Nordic Instrumental Music

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Composer Arranger	Title	Ensemble Medium	Publisher_Code	Date	Time	Difficulty	Recommended Level	Comments
ABERG, THOMAS	MUSIC FOR STRINGS	STRING ORCHESTRA	SMIC	2000	7 MIN	M	C/U/HS	ARRANGED BY EYVIND HALLNAS. STRAIGHT AHEAD MATERIAL WITH LITTLE DIVISI. LOOKS GOOD FOR C/U AND GOOD HS ENSEMBLES.
AGRELL, JOHAN JOACHIM (1701-1765)	OBOEKONSERT	OBOE & STRING ORCHESTRA	BUSCH		EST 9 MIN	M	C/U	NEED CONTINUO INSTRUMENT, THREE MOVEMENTS(FSF). BAROQUE AND PLAYABLE. REVISED 1983 BY BO ERIKSSON.
AHLBERG, GUNNAR	AGITATO	BAND	SMIC	1985	9 MIN	H	C/U/HS	3FL(PIC),3CL,BCL,2OB,2BSN,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA, 2PERC, TMP, SB. FINE PERCUSSION PARTS. WELL SCORED. A FEW NONTRADITIONAL TECHNIQUES.
AHLBERG, GUNNAR	NATURMUSIK	BRASS ENSEMBLE	SMIC	1974	8 MIN	M	C/U	4HN,6TRPT,6TRB,2TBA,PERC,TIMP(ONE TRUMPET IN Eb). SERENE, MUCH SOFT PLAYING, LOUDEST IS A FORTE. STRAIGHT AHEAD, NO PROBLEMS.
AHLBERG, GUNNAR	OSTINATO	FLUTE & HARP	SMIC	1989		M	C/U/HS	THREE SECTIONS PLAYED ATTACCA: SOSTENUTO, MOBILE & MESTO. COLLEGE RECITAL MATERIAL.
AHLBERG, GUNNAR	PEZZO PER FLAUTO SOLO	FLUTE ALONE	SMIC	1986	4 MIN	M	C/U/HS	GOOD COMPOSER AND PIECE. RECITAL OR STUDY. PLAYABLE MUSIC.
AHLBERG, GUNNAR	SONATA	FLUTE & PIANO	SMIC	1987	13 MIN 20 SEC	M/H	C/U	ONE MOVEMENT MARKED MODERATO TEMOROSO. RHYTHMIC CHALLENGES.
AHLIN, SVEN	NARRATIVES	TROMBONE & ORCHESTRA	SMIC	1989	16 MIN	H	C/U	PIC,2FL,2CL,2HN,2TRB,TMP,STRINGS. DEDICATED TO CHRISTIAN LINDBERG AND CALLS FOR A FINE PERFORMER. LOW, HIGH & HARD! ORCHESTRA PARTS ALSO HAVE BIG NEEDS. ONE MOVEMENT. FOR RENTAL ONLY.
AHLIN, SVEN	NOLHAGA, OP 11	TROMBONE QUARTET	SMIC	1986	4 - 5 MIN	H	C/U	FINE WRITING FOR THE TROMBONE. ONE ON A PART, SOME FREE RHYTHMIC THINGS. SEE OTHER TWO AHLIN QUARTETS.
AHLIN, SVEN	RITUAL FOR HUITZILOPOCHTLI	PERCUSSION ENSEMBLE	SMIC		10 MIN	H	C/U	SIX PLAYERS. HUITZILOPCHTLI WAS AN AZTEC WAR GOD. TUNED & NON-TUNED INSTRUMENTS.
AHLIN, SVEN	SKUNKY FUNK	BRASS QUINTET	SMIC	1993	12 MIN	H	C/U	THREE MOVEMENTS: SKUNKY FUNK, LANGUISH IN A RED MOOD AND IN OTHER WORDS. HARD MUSIC THAT IS FUN TO WORK OUT AND FOR THE AUDIENCE. JUST DO WHAT THE TITLES TO THE MOVEMENTS TELL YOU TO DO!
AHLIN, SVEN	SOUNDING BRASS, OP 10	TROMBONE QUARTET	SMIC	1986	6 MIN	H	C/U	ONE ON A PART - NO DOUBLES. RHYTHMICALLY CHALLENGING, BUT PLAYABLE. GOOD USE OF SLIDE AND F-ATTACHMENTS.
AHLIN, SVEN	SPEECH, OP 12	TROMBONE QUARTET	SMIC	1987	4+MIN	M/H	C/U	ONE ON A PART - NO DOUBLES. UNUSUAL NOTATION, BUT EASILY UNDERSTOOD. REASONABLE TESSITURAS. GOOD MATERIAL & PLAYABLE! MUTES.
ALFVEN, HUGO	DEN FORLORADE SONEN BALETTSVIT	ORCHESTRA	SUECIA	1957	16 - 17 MIN	M	C/U/HS	PIC,3FL,EbCL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,TMP,EH, CBSN,HARP,STRINGS. SEVEN SECTIONS SOME ATTACCA. NOT ALL MOVEMENTS HAVE FULL INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	CELLO & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	HORN & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ORIGINALLY FOR CELLO. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	NOTTURNO ELEGIACO, OP 5	TROMBONE & ORGAN	GEHRMANS	1952	EST 6+MIN	M	C/U/HS	A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. COMPOSED FOR CELLO. ALSO WORKS WELL WITH PIANO.
ALFVEN, HUGO	SONAT, OP 1	VIOLIN & PIANO	LUNDQUIST			H	C/U	FOUR MOVEMENTS FROM THE EARLY WORKS OF A LEADING SWEDISH COMPOSER FROM EARLY 20TH CENTURY.
ALFVEN, HUGO	TVA FOLKMELODIER	STRING ORCHESTRA	GEHRMANS	1978	EST 3 1/2 MIN	E	C/U/HS	TWO SHORT FOLK TUNES. SCORE FOR SALE, PARTS RENTAL.
ALFVEN, HUGO/FLOYD E. WERLE	ROSLAGSVAR (SWEDISH POLKA)	BAND	GEHRMANS	1980	3 MIN	E	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,3TRB, EUP,2TBA, PERC,TMP,SB. CONDENSED SCORE ONLY. EASY MARCH.
ALFVEN, HUGO/GUNNAR JOHANSSON	FEST-OUVERTURE,OP 29	BAND	SUECIA	1974	7 MIN	M/H	C/U/HS	3FL,EbCL,4CL,ACL,BCL,2OC,2BSN,2AS,TS,BS,2COR,4TRPT,4HN,3TRB,EUP, 2TBA,2PERC,TMP,SB. PROGRAM OPENER, GOOD EXCITEMENT, ALL PARTS DO SOMETHING. SAXOPHONE PARTS OPTIONAL.
ALFVEN, HUGO/STIG GUSTAFSON	ROSLAGSPOLKETTA	BAND	GEHRMANS	1979	3 MIN	E	HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA, PERC,TMP,SB. SELECTIONS FROM A BALLET, PLAYABLE BY SMALLER BAND, WORKOUT FOR WW, EASY FOR BRASS & PERCUSSION.
ALFVEN, HUGO/STIG GUSTAFSON	UR "MIDSOMMARVAKA" (SWEDISH RHAPSODY)	BAND	LEMA	1978	5 MIN 30 SEC	M	C/U/HS	2FL,EbCL,4CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,PERC, TMP,SB. FINE SWEDISH COMPOSER & EXCELLENT ARRANGER. THIS WILL HAVE FINE AUDIENCE & PLAYER APPEAL!
ANDERSSON, B TOMMY	IMPROMPTU	CLARINET & PERCUSSION	SMIC	1987	3 MIN 45 SEC	M/H	C/U	VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET.
ANDERSSON, B TOMMY	SONAT FOR HORN	CELLO & PIANO	SMIC	1985		M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. COMPOSER ALSO SUGGESTS FOR CELLO.
ANDERSSON, B TOMMY	SONAT FOR HORN	HORN & PIANO	SMIC	1985		M/H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD.
ANDERSSON, KJELL	DIVERTIMENTO FOR BLASKVINTETT	WOODWIND QUINTET	SMIC	1987		M/H	C/U/HS	THREE MOVEMENTS OF A WELL CONSTRUCTED PIECE IN CONTEMPORARY STYLE.
ANDERSSON, KJELL	TUKU TUKU	ORCHESTRA	SMIC	1985	11 MIN	M/H	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,HARP,STRINGS. NEED GOOD PERCUSSIONISTS. ONE OF THE CL PARTS IS IN 'A'. GOOD SCORE. FOR RENTAL ONLY.
ANDERSSON, MAGNUS F	BOPBOP	BASSOON QUARTET	SMIC	2002	4 MIN	H	C/U	3 BASSO0NS AND CONTRABASSOON. ALL THREE BASSOON PLAYERS GO BACK FORTH BETWEEN BASS AND TENOR CLEFS. THE SCORE IS FUN TO STUDY AND THE PLAYERS WILL ENJOY THIS CHALLENGE ALSO. BASSOONS CAN HAVE FUN TOO!
ANDERSSON, MAGNUS F.	1397	BAND	SMIC	1996	LESS THAN I MIN	M/H	C/U/HS	2FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2HN,3TRB,EUP,2PERC. A FANFARE LIKE WORK WITH LOTS OF ACTIVITY FOR ALL. DRAMATIC! GOOD INTRODUCTION TO THIS COMPOSERS WORK.
ANDERSSON, MAGNUS F.	CONCERTO: HOUSE OF SEVEN ROOMS	BAND	SMIC	1994	EST 15 MIN	H	C/U	3FL(ALFL,PIC,)EbCL,6CL,BCL,CBCL,2BSN,2AS,TS,BS,3CTRPT,2BbTRPT,4HN,4TRB,EUP,3TBA2STBS,4PERC. SEVEN MOVEMENTS! THIS IS A HUGE WORK, LOTS OF PERCUSSION INSTRUMENTS NEEDED AND GOOD PLAYERS. INTENDED FOR THE LARGE COLLEGE BAND WITH LOTS OF MUSICAL FACILITY.
ANDERSSON, MAGNUS F.	LITEN BOSTAD	BAND	SMIC	1993		M/H	C/U/HS	FL,OB,3CL,BCL,BSN,AS,TS,4TRPT,2HN,3TRB,EUP,TBA,STBS,3PERC. NOT AS FORMIDABLE AS SOME OF THE OTHER WORKS LISTED HERE BY THIS COMPOSER - WOULD BE A NICE INTRODUCTION TO HIM. ALL PARTS PLAYABLE BY THE GOOD HS OR COLLEGE BAND.
ANDERSSON, MAGNUS F.	UNDER RON, UNDER TIDEN = SOUS LE PONT SOUS LE TEMPS	BAND	SMIC	1991	14 MIN	H	C/U	4FL(PIC),3OB,3CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC. ANOTHER HUGE WORK BY THIS IMPORTANT COMPOSER. IT IS VERY PLAYABLE BY THE GROUP THAT PAYS ATTENTION TO DETAIL. LOTS OF INTERESTING PERCUSSION. EXCELLENT FOR THE BIG COLLEGE BAND.
ARVEHEIM, MATTIAS	DE LEKTE... (AND SO THEY PLAYED..)	BRASS QUINTET	BLAS-BASEN	2004	EST 3 MIN	M/H	C/U	PIC TRPT IN A,BbTRPT,HN,TRB,TBA. RELATIVELY SHORT, MOVING WORK. THE PICCOLO TRUMPET IS A MUST. FLOWING NOTES PATTERNS TOGETHER. THIS ALSO AVAILABLE BRASS, CLARINET AND SAXOPHONE QUARTET VERSIONS.
ARVEHEIM, MATTIAS	SUITE FOR BRASS	BRASS ENSEMBLE	BLAS-BASEN	2002	EST 8 MIN	M	C/U	MOVEMENTS: KNYPPEL-STINA, THE WALTZ, INTERLUDE, TO YOU. 3 TRP,FLUG,4TRB,TBA. PLAYABLE MUSIC WITH SOME NICE IDEAS. THE THIRD, SHORT MOVEMENT IS FOR ONE TRUMPET, ONE HORN AND ONE TROMBONE AND ATTACCA’S IN TO THE LAST MOVEMENT.
ARVEHEIM, MATTIAS	THE DANCE OF LAKE MAGELUNGEN	BRASS QUARTET	BLAS-BASEN	2002	EST 4 MIN	M	C/U	2BbTRPT,2TRB. FOLK LIKE MUSIC - NEED TO OBSERVE THE COMPOSER’S RECOMMENDED STYLE STATED IN THE MUSIC. NO RANGE, RHYTHM OR TECHNICAL PROBLEMS, JUST TAKE CARE TO PLAY IT IN THE CORRECT STYLE. ALSO AVAILABLE IN A SAXOPHONE QUARTET VERSION.
ARVEHEIM, MATTIAS	THE MILLSTREAM	BRASS QUINTET	BLAS-BASEN	2004	EST 3 MIN 30 SEC	E/M	C/U/HS	USUAL INSTRUMENTATION. SWINGING EIGHTH NOTES IN 3/4 TIME. TUBA PART IS NICE. THIS IS ALSO AVAILABLE IN BRASS AND SAXOPHONE QUARTET VERSIONS.
ATTERBERG, KURT/GOSTA MORBERG	DE FAVITSKA JUNGFRURNA: RAPSODI	BAND	GEHRMANS	1979	9 MIN	M	C/U/HS	3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, TMP,SB,EH. EXCELLENT SCORE, NICE DEVELOPMENT OF A SWEDISH THEME. SOME PARTS QUITE EASY, VERY PLAYABLE.
ATTERBRG, KURT	SONAT, OP 27b	HORN & PIANO	SMIC	1930		H	C/U	ORIGINALLY FOR CELLO. HORN PART ADAPTED BY DOMENICO CECCAROSSI IN 1955. A MAJOR WORK & WORTH WHILE MUSIC.
BACK, SVEN-ERIK	SONATA FOR FLUTE SOLO	FLUTE ALONE	WHANSEN	1959	13 MIN	H	C/U	THREE MOVEMENTS OF CHALLENGE BY A FINE COMPOSER. LOTS OF NOTES!
BARK, JAN & FOLKE RABE	BOLOS	TROMBONE QUARTET	WHANSEN	1962		M/H	C/U	AN EXCELLENT WORK USING NONTRADITIONAL NOTATION. VERY SUCCESSFUL COMPOSITION. AUDIENCE PLEASER. THEATRICAL ASPECTS.
BARTOSCH, CARIN	HAPPINESS IS A G-STRING	VIOLA ALONE	SMIC	1996	EST 4 MIN	H	C/U	THIS IS HARD MUSIC WITH ALL OF THE TECHNIQUES NECESSARY TO GET THE JOB DONE. WE HAVE TO ADMIT THAT THE TITLE CAUGHT OUR ATTENTION, BUT THERE IS MORE HERE THAN JUST A TITLE - LIKE LOTS OF HARD PRACTICE TIME TO MAKE IT GO! INTERESTING!
BELLMAN, CARL MICHAEL/GOSTA MORBERG	BLASEN NU ALLA	BAND	EHRLING	1978	EST.4MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS IN MS. PLAYABLE BY THE YOUNG BAND. MEDLEY OF FOUR SWEDISH TUNES.
BELLMAN, CARL MICHAEL/STIG GUSTAFSON	OPP AMARYLLIS	BAND	LEMA	1984	2 MIN 30 SEC	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. GOOD SCORE OF 19TH CENTURY SWEDISH COMPOSER FROM AN EXCELLENT ARRANGER. CAN BE PLAYED WITH REDUCED INSTRUMENTATION & NOTED IN SCORE CUES.
BENGTSON, PETER	HEKAS!	BAND	SMIC	1992	6MIN	H	C/U	FL,OB,4CL,2BSN,AS,TS,BS,4TRPT,2HN,3TRB,EUP,TBA IN F,STBS,2-3PERC. NEED FINE WW’S. MIXED METER, ALWAYS MOVING FORWARD. SCORE IS INNOCENT ENOUGH, BUT WE EXPECT THE PERFORMANCE OF THIS WORK TO BE HARDER THAN THE SCORE APPEARS. NOTE THE SOMEWHAT UNUSUAL INSTRUMENTATION.
BERG, NATANAEL	ENGELBREKT - FORSPEL	ORCHESTRA	SUECIA	1945	EST 10 MIN	M/H	C/U/HS	PIC,2FL,2CL,BCL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,PERC,TMP,EH,CBSN, STRINGS. TRADITIONAL WORK WITH A FINE SCORE AND VERY PLAYABLE. WILL PUSH A HS SCHOOL ENSEMBLE A BIT! LIKE A OVERTURE. SCORE FOR SALE, PARTS RENTAL.
BERWALD, FRANZ/STIG GUSTAFSON	REVUE-MARSCH	BAND	GEHRMANS	1982	4 MIN	E/M	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,SB. CONCERT MARCH, OPTIONAL SMALLER INSTRUMENTATION, EXCELLENT COMPOSER & ARRANGER.
BJORKLUND, PER	INTRODUCTION & FUGUE	BRASS SEXTET	LEMA	1983	6 MIN 30 SEC	M	C/U/HS	TWO PERCUSSIONISTS NEEDED. SOME CONTEMPORARY IDEAS IN A GOOD SCORE. MUTES & MALLETS.
BJORKLUND, PER	MINIATYR-SVIT	BAND	LEMA	1983	5 MIN	E/M	HS	FL,EbCL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,2PERC,SB. 1.PRELUDIUM 2. ROMANS 3. MARSCH, CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION.
BJORKLUND, PER	SCHERZO	SAXOPHONE(ALTO) & WOODWIND QUINTET	LEMA	1982	6 MIN	M	C/U/HS	METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET!
BJORKLUND, RUNE	VISA FOR FYRA HORN	HORN QUARTET	EHRLING			E	C/U/HS	SONG WITH MODEST RANGE AND EASY.
BJORKLUND, STAFFAN	VID ALVASTRA KLOSTERRUIN	CELLO & STRING ORCHESTRA	SMIC	1992	12 MIN	H	C/U	RHYTHMICALLY STRAIGHT AHEAD, HOWEVER THERE WILL BE EAR CHALLENGES AS THE HARMONIES DO GET DENSE FROM TIME TO TIME, THUS THE ‘H’ LISTING ABOVE. IT IS REALLY EASIER THAN THAT EXCEPT FOR THE EXPECTATION OF HARMONY AND DISSONANCE.
