| Composer Arranger |
Title |
Ensemble Medium |
Publisher_Code |
Date |
Time |
Difficulty |
Recommended Level |
Comments |
| AAGAARD-NILSEN, TORSTEIN |
CONCERTO FOR TUBA & ORCHESTRA |
TUBA & ORCHESTRA |
NMIC |
1997/2002 |
15 MIN |
H |
C/U |
2FL(PIC),2OB,CL,BCL,BSN,CBBSN,4HN,2TRPT,3TRB,2PERC,STRINGS. ONE MOVEMENT THAT IS FOR THE VERY BEST C/U OR PROFESSIONAL SOLOIST AND A GOOD ORCHESTRA. EXTREME HIGH RANGE FOR THE SOLO AND LOTS OF NOTES. |
| AAGAARD-NILSEN, TORSTEIN |
4 LYRISKE STYKKER (4 LYRIC PIECES) |
EUPHONIUM ALONE |
NORDIC SOUNDS |
2000 |
EST 4 MN |
H |
C/U/HS |
NEED TENOR AND BASS CLEF. FREQUENT CHANGES OF CLEF. UPPER REGISTER TO Eb. MUCH OPPORTUNITY TO BE EXPRESSIVE AND MUSICAL. THIS COMPOSER ALSO HAS A LONGER SOLO ALONE WORK TITLED ‘BLACK RAIN’ FROM SAME PUBLISHER. |
| AAGAARD-NILSEN, TORSTEIN |
ARCTIC LANDSCAPE |
BAND |
NMIC |
1992 |
16 MIN 30 SEC |
H |
C/U |
FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,3PERC A LONG WORK - SKILL TO SUSTAIN THE INTEREST. SLOW OPENING SECTION FOLLOWED BY A LONGER AGITATO SECTION, THEN SLOW WITH A FLOURISH AT THE END. TEST THE SKILL OF YOUR GROUP IN MAKING THIS THE ARCTIC LANDSCAPE! |
| AAGAARD-NILSEN, TORSTEIN |
CANTILENA (CRADLE SONG) |
TROMBONE & BAND |
NMIC |
2002 |
EST 8 MIN 30 SEC. |
H |
C/U |
PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3TRPT,4H,3TRB,EUP,TBA,4PERC,OPT-PIANO. A ONE MOVEMENT WORK WITH MUCH MIXED METER AND OTHER RHYTHMIC PROBLEMS. TRB SOLO TO HIGH C. SCORE IS WELL DESIGNED FOR EASY COMPREHENSION. |
| AAGAARD-NILSEN, TORSTEIN |
CONCERTO FOR EUPHONIUM AND ORCHESTRA |
EUPHONIUM & ORCHESTRA |
NMIC |
2000 |
20 MIN |
H |
C/U |
FOR HIRE MATERIAL. PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,TBA,3ERC,HARP,STRINGS. A FINE SCORE FOR THE FINE ORCHESTRA AND VIRTUOSO EUPHONIUM PLAYER. EXCELLENT ADDITION TO THE LITERATURE. |
| AAGAARD-NILSEN, TORSTEIN |
CONCERTO FOR TRUMPET AND STRING ORCHESTRA |
TRUMPET & STRING ORCHESTRA |
NMIC |
1996 |
18 MIN 20 SEC |
H |
C/U |
MOVEMENTS: ADAGIO, ALLEGRO MOD. E LEGGIERO, LENTO MOLTO, VIVACE. ALL STRING PARTS DIVISI. TRUMPET (IN C) TO D, BUT PLAYS IN MODEST RANGE MOST OF THE TIME. NOT EASY, BUT PLAYABLE BY THE FINE C/U STUDENT. |
| AAGAARD-NILSEN, TORSTEIN |
KAR (LITTLE OVERTURE FOR ORCHESTRA) |
ORCHESTRA |
NMIC |
1995/2003 |
7 MIN 45 SEC |
H |
C/U |
PIC,FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,PO,STRINGS. CONTEMPORARY HARMONIES, MIXED METER, RHYTHMIC SITUATIONS. BUT A GOOD COMPOSER AND PLAYABLE BY THE C/U ENSEMBLE. |
| AAGAARD-NILSEN, TORSTEIN |
REINLENDERFANTASI |
BAND |
WARNER/CHAPPELL |
1996 |
EST 6 MIN |
E/M |
C/U/HS |
PIC,2FL,OB,3CL,ACL,BCL,BSN,AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,2PERC. THIS IS EASIER THAN SOME OF THIS COMPOSERS OTHER WORKS (SEE NMIC CATALOG ON LINE). BASED UPON A FOLK TUNE. SOME VERY NICE EFFECTS CREATED HERE BY THIS ARRANGER |
| AAGAARD-NILSEN, TORSTEIN |
SPIN |
BRASS QUINTET |
NMIC |
2000 |
4 MIN 30 SEC |
M/H |
C/U |
RHYTHMIC FUN. MIXED METER AND SPIN! TRPTS IN C. NICE USE OF DYNAMICS. |
| AAGAARD-NILSEN, TORSTEIN |
PROLOG FOR SOLO CELLO |
CELLO ALONE |
NMIC |
1995 |
EST 3 MIN |
E |
C/U/HS |
A NICE EASY SOLO ALONE FOR A FIRST WITH THIS MEDIUM, CELLO MUST SING WITH A GOOD SOUND. |
| AAGAARD-NILSSEN, TORSTEIN |
EFFORESCENT |
TUBA QUARTET |
NORDIC SOUNDS |
2000 |
EST 8+ MIN |
H |
C/U |
4TBA. MOVEMENTS: PAS DE QUATRE, MEDITATION, THE TUBA SHALL SOUND. VERY HIGH, VERY HARD, SOME ALEATORY AND A LOTS OF NOTES! |
| ALBERTSEN, PER HJORT |
PASTORALE |
VIOLA & PIANO |
NMIC |
|
CA 2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE MOVING INTO THE UPPER REGISTER. MAKES PRETTY MUSIC! |
| AM, MAGNAR |
GRATIA |
HARP AND BAND |
NMIC |
1994,2002 |
10 MIN |
E/M |
C/U/HS |
2FL(PIC),EH,4CL,BCL,BSN,AS(SS),TS,3TRPT,2HN,2TRB,EUP,2TBA,3PERC. IT IS MAINLY THE HARPIST. PARTS ARE QUITE EASY, JUST A NICE ACCOMPANIMENT FOR THE HARP SOLOIST. |
| AM, MAGNAR |
RIST LAUS! |
BAND |
NMIC |
CIR 2000 |
EST 10 MIN |
M |
C/U/HS |
PIC,FL,2OB,2CL,ACL,BCL,2BSN,2AS,TS,BS,2COR,2TRPT,4HN,2TRB,EUP,TBA,STRBS,2-3PERC. INTRO - SLIDING TROMBONE FOLLOWED BY SLIDING ALTO SAX. LATIN JAZZ IN 4/8. SOME OFF BEAT NOTES MIGHT INFURIATE THE PLAYERS. SEE WORKS BY COMPOSER IN NMIC CATALOG. |
| AM,MAGNAR |
STUDY ON A NORWEGIAN HYMN |
STRING ORCHESTRA |
NORSK |
1977 |
CA 9 MIN |
M/H |
C/U |
A WELL PREPARED SCORED. MODEST RHYTHMIC PROBLEMS. |
| AM,MAGNAR |
SVEVANDE DJUPNER |
STRING BASS ALONE |
NMIC |
1986 |
EST 5 MIN |
H |
C/U |
HARMONICS, SPECIAL TECHNIQUES, SOME NONTRADITIONAL NOTATION. FOR THE VERY ADVANCED PLAYER. |
| AMDAHL, MAGNE |
BOBINETTE |
STRING QUARTET |
NMIC |
1977 |
EST 3 MIN |
E |
C/U/HS |
EASY FIRST STRING QUARTET. PLAYERS MUST BE COMPETENT BUT IT PLAYS. |
| AMDAHL, MAGNE |
ELEGI |
TROMBONE & PIANO |
MUSIKK-HUSET |
1975 |
|
H |
C/U |
A CHALLENGE FOR THE FINE PLAYER. |
| ANDERSEN, KJELL MAGNE |
FANTASY FOR SOLO FLUTE |
FLUTE ALONE |
NMIC |
2003 |
EST 3 MIN |
M/H |
C/U/HS |
NEED A SOLID UP REGISTER AND MODEST DIGITAL FACILITY. THE PART INVITES INTERPRETATION AND MUSICALITY. NICE SHORT WORK. |
| ANDERSEN, KJELL MAGNE |
HAPPY HOUR |
OBOE ALONE |
NMIC |
2003 |
EST 1 MIN |
M/H |
C/U |
SHORT, MARKED SCHERZOSO. THE TITLE SUGGESTS THE SPIRIT OF THE PIECE. |
| ANDERSEN, KJELL MAGNE |
KRINGSJA (PANORAMA) |
TRUMPET & ORGAN |
NMIC |
2005 |
EST 2 MIN 30 SEC |
E |
C/U/HS |
JUST A NICE, EASY MELODY FOR ORGAN AND TRUMPET. THERE IS MUSIC HERE. |
| ANDERSEN, KJELL MAGNE |
SUITE FOR SYMPHONIC BAND, OP 12 |
BAND |
NMIC |
2002
|
18 MIN |
M/H |
C/U/HS |
PIC,2FL,OB,BSN,2CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. MOVE:OVERTURE, ROMANCE, MARCIA FUNEBRE, FUGE. THIS IS STRAIGHT AHEAD MUSIC PLAYABLE BY FINE HS GROUPS AS WELL AS ANY COMPETENT C/U ENSEMBLE. |
| ANDERSEN, KJELL MAGNE |
TEMA MED VARIASJONER |
CLARINET ALONE |
NMIC |
1999 |
5 MIN |
M/H |
C/U |
THEME AND 5 VARIATIONS. ALTERNATING TEMPOS AND STYLES. PLAYABLE MATERIAL FOR THE C/U STUDENT. |
| ANDERSEN, KJELL MAGNE |
TRE RAPSODIER |
WOODWIND QUINTET |
NMIC |
1994 |
6 MIN 30 SEC |
E/M |
C/U/HS |
USUAL INSTRUMENTATION. MOVEMENTS: ALLEGRO MODERATO, ALLEGRETTO, ALLEGRO MODERATO, GOOD, EASY MATERIAL FOR THE YOUNG QUINTET |
| ANDERSEN, KJELL MAGNE |
TRIO FOR FLUTE, CLARINET, BASSOON |
WOODWIND TRIO |
NMIC |
1996 |
11 MIN 30 SEC |
M |
C/U/HS |
MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, RONDO-ALLEGRO. VERY PLAYABLE MATERIAL FOR ANY UPPER LEVEL OF PLAYER. NO SURPRISES, JUST STRAIGHT AHEAD AND HAVE FUN MAKING MUSIC |
| ANTONSEN, IVAN |
TRE PLANETER |
WIND ENSEMBLE |
NMIC |
1978 |
6 MIN |
M |
C/U/HS |
FL,4CL,OB,BSN,2HN,3COR,3TRB,TBA,3PERC. I. MERCUR, II. VENUS, III. MARS, VERY ACCESSIBLE MUSIC, ONE ON A PART OR DOUBLED. |
| ARNESTAD, FINN |
SONATE |
STRING BASS ALONE |
NMIC |
1980 |
15 MIN |
M/H |
C/U |
THREE MOVEMENTS. UPPER REGISTER & TENOR CLEF IN 1ST MOVE. MANY FLOWING NOTES IN 2ND. 3RD STARTS ADAGIO AND ENDS VIVO. GOOD COLLEGE STUDENT MATERIAL. |
| ARNESTAD, FINN |
VAESLE - TJENNET |
ORCHESTRA |
MUSIKK-HUSET |
1987 |
CA 3 MIN |
M |
C/U |
FL,2CL,OB,BSN,2HN,EH,STRINGS. FOLK LIKE, LYRICAL. NOTE THE SMALL INSTRUMENTATION. |
| ASHEIM, NILS HENRIK |
GLASSHUS |
SAXOPHONE QUARTET |
NMIC |
2001 |
9 MIN |
H |
C/U |
SS,AS,TS,BS. THIS IS VERY HARD MATERIAL, BUT AN EXAMPLE OF THE MUSIC HEARD FROM SAX QUARTETS IN THE NORDIC COUNTRIES. VERY MODERN: MIXED METER, RHYTHMIC PROBLEMS, DRAMATIC. EXCELLENT SCORE.
|
| ASHEIM, NILS HENRIK |
OLYMPISK FANFAREMARSJ |
BAND |
NMIC |
1993 |
EST 2 MIN |
M |
C/U/HS |
2FL,OB,EbCL,3CL,BCL,2AS,TS,BS,BSN,3COR,2HN,3TRB,EUP,TBA,4PERC. A DIGNIFIED MARCH IN 3/4 FOR THE OLYMPICS AT LILLEHAMMER 1994. PLAYABLE, NO SURPRISES! |
| ASHEIM, NILS HENRIK |
VINDU |
VIOLIN & PIANO |
NORSK |
1985 |
CA 6 MIN |
H |
C/U |
CONTEMPORARY HARMONY AND APPROACH. MANY DOUBLE STOPS & NEEDS A FINE ACCOMPANIST. |
| BADEN, CONRAD |
TRIO |
WOODWIND TRIO |
LYCHE |
1967 |
9 MIN |
M |
C/U |
FLUTE, OBOE & CLARINET. PLAYABLE WITH NO PROBLEMS. |
| BAKKE, RUTH |
ILLUMINATIONS |
BASSOON & ORCHESTRA |
NMIC |
1994 |
24 MN |
H |
C/U |
2FL(PIC),OB,EH,CL,BCL,BSN,CBSN,2HN,3PERC,STRINGS. MOVEMENTS: INTRO & EXPOSITION, CANTELINA, GIOCSO, FUGATO AND CHORALE. MIXED METER, CONTRA BASSOON IS NECESSARY, SCORE IS IN VERY GOOD MS. GRADUATE LEVEL MATERIAL. |
| BAKKE, RUTH |
PASSACAGLIA ON "DRAUMKVEDET" |
BAND |
NMIC |
1969 |
8 MIN |
E/M |
C/U/HS |
PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA, 4PERC,TMP. BASED ON AN OLD NORWEGIAN FOLK TUNE, PLAYABLE MUSIC. |
| BAKKE, RUTH |
ROCK BOTTOM |
TUBA & TIMPANI |
NMIC |
1988 |
CA 12 MIN |
H |
C/U |
MS COULD BE BETTER, BUT THIS CAN BE FUN FOR PLAYERS AND LISTENERS. TIMPANI ALSO DOES A LITTLE SNARE. FEW BAR LINES - VERY FREE. |
| BERG, FRED JONNY |
LYRIC PIECES |
ORCHESTRA |
NMIC |
1997 |
24 MIN |
M/H |
C/U |
2FL,2OB,2CL,2BSN,4H,2TRPT,3TRB,TBA,3PERC,HARP,STRINGS. 10 SHORT PIECES, MOST CAN STAND ALONE. TITLES LIKE, PASTORALE, RED CASTLE, HOLIDAY IN TROLL VALLEY, ETC. NOT AS HARD AS SOME AND GOOD MATERIAL FOR C/U ORCHESTRAS. |
| BERG, FRED JONNY |
VIOLA SONATA NO. 2 |
VIOLA & PIANO |
NMIC |
2000 |
8 MIN 40 SEC |
H |
C/U |
SOME VERY INTERESTING RHYTHMIC THINGS ESPECIALLY IN THE PIANO. LOTS OF DOUBLE STOPS AND INTRICATE THINGS TO KEEP THE PERFORMERS INTEREST. |
| BERG, OLAV |
BLOWING |
BAND |
NMIC |
1980 |
EST 7+MIN. |
M |
C/U/HS |
PIC,FL,3CL,OB,AS,TS,4HN,2COR,2TRPT,3TRB,EUP,2TBA,PERC,TMP. LIKE AN OVERTURE. VERY PLAYABLE WORK THAT SINGS. TEMPOS VARY, LITTLE PERC. NICE SCORE. |
| BERG, OLAV |
CONCERTINO FOR TRUMPET & ORCHESTRA |
TRUMPET & ORCHESTRA |
NMIC |
1980 |
13 MIN |
M/H |
C/U |
2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,2PERC,TMP,STRINGS. PIANO ACCOMPANIMENT AVAILABLE. THREE MOVEMENTS FOR C TRUMPET. ORCHESTRA PARTS VERY PLAYABLE. MODEST RANGE FOR TRUMPET. SOME DOUBLE TONGUE. SCORE FOR SALE, PARTS RENTAL. |
| BERG, OLAV |
CONCERTINO NO. 2 FOR TRUMPET & STRING ORCHESTRA |
TRUMPET & STRING ORCHESTRA |
NMIC |
1884 |
12 MIN 30 SEC |
H |
C/U |
MIXED METER, UPPER REGISTER FOR THE SOLOIST, DIVISI IN THE STRINGS AND IN A MARGINAL MS. BUT, WE LIKE THE SCORE AND POTENTIAL FOR THIS HARD SONG. GIVE IT A TRY! |
| BERG, OLAV |
CONCERTO FOR CLARINET AND ORCHESTRA |
CLARINET & ORCHESTRA |
NORSK |
1992 |
17 MIN |
H |
C/U |
2FL,2OB,2CL(BCL),2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. THIS ON THE HARD SIDE OF HARD! GRADUATE OR UPPER DIVISION C/U PLAYERS. ALL SECTIONS ATTACCA. CONTEMPORARY SOUNDS. GOOD SCORE. |
| BERG, OLAV |
FANTASIA BREVE |
CLARINET & PIANO |
NORSK |
1985 |
9 MIN |
H |
C/U |
RECITAL AND STUDY PURPOSES. |
| BERG, OLAV |
SAXOFONKVARTETT |
SAXOPHONE QUARTET |
NMIC |
1988 |
11 MIN 20 SEC |
M/H |
C/U |
SATB. A GOOD SCORE IN THREE MOVEMENTS. SOME RHYTHMIC CHALLENGES. |
| BERG, OLAV |
SONATINA |
BASSOON & PIANO |
SCHOTT |
1995 |
EST 9 MIN |
H |
C/U |
ONE LONG, HARD SONG! GRADUATE/PROFESSIONAL LEVEL FOR BOTH INSTRUMENTS. A GOOD COMPOSER WITH IDEAS THAT WILL CHALLENGE, BUT ALSO REWARD. |
| BERG, OLAV |
SUITE FOR BLASEKVINTETT |
WOODWIND QUINTET |
NMIC |
|
9 MIN |
M |
C/U |
FOUR MOVEMENTS: 1. LARGO-ALLEGRO 2. DANS 3. SONG WITHOUT WORDS 4. ALLEGRO MODERATO. PLAYS OUT WELL WITH A LITTLE RHYTHMIC FUN. |
| BERGE, HAKON |
CORIOLAN |
TRUMPET & BAND |
NMIC |
1981 |
23 MIN |
M/H |
C/U |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,2EUP,2TBA,8PERC,SB,PIANO. GOOD RANGE FOR TRUMPET SOLO, FINE COLLEGE PLAYER. LOTS OF PERCUSSION, QUICK METER CHANGES. |
| BERGE, HAKON |
SAXOPHONE QUARTET |
SAXOPHONE QUARTET |
NMIC |
2000 |
EST 9+ MIN |
H |
C/U |
SS,AS,TS,BS. ANOTHER FINE EXAMPLE OF THE NORDIC SAXOPHONE LITERATURE. CHALLENGING IN ALL THE WAYS IT CAN BE! BUT,FOR THE OUTSTANDING PLAYERS, YOU NEED THIS ONE OR ONE LIKE IT FROM THE NORDIC COUNTRIES. |
| BERGE, SIGURD |
BLASEKVINTETT FOR DE UNGE |
WOODWIND QUINTET |
NORSK |
1978 |
10 MIN |
M/H |
C/U |
LONG BASSOON CADENZA, RHYTHMICALLY STRAIGHT AHEAD WITH CONTEMPORARY HARMONY. |
| BERGE, SIGURD |
HORN CALL |
HORN ALONE |
NORSK |
1973 |
EST 4 MIN |
H |
C/U |
REASONABLE RANGE, BUT MANY NOTES AND MUSICAL CHALLENGES. |
| BERGE, SIGURD |
HORN SOLO 2000 |
HORN ALONE |
NMIC |
1999/2000 |
7 MIN |
H |
C/U |
JUST A LITTLE UPPER REGISTER WORK. BERGE LIKES TO DWELL AT THE LOWER PARTS OF THE HORN RANGE. WILL TAKE MUSICAL MATURITY AND PREVIOUS EXPERIENCE WITH HORN ALONE TO MAKE THIS ONE GO. |
