW TIMES. PIANO REDUCTION AVAILABLE. 2 LARGE CADENZAS. |
| EEROLA, LASSE | N-SARJA (N-SUITE) | HORN & STRING ORCHESTRA | FiMIC | 1992 | ST 19+ MIN | M | C/U/HS | 8 SHORT, STAND ALONE MOVEMENTS. THE LAST ONE HAS SOME MIXED. CONTEMPORARY HARMONY. HE ALSO HAS A WORK TITLED, MUSIC FOR HORN AND ORCHESTRA THAT IS VERY HARD, BUT GOOD! PIANO REDUCTION AVAILABLE. THIS IS AVAILABLE FOR ALL INSTRUMENTS. |
| EEROLA, LASSE | QUINTET | BRASS QUINTET | FiMIC | 1987 | 16 MIN | H | C/U | FOUR MOVEMENTS WITH CADENZAS AND CHALLENGES. GOOD SCORE. |
| EEROLA, LASSE | SUITE FOR WIND ORCHESTRA | BAND | FiMIC | 1992 | 16 MIN | H | C/U | 3FL(PIC),2OB,EbCL,3CL,BCL,2AS,TS,BS(BSN),3-4TRPT, 2FLHN, 4HN,3-4TRB,2EUP,2TBA,4PERC. MOVEMENTS: MAESTOSO, MOLTO ADAGIO E SEMPLICE, SCHERZANDO. NOTE THE INSTRUMENTATION AND EXPECT MANY DEMANDS ON THE MUSICIANS. AN EXCELLENT SCORE WAITING TO BE PLAYED --WELL! |
| EEROLA, LASSE | THREE PIECES FOR TUBA AND PIANO | TUBA & PIANO | FiMIC | 1993 | EST 9+ MIN | H | C/U | PIECES: ALLEGRO, MODERATO, RISOLUTO. PLAYABLE BY THE STUDENT WITH A GOOD HIGH F (ONE MOVEMENT UP THERE)AND FINGERS. INVENTIVE WRITING - LIKE THE OCTAVES WITH THE PIANO IN FIRST PIECE. MOVEMENTS CAN STAND ALONE. |
| EEROLA, LASSE | THREE PIECES FOR WIND QUINTET | WOODWIND QUINTET | FiMIC | 1994 | 11 MIN 30 SEC | M/H | C/U | MOVEMENTS: SCHERZANDO, ADAGIO, GIOCOSAMENTE. SOME RHYTHMIC SITUATIONS, OTHER WISE THIS CONTEMPORARY QUINTET WILL PLAY WITHOUT A LOT OF PROBLEMS. SEE ALSO EEROLA’S QUINTET TITLED, FIVE COLOURS FOR WW QUINTET AND OTHERS IN FIMIC ONLINE LISTING. |
| EEROLA, LASSE | VARIATIONS FOR WIND ORCHESTRA | BAND | STM | 1975 | 7+MIN | E/M | C/U/HS | PIC,3FL,4CL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,2TBA,2PERC,TMP. AN EASY PIECE WELL LAID OUT IN A GOOD SCORE. |
| EJE, MARCUS/EINAR ENGLUND | DESILLUSION | ORCHESTRA | FiMIC | 1966 | EST 7 MIN | M/H | C/U/HS | 2FL,2CL,2OB,BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO,STRINGS. LIGHT MUSIC FOR THE POP CONCERT. IT ROLLS ALONG! RENTAL ONLY. |
| ENGLUND, EINAR | CONCERTO FOR Bb CLARINET AND ORCHESTRA | CLARINET & ORCHESTRA | FIMIC | 1991 | EST 15+ MIN | M/H | C/U | 2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. OOD WRITING FORTH CLARINET AND ORCHESTRA. IDEAL FOR THE C/U STUDENT AND C/U ORCHESTRA. NO SPECIAL DEMANDS. |
| ENGLUND, EINAR | DE PROFUNDIS 1980 | BRASS ENSEMBLE | FiMIC | 1980 | EST 12-15 MIN | H | C/U | 4TRPT,4HN,4TRB,2TBA. THREE MOVEMENTS IN A GOOD SCORE. REASONABLE RANGES AND HIGH PERFORMANCE EXPECTATIONS. |
| ENGLUND, EINAR | INTRODUZIONE E CAPRICCIO | VIOLIN & PIANO | FAZER | 1875 | EST 8 MIN | H | C/U | CONTEMPORARY SOUNDS WITH INTERESTING USE OF RHYTHM AND STOPS. |
| ENGLUND, EINAR | KVINTETT | WOODWIND QUINTET | IMIC | 1989 | EST 20+ MIN | MOVEMENTS: CHORALE, SCHERZO, INTERMEZZO, FINALE - ALLEGRO CON BRIO. WE LIKE THIS SCORE AND THINK IT WILL WORK WELL WITH STANDING QUINTETS AS WELL AS C/U ENSEMBLES. SCORE IS IN GOOD MS. | ||
| ENGLUND, EINAR | OPENING BRASS | BRASS ENSEMBLE | FiMIC | 1988 | 3 MIN | M | C/U | 4HN,4BbTRPT, 4TRB,EUP,2TBA. GOOD MS. MARKED, ALLEGRO MAESTOSO. LIKE ALONG DIGNIFIED FANFARE. |
| ENGLUND, EINAR | PANORAMA | TROMBONE ALONE | FAZER | 1976 | EST 3 1/2 MIN | M/H | C/U | PLAYABLE. RANGE TO Bb & C SEVERAL TIMES. WELL LAID OUT. |
| ENGLUND, EINAR | SONATA | CELLO & PIANO | FAZER | 1982 | EST 15+MIN | H | C/U | FOUR MOVEMENTS FROM A GOOD COMPOSER. A SCORE WITH NO SURPRISES JUST A LOT OF WORK! |
| ENGLUND, EINAR | SONATA | VIOLIN & PIANO | FAZER | 1979 | EST 20+MIN | H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. WELL CONSTRUCTED PIECE WITH MODEST CHALLENGE. LONG BUT INTENSE. CONTEMPORARY HARMONIES AND STYLE. |
| ENGLUND, EINAR | VALKOINEN PEURA - WHITE REINDEER | BAND | BLOSARI | 1954 | 12 MIN | M | C/U/HS | 2FL,2OB,3CLBCL,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,STBS,3PERC. MOVEMENTS: (ALLEGRO MODERATO), (ADAGIO), ALLEGRO MOLTO, MARCIA FUNEBRE, ALLEGRO GIOCOSO. THE MOVEMENTS CAN STAND ALONE. NOTHING SCARY, JUST A FEW TRICKY THINGS. TRANSCRIBED FROM ORCHESTRA BY PETRI JUNNA. |
| FAGERUDD, MARKUS | THE MESSENGER | HORN & ORCHESTRA | FiMIC | 2006 | EST 10+ MIN | H | C/U | PIC,2FL,OB,EH,CL,BCL,2BSN,2HN,2PERC,STRINGS. PLAYS AS ONE MOVEMENT. FOR THE HORN: LOTS OF NOTES AND MANY OF THEM ABOVE THE STAFF! ORCHESTRA PARTS ARE ACCESSIBLE. |
| FAGRERUDD, MARKUS | IIGO-IIGO | TUBA & ORCHESTRA | Uusinta | 2000 | EST 12+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,2PERC,STRINGS. SECTIONS CONNECTED. PIANO REDUCTION AVAILABLE. SOME UNUSUAL THINGS - LIKE AN ELEPHANT SCREAM ON THE TUBA AND THE PIANO KNOCKING ON PARTS OF THE PIANO IN ABSENCE OF THE ORCH. HARD+, BUT A GREAT SCORE AND SOME WILL PLAY IT! |
| FORDELL, ERIK | KANSANLAULUN TAPAAN - I FOLKTON | STRING ORCHESTRA | FAZER | 1962 | 2+MIN | E/M | C/U/HS | EASY, LYRICAL. |
| FOUGSTEDT, N - E | DIVERTIMENTO, OP 35B | WOODWIND QUINTET | FiMIC | EST 7-8 MIN | M | C/U | THREE MOVEMENTS THAT ARE QUITE EASY. NICE SCORE. | |
| FUHRMANN, ARTHUR | TYON MERKEISSA | BRASS ENSEMBLE | FiMIC | 1987 | EST 3-4 MIN | M | C/U/HS | 3TRPT,2HN,3TRB,TBA. FAST TEMPO AND LOOKS LIKE FUN! |
| GRONING, BORJE | IMITATION-RAG | BAND | ELVIS | 1986 | EST 5 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC,2BAR IN ADDITION TO EUP. ANOTHER RAG, THIS ONE FROM FINLAND! CONDENSED SCORE. |
| GUNAROPULOS, YRJO | KONSERTTO NO 2 | SAXOPHONE(ALTO) & ORCHESTRA | FiMIC | 1946 | EST 16-20 MIN | M/H | C/U | PIC,2FL,2CL,ACL,BCL,2OB,2BSN,AS-SOLO,4HN,2TRPT,2TRB,TMP,STRINGS. THREE MOVEMENTS IN TRADITIONAL STYLE. ORCHESTRA PARTS ARE NOT DIFFICULT. A MAJOR OFFERING. RENTAL ONLY. |
| GUNAROPULOS, YRJO | SAXOPHONE CONCERTO NO. 1 IN C MINOR | SAXOPHONE(ALTO) & ORCHESTRA | FiMIC | 1935/2005 | 22 MIN | M/H | C/U | 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,TRB,3PERC.STRINGS. MOVEMENTS: MODERATO, POCO ADAGIO, MODERATO. RECONSTRUCTED FROM ORIGINAL BY JARI ESKOLA. NOTICE THAT WE RATED IT M/H. THIS IS VERY PLAYABLE MATERIAL IN A VERY GOOD SCORE. |
| HAAPAMAKI, SAMPO | EMFA | TUBA ALONE | FiMIC | 1979 | 3 MIN 30 SEC. | H | C/U | PRACTICE STAND MATERIAL. STARTS ON HIGH E, BUT ONLY GETS CLOSE TO THAT LATER. NOTES FIRST THEN OPPORTUNITY TO EMOTE LATER ON. |
| HAAPANEN, PERTTU | PRISM | HORN ALONE | FIMIC | 2004 | EST 5+ MIN | H | C/U | EASIER THAN SOME, BUT STILL A CHALLENGE FOR THE ADVANCED C/U STUDENT. RANGE WILL NOT BE A PROBLEM, IT DOES HAVE GLIZZANDOS, AND RHYTHMIC PROBLEMS. |
| HAKOLA, KIMMO | CLARINET CONCERTO | CLARINET & ORCHESTRA | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC,HARP, STRINGS. MOVMENTS: ALLEGRETTO POMPOSO, ADAGIO AMOROSO, ALLEGRO FARARA. (LAST TWO MOVEMENTS ATTACCA). NO SPECIAL DEMANDS ON THE ORCHESTRA OR CLARINETIST. SOME TRICKY RHYTHM PATTERNS IN 3, BUT ALL PLAYABLE. |
| HAMEENNIEMI, EERO | ALBEROBELLO | BASSOON & PIANO | FiMIC | 2002 | EST 3+ MIN | M/H | C/U | THE BETTER YOUNG C/U PLAYER CAN PLAY THIS SOME MIXED METER, AND A FEW PLACES WHERE THE NOTES ARE THICK, AND THERE IS SOME TREBLE CLEF. PIANO PART STAYS OUT OF THE WAY. |
| HAMEENNIEMI, EERO | ALELA | TROMBONE ALONE | FIMIC | 1997 | EST 5 MIN | M/H | C/U | RHYTHMICALLY A CHALLENGE, BUT LOTS OF RUBATO AND OPPORTUNITIES TO MAKE MUSIC. GOOD USE OF THE TRB GLIZZ. FOR SOME REASON COMPOSER GOES BRIEFLY TO TREBLE CLEF, BUT JUST TO Bb. |
| HAMEENNIEMI, EERO | TRUMPETTIKONSERTTO | TRUMPET & STRING ORCHESTRA | FiMIC | 1997/98 | EST 5+ MIN | M/H | C/U | TRUMPET IN C. TO HIGH C ONE TIME. SOME MIXED METER. SEVERAL MUTED SECTIONS. DIVISI IN THE STRINGS. MAY BE HARD TO PUT TOGETHER, SO NEED REHEARSAL TIME. |
| HANNULA, ILKKA | LIBRES PARVI | SAXOPHONE QUARTET | FiMIC | 2004 | 5+ MIN | E/M | C/U/HS | SS,AS,TS,BS. THREE SHORT, PLAYABLE MOVEMENTS .A FEW RHYTHMIC THINGS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. GOOD EARLY ENSEMBLE PIECE. |
| HAUTA-AHO, TEPPO | 3 PIECES FOR VIOLA SOLO | VIOLA ALONE | FiMIC | 1982 | 10 MIN | H | C/U | SOLID TECHNIQUE NEEDED FOR PERFORMANCE. A GOOD COMPOSER. |
| HAUTA-AHO, TEPPO | BALLADE FOR FOUR TROMBONES | TROMBONE QUARTET | FiMIC | 1980 | 13 MIN | H | C/U | SOME NONTRADITIONAL NOTATION. FIRST PART HAS HIGH TESSITURA. GOOD SCORE FROM A FINE COMPOSER, EDUCATOR, MUSICIAN. |
| HAUTA-AHO, TEPPO | CONCERTINO PICCOLO NO III | STRING BASS & STRING QUARTET | FiMIC | 1981 | 15 MIN | M/H | C/U | ONE MOVEMENT FOR A GOOD COLLEGE STRING BASS PLAYER AND COMPETENT STRING QUARTET. |
| HAUTA-AHO, TEPPO | FANTASIA | TRUMPET & ORCHESTRA | FiMIC | 1987 | 16 MIN | H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,TMP,PIANO, CELESTE. FOUR MOVEMENTS WITH MOST WORK FOR TRUMPET SOLO IN 1 & 4. CALLS FOR TRUMPET IN Eb AND SOME PICCOLO TRUMPET. SOME NONTRADITIONAL NOTATION BUT MOSTLY STRAIGHT AHEAD. RENTAL ONLY. |
| HAUTA-AHO, TEPPO | HIPPO VIIKARI V | STRING BASS & STRING ORCHESTRA | FiMIC | 1989 | 11 MIN | H | C/U | MS IS JUST PASSABLE. NEEDS STRONG BASS PLAYER AND GOOD STRINGS. THIS COMPOSER SPECIALIZES IN STRING BASS WORKS. RENTAL ONLY. |
| HAUTA-AHO, TEPPO | HOMMAGE A G BOTTESINI | STRING BASS ALONE | FiMIC | 1985 | 10 MIN | H | C/U | A CHALLENGING WORK FOR STRING BASS BY A STRING BASS PLAYER, COMPOSER, EDUCATOR, COMPOSER. |
| HAUTA-AHO, TEPPO | MOMENTS FOR VIOLA & PIANO | VIOLA & PIANO | FiMIC | 1989 | H | C/U | SOME NONTRADITIONAL NOTATION AND ONE MOVEMENT FROM A FINE COMPOSER. | |
| HAUTA-AHO, TEPPO | PIENI VALSSI JA JOLKUTUS | CELLO & STRING ORCHESTRA | FiMIC | 1984 | 11 MIN | M | C/U/HS | TWO MOVEMENTS FOR A GOOD STUDENT CELLIST AND WITH MODEST STRING ORCHESTRA NEEDS. RENTAL ONLY. |
| HAUTA-AHO, TEPPO | TRIO NO 1 | WOODWIND TRIO | FiMIC | 1976 | 14 MIN | M/H | C/U | FL,OB,BSN. OBOE DOUBLES ENGLISH HORN, FLUTE DOUBLES ALTO FLUTE. SCORE IS MESSY BUT PARTS CLEAN. WORK FOR ALL. |
| HAUTA-AHO, TEPPO | VIIKARI SUITE | STRING ORCHESTRA | FiMIC | 1963 | 20 MIN | E/M | C/U/HS | SIX SHORT MOVEMENTS RANGING FROM EASY TO MODERATE DIFFICULTY. MOVEMENTS CAN STAND BY THEMSELVES. RENTAL ONLY. |