BLOMBERG, ERIK	BLASKLANG II	BAND	SMIC	1982	5 MIN	E/M	C/U/HS	3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). THIS ONE DOES PLAY! NOTE INSTRUMENTATION, SUGGEST ONE ON A PART.
BLOMBERG, ERIK	BLASKLANG III	BAND	SMIC	1982	5 MIN	M/H	C/U	3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). NOTE THE INSTRUMENTATION, BEST PLAYED ONE ON A PART.
BLOMBERG, ERIK	OBSTINATO (1980)	ORCHESTRA	SUECIA	1981	7 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP,STRINGS. ONE MOVEMENT OF PLAYABLE WORK AND NEED FOR GOOD BASSOONISTS. SOFT OPENING, BIG MIDDLE, SOFT CLOSING. SCORE FOR SALE, PARTS RENTAL.
BLOMBERG, ERIK	RAPSODISK FORMSTUDIE	CLARINET & PIANO	SMIC	1985	6 MIN	M	C/U/HS	LOTS OF NOTES IN PLAYABLE RANGE. ONE MOVEMENT.
BLOMBERG, ERIK	STUDIE FOR ALTFIOL OCH STRAKORKESTER	VIOLA & STRING ORCHESTRA	SMIC	1996	7 MIN	M/H	C/U	MARGINAL MS. THIS IS VERY PLAYABLE MUSIC BY THE YOUNG ASPIRING VIOLIST OR THE ADULT PERFORMER LOOKING FOR SOMETHING NEW.
BLOMDAHL, KARL-BIRGER	TRIO FOR OBOE, KLARINETT OCH FAGOTT	WOODWIND TRIO	SMIC	1938	15 MIN	M/H	C/U/HS	FOUR MOVEMENTS WITH WORK FOR ALL. OBOE,CLARINET & BASSOON.
BLUM, THOMAS	CANZONA PASTORELLA	CELLO & PIANO	SMIC	1993	7 MIN	M/H	C/U	MARGINAL MS. BUT, THE WORK SHOULD BE PLAYED. THE PIANO PART HAS SOME DIFFICULTIES, SO GET A GOOD ACCOMPANIST. MUSIC FOLLOWS THE TITLE.
BLUM, THOMAS	FRAGMENT UR DEN VITTFARNES AVENTYR	BRASS QUINTET	SMIC	1993	8 MIN.	M/H	C/U	SCORE IS IN GOOD MS, UNFORTUNATELY,THE PARTS GET A LITTLE MESSY. HOWEVER, HAVING PLAYED HIS WORK WE CAN SAY IT IS WORTHWHILE. THE ENSEMBLE WILL ENJOY PLAYING THE PIECE. A NUMBER OF SHORT SECTIONS IN THE WORK.
BOLDEMANN, LACI	MED BLECK OCH MED TRA	BAND	SMIC	1969	5 MIN 30 SEC	M	C/U/HS	2FL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,EUP,TBA,PERC,TMP,SB, SOLO CLARINET. WITH INCIDENTAL CLARINET SOLO, NICE SCORE, SAX PARTS ARE OPTIONAL.
BOLDEMANN, LACI	SINFONIETTA, OP 11	STRING ORCHESTRA	SMIC		EST 12 MIN	M/H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. WORK OUT FOR STRINGS. NO COMPLICATIONS. RENTAL ONLY.
BOLDEMANN, LACI	TRUMPETKONSERT, OP 25	TRUMPET & PIANO	SMIC	1968		M/H	C/U	THREE MOVEMENTS WITH MODEST RANGE AND A GOOD SCORE. RECITAL OR STUDY.
BOLZONI, GIOVANNI/STIG GUSTAFSON	MENUETT	WOODWIND ENSEMBLE	LEMA	1981	3 MIN 30 SEC	M	HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,SB. FOR A BAND WOODWIND SECTION.
BORJESSON, LARS-OVE	L-OVE BLUES	STAGE BAND	SMIC	1975		M	C/U/HS	GOOD. ALWAYS NEED MORE BLUES.
BORTZ, DANIEL	FYRA BAGATELLER FOR STRAKAR	STRING ORCHESTRA	GEHRMANS	1985	11 MIN	H	C/U	FOUR MOVEMENTS PLUS A POSTLUDIUM, LOTS OF DIVISI AND CHALLENGE FOR THE C/U STRINGS WITH CONTEMPORARY SOUNDS.
BORTZ, DANIEL	PRELUDE FOR BRASS	BRASS ENSEMBLE	SMIC	1978	6 MIN 40 SEC	H	C/U	4TRPT,4HN,4TRB,TBA. CONTEMPORARY SOUNDS AND APPROACH (LATE '70'S) WITH A LITTLE IVES IN THE WORK. MANY SUSTAINED NOTES WITH HARSH STATEMENTS BY THE TRUMPETS AND HORNS.
BORTZ, DANIEL	SUMMER ELEGY FOR FLUTE AND STRINGS	FLUTE & STRING ORCHESTRA	GEHRMANS	1983	15 MIN	H	C/U	SOLID COMPOSER IN CONTEMPORARY STYLE, SOME NONTRADITIONAL WORK AND A BIG CHALLENGE. SCORE FOR SALE, PARTS RENTAL.
BORTZ, DANIEL	WINTER PIECES: 3	BRASS QUINTET	GEHRMANS	1983	12 MIN	H	C/U	RANGES MODEST, BUT RHYTHMICALLY VERY CHALLENGING. SOME OF IVES IN THIS WORK.
BROMAN, NATANAEL	MELODI	OBOE & PIANO	SMIC		2 1/2 - 3 MIN	M	C/U/HS	FLOWS, NOTHING HARD FOR OBOE BUT PIANIST MUST BE SKILLED!
BROMAN, STEN	STRING QUARTET NO 2, OP 20	STRING QUARTET	SUECIA	1933	EST 15 MIN	M/H	C/U	ONE MOVEMENT, 3/4 ALL THE WAY AND IT MOVES ALONG. NO SURPRISES, JUST STRAIGHT AHEAD.
BROSTROM, TOBIAS	BRIDGING THE WORLD	PERCUSSION ENSEMBLE	SMIC	2004	6 MIN		C/U/HS	THREE PLAYERS: MULTIPLE INSTRUMENTS EACH INCLUDING MARIMBA AND VIBRAPHONE. SOME MIXED METER, BUT GENERALLY STRAIGHT AHEAD AND VERY PLAYABLE BY C/U AND GOOD HS ENSEMBLES. CHECK THE SMIC CATALOG ON LINE FOR MORE ITEM BY THIS COMPOSER AS WELL AS KEYBOARD PERCUSSION PUBLICATIONS BY MARIMBA PUB. P.O.BOX 467, ASBURY PARK, NJ USA 07712 KPP@MOSTLYMARIMBA.COM. WEB SITE SAME AVAILABLE.
BROSTROM, TOBIAS	CRIMSON SKIES	ORCHESTRA	SMIC	2006	8 MIN	H	C/U	FL(PIC),OB,EbCL,CL(BCL),BSN,HN,TRB,CELESTA,PIANO,2PERC,STRINGS. NEED STRONG KEYBOARD AND PERCUSSION. ENDS VERY QUIETLY.
BUCHT, GUNNAR	BLAD FRAN MITT GULSIPPEANGE, NO 1	CLARINET & PIANO	SMIC	1985	12 MIN	M/H	C/U/HS	TWELVE SHORT MOVEMENTS WITH MUCH VARIETY. NOT ALL NEED TO BE PLAYED FOR SUCCESSFUL PERFORMANCE. SOME MOVEMENTS VERY CHALLENGING WHILE OTHERS QUITE ACCESSIBLE.
BUCHT, GUNNAR	MUSICA BOTHNIAE	BAND	SMIC	1983	10 MIN	M	C/U/HS	FL,3CL,BCL,OB,BSN,AS,TS,2HN,4TRPT,2TRB,EUP,TBA,PERC,TMP,SB. NOT HEAVILY SCORED - CHAMBER-LIKE. CONTEMPORARY SOUNDS, CHANGING METER IN A GOOD SCORE.
BUCHT, GUNNAR	STRANGASPEL (PLAY FOR STRINGS)	STRING ORCHESTRA	SUECIA	1965	4 MIN 40 SEC	H	C/U	GOOD SCORE WITH SOUND SURPRISES AND RHYTHMIC CHALLENGES. SCORE FOR SALE, PARTS RENTAL.
BYSTROM, BRITTA	PERSUASION	ORCHESTRA	SMIC	2004	7 MIN	H	C/U	PIC,FL,2OB,EbCL,CL,2BSN,2HN,PICTRPT,TRPT,2PERC,STRINGS. NOTE THE INSTRUMENTATION! PREMIERED BY A PROFESSIONAL ORCHESTRA BUT WE THINK POSSIBLE BY THE GOOD C/U GROUPS. SOME CHANGING METER, BUT FOR THE MOST PART, IT MOVES FORWARD LOGICALLY.
CARLID, GOTE	TRIAD	SAXOPHONE(ALTO) & PIANO	SUECIA	1985	CA 3 MIN	M	C/U/HS	A WELL SCORED WORK WITH SOME HIGH F'S. RECITAL OR CONTEST.
CARLSTEDT, JAN	INTRADA, OP 43	ORCHESTRA	SMIC	1985	EST 4+MIN	M/H	C/U/HS	PIC,FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,STRINGS. CONTEMPORARY STYLE WITH RHYTHMIC CHALLENGES. GOOD MUSICAL INTEREST. RENTAL ONLY.
CARLSTEDT, JAN	PENTASTOMOS, OP 27	WOODWIND QUINTET	SMIC			M/H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. WELL CRAFTED SCORE AND FUN FOR THE PLAYERS.
CRUSELL, BERNHARD (1775-1838)/GUNNAR JOHANSSON	ADAGIO OCH POLONAISE	BAND	LEMA	1985	8 MIN	M/H	C/U/HS	2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,COR,3TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB.(OPT PIANO)SSAX. WELL SCORED AND PLAYABLE BY HIGH SCHOOL ENSEMBLES, BUT WORTHY OF PROFESSIONAL PERFORMANCE.
CRUSELL, BERNHARD/STIG RYBRANT	CONCERT TRIO	WOODWIND TRIO	BUSCH	1978	EST 6+MIN	M/H	C/U	SEVERAL SECTIONS ATTACCA. BASSOON CADENZA. GOOD SCORE AND WORK. HORN, CLAR, BSN.
CRUSELL, BERNHARD/STIG RYBRANT	THREE QUARTETS FOR FOUR HORNS	HORN QUARTET	BUSCH		12 MIN	M	C/U/HS	THREE PLAYABLE MOVEMENTS. INTERESTING FOR EACH PLAYER.
DAFGARD, JORGEN	SERPENT	BASSOON ALONE	SMIC	2001	4 MIN.	M/H	C/U	THREE CONNECTED SECTIONS IN TENOR AND BASS CLEF. MARKED RUBATO GIVING THE PLAYER OPPORTUNITIES TO MAKE THE MOST OF THE NOTES. CAN BE QUITE LYRICAL.
DAHL, VIKING	PASTORALE, OP 3:1	OBOE & PIANO	SMIC		2-3 MIN	M	C/U/HS	CONTEST OR RECITAL.
DAHL, VIKING	PASTORALE, OP 3:1	VIOLIN & PIANO	SMIC		2-3 MIN	M	C/U/HS	CONTEST OR RECITAL.
DAHLQUIST, LASSE/LASSE SAMUELSSON	LITE GRANN FRAN OVAN	STAGE BAND	EHRLING	1978		M	C/U/HS	POP-BOSSA, HIGH FIRST TRB. & TRPT FOR AN EASY CHART. CAN BE OPENED FOR SOLOS. SCORE IS MS AND NOT TOO CLEAR, BUT PARTS FINE.
DAHLQUIST, LASSE/MATS OLSSON	LILLE KLUMPEDUMP	STAGE BAND	EHRLING	1978		M	C/U/HS	MEDIUM BOUNCE, TRUMPET TO HIGH E, TRPT 2 SOLO, SCORE IN MS AND COULD BE CLEANER.
DANIELSSON, CHRISTER	CAPRICCIO DA CAMERA	TUBA & BRASS QUINTET	NORDISKA	1979	6 MIN 45 SEC	M/H	C/U	ONE MOVEMENT SOLO TUBA WITH BRASS QUINTET THAT IS QUITE PLAYABLE.
DANIELSSON, CHRISTER	CASCADE	BRASS QUINTET	SMIC	1986	7 MIN	M/H	C/U	IN MS, GOOD COMPOSER, PLAYABLE.
DANIELSSON, CHRISTER	CONCERTINO FOR TRPT,TRB,WIND ORCH. AND PERC.	BAND	GEHRMANS	1985	15 MIN 40 SEC	H	C/U	PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2TRPT,2TRB,EUP,TBA,7PERC,SB. (SOLO TRPT & TRB). THREE MOVEMENTS. SOLOISTS MUST BE STRONG COLLEGE OR BETTER. GOOD SCORE PLAYABLE BY C/U GROUP. SCORE FOR SALE, PARTS RENTAL.
DANIELSSON, CHRISTER	ECHO OF BUGLES	BRASS QUINTET	GEHRMANS	1980	9 MIN	M	C/U	BASED ON BUGLE CALLS OF THE SWEDISH ARMED SERVICES.
DANIELSSON, CHRISTER	FESTIVO FOR BRASS ENSEMBLE AND PERCUSSION	BRASS ENSEMBLE	GEHRMANS	1981	3 MIN	M	C/U	4TRPT,2HN,2TRB,2TBA,2PERC.A FANFARE, TRUMPET 1 TO C AND MUST BE A SOLID PLAYER.
DANIELSSON, CHRISTER	FOUR FANFARES	WOODWIND QUINTET	GEHRMANS	1978	3 MIN 30 SEC	E	C/U/HS	SHORT, PLAYABLE, USEFUL.
DANIELSSON, CHRISTER	FYRA FOLKVISOR	BRASS ENSEMBLE	GEHRMANS	1978		E	C/U/HS	2TRPT,HN,2TRB,TUBA. FOUR SHORT TUNES THAT ARE VERY PLAYABLE.
DANIELSSON, CHRISTER	INTRADA	BAND	GEHRMANS	1988	2 MIN	M	C/U/HS	FL,3CL,OB,BSN,AS,TS,3TRPT,2HN,3TRB,EUP,TBA,4PERC,TMP,SB. FANFARE OR CONCERT OPENER.
DANIELSSON, CHRISTER	KONSERTANT SVIT	BRASS QUINTET	GEHRMANS	1977	14 MIN	M/U	C/U	PROMINENT COMPOSER OF BRASS MUSIC, WHO ALWAYS DESERVES A LOOK.
DANIELSSON, CHRISTER	LITEN SVIT	TROMBONE QUARTET	EHRLING	1972	EST 7-8 MIN	M	C/U/HS	THREE MOVEMENTS: MODERATO, LENTO & SCHERZO. M2 IN Gb AND M3 IN 5/4. SOLID MATERIAL.
DANIELSSON, CHRISTER	SEGNALE SOLENNE	BRASS ENSEMBLE	GEHRMANS	1987	1 MIN 15 SEC	E	C/U/HS	2TRPT,2HN,3TRB,TUBA. PARTS ARE MADE FOR LYRES. SLOW TEMPO.
DANIELSSON, CHRISTER	SUITE NO.3 FOR BRASS & PERCUSSION	BRASS & PERCUSSION	GEHRMANS	1984	11 MIN 30 SEC	M	C/U	4TRPT,4HN,4TRB,2TBA,3PERC. ,3 MOVEMENTS, TRADITIONAL SOUNDS AND APPROACH.
DANIELSSON, CHRISTER	TWO FANFARES	BRASS ENSEMBLE	GEHRMANS	1985	1 MIN	M	C/U	4TRPT,4TRB,TBA,TIMP, PERC, ALTERNATE PARTS PROVIDED. VERY PLAYABLE.
DEAK, CSABA	AD NORDIAM HUNGARICA	ORCHESTRA	SMIC	1991	12 MIN	H	C/U	FL(AFL),OB(EH),CL(BCL),BSN,HN,PIANO,STRINGS. IN BEAUTIFUL MS. DEAK MAKES THE HARD POSSIBLE BY CREATING A VERY CLEAN SCORE WITH APPROPRIATE INSTRUCTIONS. ACQUAINT THE ORCHESTRA WITH THIS FINE COMPOSER.
DEAK, CSABA	ANDANTE & RONDO	WOODWIND QUINTET	REUTER & REUTER	1975	6 MIN	M/H	C/U	WELL CRAFTED WORK FROM EXCELLENT WIND MUSIC COMPOSER.
DEAK, CSABA	ANEMONES DE FELIX	BAND	SMIC	1993	12 MIN	H	C/U	3FL(PIC),OB,BSN,3CL,BCL,AS,TS,BS,4TRPT,3HN,3TRB,EUP,TBA,3PERC. MUSICAL SURPRISES, BUT ALWAYS MUSICAL - THAT IS DEAK. THE WORK WILL TAKE A LOT OF SCORE STUDY BY THE CONDUCTOR AND PRACTICE BY THE PLAYERS TO MAKE WORK. PRODUCT WILL BE WORTHWHILE! KNOW DEAK!
DEAK, CSABA	CONCERTO FOR CLARINET & WIND ORCHESTRA	CLARINET & BAND	SMIC	1992	18 MIN	H	C/U	3FL(1 DBL PIC, 3 DBL ALTO FL) 3 OB (3DBL ENG HN),1 EbCL,3CL,BCL,BbCONTRA CL,3BSN (3 CONTRA),AS,TS,BARS.3TRPT,3HN,3TRB,EUP,2TBA,STRBS,PIANO,HARP,TIMP,3PERC. USUAL THREE MOVEMENTS, BUT NOTHING USUAL ABOUT THIS COMPOSER OR THIS WORK. FOR THOSE WHO MUST HAVE A CHALLENGE FROM A COMPOSER WHO ENJOYS MAKING IT FOR YOU. A MAJOR WORK!