| BERGE, SIGURD |
HORN TRIO |
HORN TRIO |
NMIC |
1987 |
EST 11 MIN |
M/H |
C/U/HS |
FOUR MOVEMENTS OF VARYING LENGTH, STYLE AND DIFFICULTY. EACH MOVEMENT CAN STAND ALONE. |
| BERGE, SIGURD |
YANG-GUAN |
WOODWIND QUINTET |
NORSK |
1967 |
7 MIN |
M/H |
C/U |
SOME NONTRADITIONAL NOTATION IN ONE OF THE MOVEMENTS. A COMFORTABLE CHALLENGE FOR THE GOOD QUINTET. |
| BERGH, SVERRE |
CONCERTINO |
CLARINET & PIANO |
LYCHE |
1982 |
12 MIN |
E/M |
C/U/HS |
THREE MOVEMENTS. ONE SHORT CADENZA BETWEEN 2 & 3. SOLO LAYS OUT WELL. SEE ORCHESTRA ENTRY. |
| BERGH, SVERRE |
CONCERTINO |
CLARINET & STRING ORCHESTRA |
LYCHE |
1982 |
12 MIN |
H |
C/U |
COLLEGE TEACHER OR SENIOR MUSIC STUDENT AT RECITAL. |
| BERGH, SVERRE |
DUET FOR 2 VIOLINS |
VIOLIN DUET |
LYCHE |
1983 |
12 MIN |
M |
C/U |
THREE MOVEMENTS. DOUBLE STOP WORK OTHERWISE STRAIGHT AHEAD. |
| BERGH, SVERRE |
FIVE IMPROVISATIONS |
STRING TRIO |
LYCHE |
1983 |
10 MIN |
M |
C/U |
FIVE MOVEMENTS. MODEST TECHNICAL DEMANDS AND PLAYABLE. |
| BERGH, SVERRE |
STRING QUARTET NR 1 |
STRING QUARTET |
LYCHE |
1983 |
|
M |
C/U |
FOUR MOVEMENTS. 2 IS A ROMANZA AND 4 PASSACAGLIA & FUGUE. STRAIGHT AHEAD MUSIC THAT SHOULD PLAY OUT WELL. |
| BERGH, SVERRE |
STRING QUINTET |
STRING QUINTET |
LYCHE |
1983 |
12 MIN |
M |
C/U |
THREE MOVEMENTS. 1. ADAGIO,IMPETUOSO 2. ALLA MARCIA 3. VARIANTS. VERY PLAYABLE MUSIC. |
| BIBALO, ANTONIO |
SONATINA 2A |
WOODWIND QUINTET |
WHANSEN |
1971 |
11 MIN |
H |
C/U |
THREE MOVEMENTS ALL HIGHLY COMPLEX RHYTHMICALLY. CONTEMPORARY HARMONY AND DIFFICULT. |
| BJORKLUND, TERJE |
CHLOE |
TRUMPET, TROMBONE & STRING ORCHESTRA |
NMIC |
2000 |
EST 8+ MI |
M/H |
C/U |
MIXED METER AND OTHER PROBLEMS FOR THE TWO SOLO PLAYERS, BUT WHEN THEY KNOW THEIR PARTS IT SHOULD WORK OUT EASILY WITH THE STRINGS. ALTERNATE CADENZAS! |
| BJORKLUND, TERJE |
SAREK FOR KAMMERORKESTER |
STRING ORCHESTRA |
NMIC |
1989 |
EST 8 MIN |
M |
C/U |
MS IS NOT AS GOOD AS ONE WOULD LIKE, BUT THIS IS A PLAYABLE WORK. SOME CONTEMPORARY HARMONY AND RHYTHMICALLY STRAIGHT AHEAD. SCORE FOR SALE, PARTS RENTAL. |
| BORG, OSCAR/AGE HERMANSEN |
NORWEGIAN SUITE FOR BAND |
BAND |
NORSK |
1983 |
EST 10 MIN |
M |
C/U/HS |
PIC,FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, PERC,TMP. THREE TUNES ALL QUICK TEMPOS. FOLK-LIKE. BORG IS THE 'FATHER' OF THE NORWEGIAN BAND MOVEMENT(1851-1930). A WELL SCORED AND HIGHLY PLAYABLE WORK. |
| BOTTCHER, EBERHARD |
INTRADA, HYMN & FANFARE |
BRASS QUINTET |
NORSK |
1981 |
EST 5 MIN |
E/M |
C/U/HS |
THREE SHORT MOVEMENTS ACCESSIBLE TO PLAYER AND LISTENER. |
| BOTTCHER, EBERHARD |
INTRODUKTION, MARSCH & SCHERZO |
WIND ENSEMBLE |
NMIC |
1984 |
10 MIN |
E/M |
C/U/HS |
2FL,2CL,OB,TS,2HN,2TRPT,2TRB,EUP,2TBA,PERC,TMP. THREE MOVEMENTS, PLAYABLE & STRAIGHT AHEAD. |
| BOTTCHER, EBERHARD |
ZWEI SATZE FUR BLASERQUINTETT |
WOODWIND QUINTET |
NORSK |
1960 |
|
H |
C/U |
TWO MOVEMENTS WITH RHYTHMIC COMPLEXITY AND HARMONIC SURPRISES. EVERYBODY WORKS. |
| BRAEIN, EDVARD FLIFLET |
ADAGIO, OP 6 |
STRING ORCHESTRA |
MUSIKK-HUSET |
1969 |
7 MIN |
M/H |
C/U |
MUCH DIVISI - UP TO 6 DIVISIONS OF BOTH VIOLIN I & II. WELL SCORED. |
| BRAEIN, EDVARD FLIFLET |
LARGO, OP 12 |
STRING ORCHESTRA |
MUSIKK-HUSET |
1969 |
EST 7 MIN |
M |
C/U |
MUCH DIVISI. TRADITIONAL HARMONIES AND RHYTHMS. |
| BRAEIN, EDVARD FLIFLET |
SUITE |
STRING ORCHESTRA |
LYCHE |
1947 |
CA 6 MIN |
E/M |
C/U/HS |
THREE FOLK-LIKE MOVEMENTS WITH DIVISI ALL THE WAY BUT VERY ACCESSIBLE. |
| BRAEIN, EDVARD FLIFLET |
VUGGEVISE |
STRING ORCHESTRA |
NORSK |
1950 |
2 MIN 30 SEC |
E |
C/U/HS |
SHORT AND LYRIC. 6/8 ANDANTINO. |
| BREVIK, TOR |
ADAGIO RELIGIOSO |
HORN ALONE |
MUSIKK-HUSET |
1980 |
EST 4 MIN |
M |
C/U |
EMPHASIS ON LOW REGISTER. FREE WITH NO BAR LINES. |
| BREVIK, TOR |
FANTASI FOR FLUTE SOLO |
FLUTE ALONE |
MUSIKK-HUSET |
1979 |
EST 2 MIN |
E |
C/U/HS |
LYRICAL, SHORT PIECE. FIRST SOLO ALONE FOR STUDENTS. |
| BREVIK, TOR |
MUSIKK FOR SOLO VIOLIN |
VIOLIN ALONE |
NMIC |
1962 |
EST 9 MIN |
M/H |
C/U |
THREE MOVEMENTS THAT CAN STAND ALONE. A WELL WRITTEN PIECE FOR FIRST SOLO ALONE EXPERIENCE. |
| BREVIK, TOR |
SERENADE |
STRING ORCHESTRA |
NMIC |
1959 |
EST 8 MIN |
M |
C/U |
FOUR MOVEMENTS WITH SOME DIVISI. 2ND MOVEMENT IS ALL PIZZICATO TRADITIONAL SOUNDS. |
| BRUSTAD, BJARNE |
EVENTYRSUITE |
VIOLIN ALONE |
NORSK |
|
EST 7 1/2 MIN |
M/H |
C/U |
FOUR MOVEMENTS THAT CAN STAND ALONE. LYRICAL WITH MANY DOUBLE STOPS AND RHYTHMIC INTEREST. |
| BULL, EDVARD HAGERUP |
3 MORCEAUX BREFS, OP 17 |
SAXOPHONE(ALTO) & PIANO |
EDITIONS MUSICALES |
1955 |
|
M/H |
C/U |
EASIER THAN OTHER WORKS BY THIS COMPOSER. ORCHESTRA PARTS AVAILABLE FROM THE PUBLISHER. THREE MOVEMENTS. THE HORN SINGS ON THIS ONE! |
| BULL, EDVARD HAGERUP |
CONCERT |
BRASS TRIO |
EDITIONS MUSICALES |
1967 |
EST 10 MIN |
H |
C/U |
THREE MOVEMENTS IN A SCORE THAT IS GOOD BUT NEEDS FINE PLAYERS AND TIME TO WORK OUT. |
| BULL, EDVARD HAGERUP |
CONCERTINO GIOCOSO BUCOLICO |
TUBA & ORCHESTRA |
COMBRE |
1992/95 |
14 MIN |
H |
C/U |
FL,EH,TRPT,PO,STRINGS. MOVEMENTS: ALLEGRETTO, ADAGIO, ALLEGRO. FORTUNATE TO HAVE THIS WORK NOW PUBLISHED. GOOD ADDITION TO THE LITERATURE BY A FINE COMPOSER. RANGE TO G, BUT EVERYTHING IS STRAIGHT AHEAD. |
| BULL, EDVARD HAGERUP |
DUO CONCERTANT, OP 52 |
SAXOPHONE(ALTO) & PIANO |
NORSK |
1984 |
EST 8 MIN |
H |
C/U |
THREE MOVEMENTS THAT NEED EACH OTHER. RHYTHMIC COMPLEXITY. DIFFICULT PIANO PART AND THE ENSEMBLE EFFORT MUST BE BIG! |
| BULL, EDVARD HAGERUP |
EPILOGUE |
STRING ORCHESTRA |
EDITIONS MUSICALES |
1968 |
|
H |
C/U |
THREE MOVEMENTS WITH CONTEMPORARY HARMONIES AND INTRICATE RHYTHMIC FIGURES. SCORE IS WELL LAID OUT. |
| BULL, EDVARD HAGERUP |
RAPSODIE, OP 39 |
TRUMPET & PIANO |
NMIC |
|
EST 12 MIN |
H |
C/U |
FOUR MOVEMENTS IN VARYING STYLES. USES A NUMBER OF MUTES AND A FINE PIANIST! |
| COATES, ROBERT |
SONATINE NR.1 |
CLARINET & PIANO |
NOTON |
1990 |
EST 6+ MIN |
E |
HS/JHS |
GOOD MATERIAL FOR THE YOUNG CLARINET PLAYER FOR CONTEST OR EARLY SOLO OFFERING. COATES HAS A NR. 2 IN THE NOTON CATALOG WHICH ALSO HAS MANY MATERIALS FOR THE HS AND JHS SOLOIST AND ENSEMBLE. |
| EGGE, KLAUS |
DUO CONCERTANTE, OP 23 |
VIOLIN & VIOLA |
LYCHE |
1950 |
18 MIN |
H |
C/U |
THREE MOVEMENTS THAT CAN STAND ALONE. TOP COLLEGE OR PROFESSIONAL PLAYERS. NO SPECIAL PROBLEMS, JUST A LOT OF NOTES WITH ENSEMBLE TRAPS. |
| EGGE, KLAUS |
LARGO FUNEBRE |
VIOLIN & ORGAN |
LYCHE |
1933 |
EST 5 MIN |
E/M |
C/U |
SLOW, LYRICAL PIECE. NOTES EASY BUT MATURE SOUND AND MUSICALITY NEEDED. |
| EGGE, KLAUS |
QUINTET FOR WINDS, NO.1, OP 13 |
WOODWIND QUINTET |
LYCHE |
1969 |
12 MIN |
M/H |
C/U |
FOUR MOVEMENTS THAT CAN STAND ALONE. |
| EGGE, KLAUS |
STRING QUARTET NO.1, OP 5 |
STRING QUARTET |
LYCHE |
1971 |
EST 17 MIN |
M |
C/U |
FOUR MOVEMENTS WITH 3 & 4 ATTACCA. SOME HARMONIC SURPRISES BUT A VERY PLAYABLE PIECE. |
| EGGEN, ARNE |
DANCE SCENES FROM THE OPERA `OLAV LILJEKRAUS' |
ORCHESTRA |
LYCHE |
1968 |
8 MIN |
H |
C/U |
PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,EH,HARP,STRINGS. TYPICAL MUSIC FOR THE DANCE. TONAL AND PLAYABLE. MINIATURE SCORE FOR SALE, SCORE & PARTS RENTAL. |
| EMILSEN, PER-ANDERS |
D FOR SYMPHONIC BAND |
BAND |
NMIC |
1985 |
EST 4+ MIN |
E/M |
C/U/HS |
PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP,2TBA, 3PERC,TMP. CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION. GOOD SCORE WITH A VARIETY OF TEMPOS AND COLORS. |
| EVENSEN, KRISTIAN |
INTERSTELLAR MATTER |
BAND |
NMIC |
1984 |
7 1/2 MIN |
H |
C/U |
PIC,2FL,EbCL,2CL,BCL,2OB,2BSN,SS,2AS,TS,BS,4HN,TRPT IN D,3BbTRPT,2CTRPT,3TRB,EUP,2TBA,4PERC,TMP. THREE MOVEMENTS ALL RHYTHMICALLY COMPLEX AND MUCH PERCUSSION. COMPOSER RECOMMENDS ONE ON A PART. EVERYBODY WORKS! |
| FALK, KARL-AXEL |
NOVENA |
BRASS QUINTET |
NMIC |
1984 |
15 MIN |
H |
C/U |
NONTRADITIONAL TECHNIQUES IN A WELL CONSTRUCTED WORK THAT WILL TAKE TIME TO REHEARSE. |
| FONGAARD, BJORN |
FESTOUVERTURE |
BAND |
NMIC |
|
|
M |
C/U/HS |
PIC,2FL,EbCL,4CL,BCL,AS,TS,4HN,4COR,3TRB,EUP,TBA,3PERC. VERY PLAYABLE WORK, VARIETY OF TEMPOS, NO PROBLEMS. |
| FONGAARD, BJORN |
SONATA, OP 134 NO 1 |
VIOLIN & PIANO |
LYCHE |
1981 |
12 MIN |
H |
C/U |
CONTEMPORARY STYLE AND SOUND WITH A FEW UNUSUAL DEMANDS ON THE PERFORMER. NEEDS FINE PIANIST AND DEDICATION TO DETAIL. |
| FONGAARD, BJORN |
TRIO, OP. 122, NO.4 |
WOODWIND TRIO |
LYCHE |
1981 |
10 MIN |
M |
C/U |
FLUTE,'A' CLARINET & BASSOON. SOME NONTRADITIONAL NOTATION, BUT VERY PLAYABLE. |
| GAATHAUG, MORTEN |
CONCERTO FOR OBOE AND ORCHESTRA |
OBOE AND ORCHESTRA |
NMIC |
1994/95 |
25 MIN |
H |
C/U |
FL,2CL,BSN,2HN,PO,STRINGS. MOVEMENTS: ALLEGRO POCO MODERATO, ADAGIO CANTABILE, ALLEGRO CONSPIRITO. NICE ACCOMPANIMENT FOR THE ORCH. OBOE SOLO IS DIFFICULT, BUT PLAYABLE. GOOD LITERATURE. |
| GAATHAUG, MORTEN |
OVERTYRE, SCHERZO OG FINALE, OP. 28 |
BAND |
NMIC |
1985 |
12 MIN |
M/H |
C/U/HS |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,5PERC,SB. EVERYBODY WORKS, SOLID SCORE, MS IS A LITTLE WEAK. |
| GAATHAUG, MORTEN |
REISEN BEGYNNER |
TRUMPET CHOIR |
NMIC |
2002 |
2 MIN |
E/M |
C/U/HS |
FOR NINE TRUMPETS IN THREE CHOIRS (THREE TO A CHOIR). PLAYS LIKE A 4/4 MARCH. OPTIONAL PERCUSSION: TRIANGLE, TAMBOURINE, HAND DRUM,MARACAS. |
| GAATHAUG, MORTEN |
SONATA CONCERTANTE |
TUBA & BRASS QUINTET |
NMIC |
1991/92 |
19 MIN |
H |
C/U |
MOVEMENTS: ALLEGRO, ANDANTE MOLTO MODERATO, MOLTO ALLEGRO ALL PLAYED ATTACCA. RANGE TO G FOR THE TUBA. MAY BE SUCCESSFUL WITH EUPHONIUM ON THE SOLO PART. DIFFICULT! |
| GAATHAUG, MORTEN |
SONATA FOR FLUTE AND PIANO, OP. 13 |
FLUTE & PIANO |
NORSK |
1985 |
17 MIN 30 SEC |
H |
C/U |
A MAJOR WORK WITH INTERESTING PIANO ACCOMPANIMENT. |
| GAATHAUG, MORTEN |
SUITE NR. 2 FOR SOLO CELLO, OP 57 |
CELLO ALONE |
NMIC |
2002/04 |
17 MIN |
M/H |
C/U |
FOUR DESCRIPTIVE MOVEMENTS. BASS, TENOR CLEF & TREBLE CLEFS. DOUBLE STOPS. A WELL LAID OUT SCORE AND READY FOR PLAY! |
| GAATHAUG, MORTEN |
TEMA CON VARIAZIONI |
BASS CLARINET & PIANO |
NMIC |
1983/2001 |
8 MIN |
H |
C/U |
THE PIANO PART MIGHT BE A BIT MUCH AND HARD, BUT THE BASS CLARINET GETS TO SHOW WHAT S/HE CAN DO IN 6 VARIATIONS. |
| GERMETEN, GUNNAR JR |
THE DANCE THROUGH THE LAND OF THE SHADOWS |
STRING ORCHESTRA |
NORSK |
1986 |
EST 10 MIN |
M |
C/U |
GOOD AND PLAYABLE SCORE WITH MANY OPPORTUNITIES TO DISPLAY MUSICALITY. TRADITIONAL HARMONIES. |
| GODOY, ROLF INGE |
PULS FOR KORPS |
BAND |
NMIC |
1980 |
7 MIN 30 SEC |
M/H |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. RHYTHMIC INTEREST, ONE TEMPO ALL THE WAY, BUT DIFFERENT RHYTHMS TO HANG IT ON. |
| GRAESVOLD, HANS MAGNE |
KONTRASTER |
CELLO & PIANO |
NMIC |
1994 |
EST 12+ MIN |
M/H |
C/U |
TWO CONTRASTING MOVEMENTS. SOLO NEEDS BASS, TENOR AND TREBLE CLEFS. ALMOST HARD! NEED GOOD PIANIST. SOME MIXED METER. |
| GRAESVOLD, HANS MAGNE |
PIECE POUR FLUTE |
FLUTE ALONE |
NMIC |
2000 |
EST 3 MIN |
M/H |
C/U |
LAID OUT NICELY FOR HE MATURING FLUTE PLAYER OR FOR THE MATURE FLUTE PLAYER WHO WANTS TO SHOW OFF MUSIC MAKING SKILLS ALONE. |
| GRIEG, EDVARD/OISTEIN SOMMERFELDT |
SUITE FOR ORCHESTRA NO.1, OP.38 |
ORCHESTRA |
NORSK |
1980 |
9 MIN |
M/H |
C/U |
PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,HARP,STRINGS. THREE MOVEMENTS, WELL SCORED. SCORE FOR SALE, PARTS RENTAL. |
| GRIEG, EDVARD/STIG GUSTAFSON |
DET FORSTE MODE |
BAND |
LEMA |
1984 |
3 1/2 MIN |
E/M |
HS |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,SB. NO PERCUSSION. CAN BE PLAYED WITH LESS THAN A COMPLETE BAND. PARTS ARE MARCH SIZE. A GRIEG MELODY AND A TOP SWEDISH BAND MUSIC ARRANGER. |
| GRIEG, EDVARD/STIG GUSTAFSON |
NORWEGIAN DANCES, NO.2 AND 3 |
BAND |
GEHRMANS |
1985 |
3 MIN |
E/M |
HS/JHS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,PERC,TMP,SB. EXCELLENT SCORE, FINE ARRANGER. THIS ONE WILL PLAY! |
| GROVEN, EIVIND |
HJALAR-LJOD OUVERTURE |
ORCHESTRA |
LYCHE |
1967 |
7 MIN |
M |
C/U/HS |
3FL,3CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,STRINGS. PROGRAM OPENER IN A GOOD SCORE. TRADITIONAL STYLE & APPROACH - NO PROBLEMS. MINIATURE SCORE FOR SALE, SCORE & PARTS RENTAL. |
| GRUNER-HEGGE, ODD |
ELEGISK MELODI |
STRING ORCHESTRA |
NORSK |
|
6 1/2/MIN |
E |
C/U |
6/8 ANDANTE TRANQUILLO AND STRAIGHT AHEAD. DIVISI ALL THE WAY EXCEPT IN BASS. LYRICAL. |