| HAUTA-AHO, TEPPO | VIVA LOS VIIKAROS | STRING ORCHESTRA | FiMIC | 1980 | EST 4 MIN | E | C/U/HS | SCORE IS FAINT BUT PARTS GOOD. WORTHWHILE FOR THE YOUNG STRING SECTION. RENTAL ONLY. |
| HEININEN, PAAVO | DISCANTUS II, OP 21 | CLARINET ALONE | FAZER | 1969 | 14 MIN | H | C/U | A SONATA FOR CLARINET IN THREE TEMPOS! MULTI-PHONICS WITH GOOD INSTRUCTIONS. CHALLENGING BUT PLAYABLE. |
| HEINIO, MIKKO | BRASS MASS | BRASS ENSEMBLE | FAZER | 1979 | 16 MIN | H | C/U | 4TRPT,4TRB,TBA. ANTIPHONAL CHOIRS. 5 SECTIONS TO THE MASS. HARD BUT WORTH THE EFFORT. |
| HEINIO, MIKKO | DALL’ OMBRA ALL’ OMBRA (FOR ORCHESTRA & SYNTHESIZER) | ORCHESTRA | FiMIC | 1992 | 13 MIN | H | C/U | 2PIC,FL,2OB(EH),2CL(BCL),2BSN(CBSN),4HN,3TRPT.3TRB,4PERC,STRINGS. SYNTHESIZER (OR ELECTRIC PIANO). 11 SHORT SECTIONS ENHANCED BY THE SYNTHESIZER OR ELECTRIC PIANO WITH A LOT OF SOUND OPTIONS. THIS WILL BE HARD TO PUT TOGETHER. |
| HEINIO, MIKKO | FOUR FINNISH FOLKTUNES | TROMBONE QUARTET | FAZER | 1986 | EST 6 1/2 MIN | E/M | C/U/HS | FIRST PART IN TENOR CLEF. MUTING. ACCESSIBLE, STRAIGHT AHEAD MUSIC. |
| HEINIO, MIKKO | LINDGRENIANA | OBOE ALONE | JASEMUSIIKKI | 1986 | 8 MIN | H | C/U | 1. PRELUDE 2. FUGUE 3. MEDITATIONS & WHIMS 4. MARCH 5. FLIGHT. MOVEMENTS CAN STAND ALONE. A PLAYABLE CHALLENGE. |
| HEINIO, MIKKO | ON THE ROCKS | ORCHESTRA | FiMIC | 1998 | 13+ MIN | H | C/U | 3FL(PIC),3OB(EH),3CL(EbCL,BCL),3BSN,4HN,3TRPT,3TRB,TBA,PIANO/CELESTA,4PERC,STRINGS. A LARGE PIECE COMMISSIONED BY THE FINNISH BROADCASTING COMPANY. PROFESSIONAL LEVEL WORK POSSIBLE BY THE BEST C/U ORCHESTRAS. |
| HEINIO, MIKKO | SUITE FOR BASSOON SOLO, OP 21 | BASSOON ALONE | JASEMUSIIKKI | 1976 | EST 6-7 MIN | H | C/U | FOUR MOVEMENTS WITH SOME NONTRADITIONAL NOTATION. MULTI-PHONICS. GOOD INTRODUCTION TO CONTEMPORARY MATERIAL. |
| HIETALA, TIMO | COOL COVER GIRLS | STAGE BAND | FiMIC | M/H | C/U/HS | FREQUENT TIME SIGNATURE CHANGES, BUT BEAT IS STEADY. EASY SWING. | ||
| HJELT, YRJO | TANGO FOR SEVEN BASSOONS | BASSOON ENSEMBLE | FiMIC | 1993 | EST 4+ MIN | M | C/U | FOR THE SCHOOL WITH SEEN BASSOONISTS! ONE MUST PLAY THE CONTRA. FIRST FOUR PARTS NEED TENOR CLEF. THE PARTS ARE NOT THAT HARD IF THE PLAYERS KNOW THE CLEFS. THIS WILL DRAW ATTENTION TO THE BASSOONISTS ON CAMPUS! |
| HONGISTO, MAURI | MUSIC FOR FLUTE AND PIANO | FLUTE & PIANO | FAZER | 1981 | EST 9+MIN | H | C/U | MOVEMENTS: MODERATO, LENTO, ALLEGRO. TRADITIONAL SONATA FORM WITH TRADITIONAL HARMONIES AND DEMANDS ON THE SOLOIST AD PIANIST. A LOT OF NOTES TO GET UNDER THE FINGERS HERE. |
| HONGISTO, MAURI | PUHALLINKVINTETTO, OP 121 | WOODWIND QUINTET | FiMIC | 1987 | 15 MIN | H | C/U | THREE MOVEMENTS. SOME INTERESTING CHALLENGES FOR ALL INSTRUMENTS BUT NO SURPRISES. |
| HONGISTO, MAURI | QUINTET, OP. 121 | WOODWIND QUINTET | PINE | 1990 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ALLEGRETTO, LARGHETTO, ALLEGRO. SOME DISSONANCE IN A RHYTHMICALLY STRAIGHT FORWARD SETTING. ALL PARTS GET SOME ACTION. |
| HONGISTO, MAURI | TRIO FOR FLUTE, CLARINET & BASSOON | WOODWIND TRIO | PINE | CIR 2000 | EST 6+ MIN | M/H | C/U/HS | MOVEMENTS: DECISO, ANDANTE, GIOCOSO, VIVACE. ALL PARTS IN NORMAL REGISTERS WITH MODERN HARMONY. NOTES FOR ALL IN THE FULL RANGE OF THE INSTRUMENTS. |
| HYTONEN, TIMO | SONG FOR SUNDAY | SAXOPHONE(SOPRANO) & BAND | BLOSARI | 1995 | 3 MIN 50 SEC | E/M/H | C/U/HS | PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK. |
| JALAVA, LASSE | LEIKKEJA - GAMES FOR TWO FLUTES AND CLARINET | WOODWIND TRIO | SML | 1992 | 5 MIN | M | C/U/HS | MIXED METER THAT SHOULD NOT GET IN THE WAY. PUBLISHED IN SCORE FORM. GOOD PLAYERS NEEDED, BUT THIS WILL PLAY WITH A LITTLE PRACTICE BY THE GOOD HS OR BETTER PLAYER. |
| JALAVA, LASSE | PIRPANA, OP. 23, NO. 1 | OBOE ALONE | ARTEMUSA | 1993 | 3 MIN 30 SEC | M | C/U | A LOT OF NOTES AND MOSTLY IN A COMFORTABLE RANGE WITH A FEW HIGH NOTE EXCEPTIONS. MIXED METER AND ALL THOSE THINGS COMPOSERS LIKE TO THROW AT THE UNACCOMPANIED INSTRUMENT. |
| JALAVA, LASSE | SINFONIETTA NO. 4 | STRING ORCHESTRA | FiMIC | 2002 | 15 MIN | M/H | C/U | MOVEMENTS: ADAGIO, ANDANTE, INTRODUCTION & FINALE. SO WELL SCORED! FOR THE MOST PART QUITE TONAL. GOOD C/U MATERIAL AND THE ADVANCED HS ENSEMBLE. |
| JALAVA, PERTTI | TUULENPESA - NEST OF WIND | BAND | MUSACT | 2000/01 | EST 8 MIN | H | C/U | 2FL,OB,2CL,BCL,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,2-4PERC. NEED STRONG MARIMBA AND VIB PLAYERS! THE PERCUSSION SECTION WILL LIKE THIS. FAST TEMPO WITH LOTS OF 3 ON 2 AND 5 ON 2 RHYTHMS. |
| JOHANSSON, BENGT | ARIA-MINUETTO-BOURREE | VIOLIN & PIANO | FAZER | 1947 | EST 5+MIN | E/M | C/U | AN UPDATED BAROQUE PIECE WITH MODERN SOUNDS. |
| JOHANSSON, BENGT | CHACONNE | VIOLIN & PIANO | FAZER | 1983 | EST 6+MIN | H | C/U | CONTEMPORARY SOUNDS AND RHYTHMICALLY STRAIGHT AHEAD. A LOT OF DOUBLE STOP WORK AT BRISK TEMPOS. |
| JOHANSSON, BENGT | EXPRESSIONS | STRING ORCHESTRA | FiMIC | H | C/U | THREE MOVEMENTS. DIVISI FOR ALL BUT STRING BASS. ENERGETIC, RHYTHMIC WORK. RENTAL ONLY. | ||
| JOHANSSON, BENGT | SERENAD FOR STRAKORKESTER, OP 2 | STRING ORCHESTRA | FiMIC | 1945 | M/H | C/U | THREE MOVEMENTS IN A SHORTER WORK. WELL LAID OUT IN TRADITIONAL STYLE. RENTAL ONLY. | |
| JOHANSSON, MARKKU | SAVITAIPALE REGGAE-SAVITAIPALEEN POLKKA | BAND | ELVIS | 1982 | E/M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,(HNS IN Eb). SOLO FOR FLUGELHORN AND A GOOD PLAYER. FINNISH FOLK SONG. BAND PARTS QUITE EASY. PIANO SCORE ONLY. | |
| JUUTILAINEN, PETRI | BLUEBOLD | STAGE BAND | FiMIC | 1987 | 6-7 MIN | H | C/U/HS | BLUES AT 144. GOOD WORK. NICE TROMBONE WRITING AND SOLOS. |
| JUUTILAINEN, PETRI | ONE UPON A TIME IN CARELIA | BAND | FiMIC | 1997 | EST 10+ MIN | H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,ELECT.PIANO/SYNTHESZER,EUP,ELBASS,2TBA,4PERC. INSTRUMENTATION SHOULD GIVE THE IDEA. AN EPISODIC PIECE WITH MUTES FOR BRASS (BUCKET,ETC). MIXED METER AND OTHER THINGS TO WORK OUT |
| KAIPAINEN, JOUNI | CONCERTO FOR HORN AND ORCHESTRA, OP. 61 | HORN & ORCHESTRA | WHANSEN | 2001 | 24+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,3TRB,3PERC,PIANO,STRINGS. MOVEMENTS: MAESTOSO, LARGHETTO, VIVACE. SOME RANGE PROBLEMS FOR THE HORN AND LOTS OF NOTES. ORCHESTRA WILL NEED REHEARSAL TIME TO GET THE RHYTHMIC THINGS TO WORK OUT |
| KANKANEN, AIMO | CANTINO | TRUMPET & PIANO | FiMIC | 1993 | EST 3 MN | E/M | C/U/HS | TRUMPET IN C. THIS IS A LYRICAL PIECE, GOES TO B AND STRAIGHT FORWARD. COMPOSER ALSO HAS SEVERAL OTHER WORKS AT THIS LEVEL FOR THIS COMBINATION WITH FIMIC. |
| KANKANEN, AIMO | JOY | SAXOPHONE (ALTO) AND ORGAN | FiMIC | 2000 | EST 3 1/2 MIN | M/H | C/U | A SERIOUS MODERN SETTING FOR ‘JOY’ WITH A FINE ORGAN ACCOMPANIMENT. THE SCORE IS JUST FUN TO LOOK AT -- PLAY IT! |
| KARJALAINEN, AHTI | CONCERTO FOR ORCHESTRA | TROMBONE & ORCHESTRA | FiMIC | 1942 | 19 MIN | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. HAS BEEN FREQUENTLY PERFORMED IN FINLAND. RANGE TO C. SCORE IS OLD AND IN MS. RENTAL ONLY. |
| KARJALAINEN, AHTI | KVINTETTO | WOODWIND QUINTET | FiMIC | 1977 | EST 9/10 MIN | H | C/U | THREE MOVEMENTS. I HAS MANY TIME CHANGES AND RHYTHMIC CHALLENGES, MESSY SCORE BUT GOOD PARTS. |
| KARJALAINEN, KARI | CAPRICCIOSO | TROMBONE & PIANO | FENNICA | 2003 | 5 MIN | M | C/U/HS | MIDDLE REGISTER ON THE TROMBONE. QUITE LYRICAL, SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. EARLY RECITAL OR CONTEST. |
| KARJALAINEN, KARI | FOUR PRACTICAL PIECES, OP.5 | TRUMPET & PIANO | FAZER | 1982 | 4 MIN 30 SEC | E | C/U/HS | 1. LULLABY, 2. CRAZY TONES, 3. BLUE HARMONY, 4. QUICK TONES. GOOD WORK AND FUN. |
| KARJALAINEN, KULLERVO | NUOREN MIEHEN MIELI | CLARINET TRIO | FIMIC | 1996 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ANDANTINO, GIOCOSO, IN TEMPO LIBERA, MODERATO, MODERATO. THE MOVEMENTS ALSO HAVE DESCRIPTIVE TITLES LIKE, “SAND AND WITCHES”. A FEW RHYTHMIC PROBLEMS AND A LOT OF NOTES IN PLACES. |
| KATILA, TIMO | MUISTOJA ALEGONIASTA (MEMORIES FROM ALEGONIA) | TRUMPET (2) AND PIANO | FiMIC | 2003 | EST 8+ MIN | E/M | C/U/HS | MOVEMENTS: ALLEGRO, CANTABILE, ALLEGRETTO. EASY MUSIC WITH A SOLO VERSION AVAILABLE. |
| KEKKONEN, REIJO | SUITE FOR BRASS QUINTET | BRASS QUINTET | SULASOL | 2004 | EST 10+ MIN | M | C/U/HS | MOVEMENTS: FANFARE-MAESTOSO, CAROL, BALLADE, VALSE, COUNT DOWN-TRANQUILLO, ALLEGRO. THE ONLY MOVEMENT THAT MAY CONFOUND IS THE BALLADE WHERE THE COMPOSER DOES SOME TRICKY THINGS WITH THE RHYTHM. |
| KILPIO, LAURI | BLACK JOY | HORN ALONE | Uusinta | 2002 | EST 4 MIN | H | RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT | |
| KLAMI, UUNO | ALKUSOITTO (LUSTSPIELOUVERTURE) | ORCHESTRA | FAZER | 1936 | 9 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TMP,STRINGS. MOSTLY IN 2/4. PROGRAM OPENER. FUN FOR THE PERFORMERS AND INTERESTING FOR THE AUDIENCE. RENTAL ONLY. |
| KLAMI, UUNO | CONCERTO FOR VIOLIN & ORCHESTRA, OP 32 | VIOLIN & PIANO | FAZER | 1967 | EST 12+MIN | H | C/U | THREE MOVEMENTS. LATE 19TH CENTURY COMPOSER. WORK WAS COMPLETED BY OTHERS FROM COPIES OF THE ORIGINAL. ORCHESTRA PARTS NOT AVAILABLE. |
| KLAMI, UUNO | FOUR FINNISH FOLK SONGS, OP 12 | STRING ORCHESTRA | FAZER | 1942 | EST 9+MIN | E/M/ | C/U/HS | NEEDS PIANO. IN FOUR MOVEMENTS THAT CAN STAND ALONE. PLAYABLE AND ACCESSIBLE. |
| KLAMI, UUNO | HOMMAGE A HAENDEL, OP 21 | STRING ORCHESTRA | FAZER | 1931 | EST 30 MIN | M | C/U/HS | FOUR MOVEMENTS WITH PIANO. NOT A PIANO SOLO, BUT PIANIST MUST BE COMPETENT. BAROQUE IN SOUND AND APPROACH. |
| KLAMI, UUNO | HUMORESQUE,OP 36 & CHANSON TRISTE,OP36/2 | VIOLIN & PIANO | FAZER | 1985 | 7 MIN | E/M | C/U/HS | EACH PIECE CAN STAND ALONE. SOLO AND RECITAL MATERIAL. LYRICAL, FLOWING AND STRAIGHT AHEAD. |
| KOHLENBERG, OLIVER | LE TORRE DI BOLOGNA | TUBA ALONE | JASEMUSIIKKI | 1985/91 | EST 8+ MIN | M/H | C/U | EIGHT SECTIONS, EACH WITH A DIFFERENT RHYTHMIC PATTERN AND TWO WITH HIGH RANGE NEEDED. SECTIONS MAY BE WORKED ON SEPARATELY. GOOD PRACTICE STAND MATERIAL. |