DEAK, CSABA	CONCERTO MAEUTRO (FOR MARIMBA,EUPHONIUM & TRUMPET)	BAND	SMIC	1989	EST 12+MIN	M/H	C/U/HS	3FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP,SB. THREE MOVEMENTS CONCERTO GROSSO STYLE. TRUMPET, EUPHONIUM AND MARIMBA SOLOISTS. CONTEMPORARY SOUNDS. ALWAYS A FEW SURPRISES WITH DEAK. SOLOIST MUST BE HIGH CALIBER.
DEAK, CSABA	EDEN	BAND	GEHRMANS	1981	8 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3COR,3TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB. MIXED METER, NONTRADITIONAL NOTATION, WELL SCORED TO MAKE IT PLAYABLE. FINE COMPOSER.
DEAK, CSABA	FIVE SHORT PIECES	BAND	GEHRMANS	1983	10 MIN	H	C/U/HS	PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,4TRPT,3TRB,EUP,TBA,PERC,TMP, SB. AN EXCELLENT SCORE. NONTRADITIONAL NOTATION IN MOVEMENTS 2, 4, & 5, WITH GOOD EXPLANATIONS. VERY PLAYABLE WORK.
DEAK, CSABA	FUVOLA	FLUTE ALONE	SMIC	2000	6 MIN.	H	C/U	FIRST RATE COMPOSER USING ADVANCED TECHNIQUES AND ALWAYS WORTH THE EFFORT.
DEAK, CSABA	GUSTADOLPHONY	BAND	SMIC	1989	10 MIN	M/H	C/U/HS	PIC,3FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,6HN,6TRPT,6TRB,EUP,2TBA, 5PERC,TMP,SB. SOME NONTRADITIONAL TECHNIQUES IN A PLAYABLE AND ENJOYABLE WORK BY A FINE COMPOSER.
DEAK, CSABA	HERYKON	BRASS QUINTET	SMIC	1981	9 MIN	H	HS/JHS	SOME NONTRADITIONAL MATERIAL, EASY TO UNDERSTAND. CHANGING METER. MUSIC THAT IS FUN FOR PLAYERS AND THE AUDIENCE.
DEAK, CSABA	I 21	BAND	GEHRMANS	1969	10 MIN	H	C/U	PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,HN,TRPT,TRB,TBA,3PERC,SB,BASS GUITAR. NONTRADITIONAL NOTATION, LAID OUT VERY WELL. NOTE INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL.
DEAK, CSABA	MAGIE NOIRE	CLARINET & STRING QUARTET	SMIC	1993	17 MIN	H	C/U	THIS MAY BE FOR THE GOOD GRADUATE CLARINET PLAYER AND STRING QUARTET OR PROFESSIONALS. MUCH INTRICATE MATERIAL. DEAK DEMANDS THAT THE PLAYERS KNOW WHAT THEY ARE DOING, BUT IF THAT ATTENTION IS PAID, REWARDS ARE ABUNDANT.
DEAK, CSABA	MAYINKA	ORCHESTRA	SMIC	1999	14 MIN	H	C/U	3FL(PIC),OB,EH,2CL,BCL,2BSN(CBSN),4HN,3TRPT(PIC),3TRB,TBA,PIANO,4PERC,STRINGS. A BEAUTIFUL MS! ALWAYS INTERESTING, ALWAYS CHALLENGING -- KNOW THIS COMPOSER!
DEAK, CSABA	SAX APPEAL	SAXOPHONE QUARTET	SMIC	1999	EST 8 MIN	H	C/U	SS,AS,TS,BS. COMPOSER WRITES - WE PAY ATTENTION. THE MUSIC IS HARD, MAYBE TOO DIFFICULT FOR MOST C/U STUDENT GROUPS, BUT GET ACQUAINTED WITH THE WORK AND THIS COMPOSER. HE STRUCTURES DIFFICULT PASSAGES SO THAT WITH SOME ATTENTION THEY BECOME PLAYABLE.
DEAK, CSABA	SYMPHONY NO. 2	BAND	SMIC	2001	18 MIN	H	C/U	3FL(DL PIC,AFL),OB,EH,2BSN,EbCL,3CL,BCL,CBCL,SS,AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. LIKE ONE MOVEMENT WITH SECTIONS OF CONTRASTING MATERIAL. PAY ATTENTION TO THIS COMPOSER! THE MUSIC IS HARD, BUT LOGICAL. MUSIC OF TODAY! BE SURE TO LOOK AT OTHER THINGS IN THE SMIC CATALOG BY DEAK.
DEAK, CSABA	THE PIPER'S WEDDING	WOODWIND QUINTET & BAND	SMIC	1979	12 MIN	M/H	C/U/HS	PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP, WOODWIND QUINTET. A GOOD PLAYABLE SCORE, WW QT MUST BE VERY COMPETENT, FINE COMPOSER-GOOD WORK.
DEAK, CSABA	UNGERSKA DANSER	WOODWIND QUINTET	SMIC	1977		M/H	C/U	FINE COMPOSER AND A PLAYABLE PIECE.
DEAK, CSABA	VERBUNK	BRASS SEXTET	SUECIA	1976	8 MIN	M	C/U	2TRPTS IN C,HN,2TRB,TBA. WELL DEVELOPED SCORE. GOOD USE OF METRIC CHANGES. NEEDS RHYTHMIC SECURITY.
DEAK, CSABA	VIVAX	ORCHESTRA	GEHRMANS	1985	20 MIN	H	C/U	PIC,2FL,2CL,BCL,2OB,2BSN,2HN,2TRB,TBA,2PERC,EH,STRINGS. NEED AT LEAST 12 VIOLINS. ONE MOVEMENT CHALLENGE BY A COMPOSER WHO STRETCHES AND PLEASES PERFORMERS AND LISTENERS. SCORE FOR SALE,PARTS RENTAL.
DEGEN, JOHANNES D	CANZONE DEVOTA	SAXOPHONE QUARTET	SMIC	1981	4 MIN 10 SEC	E/M	C/U/HS	TONAL WITH DEVOTION. SLOW.
DEGEN, JOHANNES D	DAGEN SOM GATT, OP 69	FLUTE(ALTO) & ORGAN	SMIC	1986	9 MIN	M	C/U	ONE MOVEMENT IN SLOW TEMPO. WORTH LOOKING AT!
DEGEN, JOHANNES D	DIVERTIMENTI, OP 73	WOODWIND QUINTET	SMIC	1988		M/H	C/U	THREE MOVEMENTS: MARSCH 2. DOLOROSO 3. WALZER. CLEAN SCORE AND PLAYABLE. SCORE FOR SALE, NO PARTS!
DIMITRAKOPOULOS, APOSTOLOS	DIVERTIMENTO	STRING ORCHESTRA	SMIC	1988/94	9 MIN	H	C/U	IN CONCERTO GROSSO FORM WITH A VIOLIN, VIOLA AND CELLO AS ONE GROUP AND THE STRING ORCHESTRA AS THE OTHER. ALL JOIN FORCES ON THE LAST SEGMENT.
DIMITRAKOPOULOS, APOSTOLOS	VOID	BAND	SMIC	1985	6 MIN	M/H	C/U/HS	PIC,FL,EbCL,BCL,OB,2BSN,4HN,4TRPT,2TRB,2TBA,4PERC,TMP,SB,ALTO FLUTE,EH. NOTICE - NO CLARINETS! A GOOD SCORE THAT SHOULD BE ENJOYABLE FOR PLAYER & LISTENER.
DMITRIEV, SERGEI	INTRADA	SAXOPHONE QUARTET	SUECIA	1993	2 MIN	M/H	C/U/HS	2SS,TS,BS. NOTE THE INSTRUMENTATION. HAS A NICE BUILD OF INTENSITY THROUGH SOME MIXED METER AND OTHER RHYTHMIC CHALLENGES.
DMITRIEV, SERGEI	SALVOES	SAXOPHONE QUARTET	SMIC	2000	5 MIN	M/H	C/U	SS,SA,TS,BS. EASIER THAN SOME OTHERS, BUT STILL DEMANDING. METER CHANGES, SOME RANGE CHALLENGES AND MANY NOTES TO HAVE FUN WITH. THE GOOD C/U GROUP CAN PLAY THIS ONE.
ECKERBERG, SIXTEN	PROMENAD	BAND	SMIC	1972		E/M	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,2TS,4HN,3COR,2TRPT,3TRB,EUP,TBA, PERC,TMP,SB. THREE MOVEMENTS NOT HEAVILY SCORED. THIN PERCUSSION.
EDEN, MATS	KRAFTHALLING	VIOLIN & ORCHESTRA	SMIC	1989/2005	20 MIN	M	C/U	FL,OB,CL,BSN,HN,TRPT,TRB,PERC,STRINGS. SOME IMPROV FOR THE VIOLIN SOL0IST. FOLK-LIKE WITH A LITTLE SWING. FUN!
EDLUND, LARS	SONATA FOR FLUTE AND PIANO	FLUTE & PIANO	NORDISKA	1986	13 MIN 5 SEC	H	C/U	GOOD SCORE AND PLAYABLE BUT YOU WILL WORK!
EDLUND, SWANTE	CANZONETTA, OP 16	FLUTE & PIANO	SMIC	1989		E/M	C/U/HS	A SHORT PIECE FOR CONTEST OR RECITAL. NO PERFORMANCE PROBLEMS.
EDLUND, SWANTE	CAVATINA, OPUS 48	VIOLA & PIANO	SMIC	1999	5 MIN	M	C/U	A LONG MIDDLE SECTION IN 7/4 AND A LOT OF ATTENTION TO THE UPPER REGISTER. THERE WOULD HAVE TO BE SOME THOUGHT GIVEN TO INTERPRETATION. MORE HELP COULD HAVE BEEN PROVIDED BY THE COMPOSER.
EDLUND, SWANTE	ELEGIE, OP 31	VIOLIN & STRING ORCHESTRA	SMIC	1992	8 MIN	M/H	C/U/HS	THE VIOLINIST SINGS AND THE ORCHESTRA ACCOMPANIES. LOTS OF DIVISI IN THE ORCHESTRA PARTS. SCORE AND PARTS IN DECENT MS.
EDLUND, SWANTE	MESTO	BASSOON & STRING ORCHESTRA	SMIC	1983	10 MIN	M	C/U	ONE MOVEMENT WITH FREQUENT CHANGES OF TEMPO. LAYS WELL FOR THE INSTRUMENT. FOR RENT ONLY.
EHRLING, THORE & OTHERS/LASSE SJOSTEN	REGNTUNGA SKYAR	STAGE BAND	EHRLING	1978		E	C/U/HS	BALLAD. GOOD PIECE, SCORE IS IN FAINT MS, BUT PARTS GOOD. TENOR SOLO.
EK, HANS	FIVE STUDIES	TUBA AND TIMPANI	SMIC	1997/99	7 MN	H	C/U	5 TIMPANI AND TWO WOOD BLOCKS FOR THE PERCUSSION. TO HIGH G FOR THE TUBA AND A COMPLETE LOW REGISTER REQUIRED. HARD , BUT VERY PLAYABLE BY THE ASTUTE UNDERGRAD STUDENTS WHO WANT SOMETHING SPECIAL FOR THE SENIOR RECITAL. INTERESTING MATERIAL.
EKLUND, HANS	4 PEZZI BREVI	CLARINET ALONE	SUECIA	1968		M	C/U	FOUR SHORT MOVEMENTS. NOTES NOT DIFFICULT, BUT MATURE SOUND AND MUSICIANSHIP REQUIRED.
EKLUND, HANS	5 PEZZI PER CLARINETTO SOLO	CLARINET ALONE	SMIC	1988	8 MIN	M	C/U/HS	FIVE MOVEMENTS OF INTERESTING MATERIAL FOR RECITAL, CONTEST OR STUDIO. MOVEMENTS CAN STAND ALONE.
EKLUND, HANS	KONSERT FOR TROMBONE	TROMBONE & BAND	SUECIA	1982	12 MIN	H	C/U	FL,EbCL,3CL,BCL,OB,BSN,2HN,3TRPT,3TRB,TBA,PERC,TMP,SB. THREE MOVEMENTS PLAYABLE BY THE EXCELLENT COLLEGE STUDENT. BAND ACCOMPANIMENT IS HARD BUT PLAYABLE. NOTE THE INSTRUMENTATION.
EKLUND, HANS	L'ESTATE FOR STRING ORCHESTRA	STRING ORCHESTRA	GEHRMANS	1987	EST 10 MIN	H	C/U	COMPOSED FOR THE ÖREBRO CHAMBER ORCHESTRA. ONE MOVEMENT WITH SEVERAL TIME CHANGES. MANY NOTES.
EKLUND, HANS	LITEN SERENAD FOR BLASORKESTER	BAND	SMIC	1974	15 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,TMP,SB. 3 MOVEMENTS, A WELL RESPECTED COMPOSER.
EKLUND, HANS	MUSICA DA CAMERA VI	OBOE & PIANO	BUSCH	1972	15 MIN	H	C/U	RECITAL OR CONCERT. ORCHESTRA PARTS AVAILABLE. THREE MOVEMENTS OF A FINE CHALLENGE.
EKLUND, HANS	MUSICA DA CAMERA VII	CLARINET & STRING ORCHESTRA	SMIC	1982	EST 10 MIN	M/H	C/U/HS	THREE MOVEMENTS(FSF), ACCESSIBLE MUSIC. SOLOIST CAN BE A GOOD C/U/HS STUDENT. A HIGHLY RECOMMENDED WORK.
EKLUND, HANS	MUSICA DA CAMERA, OP 10	TRUMPET & STRING ORCHESTRA	SUECIA	1963	EST 10-12 MIN	M/H	C/U	THREE MOVEMENTS. TRUMPET PLAYS LIKE A MEMBER OF THE ORCHESTRA. ALSO NEEDS PIANO, TIMPANI AND PERCUSSION.
EKLUND, HANS	SERENATA PER CINQUE	BRASS QUINTET	SMIC	1979	EST 9-10 MIN	M	C/U	FOUR MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD SCORE.
EKLUND, HANS	VARIAZIONI BREVI	STRING ORCHESTRA	SMIC	1962	EST 12 MIN	M/H	C/U/HS	THEME & 7 VARIATIONS - NOT ALL VARIATIONS HAVE TO BE PLAYED. MANY NOTES, BUT STRAIGHT AHEAD FROM A HIGHLY RESPECTED SWEDISH COMPOSER. RENTAL ONLY.
EKSTROM, LARS	DEN ACCELERERANDE ISBITEN	OBOE ALONE	SMIC	1988	8 MIN	H	C/U	A CHALLENGING AND BEAUTIFULLY SCORED WORK.
EKSTROM, LARS	THE WALL	CLARINET ALONE	SMIC	1989	10 MIN	H	C/U	CHALLENGING, LONG, ONE MOVEMENT.
EKSTROM, LARS	THERE ARE PEOPLE WHO...	FLUTE ALONE	SMIC	1989		M/H	C/U	NO PERFORMANCE SURPRISES.
ELIASSON, ANDERS	IN MEDIAS	VIOLIN ALONE	WARNER/CHAPPELL	1994	4 MIN 30 SEC	H	C/U	A NICE CHALLENGE FOR THE UPPER LEVEL STUDENT. NO SPECIAL PROBLEMS, JUST NEED A THOROUGH KNOWLEDGE OF THE INSTRUMENT.
ELIASSON, ANDERS	OSTACOLI	STRING ORCHESTRA	SMIC		15 MIN	H+	C/U	FITS TOGETHER NICELY, A BIG CHALLENGE FOR C/U ENSEMBLE. RENTAL ONLY.
ENGSTROM, TORBJORN	COL MARE PER ORCHESTRA D’ARCHI	STRING ORCHESTRA	SMIC	1998	19 MIN	M/H	C/U	MOVEMENTS: PRELUDIO, CANTO, UNIVERSO, O NOTTE, MATTINA. WE LIKE THE WAY HE USES THE GLISSANDO EFFECT TO CATCH THE EAR. THERE IS SOME DIVISI. A BEAUTIFUL SCORE! NEED MORE FROM THIS COMPOSER!
ENGSTROM, TORBJORN	CONCERTINO FOR CELLO OCH STRAKORKESTER	CELLO & STRING ORCHESTRA	SMIC	1992	11 MIN	H	C/U	CONTEMPORARY HARMONIES FOR ALL. SOLO PART MUCH HARDER THAN THE STRING ACCOMPANIMENT PARTS, BUT ALL MUST PAY ATTENTION TO TENSION BUILDING NOTES AND HARMONIES. ENGSTROM ALSO HAS A CELLO CONCERTO (CELLOKONSERT) YOU MAY WANT TO LOOK AT.
ENGSTROM, TORBJORN	CRISS FOR TWO PERCUSSIONISTS	PERCUSSION ENSEMBLE	SMIC	1995	6 MIN	M/H	C/U	TWO MULTIPLE PERCUSSIONISTS (NO TUNED INSTRUMENTS) WITH A WELL LAID OUT SCORE MAKING THIS VERY PLAYABLE.
ENGSTROM, TORBJORN	KORALFANTASI	CELLO & STRING ORCHESTRA	SMIC	1995	4 MIN	M	C/U/HS	WELL LAID OUT SCORE THAT DOES NOT COMPETE WITH THE SOLOIST. A SLOW TEMPO ALLOWING THE SOLOIST WORKING IN BASS AND TENOR CLEF TO CONCENTRATE ON THE MUSICAL ASPECTS OF THE COMPOSITION.
ENGSTROM, TORBJORN	MUSIK FOR BLASORKESTER	WIND ENSEMBLE	SMIC	1985	6 MIN 30 SEC	H	C/U	2FL,2CL,2BCL,2OB,2BSN,2HN,2TRPT,2TRB,ALTO FLUTE. BEST PLAYED ONE ON A PART, USE OF 1/4 TONES, PITCH FLUCTUATIONS.
