Nordic Instrumental Music

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Composer Arranger Title Ensemble Medium Publisher_Code Date Time Difficulty Recommended Level Comments
AALTONEN, ERKKI PRELUDI JA ALLEGRO VIOLA & PIANO FAZER/AALTONEN 1948 EST 5-6 MIN M/H C/U MARKED ANDANTE CON MOTO; ALLEGRO-VIVACE. GOOD MATERIAL AND STRAIGHT AHEAD.
AHMAS, HARRI HIC ET NUNC FOR WIND BAND BAND FiMIC 2000
H C/U PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,4PERC. THIS ONE HAS ALL THE TRAPS THAT WILL MAKE ALL WORK, INCLUDING THE CONDUCTOR! MIXED METER, NOTES, - EVERYBODY DOES SOMETHING. EXCITING AND HARD! THE BEST C/U GROUPS.
AHMAS, HARRI SINFONIETTA FOR WIND ORCHESTRA BAND FiMIC 2002 26 MIN H C/U PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,PIANO,3CTRPT,4HN,3TRB,EUP,2TBA,4PERC. MOVEMENTS: PRELUDI, EL SUR FOR MR. LUIS PASQUET, FINALE. LOADED WITH THINGS TO WORK OUT, BUT ALL ARE POSSIBLE. IDEAL FOR THE LARGE C/U BAND.
AHO, KALEVI SOLO VIII EUPHONIUM ALONE FENNICA 2003 9 MIN H C/U THIS IS A WORK FOR THE PRACTICE ROOM -- AFTER CONSIDERABLE TIME THE BEST PLAYER MIGHT PLAY THIS FOR A RECITAL TO SHOW OFF -- IT IS THAT KIND OF WORK. BASS & TENOR CLEF, RANGE UP AN DOWN, RHYTHM!
AHO, KALEVI STRING QUARTET III STRING QUARTET FAZER 1978 EST 10 MIN H C/U SECTIONS ATTACCA MAKING ONE MOVEMENT. RHYTHMIC CHALLENGES, IE. 11/16, 13/16 AND OTHER MIXED METER THINGS. STILL PLAYABLE!
AHO, KALEVI TRISTIA BAND FiMIC 1999 11 MIN H C/U PIC,2FL,2OB,3CL,BCL,2AS,TS,BS,2BSN,3TRPT,4HN,EUP,3TRB,TBA,2PERC. THE SCORE IS IN A MESSY MS - THE PARTS ARE PRINTED. LOTS OF CHANGING METER AND OTHER PROBLEMS, BUT WE SEE NOTHING THAT MAKES THIS IMPOSSIBLE, DIFFICULT, YES.
AHVENLAHTI, OLLI ONE FOR LIBERTAD STAGE BAND FiMIC 1978 EST 4 1/2 MIN H C/U A 'COOKER'! STRAIGHT AHEAD ACTION.
ALMIA, ATSO CONCERTO II PER TUBA TUBA & BAND FiMIC 2004 EST 20+ MIN H C/U PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER.
ALMILA, ATSO AIR FOR BRASS, OP 18/3 BRASS ENSEMBLE ELVIS 1982 EST 4-5 MIN M C/U/HS COR IN Eb,2TRPT,2HN IN Eb,2TRB,2EUP,2TBA,PERC. PIANO SCORE. MELODIC AND PLAYABLE, SUGGEST FLUEGELHORN FOR Eb CORNET PART.
ALMILA, ATSO CONCERT-TANGO BRASS ENSEMBLE FiMIC 1977 7 MIN M/H C/U ONE MOVEMENT OF A SOMETIMES DRAMATIC TANGO. MODEST RANGE DEMANDS.
ALMILA, ATSO CONCERTO FOR BASSOON BASSOON & ORCHESTRA FiMIC 2001/2002 19 MIN H C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,TIMP,STRINGS. SECTIONS ARE CONNECTED. SOLO FOR TOP UPPER LEVEL C/U OR GRADUATE STUDENT. ORCHESTRA PART HAS JUST A FEW PLACES TO BE CONCERNED WITH. NICE SCORE!
ALMILA, ATSO CONCERTO FOR TUBA AND STRING ORCHESTRA TUBA & STRING ORCHESTRA FiMIC 1986 16 MIN H C/U COMPOSED FOR MICHAEL LIND. USUAL THREE MOVEMENTS WITH RANGE TO D JUST ONCE, OTHERWISE MODEST DEMANDS. STRING PARTS QUITE PLAYABLE. RENTAL ONLY.
ALMILA, ATSO DEDICATIONS, MEMORIES, OP 27 BRASS QUINTET FiMIC 1985 11 MIN M/H C/U THREE MOVEMENTS(F-S-F) OF GOOD MATERIAL BUT MANUSCRIPT IS MARGINAL.
ALMILA, ATSO EPOSIMO BAND FiMIC 2003
M/H C/U PIC,FL,OB,2CL,BCL,AS,TS,BS,COR,2TRPT,2EbHN,2TRB,EUP,TBA,3PERC. NOTE THE UNUSUAL INSTRUMENTATION. A FINE COMPOSER OF BAND MUSIC WITH A CLEAN SCORE TO WORK FROM. HOPE THE HORNS CAN TRANSPOSE!
ALMILA, ATSO KONSERTTO, OP 20 STRING BASS & ORCHESTRA FiMIC 1979 17 MIN H C/U 2FL,2CL,2HN,PERC,STRINGS. THREE MOVEMENTS WITH NO SURPRISES. IDEAL FOR COLLEGE BASS STUDENT. ORCHESTRA PARTS NOT DIFFICULT. RENTAL ONLY.
ALMILA, ATSO PIENI SARJA NELJAILE KAYRATORVELLE HORN QUARTET FiMIC 1987 7 MIN 40 SEC M/H C/U THREE MOVEMENTS WITH SOME RHYTHMIC CHALLENGE. GOOD SCORE AND FINE COMPOSER. "LITTLE SUITE FOR HORN QUARTET".
ALMILA, ATSO RAGINSKI BRASS QUINTET FiMIC 1985 EST 5+ MIN M/H C/U A RAG - ALMILA STYLE. IN A GOOD MS. ALL PLAYERS HAVE TO PLAY, BUT THIS IS FUN AND WILL BE EXCELLENT PROGRAM MUSIC. SEE ALSO HIS BRASSQUINTET (1991) IN THE FIMIC ONLINE CATALOG.
ALMILA, ATSO SINFONIA II BAND FiMIC 2003 25 MIN H C/U 2FL(PIC),OB,EbCL,2CL,BCL,BSN,AS,TS,3HN,3TRPT,3TRB,EP,TBA,2PERC. ALL SECTIONS CONNECTED. A MAJOR WORK BY A MAJOR COMPOSER FOR WINDS. NOTE THE INSTRUMENTATION. NO BIG PROBLEMS - JUST A LONG PIECE.
ALMILA, ATSO SUITE, OP 8 TROMBONE & PIANO FAZER 1976
M/H C/U/HS THREE MOVEMENTS. 1 & 2 SING AND 3 MOVES! RANGE TO D. GOOD SCORE AND STRING ORCHESTRA PARTS AVAILABLE FROM FMIC.
ALMILA, ATSO TAIKALAMPPU - THE MAGIC LANTERN BRASS TRIO FiMIC 1990 EST 4 MIN H C/U CTRPT,HN,TRB. A FAST MOVING PIECE WITH SOME TRICKY RHYTHMIC THINGS. CONTEMPORARY SETTING AND CAN BE SOME FUN!
ALMILA, ATSO TROMBONE CONCERTO TROMBONE & ORCHESTRA FiMIC 1994 EST 12+ MIN H C/U FL,OB,BSN,HN,TRPT,STRINGS. WE ARE RELUCTANT TO PUT THIS ONE 0N OUR LIST BECAUSE IT IS SO DIFFICULT, BUT SO WELL LAID OUT. SOME THEATER, MUTES, AND DEMONSTRATIONS OF THE COMPOSER’S COMPLETE KNOWLEDGE OF THE TROMBONE.
ALMILA, ATSO UNICORNO, OP 14 HORN ALONE FAZER 1976 8 MIN H C/U FOUR MOVEMENTS WITH 3 & 4 ATTACCA. NONTRADITIONAL TECHNIQUES BUT LAID OUT WELL. CIRCULAR BREATHING OPTIONAL. RANGE DEMANDS MODEST.
ALMILA, ATSO VISIONS FROM THE NORTH BAND FiMIC 1997 19 MIN H C/U 2FL,2OB,EbCL,3CL,BCL,2BSN,AS,TS,BS,4TRPT.4HN,3TRB,EUP,TBA,AT LEAST 2PERC. MOVE: IN TIMES OF WAR (ALLEGRETTO), DANCE OF THE MIDNIGHT SUN (MODERATO), INTRODUCTION: THE MYTHICAL GODS (TRANQUILLO) ATTACCA TO FINALE: THE KING’S MARCH (ALLEGRO MODERATO). EXCELLENT WORK!
ALMILA, ATSO ZIBELJOSH BASSOON TRIO FiMIC 2003 9 MIN H C/U MOVEMENTS: ALLEGRETTO, VALSE VERY LENTE ALLEGRO CABARETTO. ALL NEED CLEFS AND FINGERS. GOOD USE OF DYNAMICS IN THE SCORE.
ALMILA, ATSO PUHALLINKVINTETTO WOODWIND QUINTET FiMIC 1993 EST 14+ MIN M/H C/U MOVEMENTS: ANIMATO, LARGO MA TENSIVO, TRANQUILLO/PRESTO. ALMILA ALWAYS DOES SOMETHING TO MAKE IT UNUSUAL AND INTERESTING. THE ARE A LOT OF NOTES TO PUT IN SOME MEASURES, OTHERWISE THIS ONE GOES STRAIGHT AHEAD.
ALMLA, ATSO TAIKALAMPPU - THE MAGIC LANTERN BRASS QUARTET FiMIC 1993 ST 3+ MIN M/H C/U 2 TRPT, 2 TRB IN BASS AND TENOR CLEF. THIS IS MADE HARDER THAN IT LOOKS BECAUSE OF THE JUXTAPOSITION OF ONE RHYTHMIC PATTERN UPON ANOTHER, IE 6 ON 4, ETC. A COMPOSER WITH FUN IDEAS. ALSO SEE HIS BRASS TRIO OF THIS MUSIC
BASHMAKOV, LEONID ALKUSOITTO "1971" BAND FiMIC 1971 10 MIN H C/U/HS PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, 2PERC,TMP. A GOOD COMPOSER, SOMEWHAT MESSY SCORE. USES THE INSTRUMENTS VERY WELL.
BASHMAKOV, LEONID CASSIONE TUBA ALONE FAZER 1976 EST 3-4 MIN M/H C/U RANGE TO D AND PLAYABLE.
BASHMAKOV, LEONID CONCERTO PER ORGANO E ORCHESTRA BRASS & ORGAN FiMIC 1975 17 MIN H C/U 4TRPT,4HN,3TRB,TBA,PERC,ORGAN. THREE MOVEMENTS WITH MANY RHYTHMIC CHALLENGES FROM A FINE COMPOSER.
BASHMAKOV, LEONID CRESCENDO BAND FiMIC 1980 5 MIN M/H C/U PIC,2FL,4CL,BCL,2OB,EH,2BSN,2AS,TS,BS,4HN,8TRPT,4TRB,EUP,2TBA,2PERC,TMP,STRB. GOOD SCORE BUT A BIT MESSY. A FINE COMPOSER WHO KNOWS HOW TO USE THE INSTRUMENTS.
BASHMAKOV, LEONID FANTASIA PER FLAUTI FLUTE ALONE FiMIC 1972 6 MIN 30 SEC M/H C/U A FINE COMPOSER AND A MOST INTERESTING PIECE. SOLOIST SWITCHES BETWEEN GRAND FLUTE, ALTO FLUTE AND BASS FLUTE!
BASHMAKOV, LEONID PRELUDE JA SCHERZO BAND FiMIC 1973
M/H C/U PIC,2FL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC, TMP. GENTLE OPENING WITH 2 HORNS THEN 2 CLARINETS. FINE CONCERT MATERIAL FROM A VERY GOOD COMPOSER.
BASHMAKOV, LEONID SONATA BASSOON ALONE FiMIC 1976
H C/U FINE COMPOSER AND COMFORTABLE CHALLENGE.
BASHMAKOV, LEONID SONATA FOR RAINER PERCUSSION ENSEMBLE FiMIC 1970 CA 12 MIN H C/U FOUR MOVEMENTS THAT CAN STAND ALONE. 2-5 PERSONS PLAYING AT ONE TIME. BOTH TUNED & NON-TUNED INSTRUMENTS.
BERGMAN, ERIK THREE FANTASIAS, OP 42 CLARINET & PIANO FAZER 1954 EST 8 MIN M/H C/U MIXED METER IN THE THREE MOVEMENTS AND ALL TEMPOS QUITE SLOW. CONTEMPORARY SOUNDS AND RHYTHMIC EMPHASIS, YET PLAYABLE.
BERGSTROM, HARRY A PARTY IN HESPERIA PARK ORCHESTRA FiMIC 1980 EST 10+ MIN M C/U/HS PIC,2FL,2CL,2OB,BSN,4HN,2TRPT,3TRB,2PERC,ELECT GUITAR,BASS GUITAR,STRINGS. FOR THE POP MUSIC CONCERT. THIS ONE MOVES ALONG. CROWD PLEASER! RENTAL ONLY.
BERGSTROM, HARRY AMETISTI ORCHESTRA FiMIC 1980 EST 10+ MIN M/H C/U/HS PIC,2FL,2CL,OB,BSN,4HN,2TRPT,2TRB,TIMP,STRINGS,PIANO SOLO. THE 'HEAVY' NUMBER FOR THE SPRING POPS CONCERT. RENTAL ONLY.
BOEHM, ILKKA VON THREE DIMENSIONS FLUTE ALONE FiMIC 2002 5 MIN H C/U INTERESTING AND INNOVATIVE. LARGE INTERVALS AND NOTES. PRACTICE STAND FOR A TIME, THEN SHOW OFF AT RECITAL.
BORG, KIM CHURCH MUSIC, OP 26 TROMBONE & ORGAN FiMIC 1977
H C/U 1. PSALM 2. MEDITATION 3. PRAYER. RANGE TO D. A GOOD SCORE COMPOSED FOR CARSTEN SVANBERG.
BORG, KIM CONCERTO FOR TROMBONE & ORCHESTRA, OP 21 TROMBONE & PIANO FiMIC 1977
H C/U USUAL THREE MOVEMENTS, RANGE TO D. ORCHESTRA PARTS AVAILABLE. SCORE IS A BIT MESSY. GOOD CONTRASTS IN THE MUSIC.
BORG, KIM DIATONIC QUINTET, OP 44 WOODWIND QUINTET FAZER 1985
M C/U 1. FOLK SONG 2. DANCES 3. LANDSCAPE 4. FANFARE. CLARINET PART IS FOR BASS CLARINET! STRAIGHT AHEAD MUSIC.
BORG, KIM FINNISH RHAPSODY, OP 32 TUBA & PIANO FiMIC
EST 6-7 MIN M C/U/HS THREE MOVEMENTS. RANGE TO D. 1. ON THE ROAD 2. SUMMER NIGHT 3. WEDDING. RECITAL CONCERT PROGRAM. CHAMBER ORCHESTRA ACCOMPANIMENT AVAILABLE.
BORG, KIM HUMORESKI FOR TRUMPET AND STRING ORCHESTRA TRUMPET & STRING ORCHESTRA FiMIC 1995 8 MIN M C/U MOVEMENTS: MARCH, WALTZ, POLKA. TRUMPET N C. RANGE TO C, BUT MOSTLY COMFORTABLE RANGE. SCORE IS IN DECENT MS. ALL PLAYABLE MUSIC FLIRTING WITH CONTEMPORARY HARMONY.
BORG, KIM QUARTETTO PER TROMBONI, OP 41 TROMBONE QUARTET FiMIC 1983
H C/U USUAL THREE MOVEMENTS. TECHNICAL CHALLENGES AND HIGH TESSITURA FOR TROMBONE 1.
BRUK, FRIDRICH SONATA FOR CLARINET CLARINET ALONE BRUK 1991 EST 8+ MIN M/H C/U MOVEMENTS: MODERATO, SCHERZOSO, ALLEGRO. NO PARTICULAR PROBLEMS, NOTES AND STRAIGHT AWAY. EASIER THAN SOME.
BRUK, FRIDRICH THE STEPPE WOODWIND QUARTET FAZER 1962 6 MIN 30 SEC E/M C/U/HS FL,OB,CL,BSN. 1. THE ENDLESS WINTRY STEPPE 2. SPRING FLOW 3. MORNING ON THE STEPPE. TRADITIONAL AND STRAIGHT AHEAD.
BUJANOVSKI, VITALI SONATA NO 2 "FINNISH" HORN ALONE FAZER 1984 EST 10+MIN H C/U THREE MOVEMENTS THAT CAN STAND ALONE. RHYTHMIC & MELODIC COMPLEXITY WITH MODEST RANGE DEMANDS.
BYSTROM, THOMAS SONATA II VIOLIN & PIANO FAZER 1972 EST 6+MIN E/M C/U/HS LATE 18TH CENTURY COMPOSER. THREE MOVEMENTS FOR RECITAL AND STRAIGHT AHEAD. HE ALSO HAS A SONATA I.
CRUSELL, BERNARD HENRIK THREE PROGRESSIVE DUETS CLARINET DUET HINRICHSEN PUB. 1960 EST 8+ MIN M C/U/HS THE THREE ARE SOLD SEPARATELY. THESE ARE MUST HAVE ITEMS FOR ANY SERIOUS CLARINET PLAYER. JUST STRAIGHT AHEAD AND ENJOY.
CRUSELL, BERNHARD CONCERTINO BASSOON & PIANO FAZER 1984 EST 8+MIN M/H C/U LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. A VERY PLAYABLE PIECE FOR RECITAL.
CRUSELL, BERNHARD INTRODUCTION ET AIR SUEDOIS VARIE, OP 12 CLARINET & PIANO FAZER 1980 EST 5 MIN H C/U LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. CLARINETS ANSWER TO HERBERT L. CLARK. SHOW OFF MUSIC, RECITAL CLOSER. NOTES!