| KOISITOINEN, EERO | EN VOI UNHOITTAA SUA MIELESTANI POIES | STAGE BAND | ELVIS | 1982 | M/H | C/U | STANDARD INSTRUMENTATION, TRUMPETS DOUBLE FLUGELHORNS, TENOR SOLO, KEY OF G. SWING. | |
| KOIVISTOINEN, EERO | KUKONPESA | STAGE BAND | FiMIC | EST 7+MIN | H | C/U/HS | MEDIUM UP TEMPO STRAIGHT AWAY JAZZ. GOOD THINGS FOR THE SAX AND BLOWERS WITHOUT RHYTHM SECTION A LA ROB MCCONNELL. | |
| KOIVISTOINEN, EERO | SMORREBROD | STAGE BAND | FiMIC | EST 6+MIN | M/H | C/U/HS | MEDIUM FAST SWING. GOOD SCORE. ENSEMBLE AND SOLO BACKGROUNDS ARE GOOD. | |
| KOKKONEN, JOONAS | DUO FOR VIOLINE UND KLAVIER | VIOLIN & PIANO | FiMIC | 1955 | M/H | C/U | THREE MOVEMENTS, LIKE A SONATA, FOR RECITAL OR STUDY. A GOOD SCORE AND PLAYABLE. | |
| KOKKONEN, JOONAS | IL PAESAGGIO FOR ORCHESTRA DA CAMERA. | ORCHESTRA | FiMIC | 1990 | EST 6+ MIN | M | C/U/HS | FL,OB,CL,BSN,HN,STRINGS. BASICALLY A WW QUINTET AND STRING ORCHESTRA. NOTHING A GOOD HS OR C/U WW QUINTET AND STRING ORCHESTRA CANNOT PLAY. SCORE IS MS. |
| KOKKONEN, JOONAS | MUSIC FOR STRING ORCHESTRA | STRING ORCHESTRA | FAZER | 1957 | H | C/U | FOUR MOVEMENTS WITH SOME DIVISI AND PLAYABLE. | |
| KOKKONEN, JOONAS | QUARTETTO | STRING QUARTET | FiMIC | 1973 | M/H | C/U | THREE MOVEMENTS IDEAL FOR THE COLLEGE QUARTET. | |
| KOKKONEN, JOONAS | QUINTET | WOODWIND QUINTET | SCHIRMER | 1977 | H | C/U | THREE MOVEMENTS IN A GOOD SCORE AND PLAYABLE MUSIC. | |
| KOKKONEN, JOONAS | SINFONIA DA CAMERA | STRING ORCHESTRA | FiMIC | 1964 | H | C/U | FOUR MOVEMENTS FOR 7 VIOLINS, 2 VIOLAS, 2 CELLOS AND STRING BASS. SOLID SCORE FOR GOOD COLLEGE STRINGS. RENTAL ONLY. | |
| KOKKONEN, JOONAS | SINFONIA IV | ORCHESTRA | SCHIRMER | 1911 | 21 MIN | H | C/U | 3FL,AFL,2CL,BCL,2OB,EH,2BSN,CBSN,4HN,3TRPT,3TRB,PERC,TMP,HARP,STRINGS. THREE MOVEMENTS THAT CAN STAND ALONE. SOME CLUSTERS AND CONTEMPORARY SOUNDS. |
| KOKKONEN, JOONAS | SONATA | CELLO & PIANO | FAZER | 1977 | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WELL LAID OUT WITH PLAYABLE CHALLENGES AND ACCESSIBILITY. | |
| KOMPPA, KARI | A FRENCH CONNECTION | STAGE BAND | ELVIS | 1988 | 7 MIN | M/H | C/U/HS | NEED STRONG BASS AND RHYTHM GUITARISTS. LATIN/BEBOP. IT MOVES - SOLOS. |
| KOMPPA, KARI | MAKUMOKA | STAGE BAND | FiMIC | 1984 | EST 7-8 MIN | H | C/U | HIGH TRUMPET WORK IN 'LAID BACK' SWING. ACOUSTIC AND DX7 PIANOS. |
| KOPISTO, MARKKU | AVES CLARINETISTAE | CLARINET QUARTET | ELVIS | 1991 | EST 8 + MIN | E/M | C/U/HS | FOUR Bb CLARINETS WORKING EASIER MATERIAL IN FIVE MOVEMENTS: ANDANTE, ADAGIO, ADAGIO, ANDANTE, LARGHETTO. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNG CLARINETISTS. |
| KORTEKANGAS, OLLI | THRENODY | HORN & PIANO | JASEMUSIIKKI | 1985 | EST 3 MIN | M | C/U/HS | ANDANTE, MULTI PHONICS AND NONTRADITIONAL TUNING FOR HORN. INTERESTING AND PLAYABLE. |
| KORTELAINEN, JUKKA | LISALEHTIA MENNEESEEN | BAND | ELVIS | 1982 | 5-6 MIN | E/M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,2BS,4HN,3COR,3TRPT,4TRB, 3EUP,2TBA,PERC. PIANO SCORE. SHORT OVERTURE. GOOD FOR YOUNG BANDS. |
| KOSTA, ENSIO | IN DULCI JUBILO | WOODWIND QUINTET | FiMIC | 12+MIN | E/M | C/U/HS | SEVEN CHRISTMAS TUNES STARTING WITH "IN DULCI JUBILO". MOVEMENTS CAN STAND ALONE. VERY PLAYABLE. | |
| KOSTIAINEN, PEKKA | 0PUSCULUM SONABILE | FLUTE & PIANO | HELLAS | 1984 | 5 MIN | M | C/U/HS | MAINLY FLOWING WITH OPPORTUNITY TO SHOW SOME NOTES. HIGHLY PLAYABLE MUSIC. HS CONTEST OR EARLY RECITAL IN C/U |
| KOSTIAINEN, PEKKA | DIVERTIMENTO | WOODWIND TRIO | FiMIC | 1984 | 17 MIN | M/H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE FOR 2CL AND BSN. STRAIGHT AHEAD MUSIC. |
| KOSTIAINEN, PEKKA | HOMMAGE A' PROKOFIEFF | WOODWIND QUINTET | FiMIC | 1976 | 8 +MIN | M | C/U | THEME & VARIATIONS(4), USEFUL, VERY CLEAN SCORE. LOTS OF VARIETY AND MUSICAL INTEREST. |
| KOSTIAINEN, PEKKA | SONATA | CLARINET & PIANO | FAZER | 1977 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ADAGIO CANTABILE, ALLEGRO ASSAI, ADAGIO SOSTENUTO. SOME MIXED METER AND TRICKINESS IN THE LAST MOVEMENT. OTHERWISE, THIS PLAYS OUT WELL IN CONTEMPORARY HARMONY FOR THE C/U RECITALIST. |
| KOSTIAINEN, PEKKA | SONATINE | VIOLA & PIANO | FAZER | 1980 | 11 MIN | H | C/U | A LOT OF WORK IN ONE MOVEMENT. NO SURPRISES. |
| KUOSMA, KAUKO | SARJA KLARINETILLE JA PIANOLLE | CLARINET & PIANO | FiMIC | 1981 | M | C/U | 1. RAGTIME 2. WALTZ 3. BLUES 4. TANGO. NOT ALL RECITALS NEED BE BORING! GOOD SCORE & WORK. | |
| KUULA, TOIVO(1883-1918) | SONATE FOR KLAVIER UND VIOLINE | VIOLIN & PIANO | FAZER | EST 11+MIN | M/H | C/U | TRADITIONAL THREE MOVEMENTS IN 19TH CENTURY STYLE. MANY NOTES TO LOOK AFTER! | |
| KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | CLARINET ALONE | FiMIC | 2000 | 1+ MIN | H | C/U | A SHORT CHALLENGE THAT IS EASIER THAN SOME OTHERS. THIS IS WELL WITHIN THE REACH OF THE GOOD C/U STUDENT. |
| KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | CLARINET ALONE | FiMIC | 1999 | 1 MIN | M/H | C/U | PRACTICE STAND MUSIC AN SHOW OFF AT THE RECITAL. MARKED, ANDANTE UN POCO RUBATO AD LIBITUM. |
| KYLLONEN, TIMO-JUHANI | CONTEMPLATION IN BLUE | CLARINET ALONE | WARNER/CHAPPELL | 1996 | EST 9+ MIN | M/H | C/U | COMPOSER SUGGESTS ALSO FOR BASS CLARINET. THE USUAL PROBLEMS FOR THE CLARINET ALONE: MIXED METER, ETC. BUT, THIS ONE HAS LESS OF THAT MAKING IT MORE PLAYABLE THAN MANY. |
| KYLLONEN, TIMO-JUHANI | HELSINKI OUVERTURE, OP. 51 | TRUMPET & ORCHESTRA | FiMIC | 1998 | EST 5+ MIN | M | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,4PERC,STRINGS. TRUMPET IN C. MARIMBA PART IS IMPORTANT. EXCELLENT SCORE WITH NICE IDEAS. EASY RANGE FOR THE TRUMPET. |
| LANSIO, TAPANI | MERRY PIPER | CLARINET ALONE | SULASOL | 2004/05 | EST 4 MIN | H | C/U | FOR THE PRACTICE STAND, THEN SHOW OFF AT RECITAL. NOTES ALL OVER THE PLACE! TOP C/U PLAYERS. |
| LASANEN, PENTTI | BASIE STREET | STAGE BAND | ELVIS | 4+MIN | M | C/U/HS | CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE. | |
| LEHTINEN, RAUNO | BALATON | ORCHESTRA | FiMIC/FAZER | 1967 | EST 5 MIN | E/M | C/U/HS | 2FL,2CL,2BSN,2HN,2TRPT,2TRB,TBA,TMP,HARP,STRINGS AND OBOE SOLO. LIGHT MUSIC FOR THE POPS OR TO LIGHTEN A SERIOUS CONCERT. |
| LEHTINEN, RAUNO | BARBARIUS | ORCHESTRA | FiMIC/FAZER | 1969 | EST 5 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,3COR,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. POP CONCERT MUSIC. |
| LEHTINEN, RAUNO | LETKIS | ORCHESTRA | FiMIC/FAZER | 1964 | EST 4-5 MIN | M | C/U/HS | PIC,FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,HARP OR PIANO,STRINGS. LIGHT MUSIC FOR THE POP CONCERT. |
| LEHTO, JUKKA-PEKKA | CONCERTINO | TROMBONE & BAND | MUSACT | 1995 | EST 12 + MIN | H | C/U | PIC,2FL2OB,eBCL,3CL,BCL,2BSN,AS,TS,BS,RHN,3TRPT,3TRB,EUP,2TBA,STRBS,3PERC,PIANO. HIGH TESSETURA NEEDED.MIXED METER, SOME ALEATORY, BUT WELL EXPLAINED. GOOD LOOKING SCORE. |
| LEHTO, JUKKA-PEKKA | FUUSIO | FLUTE & PIANO | MUSACT | 2001 | EST 2+ MIN | E/M | C/U/HS | FLUTE PLAYER STOMPS FOOT IN THREE PLACES. A FEW RHYTHMIC PROBLEMS, BUT THIS WILL PLAY AND BE FUN. |
| LINDHOLM, HERBERT | 24 ETUDES FOR FLUTE, OP. 16 | FLUTE ALONE | FiMIC | 1992 | EACH 1 -2 MIN | E/M/H | C/U/HS | EACH ETUDE CAN SAND ALONE AND ARE WORTHY OF PERFORMANCE. OF VARYING DIFFICULTY. COMPOSER WRITES WELL FOR THE FLUTE. |
| LINDHOLM, HERBERT | CHAMBER CONCERTO FOR FLUTE, OP. 31 | FLUTE & PIANO | FiMIC | 1999 | EST 9+ MIN | H | C/U | THIS IS ALSO AVAILABLE WITH 2 VIOLINS, CLARINET, CELLO, STRING BASS AND PIANO. MOVEMENTS: TRANQUILLO - MODERATO, ANDANTE LACRIMOSO, MOLTO VIVACE. MOSTLY STRAIGHT AHEAD IN MODERN HARMONIC SETTING. LOTS OF NOTES AND A SUPPORTIVE PIANO PART. |
| LINDHOLM, HERBERT | QUATTRO CANZONI, OP. 15 | FLUTE & ORGAN | FiMIC | 1992 | 20 MIN | M/H | C/U | CANZONAS: RECITATIVO, MISTERIOSO/ALLEGRO GIOCOSO, ANDANTE/COM LAMENTO, ALLEGRO MISTERIOSO.ORGAN PLAYS QUITE DELICATELY THROUGH THE MOST IF IT. LETS THE FLUTE, PLAYING MANY NOTES, BE HEARD. |
| LINDHOLM, HERBERT | SONATIINI, OP. 10 | CLARINET ALONE | FiMIC | 1990 | 6 MIN | H | C/U | MOVEMENTS: RECITANDO, ALLEGRO. NOTES WELL MANAGED BY A COMPOSER WHO KNOWS THE CLARINET. CAN BE PRACTICE STAND MATERIAL OR RECITAL. |
| LINDSTROM, ERIK | BALLAD | STAGE BAND | FiMIC/ERIK LINDSTRöM | EST 5 MIN | M | C/U/HS | SLOW BALLAD. FLUGELHORN FEATURE. | |
| LINDSTROM, ERIK | EIKU | STAGE BAND | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | FAST SWING, GOOD SAX PARTS, SOLOS, A BARNBURNER! | |
| LINDSTROM, ERIK | FRESKO | STAGE BAND | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | A FEW HIGH NOTES FOR TRUMPET 1, SLOW SWING. TRB SOLO OPENING. | |
| LINDSTROM, ERIK | INTRODUCTION BLUES | STAGE BAND | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM UP SWING, TROMBONE SECTION WORK, SOLOS. GOOD THINGS HERE. | |
| LINDSTROM, ERIK | OVER BOILING | STAGE BAND | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM SWING, TIGHT ENSEMBLE, SOLOS, SCORE & PARTS A BIT MESSY. | |
| LINJAMA, JAAKKO | SARAH SUITE FOR CELLO & PIANO | CELLO & PIANO | FAZER | 1970 | EST 12 MIN | H | C/U | THREE MOVEMENTS. 3 IS A CHALLENGE. 2 IS A CRADLE SONG IN 11/4. MOVEMENTS CAN STAND ALONE. |
| LINJAMA, JYRKI | CHIARO | HORN ALONE | SULASOL | 2004 | EST 3+ MIN | H | C/U | HARD, BUT PLAYABLE BY THE C/U STUDENT OF HIGH LEVEL. USUAL ISSUES TO SOLVE LIKE RHYTHM - NO RANGE PROBLEM. A WELL LAID OUT SCORE. |
| LINKOLA, JUKKA | TANGO-TARANTELLA | TRUMPET & BAND | FiMIC | 2001 | EST 10+ MIN | M/H | C/U | FL,2OB,2CL,BSN,[OPT.AS,TS],3HN,TRPT,3TRB,[OPT EUP],TBA,3PERC. CONNECTED SECTIONS. TRUMPET PLAYS MOSTLY COMFORTABLE RANGE. STRAIGHT AHEAD WITH CONTEMPORARY IDEAS. YOU WILL LIKE THIS COMPOSER! |
| LINKOLA, JUKKA | BEN BAY | STAGE BAND | FiMIC | 1985 | EST 6-7 MIN | H | C/U | TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'. |
| LINKOLA, JUKKA | BETWEEN 2ND AND 3RD | STAGE BAND | FiMIC | 1978 | EST 6 MIN | M | C/U/HS | LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4. |