ENGSTROM, TORBJORN	ORKESTERSVIT	ORCHESTRA	SMIC	1996	10 MIN	M	C/U/HS	2FL,2OB,2CL,2BSN,2HN,2TRB,STRINGS. MOVEMENTS: PRELUDIO, SCHERZO,VALS. ALL VERY PLAYABLE IN A WELL CONSTRUCTED SCORE. [SEE ALSO HIS EARLIER WORK(1990) TITLED, ‘SYMPOSION’ FOR SLIGHTLY LARGE ORCHESTRA WITH SCORE IN MS].
ENGSTROM, TORBJORN	SONAT FOR CELLO OCH PIANO	CELLO & PIANO	SMIC	1996	7 MIN 30 SEC	M/H	C/U	MOVEMENTS: INQUIETO, VOCALISE, FEROCE, LENTO. NEEDING NEAR PROFESSIONAL STANDING TO PLAY THIS WELL. BASS AND TENOR CLEF, PLAY THE FULL RANGE OF THE INSTRUMENT AND OTHER CHALLENGES. BUT, THERE IS MUSIC HERE.
ENGSTROM, TORBJORN	SULING - SUNYI	FLUTE(ALTO) ALONE	SMIC	1987	4 MIN 30 SEC	M	C/U	GOOD TO ADD SPICE TO A FLUTE RECITAL. NO PERFORMANCE PROBLEMS.
ENGSTROM, TORBJORN	TEMAN MED VARIATIONER	ORCHESTRA	SMIC	1999/2000	11 MIN	M/H	C/U/HS	FL,AFL,OB,EH,CL,BCL,2BSN,2HN,2TRPT,3TRB,TBA,TIMP,STRINGS. ANOTHER FINE SCORE FROM THIS COMPOSER. WATCH OUT FOR THE ALTO FLUTE- IT IS IMPORTANT. SOME CHANGING AND MIXED METER, BUT ALL WILL PLAY.
ENGSTROM, TORBJORN	TRIQUETRA	VIOLIN & ORCHESTRA	SMIC	1995	10 MIN	M/H	C/U	FL,OB,CL,BSN,HN,TRPT,TRB,STRINGS. NOTE THE CHAMBER SIZE ORCHESTRA. SOLO PART IS MAINLY SINGING, NOT TECHNICAL. SOME OF THE ORCHESTRA INSTRUMENTS HAVE A FEW TRICKY PASSAGES TO WORK OUT. GOOD C/U MATERIAL
ENGSTROM, TORBJORN	VIOLAKONSERT	VIOLA & STRING ORCHESTRA	SMIC	1991	17 MIN	H	C/U	BEAUTIFUL MS! PLAYS AS ONE MOVEMENT. SOME MIXED METER, BUT WILL PLAY FOR THE UNDERGRAD, GRAD STUDENT OR PROFESSIONAL VIOLIST.
ENGSTROM, TORBJORN	WITH HEAD TO THE MUSIC BENT	CLARINET ALONE	SMIC	1985	7 MIN	E/M	C/U/HS	NOTES ARE EASY BUT MAKING MUSIC WITH THE NOTES WILL BE MORE DIFFICULT.
ERICSON, BOBBIE/GOSTA MORBERG	UTSKARGARD	BAND	INTERSONG	1978	EST 5 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, TMP,SB.(EH OPT) NO TEMPO MARKINGS. ON GREEN PAPER! 3/4 IN F, NO PROBLEMS.
ERICSON,BOBBIE/GOSTA MORBERG	FRAGA MEJ INTE VARFOR(DO NOT ASK ME WHY)	BAND	INTERSONG	1978		E	HS/JHS	2FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC,TMP,SB.(EH OPT) GOOD WORK. ONE SHORT CHALLENGE FOR FLUTES, 3/4 IN F-Bb-F & ON GREEN PAPER!
ERIKSON, AKE	STRAIGHT OUT	BRASS QUINTET	SMIC	1987	8 MIN	M	C/U	STRAIGHT AHEAD AND PLAYABLE! MUTES, NO SURPRISES. A GOOD LOOKING WORK. SCORE FOR SALE, NO PARTS.
ERIKSSON, MAS-HARRY	JUBILEE - 86 (MARCH)	BAND	LEMA	1986	3 MIN	E/M	HS/JHS	SMALL BAND SETTING. MARCH SIZE. STANDARD INSTRUMENTATION.
ERIKSSON, MAS-HARRY	MOCHELMS BODAR GANGLAT	BAND	LEMA	1986	3 MIN	E	HS/JHS	PLAYABLE BY SMALLER BANDS, NICE SCORE FOR HS CONCERTS. STANDARD INSTRUMENTATION.
ERIXSON, PER-ANDERS	TRE MINIATYRER FöR KLARINETT SOLO, OP 4	CLARINET ALONE	SMIC	1964	7 MIN	H	C/U	THREE MOVEMENTS, DIFFICULT, BUT PLAYABLE.
EYSER, EBERHARD	BURLONI	BAND	SMIC	1985	7 MIN	M	C/U/HS	2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,SSAX. ONE MOVEMENT, 3 SECTIONS(F-S-F), FINE COMPOSER, MANUSCRIPT MAY BE A LITTLE PROBLEM.
EYSER, EBERHARD	CIRCUITS MAGIGUES	FLUTE & HARP	SMIC	1987		H	C/U	THREE MOVEMENTS FROM A FINE COMPOSER AND WORTH THE EFFORT.
EYSER, EBERHARD	CLOWNERNAS UPPTAG CIRKUS-UVERTYR	WIND ENSEMBLE	SMIC		5 MIN	M/H	C/U	PIC,FL,EbCL,2CL,OB,2BSN,AS,HN,2TRPT,TBA,PERC,SB. BEST ONE ON A PART - NOTE THE INSTRUMENTATION. ENJOYABLE MUSIC FROM A FINE COMPOSER.
EYSER, EBERHARD	COLLOQIUM	SAXOPHONE(TENOR) & PIANO	SMIC	1987	4 MIN	M	C/U	RHYTHMICALLY CHALLENGING, NO BAR LINES. PLAYABLE FROM A FINE COMPOSER. ALTO OR TENOR SAX.
EYSER, EBERHARD	COLLOQUIUM	SAXOPHONE(ALTO) & PIANO	SMIC	1987	4 MIN	M	C/U	RHYTHMICALLY CHALLENGING, NO BAR LINES. ALTO OR TENOR SAX.
EYSER, EBERHARD	DUO 2.D	SAXOPHONE DUET	SMIC	1988	10 MIN	M/H	C/U	ALTO & TENOR SAX. ONE MOVEMENT WITH SOME SURPRISES AND UNUSUAL METER PROBLEMS. WORTHWHILE FROM A GOOD COMPOSER.
EYSER, EBERHARD	LAREST	BAND	SMIC	1985	10 MIN	H	C/U/HS	PIC,2FL,EbCL,3CL IN Bb,CL IN A,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP,SB.AN EXCELLENT SCORE THAT MAKES MUSIC! GOOD MATERIAL!
EYSER, EBERHARD	LITEN SVIT FOR BLASARE	WOODWIND ENSEMBLE	SMIC	1978	10 MIN	M	C/U/HS	2CL,ALCL,BCL,SS,CBCL,HORN(BASSET HORN). THREE MOVEMENTS: MARSCH, ANDANTE & WALTZ. EYSER'S MUSIC HAS A SENSE OF HUMOR.
EYSER, EBERHARD	MACBETH CONCERT OUVERTURE	BAND	SMIC	1982	12 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,2TBA, 3PERC,TMP,SB,2 FLUEGELHORNS. FINE WORK FROM A GOOD COMPOSER.
EYSER, EBERHARD	MISCELLANEAS	BRASS QUINTET	SMIC	1980	8 MIN 45 SEC	M	C/U/HS	FOUR MOVEMENTS OF FUN AND PLAYABLE MATERIAL.
EYSER, EBERHARD	SAXOPHONE QUARTET 2	SAXOPHONE QUARTET	SMIC	1986	15 MIN	H	C/U	SATB. TWO MOVEMENTS OF WORTHY MUSIC FROM A FINE COMPOSER. CHALLENGING.
EYSER, EBERHARD	SAXOPHONE QUARTET 3.(BAGATELLES)	SAXOPHONE QUARTET	SMIC	1987	11 MIN 30 SEC	M/H	C/U	S.A.T.B FOUR MOVEMENTS OF CHALLENGING BUT PLAYABLE MUSIC.
EYSER, EBERHARD	SAXOPHONE QUARTET 4 (DELICIAE SCANIENSES)	SAXOPHONE QUARTET	SMIC	1987	14 MIN	M/H	C/U	S.A.T.B SEVEN MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD INTRODUCTION TO A FINE COMPOSER.
EYSER, EBERHARD	SAXOPHONE QUARTET 5.(DIVERTIMENTO)	SAXOPHONE QUARTET	SMIC	1989	17 MIN	M/H	C/U	S.A.T.B SIX MOVEMENTS OF PLAYABLE MUSIC FROM A GOOD COMPOSER. 1.VIGNETTA VENEZIANA 2.BALLATA 3.FUGHETTA 4.SERENADE 5.THE BARD 6.ANTHEM
EYSER, EBERHARD	TOWER MUSIC	BRASS QUARTET	SMIC	1986	1 MIN	E	C/U/HS	2TRPT,2TRB OR 2 HN,2TRB. EASY AND IT WORKS. FLEXIBLE.
EYSER, EBERHARD	TRAGEN VINNER	BAND	SUECIA	1976	7 MIN	M/H	C/U/HS	2FL,2CL,BCL,2OB,2BSN,SSAX,3HN,3TRPT,3TRB,TBA,PERC,SB. FLUTE CADENZA IN SHORT INTERLUDE, MUSIC WITH A SENSE OF HUMOR, FINE COMPOSER, UNUSUAL INSTRUMENTATION.
EYSER, EBERHARD	VARIATIONER OVER ETT TEMA AV BELA BARTOK	WIND ENSEMBLE	SMIC	1974	10 MIN	H	C/U	FL,OB,3CL,BSN,HN,2 TRPT,TBA IN F. FINE COMPOSER, GOOD SCORE AND AVANT-GARDE.
FAHLMAN, FREDRIK	HORISONT	EUPHONIUM & PIANO	SMIC	1999	7 MIN	H	C/U	ESOTERIC. IN 4/8 WITH A SLOW TEMPO. FOR THE EUPHONIUM PLAYER WHO WANTS SOMETHING DIFFERENT AND A PIANIST WHO CAN COUNT AND IS WILLING TO WORK THINGS OUT!
FAHLSTROM, ORJAN	BALKAN BLUES	WIND ENSEMBLE	SMIC	1992	ET 7 MIN	M	C/U	2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,STBS,2ERC. ORIGINALLY FOR MUSCIAL, ‘BERGETS HJARTA’ . RE-ORCHESTRATED FOR BAND IN 2001. NOT LOW DOWN BLUES - IT IS THE CONCERT VARIETY AS KNOWN IN THE BALKANS! (QUARTER NOTE = 190!) HANG ON! WILL LIKE THIS COMPOSER!
FAHLSTROM, ORJAN	BRASS-FEST	BRASS ENSEMBLE	SMIC	1980	27 MIN	H	C/U	3TRPT,3TRBN,HN,TUBA,ELECTRIC PIANO,PERC. FOUR MOVEMENTS. A MAJOR, WORK WITH RHYTHMIC INTEREST AND PROBLEMS. MUCH REHEARSAL FOR SUCCESSFUL PERFORMANCE.
FAHLSTROM, ORJAN	LA MARCIA AZZURRO	BAND	SMIC	2003	EST 8 MIN	M/H	C/U	PIC,2FL,2OB,2BSN,4CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. VERY PLAYABLE AND FUN MUSIC. SECTIONS LIKE, MEDIUM AND LAID BACK BLUES, BLUES MARCH, A FANFARE, A MARCH, ETC. MOSTLY STRAIGHT AHEAD WITH A FEW TIME SIG THINGS TO MAKE IT INTERESTING. ENJOY!
FAHLSTROM, ORJAN	OSTINATIA	BAND	EHRLING	1981	4 MIN 45 SEC	E/M	C/U/HS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA, 2PERC,TMP,SB. STRAIGHT AHEAD PLAYABLE MATERIAL. MODEST RANGES. MANY PARTS ISSUED WITH THE PUBLICATION.
FAHLSTROM, ORJAN	TANGO EROTIQUE	BAND	SMIC	1992	EST 6 MIN	M	C/U/HS	2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,TBA,STBS,3PERC. HIS SHOULD BE A LOT OF FUN. IT MOVES ALONG (QUARTER = 156) AND A STRONG TANGO RHYTHMIC FEEL. SOMETHING FOR THE AUDIENCE.
FERNSTROM, JOHN	INTIMA MINIATYRER FOR STRAKORKESTER, OP 2	STRING ORCHESTRA	SMIC	1945	17 MIN 30 SEC	M/H	C/U	1.PRELUDIUM 2.INTERMEZZO 3.LAMENTO(ADAGIETTO 4.RONDINO. STRAIGHT AHEAD - NO PROBLEMS, JUST MAKE MUSIC. FINE SCORE. SCORE FOR SALE, PARTS RENTAL.
FERNSTROM, JOHN	KVINTETT FOR BLASINSTRUMENT	WOODWIND QUINTET	SMIC	1955		M/H	C/U	A WELL CRAFTED 4 MOVEMENT WORK. MOVEMENTS CAN STAND ALONE.
FERNSTROM, JOHN	SINFONIETTA IN FORMA DI SONATA DA CHIESA, OP 51	ORCHESTRA	SMIC	1934	EST 14 MIN	H	C/U	FL,2CL,OB,BSN,2HN,2TRPT,TRB,STRINGS. FOUR MOVEMENTS IN A FINE SCORE OF VERY PLAYABLE MUSIC. FOR RENTAL ONLY.
FERNSTROM, JOHN	SUITE NR 1:NI-SI-PLENG, OP 87B	ORCHESTRA	SMIC	1950		H	C/U	2FL,2CL,BCL,OB,2BSN,2HN,2TRPT,TRB,TBA,PERC,TMP,HARP,CELESTA,EH, PIANO,STRINGS. 1. PRELUDE AND ENTRE-DANS 2. ORIENTALISK FEST MUSIK 3. DEN HELIGA FÅGELNS DANS. STRAIGHT AHEAD MUSIC FROM A FINE COMPOSER. RENTAL ONLY.
FERNSTROM, JOHN	SYMFONI NR 5, OP 27	ORCHESTRA	SMIC	1934	EST 20 MIN	M/H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,PERC,TMP,STRING BASS. THREE MOVEMENTS: VERY QUICK & VERY RHTHMIC, ADAGIO CONSENTIMENTO & ALLEGRO MODERATO. A WELL DEVELOPED SCORE WITH LOTS OF EXCITEMENT IN I & III. RENTAL ONLY.
FRANKE-BLOM, LARS-AKE	APPELL FOR BRASSOKTETT	BRASS ENSEMBLE	SMIC	1988	10 MIN	H	C/U	3TRPT,3TRB,HN,TBA. PLAYABLE, BUT NEEDS RHYTHMIC PRECISENESS AND TIME FOR REHEARSAL.
FRANKE-BLOM, LARS-AKE	EKON FRAN SVUNNEN TID	WIND ENSEMBLE	SMIC	1978	13 MIN	H	C/U	THREE MOVEMENTS, FL,OB,2CL,BSN,2COR,TRPT IN C,EUP,TBA,PERC. BEST ONE ON A PART. SOME NONTRADITIONAL NOTATION. GOOD SCORE.
FRANZEN, OLOV	HEPTYK	SAXOPHONE QUARTET	FAIMO	1987	14 MIN 30 SEC	M	C/U/HS	S.A.T.B. SEVEN MOVEMENTS OF CONTRASTING STYLES, SOME WITH RHYTHMIC COMPLEXITY. MOVEMENTS CAN STAND ALONE.
FRANZEN, OLOV	THE FLUTES ARE SINGING IN 3 PARTS	FLUTE TRIO	FAIMO	1986		E/M	C/U/HS	SIX ARRANGEMENTS AND FIVE COMPOSITIONS FOR 3 FLUTES. VERY PLAYABLE MATERIAL.
FREDIN, THORVALD	CONCERTINO FOR KONTRABAS OCH PIANO	STRING BASS & PIANO	SMIC	1998	10 MIN	M	C/U	MOVEMENTS: SCHERZO, ARIOSO, ALLEGRO. SLIGHTLY MORE DIFFICULT THAN THE OTHER LISTING HERE BY THIS COMPOSER. IN A CLEAN MS. NOTES IN TENOR CLEF AS WELL AS BASS CLEF.
FREDIN, THORVALD	ROMANTISK SVIT	STRING BASS & PIANO	SMIC	1998	10 MIN	M	C/U	THREE MOVEMENTS: DANS, NOCTURNE, RONDO. FOR THE SECOND YEAR STUDENT WHO IS GETTING SERIOUS. SOME DOUBLE STOPS AND IT CAN MOVE ALONG WITH A NUMBER OF NOTES. GOOD MS AND ACCOMPANIMENT.
FREDRIKSSON, LENNART	SONATA SCURA	STRING ORCHESTRA	SMIC	1988/2005	16 MIN 30 SEC	H	C/U	ON THE HIGH END OF STRING ORCHESTRA MATERIAL, MIXED METER, LOTS OF DIVISI, NOTES. ALL IN A FINE SCORE IN FOUR MOVEMENTS.
FRIBERG, TOMAS	PRELUDIUM OCH FUGA	BRASS SEXTET	SMIC	1987	4 MIN	M	C/U/HS	2TRPT,2HN,TRB,TBA. TWO SHORT MOVEMENTS MOSTLY IN 5/8 AND FAST TEMPOS. MUTES. GOOD RHYTHMIC FLOW.
FRIDOLFSON, RUBEN	ELEGI	VIOLIN & PIANO	SMIC	1992	4 MIN 30 SEC	E/M	C/U/HS	IN GOOD MS. A NICE FLOWING LINE WITH SOME HARMONIC TENSION. NICE INTERPLAY BETWEEN THE PIANIST AND VIOLINIST.
FRIDOLFSON, RUBEN	TRE SMA BAGATELLER FOR ORKESTER	ORCHESTRA	SMIC	1978	EST 4 1/2+MIN	M	C/U/HS	3FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,TMP,STRINGS. THREE MOVEMENTS IN A GOOD SCORE USING CLUSTERS AND CONTEMPORARY HARMONIES, YET HIGHLY PLAYABLE MUSIC. RENTAL ONLY.
FRIDOLFSON, RUBEN	TVA INTERMEZZI	ORCHESTRA	SMIC	1978	EST 6 1/2 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,PERC,TMP,STRINGS. TWO MOVEMENTS WITH DENSE CHORDS, CLUSTERS AND CONTEMPORARY SOUNDS. RHYTHMICALLY NOT DIFFICULT, BUT SOME EXTREME REGISTERS. RENTAL ONLY.
FRIDOLFSON, RUBEN SVIT FOR BRASSENSEMBLE	SVIT FOR BRASSENSEMBLE	BRASS SEXTET	SMIC	1991	8 MIN 30 SEC	M	C/U	2 C TRPT,HN,2TRB,TBA. FOUR SHORT MOVEMENTS IN CLEAN MS. SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. SOME INTERESTING HARMONIES. PLAYABLE BY THE C/U STUDENT GROUP.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	FLUTE & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE, SHORT PIECE THAT IS MUSICAL.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	OBOE & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE SHORT PIECE THAT IS MUSICAL AND PLAYS.
FRUMERIE, GUNNAR DE	ANDANTE SERIOSO	VIOLIN & ORGAN	GEHRMANS	1980	4 MIN	E	C/U/HS	NICE SHORT PIECE THAT IS MUSICAL.
FRUMERIE, GUNNAR DE	DANSSVIT	WIND ENSEMBLE	NILS-GEORGS	1966	6 MIN	E/M	C/U/HS	2FL,3CL,BCL,AS,TS,BS,HN,3TRPT,TRB,TBA,PERC,SB,ALTO HN,PIANO. 4 SHORT MOVEMENTS THAT ARE VERY PLAYABLE. EACH MOVEMENT IS DANCE-LIKE.
FRUMERIE, GUNNAR DE	ELEGISK SVIT, OP 37	CELLO & PIANO	SUECIA	1984	EST 10-12 MIN	M/H	C/U	I. ARIA 2. DANS 3. RECITATIV 4. MARSCH 5. INTERMEZZO 6. FINALE: ALLEGRO FURIOSO. FINE COMPOSER AND GOOD USE OF THE INSTRUMENTS IN A STRAIGHT AHEAD WORK.
FRUMERIE, GUNNAR DE	KONSERT FOR TRUMPET, OP 52	TRUMPET & PIANO	GEHRMANS	1961	18 MIN	H	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. C & Bb PARTS PROVIDED. REASONABLE RANGE, RHYTHMIC. ORCHESTRA PARTS ON RENTAL.
FRUMERIE, GUNNAR DE	KONSERT FOR VALTHORN OCH ORKESTER	HORN & PIANO	GEHRMANS	1974	20 MIN	H	C/U	A MAJOR WORK THAT IS CHALLENGING BUT PLAYABLE. TWO MOVEMENTS. ORCHESTRA PARTS ON RENTAL.
FRUMERIE, GUNNAR DE	PASTORAL SVIT	FLUTE & PIANO	NORDISKA	1944		E/M	C/U/HS	1 .PRELUDIUM 2. GAVOTT 3. SARABAND 4. SICILIANO 5. FINAL: ALLEGRO VIVACE. CONTEST OR RECITAL. ORCHESTRA ACCOMPANIMENT IS SUPPOSED TO BE AVAILABLE, CONTACT NORDISKA MUSIKFÖRLAGET.
FRUMERIE, GUNNAR DE	SONAT FöR TROMBON OCH PIANO, OP 81b	TROMBONE & PIANO	GEHRMANS	1988	23 MINUTES	H	C/U	ORCHESTRA SCORE & PARTS AVAILABLE. COMPOSED FOR CHRISTIAN LINDBERG, EXPECT A CHALLENGE.
FRUMERIE, GUNNAR DE	SUITE IN ANCIENT STYLE FOR SMALL ORCHESTRA, OP 5b	ORCHESTRA	SUECIA	1931	EST 12 MIN	M	C/U/HS	2FL,2CL,ACL,BCL,2OB,2BSN,2COR,TRPT,STRINGS. 1. PRELUDIUM 2. SARABANDE 3. GAVOTTE 4. MUSETTE 5. SICILIENNE 6. GIGUE. SHORT MOVEMENTS AND PLAYABLE BY ALL, BUT WORTHY MUSIC. SCORE FOR SALE, PARTS RENTAL.
FRUMERIE, GUNNAR DE	SVIT FOR BLASKVINTETT, OP 71	WOODWIND QUINTET	GEHRMANS	1976	17 1/2 MIN	H	C/U	1. INTRODUKTION 2. FUGA 3. SARABAND 4. SICILIANO 5. TARENTELLA. GOOD SCORE - GOOD COMPOSER.
FRYMAN AND PADDOCK/LASSE SAMUELSSON	I EN GRONMALAD BAT	STAGE BAND	EHRLING	1978		M	C/U/HS	EASY SWING, TENOR SOLO, MESSY SCORE.
GAFVERT, HANS-AKE/STIG GUSTAFSON	I SVENSK FOLKTON	BAND	EHRLING	1980	EST 6 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB. 4 MOVEMENTS: SLÅTTERTRALL, VALL-LÅT, SKÄN-LÅT, VISA OCH DANS. 2ND MOVE IS CLARINET SOLO. EACH MOVEMENT IN A DIFFERENT KEY. TYPICAL SWEDISH BAND MUSIC. CONDENSED SCORE.
GLASER, WERNER WOLF	ALLEGRO, CADENZA E ADAGIO	SAXOPHONE(ALTO) & PIANO	SUECIA	1950	EST 5-6 MIN	H	C/U	MANY NOTES BUT OPPORTUNITY TO DISPLAY MUSICIANSHIP AS WELL.
GLASER, WERNER WOLF	QUARTETTO PER SASSOFONI	SAXOPHONE QUARTET	SMIC	1984	18 MIN	M/H	C/U	THREE MOVEMENTS IN A MAJOR WORK WITH PLAYABLE RHYTHMIC CHALLENGES.
GLASER, WERNER WOLF	SONATA	OBOE & PIANO	SMIC	1986		M/H	C/U/HS	FOUR MOVEMENTS, THREE QUITE SLOW AND SUSTAINED. ALL CAN STAND ALONE.
GLASER, WERNER WOLF	SONATA	SAXOPHONE(ALTO) & PIANO	SMIC	1986	15 MIN	M/H	C/U	THREE MOVEMENTS THAT ARE IDEAL FOR THE COLLEGE RECITALIST. A COMFORTABLE CHALLENGE.
GOTSKOSIK, OLEG	TWELVE SONGS WITHOUT WORDS	FLUTE ALONE	SMIC	1986	22 MIN	H	C/U	VERY DIFFICULT, 12 SHORT MOVEMENTS.
GRAHN, ULF	ALONE	FLUTE ALONE	SEESAW	1972	8 MIN	H	C/U	NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE WITH CLEAR EXPLANATIONS. GOOD INTRO TO NONTRADITIONAL NOTATION.
GRAHN, ULF	CONVERSATION	PERCUSSION ENSEMBLE	SMIC	2002	EST 4 MIN 30 SEC	M	C/U	FOUR PERCUSSIONISTS EACH USING 2 WOODBLOCKS/2 DRUMS. IF PITCHED, THE TWO PITCHES SHOULD BE BE LARGER THAN m3. COMPOSER SUGGESTS HAT THE FOUR PERFORMERS SURROUND THE AUDIENCE. SHOULD HAVE GOOD AUDIENCE APPEAL.
GRAHN, ULF	HALLOWEEN	CLARINET ALONE	SEESAW	1970	10 MIN	H	C/U	NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE. MODEST RANGE REQUIREMENTS.
GRAHN, ULF	OUTSIDE THE WINDOW	TRUMPET ALONE	SEESAW	1976	5 1/2/MIN	H	C/U	NONTRADITIONAL NOTATION WITH CLEAR INSTRUCTIONS. MUTES, RANGE TO HIGH C. GOOD SCORE.
GRAHN, ULF	SIGNALER	BRASS QUARTET	SMIC	1968	7+MIN	E/M	C/U	SIX MOVEMENTS, 4, 5 & 6 USE NONTRADITIONAL TECHNIQUES. 1, 2 & 3 ARE QUITE EASY BUT HAVE UNUSUAL RHYTHMS & SOUNDS.
GRAHN, ULF	TRE MINIATYRER	BASSOON & PIANO	SMIC	2000	5 MIN	M/H	C/U	THREE MOVEMENTS: LENTO, ALLEGRETTO, ADAGIO. THE NOTES ARE NOT TOO HARD, BUT THE HARMONY WILL NEED CAREFUL ATTENTION TO MAKE THIS INTO MUSIC.
GRAHN, ULF	TRIO	WOODWIND TRIO	SEESAW	1967	8 MIN	M/H	C/U	FL,OB,CL. FOUR SHORT MOVEMENTS. 1. HAS MANY METER CHANGES AND 4. IS VERY ENERGETIC. A GOOD SCORE.
GRAHN, ULF	TROMBONE UNACCOMPANIED!?!	TROMBONE ALONE	SEESAW	1977	8 MIN	H	C/U	A WELL CONSTRUCTED SOLO PIECE WITH MULTI-PHONICS AND OTHER NONTRADITIONAL TECHNIQUES.
GRANDERT, JOHNNY	A-NI-TA'	BAND	SMIC	1981	CA 13 MIN	H	C/U	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,5TRPT,4TRB,EUP,TBA, 2PERC,TMP,SB. DENSE BUT GOOD SCORE, PLAYABLE, LOOKS LIKE FUN.
GRANDERT, JOHNNY	KVARTETT FOR FLOJTER NR. 2	FLUTE QUARTET	SMIC		4 MIN.			3FL,A-FL.
GRANDERT, JOHNNY	KVARTETT FOR FLOJTER NR. 3	FLUTE QUARTET	SMIC		3 MIN. 30 SEC.	M	C/U/HS	3FL,A-FL. NO SURPRISES. FOUR COMPETENT PLAYERS SHOULD BE ABLE TO MAKE MUSIC AND ENJOY DOING IT.
GRANDERT, JOHNNY	KVINTETT FOR FLOJTER NR. 1	FLUTE QUINTET	SMIC		3 MIN. 30 SEC.	M/H		PIC-FL,2FL,A-FL,B-F. STRAIGHT AHEAD MATERIAL, BUT EVEN THE BASS FLUTE HAS TO MOVE THE FINGERS.
GRANDERT, JOHNNY	LES BATEAUX S'EMBRASSENT	WIND ENSEMBLE	SUECIA	1978	10 MIN	H	C/U	PIC,FL,2HN,4TRPT,4TRB,TBA,PERC. SCORE IS A FINE CHALLENGE WITH SOME NONTRADITIONAL NOTATION AND TECHNIQUES. ALL MUST BE ABLE TO COUNT!
GRANDERT, JOHNNY	SKOROGOWORKA	BAND	NORDISKA	1973	7 MIN	H	C/U	PIC,3FL,3CL,BCL,3OB,2BSN,AS,2TS,BS,5HN,5TRPT,4TRB,3TBA,3PERC,TMP, EH,CBSN. NONTRADITIONAL NOTATION IN A LARGE SCORE. RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL.
GRANDERT, JOHNNY	SYMFONI NR 6	BAND	SMIC	1982	19 MIN	H	C/U	PIC,4FL,2CL,BCL,3OB,AS,BS,3COR,5TRPT,4TRB,TBA,2PERC,TMP,SB,EH, CBCL,PIANO,CBSN. ONE MOVEMENT WITH CHANGES IN STYLE AND TEMPO QUITE FREQUENT. DENSE HARMONY, CLUSTERS. ONLY THE BEST WILL SURVIVE THIS FINE SCORE!
GRIMS-LAND, EBBE	INNAN FAGELN LYFTER	VIOLIN & PIANO	SUECIA	1993	7 MIN 30 SEC	H	C/U	(BEFORE THE BIRD TAKES WING) HARD MUSIC, BUT AN INTERESTING SCORE FOR THE ADVANCED STUDENT. MIXED METER AND RHYTHMIC PROBLEMS FOR BOTH INSTRUMENTS.
GRIMS-LAND,EBBE	BLASER-BLUES	WIND ENSEMBLE	SMIC	1979	7 MIN 30 SEC	H	C/U	PIC,CL,OB,BSN,TS,3HN,2TRPT,2TRB,TBA,PERC,TMP. BEST WITH ONE ON A PART. CLARINET CAN DOUBLE THE SAXOPHONE PART.
GRIPPE, RAGNAR	SIX PIECES POUR HAUTBOIS ET CORDES	OBOE & STRING ORCHESTRA	SMIC	1989	CA 6 1/2 MIN	M	C/U/HS	THE SIX SECTIONS ARE ATTACCA. PLAYABLE MUSIC IN A CLEAN SCORE. RENTAL ONLY.
GULLIN, LARS	MAY-DAY	STAGE BAND	SMIC			M/H	C/U	CONCERT STYLE PIECE WITH MANY DOUBLES SUCH AS FLUTE, CLARINET, BASS CLARINET, FLUEGELHORN AND SSAX. TIME SIGNATURE CHANGES BUT MOSTLY IN 3/4.
GULLIN, LARS/LARS SJOSTEN	DYNINGAR	STAGE BAND	SMIC			M	C/U/HS	DOUBLES ON FLUTE, CLARINET. SOLOS FOR TENORS, PIANO & TRUMPET. JAZZ WALTZ. GOOD SCORE.
GULLIN, LARS/LARS SJOSTEN	S.H.T.	STAGE BAND	SMIC			M	C/U	DOUBLES ON FLUTE. SOME TIME AND STYLE CHANGES.
GULLIN, LARS/LARS SJOSTEN	THE HAMBO COMBO	BAND	SUECIA	1982	EST 4 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB,ELECTRIC BASS. SWINGS IN 3/4 ALL THE WAY, FINE PROGRAM MATERIAL, GULLIN AND SJÖSTEN - 2 GREAT JAZZ MUSICIANS.
GULLIN, PETER	PANORAMA I-II	STAGE BAND	SMIC	1984		H	C/U/HS	IN MS AND A NICE CHALLENGE.
GULLIN, PETER	PICTURES IN BRASS	BRASS QUINTET	SMIC	1983		M/H	C/U	NINE SHORT MOVEMENTS WITH MODEST RANGE REQUIREMENTS.
GUSTAFSON, STIG	FOLKLATAR FOR KLARINETTER	WOODWIND ENSEMBLE	GEHRMANS	1978		E/M	C/U/HS	FL,OB,3CL,BCL,BSN. 5 FOLK TUNES ARRANGED BY ONE OF SWEDEN'S BEST ARRANGERS.
GUSTAFSON, STIG	GOD JUL!	BAND	LEMA	1982	5 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, 2PERC,SB. 5 CHRISTMAS TUNES OF SWEDEN. NICE BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION.
GUSTAFSON, STIG	KRING GRANEN	BAND	LEMA	1982	5 1/2 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,2PERC,SB. A MEDLEY OF SEVEN SWEDISH CHRISTMAS MELODIES. EASY BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED BY LESS THAN FULL INSTRUMENTATION.
GUSTAFSON, STIG	KRISTALLEN DEN FINA	BAND	LEMA	1986	3 MIN 15 SEC	E	HS/JHS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,SB. A NICE LITTLE 3/4 SONG, CAN BE PLAYED BY A SMALL BAND WITH INCOMPLETE INSTRUMENTATION. ONE OF STIG'S BEST! MARCH SIZE.
GUSTAFSON, STIG	OSTERBOTTNISK SVIT	BAND	LEMA	1985	6 MIN	E	HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. THREE MOVEMENTS BY AN EXCELLENT CONDUCTOR, EDUCATOR, COMPOSER & ARRANGER.
GUSTAFSON, STIG	TRE MELODIER I ADVENT	BAND	GEHRMANS	1979	4 MIN	E	HS/JHS	PIC,FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. 3 SWEDISH MELODIES FOR THE ADVENT SEASON. EXCELLENT ARRANGER AND WORK!
HAGSTEDT, FREDRIK	IDEA	WIND ENSEMBLE	SMIC	2001 10 MIN	10 MIN	M/H	C/U	FL,OB,BSN,3CL,BCL,3TRPT,2HN,3TRB,EUP,TBA,STBS,TIMP. A SLOW OPENING IN THE WOODWINDS TO A TRANSITION BY THE TROMBONE SECTION AND THEN TO THE FULL ENSEMBLE. GAINS INTENSITY THROUGH THE WORK AND THEN ENDS QUIETLY.
HALLANDER, SVERKER	SONG OF THE SWEDISH FISHERMAN	BAND	GEHRMANS	1979		E/M	HS/JHS	PIC,FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,2TRPT, 4TRB,EUP,2TBA,3PERC,TMP,EbCOR,3 VALVE TRB-OPT. SHORT PLAYABLE PIECE WITH A WELL CRAFTED SCORE.
HALLBERG,BENGT	HALLRISTNINGAR (ROCK-CARVINGS)	WIND ENSEMBLE	NORDISKA	1974	15 MIN	H	C/U	2FL,2CL,2OB,2BSN,AS,TS,2HN,2TRPT,TRB,2PERC,TMP,SB,GUITAR,PIANO. TONE POEM FOR JAZZ SOLOISTS, INTERESTING RHYTHMIC THINGS, CAN OPEN FOR MORE SOLOS, HALLBERG IS A LEADING SWEDISH JAZZ MUSICIAN.
HALLENBERG, HOLGER/STIG GUSTAFSON	MUSIK FOR BLASORKESTER	BAND	LEMA	1988	7 1/2 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. PLAYABLE BY A GOOD JHS ENSEMBLE BUT WORTHY OF C/U PERFORMANCE.
HALLNAS, EYVIND	SERENAD FOR STRAKAR	STRING ORCHESTRA	SMIC	2006	3 MIN 50 SEC	M	C/U	SOME DIVISI, BUT A VERY PLAYABLE SCORE. A NICE, SHORT WORK FOR THE STRINGS.
HALLNAS, EYVIND	BLASKVINTETT	WOODWIND QUINTET	SMIC	1985	11 MIN	M	C/U	FL,OB,EH,CL,BCL. NOTE THE INSTRUMENTATION. THREE MOVEMENTS THAT ARE PLAYABLE WITH THIS UNUSUAL INSTRUMENTATION.
HALLNAS, EYVIND	CONCERTINO FOR VALTHORN OCH STRAKORKESTER	HORN & STRING ORCHESTRA	SMIC	1985	10 MIN	M	C/U	A GOOD WORK FOR THE COLLEGE STUDENT. RENTAL ONLY.
HALLNAS, EYVIND	ELEGI	HORN & STRING ORCHESTRA	SMIC	1985	4 MIN 30 SEC	M	C/U	A SONG FOR HORN, NOT TECHNICAL. RENTAL ONLY.
HALLNAS, EYVIND	TRE ARABESKER FOR FYRA VALTHORN	HORN QUARTET	SMIC	1987		E/M	C/U/HS	THREE SHORT MOVEMENTS OF PLAYABLE MATERIAL.
HALLNAS, EYVIND	TRE ORKESTERSTYCKEN	ORCHESTRA	SMIC	1997	8 MIN	M	C/U/HS	PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,TBA,3PERC,STRINGS. MOVEMENTS: ALLEGRO, ALLEGRO MODERATO, ALLEGRO CON BRIO. A NICE, PLAYABLE SCORE FOR MANY ORCHESTRAS, NOT JUST THE C/U ENSEMBLES.
HALLNAS, EYVIND	TRIO	WOODWIND TRIO	SMIC	1985		M	C/U/HS	FL,EH,BCL. NOTE THE INSTRUMENTATION. THREE SHORT MOVEMENTS THAT ARE PLAYABLE.
HALLNAS, HILDING	CONCERTO PER ARCHI, TIMPANI E PERCUSSIONE	STRING ORCHESTRA	SUECIA	1959		M/H	C/U	FOUR MOVEMENTS OF VARYING DIFFICULTY THAT CAN STAND ALONE. ACCESSIBLE MUSIC. SCORE FOR SALE, PARTS RENTAL.
HALLNAS, HILDING	LEGEND	CLARINET & ORGAN	SMIC	1974	7 MIN	M	C/U/HS	ONE MOVEMENT THAT DOES NOT NECESSARILY SAY 'CHURCH' BUT IT PLAYS.
HALLNAS, HILDING	LEGEND	VIOLIN & ORGAN	SMIC	1979	7 MIN	M	C/U/HS	ONE MOVEMENT THAT DOES NOT NECESSARILY SAY 'CHURCH'.
HALLNAS, HILDING	STRAKKVARTETT, OP 32	STRING QUARTET	SUECIA	19449	EST 12-15 MIN	M/H	C/U	THREE MOVEMENTS FROM A FINE COMPOSER WITH STRAIGHT AHEAD MATERIAL AND MUSICAL INTEREST.
HAMBRAEUS, BENGT	CINQUE STUDI CANONICI PER DUE FLAUTI	FLUTE DUET	CANADIAN MUSIC CENTRE	1988	12 MIN	H	C/U	FIVE CHALLENGING MOVEMENTS FROM A FINE COMPOSER WITH ELECTRONIC AND IVESIAN BACKGROUND.
HAMBRAEUS, BENGT	INVOCATION	BRASS ENSEMBLE	SMIC	1971	8 MIN	H	C/U	2OB,5TRPT,4HN,3TRB,2TBA,3PERC. IVES INFLUENCE, CHALLENGING OBOE PARTS, QUICK NUANCES, MANY SUSTAINED NOTES WITH PERCUSSION OUTBURSTS.
HAMBRAEUS, BENGT	PARADE	BAND	SUECIA	1980	3 MIN	M/H	C/U	PIC,FL,EbCL,CL,4HN,3TRPT,3TRB,EUP,2TBA,3PERC. AN UNUSUAL CONCERT MARCH - TRICKY, COMPLICATED AND MOST INTERESTING. NOTE THE INSTRUMENTATION.
HANSEN, JAN	CONTRO	STRING ORCHESTRA	SMIC	1989	EST 8 MIN	H	C/U	HARMONIC AND RHYTHMIC INTEREST, MUCH DIVISI IN A GOOD SCORE FOR GOOD PERFORMERS. RENTAL ONLY.
HEDWALL, LENNART	PARTITA FOR TRETTON BLASARE	WIND ENSEMBLE	SMIC	1961	16 MIN	H	C/U	PIC,2FL,2CL,2OB,2BSN,2HN,2TRPT,TRB,TBA. 1.INTRODUCTION OCH CIACONA, 2.FUGA, 3.CANZONA, 4.TOCCATA. A GOOD SCORE WITH MUCH MUSICAL INTEREST.
HEDWALL, LENNART	SONATA AUTONNALE	CLARINET ALONE	SUECIA	1991	EST 9 MIN	H	C/U	INTRODUCTION, THEME AND FIVE VARIATIONS FOLLOWED BY AN EPILOGUE. RANGE TO G AN OCTAVE ABOVE THE STAFF. OPPORTUNITY TO SHOW FINGER FACILITY, EMOTION, MUSICALITY. A BIG CHALLENGE FROM A FINE COMPOSER.
HEDWALL, LENNART	SONATA NO.2 (VINTERBILDER - WINTER PICTURES)	BASSOON ALONE	SMIC	1992	13 MIN.	M/H	C/U	IN LEGIBLE MS. FOUR MOVEMENTS. USES THE FULL RANGE OF THE INSTRUMENT WITH REASONABLE MOVEMENT. NEED A SERIOUS COLLEGE/UNIVERSITY STUDENT TO MAKE IT WORK, BUT THE EFFORT WILL BE WORTH IT. GOOD COMPOSER!
HEDWALL, LENNART	VARIATIONER OCH FUGA	FLUTE DUET	NORDISKA	1975	7 MIN	M	C/U	ALSO FOR FLUTE AND OBOE.
HELGE, OLOV	BORERO	ORCHESTRA	SMIC	1996/98	6 MIN 30 SEC	M/H	C/U	2FL(PIC),2OB,CL,BCL,BSN,CBSN,2HN,2TRPT,TIMP,STRINGS. TIMPANI PLAYS AN IMPORTANT, THOUGH NOT DOMINANT ROLE. THE SCORE 1S INVITING AND SHOULD BE PLAYED!
HELGE, OLOV	ELASTIC DREAM	PERCUSSION ENSEMBLE	SMIC	1978/2005	3 MIN 15 SEC	M	C/U/HS	3 PLAYERS, EACH WITH SEVERAL NON-PITCHED INSTRUMENTS. SHORT, WELL LAID OUT FOR EASY LEARNING.
HELGE, OLOV	ETTOLARCO	CELLO ALONE	SMIC	1996	4 MIN 30 SEC	H	C/U	FOR THE ADVANCED CELLIST. DOUBLE AND TRIPLE STOPS LOTS OF USE OF THE GLIZZANDO WITH SPECIAL INSTRUCTIONS.
HENNEBERG, ALBERT	CONCERTINO	BASSOON & STRING ORCHESTRA	SMIC	1958	18 MIN	H	C/U	THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. MODEST CHALLENGE FOR THE BASSOONIST. RENTAL ONLY.
HENNEBERG, ALBERT	UVERTYR TO THE OPERA `BOLLA OCH BADIN'	ORCHESTRA	SUECIA	1955	4 MIN	M/H	C/U/HS	PIC,2FL,3CL,ACL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. NEED A SOLID HS ENSEMBLE OR BETTER. ENERGY DISPLAYED AT MM=144 IN 2/4. RENTAL ONLY.
HERMANSON, AKE	ALARME	HORN ALONE	WHANSEN	1971		H	C/U	A FEW DEMANDS MAKE THIS DIFFICULT. IT WILL TAKE A MATURE PLAYER TO MAKE IT GO.
HERMANSON, AKE	FLAUTO DEL SOLE	FLUTE ALONE	WHANSEN	1982	4 1/2 MIN	H	C/U	ONE MOVEMENT WITH MODEST CHALLENGE.
HERMANSON, AKE	NATURE THEME	OBOE ALONE	NORDISKA	1984	5 MIN	M	C/U/HS	NOTES NOT TOO DIFFICULT, THE CHALLENGE IS IN THE MUSIC.
HILLBORG, ANDERS	EXQUISITE CORPSE	ORCHESTRA	PETERS	2002	14 MIN	H	C/U	3FL(PIC),3OB(EH),2CL(BCL)(CBCL),2BSN (CBSN) ,4HN,3TRPT,3TRB,(CHIMBASSO MAY BE PLAYED BY TUBA),5PERC,HARP,PIANO,STRINGS. THIS FOR THE BEST C/U ENSEMBLES. LARGE ORCHESTRA, TIME NEEDED TO PUT TOGETHER. SEE HIS, ‘LIQUID MARBLE’.
HILLBORG, ANDERS	PRELUDE	CLARINET ALONE	SMIC	1998	3 MIN	M/H	C/U	THE NOTES ARE NOT THAT DIFFICULT, HOWEVER TO MAKE THE AUDIENCE LISTEN AND APPRECIATE THIS MUSIC, A MORE MATURE MUSICIAN IS NEEDED. YOU WILL LIKE THE SWEEP AND FLOW OF THE LINE. MAKE MUSIC WITH THIS PIECE!
HOGBERG, FREDRIK	CLOUD BALLOON	CLARINET ALONE	GEHRMANS	1996	EST 2 MIN 30 SEC	E/M	C/U/HS	GOOD FLOWING PIECE, MAY BE FOR THE FIST EXPERIENCE TRYING TO MAKE MUSIC WITHOUT AN ACCOMPANIST. GOOD RANGE FOR THE CLARINET PLAYER TO WORK IN.
HOGBERG, FREDRIK	DANCES FROM THE SOURCES OF HELICON	BRASS QUINTET	GEHRMANS	2000	4 MIN 45 SEC	M/H	C/U	TRUMPETS IN C. THE TUBA PART NEEDS HIGH RANGE (TRY THE BASS TROMBONE OR EUPHONIUM). ALL OTHER INSTRUMENTS PLAY IN COMFORTABLE RANGES. SOME TRICKY RHYTHMS.
HOGBERG, FREDRIK	MELANCHOLY TANGO	BRASS QUINTET	GEHRMANS	2000	EST 7 MIN	H	C/U	FOR FIVE BRASS PLAYERS AND THEIR VOICES. TRPTS IN C. THIS IS MATERIAL WITH COMIC AUDIENCE APPEAL. TRICKY RHYTHMS, AND OTHER PROBLEMS. BUT, THE AUDIENCE WILL ENJOY YOUR HARD WORK TO GET IT TO PERFORMANCE LEVEL.
HOLMGREN,JAN	LASTRINGE GANGLAT	BAND	SUECIA	1984	EST 2+MIN	E	HS/JHS	PIC,FL,EbCL,2CL,OB,2AS,2TS,4HN,2COR,3TRPT,4TRB,EUP,2TBA,3PERC. A NICELY SCORED SWEDISH FOLK MELODY WITH NO SURPRISES! STRAIGHT AHEAD & PLAYABLE.
HULTQVIST, ANDERS	SKOG III	STRING ORCHESTRA	SMIC	1992/93	EST 5+ MIN	M	C/U/HS	NO SURPRISES, JUST PLAY THE NOTES. ACCESSIBLE TO THE GOOD HS STRING PLAYER AND GOOD ENOUGH FOR EVERYONE. ALSO SEE HIS SKOG I AND II. ALL THREE WOULD MAKE A NICE SUITE.
ISAKSSON, MADELEINE	PATAR	CLARINET DUET	SMIC	1986	4 MIN	M/H	C/U	FOR BASS CLARINET & ALTO CLARINET! RHYTHMIC PROBLEMS, BUT PLAYABLE.
JACOBSEN, JULIUS	CIRKUS SUITE	BAND	SUECIA		15 MIN	M/H	C/U/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,3COR,2TRPT,3TRB,EUP,TBA,2PERC. FOUR MOVEMENTS WITH MUCH AUDIENCE APPEAL, FREQUENT METER CHANGES, PLAYABLE AND WELL SCORED!
JACOBSEN, JULIUS	TUBA BUFFO	TUBA & BAND	SMIC		CA 7 MIN	H	C/U	2FL,2CL,2OB,2BSN,4HN,3TRPT,3TBA,2PERC,TMP,PIANO. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS.
JACOBSEN, JULIUS	TUBA BUFFO	TUBA & PIANO	SMIC		CA 7 MIN	H	C/U	BAND ACCOMPANIMENT AVAILABLE. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS.
JANSSON, GUNNAR	AS LONG AS YOU BREATHE	FLUTE ALONE	SMIC	1987		E/M	C/U/HS	SHORT - A GOOD INTRODUCTION TO FLUTE ALONE LITERATURE.
JANSSON, JOHANNES	CONCERTO PER CONTRABBASSO	STRING BASS & ORCHESTRA	SMIC	201	32 MIN	H	C/U	2FL,2OB,2CL,2BSN,4HN,2TRPT,2TRB,HARP,STRINGS. IN GOOD MS. IT IS PLAYED AS ONE MOVEMENT (LONG!), SOMETIMES VERY DENSE WHILE THE SOLOIST IS PLAYING. THE ORCHESTRA PARTS ARE CHALLENGING AS IS THE SOLOIST PART. PROFESSIONAL LEVEL MUSIC.
JANSSON, LEIF A	HOMMAGE	WOODWIND QUINTET	LEMA	1982	4 MIN	E/M	C/U/HS	EACH INSTRUMENT GETS TO HAVE ITS MOMENT. SEVERAL TEMPO CHANGES.
JANSSON, LEIF A	LASSIE	TUBA & BAND	LEMA	1990	7 MIN	M	C/U/HS	PIC,2FL.OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,2HN,3COR,2TRPT,BAR,3TRB,TBA,STRBS,TIMP,2PERC. SOLO FOR FINE COLLEGE OR PROFESSIONAL PLAYER, BAND PART EASIER.
JANSSON, LEIF A	PRESENTATION OCH PROMENAD I SKANE	WOODWIND QUINTET & BAND	LEMA	1982	9 MIN	M	C/U/HS	BAND GETS TO SING ONE CHORUS IF IT WANTS! GOOD CHANGE AND VARIETY IN THE MUSIC, IDEAL FOR CONCERT.
JEVERUD, JOHAN	INTRODUKTION	SAXOPHONE QUARTET	SMIC	1986	4 MIN	M/H	C/U/HS	SOME RHYTHMIC COMPLEXITY IN A NICE SCORE.
JEVERUD, JOHAN	KAMMARMUSIKBOK - FJARDE KAPITLET	VIOLIN & PIANO	SMIC	1996	13 MIN	M/H	C/U	TWO MOVEMENTS IN EXCELLENT MS. NO PARTICULAR PROBLEMS FOR THE PERFORMER, BUT A FEW SECTIONS WILL NEED CONSIDERABLE ATTENTION IN THE PRACTICE ROOM.
JEVERUD, JOHAN	SPEL MED HOGA KLUBBOR	PERCUSSION ENSEMBLE	SMIC	1992	7 MIN 30 SEC	M/H	C/U	SIX PLAYERS, MANY INSTRUMENTS. IN A GOOD MS. GOOD INSTRUCTIONS IN THE SCORE. EASIER THAN SOME AND PLAYABLE. NO SURPISES.
JEVERUD, JOHAN	TWO BALLADS FOR STRINGS	STRING ORCHESTRA	SMIC	1996	17 MIN	M/H	C/U	TWO MOVEMENTS OF PLAYABLE MUSIC. BOTH MOVEMENTS WITH A SONG TO SING PLUS A FEW EXTRA NOTES HERE AND THERE! GOOD SCORE. SEE ALSO THIS COMPOSERS, ’AUBADE FOR STRINGS’. BOTH ARE IN EXCELLENT MS.
JEVERUD, JOHAN	VINTERRESA	ORCHESTRA	SUECIA	2003	7 MIN	E/M	C/U/HS	2FL,2OB,2CL IN A,2BSN,2HN,2TRPT,2TRB,TBA,TIMP,STRINGS. COMPOSED FOR A SWEDISH YOUTH SYMPHONY. IT SKATES THROUGH THE WORK IN A MODERATELY FAST MOVING 3/4.
JOHANSON, SVEN-ERIC	BEAT, BEAT, BEATEN (SLAG I SLAG)	PERCUSSION ALONE	SMIC	1979		H	C/U	A GOOD SCORE OF DIFFICULT MUSIC WITH ONE PERSON PLAYING MANY INSTRUMENTS.
JOHANSSON, BJORN	CONCERTINO PER CINQUE STRUMENTI A FIATO	WOODWIND QUINTET	SMIC		CA 19 MIN	M/H	C/U	FOUR MOVEMENTS THAT CAN STAND ALONE. A MAJOR WORK BY A WELL RESPECTED COMPOSER.
JOHANSSON, GUNNAR	MARCIA SINFONICA	BAND	LEMA	1987	5 + MIN	M	C/U/HS	2FL,EbCL,4CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,4TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB,SS. CONCERT MARCH ON MATERIAL BY D'ORSI.
JONSSON, JOSEF	FANTASIA ELEGIACA	VIOLA & PIANO	SUECIA	1940	EST 3 MIN	M	C/U	A FLOWING MUSICAL LINE WITH APPROPRIATE PIANO ACCOMPANIMENT. USUAL ALTO CLEF, BUT MOVES TO TREBLE CLEF AND SOME DOUBLE STOPS.
JONSSON, JOSEF	SVIT, OP 53	BAND	SMIC	1950		M/H	C/U	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP. 1 ALLA MARCIA, 2 ANDANTE ESPRESSIVO, 3 SCHERZO, 4 FUGA. NOTE THE INSTRUMENTATION. STRAIGHT AHEAD MATERIAL AND MOVEMENTS CAN STAND ALONE. NEED STRONG BASSOONS. LIKE A CHAMBER WORK.
JOSJO, MARTEN	PRAECENTIO	ORCHESTRA	SMIC	2003	5 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,TMP,STRINGS. CONTEMPORARY SETTING OF THE PRIZE WINNING WORK. A BIG CHALLENGE FOR THE VERY GOOD C/U GROUP.
KALLSTENIUS, EDVIN	DIVERTIMENTO, OP 29	WOODWIND QUINTET	SMIC	1943	15 MIN	M/H	C/U	THREE MOVEMENTS OF PLAYABLE MUSIC WITH NO SURPRISES FROM A GOOD COMPOSER.
KALLSTENIUS, EDVIN	KLARINETT-KVINTETT, OP 17	CLARINET & STRING QUARTET	SUECIA	1930	EST 11-12 MIN	H	C/U	NOT A CLARINET SOLO - EVERYBODY WORKS! THREE MOVEMENTS THAT CAN STAND ALONE.
KALLSTENIUS, EDVIN	SVIT, OP 23	WIND ENSEMBLE	SMIC	1938	12 MIN	M	C/U/HS	2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,TMP. 1 MARSCH, 2 POLONAISE, 3 MARCHFUNEBRE, 4 BURLESK. BEST PLAYED ONE ON A PART.
KARKOFF, INGVAR	CHANT	SAXOPHONE AND ORGAN	SMIC	1997	3 MIN	E/M	C/U/HS	AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE.
KARKOFF, INGVAR	CONCERTO FOR TRUMPET & SYMPHONIC BAND	TRUMPET & BAND	SMIC	2002	18 MIN.	H	C/U	2FL (PIC),2OB (ENGHN),EbCL,3CL,BASCL,2BSN,2AS.TS,BS,4HN,4TRB,2TBA,3PERC,PIANO,STRBS. SOLO TRUMPET IN C. ONE LONG PIECE, ACCOMPANIMENT PARTS ARE INTERESTING, THE TRPT SOLO IS VERY PLAYABLE AND THE WORK DESERVES PERFORMANCES.
KARKOFF, INGVAR	DREAM	WIND ENSEMBLE	SMIC	2000	11 MIN, 30 SEC	H	C/U	FL,OB,BSN,3CL,3TRPT,2HN,3TRB,EUP,TBA,SRBS,DRUM SET. INTENDED FOR THE SMALL BAND OR WIND ENSEMBLE. WRITTEN AS MOVIE MUSIC AFTER A ROBERTO CANALES FILM. EPISODIC, WITH SHORT SCENES, ETC.
KARKOFF, INGVAR	MEDITATION I, II, III	VIOLA & PIANO	SMIC	1992	9 MIN	M	HS/JHS	THREE MOVEMENTS. VERSIONS FOR ALTO FLUTE, CLARINET AND ALTO SAXOPHONE. IF YOU WANT TO PLAY THIS WORK, NEED GREAT PIANO PLAYER. THE VIOLA FLOATS ON TOP OF A LOT OF PIANO NOTES IN THE FIRST MOVEMENT, THEN JOINS IN THE FUN IN THE SECOND. THIRD MOVEMENT SLOW AND SERIOUS.
KARKOFF, INGVAR	NATTSTYCKEN (NIGHT PIECES)	FLUTE(ALTO) & HARP	SMIC	1989		H	C/U	FOUR MOVEMENTS FOR AN UNUSUAL COMBINATION. WORK NEEDED BUT NO SPECIAL PROBLEMS.
KARKOFF, INGVAR	PROCESS	BAND	SMIC	1980	12 MIN	H	C/U	PIC,4FL,3CL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,5PERC,PIANO. ESOTERIC WITH SOME NONTRADITIONAL NOTATION, RHYTHMIC CHALLENGES, FINE PERCUSSION PARTS. UNUSUAL INSTRUMENTATION.
KARKOFF, INGVAR	SOMMARMUSIK FOR SAXOFONKVARTETT	SAXOPHONE QUARTET	SMIC	2004	9 MIN 30 SEC	E/M	C/U/HS	SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS.
KARKOFF, MAURICE	6 PEZZI BREVI, OP 113	OBOE ALONE	GEHRMANS	1977		M	C/U/HS	SIX SHORT SECTIONS: 1. MEDITAZIONE, 2. PASTORALE, 3. SCHERZETTO, 4. CANZONETTA, 5. CAPRICCIO, 6. CONTEMPLAZIONE. MUSICAL AND PLAYABLE.
KARKOFF, MAURICE	A SHORT SYMPHONY FOR SYMPHONIC BAND, OP 147	BAND	SMIC	1981	14 MIN	H	C/U	PIC,FL,4CL,BCL,OB,2BSN,AS,TS,2HN,2COR,2TRPT,2TRB,EUP,TBA,2PERC, TMP,SB. 3 MOVEMENTS. MOVEMENTS 1 & 3 HAVE RHYTHMIC COMPLEXITY. GOOD SCORE.
KARKOFF, MAURICE	CEREMONIMUSIK NR 1, OP 134	BAND	SMIC	1977	4 MIN	H	C/U	3FL,EbCL,6CL,AS,TS,BS,4HN,6COR,3TRB,2EUP,2TBA,2PERC,TMP. NOTE INSTRUMENTATION! FREQUENT METER CHANGES IN A PLAYABLE SCORE.
KARKOFF, MAURICE	CONCERTO, OP 132	TRUMPET & ORCHESTRA	SMIC	1976	20 MIN	H	C/U	FL,CL,BCL,OB,BSN,2HN,TRB,4PERC,STRINGS. FOUR MOVEMENT WORK FOR THE VERY BEST. STRAIGHT AHEAD AND HARD FOR BOTH SOLOIST AND ORCHRSTRA. RENTAL ONLY.
KARKOFF, MAURICE	KORTA VARIATIONER, OP 9	STRING ORCHESTRA	SUECIA	1963	EST 9 1/2 MIN	M	C/U	EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST BUT FEW PROBLEMS FOR PERFORMANCE. SCORE FOR SALE, PARTS RENTAL.
KARKOFF, MAURICE	KORTA VARIATIONER, OP 9	STRING QUARTET	SUECIA	1963	EST 9 1/2 MIN	M	C/U	EIGHT SHORT MOVEMENTS FOR QUARTET OR STRING ORCHESTRA. MUCH VARIETY AND INTEREST -- FEW PROBLEMS FOR PERFORMANCE.
KARKOFF, MAURICE	KVARTETT FOR MASSINGSBLASARE, OP 33	BRASS QUARTET	SUECIA	1973	14 MIN	H	C/U	FOUR MOVEMENTS THAT CAN STAND ALONE. MIXED METER. NEEDS REHEARSAL. 2TRPT,HN,TRB. COMFORTABLE CHALLENGE.
KARKOFF, MAURICE	POEM (DROMMERI), OP 165	CLARINET & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	POEM (DROMMERI), OP 166	SAXOPHONE(ALTO) & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	POEM (DROMMERI), OP 166	VIOLA & PIANO	SMIC	1988	17 MIN	H	C/U	A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
KARKOFF, MAURICE	TRE COLORI, OP 142	STRING ORCHESTRA	GEHRMANS	1978	5 MIN	H	C/U	THREE MOVEMENTS, MIXED METER , PARTS PLAYABLE.
KARLSSON, SVANTE/STIG GUSTAFSON	MALM-GUTTEN (MARCH)	BAND	LEMA	1986	2 MIN 40 SEC	E/M	HS/JHS	GOOD SCORING FOR INCOMPLETE BANDS, 6/8 MARCH, CLEAN SCORE. PARTS ARE MARCH SIZE. STANDARD INSTRUMENTATION.
KEMPE, HARALD	SERENAD	OBOE & PIANO	SMIC	1945	11 1/2 MIN	M	C/U/HS	1. MARCIETTA, 2. ARIA, 3. CANZONETTA QUASI MINUETTO, 4. MARCIA BURLESKA. MOVEMENTS CAN STAND ALONE. STRAIGHT AHEAD MATERIAL.
KOCH, ERLAND VON	AUDA	BRASS QUINTET	PEER	1981	10 MIN	M	C/U	THREE MOVEMENTS THAT CAN STAND ALONE. ITS STRAIGHT AHEAD.
KOCH, ERLAND VON	CANTILENA - VIVO	SAXOPHONE QUARTET	GEHRMANS	1978	4 1/2 MIN	E/M	C/U/HS	S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL.
KOCH, ERLAND VON	CANTILENA E MARCIA POPULARE NO.1	STRING ORCHESTRA	GEHRMANS	1978	5 MIN	E	C/U/HS	GOOD COMPOSER OF MUSIC THAT IS PLAYABLE AND WORTHWHILE FOR SCHOOL ENSEMBLES.
KOCH, ERLAND VON	CAPRICIETTO	FLUTE & PIANO	SMIC	1992	est. 2 min	M	C/U/HS	OTHER THAN SOME VERY HIGH REGISTER PLAYING, THIS IS VERY PLAYABLE MUSIC. PIANO ACCOMPANIMENT IS NOT HARD, BUT APPROPRIATE.
KOCH, ERLAND VON	DANS NO 2	CELLO & PIANO	NORDISKA	1938	CA 3 MIN	M/H	C/U	STRAIGHT AHEAD RECITAL TYPE PIECE.
KOCH, ERLAND VON	DANS NO 2	VIOLIN & PIANO	NORDISKA	1938	CA 3 MIN	M/H	C/U	STRAIGHT AHEAD RECITAL TYPE PIECE.
KOCH, ERLAND VON	FESTMARSCH	ORCHESTRA	SMIC	1974	4 1/2 MIN	M/H	C/U/HS	PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. A SLOW CONCERT MARCH MARKED MM=80. GOOD SCORE. RENTAL ONLY.
KOCH, ERLAND VON	FOLKLIG MARSCH NR 2	STRING ORCHESTRA	SMIC	1983	EST 3 MIN	E	C/U/HS	FOLK TUNE & STRAIGHT AHEAD. VLN 3 SUB FOR VIOLA IF NEEDED. NICE AND EASY. RENTAL ONLY.
KOCH, ERLAND VON	MELO-RITMO	BRASS QUINTET	GEHRMANS	1980	6 MIN	M/H	C/U	IT WORKS AND IS VERY PLAYABLE. TWO MOVEMENTS.
KOCH, ERLAND VON	MELODI	FLUTE & PIANO	SMIC	I992	est. 2 min 15 sec	E/M	C/U/HS	THE COMPOSER SUGGESTS THAT THE WORK MAY BE PLAYED BY ANY TREBLE CLEF INSTRUMENT. HE ALSO WRITES THAT IT CAN BE PLAYED SUCCESSFULLY WITHOUT PIANO ACCOMPANIMENT.
KOCH, ERLAND VON	"MINIATYRER" FOR SAXOPHONE QUARTET	SAXOPHONE QUARTET	BREITKOPF & HÄRTEL	1970		M/H	C/U/HS	S.A.T.B. FOUR MOVEMENTS OF VERY PLAYABLE MATERIAL IN GOOD RANGES FOR THE INSTRUMENTS.
KOCH, ERLAND VON	MONOLOG NR 1	FLUTE ALONE	GEHRMANS	1977	6 MIN	M/H	C/U/HS	TWO MOVEMENTS OF PLAYABLE CHALLENGE BY A GOOD COMPOSER.
KOCH, ERLAND VON	MONOLOG NR 11	PERCUSSION ALONE	GEHRMANS	1978		M/H	C/U	MANY INSTRUMENTS AND EXCELLENT FOR RECITAL.
KOCH, ERLAND VON	MONOLOG NR 15	VIOLIN ALONE	GEHRMANS	1978	5 1/2 MIN	M/H	C/U/HS	RECITAL OR STUDIO MATERIAL. GOOD UNDERSTANDING OF THE INSTRUMENT DISPLAYED BY THE COMPOSER.
KOCH, ERLAND VON	MONOLOG NR 2	OBOE ALONE	GEHRMANS	1977	6 MIN	M	C/U/HS	TWO MOVEMENTS OF PLAYABLE, STRAIGHT AHEAD MATERIAL.
KOCH, ERLAND VON	MONOLOG NR 3	CLARINET ALONE	GEHRMANS	1977	6 MIN	M	C/U	TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER. ALSO FOR Eb CLARINET AND BASS CLARINET.
KOCH, ERLAND VON	MONOLOG NR 4	SAXOPHONE ALONE	GEHRMANS	1977	5 1/2 MIN	M	C/U/HS	TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER AND DEDICATED TO SIGRUD RACSHER.
KOCH, ERLAND VON	MONOLOG NR 6	HORN ALONE	GEHRMANS	1977	6 MIN	H	C/U	TWO MOVEMENTS USING EXTREME RANGES. MOVEMENT 1 IS EXPRESSIVE AND 2 MOVES.
KOCH, ERLAND VON	MONOLOG NR 7	TRUMPET ALONE	GEHRMANS	1977	5 MIN	M	C/U	TWO MOVEMENTS USING MODEST RANGE. MUSICALLY CHALLENGING.
KOCH, ERLAND VON	MONOLOG NR 8	TROMBONE ALONE	GEHRMANS	1977	6 MIN	H	C/U	STUDY MATERIAL OR FIRST SOLO ALONE. 2 MOVEMENTS, TO HIGH C.
KOCH, ERLAND VON	MONOLOG NR 9	TUBA ALONE	GEHRMANS	1977	2 1/2 MIN	M/H	C/U/HS	TWO MOVEMENTS WITH HIGH TESSITURA, BUT OSSIA PARTS AVAILABLE.
KOCH, ERLAND VON	PIANO CONCERTO NR 3 (VERSION B)	BAND & PIANO	SMIC	1970	14 MIN	M/H	C/U	PIC,2FL,4CL,BCL,2OB,2BSN,AS,2TS,2HN,2COR,2TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. THREE MOVEMENT OPPORTUNITY FOR THE FACULTY PIANIST OR TOP STUDENT PERFORMER. BAND DEMANDS ARE MODEST.
KOCH, ERLAND VON	RONDO	SAXOPHONE(ALTO) & STRING ORCH	DORN PUBLICATIONS	1983	CA 4 MIN	M	C/U/HS	VERY PLAYABLE BY A GOOD COMPOSER.
KOCH, ERLAND VON	RONDO	ALTO SAXOPHONE & STRING ORCHESTRA	SMIC	1983	CA 4 MIN	M	C/U/HS	VERY PLAYABLE BY A GOOD COMPOSER. RENTAL ONLY.
KOCH, ERLAND VON	SAXOPHONIA	SAXOPHONE QUARTET & BAND	DORN PUBLICATIONS	1976	18 MIN	M	C/U/HS	PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES.
KOCH, ERLAND VON	TROMBONIA	TROMBONE & ORGAN	SMIC	1983	CA 5 MIN	H	C/U	ONE MOVEMENT, MODERATO, SOME HIGH REGISTER. STRING ORCHESTRA PARTS AVAILABLE.
KOCH, ERLAND VON	TUBA CONCERTO	TUBA & STRING ORCHESTRA	GEHRMANS	1978	14 MIN	H	C/U	THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. SCORE FOR SALE, PARTS RENTAL.
KOCH, ERLAND VON	TUBA CONCERTO	TUBA & PIANO	GEHRMANS	1978	14 MIN	H	C/U	THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. STRING ORCHESTRA PARTS AVAILABLE.
KOCH, ERLAND VON	TUBANIA	TUBA & PIANO	SMIC	1983		H	C/U	EXTREME HIGH REGISTER FOR TUBA. IT LAYS WELL FOR THE EUPHONIUM. GOOD SCORE. ONE MOVEMENT.
KOCH, ERLAND VON/ERNST KALLBERG	RYTMISKA STRAKBAGATELLER`FYRA STYCKEN FOR RHTHMISK	STRING ORCHESTRA	GEHRMANS	1979	10 MIN	M	C/U/HS	THREE MOVEMENTS FROM 'FYR STYCKEN FUR RHTMISKA FOR PIANO.' LOTS OF DIVISI.
KOCH, ERLAND VON/GOSTA MORBERG	EN SOMMARLAT	WOODWIND ENSEMBLE	GEHRMANS	1979		M	C/U	2 FL, 2 OB, 2CL, 2 HN, 2 BSN. MOSTLY STRAIGHT AHEAD MATERIAL.
KRAFT, ALVAR & ARNE PARSON/MATS OLSSON	EN FATTIG TRUBADUR	BAND	EHRLING	1978	EST 3 MIN	E	HS/JHS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SOME SCORE PROBLEMS. HIGH NOTES IN THE TROMBONE PART.
LARSSON GOTHE, MATS	CIELO	ORCHESTRA	SMIC	2003	12 MIN	H	C/U	2FL(PIC),2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,CELESTA,HARP,STRINGS. SEVERAL MUTES FOR THE BRASS. COMPOSED FOR THE ROYAL STOCKHOLM PHILHARMONIC ORCH. PROFESSIONAL MUSIC POSSIBLE BY FINE C/U GROUPS.
LARSSON GOTHE, MATS	CLOCKWORKS	BRASS QUINTET & BAND	SMIC	1992	10 MIN. 30 SEC	H	C/U	HARD FOR THE BAND AS WELL AS THE QUINTET. MANY CHANGES OF METER FROM THIS IMPORTANT SWEDISH COMPOSER. BOTH QUINTET AND BAND WILL HAVE TO WORK TO MAKE THIS PRESENTABLE. BUT, THE AUDIENCE WILL BE REWARDED. BIG WORK!
LARSSON GOTHE, MATS	GOPAK	SAXOPHONE QUARTET	REIMERS	1994	EST 8 MIN	H	C/U	SS,AS,TS,,BS. ANOTHER FINE SWEDISH COMPOSER WHO WRITES FOR THE SAXOPHONE QUARTET AND WRITES VERY WELL. THIS IS VERY HARD, BUT LOGICAL AND PLAYABLE WITH ATTENTION TO DETAIL MIXED METER, ETC. GOOD WORK!
LARSSON GOTHE, MATS	HILLBORG-VARIATIONERNA	BRASS QUINTET	SMIC	1996	12 MIN	H	C/U	USUAL INSTRUMENTATION - TRUMPETS IN C. ONE LONG PIECE WITH NUMEROUS CHANGES OF TEMPO AND STYLE. FINE COMPOSER WHO WROTE THIS FOR A PROFESSIONAL ENSEMBLE. MUTES NEEDED FOR TRUMPET AND TROMBONE.
LARSSON GOTHE, MATS	LAST CALL BEFORE CLOSING	TROMBONE ALONE	SMIC	1993	4 MIN.	M/H	C/U	A CHANCE FOR THE TROMBONIST TO SHOW HIS INTERPRETIVE AND MUSICAL SKILLS. DYNAMICS, RHYTHMIC ACCENTS, SOME MIXED METER, A NICE BIG PEDAL Bb ONE TIME AND A FEW OTHER THINGS TO MAKE IT INTERESTING FOR PLAYER AND AUDIENCE.
LARSSON GOTHE, MATS	LUNAIRE FOR STRING ORCHESTRA	STRING ORCHESTRA	SMIC	1999/2000	15 MIN	H	C/U	THIS IS AS THE UPPER END OF THE DIFFICULTY LEVEL FOR THE C/U GROUPS. A LOT OF DIVISI AND NOTES FROM AN EXCELLENT SWEDISH COMPOSER. BE SURE TO CHECK OUT ANYTHING HE COMPOSES!
LARSSON GOTHE, MATS	PAESAGGI DI WAHLBERG	SAXOPHONE QUARTET	SMIC	2000	16 MIN	H	C/U	SS,AS,TS,BS. DIFFICULT!! GREAT SAX QUARTETS IN SWEDEN, SO THE DEMANDS BY THE COMPOSERS IS HIGH. 6 MOVEMENTS: CITY LANDSCAPE, GREY INTERIOR, EVENING LANDSCAPE, FANTASY LANDSCAPE AND MAGIC MUFFLER’S FIAT. NOT IMPOSSIBLE BY THE HIGHEST LEVEL SAXOPHONE QUARTET.
LARSSON GOTHE, MATS	CONCERTO FOR CELLO AND WIND INSTRUMENTS	CELLO & WIND ENSEMBLE	SMIC	1999	23 MIN	H	C/U	PIC),2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,MARIMBA. MUTES FOR ALL BRASS. WE LIKE THIS SCORE! NO REAL MOVEMENTS, JUST A FEW BREAKS, USUALLY WHILE THE CELLIST IS PLAYING A CADENZA. THE WORK OPENS WITH A LONG CADENZA. SOME EXCELLENT COMPOSITIONAL IDEAS HERE!
LARSSON GOTHE, MATS	CONCERTO FOR VIOLIN AND WIND INSTRUMENTS	VIOLIN AND BAND	SMIC	2000/2001	20 MIN	H	C/U	2FL,OB,EH,2CL,2BSN,2HN,2TRPT(C),2TRB,TBA,TIMP,GLOCK. THEME AND VARIATIONS. PLAYABLE BY BEST C/U SMALL BANDS OR WIND ENSEMBLES AND VIOLINIST WILLING TO LEARN THE SOLO PART. THIS COMPOSER PRODUCES A BEAUTIFUL, LOGICAL AND DIFFICULT SCORE. YOU WILL LIKE.
LARSSON, CURT	MARCIETTA	BAND	LEMA	1982	5 MIN 40 SEC	E/M	HS/JHS	GOOD CROSS SCORING, NICE 6/8 MARCH. STANDARD INSTRUMENTATION.
LARSSON, HAKAN	AUBADE - NOTTURNO PER 10 CELLI	CELLO ENSEMBLE	SMIC	2001	10 MIN	H	C/U	YES, TEN CELLOS! AND, THEY MUST BE VERY GOOD PLAYERS. EVERYONE GETS IN THE ACT. THERE AR A NUMBER OF CELLO ENSEMBLE PIECES IN THE SMIC LIBRARY NEEDING A VARIETY OF NUMBERS OF CELLOS.
LARSSON, HAKAN	DROMSKARVOR (FRAGMENTS OF DREAMS)	ORCHESTRA	SMIC	2004	15 MIN	H	C/U	PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,HARP,PIANO,STRINGS. DIFFICULT, BUT PLAYABLE FOR C/U ORCHESTRAS. A SUBDUED ENDING, NOT AT THE END OF A CONCERT. COMPOSER HAS OTHER LISTING IN SMIC IN DUBIOUS MS - IF HE PUTS THEM N PRINT, GET THEM! THIS ONE IS PRINT!
LARSSON, HAKAN	LITEN SVIT	STRING BASS & PIANO	SMIC	1991	14 MIN	M/H	C/U	MOVEMENTS: POLKA,INTERMEZZO, VALS, INTERMEZZO II, GIGUE. THE MS IS MARGINAL, IF YOU HAVE AN AVERSION TO READING MS, STAY AWAY. THIS IS A GOOD COMPOSER AND THE SUPPLY OF GOOD MATERIALS FOR THE STRING BASS PLAYER IS LIMITED.
LARSSON, HAKAN	TOCCATA FOR TWO VIOLINS AND STRING ORCHESTRA	VIOLIN & STRING ORCHESTRA	SMIC	2000	6 MIN	M/H	C/U	IT IS MAINLY FOR THE TWO VIOLINIST. THE ACCOMPANIMENT PART IS JUST THAT. JUST LET THE TWO SOLOISTS DO IT! CONTEMPORARY HARMONIES.
LARSSON, LARS-ERIK	CONCERTINO FOR TROMBONE, OP 45 NR 7	TROMBONE & PIANO	GEHRMANS	1957	11 MIN	H	C/U	STANDARD LITERATURE FOR COLLEGE TROMBONE PLAYER, STRING ORCHESTRA PARTS AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 1	FLUTE & PIANO	GEHRMANS	1957	10 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 1	FLUTE & STRING ORCHESTRA	GEHRMANS	1957	10 MIN	M/H	C/U	THREE MOVEMENTS. EXCELLENT COMPOSER AND MOST WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 10	CELLO & PIANO	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 10	CELLO & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 11	STRING BASS & PIANO	GEHRMANS	1957	12 MIN	H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 11	STRING BASS & STRING ORCHESTRA	GEHRMANS	1957	12 MIN	H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 2	OBOE & PIANO	GEHRMANS	1957	9 1/2 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 2	OBOE & STRING ORCHESTRA	GEHRMANS	1957	9 MIN 30 SEC	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 3	CLARINET & PIANO	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 3	CLARINET & STRING ORCHESTRA	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 4	BASSOON & PIANO	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS ARE ATTACCA. STRING ORCHESTRA PARTS AVAILABLE. RECITAL OR CONCERT. GOOD MATERIAL.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 4	BASSOON & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 5	HORN & PIANO	GEHRMANS	1957	13 MIN	M/H	C/U	THREE MOVEMENTS OF MATERIAL TO GIVE THE MOZART SONATAS A LITTLE REST.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 5	HORN & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 6	TRUMPET & STRING ORCHESTRA	GEHRMANS	1957	8 MIN	M	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 7	TROMBONE & STRING ORCHESTRA	GEHRMANS	1957	11 MIN	H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 8	VIOLIN & PIANO	GEHRMANS	1957	12 1/2 MIN	M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 8	VIOLIN & STRING ORCHESTRA	GEHRMANS	1957	12 MIN 30 SEC	M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 9	VIOLA & PIANO	GEHRMANS	1957		M/H	C/U	THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	CONCERTINO, OP 45 NR 9	VIOLA & STRING ORCHESTRA	GEHRMANS	1957		M/H	C/U	THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	GUSTAVIANSK SVIT, OP 28	STRING ORCHESTRA	SMIC			E/M	C/U/HS	FIVE MOVEMENTS THAT ARE ACCESSIBLE AND PLAYABLE. RENTAL ONLY.
LARSSON, LARS-ERIK	IN MEMORIAM	STRING ORCHESTRA	GEHRMANS	1969	6 MIN	M	C/U/HS	A CONTEMPLATIVE PIECE BY A FINE COMPOSER. PLEASANT CHALLENGE FOR THE STRINGS.
LARSSON, LARS-ERIK	SONATIN	VIOLIN & PIANO	GEHRMANS	1984		M/H	C/U	THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK	STRAKKVARTETT NR 1, OP 31	STRING QUARTET	MUSIKALISKA KONSTFORENINGEN	1956		M/H	C/U	THREE MOVEMENTS. IDEAL FOR THE COLLEGE RECITAL OR CONCERT.
LARSSON, LARS-ERIK/MARK F. WALKER	CONCERTINO FOR TROMBONE, OP 45 NR 7	TROMBONE & BAND	GEHRMANS	1979	11 MIN	M	C/U	3CL,BCL,OB,2BSN,4HN,3TRPT,3TRB,EUP,2TBA,CONTRA CL IN Eb OR SB. FINE SCORING OF THIS EXCELLENT SOLO MAKES THIS VERY PLAYABLE AND USEABLE.
LARSSON, LARS-ERIK/OWE GREEN	MELODI	BAND	EHRLING	1980	EST 3+MIN	M	C/U/HS	2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, SB. A 3/4 MELODY. FINE COMPOSER AND ARRANGER. SCORE IS IN MS PARTS PRINTED. HAS THAT 'SWEDISH' FEEL.
LARSSON, LARS-ERIK/STIG GUSTAFSON	CONCERTINO FOR TRUMPET, OP 45 NR 6	TRUMPET & BAND	GEHRMANS	1979	8 MIN	M	C/U	2FL,3CL,BCL,OB,2BSN,AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,2PERC,TMP,SB. GOOD ARRANGEMENT BY LEADING SWEDISH ARRANGER OF A FINE TRUMPET SOLO.
LARSSON, LARS-ERIK/STIG GUSTAFSON	INTERMEZZO AND EPILOGUE (FROM THE WINTER'S TALE)	BAND	GEHRMANS	1978		M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,2PERC,TMP,SB. TWO NICE PIECES FROM A FINE COMPOSER AND ARRANGER.
LARSSON, LARS-ERIK/STIG GUSTAFSON	ROMANS FROM PASTORAL SUITE	BAND	GEHRMANS	1988	5 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,ACL,BCL,2OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,PERC,SB. PLAYABLE BY THE SMALLER, INCOMPLETE BAND. FINE COMPOSER & EXCELLENT ARRANGER.
LEVITT, VLADIMIR	CONCERTO FOR STRING ORCHESTRA	STRING ORCHESTRA	SMIC	2002	19 MIN	M	C/U	IN TWO MOVEMENTS. GOOD MS TO READ. NO GREAT PROBLEMS TO MAKE THIS SOUND. NO DIVISI, BUT THE COMPOSER RECOMMENDS 6 - 5 - 4 - 3 - 1 PEOPLE FOR THE PARTS, VIOLIN I - STRING BASS. ALSO SEE THIS COMPOSER’S CONCERTO GROSSO NO. 3 FOR STRING ORCHESTRA.
LILJA, BERNHARD	LITEN HUMORESK	WOODWIND QUARTET	SMIC		EST 3+MIN	E	C/M/HS	A LITTLE PIECE, A LITTLE FUN, NO PROBLEMS. FL,OB,CL,BSN.
LILJEFORS, RUBEN (1871-1936)	OUVERTURE	ORCHESTRA	SMIC			M	C/M/HS	2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TMP,STRINGS. EXCELLENT FOR THE HS OR COLLEGE ORCHESTRA. SCORE IS MS BUT READABLE. PARTS LAY WELL. RENTAL ONLY.
LILJEHOLM, THOMAS	ADJACENT TRACKS	VIOLIN AND BAND	SMIC	2004	18 MIN	H	C/U	PIC,2FL,2OB,EbCL,3CL,BCL,2BS, (BSN),4HN,4TRPT,4TRB,2TBA,4PERC. FOR THE C/U BAND AND A STUDENT VIOLINIST OR GUEST SOLOIST. PLAYABLE, WE LIKE PARTS FEATURING FOUR HORNS. PERCUSSION HAS A LOT OF NICE PLAY. ONE MOVE. IN GOOD MS WITH MIXED METER.
LILJEQUIST, BJORN	FANTASY FOR PERCUSSION ENSEMBLE	PERCUSSION ENSEMBLE	BUSCH	1984	CA 6 MIN	H	C/U	WELL LAID OUT FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS.
LILJEQUIST, BJORN	IL CALAMARO	PERCUSSION ALONE	BUSCH	1986		H	C/U	FOR THE OUTSTANDING COLLEGE PERCUSSIONIST!
LILJEQUIST, BJORN	THREE AFRICAN DANCES	PERCUSSION ENSEMBLE	BUSCH	1988	EST 6 MIN	E/M	C/U/HS	FOUR OR MORE PERCUSSIONISTS. THREE MOVEMENTS: NAIROBI, WEDDING DANCE OF THE PYGMIES, FESTIVAL DANCE FROM THE CONGO - ANGOLA. SOME`HOME MADE' INSTRUMENTS AND OTHER UNUSUAL INSTRUMENTS.
LINDBERG, NILS	BALLAD FRAN MOCKFJARD	TRUMPET & STRING ORCHESTRA	NORDISKA	1974	EST 6 MIN	M	C/U	FOLK TUNE SOUNDED BY THE TRUMPET, FOLLOWED BY STRINGS IN HARMONY, THEN TRUMPET IMPROVISATION WITH DRUM SET & STRINGS.
LINDBERG, NILS	BLUES FOR BILL	STAGE BAND	NORDISKA	1980		M	C/U/HS	LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES.
LINDBERG, NILS	CONCERTO FOR TRUMPET, TROMBONE AND ORCHESTRA	TRUMPET, TROMBONE & ORCHESTRA	GEHRMANS	1991	15 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,3TRPT,3TRB,MUCH PERCUSSION,PIANO,STRINGS AND JAZZ BASS. THIS IS JAZZ. IMPROVISATION FOR THE TWO SOLOISTS AND THE PIANO PLAYER. IN ONE MOVEMENT. SHOULD BE A LOT OF FUN FROM A FINE COMPOSER/ MUSICIAN.
LINDBERG, NILS	FAR AWAY STAR	STAGE BAND	NORDISKA	1984		M	C/U/HS	VOCAL - OR CAN BE AN INSTRUMENTAL SOLO. BALLAD. FINE TUNE!
LINDBERG, NILS	GANGLAT FRAN VASTERDALARNA	ORCHESTRA	NORDISKA	1974	EST 7 MIN	M/H	C/U	PIC,2FL,2CL,CL SOLO,BCL,2OB,EH,2BSN,4HN,3TRPT,3TRB,TBA,PERC, TMP,GUITAR,STRINGS. MARCHING TUNE. CLARINET AND PIANO SOLOS. IMPROVISATION, SWING SECTION, FOLK TUNE. SCORE FOR SALE, PARTS RENTAL.
LINDBERG, NILS	OLD WEDDING TUNE FROM AHL	STAGE BAND	NORDISKA	1985		E/M	C/U/HS	EXCELLENT SCORE OF AN OLD WEDDING MARCH FROM THE AREA OF ÅHL. SOME GOOD BUT TRICKY SAXOPHONE WORK.
LINDBERG, NILS	POLSKA WITH A TRUMPET	STAGE BAND	NORDISKA	1983		M/H	C/U/HS	USUAL INSTRUMENTATION PLUS 2 FLUTES & 2 HORNS. SOLO TRUMPET WRITTEN AND IMPROVISATION. FINE ARRANGER.
LINDBERG, NILS	ROLF BILLBERG IN MEMORIUM	STAGE BAND	NORDISKA	1985		H	C/U/HS	LONG CHART, CONCERT FEATURE, TRPT 2 AND PIANO SOLOS, SPECIAL RHYTHMIC PROBLEMS IN A VERY SLOW TEMPO.
LINDBERG, NILS	TORN ERIK'S SONG	STAGE BAND	NORDISKA	1984		M	C/U/HS	BALLAD BASED ON SWEDISH FOLK MELODY. 3/4. SOLOS FOR PIANO, TRPT 2 AND GUITAR.
LINDBERG, NILS	TRUMPET SONG (VISA MED TRUMPET)	STAGE BAND	NORDISKA	1980		M	C/U/HS	A TRUMPET SOLO BASED IN A LARGE PART ON IMPROVISATION.
LINDBERG, NILS & RED MITCHELL	AS YOU ARE (PETRA)	STAGE BAND	NORDISKA	1980		M	C/U/HS	VERY NICE SLOW BALLAD.
LINDBERG, NILS(TRADITIONAL)	SOMETIMES I FEEL LIKE A MOTHERLESS CHILD	STAGE BAND	NORDISKA	1985		M	C/U/HS	VOCALIST NEEDS A GOOD EAR, MUCH WORK WITHOUT BACKUP. NICE CHART.
LINDBERG, OSKAR	GAMMAL FABODPSALM FRAN DALARNA	CELLO & PIANO	NORDISKA	1950	CA 3 MIN	E/M	C/U/HS	SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY!
LINDBERG, OSKAR	GAMMAL FABODPSALM FRAN DALARNA	VIOLIN & PIANO	NORDISKA	1950	CA 3 MIN	E/M	C/U/HS	SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY!
LINDBERG, OSKAR/MOGENS ANDERSEN	GAMMAL FABODPSALM(AN OLD TUNE FROM DALECARLIA)	BRASS QUINTET	NORDISKA	1986	EST 4 MIN	M	C/U	ONE OF SWEDEN'S MOST BEAUTIFUL AND FAMILIAR FOLK SONGS, WELL SCORED.
LINDBERG, OSKAR/STIG GUSTAFSON	GAMMAL FABODPSALM	BAND	LEMA	1979	4 MIN	E/M	C/M/HS	2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, SB. ONE OF SWEDEN'S MOST FAMILIAR FOLK MELODIES. WELL SCORED.
LINDE, BO	KONSERTANT MUSIK FOR ORKESTER, OP 27	ORCHESTRA	SMIC	1963	EST 20+MIN	H	C/U	PIC,2FL,2CL,2OB,2BSN,2COR,2TRPT,TRB,PERC,TMP,STRINGS. A WELL RESPECTED SWEDISH COMPOSER IN A THREE MOVEMENT WORK. LINDE LIKES THINGS RHYTHMIC. RENTAL ONLY.
LINDE, BO	LITEN KONSERT, OP 35	WOODWIND QUINTET & STRING ORCH	SMIC	1967	EST 12+MIN	H	C/U	FOUR MOVEMENTS WITH LINDE'S USUAL RHYTHMIC INTER