CRUSELL, BERNHARD HENRIK SONATA FOR FLUTE AND PIANO FLUTE & PIANO FAZER 1990 EST 12+ MIN M/H C/U/HS ARRANGED FOR THIS COMBINATION BY TIMO HONGISTO FROM THE OPUS 8 FOR FLUTE QUARTET BY CRUSELL. TRADITIONAL HARMONIES AND WELL SCORED. GOOD HS CONTEST OR EARLY C/U RECITAL. MOVEMENTS.
CRUSELL, BERNHARD HENRIK (1775-1838) POT-POURRI FOR CLARINET, HORN AND BASSOON WOODWIND TRIO ARTEMUSA 2001 EST 10+ MIN M/H C/U CRUSELL IS A MUST IN MOST WOODWIND PLAYERS REPERTOIRE. THIS WORK RECONSTRUCTED IN 2001 SHOULD JOIN THE OTHER CRUSELL WORKS IN THOSE PERSONAL LIBRARIES. JUST FUN TO PLAY!
CRUSELL,BERNHARD HENRIK(1775-1838) KLARINETTKONSERT NO. 3, OP. 11 CLARINET & ORCHESTRA FiMIC PUB 1995 EST 20+ MIN M/H C/U FL,2OB,2BSN,2H,2TRPT,TIMP,STRINGS. MOVEMENTS: ALLEGRO RISOLUTO, ANDANTE MODERATO, ALLA POLLACCA. NOTE THE DATES FOR THE COMPOSER. IDEAL FOR EARLY CONCERTO PLAYING AND HE HAS TWO OTHERS AVAILABLE FROM FIMIC. CLARINETISTS SHOULD KNOW THIS COMPOSER
EEROLA, LASSE FANTASIA CLARINET & PIANO HELLAS 1985 EST 6+ MIN H C/U NOT AS DIFFICULT AS SOME, JUST LEARN THE NOTES AND MAKE MUSIC. FOR UPPER DIVISION C/U. SOME MODERN SOUNDS!
EEROLA, LASSE FANTASY FOR CLARINET & WIND ORCHESTRA CLARINET & BAND FiMIC 1986 12 MIN M/H C/U/HS PIC,3FL,EbCL,4CL,ACL,BCL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP, 2TBA,3PERC,TMP,PIANO IS OPT. SECTIONS CONNECTED BY CADENZAS OR OTHER MEANS. FREQUENT TIME SIGNATURE CHANGES. OPPORTUNITY TO FEATURE THE BANDS FIRST CLARINETIST.
EEROLA, LASSE HAARAPALPAKKO CLARINET & PIANO FiMIC 1990 6 1/2 MIN M/H C/U THIS COMPOSER WRITES WELL FOR THE CLARINET. DEFINITELY MODERN, BUT LOGICAL MAKING IT EASIER TO PLAY. GOOD C/U RECITAL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE FIMIC CATALOG ONLINE
EEROLA, LASSE HARMO BRASS QUINTET FiMIC 1991 EST 4 MIN 30 SEC M/H C/U SOME CLOSE HARMONIC EVENTS AND IN 6/8 @ 108 MOST OF THE WAY. CONFOUNDING 5/8 ENDING. DYNAMICS IMPORTANT ERE!
EEROLA, LASSE HEVONHIERAKKA CLARINET & PIANO FiMIC 1992 EST 3+ MIN M/H C/U A CONTEMPORARY SETTING AND MIXED METER, BUT THIS LOOKS LIKE A LOT OF FUN TO WORK OUT. YOU WILL LIKE THE ENDING! SEE OTHER WORKS BY THIS COMPOSER FOR THIS COMBINATION - LIKE “HARMIO”.
EEROLA, LASSE MUSIC FOR BRASS QUINTET AND WIND ORCHESTRA BRASS QUINTET & BAND FiMIC 1997/98 17 MIN M/H C/U FL(PIC),OB,4CL,BCL,BSN,2AS,TS,BS,4HN,3TRPT,EUP,3TRB,TBA,3PERC,BRASS QUINTET. MOVEMENT: BRISKLY, SLOWLY, QUICKLY. FOR THE FACULTY BRASS QUINTET AND THE COLLEGE BAND. EACH GROUP GETS TO SHOW OFF AT DIFFERENT TIMES.
EEROLA, LASSE MUSIC FOR TUBA AND ORCHESTRA TUBA & ORCHESTRA FiMIC 1991 11 MIN H C/U 2FL(PIC),2CL(BCL),BSN,2HN,PIANO,3PERC,STRINGS. ONE MOVEMENT WITH SOLO TO HIGH Ab AND VICINITY A FEW TIMES. PIANO REDUCTION AVAILABLE. 2 LARGE CADENZAS.
EEROLA, LASSE N-SARJA (N-SUITE) HORN & STRING ORCHESTRA FiMIC 1992 ST 19+ MIN M C/U/HS 8 SHORT, STAND ALONE MOVEMENTS. THE LAST ONE HAS SOME MIXED. CONTEMPORARY HARMONY. HE ALSO HAS A WORK TITLED, MUSIC FOR HORN AND ORCHESTRA THAT IS VERY HARD, BUT GOOD! PIANO REDUCTION AVAILABLE. THIS IS AVAILABLE FOR ALL INSTRUMENTS.
EEROLA, LASSE QUINTET BRASS QUINTET FiMIC 1987 16 MIN H C/U FOUR MOVEMENTS WITH CADENZAS AND CHALLENGES. GOOD SCORE.
EEROLA, LASSE SUITE FOR WIND ORCHESTRA BAND FiMIC 1992 16 MIN H C/U 3FL(PIC),2OB,EbCL,3CL,BCL,2AS,TS,BS(BSN),3-4TRPT, 2FLHN, 4HN,3-4TRB,2EUP,2TBA,4PERC. MOVEMENTS: MAESTOSO, MOLTO ADAGIO E SEMPLICE, SCHERZANDO. NOTE THE INSTRUMENTATION AND EXPECT MANY DEMANDS ON THE MUSICIANS. AN EXCELLENT SCORE WAITING TO BE PLAYED --WELL!
EEROLA, LASSE THREE PIECES FOR TUBA AND PIANO TUBA & PIANO FiMIC 1993 EST 9+ MIN H C/U PIECES: ALLEGRO, MODERATO, RISOLUTO. PLAYABLE BY THE STUDENT WITH A GOOD HIGH F (ONE MOVEMENT UP THERE)AND FINGERS. INVENTIVE WRITING - LIKE THE OCTAVES WITH THE PIANO IN FIRST PIECE. MOVEMENTS CAN STAND ALONE.
EEROLA, LASSE THREE PIECES FOR WIND QUINTET WOODWIND QUINTET FiMIC 1994 11 MIN 30 SEC M/H C/U MOVEMENTS: SCHERZANDO, ADAGIO, GIOCOSAMENTE. SOME RHYTHMIC SITUATIONS, OTHER WISE THIS CONTEMPORARY QUINTET WILL PLAY WITHOUT A LOT OF PROBLEMS. SEE ALSO EEROLA’S QUINTET TITLED, FIVE COLOURS FOR WW QUINTET AND OTHERS IN FIMIC ONLINE LISTING.
EEROLA, LASSE VARIATIONS FOR WIND ORCHESTRA BAND STM 1975 7+MIN E/M C/U/HS PIC,3FL,4CL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,2TBA,2PERC,TMP. AN EASY PIECE WELL LAID OUT IN A GOOD SCORE.
EJE, MARCUS/EINAR ENGLUND DESILLUSION ORCHESTRA FiMIC 1966 EST 7 MIN M/H C/U/HS 2FL,2CL,2OB,BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO,STRINGS. LIGHT MUSIC FOR THE POP CONCERT. IT ROLLS ALONG! RENTAL ONLY.
ENGLUND, EINAR CONCERTO FOR Bb CLARINET AND ORCHESTRA CLARINET & ORCHESTRA FIMIC 1991 EST 15+ MIN M/H C/U 2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. OOD WRITING FORTH CLARINET AND ORCHESTRA. IDEAL FOR THE C/U STUDENT AND C/U ORCHESTRA. NO SPECIAL DEMANDS.
ENGLUND, EINAR DE PROFUNDIS 1980 BRASS ENSEMBLE FiMIC 1980 EST 12-15 MIN H C/U 4TRPT,4HN,4TRB,2TBA. THREE MOVEMENTS IN A GOOD SCORE. REASONABLE RANGES AND HIGH PERFORMANCE EXPECTATIONS.
ENGLUND, EINAR INTRODUZIONE E CAPRICCIO VIOLIN & PIANO FAZER 1875 EST 8 MIN H C/U CONTEMPORARY SOUNDS WITH INTERESTING USE OF RHYTHM AND STOPS.
ENGLUND, EINAR KVINTETT WOODWIND QUINTET IMIC 1989 EST 20+ MIN

MOVEMENTS: CHORALE, SCHERZO, INTERMEZZO, FINALE - ALLEGRO CON BRIO. WE LIKE THIS SCORE AND THINK IT WILL WORK WELL WITH STANDING QUINTETS AS WELL AS C/U ENSEMBLES. SCORE IS IN GOOD MS.
ENGLUND, EINAR OPENING BRASS BRASS ENSEMBLE FiMIC 1988 3 MIN M C/U 4HN,4BbTRPT, 4TRB,EUP,2TBA. GOOD MS. MARKED, ALLEGRO MAESTOSO. LIKE ALONG DIGNIFIED FANFARE.
ENGLUND, EINAR PANORAMA TROMBONE ALONE FAZER 1976 EST 3 1/2 MIN M/H C/U PLAYABLE. RANGE TO Bb & C SEVERAL TIMES. WELL LAID OUT.
ENGLUND, EINAR SONATA CELLO & PIANO FAZER 1982 EST 15+MIN H C/U FOUR MOVEMENTS FROM A GOOD COMPOSER. A SCORE WITH NO SURPRISES JUST A LOT OF WORK!
ENGLUND, EINAR SONATA VIOLIN & PIANO FAZER 1979 EST 20+MIN H C/U FOUR MOVEMENTS THAT CAN STAND ALONE. WELL CONSTRUCTED PIECE WITH MODEST CHALLENGE. LONG BUT INTENSE. CONTEMPORARY HARMONIES AND STYLE.
ENGLUND, EINAR VALKOINEN PEURA - WHITE REINDEER BAND BLOSARI 1954 12 MIN M C/U/HS 2FL,2OB,3CLBCL,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,STBS,3PERC. MOVEMENTS: (ALLEGRO MODERATO), (ADAGIO), ALLEGRO MOLTO, MARCIA FUNEBRE, ALLEGRO GIOCOSO. THE MOVEMENTS CAN STAND ALONE. NOTHING SCARY, JUST A FEW TRICKY THINGS. TRANSCRIBED FROM ORCHESTRA BY PETRI JUNNA.
FAGERUDD, MARKUS THE MESSENGER HORN & ORCHESTRA FiMIC 2006 EST 10+ MIN H C/U PIC,2FL,OB,EH,CL,BCL,2BSN,2HN,2PERC,STRINGS. PLAYS AS ONE MOVEMENT. FOR THE HORN: LOTS OF NOTES AND MANY OF THEM ABOVE THE STAFF! ORCHESTRA PARTS ARE ACCESSIBLE.
FAGRERUDD, MARKUS IIGO-IIGO TUBA & ORCHESTRA Uusinta 2000 EST 12+ MIN H C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,2PERC,STRINGS. SECTIONS CONNECTED. PIANO REDUCTION AVAILABLE. SOME UNUSUAL THINGS - LIKE AN ELEPHANT SCREAM ON THE TUBA AND THE PIANO KNOCKING ON PARTS OF THE PIANO IN ABSENCE OF THE ORCH. HARD+, BUT A GREAT SCORE AND SOME WILL PLAY IT!
FORDELL, ERIK KANSANLAULUN TAPAAN - I FOLKTON STRING ORCHESTRA FAZER 1962 2+MIN E/M C/U/HS EASY, LYRICAL.
FOUGSTEDT, N - E DIVERTIMENTO, OP 35B WOODWIND QUINTET FiMIC
EST 7-8 MIN M C/U THREE MOVEMENTS THAT ARE QUITE EASY. NICE SCORE.
FUHRMANN, ARTHUR TYON MERKEISSA BRASS ENSEMBLE FiMIC 1987 EST 3-4 MIN M C/U/HS 3TRPT,2HN,3TRB,TBA. FAST TEMPO AND LOOKS LIKE FUN!
GRONING, BORJE IMITATION-RAG BAND ELVIS 1986 EST 5 MIN M C/U/HS PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC,2BAR IN ADDITION TO EUP. ANOTHER RAG, THIS ONE FROM FINLAND! CONDENSED SCORE.
GUNAROPULOS, YRJO KONSERTTO NO 2 SAXOPHONE(ALTO) & ORCHESTRA FiMIC 1946 EST 16-20 MIN M/H C/U PIC,2FL,2CL,ACL,BCL,2OB,2BSN,AS-SOLO,4HN,2TRPT,2TRB,TMP,STRINGS. THREE MOVEMENTS IN TRADITIONAL STYLE. ORCHESTRA PARTS ARE NOT DIFFICULT. A MAJOR OFFERING. RENTAL ONLY.
GUNAROPULOS, YRJO SAXOPHONE CONCERTO NO. 1 IN C MINOR SAXOPHONE(ALTO) & ORCHESTRA FiMIC 1935/2005 22 MIN M/H C/U 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,TRB,3PERC.STRINGS. MOVEMENTS: MODERATO, POCO ADAGIO, MODERATO. RECONSTRUCTED FROM ORIGINAL BY JARI ESKOLA. NOTICE THAT WE RATED IT M/H. THIS IS VERY PLAYABLE MATERIAL IN A VERY GOOD SCORE.
HAAPAMAKI, SAMPO EMFA TUBA ALONE FiMIC 1979 3 MIN 30 SEC. H C/U PRACTICE STAND MATERIAL. STARTS ON HIGH E, BUT ONLY GETS CLOSE TO THAT LATER. NOTES FIRST THEN OPPORTUNITY TO EMOTE LATER ON.
HAAPANEN, PERTTU PRISM HORN ALONE FIMIC 2004 EST 5+ MIN H C/U EASIER THAN SOME, BUT STILL A CHALLENGE FOR THE ADVANCED C/U STUDENT. RANGE WILL NOT BE A PROBLEM, IT DOES HAVE GLIZZANDOS, AND RHYTHMIC PROBLEMS.
HAKOLA, KIMMO CLARINET CONCERTO CLARINET & ORCHESTRA FENNICA 2001 EST 20+ MIN H C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC,HARP, STRINGS. MOVMENTS: ALLEGRETTO POMPOSO, ADAGIO AMOROSO, ALLEGRO FARARA. (LAST TWO MOVEMENTS ATTACCA). NO SPECIAL DEMANDS ON THE ORCHESTRA OR CLARINETIST. SOME TRICKY RHYTHM PATTERNS IN 3, BUT ALL PLAYABLE.
HAMEENNIEMI, EERO ALBEROBELLO BASSOON & PIANO FiMIC 2002 EST 3+ MIN M/H C/U THE BETTER YOUNG C/U PLAYER CAN PLAY THIS SOME MIXED METER, AND A FEW PLACES WHERE THE NOTES ARE THICK, AND THERE IS SOME TREBLE CLEF. PIANO PART STAYS OUT OF THE WAY.
HAMEENNIEMI, EERO ALELA TROMBONE ALONE FIMIC 1997 EST 5 MIN M/H C/U RHYTHMICALLY A CHALLENGE, BUT LOTS OF RUBATO AND OPPORTUNITIES TO MAKE MUSIC. GOOD USE OF THE TRB GLIZZ. FOR SOME REASON COMPOSER GOES BRIEFLY TO TREBLE CLEF, BUT JUST TO Bb.
HAMEENNIEMI, EERO TRUMPETTIKONSERTTO TRUMPET & STRING ORCHESTRA FiMIC 1997/98 EST 5+ MIN M/H C/U TRUMPET IN C. TO HIGH C ONE TIME. SOME MIXED METER. SEVERAL MUTED SECTIONS. DIVISI IN THE STRINGS. MAY BE HARD TO PUT TOGETHER, SO NEED REHEARSAL TIME.
HANNULA, ILKKA LIBRES PARVI SAXOPHONE QUARTET FiMIC 2004 5+ MIN E/M C/U/HS SS,AS,TS,BS. THREE SHORT, PLAYABLE MOVEMENTS .A FEW RHYTHMIC THINGS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. GOOD EARLY ENSEMBLE PIECE.
HAUTA-AHO, TEPPO 3 PIECES FOR VIOLA SOLO VIOLA ALONE FiMIC 1982 10 MIN H C/U SOLID TECHNIQUE NEEDED FOR PERFORMANCE. A GOOD COMPOSER.
HAUTA-AHO, TEPPO BALLADE FOR FOUR TROMBONES TROMBONE QUARTET FiMIC 1980 13 MIN H C/U SOME NONTRADITIONAL NOTATION. FIRST PART HAS HIGH TESSITURA. GOOD SCORE FROM A FINE COMPOSER, EDUCATOR, MUSICIAN.
HAUTA-AHO, TEPPO CONCERTINO PICCOLO NO III STRING BASS & STRING QUARTET FiMIC 1981 15 MIN M/H C/U ONE MOVEMENT FOR A GOOD COLLEGE STRING BASS PLAYER AND COMPETENT STRING QUARTET.
HAUTA-AHO, TEPPO FANTASIA TRUMPET & ORCHESTRA FiMIC 1987 16 MIN H C/U PIC,2FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,TMP,PIANO, CELESTE. FOUR MOVEMENTS WITH MOST WORK FOR TRUMPET SOLO IN 1 & 4. CALLS FOR TRUMPET IN Eb AND SOME PICCOLO TRUMPET. SOME NONTRADITIONAL NOTATION BUT MOSTLY STRAIGHT AHEAD. RENTAL ONLY.
HAUTA-AHO, TEPPO HIPPO VIIKARI V STRING BASS & STRING ORCHESTRA FiMIC 1989 11 MIN H C/U MS IS JUST PASSABLE. NEEDS STRONG BASS PLAYER AND GOOD STRINGS. THIS COMPOSER SPECIALIZES IN STRING BASS WORKS. RENTAL ONLY.