| LINKOLA, JUKKA | BRASS QUINTET NO. 2 | BRASS QUINTET | FiMIC | 1996 | ST 15+ MIN | H | C/U | MOVEMENTS: ANIMATO, LENTO-SOSTENUTO, ALLEGRO BRILLANTE. IF YOU DO NOT HAVE HIS FIRST QUINTET YOU SHOULD, THEN THIS ONE. HARD, MUCH MIXED METER THAT MAKES SENSE AND OTHER PERFORMANCE PROBLEMS, BUT AN EXCELLENT COMPOSER WITH MARGINAL MS. |
| LINKOLA, JUKKA | EL MONGO | PERCUSSION ENSEMBLE | FiMIC | 1987 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, 2 MARIMBA, SET, LATIN INSTRUMENTS. COMPOSER WHO WRITES WELL FOR THIS MEDIUM. |
| LINKOLA, JUKKA | EUPHONIUM CONCERTO | EUPHONIUM & ORCHESTRA | FENNICA | 1996/2004 | EST 20+ MIN | H | C/U | FL,OB,CL,BSN,HN,TRPT,TRB,2PERC,PIANO,STRINGS. SCORE IS IN ACCEPTABLE MS. PIANO REDUCTION AND SCORE IS PRINT. THE EUP PART WE SAW WAS IN Bb TREBLE CLEF, BUT IN SCORE IT IS BASS CLEF. MIXED METER AND NOTES, THIS IS FOR THE BEST PLAYERS - BAND AND EUPHONIUM. |
| LINKOLA, JUKKA | POLONEESI | PERCUSSION ENSEMBLE | FiMIC | 1987 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, MARIMBA, TIMPANI, ETC. GOOD COMPOSER & PLAYABLE. |
| LINKOLA, JUKKA | SISU | BAND | FiMIC | 1999 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,CALCL,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,STBS,PIANO,4PERC. COMMISSIONED BY THE CONCORDIA COLLEGE BAND. MUCH CHANGE OF METER AND PLENTY NOTES TO PLAY FROM THIS EXCELLENT COMPOSER | |
| LINKOLA, JUKKA | STRUCTURES | STAGE BAND | FiMIC | 1987 | 14 MIN | H | C/U | A CONCERT JAZZ PIECE. LIKE THREE MOVEMENTS. LOTS OF GOOD TIGHT ENSEMBLE AND IMPROVISATIONAL SOLOS. |
| LINKOLA, JUKKA | SUITE FOR BRASS QUINTET | BRASS QUINTET | FiMIC | 1985 | EST 11 MIN | M/H | C/U | 1. RAGTIME, 2. LULLABY, 3. MARCH. FUN MUSIC AND SOME NONTRADITIONAL TECHNIQUES AS WELL AS RHYTHMIC COMPLEXITY. |
| LINKOLA, JUKKA | THE GAME IS OVER | PERCUSSION ENSEMBLE | FiMIC | 1985 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. MESSY SCORE BUT A GOOD COMPOSER WHO WRITES LIVELY MUSIC. 2 MARIMBA, 2 VIBE, MISC PERCUSSION INSTRUMENTS. |
| LINKOLA, JUKKA | THREE BAGATELLES FOR BRASS SEPTET | BRASS ENSEMBLE | FiMIC | 1989 | 10 MIN | M | C/U | Eb TRPT,2Bb TRPT,HN IN Eb,2EUP,TBA. THREE MOVEMENTS FROM A GOOD COMPOSER AND WORTH THE EFFORT. |
| LINKOLA, JUKKA | TRUMPET CONCERTO II | TRUMPET & STRING ORCHESTRA | FiMIC | 1993/95 | 20 MIN | H | C/U | MOVEMENTS: CANTANDO-QUASI RUBATO, BALLADE-MODERATO, RITMICO. WE WISH HE HAD BETTER MS, BUT WHEN HE WRITES, WE PAY ATTENTION. TRUMPET IN C WITH AN OPTIONAL VERSION FOR Eb TRUMPET. SOME MIXED METER. |
| LINKOLA, JUKKA | WEDDING MUSIC FOR SYMPHONIC BAND | BAND | FiMIC | 1998 | EST 15+ MIN | C/U | PC,2FL,OB,3CL,BCL,BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,4PERC. MOVEMENTS: THE MARCH, THE WEDDING WALTZ, THE CEREMONY. A GREAT COMPOSER FOR WIND INSTRUMENTS AND A WORK PLAYED MUCH BY FINNISH BANDS- YOU WILL LIKE IT! POSSIBLE BY THE FINE HS BAND. YES! | |
| LINNALA, EINO | SUOMALAINEN RAPSODIA (FINNISH RHAPSODY) | ORCHESTRA | FAZER | 1938 | 10 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,EH,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT STRAIGHT AHEAD. PLAYABLE MUSIC WITH MUCH EXCITEMENT. |
| LINTINEN, KIRMO | CONCERTO PER SASSOFONO E ORCHESTRA | SAXOPHONE(ALTO) & ORCHESTRA | FiMIC | 2000 | 20 MIN | H | PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA. | |
| LINTINEN, KIRMO | INTRODUCTION AND GIGUE | BASSOON ENSEMBLE | FiMIC | 1993 | 5 MIN | M/H | C/U | SIX BASSOONS AND A CONTRA! CLEFS NEEDED FOR THE TOP FOUR PARTS. THE SCORE IS CLEAN AND PLAYABLE. SEE ALSO THE LISTING FOR SAME COMBINATION BY HJELT. |
| LINTINEN, KIRMO | QUATTRO CAPRICCI | SAXOPHONE QUARTET | FiMIC | 2002/06 | 13 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: ALLEGRETO MECCANICO (NEON), NOSTALGICO (MIGN0N), VIVACE PERSISTENTE (CANON), SPIRITOSO (KEATON). CONTEMPORARY HARMONIC SETTINGS AND ALL PLAYABLE - SOME HUMOR OR CAPRICIOUSNESS IN THE MUSIC. |
| LIUKKO. EINO | QUARTETTO PER CORNI | HORN QUARTET | FiMIC | H | C/U | THREE MOVEMENTS WITH SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. SCORE IN C. | ||
| LUOLAJAN-MIKKOLA, VILHO | AT MESSILA MANOR | OBOE & PIANO | ARTEMUSA | CIR 2000 | EST EST 10+ MIN | M | C/U | MOVEMENTS: SPRING IN THE AIR (VIVACE), EARLY MORNING (COMMODO AD LIB ), CLOUDLESS SKY (ALLEGRO ASSAI), EVENING ON THE TERRACE (MODERATO). TITLES SHOULD NOT HAMPER PLAYING THE MOVEMENTS ALONE. NICE SCORE AND MUSIC. |
| LUOLAJAN-MIKKOLA, VILHO | ELOKUISESSA HELSINGISSÄ | SAXOPHONE(ALTO) & PIANO | FiMIC | M | C/U/HS | THREE MOVEMENTS OF MATERIAL FOR RECITAL OR CONTEST. | ||
| LYYTIKAINEN, PASI | AGORA | TUBA ALONE | Uusinta | 1999 | 3 MIN 45 SEC | H | C/U | TRY THIS ONE AS SOMETHING YOU WORK ON IN THE PRACTICE ROOM TO EXPAND YOUR ABILITY THEN, WHEN READY, SHOW OFF IN A RECITAL. HARD+. NOT IN HIGH RANGE, JUST A LOT OF NOTES AND RHYTHMIC THINGS. |
| MADETOJA, LEEVI | KULLERVO, OP 15 (SYMPHONIC POEM) | ORCHESTRA | FAZER | 1947 | 18 MIN | M/H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. WELL LAID OUT STRAIGHT AHEAD PIECE. ROMANTIC STYLE. |
| MADETOJA, LEEVI | OKON FUOKO, SUITE I, OP 58 | ORCHESTRA | FAZER | 1936 | 14 MIN | M/H | C/U | PIC,3FL,2CL,2OB,2BSN,4HN,3TRPT,4TRB,TBA,3PERC,TMP,HARP,CELESTE, STRINGS. MUSIC FROM A BALLET. ALL SECTIONS OF THE SUITE ARE CONNECTED. FLOWING MUSIC IN ROMANTIC STYLE. |
| MADETOJA, LEEVI | SONATINE, OP 19 | VIOLIN & PIANO | FAZER | 1967 | EST 6 MIN | M | C/U | THREE MOVEMENTS. I & 2 ARE QUITE LYRICAL WHILE 3 IS A `PERPETUUM MOBILE'. LOTS OF NOTES FOR A RECITAL CLOSER. TRADITIONAL SOUNDS AND STYLE. |
| MADETOJA, LEEVI/TEUVO LAINE | ALKUSOITTOFANTASIA, OP 69 | BAND | STM | 1967 | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. AN OVERTURE WITH CHANGING METER & TEMPOS, OTHERWISE QUITE STRAIGHT AHEAD. | |
| MARTENSON, LASSE | STORMSKARS MAJA | ORCHESTRA | MÅRTENSONG | 1976 | EST 7 MIN | M | C/U/HS | 2FL,2CL,OB,BSN,3HN,3TRPT,3TRB,PERC,PIANO,GUITAR,STRINGS. ARRANGED FOR FINNISH TELEVISION PROGRAM. LIGHT MUSIC FOR THE POPS CONCERT. RENTAL ONLY. |
| MARTTINEN, TAUNO | DER GNOM, OP. 198 | BASS CLARINET ALONE | ERES | 1982 | 7 MIN | M/H | C/U/HS | FLOWING MUSIC FOR THE BASS CLARINETIST FOR RECITAL AND PRACTICE TO MAKE MUSIC. NO SPECIAL DEMANDS. |
| MARTTINEN, TAUNO | ILLUSIO, OP. 214 | CLARINET ALONE | FIMIC | 1982 | EST 6+ MIN | M/H | C/U | THIS COMPOSER IS BECOMING MORE POPULAR BECAUSE HIS WORKS ARE PLAYABLE AND LOGICAL AS IS THIS ONE. NOTHING IS PARTICULAR IS HARD, JUST A LOT OF NOTES. |
| MARTTINEN, TAUNO | KYLALAISTEN TANSSI - DANCE OF THE VILLAGE PEOPLE | CLARINET & PIANO | FiMIC | 1962/2001 | EST 2 MIN | E | C/U/HS | A GOOD FIRST SOLO FOR HS CONTEST OR C/U EARLY RECITAL. NO PROBLEMS JUST PLAY THE NOTES AND MAKE MUSIC! SEE OTHER WORK BY THIS COMPOSER FOR CLARINET AND PIANO - “HAATANHU”. |
| MARTTINEN, TAUNO | LOITSU | PERCUSSION ENSEMBLE | FAZER | 1963 | M/H | C/U/HS | THREE MOVEMENTS FOR THREE OR MORE PLAYERS. NO MALLET EXCEPT FOR TIMPANI. | |
| MARTTINEN, TAUNO | PAN JA HUILU, OP. 29 B | FLUTE & PIANO | FIMIC | 1985 | EST 4 MN | M | C/U | MOSTLY A NICE FLOWING LINE WITH ONE SECTION OF ARTICULATING NOTE PATTERNS. NOT AS MODERN SOUNDING AS SOME. |
| MARTTINEN, TAUNO | SOLITUDE FOR SOLO BASSOON | BASSOON ALONE | FiMIC | 1999 | EST 3+ MN | M/H | C/U | BASS AND TENOR CLEFS. MARKED, LENTO RUBATO - TIME TO MAKE MUSIC. GOOD LOOKING SCORE. |
| MARTTINEN, TAUNO | TEN SHORT PIECES | TRUMPET & PIANO | FAZER | 1976 | EST 8 MIN | E | C/U/HS | VERY SHORT PIECES FOR STUDIO OR INCIDENTAL PERFORMANCE. WORK FOR STYLE AND MUSICIANSHIP. SOLOS & DUETS. |
| MARTTINEN, TAUNO | THE NORTH - SYMPHONIC POEM FOR WINDS, OP 67 | BAND | FiMIC | 1972 | EST 8-9 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,TS,BS,4HN,4TRPT,3TRB,EUP,TBA,PERC,TMP. NO ALTO SAX PART. DRAMATIC WORK. STARTS AND ENDS ADAGIO WITH EXCITEMENT BETWEEN. GOOD SCORE. |
| MARTTINEN, TAUNO | THE OLD MILL TELLS ITS TALE, OP. 143 | CLARINET ALONE | ERES | 1982 | 7 MIN | M/H | C/U | GOOD MATERIAL TO BEGIN PLAYING CLARINET ALONE MUSIC. NO SPECIAL DEMANDS. A LOT OF NOTES AND THE CHALLENGE TO TURN THEM IN TO MUSIC. |
| MARTTINEN, TAUNO & PENTTI RAITIO | MUSIC FOR TROMBONE | TROMBONE & PIANO | ASSOCIATION OF FINNISH MUSIC | M | C/U/HS | A COLLECTION OF SOLOS WITH PIANO, DUOS, TRIOS AND ONE FOR ALTO TROMBONE & PIANO. | ||
| MARTTINEN,TAUNO & PENTTI RAITIO | MUSIC FOR FRENCH HORN | HORN & PIANO | ASSOCIATION OF FINNISH MUSIC | 1973 | E | C/U/HS | FOR STUDY AND CASUAL PERFORMANCE. 4 SOLOS, 4 DUETS, 1 TRIO. | |
| MARTTINEN,TAUNO & PENTTI RAITIO | MUSIC FOR TRUMPET | TRUMPET & PIANO | ASSOCIATION OF FINNISH MUSIC | M | C/U/HS | COLLECTION OF SOLOS AND DUETS. HIGHLY USEFUL IN THE STUDIO LESSON AND EARLY PERFORMANCE CHALLENGE. | ||
| MARVIA, EINARI | QUARTET | WOODWIND QUARTET | WARNER/CHAPPELL | 1999 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, TRANQUILLO RUBATO, FINALE - VIVACE. EVERYONE HAS TO PLAY, BUT IF THEY DO, THIS WILL NOT BE HARD TO WORK OUT FOR THE GOOD C/U ENSEMBLE. NO BIG SURPRISES. |
| MELARTIN, ERKKI | QUARTETTO, OP 153 | BRASS QUARTET | FiMIC | 10 MIN | M/H | C/U | FOUR MOVEMENTS. FIRST MOVEMENT IS ABOUT 5 MINUTES, OTHERS SHORTER. 2TRPT, HN, TRB. MS IS A LITTLE PROBLEM. | |
| MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET & BASSOON, OP 154 | WOODWIND TRIO | FiMIC | EST 11 MIN | M | C/U | FOUR MOVEMENTS OF PLAYABLE MUSIC AND A FINE SCORE. | |
| MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET AND BASSOON, OP. 154 | WOODWIND TRIO | FiMIC | 1929 PUB 1993 | EST 12+ MN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, MENUETTO, FUGA (ALLEGRO). TRADITIONAL HARMONIES AND STRAIGHT AHEAD. A FINE ADDITION TO THE WW TRIO LIBRARY. |
| MERIKANTO, OSKAR | VALSE LENTE FOR WIND QUINTET | WOODWIND QUINTET | ARTEMUSA | PUB CIR 2000 | EST 5+ MIN | E/M | C/U/HS | ARRANGED BY ARTHUR FUHRMANN. GOOD EARLY WORK FOR THE YOUNG QUINTET. ALL PARTS PLAY IN NORMAL REGISTERS WITH NO SURPRISES. |
| MERIKANTO, OSKARI/GEORGE DE GODZINSKY | KESAILLAN VALSSI | ORCHESTRA | FiMIC | EST 7 MIN | M | C/U/HS | LIGHT MUSIC FOR POPS CONCERT- THIS ONE A WALTZ. RENTAL ONLY. | |