| HABBESTAD, KJELL |
ORPHEUS, OP. 34 |
FLUTE & PIANO |
NMIC |
1993 |
34 MIN |
H |
C/U |
7 MOVEMENTS OF VARYING DIFFICULTY, EACH CAN STAND ALONE. MOVEMENT 6 HAS A SECTION OF ALEATORY OTHERWISE MOSTLY TRADITIONAL RHYTHMS WITH CONTEMPORARY HARMONIES FREQUENTED. |
| HAEGELAND, EILERT M. |
PA STAKYRKJEGRUNN (SUITE FOR BRASS QUARTET) |
BRASS QUARTET |
NOTON |
1990 |
EST 6 + MIN |
E/M |
C/U/HS |
2 TRPT (C OR Bb), 2TRB BASS OR TREBLE). MOVEMENTS: INTROITUS, MEDITASJON I STEVTONE, MIDDELALADSRVISE, JULILATE DEO. ALL PARTS IN COMFORTABLE RANGES AND STRAIGHT AHEAD. |
| HAEGELAND, EILERT M. |
SONATA ARCTICA, OP 27 |
BRASS QUINTET |
NMIC |
1988 |
11 MIN |
M |
C/U |
FOUR MOVEMENTS THAT ARE UNCOMPLICATED AND STRAIGHT AHEAD. |
| HAEGELAND, EILERT M. |
SONATE MED STEVTONER |
CLARINET & ORGAN |
NMIC |
1995/96 |
12 MIN |
M |
C/U/HS |
MOVEMENTS: INTRODUKSJON, VIVACE, MEDITASJON, RONDO RAPSODICA, RECITAL MUSIC, NOT NECESSARILY CHURCH MATERIAL. PLAYABLE BY THE GOOD HS STUDENT. |
| HAEGELAND, EILERT M. |
SUITE OVER NORDLANDSKE TONER |
WOODWIND QUINTET |
NMIC |
1996/97 |
15 MIN 30 SEC |
M/H |
C/U |
USUAL INSTR. MOVEMENTS: INNSPILL, SALME, VISE, POLS, BANSULL, UTSPILL. MOVEMENTS CAN STAND ALONE. GOOD MODEST MUSIC WITH NICE SOUNDS. |
| HAEGELAND, EILERT M. |
VANDRELAT FOR FLUTE, OBOE AND CLARINET |
WOODWIND TRIO |
NMIC |
1975 |
2 MIN 30 SEC |
E |
C/U/HS |
GOOD MATERIAL FOR THE NOVICE ENSEMBLE. THE KEY IS E, WHICH MAY BAFFLE SOME, BUT THIS WILL WORK. |
| HALL, PAULINE |
SUITE FOR 5 WINDS |
WOODWIND QUINTET |
LYCHE |
1952 |
15 MIN |
M/N |
C/U |
FIVE SHORT, PLAYABLE MOVEMENTS. |
| HAUG, HALVOR |
CORDIALE |
BAND |
NMIC |
1982 |
8 MIN |
M/H |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST IN A FINE SCORE. VARIETY OF TEMPOS & TIME SIGNATURES. |
| HAUG, HALVOR |
EXIT |
BAND |
NMIC |
1985 |
7 MIN 30 SEC |
M |
C/U/HS |
PIC,2FL,2CL,2AS,TS,BS,4HN,3COR,2TRB,EUP,2TBA,3PERC,TMP,ORGAN AD LIB,EbHNS,Eb & BbTBA. FLUTES AND CLARINETS WILL NEED FINGERS! OTHER PARTS NOT HARD. NICE SINGING LINES. NOTE INSTRUMENTATION! |
| HAUG, HALVOR |
MESSINGKVINTETT |
BRASS QUINTET |
NMIC |
1981 |
16 MIN 3 |
M |
C/U |
FIVE MOVEMENTS IN GOOD SCORE, MODERATE RANGES AND GOOD CONTRASTS. |
| HAUG, HALVOR |
SONATA ELEGICA |
CELLO ALONE |
NORSK |
1981 |
10 MIN |
M |
C/U |
THREE MOVEMENTS OF GOOD MATERIAL FROM A FINE COMPOSER. PARTS LAY OUT WELL FOR THE INSTRUMENTS. |
| HAUG, HALVOR |
SONG OF THE PINES |
STRING ORCHESTRA |
NMIC |
1987 |
11 MIN 30 SEC |
E/M |
C/U/HS |
ONE MOVEMENT FROM A GOOD COMPOSER. SOME DIVISI AND WORTHY OF ATTENTION. SCORE FOR SALE, PARTS RENTAL. |
| HAUG, HALVOR |
SYMPHONY NO.1 |
ORCHESTRA |
NORSK |
1981/82 |
32 MIN |
H |
C/U |
PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,CELEST,HARP,STRINGS. MOVEMENTS: POCO ADAGIO, ENERGICO, SOSTENUTO, (ONLY 3). SOME NONTRADITIONAL TECHNIQUES, MAINLY USUAL HARMONIES. |
| HEDSTROM, ASE |
SAISIR |
ORCHESTRA |
NMIC |
1989 |
12 MIN |
H |
C/U |
2FL,2CL,OB,BSN,2HN,2TRPT,2TRB,TBA,2PERC,PIANO,HARP,STRINGS. CONTEMPORARY HARMONIES & APPROACH FROM ONE OF NORWAY'S LEADING COMPOSERS. SCORE FOR SALE, PARTS RENTAL. |
| HEGDAL, MAGNE |
FOR FOUR NUMBER FOUR “SAXOPHONIA” |
SAXOPHONE QUARTET |
NMIC |
1998/99 |
22 MINUTES |
H |
C/U |
SS,AS,TS,BS. MOVEMENTS: MONOCROMA, POLIFONIA, DODECAFONIA, OMOFONIA, TRE MONOCROME, ETEROFONIA. THERE IS ALSO AN ALTERNATE VERSION OF THE 1ST MOVEMENT IF DESIRED. HARD, ESOTERIC AND NORDIC! TAKE A LOOK IF YOU WANT A CHALLENGE. |
| HELLAN, ARNE |
EXCURSION |
STRING BASS & PIANO |
NMIC |
1992 |
EST 12+ MIN |
H |
C/U |
MOVEMENTS: PROMENADE I (MODERATO), II ANDANTINO, III ANDANTINO. PIANO PART IS EXTRA DIFFICULT. SOLOIST NEEDS TENOR CLEF. GOOD MATERIAL FOR THE ADVANCED C/U STUDENT. |
| HELLVIN, ROY |
CONCERTINO |
SAXOPHONE QUARTET |
NMIC |
1988 |
EST 5 MIN |
E/M |
C/U/HS |
THREE SHORT MOVEMENTS PLAYED ATTACCA. SATB. UNCOMPLICATED MATERIAL. |
| HOEMSNES, BJORN K. |
OUVERTURE - 1918 |
BAND |
NMIC |
|
EST 8+MIN |
M |
C/U/HS |
PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, 2TBA,3PERC,TMP. A GOOD SCORE WITH MUCH PERCUSSION. GOOD ACTION FOR ALL. |
| HOEMSNES, BJORN K. |
TID FOR DIALOG |
WOODWIND QUINTET & BAND |
NMIC |
1986 |
EST 10 MIN |
M |
C/U |
2FL,EbCL,6CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. SOME NONTRADITIONAL NOTATION, BAND PARTS QUITE EASY, WW QT MUST BE NEAR PROFESSIONAL. |
| HOEMSNES,BJORN K. |
OPUS PARTUS |
BAND |
NMIC |
1985 |
EST 8 MIN |
H |
C/U |
PIC,2FL,EbCL,6CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP, 2TBA,4PERC,TMP,EH,CBSN,PIANO. BIG WORK WITH CHALLENGES TO GO AROUND. SOME NONTRADITIONAL NOTATION, BUT EASY TO DO. NOTE THE INSTRUMENTATION. |
| HOVLAND, EGIL |
BLASEKVINTETT NR 2 |
WOODWIND QUINTET |
NMIC |
1980 |
12 MIN |
M |
C/U |
MOVEMENT I IS FOR HORN ALONE PLAYING A NORWEGIAN FOLK TUNE, III IS A HARMONIZED VERSION OF I AND SHORT. THE QUINTET IS MAINLY IN MOVE II. STRAIGHT AHEAD AND A GOOD COMPOSER. |
| HOVLAND, EGIL |
CANTUS III, OP 103 |
VIOLIN & PIANO |
NORSK |
1980 |
EST 7 MIN |
M/H |
C/U |
SOME NONTRADITIONAL WORK MOSTLY STRAIGHT AHEAD. NEEDS FINE PIANIST. |
| HOVLAND, EGIL |
CANTUS IV, OP 97 |
BRASS QUINTET |
NORSK |
1981 |
EST 5 1/2 MIN |
H |
C/U |
TWO MOVEMENTS IN A GOOD SCORE. NEEDS STRONG PLAYERS WITH GOOD RANGE STRENGTH. SECOND MOVEMENT IS SHORT, THE MAJOR WORK IS IN 1ST MOVE. |
| HOVLAND, EGIL |
CANTUS V, OP 120 |
TROMBONE & ORGAN |
NORSK |
1982 |
|
M |
C/U |
GOOD MATERIAL WITH A LITTLE NONTRADITIONAL TECHNIQUE REQUIRED. |
| HOVLAND, EGIL |
CANTUS VII, OPUS 132 |
BRASS & ORGAN |
NMIC |
1985 |
|
H |
C/U |
3TRPT,2HN,3TRB,TBA,TIMP. GOOD PIECE FROM A FINE COMPOSER. |
| HOVLAND, EGIL |
CONCERTO FOR OBOE AND ORCHESTRA |
OBOE AND ORCHESTRA |
NMIC |
1996 |
23 MIN |
H |
C/U |
3FL,3CL,3BSN,4HN,3TRB,TBA,TIMP,PERC,HARP,PO,STRINGS. SCORE IS IN A VERY GOOD MS. THE THREE SECTIONS ARE PLAYED ALMOST ATTACCA. MANY NOTES FOR THE OBOE, HARP AND PIANO. OTHER PARTS REASONABLE. WE PAY ATTENTION WHEN THIS COMPOSER WORKS! |
| HOVLAND, EGIL |
FANFARE AND CHORAL |
BAND |
NORSK |
1966 |
|
M/H |
C/U |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,5PERC,TMP,EH,CBCL,CELESTE. COMMISSIONED BY THE ST.OLAF COLLEGE BAND. A DENSE SCORE WITH A LOT OF DOUBLING. FANFARE-LIKE THEN FUGAL & BACK TO THE FANFARE MATERIAL. RENTAL ONLY. |
| HOVLAND, EGIL |
FANFARE AND CHORALE |
ORCHESTRA |
NORSK |
1968 |
EST 12 MIN |
H |
C/U |
PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,4TRB,2TBA,2PERC,CELESTE,STRINGS. EXCELLENT SCORE AND PLAYABLE BY THE C/U ORCHESTRA. FREQUENTLY PLAYED IN NORDIC COUNTRIES BY SELECT STUDENT GROUPS, ETC. |
| HOVLAND, EGIL |
FESTIVAL OVERTURE, OP 39 |
BAND |
NMIC |
1962 |
6 1/2 MIN |
H |
C/U/HS |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB,EH,CBSN,CBCL. MIXED METER. BIG OPENING. A GOOD SCORE TO PLEASE THE AUDIENCE AND THE PLAYERS. SCORE FOR SALE, PARTS RENTAL. |
| HOVLAND, EGIL |
MUSIC FOR 10 INSTRUMENTS, OP 28 |
WOODWIND QUINTET & STRING QT |
LYCHE |
1957 |
10 1/2 MIN |
M/H |
C/U |
MOVEMENT I FOR WW QT, II FOR STRING QUINTET & III THE ENSEMBLES COMBINED. MOVEMENTS CAN STAND ALONE. SOLID SCORE AND A GOOD WORK. |
| HOVLAND, EGIL |
QUINTET FOR WINDS |
WOODWIND QUINTET |
NORSK |
1965 |
|
H |
C/U |
NONTRADITIONAL NOTATION. SEVEN MOVEMENTS WITH SOME INTERESTING CHALLENGES FOR THE PERFORMER. |
| HOVLAND, EGIL OP.76 |
CONCERTO |
TROMBONE & ORCHESTRA |
NORSK |
1978 |
20 MIN |
H |
C/U |
ORCHESTRA WITH HARP-NO TRPTS OR LOW BRASS. |
| HUNDSNES, SVEIN |
HIS MAJESTY'S SOUND AMUSEMENT |
WOODWIND QUINTET |
NMIC |
|
EST 12 MIN |
M/H |
C/U |
THEME AND 11 VARIATIONS. BUSY PARTS IN A GOOD LOOKING SCORE. |
| HUNDSNES, SVEIN |
TRANSOBOIC FUSION |
OBOE & BAND |
NMIC |
1983 |
12 MIN |
M/H |
C/U |
A GOOD COLLEGE OBOIST, ONE LONG OBOE CADENZA, PERCUSSION INTEREST. |
| HURUM, HELGE |
BRASS SCENER (BRASS SCENES) |
BRASS QUINTET |
NMIC |
1981 |
EST 10 MIN |
M |
C/U |
FOUR MOVEMENTS. IN IST TRPT 2 DOUBLES FLUEGELHORN. PROGRAM AND PERFORMANCE INTEREST. |
| HURUM, HELGE |
CAPRICCIO & CANZONE |
BAND |
NMIC |
1984 |
EST 8+MIN |
M |
C/U/HS |
FL,3CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST, GOOD WORK FOR PERCUSSION AND BRASS, WW'S MUST WORK A LITTLE HARDER! |
| HURUM, HELGE |
DIVERTIMENTO |
CLARINET QUARTET |
FROST |
1980 |
|
M/H |
C/U |
3BbCL,BCL. (ALT ACL FOR 3RD CL) MOVEMENTS: RUBATO WITH 3 TEMPOS CHANGES, RUBATO WITH 3 TEMPO CHANGES, TEMPOS MARKING QUARTER = 138. NICE SCORE AND WELL LAID OUT PARTS. THE DIFFICULTY WILL BE TO GET THE FREQUENT CHANGES OF TEMPO WORKING SMOOTHLY. |
| HURUM, HELGE |
HERKOMST |
BAND |
NMIC |
1999 |
EST 4 MIN |
M |
C/U/HS |
PIC,FL,OB,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,3PERC. A MOST INTERESTING AND NICELY LAID OUR SCORE, WITH GOOD USE OF PERCUSSION, KEY CHANGES AND TIME CHANGES. THIS COMPOSER HAS A NUMBER OF OTHER BAND SCORE AVAILABLE THROUGH NMIC. |
| HURUM, HELGE |
HORNKONTRASTER |
HORN & BAND |
NMIC |
CIR 2000 |
ST 8 MIN |
M |
C/U/HS |
FL,OB,3CL,AS,TS,LOW WW,3TRPT,2TRB,EUP,TBA,2PERC. COMES WTH A MODIFIED CONDENSED SCORE THUS THE DECLARED LOW WW’S. AN ADVANCED HORN PLAYER WITH A MODEST REQUIREMENT FOR THE BAND. |
| HURUM, HELGE |
TROMPET KONTRASTER |
TRUMPETS(2) & BAND |
NMIC |
1986 |
|
M/H |
C/U |
THREE MOVEMENTS. MOVE III - PICCOLO TRPT, GOOD COLLEGE PLAYERS FOR SOLOS. |
| HUSBY, KAARE D. |
69 DEGREES NORTH |
BAND |
NMIC |
2003 |
EST 2 MIN 30 SEC |
E/M |
C/U/HS |
PIC,2FL,2OB,EH,2BSN,EbCL,3CL,BCL,SS,AS,TS,BS,3TPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. SLOW MARCH WITH A DRAMATIC OPENING. NICE KEEP CHANGE (Db TO G) FOR A SPECIAL ENDING. |
| HUSBY, KAARE D. |
VIRVL |
BAND |
NMIC |
1999 |
EST 5 MIN 30 SEC |
H |
C/U |
PIC,FL,OB,EbCL3CL,BCL,BSN,IS,3HN,3TPT,3TRB,EUP,TBA,STRBS,3PERC. NOTE THE UNUSUAL ASPECTS OF THE INSTRUMENTATION. THERE ARE SOME RHYTHMIC PROBLEMS TO SOLVE, BUT THIS IS A WELL LAID OUT SCORE AND PLAYABLE BY MOST C/U ENSEMBLES. |
| HVOSLEF, KETIL |
ANTIGONE |
ORCHESTRA |
NORSK |
1982 |
21 MIN |
M/H |
C/U |
PIC,3FL,3CL,BCL,4OB,3BSN,4HN,4TRPT,3TRB,TBA,PERC,TMP,CBSN,PIANO, HARP,STRINGS. SYMPHONIC VARIATIONS. GOOD LOOKING SCORE WITH NOTES AND INTEREST FOR ALL. SCORE FOR SALE, PARTS RENTAL. |
| HVOSLEF, KETIL |
BRASS |
BRASS ENSEMBLE |
NMIC |
1978 |
|
H |
C/U |
4TRPT,4HN,4TRB,TBA. GOOD COMPOSER OF A HARD BUT PLAYABLE PIECE. |
| HVOSLEF, KETIL |
QUINTET |
WOODWIND QUINTET |
NORSK |
1964 |
EST 9 MIN |
M/H |
C/U |
FOUR MOVEMENTS RHYTHMICALLY STRAIGHT AHEAD AND SOME CONTEMPORARY SOUNDS. |
| HVOSLEF, KETIL |
TROMBA SOLO |
TRUMPET ALONE |
NMIC |
1971 |
EST 4 MIN |
M/H |
C/U |
TRPT IN C. RANGE TO B WITH RHYTHMIC COMPLEXITY MAKE THIS WORK INTERESTING TO PLAY AND ALSO FOR THE LISTENER. |
| HVOSLEF, KETIL |
VIND-KONSERT FOR SOLO FLUTE,WINDS & PERCUSSION |
BAND |
NMIC |
1983 |
22 MIN |
H |
C/U |
PIC,2FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,TBA,2PERC,PIANO. SOLO FLUTE CAN BE PLAYED BY FINE BAND PLAYER, NOTE THE INSTRUMENTATION, SCORE IS A LITTLE HARD TO READ. SCORE FOR SALE, PARTS RENTAL. |
| HVOSLEF, KETIL |
VIOLINO SOLO |
VIOLIN ALONE |
NORSK |
1989 |
14 MIN |
H |
C/U |
PERFORMANCE CHALLENGES BUT A LYRICAL PIECE. |
| JOHANSEN, BERTIL PALMAR |
BOREAS |
BRASS QUINTET |
NORSK |
1992 |
EST 8 IN |
H |
C/U |
THREE ESOTERIC, DIFFICULT MUSIC. ADVANCED QUINTET PLAYER WITH MUCH CURIOSITY. GOOD SCORE, BUT MUSICIANS WILL HAVE TO PRACTICE AND REHEARSE -- A LOT! |
| JOHANSEN, BERTIL PALMAR |
CANTILENA FOR URD |
HORN , TROMBONE AND STRING ORCHESTRA |
NMIC |
1987/2003 |
10 MIN |
M/H |
C/U |
SLOW TEMPOS, MAY BE HARDER FOR THE STRINGS THAN THE SOLOIST EXCEPT THE HIGH RANGE FOR THE TROMBONE (TO C). |
| JOHANSEN, BERTIL PALMAR |
CANTUS |
VIOLIN ALONE |
NORSK |
1988 |
6 MIN |
M/H |
C/U |
CONTEMPORARY SOUNDS FOR THE VIOLINIST. MANY CHROMATICS. |
| JOHANSEN, BERTIL PALMAR |
CONCERTO FOR TUBA AND WIND ENSEMBLE |
TUBA & BAND |
NMIC |
2005 |
EST 10 MIN |
M/H |
C/U |
2FL(PIC),OB,EbCL,3CL,BCL,BBEST SCHERZOSN,AS,TS,2HN,3TRPT,3TRB,TBA,4PERC. MOVE: LIP BEAT SCHERZO, AIR, GRANDMA’S TUBA THEME. SHOULD BE FUN. TUBA SOLO HAS SOME UNUSUAL THINGS, LIKE HALF VALVE, ETC, MOSTLY STRAIGHT FORWARD FOR SOLO AS WELL AS FOR ACCOMP. |
| JOHANSEN, BERTIL PALMAR |
ELEGI FOR FLUTE AND STRING ORCHESTRA |
FLUTE & STRING ORCHESTRA |
NMIC |
2000 |
EST 4 MIN |
E |
C/U/HS |
A NICE FLOWING MELODY WITH GENTLE STRING ACCOMPANIMENT. PLAYABLE AND NICE. |
| JOHANSEN, BERTIL PALMAR |
KONSERT FOR 2 FIOLINER OG STRYKEORKESTER |
VIOLIN (2) AND STRING ORCHESTRA |
NMIC |
1989/90 |
EST 10+ MIN |
H |
C/U |
THREE MOVEMENTS THAT SHOULD PLAY OUT WELL FOR THIS COMBINATION. A LITTLE ALEATORY AND MIXED METER, BUT WILL PLAY WITH A STRONG STRING ORCHESTRA. |
| JOHANSEN, BERTIL PALMAR |
SAXOPHONE QUARTET NO. 1 UNDA ARCTICA |
SAXOPHONE QUARTET |
NMIC |
1995 |
15 MIN |
H |
C/U |
SS,AS,TS,BS. LIKE THE OTHER NORDIC SAX QUARTETS THIS OFFERS A CHALLENGE, PERHAPS A LITTLE EASIER THAN SOME OF THE OTHERS, SO WHY NOT START HERE? |
| JOHANSEN, BERTIL PALMAR |
SUITE NR. 1 |
CELLO ALONE |
NMIC |
2002 |
EST 10 MIN |
M/H |
C/U |
7 SHORT MOVEMENTS WITH SOME NONTRADITIONAL TECHNIQUES IN SOME OF THE MOVEMENTS (EXPLAINED VERY WELL IN THE SCORE). MOST MOVEMENTS COULD STAND ALONE. GOOD WORK! |
| JOHANSEN, BERTIL PALMAR |
THE EYE OF ODIN |
BAND
|
NMIC |
2002 |
EST 10 MIN |
H |
C/U |
2FL(PIC),OB,EbCL,3CL,BCL,AS,TS,BSN,2HN,3TRPT,3TRB,EUP,TBA,3PERC. MIXED METER, SOME UNUSUAL TIME SIGNATURES THAT ARE EASILY FATHOMED. THIS IS A GOOD SCORE WITH LOTS OF OPPORTUNITY TO MAKE MUSICAL EXCITEMENT. SEE OTHER WORKS BY THIS COMPOSER IN THE NMIC LIBRARY. |
| JOHANSEN, BERTIL PALMAR |
THE RAVEN SONG |
TROMBONE ALONE |
NMIC |
2000 |
5 MIN |
H |
C/U |
TENOR CLEF ALL THE WAY. RANGE TO TO A. GLIZZANDOS, VOCALISMS, AND OTHER FUN THINGS. A COMFORTABLE CHALLENGE FOR THE HIGH LEVEL TROMBONIST. |
| JOHANSEN, DAVID MONRAD |
LAMENTO, OP 34 |
STRING ORCHESTRA |
MUSIKK-HUSET |
1970 |
3 & 1/2 MIN |
E |
C/U/HS |
G MINOR AND STRAIGHT AHEAD, NO SURPRISES BUT YOU WILL LIKE IT! |
| JOHANSEN, DAVID MONRAD |
SUITE, OP 24 |
CELLO & PIANO |
MUSIKK-HUSET |
1969 |
18 MIN |
M |
C/U |
FIVE MOVEMENTS THAT CAN STAND ALONE, STRAIGHT AHEAD MUSIC WITH CHALLENGES IN 5 DIFFERENT STYLES. |
| JOHNSEN, HALLVARD |
PRELUDIUM, OP 74 |
EUPHONIUM & ORGAN |
NORSK |
1985 |
EST 3 MIN |
M |
C/U/HS |
LYRICAL PIECE THAT IS ACCESSIBLE AND PLAYABLE BY OTHER BASS CLEF INSTRUMENTS. |
| JOHNSEN, HALLVARD |
QUARTET, OP 65 |
SAXOPHONE QUARTET |
NORSK |
1984 |
EST 6 MIN |
M |
C/U |
SATB. ONE MOVEMENT WITH CONTRASTING SECTIONS. STRAIGHT AHEAD MATERIAL. |
| JOHNSEN, HALLVARD |
SUITE PER 2 TROMBE, OP 33 |
TRUMPET DUET |
MUSIKK-HUSET |
1960 |
|
M |
C/U/HS |
MODEST WORK FOR STUDIO FUN. |
| JOHNSEN, HALLVARD |
WIND QUINTET NO. 3, OP. 98 |
WOODWIND QUINTET |
NORSK |
1990 |
ST 6+ MIN |
M/H |
C/U |
USUAL INSTR. A VERY NICE SCORE AND PARTS THAT ARE JUST MODESTLY CHALLENGING, LEAVING TIME TO MAKE MUSIC WITH THIS GOOD WORK. |
| KARLSEN, KJELL MORK |
CHORALE SONATE NR 2 |
BASSOON & ORGAN |
NORSK |
1973 |
|
M |
C/U |
A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' |
| KARLSEN, KJELL MORK |
CHORALE SONATE NR 2 |
CELLO & ORGAN |
NORSK |
1973 |
|
M |
C/U |
SUGGEST USE FOR TROMBONE, EUPHONIUM OR BASSOON. A GENTLY FLOWING PIECE YOU WILL LIKE. BASED ON 'AUS TIEFER NOT SCHREI ISH ZU DIR'. |
| KARLSEN, KJELL MORK |
CHORALE SONATE NR 2 |
EUPHONIUM & ORGAN |
NORSK |
1973 |
|
M |
C/U |
A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' |
| KARLSEN, KJELL MORK |
CHORALE SONATE NR 2 |
TROMBONE & ORGAN |
NORSK |
1973 |
|
M |
C/U |
A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' |
| KARLSEN, KJELL MORK |
CONCERTO FOR EUPHONIUM AND BRASS BAND, OP.26 |
EUPHONIUM & BRASS BAND |
NMIC |
1986 |
17 MIN |
H |
C/U |
A MAJOR WORK FOR EUPHONIUM! STANDARD BRASS BAND INSTRUMENTATION. |
| KARLSEN, KJELL MORK |
CONCERTO FOR ORGAN & SYMPHONIC BAND, OP 28B |
BAND & ORGAN |
NMIC |
|
20 MIN |
M/H |
C/U |
PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 2PERC,TMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. LOTS OF EXCITEMENT FOR A ROOM WITH SPACE FOR THE LARGE ENSEMBLE BUT NOT TOO WILLING ACOUSTICALLY. |
| KARLSEN, KJELL MORK |
CONCERTO FOR ORGAN AND BAND |
BAND AND ORGAN |
NMIC |
1973/1986 |
20 MIN. |
M/H |
C/U |
PIC,2FL,OB,BSN,EbCL,3CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,3PERC. MOVEMENTS: DIALOG, CHORAL, RONDO-FINALE. FOR SCHOOLS WITH A GOOD ORGAN AND ORGANIST A WORK THEY CAN COMBINE ON. THIS IS PLAYABLE MUSIC ON A SCORE WITH GOOD MS. . |
| KARLSEN, KJELL MORK |
CONCERTO FOR ORGAN, BRASS INSTRUMENTS & PERC,OP 28 |
BRASS & ORGAN |
NMIC |
|
20 MIN |
M |
C/U |
3TRPT,2HN,3TRB,TBA,PERC,TIMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. MUCH EXCITEMENT. SEE BAND VERSION (OP 28B). |
| KARLSEN, KJELL MORK |
CONCERTO FURVUS |
TUBA & BAND |
NMIC |
1990 |
17 MIN |
H |
C/U |
3FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,EbTBA,BbTBA,4PERC. ALL SECTIONS CONNECTED. TUBA NEEDS THE HIGH F. BAND ACCOMPANIMENT IS EASIER THAN THE SOLO PART. OUTSIDE THE OCCASIONAL RANGE QUESTION THE SOLO PART IS NOT TOO DIFFICULT. |
| KARLSEN, KJELL MORK |
MEDITATIO PER OBOE SOLO |
OBOE ALONE |
NORSK |
1996 |
5 MIN |
M/H |
C/U |
PLENTY ROOM FOR RUBATO STYLE PLAYING. FORM IS SLOW, FAST,SLOW. THE FAST SECTION IS SHORT, MOSTLY SLOW MEDITATIVE. |
| KARLSEN, KJELL MORK |
PARTITA BREVIS OVER EN NORSK FOLKTONE |
VIOLA & ORGAN |
NMIC |
1993 |
EST 5+ MIN |
M/H |
C/U |
ACCOMPANIMENT CAN BE PLAYED BY A PIANO. THIS SOLO IS ALSO FOR CLARINET. THE MUSIC IS IN MODERATELY GOOD MS, BUT GOOD LITERATURE FOR THIS INSTRUMENT IS IN SHORT SUPPLY SO TRY THIS WORK BY A GOOD COMPOSER. SOLOIST NEEDS ALTO AND TREBLE CLEF. |
| KARLSEN, KJELL MORK |
SALMESYMFONI NO.2, OP. 73 (PSALM SYMPHONY) |
BAND WITH CHOIR & ORGAN |
NMIC |
1986 |
28 MIN |
H |
C/U |
PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC,SB,CHOIR,ORGAN. ONE MOVEMENT, A MAJOR WORK. ORGAN PART THIN, CHOIR EASY, BAND HARD. ENDS QUIETLY. |
| KARLSEN, KJELL MORK |
SERENATA PER FAGOTTO E ARCHI |
BASSOON & STRING ORCHESTRA |
NMIC |
2001 |
16 MIN |
H |
C/U |
SCORE IS IN FAIR MS. WE LIKE THIS COMPOSER SO WORTH THE EFFORT. A LOT OF NOTES FOR THE SOLOIST, BUT MOSTLY REASONABLE RANGE. C/U MATERIAL. |
| KARLSEN, KJELL MORK |
SONATA FOR TRUMPET & PIANO |
TRUMPET & PIANO |
NORSK |
1980 |
|
H |
C/U |
FOUR MOVEMENTS: 1 ALLEGRO, 2 SERENADE, 3 MARCH, 4 IMPROVISATION - FINALE. DOUBLE TONGUE, VARIETY OF STYLES, MUSICALITY, GOOD PIECE. |
| KARLSEN, KJELL MORK |
SONATINE OVER EN FOLKETONE FRA ETNE |
FLUTE & PIANO |
NORSK |
1992 |
EST 8 MIN |
M/H |
C/U |
MOVEMENTS: ALLEGRO,BICINIUM OSTINATO E CHORALE, FUGE. COMPOSER SUGGEST THAT THE WORK CAN BE PLAYED BY FLUTE AND ORGAN. SOME MIXED METER. GOOD ACCOMPANIST NEEDED. |
| KARLSEN, KJELL MORK |
VIKINGHYMNE, OP 59A |
BAND |
NMIC |
|
12 MIN 30 SEC |
M/H |
C/U/HS |
FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. AN OLD VIKING HYMN WITH LOTS OF WORK FOR THE WW'S IN A GOOD SCORE. |
| KJAERNES, BJORN MORTEN |
BLA KONTRASTER |
BAND |
FROST |
1987 |
5 MIN 45 SEC |
E/M |
HS |
PIC,2FL,3CL,ACL,BCL,OB,AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,3PERC,TMP, SB. OVERTURE WITH LOTS OF PERCUSSION AND SOME NONTRADITIONAL NOTATION. CLEAN SCORE & PLAYABLE. |
| KJAERNES, BJORN MORTEN |
FORM AND COLOURS |
BAND |
WARNER/CHAPPELL |
2000 |
EST 11 MIN |
H |
C/U |
PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. BASED ON A MATHEMATIC FORMULA OR TONE ROW. A SHORT ALEATORIC SECTION. GOOD WORK FOR THE YOUNG ENSEMBLE WILLING TO WORK AT A CONTEMPORARY STYLE OF WRITING. GOOD INSTRUCTIONS BY THE COMPOSER. |
| KJAERNES, BJORN MORTEN |
FORM OG FARGER |
BAND |
NMIC |
1982 |
|
H |
C/U/HS |
PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,2PERC,TMP,SB. OVERTURE -LIKE WITH ACTION FOR ALL, MUCH VARIETY. FUN FOR PLAYERS AND AUDIENCE. |
| KJAERNES, BJORN MORTEN |
I MITT HJERTES HAVE |
BAND |
FROST |
1985 |
EST 5 MIN |
E/M |
HS |
3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. OVERTURE. SWING IN SOME SECTIONS, OTHERS FLOW. GOOD MATERIAL FOR THE YOUNG BAND. |
| KJELDAAS, ARNLJOT |
INTRADA FESTIVALE |
BAND |
NMIC |
|
4 MIN |
E |
C/U/HS |
PIC,FL,2CL,BCL,OB,BSN,AS,TS,3HN,3COR,2TRPT,2TRB,EUP,2TBA,2PERC, (TBA IN Bb AND Eb.) OPENER FOR CONCERT. 4/4 ALL THE WAY. POSSIBLE CONTEST PIECE. NOTE INSTRUMENTATION. |
| KJELDAAS, ARNLJOT |
SONATE FOR CELLO OG KLAVER, OP 68 |
CELLO & PIANO |
NMIC |
1987 |
|
M |
C/U |
THREE MOVEMENTS(FSF) OF MATERIAL FOR COLLEGE RECITALS. NO PROBLEMS. |
| KLEIBERG, STALE |
SONATA FOR FLUTE & PIANO |
FLUTE & PIANO |
NORSK |
1999.2003 |
EST 10+ MIN |
H |
C/U |
TWO MOVEMENTS, THE FIRST IS HIGHLY RUBATO WITH FREQUENT CHANGES OF TEMPO ENDING WITH A STRICT TEMPO EXCHANGE WITH THE PIANO. 2ND MOVEMENT IS MORE RHYTHMIC. NEED AN EXCELLENT, UNDERSTANDING AND SENSITIVE PIANIST! GREAT ADDITION TO THE LITERATURE. |
| KNOPH, JOACHIM |
SONATA |
OBOE & PIANO |
2L |
2001 |
16 MIN |
H |
C/U |
MOVEMENTS: MODERATO, TRANQUILLO, ALLEGRO DECISO. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD MATERIAL AND PLAYABLE BY THE GOOD V/U STUDENT. GO TO THE WEB SITE TO DOWNLOAD THIS MATERIAL: WWW.2L.NO. |
| KOCH, DAGFINN |
BEYOND BAYAT |
BAND |
WARNER/CHAPPELL |
1999/2000 |
EST 4 MIN |
M |
C/U/HS |
2FL(PIC),OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. THE WORK MAY BE PLAYED BY A SMALLER INSTRUMENTATION AS NOTED IN THE SCORE BY THE COMPOSER. A SLOW, EUROPEAN STYLE MARCH. NICE SWEEPING WW LINES AND SOME EXCITEMENT. |
| KOCH, DAGFINN |
URBAN RHAPSODY |
CLARINET ALONE |
NMIC |
1997 |
4 MIN 30 SEC |
M/H |
C/U |
INTERESTING LAYOUT TO THIS SOLO PIECE. C/U STUDENTS SHOULD ENJOY WORKING ON THIS COMPOSITION. OPPORTUNITY TO MAKE MUSIC ALONE. |
| KOLBERG, KARE |
OTTONI |
BRASS QUINTET |
NORSK |
1981 |
6 MIN |
H |
C/U |
ONE MOVEMENT WITH HIGH TRPT 1 PART. SOME NONTRADITIONAL TECHNIQUES. GOOD SCORE. |
| KROGSETH, GISLE |
ELEGI FOR CLARINET & STRINGS |
CLARINET & STRING ORCHESTRA |
NMIC |
2005 |
8 MIN 42 SEC |
H |
C/U |
SOME MULTI-PHONICS IN THE CADENZA, CONTEMPORARY HARMONIES AND USE OF THE VERY TOP END OF THE CLARINET REGISTER (CONTROL UP THERE VITAL). OTHER TECHNICAL PROBLEMS NEGLIGIBLE. |
| KRUSE, BJORN |
GYDAS HEMMELIGHET |
SAXOPHONE(SOPRANO) & PIANO |
NMIC |
1989 |
CA 5 MIN |
M/H |
C/U |
ONE MOVEMENT, LARGELY LYRICAL. MS IS MARGINAL BUT MUSIC IS WORTH THE EFFORT. |
| KRUSE, BJORN |
MARINE FANFARE FANTASIA |
BAND |
NMIC |
1995 |
10 MIN |
H |
C/U |
FL,OB,BSN,2CL,AS,TS,BS,2TRPT,3HN,3TRB,EUP,2TBA,STBS,3PERC. RHYTHMIC CHALLENGES, BUT A GOOD PIECE FOR C/U BANDS. NOT AS DIFFICULT AS SOME, BUT WILL BE NECESSARY FOR THE MUSICIANS AND CONDUCTOR BE ALERT! NICE CHANGES OF MOOD DURING THE WORK. |
| KRUSE, BJORN |
PIERROT’S LAMENT |
SAXOPHONE(SOP) & STRING ORCHESTRA |
NMIC |
1996 |
10 MIN |
H |
C/U |
MIXED METER, LOTS OF NOTES AND SOME METRIC PROBLEMS TO SOLVE BY BOTH THE SOLOIST AND THE STRING PLAYERS IN A CONTEMPORARY SETTING. |
| KRUSE, BJORN |
REFLECTIONS |
SAXOPHONE QUARTET |
FROST |
1976 |
4 MIN |
E/M |
C/U/HS |
SATB. GOOD FOR COLLEGE OR HS. |
| KRUSE, BJORN |
SAXOPHONE CONCERTO |
SAXOPHONE(TENOR) & ORCHESTRA |
FROST |
1991 |
20 MIN |
H |
C/U |
PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,4TRPT,3TRB,TBA,4PERC.HARP,PIANO(CELESTA),STRINGS. THIS IS FOR A VIRTUOSO SAXOPHONE PLAYER AND FINE ORCHESTRA. SOLOIST HAS SOME IMPROVISING WITH ACCOMPANIMENT AND A CADENZA TO IMPROVISE. |
| KRUSE, BJORN |
STATEMENT |
SAXOPHONE QUARTET |
NMIC |
1975 |
10 MIN |
M |
C/U |
SATB. TWO MOVEMENTS, SOME FREE FORM WITH EASY ACCESS AT START OF MOVEMENT 2. NICE 7/8 SECTION IN 2. |
| KVAM, ODDVAR S |
AIR, OP 46 NR 2 |
CLARINET & PIANO |
MUSIKK-HUSET |
1981 |
EST 4 1/2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S |
AIR, OP 46 NR 2 |
FLUTE & PIANO |
MUSIKK-HUSET |
1981 |
EST 4 1/2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S |
AIR, OP 46 NR 2 |
SAXOPHONE(TENOR) & PIANO |
MUSIKK-HUSET |
1981 |
EST 4 1/2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| KVAM, ODDVAR S |
AIR, OP 46 NR 2 |
VIOLIN & PIANO |
MUSIKK-HUSET |
1981 |
EST 4 1/2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE WITH C & Bb PARTS PROVIDED. |
| KVAM, ODDVAR S |
BREV, OP 31D |
VIOLIN & PIANO |
MUSIKK-HUSET |
1982 |
CA 7 MIN |
M |
C/U |
FEW SURPRISES IN SOUND BUT SATISFYING TO PLAY. MOSTLY STRAIGHT AHEAD. |
| KVAM, ODDVAR S |
KVARTETT IN C, OP 73 |
STRING QUARTET |
MUSIKK-HUSET |
1988 |
21 MIN |
M/H |
C/U |
FOUR MOVEMENTS THAT CAN STAND ALONE. MOSTLY STRAIGHT AHEAD FROM A GOOD COMPOSER AND ACCESSIBLE MUSIC. |
| KVAM, ODDVAR S |
LEGENDE, OP 31A |
STRING ORCHESTRA |