HAUTA-AHO, TEPPO HOMMAGE A G BOTTESINI STRING BASS ALONE FiMIC 1985 10 MIN H C/U A CHALLENGING WORK FOR STRING BASS BY A STRING BASS PLAYER, COMPOSER, EDUCATOR, COMPOSER.
HAUTA-AHO, TEPPO MOMENTS FOR VIOLA & PIANO VIOLA & PIANO FiMIC 1989
H C/U SOME NONTRADITIONAL NOTATION AND ONE MOVEMENT FROM A FINE COMPOSER.
HAUTA-AHO, TEPPO PIENI VALSSI JA JOLKUTUS CELLO & STRING ORCHESTRA FiMIC 1984 11 MIN M C/U/HS TWO MOVEMENTS FOR A GOOD STUDENT CELLIST AND WITH MODEST STRING ORCHESTRA NEEDS. RENTAL ONLY.
HAUTA-AHO, TEPPO TRIO NO 1 WOODWIND TRIO FiMIC 1976 14 MIN M/H C/U FL,OB,BSN. OBOE DOUBLES ENGLISH HORN, FLUTE DOUBLES ALTO FLUTE. SCORE IS MESSY BUT PARTS CLEAN. WORK FOR ALL.
HAUTA-AHO, TEPPO VIIKARI SUITE STRING ORCHESTRA FiMIC 1963 20 MIN E/M C/U/HS SIX SHORT MOVEMENTS RANGING FROM EASY TO MODERATE DIFFICULTY. MOVEMENTS CAN STAND BY THEMSELVES. RENTAL ONLY.
HAUTA-AHO, TEPPO VIVA LOS VIIKAROS STRING ORCHESTRA FiMIC 1980 EST 4 MIN E C/U/HS SCORE IS FAINT BUT PARTS GOOD. WORTHWHILE FOR THE YOUNG STRING SECTION. RENTAL ONLY.
HEININEN, PAAVO DISCANTUS II, OP 21 CLARINET ALONE FAZER 1969 14 MIN H C/U A SONATA FOR CLARINET IN THREE TEMPOS! MULTI-PHONICS WITH GOOD INSTRUCTIONS. CHALLENGING BUT PLAYABLE.
HEINIO, MIKKO BRASS MASS BRASS ENSEMBLE FAZER 1979 16 MIN H C/U 4TRPT,4TRB,TBA. ANTIPHONAL CHOIRS. 5 SECTIONS TO THE MASS. HARD BUT WORTH THE EFFORT.
HEINIO, MIKKO DALL’ OMBRA ALL’ OMBRA (FOR ORCHESTRA & SYNTHESIZER) ORCHESTRA FiMIC 1992 13 MIN H C/U 2PIC,FL,2OB(EH),2CL(BCL),2BSN(CBSN),4HN,3TRPT.3TRB,4PERC,STRINGS. SYNTHESIZER (OR ELECTRIC PIANO). 11 SHORT SECTIONS ENHANCED BY THE SYNTHESIZER OR ELECTRIC PIANO WITH A LOT OF SOUND OPTIONS. THIS WILL BE HARD TO PUT TOGETHER.
HEINIO, MIKKO FOUR FINNISH FOLKTUNES TROMBONE QUARTET FAZER 1986 EST 6 1/2 MIN E/M C/U/HS FIRST PART IN TENOR CLEF. MUTING. ACCESSIBLE, STRAIGHT AHEAD MUSIC.
HEINIO, MIKKO LINDGRENIANA OBOE ALONE JASEMUSIIKKI 1986 8 MIN H C/U 1. PRELUDE 2. FUGUE 3. MEDITATIONS & WHIMS 4. MARCH 5. FLIGHT. MOVEMENTS CAN STAND ALONE. A PLAYABLE CHALLENGE.
HEINIO, MIKKO ON THE ROCKS ORCHESTRA FiMIC 1998 13+ MIN H C/U 3FL(PIC),3OB(EH),3CL(EbCL,BCL),3BSN,4HN,3TRPT,3TRB,TBA,PIANO/CELESTA,4PERC,STRINGS. A LARGE PIECE COMMISSIONED BY THE FINNISH BROADCASTING COMPANY. PROFESSIONAL LEVEL WORK POSSIBLE BY THE BEST C/U ORCHESTRAS.
HEINIO, MIKKO SUITE FOR BASSOON SOLO, OP 21 BASSOON ALONE JASEMUSIIKKI 1976 EST 6-7 MIN H C/U FOUR MOVEMENTS WITH SOME NONTRADITIONAL NOTATION. MULTI-PHONICS. GOOD INTRODUCTION TO CONTEMPORARY MATERIAL.
HIETALA, TIMO COOL COVER GIRLS STAGE BAND FiMIC

M/H C/U/HS FREQUENT TIME SIGNATURE CHANGES, BUT BEAT IS STEADY. EASY SWING.
HJELT, YRJO TANGO FOR SEVEN BASSOONS BASSOON ENSEMBLE FiMIC 1993 EST 4+ MIN M C/U FOR THE SCHOOL WITH SEEN BASSOONISTS! ONE MUST PLAY THE CONTRA. FIRST FOUR PARTS NEED TENOR CLEF. THE PARTS ARE NOT THAT HARD IF THE PLAYERS KNOW THE CLEFS. THIS WILL DRAW ATTENTION TO THE BASSOONISTS ON CAMPUS!
HONGISTO, MAURI MUSIC FOR FLUTE AND PIANO FLUTE & PIANO FAZER 1981 EST 9+MIN H C/U MOVEMENTS: MODERATO, LENTO, ALLEGRO. TRADITIONAL SONATA FORM WITH TRADITIONAL HARMONIES AND DEMANDS ON THE SOLOIST AD PIANIST. A LOT OF NOTES TO GET UNDER THE FINGERS HERE.
HONGISTO, MAURI PUHALLINKVINTETTO, OP 121 WOODWIND QUINTET FiMIC 1987 15 MIN H C/U THREE MOVEMENTS. SOME INTERESTING CHALLENGES FOR ALL INSTRUMENTS BUT NO SURPRISES.
HONGISTO, MAURI QUINTET, OP. 121 WOODWIND QUINTET PINE 1990 EST 10+ MIN M/H C/U MOVEMENTS: ALLEGRETTO, LARGHETTO, ALLEGRO. SOME DISSONANCE IN A RHYTHMICALLY STRAIGHT FORWARD SETTING. ALL PARTS GET SOME ACTION.
HONGISTO, MAURI TRIO FOR FLUTE, CLARINET & BASSOON WOODWIND TRIO PINE CIR 2000 EST 6+ MIN M/H C/U/HS MOVEMENTS: DECISO, ANDANTE, GIOCOSO, VIVACE. ALL PARTS IN NORMAL REGISTERS WITH MODERN HARMONY. NOTES FOR ALL IN THE FULL RANGE OF THE INSTRUMENTS.
HYTONEN, TIMO SONG FOR SUNDAY SAXOPHONE(SOPRANO) & BAND BLOSARI 1995 3 MIN 50 SEC E/M/H C/U/HS PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK.
JALAVA, LASSE LEIKKEJA - GAMES FOR TWO FLUTES AND CLARINET WOODWIND TRIO SML 1992 5 MIN M C/U/HS MIXED METER THAT SHOULD NOT GET IN THE WAY. PUBLISHED IN SCORE FORM. GOOD PLAYERS NEEDED, BUT THIS WILL PLAY WITH A LITTLE PRACTICE BY THE GOOD HS OR BETTER PLAYER.
JALAVA, LASSE PIRPANA, OP. 23, NO. 1 OBOE ALONE ARTEMUSA 1993 3 MIN 30 SEC M C/U A LOT OF NOTES AND MOSTLY IN A COMFORTABLE RANGE WITH A FEW HIGH NOTE EXCEPTIONS. MIXED METER AND ALL THOSE THINGS COMPOSERS LIKE TO THROW AT THE UNACCOMPANIED INSTRUMENT.
JALAVA, LASSE SINFONIETTA NO. 4 STRING ORCHESTRA FiMIC 2002 15 MIN M/H C/U MOVEMENTS: ADAGIO, ANDANTE, INTRODUCTION & FINALE. SO WELL SCORED! FOR THE MOST PART QUITE TONAL. GOOD C/U MATERIAL AND THE ADVANCED HS ENSEMBLE.
JALAVA, PERTTI TUULENPESA - NEST OF WIND BAND MUSACT 2000/01 EST 8 MIN H C/U 2FL,OB,2CL,BCL,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,2-4PERC. NEED STRONG MARIMBA AND VIB PLAYERS! THE PERCUSSION SECTION WILL LIKE THIS. FAST TEMPO WITH LOTS OF 3 ON 2 AND 5 ON 2 RHYTHMS.
JOHANSSON, BENGT ARIA-MINUETTO-BOURREE VIOLIN & PIANO FAZER 1947 EST 5+MIN E/M C/U AN UPDATED BAROQUE PIECE WITH MODERN SOUNDS.
JOHANSSON, BENGT CHACONNE VIOLIN & PIANO FAZER 1983 EST 6+MIN H C/U CONTEMPORARY SOUNDS AND RHYTHMICALLY STRAIGHT AHEAD. A LOT OF DOUBLE STOP WORK AT BRISK TEMPOS.
JOHANSSON, BENGT EXPRESSIONS STRING ORCHESTRA FiMIC

H C/U THREE MOVEMENTS. DIVISI FOR ALL BUT STRING BASS. ENERGETIC, RHYTHMIC WORK. RENTAL ONLY.
JOHANSSON, BENGT SERENAD FOR STRAKORKESTER, OP 2 STRING ORCHESTRA FiMIC 1945
M/H C/U THREE MOVEMENTS IN A SHORTER WORK. WELL LAID OUT IN TRADITIONAL STYLE. RENTAL ONLY.
JOHANSSON, MARKKU SAVITAIPALE REGGAE-SAVITAIPALEEN POLKKA BAND ELVIS 1982
E/M C/U/HS 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,(HNS IN Eb). SOLO FOR FLUGELHORN AND A GOOD PLAYER. FINNISH FOLK SONG. BAND PARTS QUITE EASY. PIANO SCORE ONLY.
JUUTILAINEN, PETRI BLUEBOLD STAGE BAND FiMIC 1987 6-7 MIN H C/U/HS BLUES AT 144. GOOD WORK. NICE TROMBONE WRITING AND SOLOS.
JUUTILAINEN, PETRI ONE UPON A TIME IN CARELIA BAND FiMIC 1997 EST 10+ MIN H C/U 2FL(PIC),OB,EbCL,3CL,BCL,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,ELECT.PIANO/SYNTHESZER,EUP,ELBASS,2TBA,4PERC. INSTRUMENTATION SHOULD GIVE THE IDEA. AN EPISODIC PIECE WITH MUTES FOR BRASS (BUCKET,ETC). MIXED METER AND OTHER THINGS TO WORK OUT
KAIPAINEN, JOUNI CONCERTO FOR HORN AND ORCHESTRA, OP. 61 HORN & ORCHESTRA WHANSEN 2001 24+ MIN H C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,3TRB,3PERC,PIANO,STRINGS. MOVEMENTS: MAESTOSO, LARGHETTO, VIVACE. SOME RANGE PROBLEMS FOR THE HORN AND LOTS OF NOTES. ORCHESTRA WILL NEED REHEARSAL TIME TO GET THE RHYTHMIC THINGS TO WORK OUT
KANKANEN, AIMO CANTINO TRUMPET & PIANO FiMIC 1993 EST 3 MN E/M C/U/HS TRUMPET IN C. THIS IS A LYRICAL PIECE, GOES TO B AND STRAIGHT FORWARD. COMPOSER ALSO HAS SEVERAL OTHER WORKS AT THIS LEVEL FOR THIS COMBINATION WITH FIMIC.
KANKANEN, AIMO JOY SAXOPHONE (ALTO) AND ORGAN FiMIC 2000 EST 3 1/2 MIN M/H C/U A SERIOUS MODERN SETTING FOR ‘JOY’ WITH A FINE ORGAN ACCOMPANIMENT. THE SCORE IS JUST FUN TO LOOK AT -- PLAY IT!
KARJALAINEN, AHTI CONCERTO FOR ORCHESTRA TROMBONE & ORCHESTRA FiMIC 1942 19 MIN H C/U 2FL,2CL,2OB,2BSN,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. HAS BEEN FREQUENTLY PERFORMED IN FINLAND. RANGE TO C. SCORE IS OLD AND IN MS. RENTAL ONLY.
KARJALAINEN, AHTI KVINTETTO WOODWIND QUINTET FiMIC 1977 EST 9/10 MIN H C/U THREE MOVEMENTS. I HAS MANY TIME CHANGES AND RHYTHMIC CHALLENGES, MESSY SCORE BUT GOOD PARTS.
KARJALAINEN, KARI CAPRICCIOSO TROMBONE & PIANO FENNICA 2003 5 MIN M C/U/HS MIDDLE REGISTER ON THE TROMBONE. QUITE LYRICAL, SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. EARLY RECITAL OR CONTEST.
KARJALAINEN, KARI FOUR PRACTICAL PIECES, OP.5 TRUMPET & PIANO FAZER 1982 4 MIN 30 SEC E C/U/HS 1. LULLABY, 2. CRAZY TONES, 3. BLUE HARMONY, 4. QUICK TONES. GOOD WORK AND FUN.
KARJALAINEN, KULLERVO NUOREN MIEHEN MIELI CLARINET TRIO FIMIC 1996 EST 10+ MIN M/H C/U MOVEMENTS: ANDANTINO, GIOCOSO, IN TEMPO LIBERA, MODERATO, MODERATO. THE MOVEMENTS ALSO HAVE DESCRIPTIVE TITLES LIKE, “SAND AND WITCHES”. A FEW RHYTHMIC PROBLEMS AND A LOT OF NOTES IN PLACES.
KATILA, TIMO MUISTOJA ALEGONIASTA (MEMORIES FROM ALEGONIA) TRUMPET (2) AND PIANO FiMIC 2003 EST 8+ MIN E/M C/U/HS MOVEMENTS: ALLEGRO, CANTABILE, ALLEGRETTO. EASY MUSIC WITH A SOLO VERSION AVAILABLE.
KEKKONEN, REIJO SUITE FOR BRASS QUINTET BRASS QUINTET SULASOL 2004 EST 10+ MIN M C/U/HS MOVEMENTS: FANFARE-MAESTOSO, CAROL, BALLADE, VALSE, COUNT DOWN-TRANQUILLO, ALLEGRO. THE ONLY MOVEMENT THAT MAY CONFOUND IS THE BALLADE WHERE THE COMPOSER DOES SOME TRICKY THINGS WITH THE RHYTHM.
KILPIO, LAURI BLACK JOY HORN ALONE Uusinta 2002 EST 4 MIN H
RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT
KLAMI, UUNO ALKUSOITTO (LUSTSPIELOUVERTURE) ORCHESTRA FAZER 1936 9 MIN M C/U/HS PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TMP,STRINGS. MOSTLY IN 2/4. PROGRAM OPENER. FUN FOR THE PERFORMERS AND INTERESTING FOR THE AUDIENCE. RENTAL ONLY.
KLAMI, UUNO CONCERTO FOR VIOLIN & ORCHESTRA, OP 32 VIOLIN & PIANO FAZER 1967 EST 12+MIN H C/U THREE MOVEMENTS. LATE 19TH CENTURY COMPOSER. WORK WAS COMPLETED BY OTHERS FROM COPIES OF THE ORIGINAL. ORCHESTRA PARTS NOT AVAILABLE.
KLAMI, UUNO FOUR FINNISH FOLK SONGS, OP 12 STRING ORCHESTRA FAZER 1942 EST 9+MIN E/M/ C/U/HS NEEDS PIANO. IN FOUR MOVEMENTS THAT CAN STAND ALONE. PLAYABLE AND ACCESSIBLE.
KLAMI, UUNO HOMMAGE A HAENDEL, OP 21 STRING ORCHESTRA FAZER 1931 EST 30 MIN M C/U/HS FOUR MOVEMENTS WITH PIANO. NOT A PIANO SOLO, BUT PIANIST MUST BE COMPETENT. BAROQUE IN SOUND AND APPROACH.
KLAMI, UUNO HUMORESQUE,OP 36 & CHANSON TRISTE,OP36/2 VIOLIN & PIANO FAZER 1985 7 MIN E/M C/U/HS EACH PIECE CAN STAND ALONE. SOLO AND RECITAL MATERIAL. LYRICAL, FLOWING AND STRAIGHT AHEAD.
KOHLENBERG, OLIVER LE TORRE DI BOLOGNA TUBA ALONE JASEMUSIIKKI 1985/91 EST 8+ MIN M/H C/U EIGHT SECTIONS, EACH WITH A DIFFERENT RHYTHMIC PATTERN AND TWO WITH HIGH RANGE NEEDED. SECTIONS MAY BE WORKED ON SEPARATELY. GOOD PRACTICE STAND MATERIAL.
KOISITOINEN, EERO EN VOI UNHOITTAA SUA MIELESTANI POIES STAGE BAND ELVIS 1982
M/H C/U STANDARD INSTRUMENTATION, TRUMPETS DOUBLE FLUGELHORNS, TENOR SOLO, KEY OF G. SWING.
KOIVISTOINEN, EERO KUKONPESA STAGE BAND FiMIC
EST 7+MIN H C/U/HS MEDIUM UP TEMPO STRAIGHT AWAY JAZZ. GOOD THINGS FOR THE SAX AND BLOWERS WITHOUT RHYTHM SECTION A LA ROB MCCONNELL.
KOIVISTOINEN, EERO SMORREBROD STAGE BAND FiMIC
EST 6+MIN M/H C/U/HS MEDIUM FAST SWING. GOOD SCORE. ENSEMBLE AND SOLO BACKGROUNDS ARE GOOD.
KOKKONEN, JOONAS DUO FOR VIOLINE UND KLAVIER VIOLIN & PIANO FiMIC 1955
M/H C/U THREE MOVEMENTS, LIKE A SONATA, FOR RECITAL OR STUDY. A GOOD SCORE AND PLAYABLE.
KOKKONEN, JOONAS IL PAESAGGIO FOR ORCHESTRA DA CAMERA. ORCHESTRA FiMIC 1990 EST 6+ MIN M C/U/HS FL,OB,CL,BSN,HN,STRINGS. BASICALLY A WW QUINTET AND STRING ORCHESTRA. NOTHING A GOOD HS OR C/U WW QUINTET AND STRING ORCHESTRA CANNOT PLAY. SCORE IS MS.
KOKKONEN, JOONAS MUSIC FOR STRING ORCHESTRA STRING ORCHESTRA FAZER 1957
H C/U FOUR MOVEMENTS WITH SOME DIVISI AND PLAYABLE.
KOKKONEN, JOONAS QUARTETTO STRING QUARTET FiMIC 1973
M/H C/U THREE MOVEMENTS IDEAL FOR THE COLLEGE QUARTET.
KOKKONEN, JOONAS QUINTET WOODWIND QUINTET SCHIRMER 1977
H C/U THREE MOVEMENTS IN A GOOD SCORE AND PLAYABLE MUSIC.
KOKKONEN, JOONAS SINFONIA DA CAMERA STRING ORCHESTRA FiMIC 1964
H C/U FOUR MOVEMENTS FOR 7 VIOLINS, 2 VIOLAS, 2 CELLOS AND STRING BASS. SOLID SCORE FOR GOOD COLLEGE STRINGS. RENTAL ONLY.
KOKKONEN, JOONAS SINFONIA IV ORCHESTRA SCHIRMER 1911 21 MIN H C/U 3FL,AFL,2CL,BCL,2OB,EH,2BSN,CBSN,4HN,3TRPT,3TRB,PERC,TMP,HARP,STRINGS. THREE MOVEMENTS THAT CAN STAND ALONE. SOME CLUSTERS AND CONTEMPORARY SOUNDS.
KOKKONEN, JOONAS SONATA CELLO & PIANO FAZER 1977
H C/U THREE MOVEMENTS THAT CAN STAND ALONE. WELL LAID OUT WITH PLAYABLE CHALLENGES AND ACCESSIBILITY.
KOMPPA, KARI A FRENCH CONNECTION STAGE BAND ELVIS 1988 7 MIN M/H C/U/HS NEED STRONG BASS AND RHYTHM GUITARISTS. LATIN/BEBOP. IT MOVES - SOLOS.
KOMPPA, KARI MAKUMOKA STAGE BAND FiMIC 1984 EST 7-8 MIN H C/U HIGH TRUMPET WORK IN 'LAID BACK' SWING. ACOUSTIC AND DX7 PIANOS.
KOPISTO, MARKKU AVES CLARINETISTAE CLARINET QUARTET ELVIS 1991 EST 8 + MIN E/M C/U/HS FOUR Bb CLARINETS WORKING EASIER MATERIAL IN FIVE MOVEMENTS: ANDANTE, ADAGIO, ADAGIO, ANDANTE, LARGHETTO. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNG CLARINETISTS.
KORTEKANGAS, OLLI THRENODY HORN & PIANO JASEMUSIIKKI 1985 EST 3 MIN M C/U/HS ANDANTE, MULTI PHONICS AND NONTRADITIONAL TUNING FOR HORN. INTERESTING AND PLAYABLE.
KORTELAINEN, JUKKA LISALEHTIA MENNEESEEN BAND ELVIS 1982 5-6 MIN E/M HS 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,2BS,4HN,3COR,3TRPT,4TRB, 3EUP,2TBA,PERC. PIANO SCORE. SHORT OVERTURE. GOOD FOR YOUNG BANDS.
KOSTA, ENSIO IN DULCI JUBILO WOODWIND QUINTET FiMIC
12+MIN E/M C/U/HS SEVEN CHRISTMAS TUNES STARTING WITH "IN DULCI JUBILO". MOVEMENTS CAN STAND ALONE. VERY PLAYABLE.
KOSTIAINEN, PEKKA 0PUSCULUM SONABILE FLUTE & PIANO HELLAS 1984 5 MIN M C/U/HS MAINLY FLOWING WITH OPPORTUNITY TO SHOW SOME NOTES. HIGHLY PLAYABLE MUSIC. HS CONTEST OR EARLY RECITAL IN C/U
KOSTIAINEN, PEKKA DIVERTIMENTO WOODWIND TRIO FiMIC 1984 17 MIN M/H C/U FIVE MOVEMENTS THAT CAN STAND ALONE FOR 2CL AND BSN. STRAIGHT AHEAD MUSIC.
KOSTIAINEN, PEKKA HOMMAGE A' PROKOFIEFF WOODWIND QUINTET FiMIC 1976 8 +MIN M C/U THEME & VARIATIONS(4), USEFUL, VERY CLEAN SCORE. LOTS OF VARIETY AND MUSICAL INTEREST.
KOSTIAINEN, PEKKA SONATA CLARINET & PIANO FAZER 1977 EST 12+ MIN M/H C/U MOVEMENTS: ADAGIO CANTABILE, ALLEGRO ASSAI, ADAGIO SOSTENUTO. SOME MIXED METER AND TRICKINESS IN THE LAST MOVEMENT. OTHERWISE, THIS PLAYS OUT WELL IN CONTEMPORARY HARMONY FOR THE C/U RECITALIST.
KOSTIAINEN, PEKKA SONATINE VIOLA & PIANO FAZER 1980 11 MIN H C/U A LOT OF WORK IN ONE MOVEMENT. NO SURPRISES.
KUOSMA, KAUKO SARJA KLARINETILLE JA PIANOLLE CLARINET & PIANO FiMIC 1981
M C/U 1. RAGTIME 2. WALTZ 3. BLUES 4. TANGO. NOT ALL RECITALS NEED BE BORING! GOOD SCORE & WORK.
KUULA, TOIVO(1883-1918) SONATE FOR KLAVIER UND VIOLINE VIOLIN & PIANO FAZER
EST 11+MIN M/H C/U TRADITIONAL THREE MOVEMENTS IN 19TH CENTURY STYLE. MANY NOTES TO LOOK AFTER!
KYLLONEN, TIMO-JUHANI ARTEMIS, OP. 54 CLARINET ALONE FiMIC 2000 1+ MIN H C/U A SHORT CHALLENGE THAT IS EASIER THAN SOME OTHERS. THIS IS WELL WITHIN THE REACH OF THE GOOD C/U STUDENT.
KYLLONEN, TIMO-JUHANI ARTEMIS, OP. 54 CLARINET ALONE FiMIC 1999 1 MIN M/H C/U PRACTICE STAND MUSIC AN SHOW OFF AT THE RECITAL. MARKED, ANDANTE UN POCO RUBATO AD LIBITUM.
KYLLONEN, TIMO-JUHANI CONTEMPLATION IN BLUE CLARINET ALONE WARNER/CHAPPELL 1996 EST 9+ MIN M/H C/U COMPOSER SUGGESTS ALSO FOR BASS CLARINET. THE USUAL PROBLEMS FOR THE CLARINET ALONE: MIXED METER, ETC. BUT, THIS ONE HAS LESS OF THAT MAKING IT MORE PLAYABLE THAN MANY.
KYLLONEN, TIMO-JUHANI HELSINKI OUVERTURE, OP. 51 TRUMPET & ORCHESTRA FiMIC 1998 EST 5+ MIN M C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,4PERC,STRINGS. TRUMPET IN C. MARIMBA PART IS IMPORTANT. EXCELLENT SCORE WITH NICE IDEAS. EASY RANGE FOR THE TRUMPET.
LANSIO, TAPANI MERRY PIPER CLARINET ALONE SULASOL 2004/05 EST 4 MIN H C/U FOR THE PRACTICE STAND, THEN SHOW OFF AT RECITAL. NOTES ALL OVER THE PLACE! TOP C/U PLAYERS.
LASANEN, PENTTI BASIE STREET STAGE BAND ELVIS
4+MIN M C/U/HS CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE.
LEHTINEN, RAUNO BALATON ORCHESTRA FiMIC/FAZER 1967 EST 5 MIN E/M C/U/HS 2FL,2CL,2BSN,2HN,2TRPT,2TRB,TBA,TMP,HARP,STRINGS AND OBOE SOLO. LIGHT MUSIC FOR THE POPS OR TO LIGHTEN A SERIOUS CONCERT.
LEHTINEN, RAUNO BARBARIUS ORCHESTRA FiMIC/FAZER 1969 EST 5 MIN M C/U/HS PIC,2FL,2CL,BCL,2OB,2BSN,3COR,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. POP CONCERT MUSIC.
LEHTINEN, RAUNO LETKIS ORCHESTRA FiMIC/FAZER 1964 EST 4-5 MIN M C/U/HS PIC,FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,HARP OR PIANO,STRINGS. LIGHT MUSIC FOR THE POP CONCERT.
LEHTO, JUKKA-PEKKA CONCERTINO TROMBONE & BAND MUSACT 1995 EST 12 + MIN H C/U PIC,2FL2OB,eBCL,3CL,BCL,2BSN,AS,TS,BS,RHN,3TRPT,3TRB,EUP,2TBA,STRBS,3PERC,PIANO. HIGH TESSETURA NEEDED.MIXED METER, SOME ALEATORY, BUT WELL EXPLAINED. GOOD LOOKING SCORE.
LEHTO, JUKKA-PEKKA FUUSIO FLUTE & PIANO MUSACT 2001 EST 2+ MIN E/M C/U/HS FLUTE PLAYER STOMPS FOOT IN THREE PLACES. A FEW RHYTHMIC PROBLEMS, BUT THIS WILL PLAY AND BE FUN.
LINDHOLM, HERBERT 24 ETUDES FOR FLUTE, OP. 16 FLUTE ALONE FiMIC 1992 EACH 1 -2 MIN E/M/H C/U/HS EACH ETUDE CAN SAND ALONE AND ARE WORTHY OF PERFORMANCE. OF VARYING DIFFICULTY. COMPOSER WRITES WELL FOR THE FLUTE.
LINDHOLM, HERBERT CHAMBER CONCERTO FOR FLUTE, OP. 31 FLUTE & PIANO FiMIC 1999 EST 9+ MIN H C/U THIS IS ALSO AVAILABLE WITH 2 VIOLINS, CLARINET, CELLO, STRING BASS AND PIANO. MOVEMENTS: TRANQUILLO -
MODERATO, ANDANTE LACRIMOSO, MOLTO VIVACE. MOSTLY STRAIGHT AHEAD IN MODERN HARMONIC SETTING. LOTS OF NOTES AND A SUPPORTIVE PIANO PART.
LINDHOLM, HERBERT QUATTRO CANZONI, OP. 15 FLUTE & ORGAN FiMIC 1992 20 MIN M/H C/U CANZONAS: RECITATIVO, MISTERIOSO/ALLEGRO GIOCOSO, ANDANTE/COM LAMENTO, ALLEGRO MISTERIOSO.ORGAN PLAYS QUITE DELICATELY THROUGH THE MOST IF IT. LETS THE FLUTE, PLAYING MANY NOTES, BE HEARD.
LINDHOLM, HERBERT SONATIINI, OP. 10 CLARINET ALONE FiMIC 1990 6 MIN H C/U MOVEMENTS: RECITANDO, ALLEGRO. NOTES WELL MANAGED BY A COMPOSER WHO KNOWS THE CLARINET. CAN BE PRACTICE STAND MATERIAL OR RECITAL.
LINDSTROM, ERIK BALLAD STAGE BAND FiMIC/ERIK LINDSTRöM
EST 5 MIN M C/U/HS SLOW BALLAD. FLUGELHORN FEATURE.
LINDSTROM, ERIK EIKU STAGE BAND FiMIC/LINDSTRÖM, ERIK
EST 5 MIN M/H C/U/HS FAST SWING, GOOD SAX PARTS, SOLOS, A BARNBURNER!
LINDSTROM, ERIK FRESKO STAGE BAND FiMIC/LINDSTRÖM, ERIK
EST 5 MIN M/H C/U/HS A FEW HIGH NOTES FOR TRUMPET 1, SLOW SWING. TRB SOLO OPENING.
LINDSTROM, ERIK INTRODUCTION BLUES STAGE BAND FiMIC/LINDSTRÖM, ERIK
EST 4 MIN M/H C/U/HS MEDIUM UP SWING, TROMBONE SECTION WORK, SOLOS. GOOD THINGS HERE.
LINDSTROM, ERIK OVER BOILING STAGE BAND FiMIC/LINDSTRÖM, ERIK
EST 4 MIN M/H C/U/HS MEDIUM SWING, TIGHT ENSEMBLE, SOLOS, SCORE & PARTS A BIT MESSY.
LINJAMA, JAAKKO SARAH SUITE FOR CELLO & PIANO CELLO & PIANO FAZER 1970 EST 12 MIN H C/U THREE MOVEMENTS. 3 IS A CHALLENGE. 2 IS A CRADLE SONG IN 11/4. MOVEMENTS CAN STAND ALONE.
LINJAMA, JYRKI CHIARO HORN ALONE SULASOL 2004 EST 3+ MIN H C/U HARD, BUT PLAYABLE BY THE C/U STUDENT OF HIGH LEVEL. USUAL ISSUES TO SOLVE LIKE RHYTHM - NO RANGE PROBLEM. A WELL LAID OUT SCORE.
LINKOLA, JUKKA TANGO-TARANTELLA TRUMPET & BAND FiMIC 2001 EST 10+ MIN M/H C/U FL,2OB,2CL,BSN,[OPT.AS,TS],3HN,TRPT,3TRB,[OPT EUP],TBA,3PERC. CONNECTED SECTIONS. TRUMPET PLAYS MOSTLY COMFORTABLE RANGE. STRAIGHT AHEAD WITH CONTEMPORARY IDEAS. YOU WILL LIKE THIS COMPOSER!
LINKOLA, JUKKA BEN BAY STAGE BAND FiMIC 1985 EST 6-7 MIN H C/U TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'.
LINKOLA, JUKKA BETWEEN 2ND AND 3RD STAGE BAND FiMIC 1978 EST 6 MIN M C/U/HS LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4.
LINKOLA, JUKKA BRASS QUINTET NO. 2 BRASS QUINTET FiMIC 1996 ST 15+ MIN H C/U MOVEMENTS: ANIMATO, LENTO-SOSTENUTO, ALLEGRO BRILLANTE. IF YOU DO NOT HAVE HIS FIRST QUINTET YOU SHOULD, THEN THIS ONE. HARD, MUCH MIXED METER THAT MAKES SENSE AND OTHER PERFORMANCE PROBLEMS, BUT AN EXCELLENT COMPOSER WITH MARGINAL MS.
LINKOLA, JUKKA EL MONGO PERCUSSION ENSEMBLE FiMIC 1987 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, 2 MARIMBA, SET, LATIN INSTRUMENTS. COMPOSER WHO WRITES WELL FOR THIS MEDIUM.
LINKOLA, JUKKA EUPHONIUM CONCERTO EUPHONIUM & ORCHESTRA FENNICA 1996/2004 EST 20+ MIN H C/U FL,OB,CL,BSN,HN,TRPT,TRB,2PERC,PIANO,STRINGS. SCORE IS IN ACCEPTABLE MS. PIANO REDUCTION AND SCORE IS PRINT. THE EUP PART WE SAW WAS IN Bb TREBLE CLEF, BUT IN SCORE IT IS BASS CLEF. MIXED METER AND NOTES, THIS IS FOR THE BEST PLAYERS - BAND AND EUPHONIUM.
LINKOLA, JUKKA POLONEESI PERCUSSION ENSEMBLE FiMIC 1987 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, MARIMBA, TIMPANI, ETC. GOOD COMPOSER & PLAYABLE.
LINKOLA, JUKKA SISU BAND FiMIC 1999
H C/U PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,CALCL,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,STBS,PIANO,4PERC. COMMISSIONED BY THE CONCORDIA COLLEGE BAND. MUCH CHANGE OF METER AND PLENTY NOTES TO PLAY FROM THIS EXCELLENT COMPOSER
LINKOLA, JUKKA STRUCTURES STAGE BAND FiMIC 1987 14 MIN H C/U A CONCERT JAZZ PIECE. LIKE THREE MOVEMENTS. LOTS OF GOOD TIGHT ENSEMBLE AND IMPROVISATIONAL SOLOS.
LINKOLA, JUKKA SUITE FOR BRASS QUINTET BRASS QUINTET FiMIC 1985 EST 11 MIN M/H C/U 1. RAGTIME, 2. LULLABY, 3. MARCH. FUN MUSIC AND SOME NONTRADITIONAL TECHNIQUES AS WELL AS RHYTHMIC COMPLEXITY.
LINKOLA, JUKKA THE GAME IS OVER PERCUSSION ENSEMBLE FiMIC 1985 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. MESSY SCORE BUT A GOOD COMPOSER WHO WRITES LIVELY MUSIC. 2 MARIMBA, 2 VIBE, MISC PERCUSSION INSTRUMENTS.
LINKOLA, JUKKA THREE BAGATELLES FOR BRASS SEPTET BRASS ENSEMBLE FiMIC 1989 10 MIN M C/U Eb TRPT,2Bb TRPT,HN IN Eb,2EUP,TBA. THREE MOVEMENTS FROM A GOOD COMPOSER AND WORTH THE EFFORT.
LINKOLA, JUKKA TRUMPET CONCERTO II TRUMPET & STRING ORCHESTRA FiMIC 1993/95 20 MIN H C/U MOVEMENTS: CANTANDO-QUASI RUBATO, BALLADE-MODERATO, RITMICO. WE WISH HE HAD BETTER MS, BUT WHEN HE WRITES, WE PAY ATTENTION. TRUMPET IN C WITH AN OPTIONAL VERSION FOR Eb TRUMPET. SOME MIXED METER.
LINKOLA, JUKKA WEDDING MUSIC FOR SYMPHONIC BAND BAND FiMIC 1998 EST 15+ MIN
C/U PC,2FL,OB,3CL,BCL,BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,4PERC. MOVEMENTS: THE MARCH, THE WEDDING WALTZ, THE CEREMONY. A GREAT COMPOSER FOR WIND INSTRUMENTS AND A WORK PLAYED MUCH BY FINNISH BANDS- YOU WILL LIKE IT! POSSIBLE BY THE FINE HS BAND. YES!
LINNALA, EINO SUOMALAINEN RAPSODIA (FINNISH RHAPSODY) ORCHESTRA FAZER 1938 10 MIN M/H C/U/HS PIC,2FL,2CL,2OB,EH,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT STRAIGHT AHEAD. PLAYABLE MUSIC WITH MUCH EXCITEMENT.
LINTINEN, KIRMO CONCERTO PER SASSOFONO E ORCHESTRA SAXOPHONE(ALTO) & ORCHESTRA FiMIC 2000 20 MIN H
PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA.
LINTINEN, KIRMO INTRODUCTION AND GIGUE BASSOON ENSEMBLE FiMIC 1993 5 MIN M/H C/U SIX BASSOONS AND A CONTRA! CLEFS NEEDED FOR THE TOP FOUR PARTS. THE SCORE IS CLEAN AND PLAYABLE. SEE ALSO THE LISTING FOR SAME COMBINATION BY HJELT.
LINTINEN, KIRMO QUATTRO CAPRICCI SAXOPHONE QUARTET FiMIC 2002/06 13 MIN M C/U/HS SS,AS,TS,BS. MOVEMENTS: ALLEGRETO MECCANICO (NEON), NOSTALGICO (MIGN0N), VIVACE PERSISTENTE (CANON), SPIRITOSO (KEATON). CONTEMPORARY HARMONIC SETTINGS AND ALL PLAYABLE - SOME HUMOR OR CAPRICIOUSNESS IN THE MUSIC.
LIUKKO. EINO QUARTETTO PER CORNI HORN QUARTET FiMIC

H C/U THREE MOVEMENTS WITH SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. SCORE IN C.
LUOLAJAN-MIKKOLA, VILHO AT MESSILA MANOR OBOE & PIANO ARTEMUSA CIR 2000 EST EST 10+ MIN M C/U MOVEMENTS: SPRING IN THE AIR (VIVACE), EARLY MORNING (COMMODO AD LIB ), CLOUDLESS SKY (ALLEGRO ASSAI), EVENING ON THE TERRACE (MODERATO). TITLES SHOULD NOT HAMPER PLAYING THE MOVEMENTS ALONE. NICE SCORE AND MUSIC.
LUOLAJAN-MIKKOLA, VILHO ELOKUISESSA HELSINGISSÄ SAXOPHONE(ALTO) & PIANO FiMIC

M C/U/HS THREE MOVEMENTS OF MATERIAL FOR RECITAL OR CONTEST.
LYYTIKAINEN, PASI AGORA TUBA ALONE Uusinta 1999 3 MIN 45 SEC H C/U TRY THIS ONE AS SOMETHING YOU WORK ON IN THE PRACTICE ROOM TO EXPAND YOUR ABILITY THEN, WHEN READY, SHOW OFF IN A RECITAL. HARD+. NOT IN HIGH RANGE, JUST A LOT OF NOTES AND RHYTHMIC THINGS.
MADETOJA, LEEVI KULLERVO, OP 15 (SYMPHONIC POEM) ORCHESTRA FAZER 1947 18 MIN M/H C/U PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. WELL LAID OUT STRAIGHT AHEAD PIECE. ROMANTIC STYLE.
MADETOJA, LEEVI OKON FUOKO, SUITE I, OP 58 ORCHESTRA FAZER 1936 14 MIN M/H C/U PIC,3FL,2CL,2OB,2BSN,4HN,3TRPT,4TRB,TBA,3PERC,TMP,HARP,CELESTE, STRINGS. MUSIC FROM A BALLET. ALL SECTIONS OF THE SUITE ARE CONNECTED. FLOWING MUSIC IN ROMANTIC STYLE.
MADETOJA, LEEVI SONATINE, OP 19 VIOLIN & PIANO FAZER 1967 EST 6 MIN M C/U THREE MOVEMENTS. I & 2 ARE QUITE LYRICAL WHILE 3 IS A `PERPETUUM MOBILE'. LOTS OF NOTES FOR A RECITAL CLOSER. TRADITIONAL SOUNDS AND STYLE.
MADETOJA, LEEVI/TEUVO LAINE ALKUSOITTOFANTASIA, OP 69 BAND STM 1967
M/H C/U/HS PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. AN OVERTURE WITH CHANGING METER & TEMPOS, OTHERWISE QUITE STRAIGHT AHEAD.
MARTENSON, LASSE STORMSKARS MAJA ORCHESTRA MÅRTENSONG 1976 EST 7 MIN M C/U/HS 2FL,2CL,OB,BSN,3HN,3TRPT,3TRB,PERC,PIANO,GUITAR,STRINGS. ARRANGED FOR FINNISH TELEVISION PROGRAM. LIGHT MUSIC FOR THE POPS CONCERT. RENTAL ONLY.
MARTTINEN, TAUNO DER GNOM, OP. 198 BASS CLARINET ALONE ERES 1982 7 MIN M/H C/U/HS FLOWING MUSIC FOR THE BASS CLARINETIST FOR RECITAL AND PRACTICE TO MAKE MUSIC. NO SPECIAL DEMANDS.
MARTTINEN, TAUNO ILLUSIO, OP. 214 CLARINET ALONE FIMIC 1982 EST 6+ MIN M/H C/U THIS COMPOSER IS BECOMING MORE POPULAR BECAUSE HIS WORKS ARE PLAYABLE AND LOGICAL AS IS THIS ONE. NOTHING IS PARTICULAR IS HARD, JUST A LOT OF NOTES.
MARTTINEN, TAUNO KYLALAISTEN TANSSI - DANCE OF THE VILLAGE PEOPLE CLARINET & PIANO FiMIC 1962/2001 EST 2 MIN E C/U/HS A GOOD FIRST SOLO FOR HS CONTEST OR C/U EARLY RECITAL. NO PROBLEMS JUST PLAY THE NOTES AND MAKE MUSIC! SEE OTHER WORK BY THIS COMPOSER FOR CLARINET AND PIANO - “HAATANHU”.
MARTTINEN, TAUNO LOITSU PERCUSSION ENSEMBLE FAZER 1963
M/H C/U/HS THREE MOVEMENTS FOR THREE OR MORE PLAYERS. NO MALLET EXCEPT FOR TIMPANI.
MARTTINEN, TAUNO PAN JA HUILU, OP. 29 B FLUTE & PIANO FIMIC 1985 EST 4 MN M C/U MOSTLY A NICE FLOWING LINE WITH ONE SECTION OF ARTICULATING NOTE PATTERNS. NOT AS MODERN SOUNDING AS SOME.
MARTTINEN, TAUNO SOLITUDE FOR SOLO BASSOON BASSOON ALONE FiMIC 1999 EST 3+ MN M/H C/U BASS AND TENOR CLEFS. MARKED, LENTO RUBATO - TIME TO MAKE MUSIC. GOOD LOOKING SCORE.
MARTTINEN, TAUNO TEN SHORT PIECES TRUMPET & PIANO FAZER 1976 EST 8 MIN E C/U/HS VERY SHORT PIECES FOR STUDIO OR INCIDENTAL PERFORMANCE. WORK FOR STYLE AND MUSICIANSHIP. SOLOS & DUETS.
MARTTINEN, TAUNO THE NORTH - SYMPHONIC POEM FOR WINDS, OP 67 BAND FiMIC 1972 EST 8-9 MIN M C/U/HS 2FL,3CL,BCL,2OB,2BSN,TS,BS,4HN,4TRPT,3TRB,EUP,TBA,PERC,TMP. NO ALTO SAX PART. DRAMATIC WORK. STARTS AND ENDS ADAGIO WITH EXCITEMENT BETWEEN. GOOD SCORE.
MARTTINEN, TAUNO THE OLD MILL TELLS ITS TALE, OP. 143 CLARINET ALONE ERES 1982 7 MIN M/H C/U GOOD MATERIAL TO BEGIN PLAYING CLARINET ALONE MUSIC. NO SPECIAL DEMANDS. A LOT OF NOTES AND THE CHALLENGE TO TURN THEM IN TO MUSIC.
MARTTINEN, TAUNO & PENTTI RAITIO MUSIC FOR TROMBONE TROMBONE & PIANO ASSOCIATION OF FINNISH MUSIC

M C/U/HS A COLLECTION OF SOLOS WITH PIANO, DUOS, TRIOS AND ONE FOR ALTO TROMBONE & PIANO.
MARTTINEN,TAUNO & PENTTI RAITIO MUSIC FOR FRENCH HORN HORN & PIANO ASSOCIATION OF FINNISH MUSIC 1973
E C/U/HS FOR STUDY AND CASUAL PERFORMANCE. 4 SOLOS, 4 DUETS, 1 TRIO.
MARTTINEN,TAUNO & PENTTI RAITIO MUSIC FOR TRUMPET TRUMPET & PIANO ASSOCIATION OF FINNISH MUSIC

M C/U/HS COLLECTION OF SOLOS AND DUETS. HIGHLY USEFUL IN THE STUDIO LESSON AND EARLY PERFORMANCE CHALLENGE.
MARVIA, EINARI QUARTET WOODWIND QUARTET WARNER/CHAPPELL 1999 EST 10+ MIN M/H C/U MOVEMENTS: ALLEGRO, TRANQUILLO RUBATO, FINALE - VIVACE. EVERYONE HAS TO PLAY, BUT IF THEY DO, THIS WILL NOT BE HARD TO WORK OUT FOR THE GOOD C/U ENSEMBLE. NO BIG SURPRISES.
MELARTIN, ERKKI QUARTETTO, OP 153 BRASS QUARTET FiMIC
10 MIN M/H C/U FOUR MOVEMENTS. FIRST MOVEMENT IS ABOUT 5 MINUTES, OTHERS SHORTER. 2TRPT, HN, TRB. MS IS A LITTLE PROBLEM.
MELARTIN, ERKKI TRIO FOR FLUTE, CLARINET & BASSOON, OP 154 WOODWIND TRIO FiMIC
EST 11 MIN M C/U FOUR MOVEMENTS OF PLAYABLE MUSIC AND A FINE SCORE.
MELARTIN, ERKKI TRIO FOR FLUTE, CLARINET AND BASSOON, OP. 154 WOODWIND TRIO FiMIC 1929 PUB 1993 EST 12+ MN M/H C/U MOVEMENTS: ALLEGRO, ANDANTE, MENUETTO, FUGA (ALLEGRO). TRADITIONAL HARMONIES AND STRAIGHT AHEAD. A FINE ADDITION TO THE WW TRIO LIBRARY.
MERIKANTO, OSKAR VALSE LENTE FOR WIND QUINTET WOODWIND QUINTET ARTEMUSA PUB CIR 2000 EST 5+ MIN E/M C/U/HS ARRANGED BY ARTHUR FUHRMANN. GOOD EARLY WORK FOR THE YOUNG QUINTET. ALL PARTS PLAY IN NORMAL REGISTERS WITH NO SURPRISES.
MERIKANTO, OSKARI/GEORGE DE GODZINSKY KESAILLAN VALSSI ORCHESTRA FiMIC
EST 7 MIN M C/U/HS LIGHT MUSIC FOR POPS CONCERT- THIS ONE A WALTZ. RENTAL ONLY.
MERILAINEN, USKO GRANDFATHER BENNO'S NIGHT MUSIC HORN ALONE FAZER 1976 EST 3+MIN M C/U SOME RHYTHMIC CHALLENGE. HIGH NOTE IS Ab, BUT MUCH LOW HORN WORK IN A GOOD SCORE.
MERILAINEN, USKO MARSSI BRASS QUARTET FiMIC

M C/U SHORT LITTLE MARCH FOR 2TRPT, HN & TRB IN MS.
MERILAINEN, USKO NELJA BAGATELLIA STRING QUARTET FiMIC

H C/U FOUR SHORT MOVEMENTS WITH INTEREST TO CHALLENGE THE YOUNG STRING QUARTET. SOME NONTRADITIONAL SOUNDS AND TECHNIQUES.
MERILAINEN, USKO PARTITA FOR BRASS BRASS ENSEMBLE KING 1959
M/H C/U 4TRPT,4HN,3TRB,TBA. FOUR MOVEMENTS AND A FINE SCORE.
MONONEN, SAKARI PIENI SARJA PUHALLINORKESTERILLE, OP 31 BAND SULASOL 1975 EST 6 MIN M C/U/HS 2FL,2CL,BCL,2OB,2BSN,AS,4HN,4TRPT,2TRB,EUP,TBA,PERC,TMP. MARCH LIKE OPENING, THEN 3/4, 6/8 AND MIXED METER. PROGRAM OPENER.
MONONEN, SAKARI SONAATTI KLARINETILLE JA PIANOLLE CLARINET & PIANO FiMIC 1973 EST 10 MIN H C/U FOUR MOVEMENTS WITH RHYTHMIC INTEREST AND CONTEMPORARY SOUNDS.
NEVONMAA, KIMMO LUX INTIMA FOR SMALL ORCHESTRA ORCHESTRA MODUS 1993/94 15 MIN H C/U FL,OB,CL,BSN,HN,TRPT,TB,2PERC,STRINGS. MANY TRAPS RHYTHMICALLY AND MUSICALLY AND NOTES TO SPARE. WE THINK THIS CAN BE PLAYED BY THE FINE C/U ENSEMBLES WITH REHEARSAL TIME AND A GOOD CONDUCTOR!
NISKA, PAUL/NACKE JOHANSSON SAMBA LA BAMBA STAGE BAND FiMIC
4 MIN M C/U/HS SAMBA STRAIGHT AHEAD!
NORDGREN, PEHR HENRIK AS IN A DREAM, OP 21 CELLO & PIANO FiMIC 1974 13 MIN H C/U ONE MOVEMENT PLAYABLE BY HIGHLY QUALIFIED COLLEGE STUDENTS THAT WANT A NICE CHALLENGE.
NORDGREN, PEHR HENRIK CONCERTO FOR STRINGS, OP 54 STRING ORCHESTRA FAZER 1982 EST 12 MIN H C/U 1. PREMONITIONS OF A BAD DAY, 2. DANCE AWAY YOUR WORRIES, 3. A BELATED PRAYER FOR ACHIEVING FULFILLMENT. MOVEMENTS CAN STAND ALONE. PLAYABLE WITH NO SURPRISES. SCORE FOR SALE, PARTS RENTAL.
NORDGREN, PEHR HENRIK EPILOGUE, OP 61 CELLO & PIANO HELLASEDITION 1983 4 MIN E/M C/U/HS MELODIC AND VERY PLAYABLE. WORTHY OF SERIOUS PERFORMANCE AND PROFESSIONAL ATTENTION.
NORDGREN, PEHR HENRIK MINORE ORCHESTRA FiMIC 1968 9 MIN H C/U 2FL,2CL,2OB,2BSN,4HN,TMP,PIANO,STRINGS. ONE MOVEMENT MARKED MOLTO EXPRESSIVO. DIFFICULT BUT NO SURPRISES. RENTAL ONLY.
NORDGREN, PEHR HENRIK SYMPHONY FOR STRINGS, OP 43 STRING ORCHESTRA FAZER 1978
H C/U FOUR MOVEMENTS OF STRAIGHT AHEAD MUSIC REQUIRING MATURE MUSICIANSHIP. LOTS OF DIVISI.
NORHOLM, IB THE SHADOW, OP. 59 ORCHESTRA KONTRAPUNKT 1973 13 MIN M/H C/U 2FL(PIC),2OB,2CL(BCL),2BSN,2HORN,2TRPT,2TRB,2PERC,HARP,CELEST,STRINGS. MOVEMENTS: SYDEN, DIGEREN OG HANS MUSE, PRINSESSNS VALS, SKYGGENS TRIUMF. HAS TEXT THAT CAN BE READ BETWEEN MOVEMENTS TO EXPLAIN THE STORY. THIS IS PLAYABLE MATERIAL FOR THE C/U ENSEMBLE!
NORONTAUS, VEIKKO KEHTOLAULU -(LULLABY) TRUMPET & PIANO FiMIC 2005 5+ MIN E/M C/U A GOOD CONTEST OR RECITAL PIECE. RANGE TO G WITH SUPPORTIVE ACCOMPANIMENT. THE MS IS PASSABLE. WE LIKE THE LINE THE SOLO TAKES. THE COMPOSER ALSO HAS A NICE CANZONA AVAILABLE IN THIS COMBINATION.
NUORVALA, JUHANI NOTTURNO URBANO ORCHESTRA LOVE 1996 9 MIN H C/U PIC,FL,2OB,2CL(BCL),2BSN,2HN,TRPT,TIMP,STRINGS. A HARD WORK THAT WILL BE MADE EASIER WITH A CONDUCTOR WITH A GREAT STICK! A LOT OF TIME CHANGES AND TRICKY RHYTHMIC THINGS.
NUORVALA, JUHANI SINFONIETTA STRING ORCHESTRA LOVE 1997/98 16 MIN. H C/U ANDANTE, TRANQUILLO, ALLEGRO. FOR THE MOST ACCOMPLISHED STRING ORCHESTRA. ALL THE RHYTHMIC PROBLEMS YOU WANT IN A CONTEMPORARY HARMONIC SETTING. MUSIC FOR RENT.
PANULA, JORMA SAKKIJARVEN POLKKA WOODWIND QUINTET ARTEMUSA CIR 2000 EST 2+ MIN M C/U/HS FOLK MUSIC ARRANGED BY PANULA. ALL PLAY FOR SOME FUN. GOOD PROGRAM/INCIDENTAL PERFORMANCE MUSIC. PANULA HAS THREE MORE LIKE THIS THAT WE SAW AT FIMIC: JAAKKO KULTA, PELTONIENMEN HINTRIIKIN SURMARSSI AND PARTTENKOLIAASET. ALL EASY TO MEDIUM DIFFICULTY.
PASQUET, LUIS SUITE FOR BRASS QUINTET BRASS QUINTET FiMIC 1995 EST 8+ MIN M C/U PUT UP WITH SOME MESSY MS ON THIS ONE AND YOU WILL BE REWARDED! MOVEMENTS: PRELUDE, SARABANDE AND GIGUE. SOME NICE KENTON SOUNDS IN THE SECOND MOVEMENT. WE HAVE PLAYED THIS MANY TIMES - YOU WILL LIKE!
PASQUET, LUIS THE SONG OF THE ORANGE GROVES BAND BLOSARI 1997 4+ MIN M C/U/HS PIC,FL,OB,3CL,BCL,AS,TS,BS,HN,3TRPT,2TRB,EUP,TBA,4PERC. THIS IS MARKED ZAMBA (SAMBA). FUN IN STORE FOR BAND AND THE AUDIENCE! SAME COMPOSER AND PUBLISHER HAS TWO TITLES WE SAW: OLD CARNIVAL AND EL VALLE DE LAS FLORES. YOU MUST HAVE ONE OF THESE!
PASQUET, LUIS THREE PIECES FOR QUARTET OF SAXOPHONES SAXOPHONE QUARTET FiMIC 1993 EST 9+ MIN M/H C/U SS.AS.TS.BS. MOVEMENTS: CONVERSATION-RHYTMCAL, VALSE FANCAISE-MODERARTO ELEGANT, TANGO-ANIMATO. VERY BAD MS! BUT, THIS COMPOSER HAS MUCH TO SAY, SO HAVE FUN WITH IT AND ENJOY THE MUSIC.
PEKKANEN, PERTTI JOKERI BAND SULASOL 1989 EST 4 MIN M C/U/HS PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP. FUN AND EXCITEMENT IN KEY OF C AND IN 2/4 AND 4/4.
PETHMAN, ESA KELTAINEN METSA BAND ELVIS 1982
M C/U/HS 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,TMP. A `BAND' OVERTURE. BARITONE PARTS ARE ACTIVE. A CONDENSED SCORE.
POHJANNORO, HANNU HYBRIS CLARINET ALONE FiMIC 1987/88 EST 10+ MIN H C/U THE ULTIMATE PRACTICE STAND MUSIC FOR THOSE INTERESTED IN KNOWING MODERN TECHNIQUES FOR THE CLARINET. COMPOSER HAS A SPECIAL PAGE OF INSTRUCTIONS IN ENGLISH TO HELP. SHOW OFF AT THE RECITAL.
POHJANNORO, HANNU XL FOR ORCHESTRA ORCHESTRA FiMIC 2003/04 7 MIN M/H C/U 3FL,3OB,3CL,3BSN,4HN,3BbTRPT,3TRB,3PERC,STRINGS. NOTE THIS INSTRUMENTATION - A LOT OF WINDS AND STRINGS DIVISI AND EASY ON THE PUNS WITH THE TITLE! SHOULD BE NO PROBLEM WITH THE LARGE ORCHESTRA - PERHAPS AN ALL-STATE GROUP.
POHJOLA, SEPPO ELAMAN KEVAT - SPRING OF LIFE STRING ORCHESTRA FiMIC 2001 EST 12+ MIN H C/U SOME DIVISI, SO HAVE A LARGER STRING GROUP. LATER IN THE WORK SOME RHYTHMIC THINGS, LIKE 5 ON 2 AND ENDS IN A FLOURISH OF NOTES. GREAT SCORE.
POHJOLA, SEPPO TAPIOLANDIA FOR ORCHESTRA ORCHESTRA FiMIC 2003 EST 10+ MIN M C/U/HS PIC,FL,2OB,EbCL,CL,2BSN,2HN,2CTPY,TRB,2PERC,STRINGS. MOSTLY STRAIGHT DOWN THE MIDDLE IN 4/4 WITH JUST A FEW DIVERSIONS. SOME DIVISI STRINGS. A FINE SCORE READY TO BE PLAYED WELL!
POHJOLA, SEPPO TRALALA FOR SYMPHONY ORCHESTRA ORCHESTRA FiMIC 2000 EST 5+ MIN H C/U PIC,3FL,2OB,EH,3CL,3BSN,4HN,3TPT,3TRB,4PERC,STRINGS (DIVISI). A HIGH ENERGY WORK THAT WILL EXCITE! FULL ORCHESTRA PLUS! JUST A FEW METER CHANGES OTHER WISE STRAIGHT AHEAD WITH A LOT F NOTES AND FIRE!
PUHAKKA, JARI BAGATELLEJA, OP 18 BASSOON ALONE FiMIC 1977
E/M C/U/HS THREE SHORT MOVEMENTS OF MODEST CHALLENGE.
PYLKKANEN, TAUNO KUVIA LAPISTA BAND FiMIC 1966 9 MIN M C/U/HS PIC,2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC. THREE MOVEMENTS STRAIGHT AHEAD AND LIGHT ON THE PERCUSSION.
PYLKKANEN, TAUNO PASTORAALI CLARINET & PIANO FIMIC 1993 EST 2+ MIN E/M C/U RATHER EASY PASTORALE IN 6/8. FLOWING LINE READY TO MAKE MUSIC.
RAISANEN, TOMI DELIRIUM NOCTURNUM ORCHESTRA FiMIC 2001/06 14 MIN H C/U 2FL(PIC),2OB(EH),2CL(BCL),2BSN,2HN,CTRPT,TRB,TBA,2PERC, HARP,STRINGS. INVENTIVE, SOMEWHAT ESOTERIC, BUT CAN BE PLAYED BY GOOD C/U GROUPS WITH INTEREST IN MUSIC OF THE 21ST CENTURY. CHANGING METER, SPECIAL EFFECTS AND OTHER FUN THINGS!
RAITIO, PENTTI DREAM FLUTE ALONE JASEMUSIIKKI 1986 EST 3 MIN H C/U SHORT AN CHALLENGING. NEED STRONG HIGH REGISTER AND EAR FOR THE BIG INTERVALS.
RAITIO, VAINO JOUTSENET (LES CYGNES) ORCHESTRA FAZER 1919 8 MIN M/H C/U 3FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,CELESTA, STRINGS. SLOW MOVING ROMANTIC WORK THAT NEEDS STRONG STRINGS AND FLUTE. NICE SCORE.
RANTA, SULHO KAINUUN KUVIA, OP 44 (IMAGES BOREALES) ORCHESTRA FAZER 1933 12 MIN M C/U/HS 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,2PERC,TMP,STRINGS. THREE MOVEMENTS IN ROMANTIC STYLE AND STRAIGHT AHEAD.
RAUTAVAARA, EINOJUHANI A FINNISH MYTH STRING ORCHESTRA FAZER 1984 EST 6+MIN H C/U SEVEN VIOLIN PARTS, 3 VIOLA, 4 CELLO & 3 STRING BASS. SLOW MOVING WITH HARMONIC TENSION. A GOOD SCORE FROM A FINE COMPOSER.
RAUTAVAARA, EINOJUHANI A REQUIEM IN OUR TIME BRASS ENSEMBLE KING 1954 10 MIN H C/U 4TRPT,4HN,3TRB,BAR,TBA,TMP,PERC. 1. HYMNS, 2. CREDO ET DUBITO, 3. DIES IRAE, 4. LACRYMOSA. PERHAPS MOST WELL KNOWN IN THE U.S. BY THIS COMPOSER. GREAT SCORE.
RAUTAVAARA, EINOJUHANI A SOLDIER'S MASS, OP 40 BAND FiMIC 1973 11 MIN M/H C/U 2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,4TRB,TBA,2PERC,TMP. 1. THE LORD OF BATTLES, 2. HAVE MERCY ON US, 3. ON THE FIELD OF GLORY, 4. AT DEATH'S DOOR. FINE COMPOSER. RENTAL.
RAUTAVAARA, EINOJUHANI CLARINET CONCERTO CLARINET & ORCHESTRA FENNICA 2001 EST 20+ MIN H C/U 2FL,2OB,CLBCL,BSN,CBSN,4HN,2TRPT,2TRB,TBA,3PERC,HAP,STRINGS. MOVEMENTS: DRAMMATICO (MA FLESSIBLE), ADAGIO ASSAI, VIVACE. HARD FOR BOTH PARTIES, BUT A GREAT COMPOSER WHO HAS SOMETHING TO SAY AND WORTH THE EFFORT. AT LEAST TRY THE SECOND MOVEMENT!
RAUTAVAARA, EINOJUHANI DITHYRAMBOS, OP 55 VIOLIN & PIANO FAZER 1970 EST 4 MIN H C/U CONTEMPORARY SOUNDS & STYLE. NO UNUSUAL PERFORMANCE DEMANDS.
RAUTAVAARA, EINOJUHANI DIVERTIMENTO STRING QUINTET FiMIC 1953
M/H C/U 2 VIOLINS, VIOLA, CELLO, & STRING BASS. THREE MOVEMENTS THAT CAN ALSO BE PLAYED BY A STRING ORCHESTRA.
RAUTAVAARA, EINOJUHANI DIVERTIMENTO STRING ORCHESTRA FAZER 1953
M/H
MOVEMENTS: ALLEGRO, ADAGIO, ALLEGRETO MA ENERGICO. EARLY RAUTAVAARA WORK THAT IS EASIER THAN A LOT OF HIS THINGS. THIS ONE PLAYS. FOR MORE DIFFICULT ITEMS FROM SAME COMPOSER AND PUBLISHER SEE: ‘CANTOS’, ‘CANTO IV,’
RAUTAVAARA, EINOJUHANI FANFAARI TRUMPET CHOIR FiMIC 1992 30 SEC E C/U/HS 4 TRUMPETS - FOR THAT SPECIAL OCCASION WHEN YOU WANT A SPECIAL FANFARE. RAUTAVAARA TO THE FORE!
RAUTAVAARA, EINOJUHANI HYMNUS TRUMPET & ORGAN FiMIC 1998 EST 8+ MIN M C/U/HS TRUMPET IN C TO B ONE TIME. SOME LOGICAL MIXED METER. THE PART WE SAW WAS QUESTIONABLE MS. CHECK THAT OUT, BUT THIS IS WORTH WHILE MATERIAL. COMPOSER USES MODERN HARMONIES!
RAUTAVAARA, EINOJUHANI KONZERT, OP. 69 FLUTE & ORCHESTRA BREITKOPF & HÄRTEL 1975 EST 12+ MIN H C/U 2BSN,CBSN,3HN,3TRPT,2PERC,HARP,STRINGS. MOVEMENTS: ANDANTINO, VIVACE, ANDANTE MODERATO. MIXED METER AND OTHER ADVANCED TECHNICAL DEMANDS, BUT THIS COMPOSER KNOWS HOW TO USE THEM WITHOUT MAKING THEM IMPOSSIBLE.
RAUTAVAARA, EINOJUHANI LINTUKOTO - ISLE OF BLISS FOR ORCHESTRA ORCHESTRA FAZER 1995 EST 6+ MIN H C/U 2FL,3OB,2CL,2BSN,2HN,TPT,TRB,2PERC,HARP,STRINGS. THIS COMPOSER USES MANY METER CHANGES, BUT THEY ALWAYS SEEM LOGICAL. DEMANDS ON EVERYONE, BUT A FINE SELECTION FOR THE GOOD C/U ORCHESTRAS!
RAUTAVAARA, EINOJUHANI PELIMANNIT - FIDDLERS, OP 1 STRING ORCHESTRA FAZER 1976
E/M C/U/HS FIVE MOVEMENTS WITH PROGRAM. PROGRAM NOT NECESSARY FOR SUCCESSFUL PERFORMANCE - IT STANDS ON ITS OWN. GOOD MATERIAL.
RAUTAVAARA, EINOJUHANI PLAYGROUNDS OF THE ANGELS BRASS ENSEMBLE FiMIC 1981 EST 10 MIN H C/U 2TRPT IN C & 2TRPT IN Bb,4TRB,HN,TBA. ONE MOVEMENT & HARD BUT WORTH IT.
RAUTAVAARA, EINOJUHANI SONATA, OP 26 BASSOON & PIANO FAZER/WEINBERGER 1970
H C/U ONE MOVEMENT WITH MULTI-PHONICS AND GOOD INSTRUCTIONS. FINE COMPOSER.
RAUTAVAARA, EINOJUHANI SONETTO, OP 53. CLARINET & PIANO FAZER 1985 EST 8+ MIN H C/U MIXED METER, OTHER RHYTHMICS OBSTACLES, BUT WORTH EFFORT FROM ONE OF FINLAND’S BEST COMPOSERS.
RAUTAVAARA, EINOJUHANI STRING QUARTET NO 1 STRING QUARTET FAZER 1952
M/H C/U THREE MOVEMENTS THAT ARE ACCESSIBLE FROM A FINE COMPOSER.
RAUTAVAARA, EINOJUHANI STRING QUARTET NO 3, OP 18 STRING QUARTET FAZER/WEINBERGER 1967 EST 7 MIN H C/U ONE MOVEMENT, NOT EASY BUT ACCESSIBLE.
RAUTAVAARA, EINOJUHANI SYMPHONY NO 1 ORCHESTRA FAZER/PAN 1955 17 MIN H C/U PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,2PERC,TMP,STRINGS. TWO MOVEMENTS WITH SOME MIXED METER AND WORTH THE EFFORT. SCORE FOR SALE OR RENTAL, PARTS RENTAL.
RAUTAVAARA, EINOJUHANI SYMPHONY NO 3 ORCHESTRA FAZER/PAN 1961 30 MIN H C/U 2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,TMP,STRINGS. FOUR MOVEMENTS IN A MAJOR WORK. FOR ONLY THE BEST C/U ENSEMBLES. SCORE FOR SALE OR RENTAL, PARTS RENTAL.
RAUTAVAARA, EINOJUHANI TARANTARA FOR SOLO TRUMPET TRUMPET ALONE FAZER 1976 EST 5+ MIN H C/U COMPOSER UNDERSTANDS THE INSTRUMENT. COMPLETE CHALLENGE OF HE PLAYER AND INSTRUMENT. LAID OUT SO THAT THESE IS NO DOUBT WHAT TO DO!
RAUTAVAARA, EINOJUHANI TWO PRELUDES AND FUGUES, OP 36 CELLO & PIANO FAZER 1969
M/H C/U EACH PRELUDE HAS ITS FUGUE. CONTEMPORARY SOUNDS, BUT NO UNUSUAL DEMANDS ON THE PERFORMERS. 2ND MOVEMENT IS TITLED "EPITAPH TO BELA BARTOK".
RIISAGER, KNUDAGE CONCERTINO, OP. 29 TRUMPET & STRING ORCHESTRA WHANSEN 1935 EST 10 MIN M C/U TRUMPET IN C. SOLID MATERIAL FROM THE EARLIER HARMONIES AND RHYTHMIC PATTERNS. NORMAL SOLO RANGE AND STRAIGHT AHEAD MUSIC. ENJOY!
ROMPPANEN, ARI QUINTET FOR BRASS BRASS QUINTET FiMIC 2000/01 EST 10+ MIN M/H C/U MOVEMENTS: SCHERZANDO, CHORAL, FUGUE. THE MIXED METER IS SET UP WELL BY THE COMPOSER INSTRUMENTS PLAY IN RANGE WITH CONCERN FOR THE RHYTHM.
ROMPPANEN, ARI WOODCUTS WOODWIND QUINTET FiMIC 200/06 EST 10+ MIN H C/U MOVEMENTS: PRELUDE, CHORAL, FUGUE. THE MIXED METER MAY BE A PROBLEM IN THE FIRST MOVEMENT WHICH PUSHES THIS INTO THE HARD CATEGORY. WHEN YOU ARE PAST THAT THIS ONE WILL PLAY.
RUNNE, OSSI LASTENKUTSUT (CHILDRENS PARTY) TRUMPET TRIO & BAND ELVIS 1986 EST 5 MIN M C/U/HS 2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3 SOLO COR,3TRPT,3TRB,EUP,TBA,2PERC,2 TENOR HORNS. CONDENSED SCORE. JAZZ WALTZ FOR FUN AT THE CONCERT.
RYDMAN, KARI SONATA XIII FLUTE ENSEMBLE FiMIC 1978 EST 7-8 MIN M C/U/HS SIX FLUTES IN ENSEMBLE. TWO MOVEMENTS. MOST OF IT CAN BE PLAYED BY A CHOIR OF FLUTES.
SAARIAHO, KAIJA CANVAS FLUTE ALONE FiMIC 1978
M/H C/U THREE MOVEMENTS THAT WOULD BE COMFORTABLE FOR THE GOOD COLLEGE PLAYER.
SAIKKOLA, LAURI CONCERTINO CLARINET & STRING ORCHESTRA FiMIC 1968
M/H C/U THREE MOVEMENTS WITH STRING PARTS, VERY PLAYABLE WITH CLARINET SOLO STRAIGHT AHEAD. GOOD LOOKING SCORE. RENTAL ONLY.
SAIKKOLA, LAURI CONCERTO MINIATURA VIOLA & STRING ORCHESTRA FiMIC 1979 15 MIN M/H C/U ONE MOVEMENT. ORCHESTRA PARTS VERY EASY. MARKED MODERATO & VIVACE. VIOLA PART ACCESSIBLE BY GOOD COLLEGE STUDENT. RENTAL ONLY.
SAIKKOLA, LAURI DIVERTIMENTO, OP 27 WOODWIND QUINTET FiMIC 1935 EST 9-10 MIN M C/U FIVE MOVEMENTS INCLUDING A 'POLCA' AND A 'PASTORALE'. CLEAN SCORE AND PARTS. ACCESSIBLE WITH NO SURPRISES.
SAIKKOLA, LAURI KOLME BAGATELLIA STRING BASS & PIANO FiMIC 1976 EST 6 MIN M C/U/HS THREE MOVEMENTS OF GOOD STUDY AND RECITAL MATERIAL.
SAIKKOLA, LAURI QUINTETTO WOODWIND QUINTET FiMIC 1969 EST 8-10 MIN M C/U FOUR MOVEMENTS, EACH SHORT BUT CAN STAND ALONE. GOOD COMPOSER AND GOOD SOUNDS.
SAIKKOLA, LAURI SINFONIA TRAGICA, OP 22 ORCHESTRA FiMIC 1976 30 MIN H C/U 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,HARP,STRINGS. RENTAL ONLY.
SAIKKOLA, LAURI SONATINA CELLO & PIANO FiMIC 1969 EST 10 MIN M/H C/U TWO MOVEMENTS. 2ND IS A THEME AND VARIATIONS. MANY KEYS USED.
SAIKKOLA, LAURI SONATINA VIOLA & PIANO FiMIC 1969 EST 10 MIN M C/U/HS THREE MOVEMENTS AND EXCELLENT FOR RECITAL AND STUDY. STRAIGHT AHEAD MATERIAL.
SAIKKOLA, LAURI SONATINA, NO 1, OP 35 VIOLA & PIANO FiMIC
11 MIN M/H C/U TWO MOVEMENTS USING A NUMBER OF KEYS AND MOSTLY STRAIGHT AHEAD.
SALLINEN, AULIS AT THE PALACE GATES, OP 68A ORCHESTRA NOVELLO 1999 6+ MIN H C/U 2FL(PIC),2OB,2CL(BCL),2BSN,4HN,2BbTRPT,2TRB,3PERC,HARP,STRINGS. FOR HIRE. TAKEN FROM HIS OPERA, ‘THE PALACE’. GOOD WORK TO ACQUAINT C/U ORCHESTRAS WITH THIS WELL KNOWN COMPOSERS WORK USUALLY PLAYED BY PROFESSIONALS. SCORE IS MS.
SALLINEN, AULIS CADENZE VIOLIN ALONE FAZER 1965 EST 4 MIN H C/U VERY FREE MUSIC - NO BARS LINES. MATURE TECHNIQUE AND MUSICIANSHIP NEEDED.
SALLINEN, AULIS ELEGIE CELLO ALONE FAZER 1966 EST 3 1/2/MIN M/H C/U FINE WORK BY ONES OF FINLAND'S BEST.
SALLINEN, AULIS FANFARE, OP. 59 BRASS ENSEMBLE NOVELLO 1986 EST 1+ MIN H C/U 4HN,4TRPT,3TRB,TBA PERC. IN MS - A DRAMATIC FANFARE BY ONE OF FINLAND’S FINEST. NOTHING SPECIAL JUST SOLID WRITING.
SALLINEN, AULIS METAMORFORA CELLO & PIANO FAZER 1974 EST 4 MIN M/H C/U CONTEMPORARY SOUNDS & STYLE. NEEDS A FINE PIANIST. FINE COMPOSER AND A GOOD SCORE.
SALLINEN, AULIS QUATRE ETUDES VIOLIN & PIANO FAZER 1970 EST 5 MIN M/H C/U FOUR SHORT MOVEMENTS THAT CAN STAND ALONE. A COMFORTABLE CHALLENGE BY ONE OF FINLAND'S MOST FAMOUS COMPOSERS.
SALLINEN, AULIS THE PALACE RHAPSODY, OP. 72 BAND NOVELLO 1996 16 MIN H C/U 3FL(PIC),3OB,3CL(EbCL,TS,BCL,EbALCL),AS,BS,3BS(CBSN),4HN,3TRPT,3TRB,4PERC,HARP,PIANO. A WELL KNOWN COMPOSER FOR ORCHESTRA WITH A WORK FOR BAND. MIXED METER WILL BE THE HARDEST TO OVERCOME, OTHERWISE THIS SHOULD PLAY WELL FOR THE C/U BANDS.
SALLINEN, AULIS VANTAA - FANFAARI TRUMPET TRIO FiMIC 1971 45 SEC E/M C/U/HS A SHORT FANFARE.
SALLINEN, AULIS VARIATIONS FOR ORCHESTRA ORCHESTRA NOVELLO 1985 12 MIN H C/U/HS SORRY, NO INSTRUMENTATION FOR THIS ONE. PLAYABLE BY A GOOD HS ORCHESTRA. SCORE FOR SALE, PARTS RENTAL.
SALMENHAARA, ERKKI CONCERTO PER CORNO ED ORCHESTRA HORN & PIANO FiMIC 1973 17 MIN M C/U MOVEMENTS: SOSTENUTO, LENTO, ALLEGRO MODERATO. FULL ORCHESTRA ACCOMPANIMENT AVAILABLE. THE SCORE IS IN A VERY GOOD MS. THIS IS VERY GOOD, PLAYABLE C/U MATERIAL HORN TO Bb ABOVE THE STAFF.
SALMENHAARA, ERKKI POEMA CELLO & PIANO FAZER 1983 EST 7 MIN M C/U SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA.
SALMENHAARA, ERKKI POEMA STRING ORCHESTRA FAZER 1975 EST 7 MIN M C/U FOR SOLO VIOLIN, 2 VIOLINS, 3 VIOLAS, 2 CELLOS & STRING BASS. AN INTENSE, SLOW MOVING MELODIC WORK. SOLO VIOLIN MUST BE STRONG, THE REST OF THE PARTS ARE EASIER.
SALMENHAARA, ERKKI POEMA VIOLA & PIANO FAZER 1983 EST 7 MIN M C/U SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA.
SALMENHAARA, ERKKI POEMA VIOLIN & PIANO FAZER 1983 EST 7 MIN M C/U SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA.
SALMENHAARA, ERKKI PRELUDE, POPTUNE AND FUGUE FLUTE ALONE FAZER 1967 EST 9 MIN H C/U THREE MOVEMENTS THAT CAN STAND ALONE. 'POPTUNE' IS THEME AND VARIATIONS. SHOWOFF MUSIC!
SALMENHAARA, ERKKI QUINTET FOR BLASER WOODWIND QUINTET FiMIC 1964 12 MIN M/H C/U THREE MOVEMENTS THAT ARE ACCESSIBLE WITH A FEW INTERESTING SURPRISES THAT SHOULD MAKE THIS FUN FOR PERFORMER AND LISTENER.
SALMENHAARA, ERKKI SONATA CELLO & PIANO FAZER 1972
M C/U USUAL THREE MOVEMENTS THAT CAN STAND ALONE. COLLEGE RECITAL AND STUDY MATERIAL THAT IS STRAIGHT AHEAD.
SALONEN, ESA-PEKKA CONCERT ETUDE HORN ALONE CHESTER 2000 EST 4+ MIN H C/U THIS COMPOSER SHOWS A GREAT KNOWLEDGE OF THE INSTRUMENT IN THIS WORK. IT IS HARD, (HIGH, RHYTHM, ETC) BUT AN EDUCATION IN WHAT THE HORN CAN DO BY AN IMAGINATIVE COMPOSER.
SALONEN, ESA-PEKKA NACHTLIEDER CLARINET & PIANO FAZER 1980 CA 6 MIN H C/U FOUR SHORT MOVEMENTS IN CONTEMPORARY STYLE. SOME NONTRADITIONAL NOTATION AND RHYTHMIC CHALLENGES.
SALONEN, ESA-PEKKA QUINTETTO, OP 25 WOODWIND QUINTET WHANSEN
EST 12-15 MIN M/H C/U FOUR MOVEMENTS WITH CONTEMPORARY SOUNDS. IT SINGS! A VERY GOOD LOOKING SCORE WITH INTEREST IN ALL PARTS.
SERMILA, JARMO HOMAGE TO EV BRASS ENSEMBLE FiMIC 1972 10 MIN H C/U 2TRPT,3TRB,2HN,XYLOPHONE,TIMPANI. GOOD SCORE AND WORTHY OF PERFORMANCE.
SERMILA, JARMO KANONISOITU PEILIKUVA WIND ENSEMBLE FiMIC 1980 EST 9 MIN H C/U 2FL, 2CL, 2OB, 2COR, 2TRPT, 2TRB, 2PERC. CONTEMPORARY SOUNDS AND RHYTHMIC INTEREST. ONE ON A PART FOR BEST RESULTS.
SERMILA, JARMO OTTEITA KILGORE TROUTIN PAIVAKIRJASTA 2 BRASS QUINTET JASEMUSIIKKI 1988 5 MIN H C/U 2TRPT, HN, TRB, TBA. 5 SHORT MOVEMENTS WITH MIXED METER, RHYTHMIC COMPLEXITY AND INTEREST.
SERMILA, JARMO PROLAPSES FLUTE ALONE FAZER 1973 EST 5 MIN M/H C/U/HS A GOOD LOOKING WORK WITH ACCESSIBILITY.
SERMILA, JARMO THE MYTHIC MAN PERCUSSION ENSEMBLE FiMIC 1982 12 MIN H C/U NEED FIVE PLAYERS ON A COMPLETE RANGE OF INSTRUMENTS. NON-METRIC NOTATION AND OTHER SURPRISES.
SERMILA, JARMO TROCORTRO FOR TRUMPET, HORN AND TROMBONE BRASS TRIO JASEMUSIIKKI 1992 EST 18+ MIN H C/U FOUR MOVEMENTS OF AVANTE GUARDE BRASS TRIO LITERATURE. AS RECORDED BY A FINNISH BASS TRIO. ABOUT AS HARD AS IT GETS - NOT THE NOTES, BUT WHERE TO PUT THE NOTES. IT IS ALL ABOUT ENSEMBLE. HIGHLY ADVANCED ENSEMBLE ONLY!
SERMLA, JARMO AALELAA OBOE & PIANO FiMIC 2001 13 MIM H C/U MOVEMENTS: INRODUZIONE, PASTORELLO, MARCIA MALINCONICA, CAPRICCIO. BOTH OBOE AND PIANO PLAYERS AT THE TOP OF THEIR TECHNICAL ABILITY AND WILLING TO REHEARSE TOGETHER TO MAKE THIS GO.
SIBELIUS, JEAN ANDANTE FESTIVO STRING ORCHESTRA FAZER 1967 5 MIN E C/U/HS AN EASY ALLA BREVE PIECE.
SIBELIUS, JEAN RAKASTAVA, OP 14 (THE LOVER) STRING ORCHESTRA FAZER 1967
M C/U/HS 1. THE LOVER, 2. THE PATH OF THE BELOVED, 3. GOOD NIGHT - FAREWELL. YES, IT IS ROMANTIC. NEED ONE PERCUSSIONIST. A GOOD SCORE, GREAT COMPOSER AND PLAYABLE MUSIC.
SIBELIUS, JEAN SOUVENIR, OP 79 NR 1 VIOLIN & PIANO FAZER 1922 EST 3 MIN M/H C/U ROMANTIC PIECE FOR THE MATURE MUSICIAN.
SIPILA, EERO PARTITA WOODWIND QUINTET FiMIC 1955 EST 8-9 MIN M C/U/HS FIVE SECTIONS IN TRADITIONAL STYLE (A LA BAROQUE).
SOININEN, ANTTI SUITE FOR STRINGS STRING ORCHESTRA SULASOL 1998 EST 12+ MIN M C/U/HS MOVEMENTS: NAPOLEONIN MARSSI, KLAPPA, MENUETT, FINGERPOLSKA, POLKKA. A WELL LAID OUT SCORE WITH JUST A FEW PROBLEMS TO WORK OUT.
SONNINEN, AHTI CANTATE CANTICA SOCII STRING ORCHESTRA FAZER 1979 EST 5 MIN E C/U/HS THREE MELODIES FROM 'PIAE CANTIONES', 1582. EARLY STYLE.
SONNINEN, AHTI FIVE NORDIC MELODIES STRING ORCHESTRA FAZER 1981 EST 12 MIN M C/U/HS ONE FOLK TUNE FROM EACH OF THE FIVE NORDIC COUNTRIES. THEY ALL FLOW BUT ICELAND'S IS IN MIXED METER!
TAKALO, ARTTU DON’T GO AWAY BASSOON TRIO FiMIC 1998 EST 5+ MIN M/H C/U ALL MUST HAVE CLEFS. MARKED, COMODO SEMPLICEMENTE (MA CON ANIMA - A LA POP). SOME FUN FOR HE BASSOONS!
TAKALO, ARTTU PRINSESSA JA JAATYNYT PUUTARHA - PRINCESS & A FROZEN GARDEN BASSOON ENSEMBLE FiMIC 1995 EST 6+ MIN M/H C/U 6 BASSOONS AND A CONTRA. EASIER THAN THE OTHERS OF THIS INSTRUMENTATION ON THIS LIST. CLEFS NEEDED IN TWO OF THE PARTS.
TAKALO, ARTTU SCI-FI BAND FiMIC 2006 EST 1O+ MIN M/H C/U PIC,2FL,2OB,EbCL,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. MOVE: EMPORER (ANDANTE QUASI FESTIVO), BATTLE (ALLEGRO MOLTO). SCORE IS PASSABLE MS, PARTS PRINTED. A POPULAR COMPOSER OF FINNISH BAND MUSIC -- SEE HIS ‘THE WASTELANDS AND ‘SYMPHONY’ - BETTER MS!
TALVITIE, RIIKKA HOBBYHORSING AROUND - KEPPIHEVOSTELLEN STRING ORCHESTRA FiMIC 1999 EST 12+ MIN H C/U MOVEMENTS: WALKING AND PACING (ANDANTE), GALLOPING AND TROTTING (SCHERZO). ENJOY THIS PIECE MADE DIFFICULT BY THE MANY CHANGES OF METER. THERE IS SOME DIVISI. FOR THE GOOD C/U ENSEMBLE WITH MUSICIANS THAT CAN COUNT AND HAVE REHEARSAL TIME.
TEIRILA, TUOMO EMMENTAL FOR OBOE, CLARINET AND BASSOON WOODWIND TRIO SML 1993
E/M/H C/U/HS MOVEMENTS: ALLEGRO MODERATO, ADAGIO, ALLEGRO MOLTO. SOME TRICKY THINGS HERE AND THERE TO WORK OUT, BUT THIS WILL PLAY WITH THE ADVANCED HS STUDENT AND C/U MUSICIANS.
TEIRILA, TUOMO VASKIKVINTETTO - BRASS QUINTET BRASS QUINTET JASEMUSIIKKI 1993 EST 9+ MIN M/H C/U MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, PRESTO, ALLEGRO MOLTO. SOME MIXED METER AND THE TRUMPET ONE PART MAY CARRY A BIT MORE OF THE LOAD THEN THE REST OF THE ENSEMBLE. MOVEMENTS CAN STAND ALONE.
TIENSUU, JUKKA MOOD - STEREOPHONIC MUSIC FOR SMALL ORCHESTRA ORCHESTRA FiMIC 1999 9 MIN H C/U PIC,FL,OB,CL,CBCL,BSN,CBSN,HN,CTRPT,TRB,TBA,STRINGS. WOULD BE EASY TO OVERLOOK THIS WORK. BUT IT WILL PLAY! DIVIDED ORCHESTRA ON STAGE ON SIDES OF THE AUDIENCE. HARD, BECAUSE IT WILL TAKE REHEARSAL TIME, BUT IT SHOULD BE EFFECTIVE! TRY IT!
TIKKA, KARI PARTHIA VASKIKVINTETILLE BRASS QUINTET FiMIC 1965
M C/U TWO VERSIONS: 2TRPT, 2TRB, TBA OR 2TRPT, HN, TRB, TBA. IN MS.
TIKKA, KARI YOLLA - IN THE NIGHT CLARINET & PIANO FiMIC 2002
H C/U THE NOTES OR NOT HARD, BUT THE CONTEMPORARY SETTING WILL NEED A MUSICIAN WHO HAS HAD SOME EXPERIENCE IN MODERN SOUND AND APPROACH. VERY NICE SCORE IN 3 MOVEMENTS: NIGHTMARE (ALLEGRO PESANTE), LULLABY (DOLCE), IT’S ALMOST MORNING (ALLEGRO PESANTE).
TOIVIO, LAURI KIMPALE FLUTE & BAND FiMIC 2003 EST 3 MIN E/M C/U/HS FL,OB,2CLBSN,AS,TS,2TRPT,HN,EUP,TRB,TBA,3PERC. AT LAST A FLUTE SOLO WITH BAND THAT WILL WORK FOR MANY STUDENTS AND MANY BANDS. TRADITIONAL IN MOST WAYS.
TOIVIO, LAURI TRIO FOR FLUTE, CLARINET AND BASSOON WOODWIND TRIO Uusinta 1988/90 13 MIN M/H C/U MOVEMENTS: KOLERIA(ALLEGRO VIVO), FOBIA (ADAGIO), MELANKOLIA (ANDANTE), FINALE (ALLEGRO GIOCOSO). A FEW LITTLE PROBLEMS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD.
TULINDBERG, ERIK STRING QUARTET NR 1 STRING QUARTET FAZER 1964 EST 12 MIN E/M/ C/U FOUR MOVEMENTS, NO SCORE, FINE FOR THE YOUNG OR BEGINNING STRING QUARTET OF COMPETENT PLAYERS. HE HAS ALSO COMPOSED 6 OTHER STRING QUARTETS IF YOU LIKE THIS ONE.
TUOMELA, TAPIO PILKE 1 SAXOPHONE(ALTO) & PIANO FiMIC 2005 11 MIN H C/U SOME AVANTE GUARDE TECHNIQUES REQUIRED AND COMPLETE MASTERY OF THE INSTRUMENT ALONG WITH A FINE AND ADVENTUROUS PIANIST. THE SCORE IS VERY WELL LAID OUT FOR ITS UNDERSTANDING.
VAINIKKA, SAKARI CONCERTO FOR TRUMPET & ORCHESTRA TRUMPET & ORCHESTRA FiMIC 1988 EST 12 MIN M/H C/U 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db). RENTAL ONLY.
VAINIKKA, SAKARI CONCERTO FOR TRUMPET & ORCHESTRA TRUMPET & PIANO FiMIC 1988 EST 12 MIN M/H C/U 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db).
VAINIO, JAN MIKAEL MAGMA MOON FLUTE ALONE Uusinta 2000 6 MIN H C/U THIS HAS EVERYTHING: MULTI PHONICS, KEY NOISE, BREATH TONES, AND OTHER THINGS TO MAKE IT VERY INTERESTING. PREPARE TO PRACTICE!
VAKKILAINEN, ARI SAXOPHONE QUARTET SAXOPHONE QUARTET FiMIC 2004 EST 6+ MIN M/H C/U SS.AS.TS,BS. LOTS OF INDIVIDUAL PART MOVEMENT AND MODERN HARMONY. INDIVIDUAL PARTS NOT HARD, BUT PUTTING IT TOGETHER WILL TAKE SOME REHEARSAL TIME.
VAKKILAINEN, ARI SONATA FOR BASSOON AND PIANO BASSOON & PIANO FiMIC 2004 EST 7+MN H C/U CLEFS NEEDED. RHYTHMIC THINGS TO WORK OUT, MODERN SETTINGS, NEED A GOOD PIANIST. UPPER DIVISION C/U STUDENT.
VAKKILAINEN, ARI SONATA FOR HORN AND PIANO HORN & PIANO FiMIC 2005 EST 10+ MIN H C/U TO B ABOVE THE STAFF AND HE LIKES THE LOW NOTES! LOTS OF NOTES TO PLAY IN A CONTEMPORARY SETTING. LAID OUT WELL AND PLAYS FOR THE C/U ADVANCED STUDENT.
VIITALA, MAURI FANFAARI BRASS ENSEMBLE FiMIC 1974 1 MIN 40 SEC E/M C/U/HS 6/8 FANFARE WITH MODEST RANGES AND IT MOVES. POOR MANUSCRIPT IN THE SCORE.
VIITASAARI, JUKKA CANTOR HENRY’S POLKA BAND 7IKKO 2005 2 MIN 10 SEC M C/U/HS PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,2HN,2TRB,EUP,TBA,4PERC. JUKKA HAS ARRANGED A NUMBER OF THESE TRADITIONAL FINNISH FOLK TUNES FOR BAND VERY PLAYABLE AND FUN. ALSO SEE, HINTRIIKKI PELTONIEMI’S FUNERAL MARCH’, ‘STAR GAZER’ AND ‘WIND BREEZES BEND THE TREES.’
VIITASAARI, JUKKA CROSSING THE BOSPORUS BAND 7IKKO 1999 3 MIN 45 SEC E/M C/M/HS PIC,2FL,2OB,EH,2BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,4TRPT,3COR,4HN,4TRB,EUP,TBA,STBS,8PERC,PIANO. YES, 8 PERCUSSIONISTS NEEDED - IDEAL FOR THE YOUNG ENSEMBLE WITH A LOT OF DRUMMERS. PLAYABLE BY A LOT OF DIFFERENT TYPES OF BANDS.
VIITASAARI, JUKKA HUH! BAND 7IKKO 2001 1 MIN 50 SEC E C/M/HS FL,OB,BN,CL,AS,TS,TRPT,HN,TRB,EUP,TBA,STBS,5PERC,PIANO. STBS,TS AND PIANO ARE OPTIONAL. (SUB TITLE: SHUT OFF THE COMPUTER GAMES, FINISH YOUR HOMEWORK AND GO TO BED). EASY MUSIC,BUT FUN FOR ALL!
VIITASAARI, JUKKA LIGHT UP THE SKY BAND 7IKKO 2006 8 MIN 40 SEC M/H C/U/HS PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,2AS,2TS,BS,4HN,4TRPT,2FLHN,4TRB,EUP,TBA,5PERC. VIITASAARI WON FIRST PRIZE IN A CONTEST FOR THIS ONE.
VIITASAARI, JUKKA MAROKON KAUHU BAND 7IKKO 2004 2 MIN 40 SEC M C/U/HS 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. A NEW, FINNISH COMPOSER OF BAND MUSIC CIRCA 2000+ WITH MANY COMPOSITIONS AND ARRANGEMENTS. SEE HIS, RAIN DANCES’, ‘THE YOUNG LIONS’, ‘TANGO FANTASY’ AND OTHERS ABOUT THIS DIFFICULTY AND FUN TO PLAY!
VIITASAARI, JUKKA NUORET LEIJONAT - THE YOUNG LIONS BAND 7IKKO 2004 3 MIN 15 SEC M C/U/HS PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,3HN,3TRB,EUP,2TBA,STBS,4PERC. ANOTHER FINE SCORE BY AN AWARD WINNING COMPOSER OF MUSIC THAT CAN BE PLAYED BY SCHOOL ENSEMBLES, COMMUNITY BANDS AS WELL AS C/U GROUPS. YOU MUST HAVE SOME OF THIS COMPOSERS WORKS!
VIITASAARI, JUKKA OCTOBER SUN BAND 7IKKO 2005 8 MIN M/H C/U/HS PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STRBS,4PERC. A LITTLE HARDER THAN SOME OTHER OF THIS COMPOSERS WORKS BECAUSE QUANTITY OF NOTES. TRY THIS COMPOSER!. ALSO, SEE HIS, ‘BOTHNIAN RHAPSODY’ AND THE SHORT, ‘CANTOR HENRY’S POLKA’!
VIITASAARI. JUKKA PORTRAIT OF A SEARCHER BAND 7IKKO 2004 10 MIN 30 M/H C/U/HS 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. OFTEN CHANGING METER AND NOTES FOR EVERYONE. JUKKA IS FUN TO PLAY AND TO LISTEN TO! BE SURE TO HAVE AT LEAST THREE OF HIS THINGS IN YOUR LIBRARY.
VIITASSARI, JUKKA PIKKUPUHKUT - LITTLE HORN BLOWERS BAND 7IKKO 2001 2 MIN 20 SEC E C/M/HS 2FL,OB,BSN,2CL,2AS,TS,2TRPT,2HN,2TRB,EUP,TBA,STBS,6PERC,OPT.PIANO. AN EASIER WORK BY AN AWARD WINNING COMPOSER FOR THE YOUNGER ENSEMBLE.
VILEN, ASKO MARSSIFANTASIA BAND STM 1987 5 MIN E/M C/U/HS PIC,FL,3CL,OB,AS,TS,2HN,3TRPT,2TRB,EUP,TBA,PERC. CONCERT MARCH IN 4/4.
VILEN, ASKO SARKASTINEN TANSSI NO 1 (SARCASTIC DANCE) BAND ELVIS 1986 7 MIN E/M C/U/HS 2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,3TRPT,2TRB,3EUP,2TBA,PERC. ENJOYABLE MUSIC WITH CHANGING METERS AND STYLES AS IT GOES!
VILEN, ASKO SARKASTINEN TANSSI NO 2 (SARCASTIC DANCE) BAND STM 1988 7 MIN M C/U/HS PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2EUP,TBA, 3PERC. SLIGHTLY DIFFERENT THAN THE ELVIS PUBLICATION. 'TONGUE-IN-CHEEK' MUSIC. CHANGES TEMPO & TIME SIG. CLARINET CADENZA.
VILEN, ASKO SONAATTI SAXOPHONE(ALTO) & PIANO FiMIC 1976 EST 7-8 MIN M/H C/U THREE MOVEMENTS. MS IS NOT GREAT, BUT A GOOD COMPOSER AND SOME WORTHWHILE MUSIC.
VIRTAPERKO, OLLI KEHTOLAULU - LULLABY OBOE ALONE FiMIC 2002 EST 2 MIN E/M C/U/HS MARKED POSO RUBATO, SO THERE IS TIME AND FREEDOM TO MAKE MUSIC IN A GOOD RANGE FOR THE INSTRUMENT.
WESSMAN, HARRI CONCERTINO FOR CLARINET AND STRING ORCHESTRA CLARINET & STRING ORCHESTRA FiMIC 2001 EST 15+ MIN M C/U MOVEMENTS: MODERATO, ANDANTE MODERATO, ALLEGRO. NO SPECIAL DEMANDS ON EITHER THE SOLOIST OR THE STRINGS. STRAIGHT AHEAD MUSIC. SEE MANY OTHER TITLES BY THIS COMPOSER IN THE FIMIC LISTING ONLINE.
WESSMAN, HARRI CONCERTINO FOR HORN AND STRING ORCHESTRA HORN & STRING ORCHESTRA MODUS 1995 EST 7+ MIN M C/U/HS MOVEMENTS: MODERATO, ANDANTE MA NON TROPPO, ALLEGRO. (ALL HAVING TO DO WITH RAIN). ACCESSIBLE BY THE LESS EXPERIENCED PLAYER AND HAS PIANO REDUCTION AVAILABLE.
WESSMAN, HARRI CONCERTINO FOR TROMBONE AND STRING ORCHESTRA TROMBONE & PIANO MODUS 1993 EST EST 6+ MIN M C/U/HS MOVEMENTS: ANDANTE,ETC, ADAGIO-ANDANTE, VIVACE - TEMPO GIUSTO. NICE ACCOMPANIMENT WITH PIANO OR THE STRING ORCHESTRA VERSION. COMFORTABLE RANGE FOR THE TROMBONE AND NICE USE OF THE PLUNGER!
WESSMAN, HARRI CONCERTINO FOR TRUMPET AND STRING ORCHESTRA TRUMPET & STRING ORCHESTRA FiMIC 1997 EST 9+ MIN M/H C/U MOVEMENTS: MODERATO, ANDANTE, ADAGIO/MOLTO ALLEGRO. TRUMPET IN C. WE SAW THE STRING REDUCTION WHICH WORKS AS A PIANO ACCOMPANIMENT. EXCELLENT MODERN C/U MATERIAL. A LOT OF 5 TO THE BEAT IN LAST MOVEMENT.
WESSMAN, HARRI CONCERTO FOR FRENCH HORN AND CHAMBER ORCHESTRA HORN (2) & STRING ORCHESTRA FiMIC 1993 EST 12+ MIN M/H C/U MOVEMENTS: ALLA PLACCA, INTERMEZZO: SLOW WALTZ, ANDANTINO, INTERMEZZO: FOX TROT, FINALE. 2 HORNS, WITH THE MAIN EMPHASIS ON THE FIRST HORN EXCEPT THE FOX TROT, WHICH IS PLAYED BY THE SECOND HORN W/O THE FIRST.
WESSMAN, HARRI CONCERTO FOR TROMBONE AND STRING ORCHESTRA TROMBONE & STRING ORCHESTRA FiMIC 1992 EST 12+ MIN H C/U EIGHT MOVEMENTS DEALING WITH”AFFECTIONS” IE. LOVE, SORROW, ETC.IN VARYING DIFFICULTY - ALL CAN STAND ALONE. RANGE TO C IN LAST MOVEMENT. FIRST MOVEMENT ONLY PEDAL TONES.
WESSMAN, HARRI CONCERTO FOR TRUMPET AND ORCHESTRA TRUMPET & PIANO LOVE 1987 18 MIN M/H C/U MOVEMENTS: ANDANTE, LARGHETTO MOLTO ELASTICO, ALLEGRO. WESSMAN WRITES FOR THE ADVANCED STUDENT PLAYER. RANGE TO B. MUTE USED. PIANO PART ACCOMPANIES, - DOES NOT GET IN THE WAY WHICH MEANS THE ORCHESTRA PARTS SHOULD BE VERY PLAYABLE AND IT IS!
WESSMAN, HARRI CONCERTO FOR TUBA AND ORCHESTRA TUBA & ORCHESTRA FiMIC 1996 EST 20+ MIN H C/U FL,OB,CL,HN,2TRPT,TRB,PERC,STRINGS. MOVEMENTS: MODERATO, ALLEGRO, LARGHETTO, MODERATO. TO G ONCE AND UP NEAR THERE A FEW TIMES. A LOT OF NOTES, BUT MOSTLY STRAIGHT FORWARD. ORCHESTRA ACCOMPANIMENT IS NOT DIFFICULT.
WESSMAN, HARRI FIVE FLUTE PIECES FLUTE & PIANO FiMIC 2003
E/M/H C/U/HS MOVEMENTS: TRIPLETS, LEGATO, FIGURATION, THE FLIGHT OF THE MASQUITO, DOUBLE TONGUE MARCH. WHEN YOU DO NOT WANT TO GET TOO SERIOUS AT THE RECITAL. THIS SHOULD BE FUN FOR PLAYERS AND AUDIENCE.
WESSMAN, HARRI FIVE TROMBONE PIECES TROMBONE & PIANO LOVE 1992 EST 5+ IN E/M C/U/HS MOVEMENTS (CAN STAND ALONE): SYNCOPATIONS, WHISPERS, ETUDE, BALLAD, EPILOGUE. MUTES, GIZZANDOS, FLUTTER TONGUE, ALL WRITTEN TO BE HIGHLY PLAYABLE.
WESSMAN, HARRI JOHANN MATTESON’S TONE-FEET BRASS QUINTET FiMIC 1992 EST 7+ MIN M C/U/HS MOVEMENTS: ANDANTE, ANDANTE, ALLEGRO, ADAGIO, ALLEGRO. EASIER MUSIC IN SHORT MOVEMENTS THAT CAN STAND ALONE.
WESSMAN, HARRI KHIASMOS STRING ORCHESTRA FiMIC 1996 EST 5+ MIN M C/U/HS MARKED PRESTO IN 6/8. THIS COMPOSER WRITES MUSIC TO BE PLAYED BY MANY. YOU WILL LIKE THIS WRITTEN FOR THE EUROPEAN YOUTH ORCHESTRA.
WESSMAN, HARRI LAMBARDINEN RYTMI MENUETTI MARSSI FOR OBOE AND PIANO OBOE & PIANO MODUS 1990 EST 3+ MIN E/M C/U/HS THREE MOVEMENTS AS THE TITLE SUGGESTS: ADAGIETTO UN POCO RUBATO, ALLEGRO GIOCOSO, ALLA MARCIA. NICE FOR CONTEST OR EARLY RECITAL.
WESSMAN, HARRI LOITSUN PUHALLUS BAND SULASOL 1984 CA 10 MIN M C/U/HS 2FL,3CL,BCL,2OB,BSN,AS,TS,BS,4HN,4TRPT,4TRB,3EUP,2TBA,2PERC. SCORE IS WELL LAID OUT WITH STRAIGHT AHEAD MATERIAL.
WESSMAN, HARRI NELJA SINFONISTA KUVAA- FOUR SYMPHONIC PICTURES ORCHESTRA FiMIC 1994 12 MIN M/H C/U/HS PIC,3FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,3PERC,HARP,STRINGS. MOVEMENTS: ANDANTE CON MOTO, LARGO, ALLEGRO MOLTO, ADAGIO-ALLEGRO. SCORE IS IN MS. PARTS PRINTED. SOLID WRITING FOR THE GOOD HS, COMMUNITY OR C/U ORCHESTRAS.
WESSMAN, HARRI OLLI'S SOLO FLUTE ALONE FiMIC 1980 EST 3 MIN M C/U/HS GOOD INTRO TO FLUTE ALONE LITERATURE.
WESSMAN, HARRI PRELUDE AND TOCCATA EUPHONIUM & BAND FiMIC 2001 10 MIN M/H C/U 3FL,OB,3CL,BCL,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,3PERC.
BAND PART IS QUITE EASY, JUST LISTEN TO THE SOLOIST PLAY A LOT OF NOTES IN BASS AND TENOR CLEF TO HIGH C. METAL MUTE NEEDED. THE TOCCATA IN 6/8 CAN GET TRICKY FOR THE SOLOIST. PIANO REDUCTION AVAILABLE.
WESSMAN, HARRI RHETORICAL SUITE FOR TRAVERSO AND BAROQUE ORGAN FLUTE & ORGAN FiMIC 1999 EST 5+ MIN M C/U MOVEMENTS: SUSPIRATIO, OBSTINATIO, DISTENDENTE MANIERA, ARIETTA, GIGUE. MOVEMENTS CAN STAND ALONE. NOT NECESSARILY CHURCH MUSIC. EASIER THAN MUCH OF THE CONTEMPORARY LITERATURE.
WESSMAN, HARRI SARJA JOUSIORKESTERILLE STRING ORCHESTRA FiMIC
EST 10 MIN M/H C/U FOUR SHORT ACCESSIBLE MOVEMENTS WITH NO SURPRISES. RENTAL ONLY.
WESSMAN, HARRI SERENADI TRUMPETILLE (SERENADE FOR TRUMPET & SO) TRUMPET & STRING ORCHESTRA FiMIC 1976 4 MIN M C/U/HS ONE MOVEMENT PLAYABLE BY THE STRONG, YOUNG PLAYER. STRING PARTS NOT HARD. THE TRUMPET PART SINGS ON THIS ONE. RENTAL ONLY.
WESSMAN, HARRI SONATA HORN & PIANO FiMIC 1988 EST 10 MIN M/H C/U TWO MOVEMENTS WITH MODEST RANGE REQUIREMENTS. (TO C ONCE AND LOW A FEW TIMES.)
WESSMAN, HARRI SONATA VIOLIN ALONE FAZER 1988 EST 9 MIN H C/U THREE MOVEMENTS, LAST TWO ATTACCA. DIFFICULT PIECE, BUT NO SURPRISES.
WESSMAN, HARRI SONATA FOR TRUMPET AND PIANO TRUMPET & PIANO LOVE 1991 ST 9+ MIN M C/U/HS MOVEMENTS: ALLEGRO, ADAGIETTO, PRESTO. TRUMPET IN C. RANGE TO HIGH C, BUT LIMITED USE OF THE HIGH RANGE. GOOD COMPOSITION FOR THE C/U STUDENT. SEE OTHER WORKS BY THIS COMPOSER FOR BRASS INSTRUMENTS.
WESSMAN, HARRI SONATA FOR TUBA AND PIANO TUBA & PIANO FiMIC 1995 EST 11+ MIN M/H C/U MOVEMENTS: ALLEGRO, ANDANTE, VIVACE. NOT AS HARD AS SOME, IDEAL FOR THE GOOD C/U SERIOUS STUDENT FOR RECITAL. PIANO PART ACCOMPANIES AND STAYS OUT OF THE WAY. EXCELLENT COMPOSER FOR THIS LEVEL OF MATERIAL.
WESSMAN, HARRI SONATA NO 2 FOR CELLO & PIANO CELLO & PIANO FiMIC 1979 EST 18-20 MIN M/H C/U THREE MOVEMENTS OF A MAJOR WORK BY A FINE COMPOSER. THIS DESERVES SERIOUS ATTENTION.
WESSMAN, HARRI THE PRINCESS WHO SLEPT HUNDRED YEARS TRUMPET & PIANO FiMIC 1981 EST 3+MIN E C/M/HS TRUMPET IN C. JUST A NICE SONG - HAVE THE Bb PLAYER LEARN TO TRANSPOSE ON THIS 0NE.
WESSMAN, HARRI TOPICS HORN & PIANO MODUS 1993 EST 8+ MIN M/H C/U SECTIONS CONNECTED TO B FOR THE HORN. PIANO PART IS EASIER, CONTEMPORARY HARMONIES!
WESSMAN, HARRI VALSE MOINS TRISTE ORCHESTRA FiMIC 1990 EST 6+ MIN E/M C/U/HS 2FL,2OB,2CL,2BSN,2HN,3TRPT,TRB,2PERC,STRINGS. GREAT FOR THE YOUNG ORCHESTRA TO PLAY A VIENNESE WALTZ THAT IS EASIER TO ACCOMPLISH. LOTS OF REPEATS,ETC. LIKE THE STRAUSS WALTZES.
WESSMAN, HARRI VARIATION SUITE FOR TROMBONE QUARTET TROMBONE QUARTET FiMIC 1997 EST 10 MIN H C/U MOVEMENTS: THEME, STACCATO, CHORALE, TOCCATA. ALTO CLEF, TENOR CLEF, BASS CLEF AND BASS TROMBONE. SOME THEATER, NICE USE OF THE SLIDE. GREAT FOR THE ADVANCED ENSEMBLE. NEED AN ALTO TRB AND BASS TRB.

©1991, 2007 Mark Lammers

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