| MERILAINEN, USKO | GRANDFATHER BENNO'S NIGHT MUSIC | HORN ALONE | FAZER | 1976 | EST 3+MIN | M | C/U | SOME RHYTHMIC CHALLENGE. HIGH NOTE IS Ab, BUT MUCH LOW HORN WORK IN A GOOD SCORE. |
| MERILAINEN, USKO | MARSSI | BRASS QUARTET | FiMIC | M | C/U | SHORT LITTLE MARCH FOR 2TRPT, HN & TRB IN MS. | ||
| MERILAINEN, USKO | NELJA BAGATELLIA | STRING QUARTET | FiMIC | H | C/U | FOUR SHORT MOVEMENTS WITH INTEREST TO CHALLENGE THE YOUNG STRING QUARTET. SOME NONTRADITIONAL SOUNDS AND TECHNIQUES. | ||
| MERILAINEN, USKO | PARTITA FOR BRASS | BRASS ENSEMBLE | KING | 1959 | M/H | C/U | 4TRPT,4HN,3TRB,TBA. FOUR MOVEMENTS AND A FINE SCORE. | |
| MONONEN, SAKARI | PIENI SARJA PUHALLINORKESTERILLE, OP 31 | BAND | SULASOL | 1975 | EST 6 MIN | M | C/U/HS | 2FL,2CL,BCL,2OB,2BSN,AS,4HN,4TRPT,2TRB,EUP,TBA,PERC,TMP. MARCH LIKE OPENING, THEN 3/4, 6/8 AND MIXED METER. PROGRAM OPENER. |
| MONONEN, SAKARI | SONAATTI KLARINETILLE JA PIANOLLE | CLARINET & PIANO | FiMIC | 1973 | EST 10 MIN | H | C/U | FOUR MOVEMENTS WITH RHYTHMIC INTEREST AND CONTEMPORARY SOUNDS. |
| NEVONMAA, KIMMO | LUX INTIMA FOR SMALL ORCHESTRA | ORCHESTRA | MODUS | 1993/94 | 15 MIN | H | C/U | FL,OB,CL,BSN,HN,TRPT,TB,2PERC,STRINGS. MANY TRAPS RHYTHMICALLY AND MUSICALLY AND NOTES TO SPARE. WE THINK THIS CAN BE PLAYED BY THE FINE C/U ENSEMBLES WITH REHEARSAL TIME AND A GOOD CONDUCTOR! |
| NISKA, PAUL/NACKE JOHANSSON | SAMBA LA BAMBA | STAGE BAND | FiMIC | 4 MIN | M | C/U/HS | SAMBA STRAIGHT AHEAD! | |
| NORDGREN, PEHR HENRIK | AS IN A DREAM, OP 21 | CELLO & PIANO | FiMIC | 1974 | 13 MIN | H | C/U | ONE MOVEMENT PLAYABLE BY HIGHLY QUALIFIED COLLEGE STUDENTS THAT WANT A NICE CHALLENGE. |
| NORDGREN, PEHR HENRIK | CONCERTO FOR STRINGS, OP 54 | STRING ORCHESTRA | FAZER | 1982 | EST 12 MIN | H | C/U | 1. PREMONITIONS OF A BAD DAY, 2. DANCE AWAY YOUR WORRIES, 3. A BELATED PRAYER FOR ACHIEVING FULFILLMENT. MOVEMENTS CAN STAND ALONE. PLAYABLE WITH NO SURPRISES. SCORE FOR SALE, PARTS RENTAL. |
| NORDGREN, PEHR HENRIK | EPILOGUE, OP 61 | CELLO & PIANO | HELLASEDITION | 1983 | 4 MIN | E/M | C/U/HS | MELODIC AND VERY PLAYABLE. WORTHY OF SERIOUS PERFORMANCE AND PROFESSIONAL ATTENTION. |
| NORDGREN, PEHR HENRIK | MINORE | ORCHESTRA | FiMIC | 1968 | 9 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,TMP,PIANO,STRINGS. ONE MOVEMENT MARKED MOLTO EXPRESSIVO. DIFFICULT BUT NO SURPRISES. RENTAL ONLY. |
| NORDGREN, PEHR HENRIK | SYMPHONY FOR STRINGS, OP 43 | STRING ORCHESTRA | FAZER | 1978 | H | C/U | FOUR MOVEMENTS OF STRAIGHT AHEAD MUSIC REQUIRING MATURE MUSICIANSHIP. LOTS OF DIVISI. | |
| NORHOLM, IB | THE SHADOW, OP. 59 | ORCHESTRA | KONTRAPUNKT | 1973 | 13 MIN | M/H | C/U | 2FL(PIC),2OB,2CL(BCL),2BSN,2HORN,2TRPT,2TRB,2PERC,HARP,CELEST,STRINGS. MOVEMENTS: SYDEN, DIGEREN OG HANS MUSE, PRINSESSNS VALS, SKYGGENS TRIUMF. HAS TEXT THAT CAN BE READ BETWEEN MOVEMENTS TO EXPLAIN THE STORY. THIS IS PLAYABLE MATERIAL FOR THE C/U ENSEMBLE! |
| NORONTAUS, VEIKKO | KEHTOLAULU -(LULLABY) | TRUMPET & PIANO | FiMIC | 2005 | 5+ MIN | E/M | C/U | A GOOD CONTEST OR RECITAL PIECE. RANGE TO G WITH SUPPORTIVE ACCOMPANIMENT. THE MS IS PASSABLE. WE LIKE THE LINE THE SOLO TAKES. THE COMPOSER ALSO HAS A NICE CANZONA AVAILABLE IN THIS COMBINATION. |
| NUORVALA, JUHANI | NOTTURNO URBANO | ORCHESTRA | LOVE | 1996 | 9 MIN | H | C/U | PIC,FL,2OB,2CL(BCL),2BSN,2HN,TRPT,TIMP,STRINGS. A HARD WORK THAT WILL BE MADE EASIER WITH A CONDUCTOR WITH A GREAT STICK! A LOT OF TIME CHANGES AND TRICKY RHYTHMIC THINGS. |
| NUORVALA, JUHANI | SINFONIETTA | STRING ORCHESTRA | LOVE | 1997/98 | 16 MIN. | H | C/U | ANDANTE, TRANQUILLO, ALLEGRO. FOR THE MOST ACCOMPLISHED STRING ORCHESTRA. ALL THE RHYTHMIC PROBLEMS YOU WANT IN A CONTEMPORARY HARMONIC SETTING. MUSIC FOR RENT. |
| PANULA, JORMA | SAKKIJARVEN POLKKA | WOODWIND QUINTET | ARTEMUSA | CIR 2000 | EST 2+ MIN | M | C/U/HS | FOLK MUSIC ARRANGED BY PANULA. ALL PLAY FOR SOME FUN. GOOD PROGRAM/INCIDENTAL PERFORMANCE MUSIC. PANULA HAS THREE MORE LIKE THIS THAT WE SAW AT FIMIC: JAAKKO KULTA, PELTONIENMEN HINTRIIKIN SURMARSSI AND PARTTENKOLIAASET. ALL EASY TO MEDIUM DIFFICULTY. |
| PASQUET, LUIS | SUITE FOR BRASS QUINTET | BRASS QUINTET | FiMIC | 1995 | EST 8+ MIN | M | C/U | PUT UP WITH SOME MESSY MS ON THIS ONE AND YOU WILL BE REWARDED! MOVEMENTS: PRELUDE, SARABANDE AND GIGUE. SOME NICE KENTON SOUNDS IN THE SECOND MOVEMENT. WE HAVE PLAYED THIS MANY TIMES - YOU WILL LIKE! |
| PASQUET, LUIS | THE SONG OF THE ORANGE GROVES | BAND | BLOSARI | 1997 | 4+ MIN | M | C/U/HS | PIC,FL,OB,3CL,BCL,AS,TS,BS,HN,3TRPT,2TRB,EUP,TBA,4PERC. THIS IS MARKED ZAMBA (SAMBA). FUN IN STORE FOR BAND AND THE AUDIENCE! SAME COMPOSER AND PUBLISHER HAS TWO TITLES WE SAW: OLD CARNIVAL AND EL VALLE DE LAS FLORES. YOU MUST HAVE ONE OF THESE! |
| PASQUET, LUIS | THREE PIECES FOR QUARTET OF SAXOPHONES | SAXOPHONE QUARTET | FiMIC | 1993 | EST 9+ MIN | M/H | C/U | SS.AS.TS.BS. MOVEMENTS: CONVERSATION-RHYTMCAL, VALSE FANCAISE-MODERARTO ELEGANT, TANGO-ANIMATO. VERY BAD MS! BUT, THIS COMPOSER HAS MUCH TO SAY, SO HAVE FUN WITH IT AND ENJOY THE MUSIC. |
| PEKKANEN, PERTTI | JOKERI | BAND | SULASOL | 1989 | EST 4 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP. FUN AND EXCITEMENT IN KEY OF C AND IN 2/4 AND 4/4. |
| PETHMAN, ESA | KELTAINEN METSA | BAND | ELVIS | 1982 | M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,TMP. A `BAND' OVERTURE. BARITONE PARTS ARE ACTIVE. A CONDENSED SCORE. | |
| POHJANNORO, HANNU | HYBRIS | CLARINET ALONE | FiMIC | 1987/88 | EST 10+ MIN | H | C/U | THE ULTIMATE PRACTICE STAND MUSIC FOR THOSE INTERESTED IN KNOWING MODERN TECHNIQUES FOR THE CLARINET. COMPOSER HAS A SPECIAL PAGE OF INSTRUCTIONS IN ENGLISH TO HELP. SHOW OFF AT THE RECITAL. |
| POHJANNORO, HANNU | XL FOR ORCHESTRA | ORCHESTRA | FiMIC | 2003/04 | 7 MIN | M/H | C/U | 3FL,3OB,3CL,3BSN,4HN,3BbTRPT,3TRB,3PERC,STRINGS. NOTE THIS INSTRUMENTATION - A LOT OF WINDS AND STRINGS DIVISI AND EASY ON THE PUNS WITH THE TITLE! SHOULD BE NO PROBLEM WITH THE LARGE ORCHESTRA - PERHAPS AN ALL-STATE GROUP. |
| POHJOLA, SEPPO | ELAMAN KEVAT - SPRING OF LIFE | STRING ORCHESTRA | FiMIC | 2001 | EST 12+ MIN | H | C/U | SOME DIVISI, SO HAVE A LARGER STRING GROUP. LATER IN THE WORK SOME RHYTHMIC THINGS, LIKE 5 ON 2 AND ENDS IN A FLOURISH OF NOTES. GREAT SCORE. |
| POHJOLA, SEPPO | TAPIOLANDIA FOR ORCHESTRA | ORCHESTRA | FiMIC | 2003 | EST 10+ MIN | M | C/U/HS | PIC,FL,2OB,EbCL,CL,2BSN,2HN,2CTPY,TRB,2PERC,STRINGS. MOSTLY STRAIGHT DOWN THE MIDDLE IN 4/4 WITH JUST A FEW DIVERSIONS. SOME DIVISI STRINGS. A FINE SCORE READY TO BE PLAYED WELL! |
| POHJOLA, SEPPO | TRALALA FOR SYMPHONY ORCHESTRA | ORCHESTRA | FiMIC | 2000 | EST 5+ MIN | H | C/U | PIC,3FL,2OB,EH,3CL,3BSN,4HN,3TPT,3TRB,4PERC,STRINGS (DIVISI). A HIGH ENERGY WORK THAT WILL EXCITE! FULL ORCHESTRA PLUS! JUST A FEW METER CHANGES OTHER WISE STRAIGHT AHEAD WITH A LOT F NOTES AND FIRE! |
| PUHAKKA, JARI | BAGATELLEJA, OP 18 | BASSOON ALONE | FiMIC | 1977 | E/M | C/U/HS | THREE SHORT MOVEMENTS OF MODEST CHALLENGE. | |
| PYLKKANEN, TAUNO | KUVIA LAPISTA | BAND | FiMIC | 1966 | 9 MIN | M | C/U/HS | PIC,2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC. THREE MOVEMENTS STRAIGHT AHEAD AND LIGHT ON THE PERCUSSION. |
| PYLKKANEN, TAUNO | PASTORAALI | CLARINET & PIANO | FIMIC | 1993 | EST 2+ MIN | E/M | C/U | RATHER EASY PASTORALE IN 6/8. FLOWING LINE READY TO MAKE MUSIC. |
| RAISANEN, TOMI | DELIRIUM NOCTURNUM | ORCHESTRA | FiMIC | 2001/06 | 14 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),2BSN,2HN,CTRPT,TRB,TBA,2PERC, HARP,STRINGS. INVENTIVE, SOMEWHAT ESOTERIC, BUT CAN BE PLAYED BY GOOD C/U GROUPS WITH INTEREST IN MUSIC OF THE 21ST CENTURY. CHANGING METER, SPECIAL EFFECTS AND OTHER FUN THINGS! |
| RAITIO, PENTTI | DREAM | FLUTE ALONE | JASEMUSIIKKI | 1986 | EST 3 MIN | H | C/U | SHORT AN CHALLENGING. NEED STRONG HIGH REGISTER AND EAR FOR THE BIG INTERVALS. |
| RAITIO, VAINO | JOUTSENET (LES CYGNES) | ORCHESTRA | FAZER | 1919 | 8 MIN | M/H | C/U | 3FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,CELESTA, STRINGS. SLOW MOVING ROMANTIC WORK THAT NEEDS STRONG STRINGS AND FLUTE. NICE SCORE. |
| RANTA, SULHO | KAINUUN KUVIA, OP 44 (IMAGES BOREALES) | ORCHESTRA | FAZER | 1933 | 12 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,2PERC,TMP,STRINGS. THREE MOVEMENTS IN ROMANTIC STYLE AND STRAIGHT AHEAD. |
| RAUTAVAARA, EINOJUHANI | A FINNISH MYTH | STRING ORCHESTRA | FAZER | 1984 | EST 6+MIN | H | C/U | SEVEN VIOLIN PARTS, 3 VIOLA, 4 CELLO & 3 STRING BASS. SLOW MOVING WITH HARMONIC TENSION. A GOOD SCORE FROM A FINE COMPOSER. |
| RAUTAVAARA, EINOJUHANI | A REQUIEM IN OUR TIME | BRASS ENSEMBLE | KING | 1954 | 10 MIN | H | C/U | 4TRPT,4HN,3TRB,BAR,TBA,TMP,PERC. 1. HYMNS, 2. CREDO ET DUBITO, 3. DIES IRAE, 4. LACRYMOSA. PERHAPS MOST WELL KNOWN IN THE U.S. BY THIS COMPOSER. GREAT SCORE. |
| RAUTAVAARA, EINOJUHANI | A SOLDIER'S MASS, OP 40 | BAND | FiMIC | 1973 | 11 MIN | M/H | C/U | 2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,4TRB,TBA,2PERC,TMP. 1. THE LORD OF BATTLES, 2. HAVE MERCY ON US, 3. ON THE FIELD OF GLORY, 4. AT DEATH'S DOOR. FINE COMPOSER. RENTAL. |
| RAUTAVAARA, EINOJUHANI | CLARINET CONCERTO | CLARINET & ORCHESTRA | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,CLBCL,BSN,CBSN,4HN,2TRPT,2TRB,TBA,3PERC,HAP,STRINGS. MOVEMENTS: DRAMMATICO (MA FLESSIBLE), ADAGIO ASSAI, VIVACE. HARD FOR BOTH PARTIES, BUT A GREAT COMPOSER WHO HAS SOMETHING TO SAY AND WORTH THE EFFORT. AT LEAST TRY THE SECOND MOVEMENT! |
| RAUTAVAARA, EINOJUHANI | DITHYRAMBOS, OP 55 | VIOLIN & PIANO | FAZER | 1970 | EST 4 MIN | H | C/U | CONTEMPORARY SOUNDS & STYLE. NO UNUSUAL PERFORMANCE DEMANDS. |
| RAUTAVAARA, EINOJUHANI | DIVERTIMENTO | STRING QUINTET | FiMIC | 1953 | M/H | C/U | 2 VIOLINS, VIOLA, CELLO, & STRING BASS. THREE MOVEMENTS THAT CAN ALSO BE PLAYED BY A STRING ORCHESTRA. | |
| RAUTAVAARA, EINOJUHANI | DIVERTIMENTO | STRING ORCHESTRA | FAZER | 1953 | M/H | MOVEMENTS: ALLEGRO, ADAGIO, ALLEGRETO MA ENERGICO. EARLY RAUTAVAARA WORK THAT IS EASIER THAN A LOT OF HIS THINGS. THIS ONE PLAYS. FOR MORE DIFFICULT ITEMS FROM SAME COMPOSER AND PUBLISHER SEE: ‘CANTOS’, ‘CANTO IV,’ | ||