MUSIKK-HUSET |
1977 |
7 MIN |
M |
C/U |
9 VIOLINS, 3 VIOLAS, 2 CELLOS, STRING BASS. SOME UNUSUAL TECHNIQUES EMPLOYED IN A GENTLE WAY. FINE SCORE AND GOOD COMPOSER. |
| KVAM, ODDVAR S |
TRIM, OP 35 |
STRING ORCHESTRA |
NMIC |
|
EST 8 MIN |
E/M |
HS |
FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. |
| KVAM, ODDVAR S. |
CLARIMPETTE |
CLARINET ALONE |
MUSIKK-HUSET |
1986 |
|
H |
C/U |
FOR STUDY OR RECITAL FROM A RESPECTED NORWEGIAN COMPOSER. |
| KVAM, ODDVAR S. |
CLARIMPETTE |
TRUMPET ALONE |
MUSIKK-HUSET |
1986 |
|
H |
C/U |
STUDIO CHALLENGE THEN TO THE RECITAL STAGE. (ALSO CLARINET ALONE). |
| KVAM, ODDVAR S. |
CONCERTO GROSSO |
BASSOON & PIANO |
NMIC |
1996 |
16+MIN |
H |
C/U |
MOVEMENTS: PRELUDIUM, SARABANDE, CHACONNE, BOUREE, POSTLUDIUM. ALL MOVEMENTS CAN STAND ALONE. FOR HE ADVANCED STUDENT, MAYBE GRADUATE/PROFESSIONAL LEVEL. |
| KVAM, ODDVAR S. |
DOWNWARDS & UPWARDS, 0P.77A |
BAND |
NMIC |
1987 |
10 MIN |
M |
C/U/HS |
PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2TBA,3PERC, TMP,(1TBA IN Eb & 1 IN BBb.) 'DOWNWARDS' EMPHASIZES THE WW'S AND 'UPWARDS' THE BRASS - NEED FINE TUBAS! EXPOSED HORN SECTION WORK. FUN FOR THE BAND. SCORE COULD BE CLEANER. |
| KVAM, ODDVAR S. |
FROM THE YOUNG PEOPLE'S WORLD, OP. 46 |
ORCHESTRA |
MUSIKK-HUSET |
1979 |
14 MIN |
M |
C/U/HS |
3FL,2CL,2OB,2BSN,EH,4HN,2TRPT,2TRB,TBA,3PERC,TMP,ELECTRIC BASS GUITAR, STRINGS. THREE MOVEMENTS, MOSTLY STRAIGHT AHEAD. GOOD SCORE. |
| KVAM, ODDVAR S. |
MONFONI FOR HORN, OP 43 #1 |
HORN ALONE |
MUSIKK-HUSET |
1978 |
2 MIN |
M |
C/U |
SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. |
MONOFONI FOR BASSOON |
BASSOON ALONE |
MUSIKK-HUSET |
1978 |
2 MIN |
M |
C/U |
SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. |
MONOFONI FOR CLARINET |
CLARINET ALONE |
MUSIKK-HUSET |
1978 |
2 MIN |
M |
C/U |
SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. |
MONOFONI FOR FLUTE |
FLUTE ALONE |
MUSIKK-HUSET |
1978 |
EST 2 MIN |
M |
C/U |
SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVAM, ODDVAR S. |
MONOFONI FOR OBOE |
OBOE ALONE |
MUSIKK-HUSET |
1978 |
EST 2 MIN |
M |
C/U |
SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| KVANDAL, JOHAN |
ARIA, CADENZA E FINALE, OP 24 |
VIOLIN & PIANO |
MUSIKK-HUSET |
1964 |
EST 7 MIN |
H |
C/U |
NEEDS A FINE PIANIST WITH CHALLENGE ALSO FOR THE VIOLINIST. AN ACCESSIBLE STYLE OF MUSIC FROM A FINE COMPOSER. |
| KVANDAL, JOHAN |
CAPRICCIO, OP 16 NR 2 |
VIOLIN & PIANO |
NORSK |
1976 |
EST 6 MIN |
M |
C/U |
ADAGIO OPENING THEN ALLEGRO SCHERZANDO IN 9/8. GOOD COMPOSER AND A GOOD PIECE. |
| KVANDAL, JOHAN |
DIVERTIMENTO, OP 3 |
STRING ORCHESTRA |
NORSK |
1942 |
EST 10 MIN |
M/H |
C/U |
CAN BE PLAYED BY 5 SOLO STRINGS OR STRING ORCHESTRA. FOUR MOVEMENTS AND NO SURPRISES. |
| KVANDAL, JOHAN |
ELEGY AND CAPRICCIO, OP 47 |
VIOLA ALONE |
NORSK |
1978 |
CA 4 1/2 MIN |
H |
C/U |
NOTES TO CHALLENGE THE PERFORMER - WORK, BUT INTERESTING. |
| KVANDAL, JOHAN |
INTRODUCTION AND ALLEGRO, OP 30 |
HORN & PIANO |
NORSK |
1970 |
|
M |
C/U/HS |
INTRO IN 4/4, ALLEGRO MOSTLY IN 6/8. MODEST RANGE REQUIREMENTS. |
| KVANDAL, JOHAN |
LEGENDE, OP 61 |
BASSOON & STRING ORCHESTRA |
NORSK |
1986 |
|
M |
C/U |
FINE COMPOSER OF A GOOD SCORE FOR COLLEGE STUDENTS. |
| KVANDAL, JOHAN |
MINIATYRER, OP.43 |
VIOLIN QUARTET |
MUSIKK-HUSET |
1977 |
7 MIN |
M |
C/U |
FIVE SHORT MOVEMENTS. |
| KVANDAL, JOHAN |
NIGHT MUSIC, OP 57 |
WIND ENSEMBLE |
NORSK |
1981 |
|
M/H |
C/U |
2OB,2CL,2BSN,2HN,SB,CBSN. FOUR MOVEMENTS, ONE ON A PART. MOVEMENTS CAN STAND ALONE. MUCH MUSICAL INTEREST. |
| KVANDAL, JOHAN |
NOMENCLATURA |
ORCHESTRA |
NORSK |
1985 |
15 MIN |
|
|
2FL(PIC),2OB,2CL,2BSN,4HN,3TRPT,3TRB,2PERC,STRINGS. MUSIC FOR HIRE. SIMILAR TO KVANDAHL’S, TRIPTYCHON IN DIFFICULTY AND STYLE. BOTH ARE VERY WORTHY WORKS. |
| KVANDAL, JOHAN |
NORSK OUVERTURE, OP 7 |
ORCHESTRA |
MUSIKK-HUSET |
1969 |
7 MIN |
E/M |
C/U/HS |
2FL,2CL,2OB,2BSN,4HN,4COR,2TRPT,TMP,STRINGS. ADAGIO OPENING THEN ALLEGRO THE REST OF THE WAY. ACCESSIBLE MUSIC. |
| KVANDAL, JOHAN |
OUVERTURE-FANTASY, OP 59 |
BRASS ENSEMBLE |
NORSK |
1982 |
9 MIN 30 SEC |
M/H |
C/U |
2TRPT IN C,3HN,2TRB,TBA. CHANGING METER. A GOOD SCORE THAT WILL TAKE SOME REHEARSAL TIME. |
| KVANDAL, JOHAN |
POEM FROM `A LOST WORLD',OP 66A |
VIOLIN & PIANO |
NORSK |
1985 |
EST 4 MIN |
M |
C/U |
ACCOMPANIMENT CAN BE ON ORGAN. FLOWING MUSIC THAT IS PLAYABLE AND ACCESSIBLE. |
| KVANDAL, JOHAN |
QUINTET FOR WINDS |
WOODWIND QUINTET |
NORSK |
1971 |
18 MIN |
M/H |
C/U |
FOUR MOVEMENTS STRAIGHT AHEAD. NOTES AND NICE CHALLENGE FOR EVERYONE. |
| KVANDAL, JOHAN |
SALMETONE - HYMN TUNE |
HORN ALONE |
NORSK |
1985 |
3 MIN 15 SEC |
M |
C/U |
GOOD COMPOSER - HYMN TUNE THAT IS VERY TONAL. |
| KVANDAL, JOHAN |
SONATE,OP 45 |
VIOLIN ALONE |
NORSK |
1978 |
EST 6 MIN |
M/H |
C/U |
TWO MOVEMENTS OF A COMFORTABLE CHALLENGE FOR THE SOLO VIOLIN. DOUBLE-STOPS, HARMONICS AND ENOUGH NOTES TO KEEP INTEREST. |
| KVANDAL, JOHAN |
TRIPTYCHON |
ORCHESTRA |
NORSK |
1979/1982 |
EST 11+ MIN |
H |
|
PIC,2FL,2OB,2CL,2BSN,4HN,3TRB,3TRB,TBA,3PERC,STRINGS. MUSIC FOR HIRE. COULD BE PLAYED BY SELECT HS ENSEMBLES ALA ALL STATE GROUPS. VERY PLAYABLE BY C/U ENSEMBLES. A WELL RESPECTED NORWEGIAN COMPOSER. SEE OTHER WORKS BY IM IN THE NORSK CATALOG. |
| KVANDAL,JOHAN |
OKTETT 1946,OP 54 |
WOODWIND ENSEMBLE |
NORSK |
1980 |
EST 6 MIN |
M/H |
C/U |
2OB,2CL,2BSN,2HN,STBS. SOME PROBLEMS WITH MANUSCRIPT. IN TWO MOVEMENTS. ACCESSIBLE PIECE. |
| KVERNDOKK, GISLE |
CONCERTINO FOR PIANO AND SYMPHONIC BAND |
BAND & PIANO |
NMIC |
1986 |
EST 20 MIN |
H |
C/U |
PIC,2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,2EUP,2TBA,4PERC,TMP,ELEC.GUITAR,BASS GUITAR. FINE PIANIST NEEDED, BAND PARTS NOT SO HARD. NICE PERCUSSION WORK. |
| LERSTAD, TERJE |
CONCERTO GROSSO NO.2 |
SAXOPHONE QUARTET & BAND |
NMIC |
1985 |
16 MIN 30 SEC |
H |
C/U |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION. |
| LILLEBJERKA, SIGMUND |
BLASEKVINTETT NR. 2 |
WOODWIND QUINTET |
NMIC |
1999 |
13 + MIN |
M/H |
C/U |
USUAL INSTR. MOVEMENTS: ALLEGRO, ALLEGRETTO, VIVACE, ALLEGRO. VERY NICE SCORE AND MATERIAL. A WELCOME ADDITION TO THE LITERATURE. PLAYABLE! |
| LILLEBJERKA, SIGMUND |
CONCERTO FOR VIOLIN |
VIOLIN & BAND |
NMIC |
2001 |
17 MIN |
M |
C/U |
2FL,OB,3CL,BCL,BSN,AS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. MOVEMENTS: ALLEGRO MODERATO, ADAGIO, VIVACE. THIS WORK WAS ORIGINALLY FOR CHAMBER ORCH ACCOMP. BUT WORKS WELL WITH THIS COMBINATION. NOTE THE REDUCED INSTRUMENTATION. |
| LILLEBJERKA, SIGMUND |
EPISODE |
CLARINET & PIANO |
NMIC |
1999 |
3 MIN |
H |
C/U |
A SHORT , HARD, SHOW OFF WORK FOR THE ADVANCED PLAYER. DRAMATIC TO THE SUBTLE. |
| LILLEBJERKA, SIGMUND |
SOIREE DANSANTE |
OBOE & PIANO |
NOTON |
1992 |
EST 7 MIN |
M/H |
C/U/HS |
MOVEMENTS: ALLEGRO MODERATO, MODERATO, MODERATO CON ESPRESSIONE, ALLEGRO. LIKE A SONATA OR SONATINE FOR THE YOUNGER OR LESS EXPERIENCED PLAYER. |
| LUNDE, IVAR |
NUANCES, OPUS 55 |
CLARINET CHOIR |
NORSK |
1976 |
9 MIN 40 SEC |
H |
C/U |
AVAILABLE IN THE U.S. THROUGH KENDOR. |
| LUNDE, IVAR JR |
ELEGY FOR SYMPHONIC BAND, OP 61 |
BAND |
NMIC |
1976 |
EST 10 MIN |
M/H |
C/U |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,EH,CBCL IN Eb & Bb, CELESTE. MIXED METER, DRAMATIC CHANGES IN INTENSITY. A CLEAN SCORE. |
| LUNDE, IVAR JR |
EMBELLISHMENTS |
TRUMPET & TUBA |
NORSK |
1976 |
EST 2 1/2 MIN |
M/H |
C/U |
TRPT PART CAN BE PICCOLO(Bb). MIXED METER AND RHYTHMIC CHALLENGES. |
| LUNDE, IVAR JR |
POEM FOR TROMBONE,PIANO,VIBES & PERCUSSION, OP 74 |
TROMBONE & PIANO |
NORSK |
1984 |
EST 6 MIN |
H |
C/U |
VERY HIGH TESSITURA FOR THE TROMBONE. ONE PERCUSSIONIST. CONTEMPORARY SOUNDS AND DIFFICULT. |
| LUNDE, IVAR JR |
PULSATIONS, OP 89 |
TROMBONE QUARTET |
NMIC |
1985 |
8 MIN |
H |
C/U |
ALTO TRB, 2 TEN TRB, BASS TRB & TUBA. ALTO PART CAN BE PLAYED BY TRPT AND TUBA BY BASS TROMBONE. MUTES AND RHYTHMIC. |
| LUNDE, IVAR JR |
QUARTET FOR SAXOPHONES, OP 54 |
SAXOPHONE QUARTET |
NMIC |
1975 |
EST 5 MIN |
M |
C/U |
SATB. SOME NONTRADITIONAL TECHNIQUES IN ONE MOVEMENT. LOTS OF NOTES THAT LAY WELL AND FIT TOGETHER. |
| LUNDE, IVAR JR |
SERENADE FOR THE WOODWIND QUINTET, OP 26 |
WOODWIND QUINTET |
SHAWNEE |
1980 |
9 MIN |
M/H |
C/U |
THREE MOVEMENTS, MIXED METER, VARIED TEMPOS. GOOD INSTRUCTIONS IN THE SCORE FOR PERFORMANCE. |
| LUNDE, IVAR JR |
SONATA FOR ALTO SAXOPHONE IN ONE MOVEMENT,OP 49 |
SAXOPHONE(ALTO) & PIANO |
NMIC |
1973 |
EST 11 MIN |
M/H |
C/U |
MANY NOTES, BUT RHYTHMICALLY STRAIGHT AHEAD. COLLEGE RECITAL MATERIAL. FLOWS. |
| LUNDE, IVAR JR |
SUITE FOR BRASS QUINTET |
BRASS QUINTET |
NMIC |
1971 |
EST 12 MIN |
M |
C/U |
SIX SHORT MOVEMENTS THAT CAN STAND ALONE. SOME USE OF MUTES FOR FUN. STRAIGHT AHEAD. |
| LUNDE, IVAR JR |
THREE BAGATELLES FOR WOODWIND QUINTET |
WOODWIND QUINTET |
SHAWNEE |
1974 |
EST 5 MIN |
E |
HS |
EASY, BUT WELL CONSTRUCTED FOR THE YOUNG PLAYERS. |
| LUNDE, IVAR JR |
UNE PETITE SUITE, OP 23 |
WOODWIND QUINTET |
SHAWNEE |
1979 |
8 1/2 MIN |
M/H |
C/U |
FIVE MOVEMENTS, MIXED METER. MOVEMENT 3 IS A PICCOLO AND BASSOON DUO. |
| LUNDE, IVAR, JR. |
CAPRICIOUS SUITE FOR BAND,OP 72 |
BAND |
SHAWNEE |
1983 |
14 MIN 30 SEC |
E/M |
HS/JHS |
PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP,Eb & Bb CONTRA CL. 6 MOVEMENTS THAT CAN STAND ALONE. NONTRADITIONAL NOTATION IN 4TH MOVEMENT IS EASY TO FOLLOW. |
| LUNDE, IVAR, JR. |
JOY, OP. 84 |
ORCHESTRA |
NMIC |
1986 |
7 MIN |
M/H |
C/U/HS |
PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,2PERC,TMP,EH,HARP,STRINGS. SCORE FOR SALE, PARTS RENTAL, GOOD SCORE WITH LOTS OF RHYTHMIC INTEREST. PLAYS LIKE AN OVERTURE. SCORE FOR SALE, PARTS RENTAL. |
| LUNDE, JR., IVAR |
TRIO FOR FLUTE, OBOE AND Bb CLARINET |
WOODWIND TRIO |
SKYLINE |
1989 |
EST 3 MIN 30 SEC |
E/M |
C/U/HS |
ACCESSIBLE MATERIAL FOR THE YOUNG ENSEMBLE. SEE OTHER ITEMS LIKE THIS BY CONTACTING THE COMPANY AS NOTED HERE. |
| MADSEN, TRYGVE |
CLARINET MARMALADE |
CLARINET QUARTET |
MUSIKK-HUSET |
1992 |
EST 8+ MIN |
M |
C/U/HS |
3BbCL, BCL. MOVEMENTS: ALLEGRETTO, ANDANTE, ALLEGRO. ALL PARTS PLAYABLE AND LOGICAL PROGRESSIONS. THIS COMPOSER EXCELLENT FOR THIS LEVEL LITERATURE. VERY USEFUL MATERIAL IN THE SCHOOL SITUATION. |
| MADSEN, TRYGVE |
CONCERTINO FOR EUPHONIUM AND SYMPHONIC BAND |
EUPHONIUM & BAND |
MUSIKK-HUSET |
2004 |
EST 11 MIN |
M |
C/U/HS |
2FL,2OB,3CL,2BSN,2AS,TS,BS,2HN,2TRPT,TRB,TBA,3PERC. MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, POCO ADAGIO/ALLEGRO. RANGE TO HIGH Bb FOR THE SOLOIST, BUT NO REALLY TOUGH TECHNICAL MATERIAL UNLESS YOU TAKE THE LAST MOVE VERY FAST. THERE IS A PIANO REDUCTION! |
| MADSEN, TRYGVE |
CONCERTINO FOR HORN SOLO & SYMPHONIC BAND |
HORN & BAND |
NMIC |
CIR. 2005 |
EST 12 MIN |
M/H |
C/U/HS |
2FL(PIC),EbCL,3CL,BCL,BSN,2AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC. MOVEMENTS: INTRADA, CAVATINA, RONDO. THIS IS IN A LEGIBLE MS. ALL PARTS PLAYABLE. GOOD ADDITION TO THE LITERATURE. |
| MADSEN, TRYGVE |
CONCERTINO FOR TRUMPET AND SYMPHONIC BAND |
TRUMPET & PIANO |
MUSIKK-HUSET |
2001 |
EST 10 MIN |
M |
C/U/HS |
MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, ALLEGRO, NGE JUTS TO Ab ABOVE STAFF. HIS IS GOOD EDUCATIONAL MATERIAL. THERE IS A BAND ACCOMPANIMENT AVAILABLE. COMPOSER HAS MANY THINGS LIKE THIS IN THE MUSIKK-HUSETS CATALOG. |
| MADSEN, TRYGVE |
CONCERTO FOR BASSOON AND ORCHESTRA |
BASSOON & ORCHESTRA |
NMIC |
1994 |
EST 15 MIN |
M/H |
C/U |
2FL(PIC),2OB(EH),2CL(BCL),BSN,3PERC,STRINGS. MOVEMENTS: ALLEGRO MODERATO, POCO ADAGIO, VIVACE (LAST TWO ATTACCA). MADSEN WRITES FOR GOOD C/U STUDENT. NO SURPRISES, JUST STRAIGHT AHEAD MATERIAL. CHECK WITH MUSIKK-HUSETS IF THERE IS A PIANO REDUCTION AVAILABLE. |
| MADSEN, TRYGVE |
CONCERTO FOR HORN AND ORCHESTRA, OP 45 |
HORN & ORCHESTRA |
MUSIKK-HUSET |
1986 |
EST 8+MIN |
M/H |
C/U |
2FL,2CL,2OB,2BSN,TMP,STRINGS. THREE MOVEMENTS PLAYABLE BY A GOOD COLLEGE STUDENT. ORCHESTRA PARTS MEDIUM DIFFICULTY. |
| MADSEN, TRYGVE |
CONCERTO FOR OBOE AND SMALL ORCHESTRA, OP.30 |
OBOE & STRING ORCHESTRA |
MUSIKK-HUSET |
1981 |
EST 10 MIN |
M/H |
C/U |
ADVANCED PLAYERS ONLY. 3 MOVEMENTS IN GOOD SCORE AND GOOD COMPOSER. STRINGS PLUS CELESTE AND XYLOPHONE. PIANO ACCOMPANIMENT AVAILABLE. |
| MADSEN, TRYGVE |
CONCERTO FOR TROMBONE & ORCHESTRA |
TROMBONE & PIANO |
MUSIKK-HUSET |
2001 |
EST 12+ MIN |
M/H |
C/U |
GREAT C/U RECITAL MATERIAL. SAME LEVEL AS L E LARSSON. MOVEMENTS: ALLEGRO,ANDANTE CON MOTO ALLEGRO. NOTE THAT ORCH ACCOMPANIMENT IS AVAILABLE. |
| MADSEN, TRYGVE |
CONCERTO POUR CLARINETTE ET ORCHESTRE,OP.40 |
CLARINET & STRING ORCHESTRA |
MUSIKK-HUSET |
1986 |
EST 10 MIN |
H |
C/U |
USUAL 3 MOVEMENTS. CHALLENGE FOR GOOD COLLEGE STUDENT, COMPETENT STRINGS NEEDED. PIANO ACCOMPANIMENT AVAILABLE. |
| MADSEN, TRYGVE |
DIVERTIMENTO FOR BRASS & PERCUSSION, OP 47 |
BRASS ENSEMBLE |
MUSIKK-HUSET |
1988 |
|
H |
C/U |
4TRPT IN C,4HN,3TRB,TBA,TIMP,2PERC. THREE MOVEMENTS OF SOLID MUSIC IN A GOOD SCORE. |
| MADSEN, TRYGVE |
DIVERTIMENTO, OP 43 |
HORN & TUBA |
MUSIKK-HUSET |
1986 |
EST 8 MIN |
H |
C/U |
TUBA PART IN F FOR FUN WITH AN UNUSUAL COMBINATION. |
| MADSEN, TRYGVE |
FESTOUVERTURE, OP 53 |
ORCHESTRA |
MUSIKK-HUSET |
1988 |
EST 7 MIN |
M/H |
C/U/HS |
2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. PROGRAM OPENER OF STRAIGHT AHEAD MATERIAL. FINE HS ORCH, COLLEGE OR COMMUNITY ORGANIZATION. SCORE FOR SALE AND PARTS ON HIRE. |
| MADSEN, TRYGVE |
INTRODUKSJON OG ALLEGRO |
TUBA & BAND |
NMIC |
|
EST 10 MIN |
M |
C/U |
PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLOIST OR TOP LEVEL AMATEUR. |
| MADSEN, TRYGVE |
INTRODUKSJON OG ALLEGRO |
TUBA & BAND |
NMIC |
|
EST 10 MIN |
M |
C/U |
PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLO OR TOP LEVEL AMATEUR. |
| MADSEN, TRYGVE |
INTRODUKSJON OG ALLEGRO |
TUBA & PIANO |
NMIC |
|
10 MIN |
H |
C/U |
ALSO AVAILABLE WITH ORCHESTRA. GOOD WORK AND A NICE CHALLENGE. |
| MADSEN, TRYGVE |
KONZERTOUVERTURE |
ORCHESTRA |
MUSIKK-HUSET |
1981 |
EST 15 MIN |
M/H |
C/U |
3FL(PIC),2OB,2CL(EbCL),2BAN,4HN,3TRPT,3TRB,TBA,4PERC,STRINGS. MADSEN WRITES FOR GROUPS LIKE THE C/U ORCHESTRA. NOT EASY, BUT PLAYABLE. NO REAL SURPRISES. GOOD FOR SELECT HS ORCHESTRAS. SEE HIS FESTOVERTURE, SYMPHONIES AND WORKS IN THE MUSIKK-HUSETS CATALOG. |
| MADSEN, TRYGVE |
MICHAEL & I |
TUBA & PIANO |
NMIC |
CR. 2000 |
EST 2 MIN 45 SEC. |
M |
C/U/HS |
PA NICE MEDIUM TEMPO SONG LEADS TO A MOLTO ALLEGRO, BUT ALMOST ALWAYS SINGING. VERY PLAYABLE WITH GOOD ACCOMPANIMENT. IN CLEAN MS. |
| MADSEN, TRYGVE |
PER SPELMANN |
BRASS ENSEMBLE |
MUSIKK-HUSET |
1988 |
3 MIN |
M |
C/U |
4TRPT IN C,4HN,3TRB,TBA,TIMP,2PERC. MODEST RANGES, WELL SCORED. LAYS WELL AND LOOKS TO BE PLAYED! |
| MADSEN, TRYGVE |
SAXOPHONE MARMALADE |
SAXOPHONE QUARTET |
MUSIKK-HUSET |
1997 |
EST 9:00 MIN |
M |
C/U/HS |
SS,AS,TS,BS. MOVEMENTS: POCO ADAGIO/ALLEGRO, MODERATO, POCO ADAGIO/ALLEGRO. NOT ALL NORDIC SAX QUARTETS ARE TOUGH -- TIS ONE IS RELATIVELY EASY AND A SOLID ADDITION TO THE HS, EARLY COLLEGE MATERIAL. ALWAYS CHECK OUT THIS COMPOSER FOR PLAYABLE MUSIC. |
| MADSEN, TRYGVE |
SERENADE, OP 48 |
BRASS QUINTET |
MUSIKK-HUSET |
1988 |
EST 8 MIN |
M |
C/U/HS |
TRPTS IN C WITH A GOOD SCORE, COMPOSER, AND PLAYABLE MUSIC. |
| MADSEN, TRYGVE |
SERENADE, OP 52 |
STRING TRIO |
MUSIKK-HUSET |
1987 |
EST 7 MIN |
M |
C/U |
THREE MOVEMENTS(FSF), TRADITIONAL STYLE AND SOUNDS. VERY PLAYABLE. FOR VIOLIN, VIOLA, & CELLO. |
| MADSEN, TRYGVE |
SEXTETT |
BRASS QUINTET & PIANO |
MUSIKK-HUSET |
1986 |
13 MIN |
H |
C/U |
A FINE NORWEGIAN COMPOSER AND SCORE. |
| MADSEN, TRYGVE |
SONATA |
EUPHONIUM & PIANO |
MUSIKK-HUSET |
1997 |
EST 7 MIN |
M/H |
C/U/HS |
MOVEMENTS: INTRADA (ALLEGRO MODERAT0), INTERMEZZO (POCO ADAGIO), FINALE (ALLEGRO). RANGE TO HIGH Bb. THIS COMPOSER SPECIALIZES IN MATERIAL THAT IS VERY USEFUL IN THE SCHOOL SITUATION. SEE MANY OTHER TITLES BY THIS COMPOSER FOR MOST INSTRUMENTS |
| MADSEN, TRYGVE |
SONATA |
TRUMPET & PIANO |
MUSIKK-HUSET |
1994 |
EST 9 MIN |
M/H |
C/U/HS |
USUAL 3 MOVEMENTS. NO RANGE CHALLENGES. ENOUGH NOTES TO KEEP THE PLAYER ALERT AND THE AUDIENCE INTERESTED. THIS IS GOOD RECITAL MATERIAL AS ARE A LOT OF THIS COMPOSERS WORKS. |
| MADSEN, TRYGVE |
SONATA |
STRING BASS & PIANO |
MUSIKK-HUSET |
1995 |
ST 15+ MIN |
M/H |
C/U |
MOVEMENTS: INTRADA (MODERATO), SCHERZO (ALLEGRETTO), THEMA CON METAMRFOSI (POCO ADAGIO - MODERATO CON MOTO). MADSEN DOES IT FOR ALL 0F THE INSTRUMENTS. PLAYABLE MATERIAL SO VERY USEFUL BY THE C/U SERIOUS STUDENT. |
| MADSEN, TRYGVE |
SONATA FOR ALTO SAXOPHONE & PIANO |
SAXOPHONE(ALTO) & PIANO |
MUSIKK-HUSET |
1994 |
EST 12 MIN |
M/H |
C/U/HS |
MOVEMENTS: THEME AND VARIATIONS, AIR, FINALE-ALLEGRO. THIS COMPOSER WORKS FOR THE C/U STUDENT. THE PARTS ARE ALWAYS PLAYABLE AND THE ACCOMPANIMENTS REASONABLE. NOTE THAT HE ALSO HAS SONATAS FOR SOPRANO, TENOR AND BARITONE SAXOPHONE. |
| MADSEN, TRYGVE |
SONATA FOR FLUTES AND PIANO, OP. 21 |
FLUTE(2) & PIANO |
MUSIKK-HUSET |
1978 |
|
H |
C/U |
STRAIGHT AHEAD MUSIC WITH NO SURPRISES. WORKS. |
| MADSEN, TRYGVE |
SONATA FOR HORN AND PIANO, OP. 24 |
HORN & PIANO |
MUSIKK-HUSET |
1979 |
|
H |
C/U |
HARD BUT USEABLE AT ADVANCED LEVEL. |
| MADSEN, TRYGVE |
SONATA FOR TUBA AND PIANO, OP. 34 |
TUBA & PIANO |
MUSIKK-HUSET |
1980 |
|
H |
C/U |
HIGH TESSITURA, WRITTEN FOR THE F TUBA, BUT POSSIBLE ON THE BBb INSTRUMENT. |
| MADSEN, TRYGVE |
SONATA, OP 33 |
VIOLA & PIANO |
MUSIKK-HUSET |
1987 |
|
M/H |
C/U |
USUAL THREE MOVEMENTS AND MOSTLY LYRICAL WITH OPPORTUNITIES TO SHOW TECHNIQUE. GOOD COMPOSER. |
| MADSEN, TRYGVE |
SONATA, OP. 23 |
CLARINET & PIANO |
MUSIKK-HUSET |
1981 |
15 MIN |
H |
C/U |
GOOD ADDITION TO THE LITERATURE FOR ADVANCED LEVEL STUDENTS. |
| MADSEN, TRYGVE |
SONATE FOR BASSOON AND PIANO, OP25 |
BASSOON & PIANO |
MUSIKK-HUSET |
1987 |
|
H |
C/U |
A SOLID COMPOSER, A GOOD SCORE AND MATERIAL FOR COLLEGE STUDENTS. |
| MADSEN, TRYGVE |
SONATE, OP 49 |
CELLO & PIANO |
MUSIKK-HUSET |
1986 |
|
H |
C/U |
MADSEN WRITES THINGS THAT WORK WELL MUSICALLY AND FOR PEDAGOGICAL PURPOSES. |
| MADSEN, TRYGVE |
SONATE, OP. 22 |
OBOE & PIANO |
MUSIKK-HUSET |
1979 |
|
H |
C/U |
COLLEGE OR ADVANCED PLAYERS ONLY! |
| MADSEN, TRYGVE |
SUITE FOR KONTRABASS OG KLAVER, OP 7 |
STRING BASS & PIANO |
NMIC |
1970 |
EST 9 MIN |
M |
C/U |
FOUR SHORT MOVEMENTS. NOTHING TRICKY, JUST STRAIGHT AHEAD. MOVEMENTS CAN STAND ALONE. COLLEGE RECITAL MATERIAL. |
| MADSEN, TRYGVE |
SUITE NO III FOR SYMPHONIC BAND |
BAND |
NMIC |
CIR, 1995 |
EST. 10 MIN |
M/H |
C/U/HS |
PIC,2FL,OB,EbL,3CL,BCL,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,TBA,5PERC. MOVE: INTRODUCTION, WALTZ, INTERMEZZO,POLKA, FINALE. COMPOSER HAS MANY TITLES FOR BAND AVAILABLE AT NMIC (ALSO AT MUSIKK-HUSETS FORLAG). WORK IS STRAIGHT FORWARD AND PLAYABLE. IN A READABLE MS. |
| MADSEN, TRYGVE |
THE DREAM OF THE RHINOCEROS |
HORN ALONE |
MUSIKK-HUSET |
1994 |
EST 2 MIN 30 SEC |
M/H |
C/U |
RANGE TO G ABOVE THE STAFF. NO MAJOR PROBLEMS TO KEEP ONE FROM INTERPRETING AND MAKING MUSIC ALONE. SEE OTHER WORKS BY THIS COMPOSER! |
| MADSEN. TRYGVE |
CONCERTO FOR TUBA AND ORCHESTRA, OP 35 |
TUBA & ORCHESTRA |
MUSIKK-HUSET |
1986 |
|
M/H |
C/U |
2FL,2CL,2OB,2BSN,3PERC,TMP,EH,STRINGS,TUBA SOLO. IMPORTANT ENGLISH HORN PART. HARD FOR TUBA, ORCHESTRA MEDIUM. 4 MOVEMENTS - MOVE. 3 FOR TUBA AND STRINGS ONLY. GOOD SCORE! |
| MADSEN. TRYGVE |
SERENATA MONELLESEA |
WOODWIND TRIO |
MUSIKK-HUSET |
1980 |
13 MIN |
H |
C/U |
FLUTE, OBOE AND BASSOON. A CHALLENGE FROM A GOOD COMPOSER. |
| MARCUSSEN, KJELL |
FESTIVALOUVERTURE |
BAND |
NMIC |
1994 |
10 MIN. |
M/H |
C/U |
PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. A NICE SCORE THAT EXHIBITS SOME INTERESTING HARMONIC STRUCTURE FORM TIME TO TO TIME. VERY USEABLE MATERIAL. |
| MARCUSSEN, KJELL |
FESTIVALOUVERTURE |
ORCHESTRA |
NMIC |
1994 |
EST 12+ MN |
H |
C/U |
2FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. A BOLD PIECE THAT IS GREAT IN SCORE AND PLAYABLE BY THE BEST HS SELECT GROUP ALA ALL-STATE GROUPS AND C/U ENSEMBLES. CONTEMPORARY SETTING, MIXED METER, MODERN HARMONY. GOOD PIECE. |
| MARCUSSEN, KJELL |
STREETDANCE |
SAXOPHONE QUARTET |
NMIC |
CIR 2001 |
EST 10 MIN |
E/M/H |
C/U/HS |
SS,AS,TS,BS. MOVEMENTS: FUNKY, BALLADE, METALBOOGIE. HIS IS MUSIC FOR THE YOUNGER GROUP, BUT FUN FOR ALL. PLAYABLE, BUT THE BARI SAX WILL HAVE TO CONCENTRATE ON THE RHYTHM IN THE FIRST MOVEMENT WHICH IS HE HARDEST MOVEMENT FOR ALL. |
| MARCUSSEN, KJELL |
THREE MOMENTS |
CLARINET & PIANO |
NMIC |
1993 |
EST 8+ MIN |
M |
C/U/HS |
USUAL 3 MOVEMENTS. GOOD C/U MATERIAL. STRAIGHT AHEAD RHYTHMICALLY WITH A WELL WRITTEN ACCOMPANIMENT. |
| MARCUSSEN, KJELL |
THREE MOMENTS |
CLARINET & STRING ORCHESTRA |
NMIC |
CIR 2000 |
EST 11+ MIN |
M |
C/U |
MOVEMENTS: ALLEGRO MODERATO, ADAGIO ESPRESSIVO, ALLEGRO MA NON TROPPO. CONTEMPORARY HARMONY, BUT VERY PLAYABLE AND FINE ADDITION TO THE C/U REPERTOIRE. |
| MATRE, ORJAN |
HUNTING HIGH AND LOW |
EUPHONIUM & BAND |
NMIC |
2006 |
EST 19 MIN |
H |
C/U |
2FL(PIC),OB(EH),EbCL,5CL,BCL,BSN,ABS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. S(SS),TS(SS)BS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. HUNTING FOR HIGH AND LOW NOTES FOR THE SOLOIST AND THE ACCOMPANIMENT. THIS IS VERY HARD MATERIAL. A CHALLENGE RESERVED FOR THE BEST! |
| MEYERS, RANDALL |
TRITTICO |
CELLO & PIANO |
WHANSEN |
1994 |
16 MIN |
H |
C/U |
THREE MOVEMENTS OF DIFFICULT MATERIAL FOR THE MOST ADVANCED C/U STUDENT OR PROFESSIONAL. PIANIST ALSO MUST BE EXCELLENT. GREAT SCORE. |
| MOE, BODVAR D. |
IKKE TRAKK PA MINE TUBA SKO |
TUBA QUARTET |
NMIC |
2004 |
15 MIN 30 SEC |
H |
C/U |
4 TBA. IF ALL ARE TUBA PLAYERS, THE FIRST TWO PARTS WILL NEED GREAT UPPER REGISTERS. THREE MOVEMENTS WITH ALL THE CHALLENGE A TUBA PLAYER WILL EVER WANT. BRAGGING RIGHTS ONCE THIS ONE IS PERFORMED WELL. GREAT SCORE. |
| MOE, BODVAR D. |
TRELEK |
TROMBONE TRIO |
NMIC |
1999 |
4 MIN 30 SEC |
E/M |
C/U/HS |
NO RANGE PROBLEMS. GOOD SCORE THAT WILL PLAY. LIKE HIS IDEAS. FINE ADDITION TO THE LITERATURE. |
| MORTENSEN, FINN |
ADAGIO OG FUGE, OP 43 |
HORN ENSEMBLE |
NMIC |
1976 |
EST 6 MIN |
H |
C/U |
SIXTEEN PARTS! AND FOR FINE PLAYERS! WORK WILL FIT EASILY IF THE PLAYERS ARE CAPABLE. |
| MORTENSEN, FINN |
FANTASY FOR TROMBONE SOLO, OP.46A |
TROMBONE ALONE |
NORSK |
1980 |
3 MIN |
M |
C/U/HS |
STUDY SOLO FOR RECITAL OR FUN. |
| NESS, JON OIVIND |
GIST |
PERCUSSION ENSEMBLE & BAND |
NMIC |
2004 |
17 MIN |
H |
C/U |
2FL,OB,5CL,BSN,AS,BS,4HN,3TRPT,3TRB,EUP,TBA,3PERC,STBS. A ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS AND BAND. THE BAND PART IS HARD AS WELL AS THE SOLO ENSEMBLE PARTS. EXCITING MATERIAL! |
| NICOTRA, ALFREDO |
ELEGI |
CELLO & PIANO |
NMIC |
1998 |
5 MIN 10 SEC |
E/M |
C/U/HS |
SOLO NEEDS TREBLE AS WELL AS BASS CLEFS. JUST A NICE SOLO TO SING OUT WITH SOME MODEST MODERN HARMONY. |
| NICOTRA, ALFREDO |
EPISODIOS |
WOODWIND QUINTET |
NMIC |
1997 |
7 MIN |
M |
C/U/HS |
USUAL INSTR. MOVEMENTS: ANDINA LA HUMILDE, PAISANO CON BANDONEON - VALS, ALEGRIA ESPANOLA. THIS COMPOSER ALWAYS OFFERS SOME FUN AND MUSICAL REWARDS. CHECK OUT HIS OTHER WORKS HERE AND IN THE NMIC CATALOG |
| NICOTRA, ALFREDO |
FRA HELE BUENOS AIRES |
TUBA QUARTET |
NMIC |
CIR 2000 |
7 MIN 35 SEC |
M |
C/U/HS |
2 EUP,2TBA. MOVEMENTS: TANGO DRAMA, PAMPERA, MILONGA DOLCE, MALAMBO. GOOD, NEW AND FUN MATERIAL FOR THE TUBA QUARTET. PLAYABLE RANGES FOR ALL AND NO REAL COUNTING PROBLEMS. |
| NICOTRA, ALFREDO |
FUGA GAUCHESCA |
SAXOPHONE QUARTET |
NMIC |
1994 |
5 MIN |
M |
C/U/HS |
SS.AS.TS.BS. ALWAYS A TOUGH OF LATIN IN THIS COMPOSER’S WORKS. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNGER ENSEMBLE. |
| NICOTRA, ALFREDO |
HORNKVARTETT |
HORN QUARTET |
NMIC |
1994 |
6+ MIN |
E/M |
C/U/HS |
MOVEMENTS: FEBDEL BLA, INFANTE, TIL ASUNCION, JEG HUSKER “ASTOR” PIAZZOLA. FOUR INTERESTING LITTLE MOVEMENTS. THE LAST OFFERS THE OPPORTUNITY FOR HORN 1 TO IMPROVISE ALTHOUGH A PART IS WRITTEN OUT. |
| NICOTRA, ALFREDO |
SALONGMUSIKK “TRE VOCES” (FLUTE, CLAR ,BSN) |
WOODWIND TRIO |
NMIC |
CIR 1998 |
21 MIN |
M |
C/U/HS |
GOOD MATERIAL FOR THE YOUNG ENSEMBLE. ALL PARTS READILY PLAYABLE BY THE SERIOUS ENSEMBLE. |
| NICOTRA, ALREDO |
SONATA DEL CLARON LATINO |
BASS CLARINET & PIANO |
NMIC |
1997 |
12 MIN |
M/H |
C/U |
MOVEMENTS: QUASI FANTASIA, RONDO LATINO, LIED SONATE, FINALE LATINO. PLAYABLE AND A GOOD ADDITION TO THE BASS CLARINET LITERATURE. |
| NORDENSTEN, FRANK TVEOR |
APERITIF |
BAND |
NMIC |
1986 |
8 MIN |
M |
C/U/HS |
PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,3COR,2TRPT,3TRB,EUP,2TBA, 4PERC,TMP. FINE SCORE. GOOD PERCUSSION AND SAXOPHONE PARTS. |
| NORDENSTEN, FRANK TVEOR |
PLEASE SHUT UP! |
BAND |
WARNER/CHAPPELL |
1999 |
EST 4 MIN |
M/H |
C/U/HS |
2FL(PIC),OB,BSN,EbCL,3CL,BCL,2A,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,4PERC. DO NOT KNOW ABOUT THE TITLE, BUT THIS IS A GOOD 4/4 MARCH (QUARTER = 92). NOT HARD, BUT SOME HIGH NOTES FOR TRPT 1 AND TRB 1. SOLID INSTRUMENTATION, NEED GREAT SNARE WORK. |
| NORDHAGEN, SIG |
SKJAERGARDSVARIASJONER (CL, HN, BSN) |
WOODWIND TRIO |
NMIC |
CIR 2000 |
10 MIN |
M |
C/U/HS |
GOOD COMPOSER WITH MUSIC THAT CAN BE PLAYED BY THE YOUNGER PLAYER BUT INTERESTING FOR THOSE MORE ADVANCED. NICE LOOKING SCORE. |
| NORDHAGEN, STIG |
BUILE |
PERCUSSION ENSEMBLE & BAND |
NMIC |
1998 |
15 MIN 30 SEC |
H |
C/U |
FL(PIC),OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,2PERC. ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS. MIXED METER, BUT SOLOIST AND BAND WILL WORK HARD TO GET THIS TO GO. HARD, BUT THE SCORE IS VERY INTERESTING. C/U GROUPS CAN HANDLE IT! |
| NORDHAGEN, STIG |
CONCERTO FOR EUPHONIUM AND BAND |
EUPHONIUM & BAND |
NMIC |
1996/97 |
18 MIN 30 SEC. |
H |
C/U |
PIC,2FL,2OB(EH),2BSN,EbCL,3CL,ACL,BL,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,5PERC. ONE MOVEMENT WITH ADEQUATE REST FOR THE SOLOIST. THE TOP C/U PLAYER WILL HAVE NO TROUBLE WITH THE SOLO PART. CONDUCTOR WILL NEED TIME TO GET THE ACCOMPANIMENT WORKED OUT. |
| NORDHAGEN, STIG |
DIVERTIMENTO FOR EUPHONIUM AND PIANO |
EUPHONIUM & PIANO |
NMIC |
2002/03 |
14 MIN 30 SEC |
H |
C/U |
4 MOVEMENTS WITH LOTS OF NOTES, NEED FOR AN EXCELLENT PIANIST, AND ABILITY TO MANEUVER THROUGH MIXED METER AND OTHER RHYTHMIC OBSTACLES. SOLID WORK, JUST HARD! RANGE FOR THE SOLOISTS IS REASONABLE. |
| NORDHAGEN, STIG |
FANFARE AND ASCENDING |
BRASS ENSEMBLE |
NMIC |
CIR 2000 |
3 MIN |
H |
C/U |
PIC TRPT,3 C TRPT,HN,4TRB,TBA. TWO MOVEMENTS. MIXED METER LOTS OF NOTES AND MAKE SURE YOU HAVE A GOOD PIC TRUMPET. HIS COMPOSER ALSO HAS AN OVERTURE THAT IS IN MS FROM NMIC WITH 4 Bb TRUMPETS AND THE REST AS ABOVE. |
| NORDHAGEN, STIG |
HALLINGFANTASI |
BASSOON TRIO |
NMIC |
2002 |
5 MIN 30 SEC |
H |
C/U |
BASSOON I ALTERNATES TENOR CLEF AND BASS CLEF. LOTS OF NOTE, BUT PLAYABLE AND SHOULD BE FUN! |
| NORDHAGEN, STIG |
OPENING |
CLARINET CHOIR |
NMIC |
2002 |
3 MIN |
H |
C/U |
2EbCL,3BbCL,ACL,BCL,EbCONTRACL,BbCONTRACL. MIXED METER THROUGHOUT, ALL PLAYERS MUST BE HIGHLY PROFICIENT RHYTHMICALLY. |
| NORDHAGEN, STIG |
VARIASJONER OVER EN FOLKTONE FRA VALDRES |
BAND |
NMIC |
2005 |
14 MIN 30 SEC |
H |
C/U |
2FL(PIC),OB,4CL,BCL,BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,3PERC. THIS IS FOR THE OUTSTANDING C/U ENSEMBLE THAT LOVES TO FIGURE THINGS OUT! MIXED METER, SOME ALEATORIC PASSAGES AND LOTS OF NOTES TO KEEP THE PLAYERS INTERESTED. HAVE FUN! |
| NORDHEIM, ARNE |
STRING QUARTET 1956 |
STRING QUARTET |
WHANSEN |
1972 |
18 MIN |
M/H |
C/U |
THREE MOVEMENTS: 1. IS MOST DIFFICULT TECHNICALLY, 2. IS RHYTHMICALLY ACTIVE, 3. IS SUSTAINED AND MUTED. |
| NORDHEIM, ARNE |
SUITE |
CELLO ALONE |
WHANSEN |
1997 |
25 MIN |
H |
C/U |
5 MOVEMENTS FOR THE MOST ADVANCED STUDENT OR PROFESSIONAL CELLIST. NORDHEIM IS ONE OF NORWAY’S MOST ADVANCED COMPOSERS USING ADVANCED TECHNIQUES AND ALWAYS CHALLENGING. DMA RECITAL? |
| NORDHEIM, ARNE |
THE HUNTING OF THE SNARK |
TROMBONE ALONE |
WHANSEN |
1980 |
6 MIN |
H |
C/U |
AVANT-GARDE WITH SPECIAL TECHNIQUES REQUIRED. MUTES. NONTRADITIONAL NOTATION ALL THE WAY. COMPOSED FOR PER BREVIG. |
| NORTENSEN, FINN |
MUSIC FOR AMATEUR STRING PLAYERS, OP 22 NO 5 |
STRING ORCHESTRA |
NORSK |
1976 |
4 MIN |
E |
C/U/HS |
TITLE MAY TAKE AWAY FROM AN OTHERWISE NICE PIECE OF MUSIC. EASY, BUT A GOOD COMPOSER AND GOOD MUSIC! |
| NORTENSEN, FINN |
THREE PIECES FOR TWO CLARINETS, OP 22 NO 3 |
CLARINET DUET |
NORSK |
1971 |
EST 3 MIN |
E/M |
C/U/HS |
THREE SHORT MOVEMENTS(FSF). PLAYABLE FOR STUDIO, CONTEST OR CONCERT. |
| NYHUS, ROLF |
ARIA |
TRUMPET & PIANO |
MUSIKK-HUSET |
1972 |
EST 3 1/2 MIN |
E/M |
C/U/HS |
FLOWING LINES AND LONG PHRASES. ALSO WORKS WITH ORGAN. |
| NYHUS, ROLF |
FANTASI |
TRUMPETS(2) & ORGAN |
MUSIKK-HUSET |
1976 |
|
H |
C/U |
GOOD LOOKING MATERIAL FOR THIS MEDIUM. |
| NYHUS, ROLF |
PASTORALE |
FLUTE & ORGAN |
MUSIKK-HUSET |
2001 |
EST 4 MIN |
M |
C/U/HS |
THE ONLY DIFFICULTY IS FOR THE FLUTE TO PLAY IN THE UPPER REGISTER WITH A GOOD SOLID SOUND. THIS MUSIC FLOWS N A MODERN SETTING. |
| NYSTEDT, KNUT |
CANTO |
HORN ALONE |
NORSK |
1990 |
4 MIN 30 SEC |
M/H |
C/U |
THE NOTES ARE NOT HARD - TO B ABOVE THE STAFF. FROM ONE OF NORWAY’S FINEST COMPOSERS. YOU WILL WANT TO TRY THIS ONE. |
| NYSTEDT, KNUT |
CANZONA |
STRING BASS ALONE |
NORSK |
1991 |
7 MIN |
M/H |
C/U |
TWO MOVEMENTS BY AN EXCELLENT NORWEGIAN COMPOSER. A GOOD CHALLENGE, BUT ALL WITHIN REASON. THERE IS TIME TO MAKE MUSIC. |
| NYSTEDT, KNUT |
CELEBRATION, OP 94 |
BAND |
NMIC |
1982 |
10 MIN |
M |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,4PERC. WELL KNOWN COMPOSER. 3 MOVEMENTS WITH NICE SCORE AND PLAYABLE! |
| NYSTEDT, KNUT |
CONCERTO FOR HORN AND ORCHESTRA |
HORN & ORCHESTRA |
NORSK |
1990 |
17 MIN |
H |
C/U |
PIC,2FL,2OB,2CL,2BSN,3HN,3TRPT,3TRB,TIMP,PERC,STRINGS. MOVEMENTS: ALLEGRO, ADAGIETTO, ALLEGRO VIVACE. SCORE IS IN VERY GOOD MS. NOT EASY BUT WONDERFUL LITERATURE FROM AN OUTSTANDING COMPOSER. PIANO REDUCTION AVAILABLE. |
| NYSTEDT, KNUT |
EN STJERNE KLAR |
FLUTE & PIANO |
NORSK |
1990 |
EST 3 MIN |
E/M |
C/U/HS |
JUST A NICE EASY MUSIC FOR CHRISTMAS. GREAT COMPOSER. |
| NYSTEDT, KNUT |
ENTRADA FESTIVA, OP 60 |
BAND |
ASSOCIATED |
1969 |
6 MIN |
M |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,4PERC,TMP,SB,EH. MIXED METER IN A GOOD SCORE. CONCERTO GROSSO STYLE WITH A GROUP WITHIN THE BAND. |
| NYSTEDT, KNUT |
EXSULTATE, OP 74B |
ORCHESTRA |
NORSK |
1987 |
10 MIN |
H |
C/U |
PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,3PERC,TMP,STRINGS. SOME NONTRADITIONAL NOTATION, BUT EASY TO PLAY. SCORE FOR SALE, PARTS RENTAL. |
| NYSTEDT, KNUT |
INTRADA & KORAL |
BRASS QUINTET |
NMIC |
1969 |
EST 2 1/2 MIN |
E/M |
C/U/HS |
3TRPTS, 2TRBS. SHORT PLAYABLE AND NYSTEDT. |
| NYSTEDT, KNUT |
MOUNTAIN SCENES, OP 90 |
BAND |
NMIC |
|
9 MIN |
M |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,3PERC,TMP,SB. ONE MOVEMENT: OPENING IS FOLK-LIKE IN 2/4, SLOW & PLAYFUL, MIDDLE IS MORE SERENE, ENDS WITH THE FOLK-MATERIAL. MUCH USE OF ODD EIGHTH NOTE MEASURES. |
| NYSTEDT, KNUT |
MUSIC FOR SIX TROMBONES |
TROMBONE SEXTET |
NORSK |
1984 |
16 MIN |
H |
C/U |
EXCELLENT WORK - FIRST PART IS ALTO TRB. |
| NYSTEDT, KNUT |
PIA MEMORIA |
BRASS ENSEMBLE |
ASSOCIATED |
1971 |
16 MIN |
H |
C/U |
2TRPTS IN C,2HN,3TRB,EUP,TBA,CHIMES. FIVE MOVEMENTS WITH SOME NONTRADITIONAL NOTATION. CHIMES ONLY IN MOVEMENT 5. |
| NYSTEDT, KNUT |
RHAPSODY IN GREEN, OP 82 |
BRASS QUINTET |
NORSK |
1981 |
EST 9 MIN |
M/H |
C/U |
I.QUASI UNA FANTASIS II.VIVO. GOOD SCORE AND COMPOSER. |
| NYSTEDT, KNUT |
SINFONIA DEL MARE, OP 97 |
ORCHESTRA |
NORSK |
1983 |
13 1/2 MIN |
M |
C/U/HS |
PIC,4FL,3CL,BCL,3OB,3BSN,6HN,4TRPT,3TRB,TBA,5PERC,TMP,CBSN,PIANO, STRINGS. COMPOSED FOR A SELECT YOUNG PEOPLES ENSEMBLE. SCORE FOR SALE, PARTS RENTAL. |
| NYSTEDT, KNUT |
SPENNINGENS LAND (THE LAND OF SUSPENSE) |
ORCHESTRA |
LYCHE |
1949 |
9 MIN |
M/H |
C/U |
PIC,2FL,2OB,2CL,BCL,2SN,3TRPT,3TRB,TBA,2PERC,STRINGS. A FREQUENTLY PLAYED WORK IN THE NORDIC COUNTRIES BY A WELL RESPECTED COMPOSER. PLAYABLE BY MOST C/U ORCHESTRAS AND SOME VERY GOOD HS ENSEMBLES. ALSO SEE HIS ‘THE SEVEN SEALS’. |
| NYSTEDT, KNUT |
SYMPHONY FOR STRINGS, OP 26 |
STRING ORCHESTRA |
LYCHE |
1950 |
20 MIN |
M |
C/U/HS |
THREE MOVEMENTS(FSF) GOOD MUSIC FROM A FINE COMPOSER JUST WAITING TO BE PERFORMED! |
| NYSTEDT, KNUT |
THE GREATER GLORY, OP 105 |
BAND |
KJOS |
1987 |
3 1/2 MIN |
E/M |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,3PERC,TMP. PROCESSIONAL - SLOW MARCH. |
| ODEGAARD, HENRIK |
FANFARER |
BRASS ENSEMBLE |
NMIC |
2005 |
14 MIN |
H |
C/U |
4 TRPT,HN,4TRB,TBA. FIVE FANFARES EACH ABOUT 2 MIN 30 SEC. EACH CAN BE PLAYED ALONE. HARD, MIXED METER, RHYTHMIC THIS, RANGES SHOULD NOT BOTHER THE ADVANCED ENSEMBLE. |
| OLSEN, SPARRE |
ANDANTE FUNEBRE, OP 60 NR 2 |
STRING ORCHESTRA |
LYCHE |
1983 |
3 MIN 40 SEC |
E |
C/U/HS |
STRAIGHT AHEAD AND IT SINGS. |
| OLSEN, SPARRE |
CONCERTINO FOR HORN AND STRINGS, OP 63 |
HORN & STRING ORCHESTRA |
LYCHE |
1978 |
11 MIN |
E/M |
C/U/HS |
ONE MOVEMENT THAT IS MOSTLY LYRICAL. MODEST DEMANDS ON THE HORN AND EASY ACCOMPANIMENT. |
| OLSEN, SPARRE |
DIALOG FOR FLUTE & BASSOON, OP 50, NO 1 |
FLUTE & BASSOON |
MUSIKK-HUSET |
1978 |
|
H |
C/U |
A NICE CHALLENGE IN AN UNUSUAL COMBINATION. |
| OLSEN, SPARRE |
METAMORFOSE, OP 80 NR 2 |
CELLO ALONE |
NORSK |
1982 |
EST 3 MIN |
M |
C/U/HS |
SOME LYRICAL AND SOME TECHNICAL WORK. MODEST INTRO TO CELLO ALONE. |
| OLSEN, SPARRE |
PASTORALE, OP 64 NR 1 |
OBOE ALONE |
LYCHE |
1978 |
EST 4 1/2/MIN |
M |
C/U/HS |
LYRICAL PIECE GOOD FOR INTRO TO OBOE ALONE AND PLAYABLE. |
| OLSEN, SPARRE |
QUINTET FOR WINDS, OP 35 |
WOODWIND QUINTET |
LYCHE |
1950 |
11 MIN |
H |
C/U |
CHALLENGING WORK FROM GOOD COMPOSER. |
| OLSEN, SPARRE |
RELIGIOUS FOLKTUNE FROM LOM |
HORN QUARTET |
NORSK |
1978 |
2 MIN |
E/M |
C/U/HS |
NO PROBLEMS, STRAIGHT AHEAD AND LYRICAL. |
| OLSEN, SPARRE |
SKUMRINGSTONE, OP 64 NR 2 |
HORN ALONE |
NORSK |
1979 |
EST 1 1/2 MIN |
E/M |
C/U/HS |
LYRICAL PIECE FOR HORN ALONE WITH RANGE TO G. |
| OLSEN, SPARRE |
STRYKEKVARTETT, OP.55 |
STRING QUARTET |
MUSIKK-HUSET |
1977 |
23 MIN |
H |
C/U |
HIGH LEVEL PERFORMERS NEEDED. |
| ORE, CECILIE |
CONTRACANTHUS |
STRING BASS ALONE |
NMIC |
1986 |
8 MIN 30 SEC |
H |
C/U |
HARD PIECE FROM A GOOD COMPOSER. LOTS OF NOTES & TECHNICAL PROBLEMS. AN ACHIEVABLE CHALLENGE FOR THE SERIOUS C/U STUDENT. |
| ORE, CECILIE |
HELICES |
WOODWIND QUINTET |
NORSK |
1984 |
8 MIN 15 SEC |
H |
C/U |
NONTRADITIONAL SOUNDS AND TECHNIQUES. SCORED CLEARLY SO PLAYABLE, COMFORTABLE CHALLENGE. |
| OSTERN, PER HROAR |
FIRE ARSTIDSMINIATYRER |
FLUTE & PIANO |
NORSK |
1991 |
EST 4 MIN |
E |
C/U/HS |
FOUR SHORT MOVEMENTS, EACH CAN STAND ALONE. TITLE REFERS TO THE SEASONS OF THE YEAR. GOOD LITERATURE THAT IS EASY. |
| PLAGGE, WOLFGANG |
CONCERTO FOR HORN AND WIND ORCHESTRA |
HORN & BAND |
NMIC |
1990/98 |
23 MN |
M/H |
C/U |
OIC,2FL,OB(EH),4CL,BCL,BSN,AS,4TRPT,4HN,3TRB,TBA,4PER. MOVEMENTS: MOLTO MARCATO, ADAGIO, TARANTELLA PERCIPITATO. IN A READABLE MS. ALL PARTS IN GOOD RANGES INCLUDING THE SOLOIST. |
| PLAGGE, WOLFGANG |
PRILLAR-FANTASI |
BAND & PIANO |
NMIC |
2001 |
16 MIN |
M/H |
C/U |
PIC,FL,3CL,2AS,2TS,4TRPT,4HN,3TRB,EUP,TBA,2PERC. A ONE MOVEMENT WORK THAT WILL WORK FOR THE C/U BAND AND A MEMBER OF THE PIANO FACULTY. SOME FINGERS NEEDED I THE WW OTHERWISE VERY PLAYABLE. GOOD MS. |
| PLAGGE, WOLFGANG |
SONATA |
TRUMPET & PIANO |
MUSIKK-HUSET |
2002 |
EST 8+ MIN |
H |
C/U |
TRUMPET IN C. ADVANCED RECITAL MATERIAL. SOME DIFFICULT PIANO PASSAGES. UNUSUAL ENDING. |
| PLAGGE, WOLFGANG |
SONATA, OP 88 |
HORN & PIANO |
MUSIKK-HUSET |
2000 |
21 MIN |
H |
C/U |
3 MOVEMENTS. RANGE TO B ABOVE STAFF. GOOD PIANIST NEEDED. A MAJOR OFFERING, IDEAL FOR SENIOR OR GRADUATE RECITAL. SEE OTHER WORKS BY THIS COMPOSER FOR HORN AND PIANO AS WELL AS OTHER INSTRUMENTS AT: WWW.2L.NO. DOWNLOAD THE MUSIC. |
| PLAGGE, WOLFGANG |
TRANQUILITY |
TRUMPET & STRING ORCHESTRA |
2L |
2002 |
6 MIN |
M/H |
C/U |
TRUMPET (C) TO B WITH LOTS OF NOTES, BUT NOT TOO MANY TO THAT NOTE. ORCH PARTS ALL DIVISI. WILL TAKE GOOD STRINGS. MOSTLY A FLOWING LINE THROUGHOUT. OTHER WORKS BY THIS COMPOSER IN NMIC HOLDINGS. |
| PLAU, ARILD |
CONCERTO |
TUBA & STRING ORCHESTRA |
OVATION |
1990 |
15 MIN |
M/H |
C/U |
3 MOVEMENTS: PROLOG, CANZONE, FINALE-ALLEGRO. RANGE TO G A FEW TIMES, OTHERWISE COMFORTABLE FOR THE GOOD TUBA PLAYER. PIANO REDUCTION AVAILABLE. |
| PLAU, ARILD |
PRELUDIUM NR 1 - 4 |
TRUMPET & PIANO |
NMIC |
|
EST 8 MIN |
M |
C/U/HS |
FOUR PRELUDES MOST LIKELY PLAYED SEPARATELY. BEST ON C TRUMPET. 1 & 3 TECHNICAL 2 & 4 LYRICAL. |
| REBNE, RUNE |
T FOR CONCERT BAND |
BAND |
NMIC |
2004 |
8 MIN |
M/H |
C/U/HS |
FL,OB,BSN,3CL,BCL,2AS,TS,BS.3TRPT,2HN,3TRB,EUP,TBA,3PERC. SMALLER INSTRUMENTATION, BUT PLAYS BIG. HIGH NOTES FOR THE TRPT 1 AND TRB 1. TIGHT RHYTHMIC PASSAGES PLAYED THAT WAY WILL CREATE INTEREST. OTHER TITLES AVAILABLE FROM NMIC BY THIS COMPOSER. |
| REISSIGER, F A /KARL-ERIK OLSEN |
FANTASI OVER NORSKE FOLK MELODIER, NR 2 |
BAND |
FROST |
1983 |
EST 6 MIN |
E/M |
HS |
PIC,FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,2COR,2TRPT,3TRB,EUP,2TBA, 3PERC,TMP,SB. ALL MELODIES PLAYED ATTACCA. VARIETY OF STYLES AND TEMPOS. VERY PLAYABLE. |
| RONNES, ROBERT |
3 NOCTURNES |
BASSOON & PIANO |
NMIC |
1982/2000 |
EST 11 MIN |
H |
C/U |
THE THREE NOCTURNES CAN STAND ALONE. THEY ARE VERY DIFFICULT RHYTHMICALLY, TONALLY, AND MUSICALLY. A GREAT CHALLENGE FOR THE UPPER DIVISION C/U OR GRAD STUDENT. THIS COMPOSER HAS MANY ITEMS OF THIS DIFFICULTY AVAILABLE -- SEE THE NMIC LIBRARY ONLINE. |
| RONNES, ROBERT |
BAROQUE SONATA |
BASSOON & PIANO |
ACCOLADE |
1994 |
EST 8 MIN |
M/H |
C/U |
MOVEMENTS: ADAGIO, ALLEGRO, ALLEGRO, GIGUE. LOTS OF NOTES FOR THE BASSOONIST AND THE PIANO PLAYER STAYS OUT OF THE WAY. |
| RONNES, ROBERT |
GRAND VALSE |
BASSOON QUARTET |
NMIC |
1998 |
EST 5 MIN |
M |
C/U |
FIRST TWO PARTS BASS AND TENOR CLEFS. GOOD MATERIAL FOR THE START OF A BASSOON QUARTET. EVERYONE GETS IN THE ACT. |
| SAEVERUD, HARALD |
20 SMA VIOLIN DUETTER, OP.32 |
VIOLIN DUET |
MUSIKK-HUSET |
1959 |
|
M |
C/U/HS |
CAN BE PLAYED BY OTHER LIKE PITCHED INSTRUMENTS. |
| SAEVERUD, HARALD |
ANDANTE FUNEBRE, OP 44 |
CELLO & PIANO |
MUSIKK-HUSET |
1981 |
EST 4 MIN |
M |
C/U |
LYRICAL PIECE AND A GOOD COMPOSER. |
| SAEVERUD, HARALD |
BASSOON CONCERTO, OP 44 |
BASSOON & ORCHESTRA |
MUSIKK-HUSET |
1987 |
18 MIN |
M/H |
C/U |
2FL,2CL,2OB,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. SCORE FOR SALE AND PARTS ON HIRE. PIANO ACCOMP. AVAILABLE. |
| SAEVERUD, HARALD |
BASSOON CONCERTO, OP 44 |
BASSOON & PIANO |
MUSIKK-HUSET |
1987 |
18 MIN |
M/H |
C/U |
ORCHESTRA VERSION AVAILABLE - SEE OTHER LISTING. SOLOIST CAN BE GOOD COLLEGE STUDENT. CONSERVATIVE 20TH CENTURY COMPOSER, WORKS WELL AS PEDAGOGICAL MATERIAL. |
| SAEVERUD, HARALD |
BLASEKVINTET NO.1 |
WOODWIND QUINTET |
MUSIKK-HUSET |
1983 |
14 MIN |
H |
C/U |
GOOD CHALLENGE FROM A FINE COMPOSER. |
| SAEVERUD, HARALD |
BLASEKVINTET NO.2 |
WOODWIND QUINTET |
MUSIKK-HUSET |
1985 |
|
H |
C/U |
HARDER THAN NO. 1 SO FOR ONLY THE BEST OF QUINTETS. |
| SAEVERUD, HARALD |
CANTO OSTINATO, OP 9 |
ORCHESTRA |
NORSK |
1937 |
EST 9 MIN |
M/H |
C/U |
PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CELESTE, HARP,STRINGS. TRADITIONAL MUSIC BY A FINE NORWEGIAN COMPOSER AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL. |
| SAEVERUD, HARALD |
ENTRATA REGALE, OP 41 |
ORCHESTRA |
MUSIKK-HUSET |
1969 |
7 MINN |
M |
C/U/HS |
PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,TMP,CBSN,STRINGS. PROGRAM OPENER, OVERTURE-LIKE. NO PROBLEMS AND ACCESSIBLE TO ALL. |
| SAEVERUD, HARALD |
FANFARE OG HYMNE, OP 48 |
ORCHESTRA |
MUSIKK-HUSET |
1974 |
CA 5 MINN |
M |
C/U/HS |
PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CBSN, CELESTE,PIANO,STRINGS. TRIPLET RHYTHMNS THROUGHOUT, IE: 6/8, 9/8, 12/8. NO PROBLEMS - SAEVERUD IS ALWAYS ACCESSIBLE. |
| SAEVERUD, HARALD |
GALDRESLATTEN, OP 20 |
ORCHESTRA |
MUSIKK-HUSET |
1947 |
7 MINN |
M |
C/U/HS |
PIC,2FL,2CL,BCL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. NO PROBLEMS OR SURPRISES AND THIS ONE HAS MUCH AUDIENCE APPEAL. |
| SAEVERUD, HARALD |
HER LAST CRADLE SONG, OP 22A |
STRING ORCHESTRA |
MUSIKK-HUSET |
1946 |
CA 3 MIN |
E |
C/U/HS |
LITTLE SONG WITH SOME DIVISI AND IT SINGS OF COURSE! |
| SAEVERUD, HARALD |
KJEMPEVISE - SLATTEN, OP 22A NR 5 |
ORCHESTRA |
MUSIKK-HUSET |
1946 |
5 1/2 MIN |
M |
C/U/HS |
2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,HARP,STRINGS. NO PROBLEMS, PLAYABLE BY ALL. NORWEGIAN FLAVOR OF COURSE! |
| SAEVERUD, HARALD |
MOZART-MOTTO-SINFONIETTA, OP 50 |
ORCHESTRA |
NMIC |
|
EST 8 MIN |
M |
C/U/HS |
2FL,2CL,2OB,2BSN,2HN,2TRPT,TMP,STRINGS. SMALLER ORCHESTRA IN MOZART STYLE - MOSTLY 3/4 ALLEGRO. |
| SAEVERUD, HARALD |
SYMFONISK DANS, OP 17A |
ORCHESTRA |
NORSK |
1947 |
9 MINN |
H |
C/U |
PIC,2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,HARP,CELESTE, STRINGS. TRADITIONAL MUSIC BY A FINE COMPOSER. COMFORTABLE FOR THE COMMUNITY AND COLLEGE ORCHESTRAS. SCORE FOR SALE, PARTS RENTAL. |
| SAEVERUD, HARALD/A.OSCAR HAUGLAND |
RONDO AMOROSO, OPUS 14 #7 |
WOODWIND QUINTET |
MUSIKK-HUSET |
1977 |
4 MIN 30 SEC |
H |
C/U |
ROMANTIC STYLE, MANY NOTES, BUT PLAYABLE. |
| SAMKOPF, KJELL |
INGOMA |
PERCUSSION ENSEMBLE |
MUSIKK-HUSET |
1989 |
7 MIN |
M |
C/U/HS |
FIVE PLAYERS, NO MALLET INSTRUMENTS EXCEPT TIMPANI. LOTS OF OTHER PERCUSSION EQUIPMENT NEEDED. |
| SAMKOPF, KJELL |
VARIATIONS ON PARANG CHANT |
PERCUSSION ENSEMBLE |
MUSIKK-HUSET |
1985 |
10 MIN |
M |
C/U/HS |
SIX PLAYERS, MOSTLY NON MALLET INSTRUMENTS. SOME IMPROVISATION. |
| SANDE, FILIP |
HYMNE |
TRUMPET & ORGAN |
NMIC |
2005 |
8 MIN 30 SEC |
H |
C/U |
THIS COULD WORK AS A RECITAL PIECE OR AS A PART OF A CHURCH SERVICE. THE SCORE IS VERY INTERESTING. TRUMPET TO Bb JUST A FEW TIMES. ORGANIST MUST HAVE A STRONG RHYTHMICAL SENSE. LOTS OF NOTES FOR THE ORGANIST. |
| SCHAATHUN, ASBJORN |
STILLEBEN |
CELLO & PIANO |
WHANSEN |
1991/99 |
9 MIN |
M/H |
C/U |
MIXED METER, NEED CLEFS, IN A WELL CONSTRUCTED SCORE THAT SHOULD PLAY OUR READILY FOR THE C/U STUDENT WITH SOME WORK. |
| SKJELBRED, BJORN BOLSTAD |
CYCLES |
CLARINET QUARTET |
NMIC |
2002 |
6 MIN |
M/H |
C/U |
3BbCL,BCL. MORE MODERN SETTING WITH A BIT OF UNUSUAL TECHNIQUE CONSIDERED, BUT WELL LAID OUT. a GOOD INTRODUCTION TO CONTEMPORARY LITERATURE. THIS IS ALSO SCORED FOR SAXOPHONE QUARTET. |
| SLETTHOLM, YNGVE |
AIR I |
CLARINET ALONE |
NMIC |
1991 |
9 MIN |
H |
C/U |
NO BAR LINES - JUST INTERPRET AND MAKE MUSIC. EXTREME RANGES AND MUSICAL ACROBATICS. SHOW OFF WORK. |
| SLETTHOLM, YNGVE |
ALLEGRO NERVOSO |
BRASS QUINTET |
NMIC |
1989 |
EST 7 MIN |
M/H |
C/U |
LOTS OF DOUBLE TONGUE AND FUN! IT JUST KEEPS GOING! |
| SLETTHOLM, YNGVE |
BRIGADEMUSIKK |
BAND |
NMIC |
1986 |
19 MIN |
H |
C/U |
PIC,FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP,Eb CORNET,2FLUEGELHORN,3TENORHORNS IN Bb. SOME NONTRADITIONAL NOTATION. 3 MOVEMENTS. HARMONIC DENSITY AND RHYTHMICALLY STRAIGHT AHEAD. |
| SLETTHOLM, YNGVE |
DEJA VU FOR SYMPHONIC BAND |
BAND |
NMIC |
1997-98 |
8 MIN 35 SEC |
H |
C/U |
PIC,2FL,OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,TBA,5PERC. TO LOOK AT THIS SCORE IS TO WANT TO CONDUCT IT! IT IS HARD, MIXED METER, AND A LOT OF OTHER FUN RHYTHMIC SITUATIONS TO FIGURE OUT. FOR THE ENTERPRISING CONDUCTOR WITH A FINE BAND! |
| SLETTHOLM, YNGVE |
FIRE PROFILER (FOUR PROFILES) |
SAXOPHONE ALONE |
LYCHE |
1982 |
14 MIN |
M |
C/U/HS |
FOR ANY SAXOPHONE. FOUR MOVEMENTS. NOT EASY BUT PLAYABLE AND GOOD STUDY/RECITAL MATERIAL. MOVEMENTS CAN STAND ALONE. |
| SLETTHOLM, YNGVE |
HOS GUD ER EVIG GLEDE |
BAND |
FROST |
1986 |
EST 3 1/2 MIN |
E |
HS |
FL,2CL,AS,TS,HN,2COR,2TRB,EUP,2TBA,3PERC,TMP. NOTE THE INSTRUMENTATION! SOME NONTRADITIONAL NOTATION, BUT EASILY DONE. FOLK TUNE. GOOD FOR THE SMALL BAND. |
| SLETTHOLM, YNGVE |
HYMNER FOR KORPS |
BAND |
NMIC |
1981 |
19 MIN |
E/M |
C/U/HS |
PIC,FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP. 4 MOVEMENTS OF STRAIGHT AHEAD MATERIAL. SOME DRAMATIC DYNAMICS AND EXTENDED SOFT SECTIONS. |
| SLETTHOLM, YNGVE |
NETTENE FINNES |
SAXOPHONE(ALTO) & ORCHESTRA |
NMIC |
1998/2000 |
22 MIN |
H |
C/U |
PIC,2FL,2OB,EH,2CL,AS,2BSN,4HN,3TRPT,3TRB,TBA,PO,3PERC,STRINGS. ONE MOVEMENT. MIXED METER, LOTS OF NOTES, NEED FOR A VERY GOOD ORCHESTRA AND CONDUCTOR! SUGGEST FOR THE GRADUATE STUDENT OR PROFESSIONAL PLAYER. IMPORTANT COMPOSER. |
| SLETTHOLM, YNGVE |
SED SPES EST |
BAND |
NMIC |
1982 |
14'30" |
M/H |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,4PERC,TMP,SSAX,(I TRPT IN D,2 IN Bb). NO PERFORMANCE PROBLEMS. LONG ONE MOVEMENT BUT INTERESTING ENOUGH TO SUSTAIN ITSELF. |
| SLETTHOLM, YNGVE |
SIGMA |
BAND |
NMIC |
1980 |
|
M/H |
C/U |
SS,AS,TS,BS,4HN,2COR,3TRPT,3TRB,2EUP,2TBA,5PERC,TMP. NOTE THE INSTRUMENTATION. LOTS OF PERCUSSION. SOME RHYTHMIC TRICKINESS AND SOME NONTRADITIONAL NOTATION. IT PLAYS! |
| SLETTHOLM, YNGVE |
WIE EIN HAUCH |
SAXOPHONE QUARTET |
NMIC |
1989 |
16 MIN 15 SEC |
H |
C/U |
SATB. RHYTHMICALLY COMPLEX. A FORMIDABLE CHALLENGE FOR THE ESTABLISHED ENSEMBLE. |
| SODERLIND, RAGNAR |
FESTFANFARE |
BRASS ENSEMBLE |
NORSK |
1971 |
CA 2 MIN |
M |
C/U |
3TRPT IN C,3HN,3TRB,TBA,3PERC. STRONG WORK THAT IS PLAYABLE AND VERY INTERESTING. |
| SODERLIND, RAGNAR |
FRA SOR OG NORD (FROM SOUTH AND NORTH) |
BAND |
NMIC |
1967 |
4 MIN |
M |
C/U/HS |
PIC,FL,EbCL,3CL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,3PERC,(HNS IN Eb). CONCERT MARCH, STRAIGHT AHEAD WITH A SOLID SCORE. |
| SODERLIND, RAGNAR |
TRAUERMUSIK, OP 12 |
ORCHESTRA |
NORSK |
1968 |
8 MIN 30 SEC |
M/H |
C/U |
3FL ALL DOUBLE PIC,EbCL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,3PERC,ORGAN,HARP, STRINGS. DRAMATIC PIECE WITH A FEW PERFORMANCE PROBLEMS BUT INTERESTING AND ACCESSIBLE. SIX VIOLIN PARTS, 3 VIOLA AND 2 CELLO. SCORE FOR SALE, PARTS RENTAL. |
| SOMMERFELDT, OISTEIN |
DIVERTIMENTO, OP 21 |
TRUMPET ALONE |
NORSK |
1970 |
|
M/H |
C/U |
THREE MOVEMENTS FOR TRPT IN Bb. RANGE TO C. GOOD WORK. |
| SOMMERFELDT, OISTEIN |
ELEGY, OP 27 |
TRUMPET & ORGAN |
NORSK |
1973 |
EST 3 MIN |
M |
C/U/HS |
SLOW, SINGING PIECE FOR TRPT IN C. |
| SOMMERFELDT, OISTEIN |
LITEN OUVERTURE |
ORCHESTRA |
MUSIKK-HUSET |
1968 |
3 MIN 30 SEC |
E/M |
C/U/HS |
PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,STRINGS. STRAIGHT AHEAD IN 2/4 AT 132. NOTES AND FUN FOR EVERYONE! CONCERT OPENER. |
| SOMMERFELDT, OISTEIN |
MONOLOGI |
STRING BASS ALONE |
NORSK |
2004 |
7 MIN |
M/H |
C/U |
MOVEMENTS: MOLTO RUBATO, VIVACE, ADAGIO. GOOD ADDITION TO THE LITERATURE AND VERY PLAYABLE BY THE SERIOUS C/U STUDENT. |
| SOMMERFELDT, OISTEIN |
MONOLOGI, OP 45 |
CELLO ALONE |
NORSK |
1976 |
7 MIN |
H |
C/U |
THREE MOVEMENTS WITH HARMONIC AND TECHNICAL CHALLENGES AND PLAYABLE BY THE GOOD COLLEGE STUDENT. |
| SOMMERFELDT, OISTEIN |
SONATA, OP 22 |
VIOLIN & PIANO |
NORSK |
1972 |
EST 8 MIN |
M |
C/U |
THREE MOVEMENTS ATTACCA. SOME RHYTHMIC COMPLEXITY AND TIME CHANGES. WELL LAID OUT FOR STUDY AND RECITAL. |
| SOMMERFELDT, OISTEIN |
TORSTEINEN, OP.68, CONCERT MARCH |
BAND |
NMIC |
1985 |
EST 4 MIN |
M |
C/U/HS |
PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP. SOMETHING OF 'VALDRES' IN THIS ONE. SCORE IS A BIT MESSY. |
| SONSTEVOLD, GUNNAR |
BLASEKVINTETT NR 2 |
WOODWIND QUINTET |
NMIC |
|
14 MIN 20 SEC |
M/H |
C/U |
CONTEMPORARY HARMONIES, STRUCTURAL IDEAS AND SOME RHYTHMIC COMPLEXITY. |
| SONSTEVOLD, MAJ |
DEN GAMLE MAJORS FORUNDERLIGE DROMME |
ORCHESTRA |
NMIC |
1969 |
10 MIN |
M/H |
C/U/HS |
PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO OR CELESTE,BANJO,ELECT GUITAR,STRINGS. LIGHTER MUSIC PERHAPS FOR THE POPS CONCERT. MOVES ALONG WITH INTEREST FOR ALL. SCORE IS JUST PASSABLE M.S. |
| SONSTEVOLD, MAJ |
FEST-OUVERTURE |
ORCHESTRA |
NMIC |
1983 |
EST 10 MIN |
M/H |
C/U/HS |
2FL,2CL,2OB,2BSN,4HN,4RPT,3TRB,TBA,PERC,TMP,HARP,CELESTE,STRINGS. ONE MOVEMENT AND VERY PLAYABLE. SCORE IS IN FINE MS. |
| STOYVA, NJAL GUNNAR |
THE SMELL OF WILD FLOWERS |
CLARINET & PIANO |
NMIC |
1999 |
10 MIN |
M/H |
C/U |
THREE FLOWING MOVEMENTS. EVEN WHEN THE NOTES GO BY QUICKLY THE KEEP FLOWING. NICE COMPLIMENTARY WORK FOR A RECITAL. |
| SUNDBO, GEIR |
CONTRASTS, THREE EPISODES FOR SYMPHONIC BAND |
BAND |
NMIC |
2005 |
7 MIN 30 SEC. |
H |
C/U |
PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. PRESENTABLE MS. MIXED METER, HARMONICS NUANCES, AND INTERESTING ALL THE WAY. FOR THE BETTER CONDUCTOR AND C/U ENSEMBLE. SEE OTHER GOOD SCORES BY THIS COMPOSER IN THE NMIC CATALOG ONLINE. |
| TVEITT, GEIRR |
SINFONIA DI SOFFIATORI NR 3 |
BAND |
WARNER/CHAPPELL |
2001 |
EST 7 MIN |
H |
C/U |
PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,HARP,4PERC. LARGE SYMPHONIC BAND. THERE ARE OTHER WORKS HARDER, BUT THE FEW SPOTS THAT ARE DIFFICULT WILL MAKE IT INTERESTING FOR AUDIENCE, PERFORMER AND CONDUCTOR. |
| TVEITT, GEIRR |