| RAUTAVAARA, EINOJUHANI | FANFAARI | TRUMPET CHOIR | FiMIC | 1992 | 30 SEC | E | C/U/HS | 4 TRUMPETS - FOR THAT SPECIAL OCCASION WHEN YOU WANT A SPECIAL FANFARE. RAUTAVAARA TO THE FORE! |
| RAUTAVAARA, EINOJUHANI | HYMNUS | TRUMPET & ORGAN | FiMIC | 1998 | EST 8+ MIN | M | C/U/HS | TRUMPET IN C TO B ONE TIME. SOME LOGICAL MIXED METER. THE PART WE SAW WAS QUESTIONABLE MS. CHECK THAT OUT, BUT THIS IS WORTH WHILE MATERIAL. COMPOSER USES MODERN HARMONIES! |
| RAUTAVAARA, EINOJUHANI | KONZERT, OP. 69 | FLUTE & ORCHESTRA | BREITKOPF & HÄRTEL | 1975 | EST 12+ MIN | H | C/U | 2BSN,CBSN,3HN,3TRPT,2PERC,HARP,STRINGS. MOVEMENTS: ANDANTINO, VIVACE, ANDANTE MODERATO. MIXED METER AND OTHER ADVANCED TECHNICAL DEMANDS, BUT THIS COMPOSER KNOWS HOW TO USE THEM WITHOUT MAKING THEM IMPOSSIBLE. |
| RAUTAVAARA, EINOJUHANI | LINTUKOTO - ISLE OF BLISS FOR ORCHESTRA | ORCHESTRA | FAZER | 1995 | EST 6+ MIN | H | C/U | 2FL,3OB,2CL,2BSN,2HN,TPT,TRB,2PERC,HARP,STRINGS. THIS COMPOSER USES MANY METER CHANGES, BUT THEY ALWAYS SEEM LOGICAL. DEMANDS ON EVERYONE, BUT A FINE SELECTION FOR THE GOOD C/U ORCHESTRAS! |
| RAUTAVAARA, EINOJUHANI | PELIMANNIT - FIDDLERS, OP 1 | STRING ORCHESTRA | FAZER | 1976 | E/M | C/U/HS | FIVE MOVEMENTS WITH PROGRAM. PROGRAM NOT NECESSARY FOR SUCCESSFUL PERFORMANCE - IT STANDS ON ITS OWN. GOOD MATERIAL. | |
| RAUTAVAARA, EINOJUHANI | PLAYGROUNDS OF THE ANGELS | BRASS ENSEMBLE | FiMIC | 1981 | EST 10 MIN | H | C/U | 2TRPT IN C & 2TRPT IN Bb,4TRB,HN,TBA. ONE MOVEMENT & HARD BUT WORTH IT. |
| RAUTAVAARA, EINOJUHANI | SONATA, OP 26 | BASSOON & PIANO | FAZER/WEINBERGER | 1970 | H | C/U | ONE MOVEMENT WITH MULTI-PHONICS AND GOOD INSTRUCTIONS. FINE COMPOSER. | |
| RAUTAVAARA, EINOJUHANI | SONETTO, OP 53. | CLARINET & PIANO | FAZER | 1985 | EST 8+ MIN | H | C/U | MIXED METER, OTHER RHYTHMICS OBSTACLES, BUT WORTH EFFORT FROM ONE OF FINLAND’S BEST COMPOSERS. |
| RAUTAVAARA, EINOJUHANI | STRING QUARTET NO 1 | STRING QUARTET | FAZER | 1952 | M/H | C/U | THREE MOVEMENTS THAT ARE ACCESSIBLE FROM A FINE COMPOSER. | |
| RAUTAVAARA, EINOJUHANI | STRING QUARTET NO 3, OP 18 | STRING QUARTET | FAZER/WEINBERGER | 1967 | EST 7 MIN | H | C/U | ONE MOVEMENT, NOT EASY BUT ACCESSIBLE. |
| RAUTAVAARA, EINOJUHANI | SYMPHONY NO 1 | ORCHESTRA | FAZER/PAN | 1955 | 17 MIN | H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,2PERC,TMP,STRINGS. TWO MOVEMENTS WITH SOME MIXED METER AND WORTH THE EFFORT. SCORE FOR SALE OR RENTAL, PARTS RENTAL. |
| RAUTAVAARA, EINOJUHANI | SYMPHONY NO 3 | ORCHESTRA | FAZER/PAN | 1961 | 30 MIN | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS IN A MAJOR WORK. FOR ONLY THE BEST C/U ENSEMBLES. SCORE FOR SALE OR RENTAL, PARTS RENTAL. |
| RAUTAVAARA, EINOJUHANI | TARANTARA FOR SOLO TRUMPET | TRUMPET ALONE | FAZER | 1976 | EST 5+ MIN | H | C/U | COMPOSER UNDERSTANDS THE INSTRUMENT. COMPLETE CHALLENGE OF HE PLAYER AND INSTRUMENT. LAID OUT SO THAT THESE IS NO DOUBT WHAT TO DO! |
| RAUTAVAARA, EINOJUHANI | TWO PRELUDES AND FUGUES, OP 36 | CELLO & PIANO | FAZER | 1969 | M/H | C/U | EACH PRELUDE HAS ITS FUGUE. CONTEMPORARY SOUNDS, BUT NO UNUSUAL DEMANDS ON THE PERFORMERS. 2ND MOVEMENT IS TITLED "EPITAPH TO BELA BARTOK". | |
| RIISAGER, KNUDAGE | CONCERTINO, OP. 29 | TRUMPET & STRING ORCHESTRA | WHANSEN | 1935 | EST 10 MIN | M | C/U | TRUMPET IN C. SOLID MATERIAL FROM THE EARLIER HARMONIES AND RHYTHMIC PATTERNS. NORMAL SOLO RANGE AND STRAIGHT AHEAD MUSIC. ENJOY! |
| ROMPPANEN, ARI | QUINTET FOR BRASS | BRASS QUINTET | FiMIC | 2000/01 | EST 10+ MIN | M/H | C/U | MOVEMENTS: SCHERZANDO, CHORAL, FUGUE. THE MIXED METER IS SET UP WELL BY THE COMPOSER INSTRUMENTS PLAY IN RANGE WITH CONCERN FOR THE RHYTHM. |
| ROMPPANEN, ARI | WOODCUTS | WOODWIND QUINTET | FiMIC | 200/06 | EST 10+ MIN | H | C/U | MOVEMENTS: PRELUDE, CHORAL, FUGUE. THE MIXED METER MAY BE A PROBLEM IN THE FIRST MOVEMENT WHICH PUSHES THIS INTO THE HARD CATEGORY. WHEN YOU ARE PAST THAT THIS ONE WILL PLAY. |
| RUNNE, OSSI | LASTENKUTSUT (CHILDRENS PARTY) | TRUMPET TRIO & BAND | ELVIS | 1986 | EST 5 MIN | M | C/U/HS | 2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3 SOLO COR,3TRPT,3TRB,EUP,TBA,2PERC,2 TENOR HORNS. CONDENSED SCORE. JAZZ WALTZ FOR FUN AT THE CONCERT. |
| RYDMAN, KARI | SONATA XIII | FLUTE ENSEMBLE | FiMIC | 1978 | EST 7-8 MIN | M | C/U/HS | SIX FLUTES IN ENSEMBLE. TWO MOVEMENTS. MOST OF IT CAN BE PLAYED BY A CHOIR OF FLUTES. |
| SAARIAHO, KAIJA | CANVAS | FLUTE ALONE | FiMIC | 1978 | M/H | C/U | THREE MOVEMENTS THAT WOULD BE COMFORTABLE FOR THE GOOD COLLEGE PLAYER. | |
| SAIKKOLA, LAURI | CONCERTINO | CLARINET & STRING ORCHESTRA | FiMIC | 1968 | M/H | C/U | THREE MOVEMENTS WITH STRING PARTS, VERY PLAYABLE WITH CLARINET SOLO STRAIGHT AHEAD. GOOD LOOKING SCORE. RENTAL ONLY. | |
| SAIKKOLA, LAURI | CONCERTO MINIATURA | VIOLA & STRING ORCHESTRA | FiMIC | 1979 | 15 MIN | M/H | C/U | ONE MOVEMENT. ORCHESTRA PARTS VERY EASY. MARKED MODERATO & VIVACE. VIOLA PART ACCESSIBLE BY GOOD COLLEGE STUDENT. RENTAL ONLY. |
| SAIKKOLA, LAURI | DIVERTIMENTO, OP 27 | WOODWIND QUINTET | FiMIC | 1935 | EST 9-10 MIN | M | C/U | FIVE MOVEMENTS INCLUDING A 'POLCA' AND A 'PASTORALE'. CLEAN SCORE AND PARTS. ACCESSIBLE WITH NO SURPRISES. |
| SAIKKOLA, LAURI | KOLME BAGATELLIA | STRING BASS & PIANO | FiMIC | 1976 | EST 6 MIN | M | C/U/HS | THREE MOVEMENTS OF GOOD STUDY AND RECITAL MATERIAL. |
| SAIKKOLA, LAURI | QUINTETTO | WOODWIND QUINTET | FiMIC | 1969 | EST 8-10 MIN | M | C/U | FOUR MOVEMENTS, EACH SHORT BUT CAN STAND ALONE. GOOD COMPOSER AND GOOD SOUNDS. |
| SAIKKOLA, LAURI | SINFONIA TRAGICA, OP 22 | ORCHESTRA | FiMIC | 1976 | 30 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,HARP,STRINGS. RENTAL ONLY. |
| SAIKKOLA, LAURI | SONATINA | CELLO & PIANO | FiMIC | 1969 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS. 2ND IS A THEME AND VARIATIONS. MANY KEYS USED. |
| SAIKKOLA, LAURI | SONATINA | VIOLA & PIANO | FiMIC | 1969 | EST 10 MIN | M | C/U/HS | THREE MOVEMENTS AND EXCELLENT FOR RECITAL AND STUDY. STRAIGHT AHEAD MATERIAL. |
| SAIKKOLA, LAURI | SONATINA, NO 1, OP 35 | VIOLA & PIANO | FiMIC | 11 MIN | M/H | C/U | TWO MOVEMENTS USING A NUMBER OF KEYS AND MOSTLY STRAIGHT AHEAD. | |
| SALLINEN, AULIS | AT THE PALACE GATES, OP 68A | ORCHESTRA | NOVELLO | 1999 | 6+ MIN | H | C/U | 2FL(PIC),2OB,2CL(BCL),2BSN,4HN,2BbTRPT,2TRB,3PERC,HARP,STRINGS. FOR HIRE. TAKEN FROM HIS OPERA, ‘THE PALACE’. GOOD WORK TO ACQUAINT C/U ORCHESTRAS WITH THIS WELL KNOWN COMPOSERS WORK USUALLY PLAYED BY PROFESSIONALS. SCORE IS MS. |
| SALLINEN, AULIS | CADENZE | VIOLIN ALONE | FAZER | 1965 | EST 4 MIN | H | C/U | VERY FREE MUSIC - NO BARS LINES. MATURE TECHNIQUE AND MUSICIANSHIP NEEDED. |
| SALLINEN, AULIS | ELEGIE | CELLO ALONE | FAZER | 1966 | EST 3 1/2/MIN | M/H | C/U | FINE WORK BY ONES OF FINLAND'S BEST. |
| SALLINEN, AULIS | FANFARE, OP. 59 | BRASS ENSEMBLE | NOVELLO | 1986 | EST 1+ MIN | H | C/U | 4HN,4TRPT,3TRB,TBA PERC. IN MS - A DRAMATIC FANFARE BY ONE OF FINLAND’S FINEST. NOTHING SPECIAL JUST SOLID WRITING. |
| SALLINEN, AULIS | METAMORFORA | CELLO & PIANO | FAZER | 1974 | EST 4 MIN | M/H | C/U | CONTEMPORARY SOUNDS & STYLE. NEEDS A FINE PIANIST. FINE COMPOSER AND A GOOD SCORE. |
| SALLINEN, AULIS | QUATRE ETUDES | VIOLIN & PIANO | FAZER | 1970 | EST 5 MIN | M/H | C/U | FOUR SHORT MOVEMENTS THAT CAN STAND ALONE. A COMFORTABLE CHALLENGE BY ONE OF FINLAND'S MOST FAMOUS COMPOSERS. |
| SALLINEN, AULIS | THE PALACE RHAPSODY, OP. 72 | BAND | NOVELLO | 1996 | 16 MIN | H | C/U | 3FL(PIC),3OB,3CL(EbCL,TS,BCL,EbALCL),AS,BS,3BS(CBSN),4HN,3TRPT,3TRB,4PERC,HARP,PIANO. A WELL KNOWN COMPOSER FOR ORCHESTRA WITH A WORK FOR BAND. MIXED METER WILL BE THE HARDEST TO OVERCOME, OTHERWISE THIS SHOULD PLAY WELL FOR THE C/U BANDS. |
| SALLINEN, AULIS | VANTAA - FANFAARI | TRUMPET TRIO | FiMIC | 1971 | 45 SEC | E/M | C/U/HS | A SHORT FANFARE. |
| SALLINEN, AULIS | VARIATIONS FOR ORCHESTRA | ORCHESTRA | NOVELLO | 1985 | 12 MIN | H | C/U/HS | SORRY, NO INSTRUMENTATION FOR THIS ONE. PLAYABLE BY A GOOD HS ORCHESTRA. SCORE FOR SALE, PARTS RENTAL. |
| SALMENHAARA, ERKKI | CONCERTO PER CORNO ED ORCHESTRA | HORN & PIANO | FiMIC | 1973 | 17 MIN | M | C/U | MOVEMENTS: SOSTENUTO, LENTO, ALLEGRO MODERATO. FULL ORCHESTRA ACCOMPANIMENT AVAILABLE. THE SCORE IS IN A VERY GOOD MS. THIS IS VERY GOOD, PLAYABLE C/U MATERIAL HORN TO Bb ABOVE THE STAFF. |
| SALMENHAARA, ERKKI | POEMA | CELLO & PIANO | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | POEMA | STRING ORCHESTRA | FAZER | 1975 | EST 7 MIN | M | C/U | FOR SOLO VIOLIN, 2 VIOLINS, 3 VIOLAS, 2 CELLOS & STRING BASS. AN INTENSE, SLOW MOVING MELODIC WORK. SOLO VIOLIN MUST BE STRONG, THE REST OF THE PARTS ARE EASIER. |
| SALMENHAARA, ERKKI | POEMA | VIOLA & PIANO | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | POEMA | VIOLIN & PIANO | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| SALMENHAARA, ERKKI | PRELUDE, POPTUNE AND FUGUE | FLUTE ALONE | FAZER | 1967 | EST 9 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. 'POPTUNE' IS THEME AND VARIATIONS. SHOWOFF MUSIC! |
| SALMENHAARA, ERKKI | QUINTET FOR BLASER | WOODWIND QUINTET | FiMIC | 1964 | 12 MIN | M/H | C/U | THREE MOVEMENTS THAT ARE ACCESSIBLE WITH A FEW INTERESTING SURPRISES THAT SHOULD MAKE THIS FUN FOR PERFORMER AND LISTENER. |
| SALMENHAARA, ERKKI | SONATA | CELLO & PIANO | FAZER | 1972 | M | C/U | USUAL THREE MOVEMENTS THAT CAN STAND ALONE. COLLEGE RECITAL AND STUDY MATERIAL THAT IS STRAIGHT AHEAD. | |
| SALONEN, ESA-PEKKA | CONCERT ETUDE | HORN ALONE | CHESTER | 2000 | EST 4+ MIN | H | C/U | THIS COMPOSER SHOWS A GREAT KNOWLEDGE OF THE INSTRUMENT IN THIS WORK. IT IS HARD, (HIGH, RHYTHM, ETC) BUT AN EDUCATION IN WHAT THE HORN CAN DO BY AN IMAGINATIVE COMPOSER. |
| SALONEN, ESA-PEKKA | NACHTLIEDER | CLARINET & PIANO | FAZER | 1980 | CA 6 MIN | H | C/U | FOUR SHORT MOVEMENTS IN CONTEMPORARY STYLE. SOME NONTRADITIONAL NOTATION AND RHYTHMIC CHALLENGES. |
| SALONEN, ESA-PEKKA | QUINTETTO, OP 25 | WOODWIND QUINTET | WHANSEN | EST 12-15 MIN | M/H | C/U | FOUR MOVEMENTS WITH CONTEMPORARY SOUNDS. IT SINGS! A VERY GOOD LOOKING SCORE WITH INTEREST IN ALL PARTS. | |
| SERMILA, JARMO | HOMAGE TO EV | BRASS ENSEMBLE | FiMIC | 1972 | 10 MIN | H | C/U | 2TRPT,3TRB,2HN,XYLOPHONE,TIMPANI. GOOD SCORE AND WORTHY OF PERFORMANCE. |
| SERMILA, JARMO | KANONISOITU PEILIKUVA | WIND ENSEMBLE | FiMIC | 1980 | EST 9 MIN | H | C/U | 2FL, 2CL, 2OB, 2COR, 2TRPT, 2TRB, 2PERC. CONTEMPORARY SOUNDS AND RHYTHMIC INTEREST. ONE ON A PART FOR BEST RESULTS. |
| SERMILA, JARMO | OTTEITA KILGORE TROUTIN PAIVAKIRJASTA 2 | BRASS QUINTET | JASEMUSIIKKI | 1988 | 5 MIN | H | C/U | 2TRPT, HN, TRB, TBA. 5 SHORT MOVEMENTS WITH MIXED METER, RHYTHMIC COMPLEXITY AND INTEREST. |
| SERMILA, JARMO | PROLAPSES | FLUTE ALONE | FAZER | 1973 | EST 5 MIN | M/H | C/U/HS | A GOOD LOOKING WORK WITH ACCESSIBILITY. |
| SERMILA, JARMO | THE MYTHIC MAN | PERCUSSION ENSEMBLE | FiMIC | 1982 | 12 MIN | H | C/U | NEED FIVE PLAYERS ON A COMPLETE RANGE OF INSTRUMENTS. NON-METRIC NOTATION AND OTHER SURPRISES. |
| SERMILA, JARMO | TROCORTRO FOR TRUMPET, HORN AND TROMBONE | BRASS TRIO | JASEMUSIIKKI | 1992 | EST 18+ MIN | H | C/U | FOUR MOVEMENTS OF AVANTE GUARDE BRASS TRIO LITERATURE. AS RECORDED BY A FINNISH BASS TRIO. ABOUT AS HARD AS IT GETS - NOT THE NOTES, BUT WHERE TO PUT THE NOTES. IT IS ALL ABOUT ENSEMBLE. HIGHLY ADVANCED ENSEMBLE ONLY! |
| SERMLA, JARMO | AALELAA | OBOE & PIANO | FiMIC | 2001 | 13 MIM | H | C/U | MOVEMENTS: INRODUZIONE, PASTORELLO, MARCIA MALINCONICA, CAPRICCIO. BOTH OBOE AND PIANO PLAYERS AT THE TOP OF THEIR TECHNICAL ABILITY AND WILLING TO REHEARSE TOGETHER TO MAKE THIS GO. |
| SIBELIUS, JEAN | ANDANTE FESTIVO | STRING ORCHESTRA | FAZER | 1967 | 5 MIN | E | C/U/HS | AN EASY ALLA BREVE PIECE. |
| SIBELIUS, JEAN | RAKASTAVA, OP 14 (THE LOVER) | STRING ORCHESTRA | FAZER | 1967 | M | C/U/HS | 1. THE LOVER, 2. THE PATH OF THE BELOVED, 3. GOOD NIGHT - FAREWELL. YES, IT IS ROMANTIC. NEED ONE PERCUSSIONIST. A GOOD SCORE, GREAT COMPOSER AND PLAYABLE MUSIC. | |
| SIBELIUS, JEAN | SOUVENIR, OP 79 NR 1 | VIOLIN & PIANO | FAZER | 1922 | EST 3 MIN | M/H | C/U | ROMANTIC PIECE FOR THE MATURE MUSICIAN. |
| SIPILA, EERO | PARTITA | WOODWIND QUINTET | FiMIC | 1955 | EST 8-9 MIN | M | C/U/HS | FIVE SECTIONS IN TRADITIONAL STYLE (A LA BAROQUE). |
| SOININEN, ANTTI | SUITE FOR STRINGS | STRING ORCHESTRA | SULASOL | 1998 | EST 12+ MIN | M | C/U/HS | MOVEMENTS: NAPOLEONIN MARSSI, KLAPPA, MENUETT, FINGERPOLSKA, POLKKA. A WELL LAID OUT SCORE WITH JUST A FEW PROBLEMS TO WORK OUT. |
| SONNINEN, AHTI | CANTATE CANTICA SOCII | STRING ORCHESTRA | FAZER | 1979 | EST 5 MIN | E | C/U/HS | THREE MELODIES FROM 'PIAE CANTIONES', 1582. EARLY STYLE. |
| SONNINEN, AHTI | FIVE NORDIC MELODIES | STRING ORCHESTRA | FAZER | 1981 | EST 12 MIN | M | C/U/HS | ONE FOLK TUNE FROM EACH OF THE FIVE NORDIC COUNTRIES. THEY ALL FLOW BUT ICELAND'S IS IN MIXED METER! |
| TAKALO, ARTTU | DON’T GO AWAY | BASSOON TRIO | FiMIC | 1998 | EST 5+ MIN | M/H | C/U | ALL MUST HAVE CLEFS. MARKED, COMODO SEMPLICEMENTE (MA CON ANIMA - A LA POP). SOME FUN FOR HE BASSOONS! |
| TAKALO, ARTTU | PRINSESSA JA JAATYNYT PUUTARHA - PRINCESS & A FROZEN GARDEN | BASSOON ENSEMBLE | FiMIC | 1995 | EST 6+ MIN | M/H | C/U | 6 BASSOONS AND A CONTRA. EASIER THAN THE OTHERS OF THIS INSTRUMENTATION ON THIS LIST. CLEFS NEEDED IN TWO OF THE PARTS. |
| TAKALO, ARTTU | SCI-FI | BAND | FiMIC | 2006 | EST 1O+ MIN | M/H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. MOVE: EMPORER (ANDANTE QUASI FESTIVO), BATTLE (ALLEGRO MOLTO). SCORE IS PASSABLE MS, PARTS PRINTED. A POPULAR COMPOSER OF FINNISH BAND MUSIC -- SEE HIS ‘THE WASTELANDS AND ‘SYMPHONY’ - BETTER MS! |
| TALVITIE, RIIKKA | HOBBYHORSING AROUND - KEPPIHEVOSTELLEN | STRING ORCHESTRA | FiMIC | 1999 | EST 12+ MIN | H | C/U | MOVEMENTS: WALKING AND PACING (ANDANTE), GALLOPING AND TROTTING (SCHERZO). ENJOY THIS PIECE MADE DIFFICULT BY THE MANY CHANGES OF METER. THERE IS SOME DIVISI. FOR THE GOOD C/U ENSEMBLE WITH MUSICIANS THAT CAN COUNT AND HAVE REHEARSAL TIME. |
| TEIRILA, TUOMO | EMMENTAL FOR OBOE, CLARINET AND BASSOON | WOODWIND TRIO | SML | 1993 | E/M/H | C/U/HS | MOVEMENTS: ALLEGRO MODERATO, ADAGIO, ALLEGRO MOLTO. SOME TRICKY THINGS HERE AND THERE TO WORK OUT, BUT THIS WILL PLAY WITH THE ADVANCED HS STUDENT AND C/U MUSICIANS. | |
| TEIRILA, TUOMO | VASKIKVINTETTO - BRASS QUINTET | BRASS QUINTET | JASEMUSIIKKI | 1993 | EST 9+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, PRESTO, ALLEGRO MOLTO. SOME MIXED METER AND THE TRUMPET ONE PART MAY CARRY A BIT MORE OF THE LOAD THEN THE REST OF THE ENSEMBLE. MOVEMENTS CAN STAND ALONE. |
| TIENSUU, JUKKA | MOOD - STEREOPHONIC MUSIC FOR SMALL ORCHESTRA | ORCHESTRA | FiMIC | 1999 | 9 MIN | H | C/U | PIC,FL,OB,CL,CBCL,BSN,CBSN,HN,CTRPT,TRB,TBA,STRINGS. WOULD BE EASY TO OVERLOOK THIS WORK. BUT IT WILL PLAY! DIVIDED ORCHESTRA ON STAGE ON SIDES OF THE AUDIENCE. HARD, BECAUSE IT WILL TAKE REHEARSAL TIME, BUT IT SHOULD BE EFFECTIVE! TRY IT! |
| TIKKA, KARI | PARTHIA VASKIKVINTETILLE | BRASS QUINTET | FiMIC | 1965 | M | C/U | TWO VERSIONS: 2TRPT, 2TRB, TBA OR 2TRPT, HN, TRB, TBA. IN MS. | |
| TIKKA, KARI | YOLLA - IN THE NIGHT | CLARINET & PIANO | FiMIC | 2002 | H | C/U | THE NOTES OR NOT HARD, BUT THE CONTEMPORARY SETTING WILL NEED A MUSICIAN WHO HAS HAD SOME EXPERIENCE IN MODERN SOUND AND APPROACH. VERY NICE SCORE IN 3 MOVEMENTS: NIGHTMARE (ALLEGRO PESANTE), LULLABY (DOLCE), IT’S ALMOST MORNING (ALLEGRO PESANTE). | |
| TOIVIO, LAURI | KIMPALE | FLUTE & BAND | FiMIC | 2003 | EST 3 MIN | E/M | C/U/HS | FL,OB,2CLBSN,AS,TS,2TRPT,HN,EUP,TRB,TBA,3PERC. AT LAST A FLUTE SOLO WITH BAND THAT WILL WORK FOR MANY STUDENTS AND MANY BANDS. TRADITIONAL IN MOST WAYS. |
| TOIVIO, LAURI | TRIO FOR FLUTE, CLARINET AND BASSOON | WOODWIND TRIO | Uusinta | 1988/90 | 13 MIN | M/H | C/U | MOVEMENTS: KOLERIA(ALLEGRO VIVO), FOBIA (ADAGIO), MELANKOLIA (ANDANTE), FINALE (ALLEGRO GIOCOSO). A FEW LITTLE PROBLEMS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. |
| TULINDBERG, ERIK | STRING QUARTET NR 1 | STRING QUARTET | FAZER | 1964 | EST 12 MIN | E/M/ | C/U | FOUR MOVEMENTS, NO SCORE, FINE FOR THE YOUNG OR BEGINNING STRING QUARTET OF COMPETENT PLAYERS. HE HAS ALSO COMPOSED 6 OTHER STRING QUARTETS IF YOU LIKE THIS ONE. |
| TUOMELA, TAPIO | PILKE 1 | SAXOPHONE(ALTO) & PIANO | FiMIC | 2005 | 11 MIN | H | C/U | SOME AVANTE GUARDE TECHNIQUES REQUIRED AND COMPLETE MASTERY OF THE INSTRUMENT ALONG WITH A FINE AND ADVENTUROUS PIANIST. THE SCORE IS VERY WELL LAID OUT FOR ITS UNDERSTANDING. |
| VAINIKKA, SAKARI | CONCERTO FOR TRUMPET & ORCHESTRA | TRUMPET & ORCHESTRA | FiMIC | 1988 | EST 12 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db). RENTAL ONLY. |
| VAINIKKA, SAKARI | CONCERTO FOR TRUMPET & ORCHESTRA | TRUMPET & PIANO | FiMIC | 1988 | EST 12 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db). |
| VAINIO, JAN MIKAEL | MAGMA MOON | FLUTE ALONE | Uusinta | 2000 | 6 MIN | H | C/U | THIS HAS EVERYTHING: MULTI PHONICS, KEY NOISE, BREATH TONES, AND OTHER THINGS TO MAKE IT VERY INTERESTING. PREPARE TO PRACTICE! |
| VAKKILAINEN, ARI | SAXOPHONE QUARTET | SAXOPHONE QUARTET | FiMIC | 2004 | EST 6+ MIN | M/H | C/U | SS.AS.TS,BS. LOTS OF INDIVIDUAL PART MOVEMENT AND MODERN HARMONY. INDIVIDUAL PARTS NOT HARD, BUT PUTTING IT TOGETHER WILL TAKE SOME REHEARSAL TIME. |
| VAKKILAINEN, ARI | SONATA FOR BASSOON AND PIANO | BASSOON & PIANO | FiMIC | 2004 | EST 7+MN | H | C/U | CLEFS NEEDED. RHYTHMIC THINGS TO WORK OUT, MODERN SETTINGS, NEED A GOOD PIANIST. UPPER DIVISION C/U STUDENT. |
| VAKKILAINEN, ARI | SONATA FOR HORN AND PIANO | HORN & PIANO | FiMIC | 2005 | EST 10+ MIN | H | C/U | TO B ABOVE THE STAFF AND HE LIKES THE LOW NOTES! LOTS OF NOTES TO PLAY IN A CONTEMPORARY SETTING. LAID OUT WELL AND PLAYS FOR THE C/U ADVANCED STUDENT. |
| VIITALA, MAURI | FANFAARI | BRASS ENSEMBLE | FiMIC | 1974 | 1 MIN 40 SEC | E/M | C/U/HS | 6/8 FANFARE WITH MODEST RANGES AND IT MOVES. POOR MANUSCRIPT IN THE SCORE. |
| VIITASAARI, JUKKA | CANTOR HENRY’S POLKA | BAND | 7IKKO | 2005 | 2 MIN 10 SEC | M | C/U/HS | PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,2HN,2TRB,EUP,TBA,4PERC. JUKKA HAS ARRANGED A NUMBER OF THESE TRADITIONAL FINNISH FOLK TUNES FOR BAND VERY PLAYABLE AND FUN. ALSO SEE, HINTRIIKKI PELTONIEMI’S FUNERAL MARCH’, ‘STAR GAZER’ AND ‘WIND BREEZES BEND THE TREES.’ |
| VIITASAARI, JUKKA | CROSSING THE BOSPORUS | BAND | 7IKKO | 1999 | 3 MIN 45 SEC | E/M | C/M/HS | PIC,2FL,2OB,EH,2BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,4TRPT,3COR,4HN,4TRB,EUP,TBA,STBS,8PERC,PIANO. YES, 8 PERCUSSIONISTS NEEDED - IDEAL FOR THE YOUNG ENSEMBLE WITH A LOT OF DRUMMERS. PLAYABLE BY A LOT OF DIFFERENT TYPES OF BANDS. |
| VIITASAARI, JUKKA | HUH! | BAND | 7IKKO | 2001 | 1 MIN 50 SEC | E | C/M/HS | FL,OB,BN,CL,AS,TS,TRPT,HN,TRB,EUP,TBA,STBS,5PERC,PIANO. STBS,TS AND PIANO ARE OPTIONAL. (SUB TITLE: SHUT OFF THE COMPUTER GAMES, FINISH YOUR HOMEWORK AND GO TO BED). EASY MUSIC,BUT FUN FOR ALL! |
| VIITASAARI, JUKKA | LIGHT UP THE SKY | BAND | 7IKKO | 2006 | 8 MIN 40 SEC | M/H | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,2AS,2TS,BS,4HN,4TRPT,2FLHN,4TRB,EUP,TBA,5PERC. VIITASAARI WON FIRST PRIZE IN A CONTEST FOR THIS ONE. |
| VIITASAARI, JUKKA | MAROKON KAUHU | BAND | 7IKKO | 2004 | 2 MIN 40 SEC | M | C/U/HS | 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. A NEW, FINNISH COMPOSER OF BAND MUSIC CIRCA 2000+ WITH MANY COMPOSITIONS AND ARRANGEMENTS. SEE HIS, RAIN DANCES’, ‘THE YOUNG LIONS’, ‘TANGO FANTASY’ AND OTHERS ABOUT THIS DIFFICULTY AND FUN TO PLAY! |
| VIITASAARI, JUKKA | NUORET LEIJONAT - THE YOUNG LIONS | BAND | 7IKKO | 2004 | 3 MIN 15 SEC | M | C/U/HS | PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,3HN,3TRB,EUP,2TBA,STBS,4PERC. ANOTHER FINE SCORE BY AN AWARD WINNING COMPOSER OF MUSIC THAT CAN BE PLAYED BY SCHOOL ENSEMBLES, COMMUNITY BANDS AS WELL AS C/U GROUPS. YOU MUST HAVE SOME OF THIS COMPOSERS WORKS! |
| VIITASAARI, JUKKA | OCTOBER SUN | BAND | 7IKKO | 2005 | 8 MIN | M/H | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STRBS,4PERC. A LITTLE HARDER THAN SOME OTHER OF THIS COMPOSERS WORKS BECAUSE QUANTITY OF NOTES. TRY THIS COMPOSER!. ALSO, SEE HIS, ‘BOTHNIAN RHAPSODY’ AND THE SHORT, ‘CANTOR HENRY’S POLKA’! |
| VIITASAARI. JUKKA | PORTRAIT OF A SEARCHER | BAND | 7IKKO | 2004 | 10 MIN 30 | M/H | C/U/HS | 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. OFTEN CHANGING METER AND NOTES FOR EVERYONE. JUKKA IS FUN TO PLAY AND TO LISTEN TO! BE SURE TO HAVE AT LEAST THREE OF HIS THINGS IN YOUR LIBRARY. |
| VIITASSARI, JUKKA | PIKKUPUHKUT - LITTLE HORN BLOWERS | BAND | 7IKKO | 2001 | 2 MIN 20 SEC | E | C/M/HS | 2FL,OB,BSN,2CL,2AS,TS,2TRPT,2HN,2TRB,EUP,TBA,STBS,6PERC,OPT.PIANO. AN EASIER WORK BY AN AWARD WINNING COMPOSER FOR THE YOUNGER ENSEMBLE. |
| VILEN, ASKO | MARSSIFANTASIA | BAND | STM | 1987 | 5 MIN | E/M | C/U/HS | PIC,FL,3CL,OB,AS,TS,2HN,3TRPT,2TRB,EUP,TBA,PERC. CONCERT MARCH IN 4/4. |
| VILEN, ASKO | SARKASTINEN TANSSI NO 1 (SARCASTIC DANCE) | BAND | ELVIS | 1986 | 7 MIN | E/M | C/U/HS | 2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,3TRPT,2TRB,3EUP,2TBA,PERC. ENJOYABLE MUSIC WITH CHANGING METERS AND STYLES AS IT GOES! |
| VILEN, ASKO | SARKASTINEN TANSSI NO 2 (SARCASTIC DANCE) | BAND | STM | 1988 | 7 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2EUP,TBA, 3PERC. SLIGHTLY DIFFERENT THAN THE ELVIS PUBLICATION. 'TONGUE-IN-CHEEK' MUSIC. CHANGES TEMPO & TIME SIG. CLARINET CADENZA. |
| VILEN, ASKO | SONAATTI | SAXOPHONE(ALTO) & PIANO | FiMIC | 1976 | EST 7-8 MIN | M/H | C/U | THREE MOVEMENTS. MS IS NOT GREAT, BUT A GOOD COMPOSER AND SOME WORTHWHILE MUSIC. |
| VIRTAPERKO, OLLI | KEHTOLAULU - LULLABY | OBOE ALONE | FiMIC | 2002 | EST 2 MIN | E/M | C/U/HS | MARKED POSO RUBATO, SO THERE IS TIME AND FREEDOM TO MAKE MUSIC IN A GOOD RANGE FOR THE INSTRUMENT. |
| WESSMAN, HARRI | CONCERTINO FOR CLARINET AND STRING ORCHESTRA | CLARINET & STRING ORCHESTRA | FiMIC | 2001 | EST 15+ MIN | M | C/U | MOVEMENTS: MODERATO, ANDANTE MODERATO, ALLEGRO. NO SPECIAL DEMANDS ON EITHER THE SOLOIST OR THE STRINGS. STRAIGHT AHEAD MUSIC. SEE MANY OTHER TITLES BY THIS COMPOSER IN THE FIMIC LISTING ONLINE. |
| WESSMAN, HARRI | CONCERTINO FOR HORN AND STRING ORCHESTRA | HORN & STRING ORCHESTRA | MODUS | 1995 | EST 7+ MIN | M | C/U/HS | MOVEMENTS: MODERATO, ANDANTE MA NON TROPPO, ALLEGRO. (ALL HAVING TO DO WITH RAIN). ACCESSIBLE BY THE LESS EXPERIENCED PLAYER AND HAS PIANO REDUCTION AVAILABLE. |
| WESSMAN, HARRI | CONCERTINO FOR TROMBONE AND STRING ORCHESTRA | TROMBONE & PIANO | MODUS | 1993 | EST EST 6+ MIN | M | C/U/HS | MOVEMENTS: ANDANTE,ETC, ADAGIO-ANDANTE, VIVACE - TEMPO GIUSTO. NICE ACCOMPANIMENT WITH PIANO OR THE STRING ORCHESTRA VERSION. COMFORTABLE RANGE FOR THE TROMBONE AND NICE USE OF THE PLUNGER! |
| WESSMAN, HARRI | CONCERTINO FOR TRUMPET AND STRING ORCHESTRA | TRUMPET & STRING ORCHESTRA | FiMIC | 1997 | EST 9+ MIN | M/H | C/U | MOVEMENTS: MODERATO, ANDANTE, ADAGIO/MOLTO ALLEGRO. TRUMPET IN C. WE SAW THE STRING REDUCTION WHICH WORKS AS A PIANO ACCOMPANIMENT. EXCELLENT MODERN C/U MATERIAL. A LOT OF 5 TO THE BEAT IN LAST MOVEMENT. |
| WESSMAN, HARRI | CONCERTO FOR FRENCH HORN AND CHAMBER ORCHESTRA | HORN (2) & STRING ORCHESTRA | FiMIC | 1993 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ALLA PLACCA, INTERMEZZO: SLOW WALTZ, ANDANTINO, INTERMEZZO: FOX TROT, FINALE. 2 HORNS, WITH THE MAIN EMPHASIS ON THE FIRST HORN EXCEPT THE FOX TROT, WHICH IS PLAYED BY THE SECOND HORN W/O THE FIRST. |
| WESSMAN, HARRI | CONCERTO FOR TROMBONE AND STRING ORCHESTRA | TROMBONE & STRING ORCHESTRA | FiMIC | 1992 | EST 12+ MIN | H | C/U | EIGHT MOVEMENTS DEALING WITH”AFFECTIONS” IE. LOVE, SORROW, ETC.IN VARYING DIFFICULTY - ALL CAN STAND ALONE. RANGE TO C IN LAST MOVEMENT. FIRST MOVEMENT ONLY PEDAL TONES. |
| WESSMAN, HARRI | CONCERTO FOR TRUMPET AND ORCHESTRA | TRUMPET & PIANO | LOVE | 1987 | 18 MIN | M/H | C/U | MOVEMENTS: ANDANTE, LARGHETTO MOLTO ELASTICO, ALLEGRO. WESSMAN WRITES FOR THE ADVANCED STUDENT PLAYER. RANGE TO B. MUTE USED. PIANO PART ACCOMPANIES, - DOES NOT GET IN THE WAY WHICH MEANS THE ORCHESTRA PARTS SHOULD BE VERY PLAYABLE AND IT IS! |
| WESSMAN, HARRI | CONCERTO FOR TUBA AND ORCHESTRA | TUBA & ORCHESTRA | FiMIC | 1996 | EST 20+ MIN | H | C/U | FL,OB,CL,HN,2TRPT,TRB,PERC,STRINGS. MOVEMENTS: MODERATO, ALLEGRO, LARGHETTO, MODERATO. TO G ONCE AND UP NEAR THERE A FEW TIMES. A LOT OF NOTES, BUT MOSTLY STRAIGHT FORWARD. ORCHESTRA ACCOMPANIMENT IS NOT DIFFICULT. |
| WESSMAN, HARRI | FIVE FLUTE PIECES | FLUTE & PIANO | FiMIC | 2003 | E/M/H | C/U/HS | MOVEMENTS: TRIPLETS, LEGATO, FIGURATION, THE FLIGHT OF THE MASQUITO, DOUBLE TONGUE MARCH. WHEN YOU DO NOT WANT TO GET TOO SERIOUS AT THE RECITAL. THIS SHOULD BE FUN FOR PLAYERS AND AUDIENCE. | |
| WESSMAN, HARRI | FIVE TROMBONE PIECES | TROMBONE & PIANO | LOVE | 1992 | EST 5+ IN | E/M | C/U/HS | MOVEMENTS (CAN STAND ALONE): SYNCOPATIONS, WHISPERS, ETUDE, BALLAD, EPILOGUE. MUTES, GIZZANDOS, FLUTTER TONGUE, ALL WRITTEN TO BE HIGHLY PLAYABLE. |
| WESSMAN, HARRI | JOHANN MATTESON’S TONE-FEET | BRASS QUINTET | FiMIC | 1992 | EST 7+ MIN | M | C/U/HS | MOVEMENTS: ANDANTE, ANDANTE, ALLEGRO, ADAGIO, ALLEGRO. EASIER MUSIC IN SHORT MOVEMENTS THAT CAN STAND ALONE. |
| WESSMAN, HARRI | KHIASMOS | STRING ORCHESTRA | FiMIC | 1996 | EST 5+ MIN | M | C/U/HS | MARKED PRESTO IN 6/8. THIS COMPOSER WRITES MUSIC TO BE PLAYED BY MANY. YOU WILL LIKE THIS WRITTEN FOR THE EUROPEAN YOUTH ORCHESTRA. |
| WESSMAN, HARRI | LAMBARDINEN RYTMI MENUETTI MARSSI FOR OBOE AND PIANO | OBOE & PIANO | MODUS | 1990 | EST 3+ MIN | E/M | C/U/HS | THREE MOVEMENTS AS THE TITLE SUGGESTS: ADAGIETTO UN POCO RUBATO, ALLEGRO GIOCOSO, ALLA MARCIA. NICE FOR CONTEST OR EARLY RECITAL. |
| WESSMAN, HARRI | LOITSUN PUHALLUS | BAND | SULASOL | 1984 | CA 10 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,BSN,AS,TS,BS,4HN,4TRPT,4TRB,3EUP,2TBA,2PERC. SCORE IS WELL LAID OUT WITH STRAIGHT AHEAD MATERIAL. |
| WESSMAN, HARRI | NELJA SINFONISTA KUVAA- FOUR SYMPHONIC PICTURES | ORCHESTRA | FiMIC | 1994 | 12 MIN | M/H | C/U/HS | PIC,3FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,3PERC,HARP,STRINGS. MOVEMENTS: ANDANTE CON MOTO, LARGO, ALLEGRO MOLTO, ADAGIO-ALLEGRO. SCORE IS IN MS. PARTS PRINTED. SOLID WRITING FOR THE GOOD HS, COMMUNITY OR C/U ORCHESTRAS. |
| WESSMAN, HARRI | OLLI'S SOLO | FLUTE ALONE | FiMIC | 1980 | EST 3 MIN | M | C/U/HS | GOOD INTRO TO FLUTE ALONE LITERATURE. |
| WESSMAN, HARRI | PRELUDE AND TOCCATA | EUPHONIUM & BAND | FiMIC | 2001 | 10 MIN | M/H | C/U | 3FL,OB,3CL,BCL,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. BAND PART IS QUITE EASY, JUST LISTEN TO THE SOLOIST PLAY A LOT OF NOTES IN BASS AND TENOR CLEF TO HIGH C. METAL MUTE NEEDED. THE TOCCATA IN 6/8 CAN GET TRICKY FOR THE SOLOIST. PIANO REDUCTION AVAILABLE. |
| WESSMAN, HARRI | RHETORICAL SUITE FOR TRAVERSO AND BAROQUE ORGAN | FLUTE & ORGAN | FiMIC | 1999 | EST 5+ MIN | M | C/U | MOVEMENTS: SUSPIRATIO, OBSTINATIO, DISTENDENTE MANIERA, ARIETTA, GIGUE. MOVEMENTS CAN STAND ALONE. NOT NECESSARILY CHURCH MUSIC. EASIER THAN MUCH OF THE CONTEMPORARY LITERATURE. |
| WESSMAN, HARRI | SARJA JOUSIORKESTERILLE | STRING ORCHESTRA | FiMIC | EST 10 MIN | M/H | C/U | FOUR SHORT ACCESSIBLE MOVEMENTS WITH NO SURPRISES. RENTAL ONLY. | |
| WESSMAN, HARRI | SERENADI TRUMPETILLE (SERENADE FOR TRUMPET & SO) | TRUMPET & STRING ORCHESTRA | FiMIC | 1976 | 4 MIN | M | C/U/HS | ONE MOVEMENT PLAYABLE BY THE STRONG, YOUNG PLAYER. STRING PARTS NOT HARD. THE TRUMPET PART SINGS ON THIS ONE. RENTAL ONLY. |
| WESSMAN, HARRI | SONATA | HORN & PIANO | FiMIC | 1988 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS WITH MODEST RANGE REQUIREMENTS. (TO C ONCE AND LOW A FEW TIMES.) |
| WESSMAN, HARRI | SONATA | VIOLIN ALONE | FAZER | 1988 | EST 9 MIN | H | C/U | THREE MOVEMENTS, LAST TWO ATTACCA. DIFFICULT PIECE, BUT NO SURPRISES. |
| WESSMAN, HARRI | SONATA FOR TRUMPET AND PIANO | TRUMPET & PIANO | LOVE | 1991 | ST 9+ MIN | M | C/U/HS | MOVEMENTS: ALLEGRO, ADAGIETTO, PRESTO. TRUMPET IN C. RANGE TO HIGH C, BUT LIMITED USE OF THE HIGH RANGE. GOOD COMPOSITION FOR THE C/U STUDENT. SEE OTHER WORKS BY THIS COMPOSER FOR BRASS INSTRUMENTS. |
| WESSMAN, HARRI | SONATA FOR TUBA AND PIANO | TUBA & PIANO | FiMIC | 1995 | EST 11+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, VIVACE. NOT AS HARD AS SOME, IDEAL FOR THE GOOD C/U SERIOUS STUDENT FOR RECITAL. PIANO PART ACCOMPANIES AND STAYS OUT OF THE WAY. EXCELLENT COMPOSER FOR THIS LEVEL OF MATERIAL. |
| WESSMAN, HARRI | SONATA NO 2 FOR CELLO & PIANO | CELLO & PIANO | FiMIC | 1979 | EST 18-20 MIN | M/H | C/U | THREE MOVEMENTS OF A MAJOR WORK BY A FINE COMPOSER. THIS DESERVES SERIOUS ATTENTION. |
| WESSMAN, HARRI | THE PRINCESS WHO SLEPT HUNDRED YEARS | TRUMPET & PIANO | FiMIC | 1981 | EST 3+MIN | E | C/M/HS | TRUMPET IN C. JUST A NICE SONG - HAVE THE Bb PLAYER LEARN TO TRANSPOSE ON THIS 0NE. |
| WESSMAN, HARRI | TOPICS | HORN & PIANO | MODUS | 1993 | EST 8+ MIN | M/H | C/U | SECTIONS CONNECTED TO B FOR THE HORN. PIANO PART IS EASIER, CONTEMPORARY HARMONIES! |
| WESSMAN, HARRI | VALSE MOINS TRISTE | ORCHESTRA | FiMIC | 1990 | EST 6+ MIN | E/M | C/U/HS | 2FL,2OB,2CL,2BSN,2HN,3TRPT,TRB,2PERC,STRINGS. GREAT FOR THE YOUNG ORCHESTRA TO PLAY A VIENNESE WALTZ THAT IS EASIER TO ACCOMPLISH. LOTS OF REPEATS,ETC. LIKE THE STRAUSS WALTZES. |
| WESSMAN, HARRI | VARIATION SUITE FOR TROMBONE QUARTET | TROMBONE QUARTET | FiMIC | 1997 | EST 10 MIN | H | C/U | MOVEMENTS: THEME, STACCATO, CHORALE, TOCCATA. ALTO CLEF, TENOR CLEF, BASS CLEF AND BASS TROMBONE. SOME THEATER, NICE USE OF THE SLIDE. GREAT FOR THE ADVANCED ENSEMBLE. NEED AN ALTO TRB AND BASS TRB. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission