Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| BAND | AAGAARD-NILSEN, TORSTEIN | ARCTIC LANDSCAPE | Norway | NMIC | 1992 | 16 MIN 30 SEC | H | C/U | FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,3PERC A LONG WORK - SKILL TO SUSTAIN THE INTEREST. SLOW OPENING SECTION FOLLOWED BY A LONGER AGITATO SECTION, THEN SLOW WITH A FLOURISH AT THE END. TEST THE SKILL OF YOUR GROUP IN MAKING THIS THE ARCTIC LANDSCAPE! |
| BAND | AAGAARD-NILSEN, TORSTEIN | REINLENDERFANTASI | Norway | WARNER/CHAPPELL | 1996 | EST 6 MIN | E/M | C/U/HS | PIC,2FL,OB,3CL,ACL,BCL,BSN,AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,2PERC. THIS IS EASIER THAN SOME OF THIS COMPOSERS OTHER WORKS (SEE NMIC CATALOG ON LINE). BASED UPON A FOLK TUNE. SOME VERY NICE EFFECTS CREATED HERE BY THIS ARRANGER |
| BAND | AHLBERG, GUNNAR | AGITATO | Sweden | SMIC | 1985 | 9 MIN | H | C/U/HS | 3FL(PIC),3CL,BCL,2OB,2BSN,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA, 2PERC, TMP, SB. FINE PERCUSSION PARTS. WELL SCORED. A FEW NONTRADITIONAL TECHNIQUES. |
| BAND | AHMAS, HARRI | HIC ET NUNC FOR WIND BAND | Finland | FiMIC | 2000 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,4PERC. THIS ONE HAS ALL THE TRAPS THAT WILL MAKE ALL WORK, INCLUDING THE CONDUCTOR! MIXED METER, NOTES, - EVERYBODY DOES SOMETHING. EXCITING AND HARD! THE BEST C/U GROUPS. | |
| BAND | AHMAS, HARRI | SINFONIETTA FOR WIND ORCHESTRA | Finland | FiMIC | 2002 | 26 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,PIANO,3CTRPT,4HN,3TRB,EUP,2TBA,4PERC. MOVEMENTS: PRELUDI, EL SUR FOR MR. LUIS PASQUET, FINALE. LOADED WITH THINGS TO WORK OUT, BUT ALL ARE POSSIBLE. IDEAL FOR THE LARGE C/U BAND. |
| BAND | AHO, KALEVI | TRISTIA | Finland | FiMIC | 1999 | 11 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2AS,TS,BS,2BSN,3TRPT,4HN,EUP,3TRB,TBA,2PERC. THE SCORE IS IN A MESSY MS - THE PARTS ARE PRINTED. LOTS OF CHANGING METER AND OTHER PROBLEMS, BUT WE SEE NOTHING THAT MAKES THIS IMPOSSIBLE, DIFFICULT, YES. |
| BAND | ALFVEN, HUGO/FLOYD E. WERLE | ROSLAGSVAR (SWEDISH POLKA) | Sweden | GEHRMANS | 1980 | 3 MIN | E | HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,3TRB, EUP,2TBA, PERC,TMP,SB. CONDENSED SCORE ONLY. EASY MARCH. |
| BAND | ALFVEN, HUGO/GUNNAR JOHANSSON | FEST-OUVERTURE,OP 29 | Sweden | SUECIA | 1974 | 7 MIN | M/H | C/U/HS | 3FL,EbCL,4CL,ACL,BCL,2OC,2BSN,2AS,TS,BS,2COR,4TRPT,4HN,3TRB,EUP, 2TBA,2PERC,TMP,SB. PROGRAM OPENER, GOOD EXCITEMENT, ALL PARTS DO SOMETHING. SAXOPHONE PARTS OPTIONAL. |
| BAND | ALFVEN, HUGO/STIG GUSTAFSON | ROSLAGSPOLKETTA | Sweden | GEHRMANS | 1979 | 3 MIN | E | HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA, PERC,TMP,SB. SELECTIONS FROM A BALLET, PLAYABLE BY SMALLER BAND, WORKOUT FOR WW, EASY FOR BRASS & PERCUSSION. |
| BAND | ALFVEN, HUGO/STIG GUSTAFSON | UR "MIDSOMMARVAKA" (SWEDISH RHAPSODY) | Sweden | LEMA | 1978 | 5 MIN 30 SEC | M | C/U/HS | 2FL,EbCL,4CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,PERC, TMP,SB. FINE SWEDISH COMPOSER & EXCELLENT ARRANGER. THIS WILL HAVE FINE AUDIENCE & PLAYER APPEAL! |
| BAND | ALMILA, ATSO | EPOSIMO | Finland | FiMIC | 2003 | M/H | C/U | PIC,FL,OB,2CL,BCL,AS,TS,BS,COR,2TRPT,2EbHN,2TRB,EUP,TBA,3PERC. NOTE THE UNUSUAL INSTRUMENTATION. A FINE COMPOSER OF BAND MUSIC WITH A CLEAN SCORE TO WORK FROM. HOPE THE HORNS CAN TRANSPOSE! | |
| BAND | ALMILA, ATSO | SINFONIA II | Finland | FiMIC | 2003 | 25 MIN | H | C/U | 2FL(PIC),OB,EbCL,2CL,BCL,BSN,AS,TS,3HN,3TRPT,3TRB,EP,TBA,2PERC. ALL SECTIONS CONNECTED. A MAJOR WORK BY A MAJOR COMPOSER FOR WINDS. NOTE THE INSTRUMENTATION. NO BIG PROBLEMS - JUST A LONG PIECE. |
| BAND | ALMILA, ATSO | VISIONS FROM THE NORTH | Finland | FiMIC | 1997 | 19 MIN | H | C/U | 2FL,2OB,EbCL,3CL,BCL,2BSN,AS,TS,BS,4TRPT.4HN,3TRB,EUP,TBA,AT LEAST 2PERC. MOVE: IN TIMES OF WAR (ALLEGRETTO), DANCE OF THE MIDNIGHT SUN (MODERATO), INTRODUCTION: THE MYTHICAL GODS (TRANQUILLO) ATTACCA TO FINALE: THE KING’S MARCH (ALLEGRO MODERATO). EXCELLENT WORK! |
| BAND | AM, MAGNAR | RIST LAUS! | Norway | NMIC | CIR 2000 | EST 10 MIN | M | C/U/HS | PIC,FL,2OB,2CL,ACL,BCL,2BSN,2AS,TS,BS,2COR,2TRPT,4HN,2TRB,EUP,TBA,STRBS,2-3PERC. INTRO - SLIDING TROMBONE FOLLOWED BY SLIDING ALTO SAX. LATIN JAZZ IN 4/8. SOME OFF BEAT NOTES MIGHT INFURIATE THE PLAYERS. SEE WORKS BY COMPOSER IN NMIC CATALOG. |
| BAND | ANDERSEN, KJELL MAGNE | SUITE FOR SYMPHONIC BAND, OP 12 | Norway | NMIC | 2002 |
18 MIN | M/H | C/U/HS | PIC,2FL,OB,BSN,2CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. MOVE:OVERTURE, ROMANCE, MARCIA FUNEBRE, FUGE. THIS IS STRAIGHT AHEAD MUSIC PLAYABLE BY FINE HS GROUPS AS WELL AS ANY COMPETENT C/U ENSEMBLE. |
| BAND | ANDERSSON, MAGNUS F. | 1397 | Sweden | SMIC | 1996 | LESS THAN I MIN | M/H | C/U/HS | 2FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2HN,3TRB,EUP,2PERC. A FANFARE LIKE WORK WITH LOTS OF ACTIVITY FOR ALL. DRAMATIC! GOOD INTRODUCTION TO THIS COMPOSERS WORK. |
| BAND | ANDERSSON, MAGNUS F. | CONCERTO: HOUSE OF SEVEN ROOMS | Sweden | SMIC | 1994 | EST 15 MIN | H | C/U | 3FL(ALFL,PIC,)EbCL,6CL,BCL,CBCL,2BSN,2AS,TS,BS,3CTRPT,2BbTRPT,4HN,4TRB,EUP,3TBA2STBS,4PERC. SEVEN MOVEMENTS! THIS IS A HUGE WORK, LOTS OF PERCUSSION INSTRUMENTS NEEDED AND GOOD PLAYERS. INTENDED FOR THE LARGE COLLEGE BAND WITH LOTS OF MUSICAL FACILITY. |
| BAND | ANDERSSON, MAGNUS F. | LITEN BOSTAD | Sweden | SMIC | 1993 | M/H | C/U/HS | FL,OB,3CL,BCL,BSN,AS,TS,4TRPT,2HN,3TRB,EUP,TBA,STBS,3PERC. NOT AS FORMIDABLE AS SOME OF THE OTHER WORKS LISTED HERE BY THIS COMPOSER - WOULD BE A NICE INTRODUCTION TO HIM. ALL PARTS PLAYABLE BY THE GOOD HS OR COLLEGE BAND. | |
| BAND | ANDERSSON, MAGNUS F. | UNDER RON, UNDER TIDEN = SOUS LE PONT SOUS LE TEMPS | Sweden | SMIC | 1991 | 14 MIN | H | C/U | 4FL(PIC),3OB,3CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC. ANOTHER HUGE WORK BY THIS IMPORTANT COMPOSER. IT IS VERY PLAYABLE BY THE GROUP THAT PAYS ATTENTION TO DETAIL. LOTS OF INTERESTING PERCUSSION. EXCELLENT FOR THE BIG COLLEGE BAND. |
| BAND | ASHEIM, NILS HENRIK | OLYMPISK FANFAREMARSJ | Norway | NMIC | 1993 | EST 2 MIN | M | C/U/HS | 2FL,OB,EbCL,3CL,BCL,2AS,TS,BS,BSN,3COR,2HN,3TRB,EUP,TBA,4PERC. A DIGNIFIED MARCH IN 3/4 FOR THE OLYMPICS AT LILLEHAMMER 1994. PLAYABLE, NO SURPRISES! |
| BAND | ATTERBERG, KURT/GOSTA MORBERG | DE FAVITSKA JUNGFRURNA: RAPSODI | Sweden | GEHRMANS | 1979 | 9 MIN | M | C/U/HS | 3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, TMP,SB,EH. EXCELLENT SCORE, NICE DEVELOPMENT OF A SWEDISH THEME. SOME PARTS QUITE EASY, VERY PLAYABLE. |
| BAND | BAKKE, RUTH | PASSACAGLIA ON "DRAUMKVEDET" | Norway | NMIC | 1969 | 8 MIN | E/M | C/U/HS | PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA, 4PERC,TMP. BASED ON AN OLD NORWEGIAN FOLK TUNE, PLAYABLE MUSIC. |
| BAND | BALDVINSSON, TRYGGVI M. | POSTLUDIUM | Iceland | ITM | 2000 | 5 MIN | M | C/U/HS | 3FL(PIC),2OB,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC, BRASS ENSEMBLE: 4TRPT,3TRB,TBA. AN EXCITING WORK FOR THE BAND WITH A BRASS ENSEMBLE. (THE BRASS ENSEMBLE PARTS COULD BE PLAYED BY MEMBERS OF THE BAND). NICE SCORE. |
| BAND | BALDVINSSON, TRYGGVI M. | TWO CONCEPTS | Iceland | ITM | 2000 | 14 MIN | H | C/U/HS | PIC,2FL,OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,5PERC. HARDER THAN SOME OTHER BAND WORKS BY THIS COMPOSER, BUT A STRONG SCORE THAT WILL BE ENJOYED BY MUSICIANS AND AUDIENCE ALIKE! |
| BAND | BASHMAKOV, LEONID | ALKUSOITTO "1971" | Finland | FiMIC | 1971 | 10 MIN | H | C/U/HS | PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, 2PERC,TMP. A GOOD COMPOSER, SOMEWHAT MESSY SCORE. USES THE INSTRUMENTS VERY WELL. |
| BAND | BASHMAKOV, LEONID | CRESCENDO | Finland | FiMIC | 1980 | 5 MIN | M/H | C/U | PIC,2FL,4CL,BCL,2OB,EH,2BSN,2AS,TS,BS,4HN,8TRPT,4TRB,EUP,2TBA,2PERC,TMP,STRB. GOOD SCORE BUT A BIT MESSY. A FINE COMPOSER WHO KNOWS HOW TO USE THE INSTRUMENTS. |
| BAND | BASHMAKOV, LEONID | PRELUDE JA SCHERZO | Finland | FiMIC | 1973 | M/H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC, TMP. GENTLE OPENING WITH 2 HORNS THEN 2 CLARINETS. FINE CONCERT MATERIAL FROM A VERY GOOD COMPOSER. | |
| BAND | BELLMAN, CARL MICHAEL/GOSTA MORBERG | BLASEN NU ALLA | Sweden | EHRLING | 1978 | EST.4MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS IN MS. PLAYABLE BY THE YOUNG BAND. MEDLEY OF FOUR SWEDISH TUNES. |
| BAND | BELLMAN, CARL MICHAEL/STIG GUSTAFSON | OPP AMARYLLIS | Sweden | LEMA | 1984 | 2 MIN 30 SEC | E/M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. GOOD SCORE OF 19TH CENTURY SWEDISH COMPOSER FROM AN EXCELLENT ARRANGER. CAN BE PLAYED WITH REDUCED INSTRUMENTATION & NOTED IN SCORE CUES. |
| BAND | BENGTSON, PETER | HEKAS! | Sweden | SMIC | 1992 | 6MIN | H | C/U | FL,OB,4CL,2BSN,AS,TS,BS,4TRPT,2HN,3TRB,EUP,TBA IN F,STBS,2-3PERC. NEED FINE WW’S. MIXED METER, ALWAYS MOVING FORWARD. SCORE IS INNOCENT ENOUGH, BUT WE EXPECT THE PERFORMANCE OF THIS WORK TO BE HARDER THAN THE SCORE APPEARS. NOTE THE SOMEWHAT UNUSUAL INSTRUMENTATION. |
| BAND | BERG, OLAV | BLOWING | Norway | NMIC | 1980 | EST 7+MIN. | M | C/U/HS | PIC,FL,3CL,OB,AS,TS,4HN,2COR,2TRPT,3TRB,EUP,2TBA,PERC,TMP. LIKE AN OVERTURE. VERY PLAYABLE WORK THAT SINGS. TEMPOS VARY, LITTLE PERC. NICE SCORE. |
| BAND | BERWALD, FRANZ/STIG GUSTAFSON | REVUE-MARSCH | Sweden | GEHRMANS | 1982 | 4 MIN | E/M | HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,SB. CONCERT MARCH, OPTIONAL SMALLER INSTRUMENTATION, EXCELLENT COMPOSER & ARRANGER. |
| BAND | BJORKLUND, PER | MINIATYR-SVIT | Sweden | LEMA | 1983 | 5 MIN | E/M | HS | FL,EbCL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,2PERC,SB. 1.PRELUDIUM 2. ROMANS 3. MARSCH, CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION. |
| BAND | BLOMBERG, ERIK | BLASKLANG II | Sweden | SMIC | 1982 | 5 MIN | E/M | C/U/HS | 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). THIS ONE DOES PLAY! NOTE INSTRUMENTATION, SUGGEST ONE ON A PART. |
| BAND | BLOMBERG, ERIK | BLASKLANG III | Sweden | SMIC | 1982 | 5 MIN | M/H | C/U | 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). NOTE THE INSTRUMENTATION, BEST PLAYED ONE ON A PART. |
| BAND | BOLDEMANN, LACI | MED BLECK OCH MED TRA | Sweden | SMIC | 1969 | 5 MIN 30 SEC | M | C/U/HS | 2FL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,EUP,TBA,PERC,TMP,SB, SOLO CLARINET. WITH INCIDENTAL CLARINET SOLO, NICE SCORE, SAX PARTS ARE OPTIONAL. |
| BAND | BORG, OSCAR/AGE HERMANSEN | NORWEGIAN SUITE FOR BAND | Norway | NORSK | 1983 | EST 10 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, PERC,TMP. THREE TUNES ALL QUICK TEMPOS. FOLK-LIKE. BORG IS THE 'FATHER' OF THE NORWEGIAN BAND MOVEMENT(1851-1930). A WELL SCORED AND HIGHLY PLAYABLE WORK. |
| BAND | BUCHT, GUNNAR | MUSICA BOTHNIAE | Sweden | SMIC | 1983 | 10 MIN | M | C/U/HS | FL,3CL,BCL,OB,BSN,AS,TS,2HN,4TRPT,2TRB,EUP,TBA,PERC,TMP,SB. NOT HEAVILY SCORED - CHAMBER-LIKE. CONTEMPORARY SOUNDS, CHANGING METER IN A GOOD SCORE. |
| BAND | CRUSELL, BERNHARD (1775-1838)/GUNNAR JOHANSSON | ADAGIO OCH POLONAISE | Sweden | LEMA | 1985 | 8 MIN | M/H | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,COR,3TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB.(OPT PIANO)SSAX. WELL SCORED AND PLAYABLE BY HIGH SCHOOL ENSEMBLES, BUT WORTHY OF PROFESSIONAL PERFORMANCE. |
| BAND | DANIELSSON, CHRISTER | CONCERTINO FOR TRPT,TRB,WIND ORCH. AND PERC. | Sweden | GEHRMANS | 1985 | 15 MIN 40 SEC | H | C/U | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2TRPT,2TRB,EUP,TBA,7PERC,SB. (SOLO TRPT & TRB). THREE MOVEMENTS. SOLOISTS MUST BE STRONG COLLEGE OR BETTER. GOOD SCORE PLAYABLE BY C/U GROUP. SCORE FOR SALE, PARTS RENTAL. |
| BAND | DANIELSSON, CHRISTER | INTRADA | Sweden | GEHRMANS | 1988 | 2 MIN | M | C/U/HS | FL,3CL,OB,BSN,AS,TS,3TRPT,2HN,3TRB,EUP,TBA,4PERC,TMP,SB. FANFARE OR CONCERT OPENER. |
| BAND | DEAK, CSABA | ANEMONES DE FELIX | Sweden | SMIC | 1993 | 12 MIN | H | C/U | 3FL(PIC),OB,BSN,3CL,BCL,AS,TS,BS,4TRPT,3HN,3TRB,EUP,TBA,3PERC. MUSICAL SURPRISES, BUT ALWAYS MUSICAL - THAT IS DEAK. THE WORK WILL TAKE A LOT OF SCORE STUDY BY THE CONDUCTOR AND PRACTICE BY THE PLAYERS TO MAKE WORK. PRODUCT WILL BE WORTHWHILE! KNOW DEAK! |
| BAND | DEAK, CSABA | CONCERTO MAEUTRO (FOR MARIMBA,EUPHONIUM & TRUMPET) | Sweden | SMIC | 1989 | EST 12+MIN | M/H | C/U/HS | 3FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP,SB. THREE MOVEMENTS CONCERTO GROSSO STYLE. TRUMPET, EUPHONIUM AND MARIMBA SOLOISTS. CONTEMPORARY SOUNDS. ALWAYS A FEW SURPRISES WITH DEAK. SOLOIST MUST BE HIGH CALIBER. |
| BAND | DEAK, CSABA | EDEN | Sweden | GEHRMANS | 1981 | 8 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3COR,3TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB. MIXED METER, NONTRADITIONAL NOTATION, WELL SCORED TO MAKE IT PLAYABLE. FINE COMPOSER. |
| BAND | DEAK, CSABA | FIVE SHORT PIECES | Sweden | GEHRMANS | 1983 | 10 MIN | H | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,4TRPT,3TRB,EUP,TBA,PERC,TMP, SB. AN EXCELLENT SCORE. NONTRADITIONAL NOTATION IN MOVEMENTS 2, 4, & 5, WITH GOOD EXPLANATIONS. VERY PLAYABLE WORK. |
| BAND | DEAK, CSABA | GUSTADOLPHONY | Sweden | SMIC | 1989 | 10 MIN | M/H | C/U/HS | PIC,3FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,6HN,6TRPT,6TRB,EUP,2TBA, 5PERC,TMP,SB. SOME NONTRADITIONAL TECHNIQUES IN A PLAYABLE AND ENJOYABLE WORK BY A FINE COMPOSER. |
| BAND | DEAK, CSABA | I 21 | Sweden | GEHRMANS | 1969 | 10 MIN | H | C/U | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,HN,TRPT,TRB,TBA,3PERC,SB,BASS GUITAR. NONTRADITIONAL NOTATION, LAID OUT VERY WELL. NOTE INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL. |
| BAND | DEAK, CSABA | SYMPHONY NO. 2 | Sweden | SMIC | 2001 | 18 MIN | H | C/U | 3FL(DL PIC,AFL),OB,EH,2BSN,EbCL,3CL,BCL,CBCL,SS,AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. LIKE ONE MOVEMENT WITH SECTIONS OF CONTRASTING MATERIAL. PAY ATTENTION TO THIS COMPOSER! THE MUSIC IS HARD, BUT LOGICAL. MUSIC OF TODAY! BE SURE TO LOOK AT OTHER THINGS IN THE SMIC CATALOG BY DEAK. |
| BAND | DIMITRAKOPOULOS, APOSTOLOS | VOID | Sweden | SMIC | 1985 | 6 MIN | M/H | C/U/HS | PIC,FL,EbCL,BCL,OB,2BSN,4HN,4TRPT,2TRB,2TBA,4PERC,TMP,SB,ALTO FLUTE,EH. NOTICE - NO CLARINETS! A GOOD SCORE THAT SHOULD BE ENJOYABLE FOR PLAYER & LISTENER. |
| BAND | ECKERBERG, SIXTEN | PROMENAD | Sweden | SMIC | 1972 | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,2TS,4HN,3COR,2TRPT,3TRB,EUP,TBA, PERC,TMP,SB. THREE MOVEMENTS NOT HEAVILY SCORED. THIN PERCUSSION. | |
| BAND | EEROLA, LASSE | SUITE FOR WIND ORCHESTRA | Finland | FiMIC | 1992 | 16 MIN | H | C/U | 3FL(PIC),2OB,EbCL,3CL,BCL,2AS,TS,BS(BSN),3-4TRPT, 2FLHN, 4HN,3-4TRB,2EUP,2TBA,4PERC. MOVEMENTS: MAESTOSO, MOLTO ADAGIO E SEMPLICE, SCHERZANDO. NOTE THE INSTRUMENTATION AND EXPECT MANY DEMANDS ON THE MUSICIANS. AN EXCELLENT SCORE WAITING TO BE PLAYED --WELL! |
| BAND | EEROLA, LASSE | VARIATIONS FOR WIND ORCHESTRA | Finland | STM | 1975 | 7+MIN | E/M | C/U/HS | PIC,3FL,4CL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,2TBA,2PERC,TMP. AN EASY PIECE WELL LAID OUT IN A GOOD SCORE. |
| BAND | EKLUND, HANS | LITEN SERENAD FOR BLASORKESTER | Sweden | SMIC | 1974 | 15 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,TMP,SB. 3 MOVEMENTS, A WELL RESPECTED COMPOSER. |
| BAND | EMILSEN, PER-ANDERS | D FOR SYMPHONIC BAND | Norway | NMIC | 1985 | EST 4+ MIN | E/M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP,2TBA, 3PERC,TMP. CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION. GOOD SCORE WITH A VARIETY OF TEMPOS AND COLORS. |
| BAND | ENGLUND, EINAR | VALKOINEN PEURA - WHITE REINDEER | Finland | BLOSARI | 1954 | 12 MIN | M | C/U/HS | 2FL,2OB,3CLBCL,2BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,STBS,3PERC. MOVEMENTS: (ALLEGRO MODERATO), (ADAGIO), ALLEGRO MOLTO, MARCIA FUNEBRE, ALLEGRO GIOCOSO. THE MOVEMENTS CAN STAND ALONE. NOTHING SCARY, JUST A FEW TRICKY THINGS. TRANSCRIBED FROM ORCHESTRA BY PETRI JUNNA. |
| BAND | ERICSON, BOBBIE/GOSTA MORBERG | UTSKARGARD | Sweden | INTERSONG | 1978 | EST 5 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, TMP,SB.(EH OPT) NO TEMPO MARKINGS. ON GREEN PAPER! 3/4 IN F, NO PROBLEMS. |
| BAND | ERICSON,BOBBIE/GOSTA MORBERG | FRAGA MEJ INTE VARFOR(DO NOT ASK ME WHY) | Sweden | INTERSONG | 1978 | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC,TMP,SB.(EH OPT) GOOD WORK. ONE SHORT CHALLENGE FOR FLUTES, 3/4 IN F-Bb-F & ON GREEN PAPER! | |
| BAND | ERIKSSON, MAS-HARRY | JUBILEE - 86 (MARCH) | Sweden | LEMA | 1986 | 3 MIN | E/M | HS/JHS | SMALL BAND SETTING. MARCH SIZE. STANDARD INSTRUMENTATION. |
| BAND | ERIKSSON, MAS-HARRY | MOCHELMS BODAR GANGLAT | Sweden | LEMA | 1986 | 3 MIN | E | HS/JHS | PLAYABLE BY SMALLER BANDS, NICE SCORE FOR HS CONCERTS. STANDARD INSTRUMENTATION. |
| BAND | EVENSEN, KRISTIAN | INTERSTELLAR MATTER | Norway | NMIC | 1984 | 7 1/2 MIN | H | C/U | PIC,2FL,EbCL,2CL,BCL,2OB,2BSN,SS,2AS,TS,BS,4HN,TRPT IN D,3BbTRPT,2CTRPT,3TRB,EUP,2TBA,4PERC,TMP. THREE MOVEMENTS ALL RHYTHMICALLY COMPLEX AND MUCH PERCUSSION. COMPOSER RECOMMENDS ONE ON A PART. EVERYBODY WORKS! |
| BAND | EYSER, EBERHARD | BURLONI | Sweden | SMIC | 1985 | 7 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,SSAX. ONE MOVEMENT, 3 SECTIONS(F-S-F), FINE COMPOSER, MANUSCRIPT MAY BE A LITTLE PROBLEM. |
| BAND | EYSER, EBERHARD | LAREST | Sweden | SMIC | 1985 | 10 MIN | H | C/U/HS | PIC,2FL,EbCL,3CL IN Bb,CL IN A,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP,SB.AN EXCELLENT SCORE THAT MAKES MUSIC! GOOD MATERIAL! |
| BAND | EYSER, EBERHARD | MACBETH CONCERT OUVERTURE | Sweden | SMIC | 1982 | 12 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,2COR,3TRPT,3TRB,2TBA, 3PERC,TMP,SB,2 FLUEGELHORNS. FINE WORK FROM A GOOD COMPOSER. |
| BAND | EYSER, EBERHARD | TRAGEN VINNER | Sweden | SUECIA | 1976 | 7 MIN | M/H | C/U/HS | 2FL,2CL,BCL,2OB,2BSN,SSAX,3HN,3TRPT,3TRB,TBA,PERC,SB. FLUTE CADENZA IN SHORT INTERLUDE, MUSIC WITH A SENSE OF HUMOR, FINE COMPOSER, UNUSUAL INSTRUMENTATION. |
| BAND | FAHLSTROM, ORJAN | LA MARCIA AZZURRO | Sweden | SMIC | 2003 | EST 8 MIN | M/H | C/U | PIC,2FL,2OB,2BSN,4CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. VERY PLAYABLE AND FUN MUSIC. SECTIONS LIKE, MEDIUM AND LAID BACK BLUES, BLUES MARCH, A FANFARE, A MARCH, ETC. MOSTLY STRAIGHT AHEAD WITH A FEW TIME SIG THINGS TO MAKE IT INTERESTING. ENJOY! |
| BAND | FAHLSTROM, ORJAN | OSTINATIA | Sweden | EHRLING | 1981 | 4 MIN 45 SEC | E/M | C/U/HS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA, 2PERC,TMP,SB. STRAIGHT AHEAD PLAYABLE MATERIAL. MODEST RANGES. MANY PARTS ISSUED WITH THE PUBLICATION. |
| BAND | FAHLSTROM, ORJAN | TANGO EROTIQUE | Sweden | SMIC | 1992 | EST 6 MIN | M | C/U/HS | 2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,TBA,STBS,3PERC. HIS SHOULD BE A LOT OF FUN. IT MOVES ALONG (QUARTER = 156) AND A STRONG TANGO RHYTHMIC FEEL. SOMETHING FOR THE AUDIENCE. |
| BAND | FONGAARD, BJORN | FESTOUVERTURE | Norway | NMIC | M | C/U/HS | PIC,2FL,EbCL,4CL,BCL,AS,TS,4HN,4COR,3TRB,EUP,TBA,3PERC. VERY PLAYABLE WORK, VARIETY OF TEMPOS, NO PROBLEMS. | ||
| BAND | FUZZY | KRONPRINS FREDERIKS HONNORMARCH | Denmark | WHANSEN | CIR 1995 | EST 5 MIN | M | C/U/HS | PIC,FL,OB,EbCL,3CL,BSN,2AS,TS,BS,2COR,3TRPT,4HN,2TEBHN,EUP,3TRB,TBA,3PERC. A SHORT INTRO IN 2/4 THEN TO 6/8. THE SLOWER EUROPEAN TEMPO FOR THIS ONE. THIS IS A TONAL STRAIGHT AHEAD MARCH. PLAYABLE BY C/U AND HS BANDS! |
| BAND | GAATHAUG, MORTEN | OVERTYRE, SCHERZO OG FINALE, OP. 28 | Norway | NMIC | 1985 | 12 MIN | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,5PERC,SB. EVERYBODY WORKS, SOLID SCORE, MS IS A LITTLE WEAK. |
| BAND | GAFVERT, HANS-AKE/STIG GUSTAFSON | I SVENSK FOLKTON | Sweden | EHRLING | 1980 | EST 6 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB. 4 MOVEMENTS: SLÅTTERTRALL, VALL-LÅT, SKÄN-LÅT, VISA OCH DANS. 2ND MOVE IS CLARINET SOLO. EACH MOVEMENT IN A DIFFERENT KEY. TYPICAL SWEDISH BAND MUSIC. CONDENSED SCORE. |
| BAND | GODOY, ROLF INGE | PULS FOR KORPS | Norway | NMIC | 1980 | 7 MIN 30 SEC | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. RHYTHMIC INTEREST, ONE TEMPO ALL THE WAY, BUT DIFFERENT RHYTHMS TO HANG IT ON. |
| BAND | GRANDERT, JOHNNY | A-NI-TA' | Sweden | SMIC | 1981 | CA 13 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,5TRPT,4TRB,EUP,TBA, 2PERC,TMP,SB. DENSE BUT GOOD SCORE, PLAYABLE, LOOKS LIKE FUN. |
| BAND | GRANDERT, JOHNNY | SKOROGOWORKA | Sweden | NORDISKA | 1973 | 7 MIN | H | C/U | PIC,3FL,3CL,BCL,3OB,2BSN,AS,2TS,BS,5HN,5TRPT,4TRB,3TBA,3PERC,TMP, EH,CBSN. NONTRADITIONAL NOTATION IN A LARGE SCORE. RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL. |
| BAND | GRANDERT, JOHNNY | SYMFONI NR 6 | Sweden | SMIC | 1982 | 19 MIN | H | C/U | PIC,4FL,2CL,BCL,3OB,AS,BS,3COR,5TRPT,4TRB,TBA,2PERC,TMP,SB,EH, CBCL,PIANO,CBSN. ONE MOVEMENT WITH CHANGES IN STYLE AND TEMPO QUITE FREQUENT. DENSE HARMONY, CLUSTERS. ONLY THE BEST WILL SURVIVE THIS FINE SCORE! |
| BAND | GRIEG, EDVARD/STIG GUSTAFSON | DET FORSTE MODE | Norway | LEMA | 1984 | 3 1/2 MIN | E/M | HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,SB. NO PERCUSSION. CAN BE PLAYED WITH LESS THAN A COMPLETE BAND. PARTS ARE MARCH SIZE. A GRIEG MELODY AND A TOP SWEDISH BAND MUSIC ARRANGER. |
| BAND | GRIEG, EDVARD/STIG GUSTAFSON | NORWEGIAN DANCES, NO.2 AND 3 | Norway | GEHRMANS | 1985 | 3 MIN | E/M | HS/JHS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,PERC,TMP,SB. EXCELLENT SCORE, FINE ARRANGER. THIS ONE WILL PLAY! |
| BAND | GRONING, BORJE | IMITATION-RAG | Finland | ELVIS | 1986 | EST 5 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC,2BAR IN ADDITION TO EUP. ANOTHER RAG, THIS ONE FROM FINLAND! CONDENSED SCORE. |
| BAND | GULLIN, LARS/LARS SJOSTEN | THE HAMBO COMBO | Sweden | SUECIA | 1982 | EST 4 1/2 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB,ELECTRIC BASS. SWINGS IN 3/4 ALL THE WAY, FINE PROGRAM MATERIAL, GULLIN AND SJÖSTEN - 2 GREAT JAZZ MUSICIANS. |
| BAND | GUSTAFSON, STIG | GOD JUL! | Sweden | LEMA | 1982 | 5 1/2 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, 2PERC,SB. 5 CHRISTMAS TUNES OF SWEDEN. NICE BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED WITH LESS THAN FULL INSTRUMENTATION. |
| BAND | GUSTAFSON, STIG | KRING GRANEN | Sweden | LEMA | 1982 | 5 1/2 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,2PERC,SB. A MEDLEY OF SEVEN SWEDISH CHRISTMAS MELODIES. EASY BRIDGE WORK BETWEEN TUNES. CAN BE PLAYED BY LESS THAN FULL INSTRUMENTATION. |
| BAND | GUSTAFSON, STIG | KRISTALLEN DEN FINA | Sweden | LEMA | 1986 | 3 MIN 15 SEC | E | HS/JHS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,3PERC,SB. A NICE LITTLE 3/4 SONG, CAN BE PLAYED BY A SMALL BAND WITH INCOMPLETE INSTRUMENTATION. ONE OF STIG'S BEST! MARCH SIZE. |
| BAND | GUSTAFSON, STIG | OSTERBOTTNISK SVIT | Sweden | LEMA | 1985 | 6 MIN | E | HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. THREE MOVEMENTS BY AN EXCELLENT CONDUCTOR, EDUCATOR, COMPOSER & ARRANGER. |
| BAND | GUSTAFSON, STIG | TRE MELODIER I ADVENT | Sweden | GEHRMANS | 1979 | 4 MIN | E | HS/JHS | PIC,FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. 3 SWEDISH MELODIES FOR THE ADVENT SEASON. EXCELLENT ARRANGER AND WORK! |
| BAND | HALLANDER, SVERKER | SONG OF THE SWEDISH FISHERMAN | Sweden | GEHRMANS | 1979 | E/M | HS/JHS | PIC,FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,2TRPT, 4TRB,EUP,2TBA,3PERC,TMP,EbCOR,3 VALVE TRB-OPT. SHORT PLAYABLE PIECE WITH A WELL CRAFTED SCORE. | |
| BAND | HALLENBERG, HOLGER/STIG GUSTAFSON | MUSIK FOR BLASORKESTER | Sweden | LEMA | 1988 | 7 1/2 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB. PLAYABLE BY A GOOD JHS ENSEMBLE BUT WORTHY OF C/U PERFORMANCE. |
| BAND | HAMBRAEUS, BENGT | PARADE | Sweden | SUECIA | 1980 | 3 MIN | M/H | C/U | PIC,FL,EbCL,CL,4HN,3TRPT,3TRB,EUP,2TBA,3PERC. AN UNUSUAL CONCERT MARCH - TRICKY, COMPLICATED AND MOST INTERESTING. NOTE THE INSTRUMENTATION. |
| BAND | HAUG, HALVOR | CORDIALE | Norway | NMIC | 1982 | 8 MIN | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST IN A FINE SCORE. VARIETY OF TEMPOS & TIME SIGNATURES. |
| BAND | HAUG, HALVOR | EXIT | Norway | NMIC | 1985 | 7 MIN 30 SEC | M | C/U/HS | PIC,2FL,2CL,2AS,TS,BS,4HN,3COR,2TRB,EUP,2TBA,3PERC,TMP,ORGAN AD LIB,EbHNS,Eb & BbTBA. FLUTES AND CLARINETS WILL NEED FINGERS! OTHER PARTS NOT HARD. NICE SINGING LINES. NOTE INSTRUMENTATION! |
| BAND | HOEMSNES, BJORN K. | OUVERTURE - 1918 | Norway | NMIC | EST 8+MIN | M | C/U/HS | PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, 2TBA,3PERC,TMP. A GOOD SCORE WITH MUCH PERCUSSION. GOOD ACTION FOR ALL. | |
| BAND | HOEMSNES,BJORN K. | OPUS PARTUS | Norway | NMIC | 1985 | EST 8 MIN | H | C/U | PIC,2FL,EbCL,6CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP, 2TBA,4PERC,TMP,EH,CBSN,PIANO. BIG WORK WITH CHALLENGES TO GO AROUND. SOME NONTRADITIONAL NOTATION, BUT EASY TO DO. NOTE THE INSTRUMENTATION. |
| BAND | HOLMGREN,JAN | LASTRINGE GANGLAT | Sweden | SUECIA | 1984 | EST 2+MIN | E | HS/JHS | PIC,FL,EbCL,2CL,OB,2AS,2TS,4HN,2COR,3TRPT,4TRB,EUP,2TBA,3PERC. A NICELY SCORED SWEDISH FOLK MELODY WITH NO SURPRISES! STRAIGHT AHEAD & PLAYABLE. |
| BAND | HOVLAND, EGIL | FANFARE AND CHORAL | Norway | NORSK | 1966 | M/H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,5PERC,TMP,EH,CBCL,CELESTE. COMMISSIONED BY THE ST.OLAF COLLEGE BAND. A DENSE SCORE WITH A LOT OF DOUBLING. FANFARE-LIKE THEN FUGAL & BACK TO THE FANFARE MATERIAL. RENTAL ONLY. | |
| BAND | HOVLAND, EGIL | FESTIVAL OVERTURE, OP 39 | Norway | NMIC | 1962 | 6 1/2 MIN | H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB,EH,CBSN,CBCL. MIXED METER. BIG OPENING. A GOOD SCORE TO PLEASE THE AUDIENCE AND THE PLAYERS. SCORE FOR SALE, PARTS RENTAL. |
| BAND | HURUM, HELGE | CAPRICCIO & CANZONE | Norway | NMIC | 1984 | EST 8+MIN | M | C/U/HS | FL,3CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST, GOOD WORK FOR PERCUSSION AND BRASS, WW'S MUST WORK A LITTLE HARDER! |
| BAND | HURUM, HELGE | HERKOMST | Norway | NMIC | 1999 | EST 4 MIN | M | C/U/HS | PIC,FL,OB,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,3PERC. A MOST INTERESTING AND NICELY LAID OUR SCORE, WITH GOOD USE OF PERCUSSION, KEY CHANGES AND TIME CHANGES. THIS COMPOSER HAS A NUMBER OF OTHER BAND SCORE AVAILABLE THROUGH NMIC. |
| BAND | HUSBY, KAARE D. | 69 DEGREES NORTH | Norway | NMIC | 2003 | EST 2 MIN 30 SEC | E/M | C/U/HS | PIC,2FL,2OB,EH,2BSN,EbCL,3CL,BCL,SS,AS,TS,BS,3TPT,4HN,3TRB,EUP,2TBA,STBS,4PERC. SLOW MARCH WITH A DRAMATIC OPENING. NICE KEEP CHANGE (Db TO G) FOR A SPECIAL ENDING. |
| BAND | HUSBY, KAARE D. | VIRVL | Norway | NMIC | 1999 | EST 5 MIN 30 SEC | H | C/U | PIC,FL,OB,EbCL3CL,BCL,BSN,IS,3HN,3TPT,3TRB,EUP,TBA,STRBS,3PERC. NOTE THE UNUSUAL ASPECTS OF THE INSTRUMENTATION. THERE ARE SOME RHYTHMIC PROBLEMS TO SOLVE, BUT THIS IS A WELL LAID OUT SCORE AND PLAYABLE BY MOST C/U ENSEMBLES. |
| BAND | HVOSLEF, KETIL | VIND-KONSERT FOR SOLO FLUTE,WINDS & PERCUSSION | Norway | NMIC | 1983 | 22 MIN | H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,TBA,2PERC,PIANO. SOLO FLUTE CAN BE PLAYED BY FINE BAND PLAYER, NOTE THE INSTRUMENTATION, SCORE IS A LITTLE HARD TO READ. SCORE FOR SALE, PARTS RENTAL. |
| BAND | JACOBSEN, JULIUS | CIRKUS SUITE | Sweden | SUECIA | 15 MIN | M/H | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,3COR,2TRPT,3TRB,EUP,TBA,2PERC. FOUR MOVEMENTS WITH MUCH AUDIENCE APPEAL, FREQUENT METER CHANGES, PLAYABLE AND WELL SCORED! | |
| BAND | JALAVA, PERTTI | TUULENPESA - NEST OF WIND | Finland | MUSACT | 2000/01 | EST 8 MIN | H | C/U | 2FL,OB,2CL,BCL,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,2-4PERC. NEED STRONG MARIMBA AND VIB PLAYERS! THE PERCUSSION SECTION WILL LIKE THIS. FAST TEMPO WITH LOTS OF 3 ON 2 AND 5 ON 2 RHYTHMS. |
| BAND | JOHANSSON, GUNNAR | MARCIA SINFONICA | Sweden | LEMA | 1987 | 5 + MIN | M | C/U/HS | 2FL,EbCL,4CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,4TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB,SS. CONCERT MARCH ON MATERIAL BY D'ORSI. |
| BAND | JOHANSSON, MARKKU | SAVITAIPALE REGGAE-SAVITAIPALEEN POLKKA | Finland | ELVIS | 1982 | E/M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,(HNS IN Eb). SOLO FOR FLUGELHORN AND A GOOD PLAYER. FINNISH FOLK SONG. BAND PARTS QUITE EASY. PIANO SCORE ONLY. | |
| BAND | JONSSON, JOSEF | SVIT, OP 53 | Sweden | SMIC | 1950 | M/H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,TMP. 1 ALLA MARCIA, 2 ANDANTE ESPRESSIVO, 3 SCHERZO, 4 FUGA. NOTE THE INSTRUMENTATION. STRAIGHT AHEAD MATERIAL AND MOVEMENTS CAN STAND ALONE. NEED STRONG BASSOONS. LIKE A CHAMBER WORK. | |
| BAND | JUUTILAINEN, PETRI | ONE UPON A TIME IN CARELIA | Finland | FiMIC | 1997 | EST 10+ MIN | H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,ELECT.PIANO/SYNTHESZER,EUP,ELBASS,2TBA,4PERC. INSTRUMENTATION SHOULD GIVE THE IDEA. AN EPISODIC PIECE WITH MUTES FOR BRASS (BUCKET,ETC). MIXED METER AND OTHER THINGS TO WORK OUT |
| BAND | KARKOFF, INGVAR | PROCESS | Sweden | SMIC | 1980 | 12 MIN | H | C/U | PIC,4FL,3CL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,5PERC,PIANO. ESOTERIC WITH SOME NONTRADITIONAL NOTATION, RHYTHMIC CHALLENGES, FINE PERCUSSION PARTS. UNUSUAL INSTRUMENTATION. |
| BAND | KARKOFF, MAURICE | A SHORT SYMPHONY FOR SYMPHONIC BAND, OP 147 | Sweden | SMIC | 1981 | 14 MIN | H | C/U | PIC,FL,4CL,BCL,OB,2BSN,AS,TS,2HN,2COR,2TRPT,2TRB,EUP,TBA,2PERC, TMP,SB. 3 MOVEMENTS. MOVEMENTS 1 & 3 HAVE RHYTHMIC COMPLEXITY. GOOD SCORE. |
| BAND | KARKOFF, MAURICE | CEREMONIMUSIK NR 1, OP 134 | Sweden | SMIC | 1977 | 4 MIN | H | C/U | 3FL,EbCL,6CL,AS,TS,BS,4HN,6COR,3TRB,2EUP,2TBA,2PERC,TMP. NOTE INSTRUMENTATION! FREQUENT METER CHANGES IN A PLAYABLE SCORE. |
| BAND | KARLSEN, KJELL MORK | VIKINGHYMNE, OP 59A | Norway | NMIC | 12 MIN 30 SEC | M/H | C/U/HS | FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. AN OLD VIKING HYMN WITH LOTS OF WORK FOR THE WW'S IN A GOOD SCORE. | |
| BAND | KARLSSON, SVANTE/STIG GUSTAFSON | MALM-GUTTEN (MARCH) | Sweden | LEMA | 1986 | 2 MIN 40 SEC | E/M | HS/JHS | GOOD SCORING FOR INCOMPLETE BANDS, 6/8 MARCH, CLEAN SCORE. PARTS ARE MARCH SIZE. STANDARD INSTRUMENTATION. |
| BAND | KJAERNES, BJORN MORTEN | BLA KONTRASTER | Norway | FROST | 1987 | 5 MIN 45 SEC | E/M | HS | PIC,2FL,3CL,ACL,BCL,OB,AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,3PERC,TMP, SB. OVERTURE WITH LOTS OF PERCUSSION AND SOME NONTRADITIONAL NOTATION. CLEAN SCORE & PLAYABLE. |
| BAND | KJAERNES, BJORN MORTEN | FORM AND COLOURS | Norway | WARNER/CHAPPELL | 2000 | EST 11 MIN | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. BASED ON A MATHEMATIC FORMULA OR TONE ROW. A SHORT ALEATORIC SECTION. GOOD WORK FOR THE YOUNG ENSEMBLE WILLING TO WORK AT A CONTEMPORARY STYLE OF WRITING. GOOD INSTRUCTIONS BY THE COMPOSER. |
| BAND | KJAERNES, BJORN MORTEN | FORM OG FARGER | Norway | NMIC | 1982 | H | C/U/HS | PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,2PERC,TMP,SB. OVERTURE -LIKE WITH ACTION FOR ALL, MUCH VARIETY. FUN FOR PLAYERS AND AUDIENCE. | |
| BAND | KJAERNES, BJORN MORTEN | I MITT HJERTES HAVE | Norway | FROST | 1985 | EST 5 MIN | E/M | HS | 3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. OVERTURE. SWING IN SOME SECTIONS, OTHERS FLOW. GOOD MATERIAL FOR THE YOUNG BAND. |
| BAND | KJELDAAS, ARNLJOT | INTRADA FESTIVALE | Norway | NMIC | 4 MIN | E | C/U/HS | PIC,FL,2CL,BCL,OB,BSN,AS,TS,3HN,3COR,2TRPT,2TRB,EUP,2TBA,2PERC, (TBA IN Bb AND Eb.) OPENER FOR CONCERT. 4/4 ALL THE WAY. POSSIBLE CONTEST PIECE. NOTE INSTRUMENTATION. | |
| BAND | KOCH, DAGFINN | BEYOND BAYAT | Norway | WARNER/CHAPPELL | 1999/2000 | EST 4 MIN | M | C/U/HS | 2FL(PIC),OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. THE WORK MAY BE PLAYED BY A SMALLER INSTRUMENTATION AS NOTED IN THE SCORE BY THE COMPOSER. A SLOW, EUROPEAN STYLE MARCH. NICE SWEEPING WW LINES AND SOME EXCITEMENT. |
| BAND | KORTELAINEN, JUKKA | LISALEHTIA MENNEESEEN | Finland | ELVIS | 1982 | 5-6 MIN | E/M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,2TS,2BS,4HN,3COR,3TRPT,4TRB, 3EUP,2TBA,PERC. PIANO SCORE. SHORT OVERTURE. GOOD FOR YOUNG BANDS. |
| BAND | KRAFT, ALVAR & ARNE PARSON/MATS OLSSON | EN FATTIG TRUBADUR | Sweden | EHRLING | 1978 | EST 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SOME SCORE PROBLEMS. HIGH NOTES IN THE TROMBONE PART. |
| BAND | KRUSE, BJORN | MARINE FANFARE FANTASIA | Norway | NMIC | 1995 | 10 MIN | H | C/U | FL,OB,BSN,2CL,AS,TS,BS,2TRPT,3HN,3TRB,EUP,2TBA,STBS,3PERC. RHYTHMIC CHALLENGES, BUT A GOOD PIECE FOR C/U BANDS. NOT AS DIFFICULT AS SOME, BUT WILL BE NECESSARY FOR THE MUSICIANS AND CONDUCTOR BE ALERT! NICE CHANGES OF MOOD DURING THE WORK. |
| BAND | KVAM, ODDVAR S. | DOWNWARDS & UPWARDS, 0P.77A | Norway | NMIC | 1987 | 10 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2TBA,3PERC, TMP,(1TBA IN Eb & 1 IN BBb.) 'DOWNWARDS' EMPHASIZES THE WW'S AND 'UPWARDS' THE BRASS - NEED FINE TUBAS! EXPOSED HORN SECTION WORK. FUN FOR THE BAND. SCORE COULD BE CLEANER. |
| BAND | LARSSON, CURT | MARCIETTA | Sweden | LEMA | 1982 | 5 MIN 40 SEC | E/M | HS/JHS | GOOD CROSS SCORING, NICE 6/8 MARCH. STANDARD INSTRUMENTATION. |
| BAND | LARSSON, LARS-ERIK/OWE GREEN | MELODI | Sweden | EHRLING | 1980 | EST 3+MIN | M | C/U/HS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, SB. A 3/4 MELODY. FINE COMPOSER AND ARRANGER. SCORE IS IN MS PARTS PRINTED. HAS THAT 'SWEDISH' FEEL. |
| BAND | LARSSON, LARS-ERIK/STIG GUSTAFSON | INTERMEZZO AND EPILOGUE (FROM THE WINTER'S TALE) | Sweden | GEHRMANS | 1978 | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,2PERC,TMP,SB. TWO NICE PIECES FROM A FINE COMPOSER AND ARRANGER. | |
| BAND | LARSSON, LARS-ERIK/STIG GUSTAFSON | ROMANS FROM PASTORAL SUITE | Sweden | GEHRMANS | 1988 | 5 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,PERC,SB. PLAYABLE BY THE SMALLER, INCOMPLETE BAND. FINE COMPOSER & EXCELLENT ARRANGER. |
| BAND | LEIFS, JON | VIKINGASVAR, OP 54 | Iceland | ITM | 1962 | EST 10 MIN | H | C/U | PIC,2FL,EbCL,CL,OB,EH,2BSN,CBSN,SS,AS,TS,BS,2HN,2TRPT,2TRB,TBA,PERC,TMP,STBS,VIOLA. VIOLA IS BEST DOUBLED. A FINE COMPOSER AND COMPOSITION, IT WILL BE WORTH FINDING THE VIOLAS. SCORE IS MESSY, BUT PARTS GOOD. |
| BAND | LINDBERG, OSKAR/STIG GUSTAFSON | GAMMAL FABODPSALM | Sweden | LEMA | 1979 | 4 MIN | E/M | C/M/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, SB. ONE OF SWEDEN'S MOST FAMILIAR FOLK MELODIES. WELL SCORED. |
| BAND | LINKOLA, JUKKA | SISU | Finland | FiMIC | 1999 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,CALCL,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,STBS,PIANO,4PERC. COMMISSIONED BY THE CONCORDIA COLLEGE BAND. MUCH CHANGE OF METER AND PLENTY NOTES TO PLAY FROM THIS EXCELLENT COMPOSER | |
| BAND | LINKOLA, JUKKA | WEDDING MUSIC FOR SYMPHONIC BAND | Finland | FiMIC | 1998 | EST 15+ MIN | C/U | PC,2FL,OB,3CL,BCL,BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,4PERC. MOVEMENTS: THE MARCH, THE WEDDING WALTZ, THE CEREMONY. A GREAT COMPOSER FOR WIND INSTRUMENTS AND A WORK PLAYED MUCH BY FINNISH BANDS- YOU WILL LIKE IT! POSSIBLE BY THE FINE HS BAND. YES! | |
| BAND | LOFGREN, ALBERT/BIRGER JARL | DANSLATAR FRAN VASTERGOTLAND | Sweden | INTERSONG | 1982 | E/M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. 3 MOVEMENTS, LOTS OF NOTES THAT LAY WELL FOR THE INSTRUMENTS. NICE SCORE. | |
| BAND | LOFGREN, ALBERT/BIRGER JARL | YRHATTAN/DIAPHONY (THE WHIRLWIND) | Sweden | INTERSONG | 1982 | EST 3 MIN | E/M | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,SB. WELL ARRANGED. 2/4 AND IN Bb. VERY PLAYABLE. |
| BAND | LOFGREN, ALBERT/STIG GUSTAFSON | ALVSBORGSLATAR | Sweden | GEHRMANS | 1981 | CA 9 MIN | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. GOOD SCORE AND BALANCE, 8 SHORT MOVEMENTS. SOME PARTS OPTIONAL. |
| BAND | LORENTZEN, BENT | LATIN SUITE NO 2 | Denmark | ENGSTROM & SODRING | 1987 | 12 MIN | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB, EUP,TBA,4PERC,TMP. 1. MAMBO, 2. CAIXA DO DIVINO, 3. ABOIOS, 4. MAMBO. CLARINET CADENZA, SOME NONTRADITIONAL DEMANDS. LIKE A BIG BAND PROPELLED BY THE PERCUSSION. |
| BAND | LUMBYE, H.C./STIG GUSTAFSON | COLUMBINE POLKA-MAZURKA | Sweden | GEHRMANS | 1978 | E | HS | STANDARD INSTRUMENTATION. FINE ARRANGER. BUT NO FULL SCORE. | |
| BAND | LUNDE, IVAR JR | ELEGY FOR SYMPHONIC BAND, OP 61 | Norway | NMIC | 1976 | EST 10 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,EH,CBCL IN Eb & Bb, CELESTE. MIXED METER, DRAMATIC CHANGES IN INTENSITY. A CLEAN SCORE. |
| BAND | LUNDE, IVAR, JR. | CAPRICIOUS SUITE FOR BAND,OP 72 | Norway | SHAWNEE | 1983 | 14 MIN 30 SEC | E/M | HS/JHS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP,Eb & Bb CONTRA CL. 6 MOVEMENTS THAT CAN STAND ALONE. NONTRADITIONAL NOTATION IN 4TH MOVEMENT IS EASY TO FOLLOW. |
| BAND | LUNDKVIST, PER | SKANSEN-SVIT | Sweden | SUECIA | 1985 | 13 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. FOLK LIKE, IN THREE MOVEMENTS. WELL SCORED FOR FULL BAND AND PLAYABLE. |
| BAND | LUNDQUIST, TORBJORN IWAN | ARKTIS | Sweden | SMIC | 1984 | 9 MIN | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB, EUP,2TBA,2PERC,TMP,SB. GOOD WORK WITH RHYTHMIC INTEREST & EXCITEMENT. NICE SCORE. |
| BAND | LUNDQUIST, TORBJORN IWAN | VINDKRAFT (WINDPOWER) | Sweden | SMIC | 1978 | 18 MIN | M/H | C/U/HS | FL,4CL,OB,BSN,AS,TS,BS,2HN,4TRPT,TRB,EUP,2TBA,2PERC,SB,(I TRPT IN C, 3 IN Bb). A MAJOR WORK! SCORE IS INTERESTING. SUGGEST ONE ON A PART. |
| BAND | MADETOJA, LEEVI/TEUVO LAINE | ALKUSOITTOFANTASIA, OP 69 | Finland | STM | 1967 | M/H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB, EUP,2TBA,PERC,TMP,SB. AN OVERTURE WITH CHANGING METER & TEMPOS, OTHERWISE QUITE STRAIGHT AHEAD. | |
| BAND | MADSEN, TRYGVE | SUITE NO III FOR SYMPHONIC BAND | Norway | NMIC | CIR, 1995 | EST. 10 MIN | M/H | C/U/HS | PIC,2FL,OB,EbL,3CL,BCL,BSN,2AS,TS,BS,4HN,4TRPT,4TRB,EUP,TBA,5PERC. MOVE: INTRODUCTION, WALTZ, INTERMEZZO,POLKA, FINALE. COMPOSER HAS MANY TITLES FOR BAND AVAILABLE AT NMIC (ALSO AT MUSIKK-HUSETS FORLAG). WORK IS STRAIGHT FORWARD AND PLAYABLE. IN A READABLE MS. |
| BAND | MARCUSSEN, KJELL | FESTIVALOUVERTURE | Norway | NMIC | 1994 | 10 MIN. | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. A NICE SCORE THAT EXHIBITS SOME INTERESTING HARMONIC STRUCTURE FORM TIME TO TO TIME. VERY USEABLE MATERIAL. |
| BAND | MAROS, MIKLOS | INTRODUZIONE E MARCIA | Sweden | SMIC | 1986 | 7 MIN 30 SEC | M/H | C/U/HS | PIC,FL,3CL,BCL,BSN,AS,TS,BS,HN,2TRPT,TRB,EUP,TBA,3PERC,SB. NOTE THE INSTRUMENTATION. SOME NONTRADITIONAL NOTATION AND TECHNIQUES. WELL SCORED. |
| BAND | MAROS, MIKLOS | SYMPHONIE NR 2 | Sweden | SMIC | 1979 | 14 MIN | H | C/U | PIC,3FL,4CL,BCL,3OB,4HN,4TRPT,4TRB,TBA,4PERC. THREE MOVEMENTS - NOTE THE INSTRUMENTATION. NICE PERCUSSION WRITING. SOME NONTRADITIONAL TECHNIQUES. |
| BAND | MARTINSSON, ROLF | WIND LAYERS | Sweden | SMIC | 2002 | 11 MIN | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS32TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. A THREE MOVEMENT WORK THAT HAS MUCH INTEREST FOR PLAYER AND LISTENER. MOSTLY STRAIGHT FORWARD WITH A FEW RHYTHMIC PROBLEMS TO SOLVE. BEAUTIFUL SCORE. |
| BAND | MARTTINEN, TAUNO | THE NORTH - SYMPHONIC POEM FOR WINDS, OP 67 | Finland | FiMIC | 1972 | EST 8-9 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,TS,BS,4HN,4TRPT,3TRB,EUP,TBA,PERC,TMP. NO ALTO SAX PART. DRAMATIC WORK. STARTS AND ENDS ADAGIO WITH EXCITEMENT BETWEEN. GOOD SCORE. |
| BAND | MELLNAS, ARNE | BESVSMICARJELSER | Sweden | SMIC | 1978 | 11 MIN | H | C/U/HS | 2PIC,2FL,4CL,2AS,2TS,BS,3HN,4TRPT,4TRB,2EUP,2TBA,4PERC. NOTE UNUSUAL INSTRUMENTATION. THREE MOVEMENTS THAT LOOK VERY GOOD AND PLAYABLE. |
| BAND | MELLNAS, ARNE | BLOW | Sweden | SMIC | 1974 | 12 MIN | M/H | C/U | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,3HN,4TRPT,3TRB,EUP,TBA,2PERC,SB. SOME NONTRADITIONAL TECHNIQUES THAT ARE WELL SET OUT. MIXED METER. SOME FUN AS WELL AS MUSICAL INTEREST HERE FROM A FINE COMPOSER. |
| BAND | MODEER, HJALMAR/BIRGER JARL | GOTA LEJON (MARCH) | Sweden | LEMA | 1986 | 3 MIN 15 SEC | E/M | HS/JHS | MARCH SIZE, PLAYABLE BY SMALLER BAND. ALLA BREVE MARCH. STANDARD INSTRUMENTATION. |
| BAND | MODEER, HJALMAR/BIRGER JARL | SCOUTING (MARCH) | Sweden | LEMA | 1985 | 3 MIN 15 SEC | E/M | HS/JHS | SIX FLATS, ALLA BREVE MARCH, CAN BE PLAYED BY THE SMALL INCOMPLETE BAND. MARCH SIZE. STANDARD INSTRUMENTATION. |
| BAND | MONONEN, SAKARI | PIENI SARJA PUHALLINORKESTERILLE, OP 31 | Finland | SULASOL | 1975 | EST 6 MIN | M | C/U/HS | 2FL,2CL,BCL,2OB,2BSN,AS,4HN,4TRPT,2TRB,EUP,TBA,PERC,TMP. MARCH LIKE OPENING, THEN 3/4, 6/8 AND MIXED METER. PROGRAM OPENER. |
| BAND | MORBERG, GOSTA | BRUDMARSCH FRAN DELSBO | Sweden | GEHRMANS | 1977 | 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SLOW MARCH, TRADITIONAL SWEDISH FOLK MUSIC. |
| BAND | MORBERG, GOSTA | GAMMAL FABODPSALM | Sweden | GEHRMANS | 1977 | CA 2'30" | E | HS/JHS | 2FL,4CL,ACL,BCL,OB,2BSN,2AS,2TS,BS.2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SWEDEN’S MOST FAMILIAR FOLK SONG. BEAUTIFUL AND PLAYABLE BY ALL! |
| BAND | MORBERG, GOSTA | GANGLAT FRAN APPELBO | Sweden | EHRLING | 1978 | 3 MIN 30 SEC | E | HS/JHS | SCORE IS NOT CLEAR. NOT BOUND. KEYS OF G, C, F. STANDARD INSTRUMENTATION. |
| BAND | MORBERG, GOSTA | GANGLAT FRAN UPPLAND | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | HS/JHS | 2FL,5CL,ACL,BCL,OB,2BSN,2AS,2TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,PERC, TMP,SB,EH. CONDENSED SCORE, KEY OF C, 4/4 STRAIGHT AHEAD SWEDISH FOLK TUNE. |
| BAND | MORBERG,GOSTA | VISA FRAN RATTVIK | Sweden | GEHRMANS | 1978 | 2 MIN 30 SEC | E | HS/JHS | 3FL,4CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,2TRPT,3TRB,EUP,2TBA,TMP,SB, EH. CONDENSED SCORE, EASY SINGING TRADITIONAL MELODY OF SWEDEN AND WELL ARRANGED. |
| BAND | MORTHENSON, JAN W | ENERGIA I | Sweden | REIMERS | 1984 | CA 8 MIN | H | C/U | 4FL,4CL,BCL,2OB,3AS,2TS,2BS,4HN,4TRPT,3TRB,TBA,3PERC,ELECTRIC PIANO, SYNTHESIZER. NOTE THE INSTRUMENTATION. HIGHLY RECOMMENDED BY SWEDISH CONDUCTORS. SCORE FOR SALE, PARTS RENTAL. |
| BAND | NELSON, DANIEL | BOUNCE | Sweden | SMIC | 2003 | 6 MIN 30 SEC | M/H | C/U | PIC,2FL,2OB,2BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. IN THE DANCE BAND WORLD THIS WAS CALLED, MEDIUM BOUNCE. THAT IS WHAT IT IS WITH SOME SOPHISTICATION. LIKE A 6/4 SECTION. AUDIENCE APPEAL. |
| BAND | NILSSON, GOSTA | MUSIKSKOLANS MARSCH | Sweden | LEMA | 1986 | 2 MIN 40 SEC | E | HS/JHS | PLAYABLE BY SMALLER BANDS, 2/4 CONCERT MARCH. STANDARD INSTRUMENTATION. |
| BAND | NISSILA, ALLAN | RUOTSINSALMI (SVENSKSUND) | Sweden | SMIC | 2006 | 12 MIN 30 SEC | M/H | C/U | 2FL,OB,2BSN,EbCL,3CL,BCL,AS,TS,BS,4TRPT,4HN,3TRB,EUP,TBA,STBS,3PERC. A THREE MOVEMENT WORK PLAYABLE BY MOST C/U ENSEMBLES. WITH EACH OF NISSILA’S WORKS THERE IS SOMETHING UNIQUE, MAYBE EVEN INVENTIVE, BUT EASILY UNDERSTOOD. SHOULD HAVE AUDIENCE APPEAL. |
| BAND | NISSILA, ALLAN | THE MARCH OF THE DOLPHINS | Sweden | SMIC | 2005 | EST 4 MIN | M | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,AS,TS,BS,3COR,4HN,3TRB,EUP,TBA,3PERC. A EUROPEAN TEMPO MARCH (QUARTER NOTE = 102). THIS WOULD BE A GOOD INTRODUCTION TO THIS COMPOSER’S STYLE OF ARRANGING. HE HAS MANY GOOD WORKS IN THE SMIC CATALOG. |
| BAND | NISSILA, ALLAN | VALSE FESTEVOLE | Sweden | SMIC | 2003 | EST 6 MIN | M | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,AS,TS,BS,2TRPT,3COR,4HN,3TRB,EUP,TBA,4PERC. A 6/8 OPENING IN SIX MARKED, ANDANTE MEDIATIVO AND THEN THE STRAUSS LIKE WALTZ WITH ALL THE REPEATS. PARK CONCERT OR THE LIKE. GOOD C0MPOSER/ARRANGER |
| BAND | NORBY, ERIK | CANZONI A BALLO PER BANDA | Denmark | SAMFUNDET | 1989 | M/H | C/U/HS | PIC,3FL,EbCL,3CL,BCL,3OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, 3TBA,2PERC,TMP,EH,2 TENOR HORN. FIVE MOVEMENTS WITH HIGH RHYTHMIC INTEREST ALL THE WAY. MANY CHANGES OF METER. | |
| BAND | NORDENSTEN, FRANK TVEOR | APERITIF | Norway | NMIC | 1986 | 8 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,3COR,2TRPT,3TRB,EUP,2TBA, 4PERC,TMP. FINE SCORE. GOOD PERCUSSION AND SAXOPHONE PARTS. |
| BAND | NORDENSTEN, FRANK TVEOR | PLEASE SHUT UP! | Norway | WARNER/CHAPPELL | 1999 | EST 4 MIN | M/H | C/U/HS | 2FL(PIC),OB,BSN,EbCL,3CL,BCL,2A,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,4PERC. DO NOT KNOW ABOUT THE TITLE, BUT THIS IS A GOOD 4/4 MARCH (QUARTER = 92). NOT HARD, BUT SOME HIGH NOTES FOR TRPT 1 AND TRB 1. SOLID INSTRUMENTATION, NEED GREAT SNARE WORK. |
| BAND | NORDHAGEN, STIG | VARIASJONER OVER EN FOLKTONE FRA VALDRES | Norway | NMIC | 2005 | 14 MIN 30 SEC | H | C/U | 2FL(PIC),OB,4CL,BCL,BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,3PERC. THIS IS FOR THE OUTSTANDING C/U ENSEMBLE THAT LOVES TO FIGURE THINGS OUT! MIXED METER, SOME ALEATORIC PASSAGES AND LOTS OF NOTES TO KEEP THE PLAYERS INTERESTED. HAVE FUN! |
| BAND | NYSTEDT, KNUT | CELEBRATION, OP 94 | Norway | NMIC | 1982 | 10 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,4PERC. WELL KNOWN COMPOSER. 3 MOVEMENTS WITH NICE SCORE AND PLAYABLE! |
| BAND | NYSTEDT, KNUT | ENTRADA FESTIVA, OP 60 | Norway | ASSOCIATED | 1969 | 6 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,4PERC,TMP,SB,EH. MIXED METER IN A GOOD SCORE. CONCERTO GROSSO STYLE WITH A GROUP WITHIN THE BAND. |
| BAND | NYSTEDT, KNUT | MOUNTAIN SCENES, OP 90 | Norway | NMIC | 9 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,3PERC,TMP,SB. ONE MOVEMENT: OPENING IS FOLK-LIKE IN 2/4, SLOW & PLAYFUL, MIDDLE IS MORE SERENE, ENDS WITH THE FOLK-MATERIAL. MUCH USE OF ODD EIGHTH NOTE MEASURES. | |
| BAND | NYSTEDT, KNUT | THE GREATER GLORY, OP 105 | Norway | KJOS | 1987 | 3 1/2 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,3PERC,TMP. PROCESSIONAL - SLOW MARCH. |
| BAND | OLSSON, STURE | DIVERTIMENTO FOR BLASARE OCH SLAGVERK | Sweden | SMIC | 1974 | 10 MIN | M/H | C/U/HS | PIC,3FL,3CL,BCL,2OB,2BSN,2HN,2TRPT,3TRB,TBA,2PERC,TMP. THREE MOVEMENTS, WITH A GOOD SCORE. EMPHASIS UPON PERCUSSION. |
| BAND | PALSSON, PALL P | CONCERTO FOR WINDS AND PERCUSSION | Iceland | ITM | 1989 | 9 MIN 45 SEC | M | C/U/HS | PIC,2FL,3CL,BCL,BSN,AS,TS,BS,4HN IN Eb,2COR,2TRPT,3TRB,2EUP,2TBA,PERC. SOME MIXED METER IN A PLAYABLE SCORE WITH INTERESTING PARTS FOR ALL. |
| BAND | PALSSON, PALL P | PYTUR | Iceland | ITM | 1986 | E | C/U/HS | 2FL,3CL,2AS,TS,3HN IN Eb,3TRPT,3TRB,EUP,2TBA,PERC. MARCH-LIKE, VERY PLAYABLE AND STRAIGHT AHEAD. | |
| BAND | PALSSON, PALL PAMPICHLER | PRELUDIO SINFONICO | Iceland | ITM | 1999 | EST 10+ MIN | M/H | C/U/HS | FL,OB,3CL,BSN,AS,TS,BS,3TRPT,3TRB,EUP,4HN,TBA,4PERC. CHNGING METER, TRB 1 TO BASS AND TENOR CLEF. THE SCORE IS ALWAYS HEADING SOMEPLACE. GOOD MODERN BAND SCORING. |
| BAND | PASQUET, LUIS | THE SONG OF THE ORANGE GROVES | Finland | BLOSARI | 1997 | 4+ MIN | M | C/U/HS | PIC,FL,OB,3CL,BCL,AS,TS,BS,HN,3TRPT,2TRB,EUP,TBA,4PERC. THIS IS MARKED ZAMBA (SAMBA). FUN IN STORE FOR BAND AND THE AUDIENCE! SAME COMPOSER AND PUBLISHER HAS TWO TITLES WE SAW: OLD CARNIVAL AND EL VALLE DE LAS FLORES. YOU MUST HAVE ONE OF THESE! |
| BAND | PEKKANEN, PERTTI | JOKERI | Finland | SULASOL | 1989 | EST 4 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP. FUN AND EXCITEMENT IN KEY OF C AND IN 2/4 AND 4/4. |
| BAND | PETERSON-BERGER, WILHELM/STIG GUSTAFSON | DANSLEK | Sweden | EHRLING | 1907 | EST 3 MIN | E/M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, PERC,TMP,SB. EASY 3/4 TEMPO SELECTION. SCORE IS FULL, BUT IN MS AND SKETCHY, PARTS GOOD. |
| BAND | PETHMAN, ESA | KELTAINEN METSA | Finland | ELVIS | 1982 | M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,4TRB,3EUP,2TBA,2PERC,TMP. A `BAND' OVERTURE. BARITONE PARTS ARE ACTIVE. A CONDENSED SCORE. | |
| BAND | PYLKKANEN, TAUNO | KUVIA LAPISTA | Finland | FiMIC | 1966 | 9 MIN | M | C/U/HS | PIC,2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC. THREE MOVEMENTS STRAIGHT AHEAD AND LIGHT ON THE PERCUSSION. |
| BAND | RABE, FOLKE | ALTIPLANO | Sweden | REIMERS | 1982 | CA 7 MIN | H | C/U | PIC,2FL,4CL,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,2PERC, 2FLUEGELHORN,TENOR HN. IN NONTRADITIONAL STYLE FROM A CREATIVE COMPOSER. HIS MUSIC IS USUALLY WORTH THE EFFORT. SCORE FOR SALE, PARTS RENTAL. |
| BAND | RAUTAVAARA, EINOJUHANI | A SOLDIER'S MASS, OP 40 | Finland | FiMIC | 1973 | 11 MIN | M/H | C/U | 2FL,3CL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,4TRB,TBA,2PERC,TMP. 1. THE LORD OF BATTLES, 2. HAVE MERCY ON US, 3. ON THE FIELD OF GLORY, 4. AT DEATH'S DOOR. FINE COMPOSER. RENTAL. |
| BAND | REBNE, RUNE | T FOR CONCERT BAND | Norway | NMIC | 2004 | 8 MIN | M/H | C/U/HS | FL,OB,BSN,3CL,BCL,2AS,TS,BS.3TRPT,2HN,3TRB,EUP,TBA,3PERC. SMALLER INSTRUMENTATION, BUT PLAYS BIG. HIGH NOTES FOR THE TRPT 1 AND TRB 1. TIGHT RHYTHMIC PASSAGES PLAYED THAT WAY WILL CREATE INTEREST. OTHER TITLES AVAILABLE FROM NMIC BY THIS COMPOSER. |
| BAND | REISSIGER, F A /KARL-ERIK OLSEN | FANTASI OVER NORSKE FOLK MELODIER, NR 2 | Norway | FROST | 1983 | EST 6 MIN | E/M | HS | PIC,FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,2COR,2TRPT,3TRB,EUP,2TBA, 3PERC,TMP,SB. ALL MELODIES PLAYED ATTACCA. VARIETY OF STYLES AND TEMPOS. VERY PLAYABLE. |
| BAND | ROSENBERG, HILDING | SYMPHONIE FUR BLASER UND SCHLAGZEUG | Sweden | NORDISKA | 1966 | 18 MINMIN | H | C/U | PIC,2FL,CL,BCL,OB,BSN,3TRPT,3TRB,2PERC,TMP,EH,CBSN. SPECIAL INSTRUMENTATION! A HARD ONE MOVEMENT WORK WITH SOME RHYTHMIC CHALLENGES. ONE OF SWEDEN'S MOST NOTED COMPOSERS. |
| BAND | RYDBERG, SAM/GOSTA MORGERG | VIVU ESPERANTO (MARCH) | Sweden | INTERSONG | 1983 | EST 3'30" | E/M | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, SB. MARCH SIZE, ON HARD-STIFF PAPER FOR LYRES - GOOD FOR MARCHING UNITS. |
| BAND | SAGVIK, STELLAN | SLOTTS-SVIT, OP 82B | Sweden | SMIC | 1981 | H | C/U | PIC,4CL,2BSN,2AS,TS,2HN,3TRPT,3TRB,TBA,2PERC. 5 SHORT MOVEMENTS BUT CHECK THE INSTRUMENTATION. VERY HIGH TESSITURA FOR TROMBONE I. | |
| BAND | SALLINEN, AULIS | THE PALACE RHAPSODY, OP. 72 | Finland | NOVELLO | 1996 | 16 MIN | H | C/U | 3FL(PIC),3OB,3CL(EbCL,TS,BCL,EbALCL),AS,BS,3BS(CBSN),4HN,3TRPT,3TRB,4PERC,HARP,PIANO. A WELL KNOWN COMPOSER FOR ORCHESTRA WITH A WORK FOR BAND. MIXED METER WILL BE THE HARDEST TO OVERCOME, OTHERWISE THIS SHOULD PLAY WELL FOR THE C/U BANDS. |
| BAND | SJOBERG, BIRGER/MIFF GORLING | PA DANSBANAN | Sweden | EHRLING | 1978 | EST 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. LIKE A POLKA, IN 2/4, FOLK LIKE, SCORE IS NOT CLEAN. SCORE FOR SALE, PARTS RENTAL. |
| BAND | SJOBERG, BIRGER/STIG GUSTAFSON | FRIDA-SVIT | Sweden | GEHRMANS | 1980 | 8 MIN | E | HS/JHS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 2PERC,SB. 5 MOVEMENTS, CONDENSED SCORE, PLAYABLE BY ALL, GOOD WORK. |
| BAND | SJOBLOM, HEIMER | FESTIVO POMPOSO | Sweden | SMIC | 1976 | 6 MIN | M | C/U/HS | PIC,FL,3CL,OB,BSN,AS,TS,2HN,3TRPT,2TRB,TBA,2PERC,SB. WELL LAID OUT SCORE, NOTE THE INSTRUMENTATION. |
| BAND | SKOG, B ARNE | I NORDEN | Sweden | LEMA | 1984 | 10 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,TMP,SB. 9 FOLK TUNES OF NORDIC ORIGIN. SCORED FOR SCHOOL USE AND SUMMER CONCERTS IN THE PARK. CAN BE PLAYED BY BANDS WITH LESS THAN FULL INSTRUMENTATION. |
| BAND | SKOLD, YNGVE | PASSACAGLIA - FROM SINFONIA DA CHIESA, OP 38 | Sweden | SMIC | 1939 | M | C/U/HS | PIC,FL,2CL,OB,2BSN,4HN,2TRPT,3TRB,TBA,TMP,EH,CBSN. NOTE THE SMALL INSTRUMENTATION. GOOD SCORE AND PLAYABLE MUSIC. | |
| BAND | SLETTHOLM, YNGVE | BRIGADEMUSIKK | Norway | NMIC | 1986 | 19 MIN | H | C/U | PIC,FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP,Eb CORNET,2FLUEGELHORN,3TENORHORNS IN Bb. SOME NONTRADITIONAL NOTATION. 3 MOVEMENTS. HARMONIC DENSITY AND RHYTHMICALLY STRAIGHT AHEAD. |
| BAND | SLETTHOLM, YNGVE | DEJA VU FOR SYMPHONIC BAND | Norway | NMIC | 1997-98 | 8 MIN 35 SEC | H | C/U | PIC,2FL,OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,TBA,5PERC. TO LOOK AT THIS SCORE IS TO WANT TO CONDUCT IT! IT IS HARD, MIXED METER, AND A LOT OF OTHER FUN RHYTHMIC SITUATIONS TO FIGURE OUT. FOR THE ENTERPRISING CONDUCTOR WITH A FINE BAND! |
| BAND | SLETTHOLM, YNGVE | HOS GUD ER EVIG GLEDE | Norway | FROST | 1986 | EST 3 1/2 MIN | E | HS | FL,2CL,AS,TS,HN,2COR,2TRB,EUP,2TBA,3PERC,TMP. NOTE THE INSTRUMENTATION! SOME NONTRADITIONAL NOTATION, BUT EASILY DONE. FOLK TUNE. GOOD FOR THE SMALL BAND. |
| BAND | SLETTHOLM, YNGVE | HYMNER FOR KORPS | Norway | NMIC | 1981 | 19 MIN | E/M | C/U/HS | PIC,FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP. 4 MOVEMENTS OF STRAIGHT AHEAD MATERIAL. SOME DRAMATIC DYNAMICS AND EXTENDED SOFT SECTIONS. |
| BAND | SLETTHOLM, YNGVE | SED SPES EST | Norway | NMIC | 1982 | 14'30" | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,4PERC,TMP,SSAX,(I TRPT IN D,2 IN Bb). NO PERFORMANCE PROBLEMS. LONG ONE MOVEMENT BUT INTERESTING ENOUGH TO SUSTAIN ITSELF. |
| BAND | SLETTHOLM, YNGVE | SIGMA | Norway | NMIC | 1980 | M/H | C/U | SS,AS,TS,BS,4HN,2COR,3TRPT,3TRB,2EUP,2TBA,5PERC,TMP. NOTE THE INSTRUMENTATION. LOTS OF PERCUSSION. SOME RHYTHMIC TRICKINESS AND SOME NONTRADITIONAL NOTATION. IT PLAYS! | |
| BAND | SODERBERG, HANS | 15.00 | Sweden | SMIC | 1986 | CA 12-15 MIN | H | C/U | 8FL,8CL,OB,2BSN,2AS,7HN,8TRPT,3TRB,TBA,3PERC. NONTRADITIONAL TECHNIQUES, NOTE THE INSTRUMENTATION, PERCUSSION EMPHASIS, NICE HORN OPENING. |
| BAND | SODERLIND, RAGNAR | FRA SOR OG NORD (FROM SOUTH AND NORTH) | Norway | NMIC | 1967 | 4 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,3PERC,(HNS IN Eb). CONCERT MARCH, STRAIGHT AHEAD WITH A SOLID SCORE. |
| BAND | SODERMAN, AUGUST/STIG GUSTAFSON | BROLLOPSMARSCH | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,2EUP, TBA,PERC,TMP,SB. CONDENSED SCORE. GOOD ARRANGER FOR HS BANDS. |
| BAND | SODERMAN, AUGUST/STIG GUSTAFSON | SVENSKA FOLKVISOR OCH DANSER | Sweden | LEMA | 1984 | 9 MIN | E/M | HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA, PERC,TMP,SB. 8 SHORT FOLK SONGS AND DANCES OF SWEDEN. EACH CAN STAND ALONE. WELL SCORED AND USEFUL MUSIC. |
| BAND | SOMMERFELDT, OISTEIN | TORSTEINEN, OP.68, CONCERT MARCH | Norway | NMIC | 1985 | EST 4 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP. SOMETHING OF 'VALDRES' IN THIS ONE. SCORE IS A BIT MESSY. |
| BAND | SUND, ROBERT | GANGLAT FRAN MOCKFJARD | Sweden | GEHRMANS | 1978 | 13 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,TBA, 2PERC,SB. SWEDISH WORDS ARE IN THE SCORE TO SING ALONG! LIKE A THEME AND VARIATIONS. |
| BAND | SUND, ROBERT | TRE ETYDER | Sweden | SUECIA | 1984 | 9 MIN | H | C/U/HS | PIC,2FL,EbCL,4CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,5PERC,TMP,SB,SSAX,(1 CL IN A, 3 IN Bb). THREE MOVEMENTS, A FEW PROBLEMS TO WORK OUT IN THE SCORE, GOOD PERCUSSION PARTS. |
| BAND | SUNDBO, GEIR | CONTRASTS, THREE EPISODES FOR SYMPHONIC BAND | Norway | NMIC | 2005 | 7 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. PRESENTABLE MS. MIXED METER, HARMONICS NUANCES, AND INTERESTING ALL THE WAY. FOR THE BETTER CONDUCTOR AND C/U ENSEMBLE. SEE OTHER GOOD SCORES BY THIS COMPOSER IN THE NMIC CATALOG ONLINE. |
| BAND | SYLVAIN, JULES & N.G.GRANATH/LENNART FORS | DANSEN GAR PA ALLA BRYGGORNA | Sweden | EHRLING | 1978 | E | HS/JHS | CONCERT MUSIC FOR THE YOUNG BAND. EASY & PLAYABLE. STANDARD INSTRUMENTATION. | |
| BAND | SYLVAIN, JULES & OTHERS/LENNART FORS | HAR DEN ARAN | Sweden | EHRLING | 1978 | EST 4 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS NOT BOUND. PARTS ARE MS BUT GOOD. THIS MEDLEY OF SWEDISH TUNES INCLUDES THE BIRTHDAY SONG, 'JA MÅ HAN LEVA'. |
| BAND | TAKALO, ARTTU | SCI-FI | Finland | FiMIC | 2006 | EST 1O+ MIN | M/H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. MOVE: EMPORER (ANDANTE QUASI FESTIVO), BATTLE (ALLEGRO MOLTO). SCORE IS PASSABLE MS, PARTS PRINTED. A POPULAR COMPOSER OF FINNISH BAND MUSIC -- SEE HIS ‘THE WASTELANDS AND ‘SYMPHONY’ - BETTER MS! |
| BAND | TAUBE, EVERT/STIG GUSTAFSON | SA SKIMRANDE VAR ALDRIG HAVET | Sweden | LEMA | 1981 | 3 MIN 15 SEC | E | HS | 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,PERC,TMP,SB. TAUBE WAS A COMPOSER OF POPULAR SONGS (1890-1976). GOOD TREATMENT OF ONE OF HIS TUNES BY STIG. |
| BAND | TAUBE,EVERT/STIG EKLUND | RONNERDALS POLKA | Sweden | INTERSONG | 1982 | E/M | HS/JHS | GOOD DEVELOPMENT, PLAYABLE. STANDARD INSTRUMENTATION. | |
| BAND | TVEITT, GEIRR | SINFONIA DI SOFFIATORI NR 3 | Norway | WARNER/CHAPPELL | 2001 | EST 7 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STBS,HARP,4PERC. LARGE SYMPHONIC BAND. THERE ARE OTHER WORKS HARDER, BUT THE FEW SPOTS THAT ARE DIFFICULT WILL MAKE IT INTERESTING FOR AUDIENCE, PERFORMER AND CONDUCTOR. |
| BAND | TVEITT, GEIRR | SINFONIETTA DI SOFFIATORI,OP 203 | Norway | NORSK | 1962 | EST 15 MIN | M/H | C/U/HS | PIC,2FL,EbCL,4CL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,TMP,2TENHN,SSAX,(HNS IS Eb). FIVE MOVEMENTS, WITH GOOD VARIETY OF KEYS AND TEMPOS. MOVEMENTS CAN STAND ALONE. |
| BAND | VAAGE, KNUT | BREAKING ANOTHER WALL | Norway | NMIC | 2002 | 17 MIN | H | C/U | PIC,FL,0B,EbCL,4CL,BCL,AS,TS,BSN,3TRPT,3HN,3TRB,EUP,2TBA,STBS,3 PERC. EPISODIC AND HARD! ONLY THE BEST MAY APPLY! NOTE THE LIMITED INSTRUMENTATION INDICATING THE C/U WIND ENSEMBLE, HOWEVER IT LOOKS LIKE IT COULD BE PERFORMED BY A LARGER ENS.. ALL THE USUAL CHALLENGES |
| BAND | VAAGE, KNUT | FREMAD MARSJ | Norway | WARNER/CHAPPELL | 2000 | 2 MIN 45 SEC | E/M | C/U/HS | PIC,FL,OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. FROM SERIES OF MARCHES PUBLISHED BY WARNER/CHAPPELL- NORWAY TITLED, 21 MARCHES FOR THE 21ST CENTURY. ACCESSIBLE, POSSIBLE TO PLAY WITH A SMALLER GROUP - PLAYABLE BY MOST ENSEMBLES. |
| BAND | VALKARE, GUNNAR | BLOPARK | Sweden | SMIC | 1982 | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP, TBA,5PERC. FEATURES THE PERCUSSION SECTION. PLAYABLE WITH NO SURPRISES. | |
| BAND | WALLIN, ROLF | CHANGES | Norway | NMIC | 1984 | H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,3PERC,TMP,SB. SOME NONTRADITIONAL NOTATION, HARMONY & STYLE. SCORE IS WELL LAID OUT TO ACCOMMODATE THE 'CHANGES'! | |
| BAND | VEA, KETIL | ETTERKLANG | Norway | NMIC | 1999 | 6 MIN 30 SEC | M | C/U/HS | PIC,FL,OB,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. A STRAIGHT AHEAD 2/4 MARCH THAT GOES TO AN ANDANTE 4/4 IN THE LAST 32 BARS. IF YOU DO NOT CARE IF THE MARCH ENDS SOFTLY, THIS WILL WORK WELL FOR YOU! |
| BAND | VEA, KETIL | INTRADA FOR UNGE MUSIKANTER | Norway | NMIC | 1985 | 6 MIN | E/M | C/U/HS | PIC,3FL,3CL,OB,BSN,AS,TS,3HN,3TRPT,3TRB,EUP,TBA,4PERC. ONE MOVEMENT WITH THREE SECTIONS(F-S-F), VERY PLAYABLE AND STRAIGHT AHEAD. |
| BAND | WENDELBOE, JENS | LATIN SUITE | Norway | NMIC | 2004 | EST 10 MIN+ | M/H | C/U/HS | PIC,2FL,OB,3CL,2BSN,2AS,TS,BS,3TRPT,3HN,EUP,TBA,ELECT BASS, 5-6PERC. STORY IN 6 SHORT SECTIONS. SAMBAS,TANGOS,BOLERO,BOSSA NOVA,SCARY MUSIC. NICE SHORT SOLO FOR BARI SAX IN BOLERO AND FUN FOR ALL. STORY LINE IS IN THE SCORE FOR MORE AUDIENCE INTEREST. |
| BAND | WESSMAN, HARRI | LOITSUN PUHALLUS | Finland | SULASOL | 1984 | CA 10 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,BSN,AS,TS,BS,4HN,4TRPT,4TRB,3EUP,2TBA,2PERC. SCORE IS WELL LAID OUT WITH STRAIGHT AHEAD MATERIAL. |
| BAND | WESTERBERG, CONNY | GANGLAT FRAN DALSLAND | Sweden | LEMA | 1986 | 3 MIN | E | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,3HN,3COR,3TRB,EUP,TBA,PERC,SB. FLEXIBLE INSTRUMENTATION, SLOW MARCH, HAS 3 VIOLIN PARTS OPT. |
| BAND | WESTMAN, LENNART | FANFARE | Sweden | SMIC | 2006 | 1 MIN 35 SEC | M | PIC,FL,OB,CL,BSN,SS,AS,BS,HN,2TRPT,3TRB,TBA,STBS,2PERC. SHORT, DRAMATIC FANFARE, SEEMS THAT DOUBLINGS WOULD WORK WELL. YOU WILL LIKE! | |
| BAND | WIDQUIST, VIKTOR/GOSTA MORBERG | MALARDROTTNINGENMARSCH | Sweden | INTERSONG | 1983 | 4 MIN | E/M | HS/JHS | 3FL,4CL,ACL,BCL,2OB,2BSN,2AS,2TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, SB. CONCERT MARCH. MANY NOTES FOR THE UPPER WW'S OTHERWISE NOT DIFFICULT. |
| BAND | WIDQUIST, VIKTOR/GOSTA MORBERG | UNDER BLAGUL FANA (MARCH) | Sweden | EHRLING | 1942 | E/M | C/U/HS | 3FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 2PERC,SB. MOST FAMILIAR SWEDISH MARCH! THIS IS AN ARRANGEMENT, BUT MUCH EASIER TO READ THAN THE ORIGINAL. | |
| BAND | VIGULF, ROGER ARVE | SWEET JULIE, OP 24 | Norway | NMIC | 1998 | 8 MIN 15 SEC | H | C/U | 2FL,3CL,BCL,2A,TS,BS,2TRPT,2HN,BARTON(BSN),2TRB,TBA,4PERC. INTERESTING SCORE WITH EFFECTIVE USE OF THE PERCUSSION INSTRUMENTS. WILL TAKE A TALENTED GROUP OF MUSICIANS AND CONDUCTOR TO MAKE THIS GO, BUT IT WILL BE GOOD! |
| BAND | VIITASAARI, JUKKA | CANTOR HENRY’S POLKA | Finland | 7IKKO | 2005 | 2 MIN 10 SEC | M | C/U/HS | PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,2HN,2TRB,EUP,TBA,4PERC. JUKKA HAS ARRANGED A NUMBER OF THESE TRADITIONAL FINNISH FOLK TUNES FOR BAND VERY PLAYABLE AND FUN. ALSO SEE, HINTRIIKKI PELTONIEMI’S FUNERAL MARCH’, ‘STAR GAZER’ AND ‘WIND BREEZES BEND THE TREES.’ |
| BAND | VIITASAARI, JUKKA | CROSSING THE BOSPORUS | Finland | 7IKKO | 1999 | 3 MIN 45 SEC | E/M | C/M/HS | PIC,2FL,2OB,EH,2BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,4TRPT,3COR,4HN,4TRB,EUP,TBA,STBS,8PERC,PIANO. YES, 8 PERCUSSIONISTS NEEDED - IDEAL FOR THE YOUNG ENSEMBLE WITH A LOT OF DRUMMERS. PLAYABLE BY A LOT OF DIFFERENT TYPES OF BANDS. |
| BAND | VIITASAARI, JUKKA | HUH! | Finland | 7IKKO | 2001 | 1 MIN 50 SEC | E | C/M/HS | FL,OB,BN,CL,AS,TS,TRPT,HN,TRB,EUP,TBA,STBS,5PERC,PIANO. STBS,TS AND PIANO ARE OPTIONAL. (SUB TITLE: SHUT OFF THE COMPUTER GAMES, FINISH YOUR HOMEWORK AND GO TO BED). EASY MUSIC,BUT FUN FOR ALL! |
| BAND | VIITASAARI, JUKKA | LIGHT UP THE SKY | Finland | 7IKKO | 2006 | 8 MIN 40 SEC | M/H | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,2AS,2TS,BS,4HN,4TRPT,2FLHN,4TRB,EUP,TBA,5PERC. VIITASAARI WON FIRST PRIZE IN A CONTEST FOR THIS ONE. |
| BAND | VIITASAARI, JUKKA | MAROKON KAUHU | Finland | 7IKKO | 2004 | 2 MIN 40 SEC | M | C/U/HS | 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. A NEW, FINNISH COMPOSER OF BAND MUSIC CIRCA 2000+ WITH MANY COMPOSITIONS AND ARRANGEMENTS. SEE HIS, RAIN DANCES’, ‘THE YOUNG LIONS’, ‘TANGO FANTASY’ AND OTHERS ABOUT THIS DIFFICULTY AND FUN TO PLAY! |
| BAND | VIITASAARI, JUKKA | NUORET LEIJONAT - THE YOUNG LIONS | Finland | 7IKKO | 2004 | 3 MIN 15 SEC | M | C/U/HS | PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,3HN,3TRB,EUP,2TBA,STBS,4PERC. ANOTHER FINE SCORE BY AN AWARD WINNING COMPOSER OF MUSIC THAT CAN BE PLAYED BY SCHOOL ENSEMBLES, COMMUNITY BANDS AS WELL AS C/U GROUPS. YOU MUST HAVE SOME OF THIS COMPOSERS WORKS! |
| BAND | VIITASAARI, JUKKA | OCTOBER SUN | Finland | 7IKKO | 2005 | 8 MIN | M/H | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,STRBS,4PERC. A LITTLE HARDER THAN SOME OTHER OF THIS COMPOSERS WORKS BECAUSE QUANTITY OF NOTES. TRY THIS COMPOSER!. ALSO, SEE HIS, ‘BOTHNIAN RHAPSODY’ AND THE SHORT, ‘CANTOR HENRY’S POLKA’! |
| BAND | VIITASAARI. JUKKA | PORTRAIT OF A SEARCHER | Finland | 7IKKO | 2004 | 10 MIN 30 | M/H | C/U/HS | 2FL(PIC),OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,STRBS,4PERC. OFTEN CHANGING METER AND NOTES FOR EVERYONE. JUKKA IS FUN TO PLAY AND TO LISTEN TO! BE SURE TO HAVE AT LEAST THREE OF HIS THINGS IN YOUR LIBRARY. |
| BAND | VIITASSARI, JUKKA | PIKKUPUHKUT - LITTLE HORN BLOWERS | Finland | 7IKKO | 2001 | 2 MIN 20 SEC | E | C/M/HS | 2FL,OB,BSN,2CL,2AS,TS,2TRPT,2HN,2TRB,EUP,TBA,STBS,6PERC,OPT.PIANO. AN EASIER WORK BY AN AWARD WINNING COMPOSER FOR THE YOUNGER ENSEMBLE. |
| BAND | VILEN, ASKO | MARSSIFANTASIA | Finland | STM | 1987 | 5 MIN | E/M | C/U/HS | PIC,FL,3CL,OB,AS,TS,2HN,3TRPT,2TRB,EUP,TBA,PERC. CONCERT MARCH IN 4/4. |
| BAND | VILEN, ASKO | SARKASTINEN TANSSI NO 1 (SARCASTIC DANCE) | Finland | ELVIS | 1986 | 7 MIN | E/M | C/U/HS | 2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,3TRPT,2TRB,3EUP,2TBA,PERC. ENJOYABLE MUSIC WITH CHANGING METERS AND STYLES AS IT GOES! |
| BAND | VILEN, ASKO | SARKASTINEN TANSSI NO 2 (SARCASTIC DANCE) | Finland | STM | 1988 | 7 MIN | M | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,2EUP,TBA, 3PERC. SLIGHTLY DIFFERENT THAN THE ELVIS PUBLICATION. 'TONGUE-IN-CHEEK' MUSIC. CHANGES TEMPO & TIME SIG. CLARINET CADENZA. |
| BAND | ÖJEBO, PAR/STIG GUSTAFSON | FOLKTONSRAPSODI (THE FOLK TUNE RHAPSODY) | Sweden | LEMA | 1985 | 12 MIN 30 SEC | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,PERC, TMP,SB. FINE ONE MOVEMENT WORK WITH SOLO CELLO AND OBOE. GOOD WAY TO FEATURE OUTSTANDING STUDENTS. SOME RHYTHMIC PROBLEMS. |
| BAND |
JOHANSEN, BERTIL PALMAR | THE EYE OF ODIN | Norway | NMIC | 2002 | EST 10 MIN | H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,AS,TS,BSN,2HN,3TRPT,3TRB,EUP,TBA,3PERC. MIXED METER, SOME UNUSUAL TIME SIGNATURES THAT ARE EASILY FATHOMED. THIS IS A GOOD SCORE WITH LOTS OF OPPORTUNITY TO MAKE MUSICAL EXCITEMENT. SEE OTHER WORKS BY THIS COMPOSER IN THE NMIC LIBRARY. |
| BAND & ORGAN | KARLSEN, KJELL MORK | CONCERTO FOR ORGAN & SYMPHONIC BAND, OP 28B | Norway | NMIC | 20 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 2PERC,TMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. LOTS OF EXCITEMENT FOR A ROOM WITH SPACE FOR THE LARGE ENSEMBLE BUT NOT TOO WILLING ACOUSTICALLY. | |
| BAND & PIANO | KOCH, ERLAND VON | PIANO CONCERTO NR 3 (VERSION B) | Sweden | SMIC | 1970 | 14 MIN | M/H | C/U | PIC,2FL,4CL,BCL,2OB,2BSN,AS,2TS,2HN,2COR,2TRPT,3TRB,EUP,TBA,3PERC,TMP,SB. THREE MOVEMENT OPPORTUNITY FOR THE FACULTY PIANIST OR TOP STUDENT PERFORMER. BAND DEMANDS ARE MODEST. |
| BAND & PIANO | KVERNDOKK, GISLE | CONCERTINO FOR PIANO AND SYMPHONIC BAND | Norway | NMIC | 1986 | EST 20 MIN | H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,2EUP,2TBA,4PERC,TMP,ELEC.GUITAR,BASS GUITAR. FINE PIANIST NEEDED, BAND PARTS NOT SO HARD. NICE PERCUSSION WORK. |
| BAND & PIANO | NILSSON, TORSTEN | ON THE THRESHOLD | Sweden | REIMERS | 1975 | M/H | C/U | PIC,2FL,2EbCL,2CL,BCL,OB,BSN,AS,TS,3HN,3TRPT,3TRB,EUP,TBA,PERC, TMP,SB. THREE MOVEMENTS WITH NONTRADITIONAL NOTATION WORK FOR BOTH PARTIES. SOME IMPROVISATION FOR BAND AS A GROUP. SCORE FOR SALE, PARTS RENTAL. | |
| BAND & PIANO | PLAGGE, WOLFGANG | PRILLAR-FANTASI | Norway | NMIC | 2001 | 16 MIN | M/H | C/U | PIC,FL,3CL,2AS,2TS,4TRPT,4HN,3TRB,EUP,TBA,2PERC. A ONE MOVEMENT WORK THAT WILL WORK FOR THE C/U BAND AND A MEMBER OF THE PIANO FACULTY. SOME FINGERS NEEDED I THE WW OTHERWISE VERY PLAYABLE. GOOD MS. |
| BAND & PIANO | WESTBY, OIVIND | LADY IN PURPLE AND WHITE | Norway | NMIC | 1993 | 11 MIN | M | C/U/HS | PIC,2FL,OB,EbCL,3CL,ACL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,ELEC.GUIT,B.GUITAR,5PERC. MODERN IT SWINGS. SHOULD BE A LOT OF FUN FOR ALL. ACCESSIBLE. |
| BAND AND ORGAN | KARLSEN, KJELL MORK | CONCERTO FOR ORGAN AND BAND | Norway | NMIC | 1973/1986 | 20 MIN. | M/H | C/U | PIC,2FL,OB,BSN,EbCL,3CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,3PERC. MOVEMENTS: DIALOG, CHORAL, RONDO-FINALE. FOR SCHOOLS WITH A GOOD ORGAN AND ORGANIST A WORK THEY CAN COMBINE ON. THIS IS PLAYABLE MUSIC ON A SCORE WITH GOOD MS. . |
| BAND AND SYNTHESIZER | WENDELBOE, JENS | H20 | Norway | NMIC | 1997 | EST 6 MIN | H | C/U | 2FL,OB,EbCL,3CL,BCL,2AS,TS,BS,BSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC,ELECTBASS,SYNTHESIZER. A GOOD INTRODUCTION OT THIS GENRE OF MUSIC. THE SYNTHESIZER PART COULD BE PLAYED BY A GOOD ELECTRIC PIANO. WORTH THE EFFORT TO EXPAND THE REPERTOIRE. HARMONICALLY QUITE TRADITIONAL. |
| BAND WITH CHOIR & ORGAN | KARLSEN, KJELL MORK | SALMESYMFONI NO.2, OP. 73 (PSALM SYMPHONY) | Norway | NMIC | 1986 | 28 MIN | H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC,SB,CHOIR,ORGAN. ONE MOVEMENT, A MAJOR WORK. ORGAN PART THIN, CHOIR EASY, BAND HARD. ENDS QUIETLY. |
| BASSOON & BAND | NAESSEN, RAY | KONSERT FOR BASSOON AND BLASORKESTER | Sweden | SMIC | 2000 |
17 MIN | M/H | C/U | FL,OB,3CL,BSN,AS,TS,3TRPT,HN,2TRB,EUP,STRBS,2PERC. USUAL 3 MOVEMENTS. INCLUDED BECAUSE THE LACK OF THIS TYPE OF MATERIAL. RELUCTANCE COMES FROM QUALITY OF THE MS. NOT GOOD, BUT READABLE. SOME MIXED METER, PLAYABLE. GET ACQUAINTED WITH THIS COMPOSER! |
| BRASS QUINTET & BAND | LARSSON GOTHE, MATS | CLOCKWORKS | Sweden | SMIC | 1992 | 10 MIN. 30 SEC | H | C/U | HARD FOR THE BAND AS WELL AS THE QUINTET. MANY CHANGES OF METER FROM THIS IMPORTANT SWEDISH COMPOSER. BOTH QUINTET AND BAND WILL HAVE TO WORK TO MAKE THIS PRESENTABLE. BUT, THE AUDIENCE WILL BE REWARDED. BIG WORK! |
| BRASS QUINTET & BAND | SJOSTEN, LARS | THE LOVELY LADY'S LABOUR | Sweden | SMIC | 1981 | 16 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 3PERC,DRUM SET,ELECTBASS,BRASS QUINTET. INTRODUCTION, 1. MED BOUNCE, 2. SLOW BLUES(3/4), 3. MEDIUM FAST. GOOD FEATURE ON CONCERT. |
| BRASS QUINTET & BAND | EEROLA, LASSE | MUSIC FOR BRASS QUINTET AND WIND ORCHESTRA | Finland | FiMIC | 1997/98 | 17 MIN | M/H | C/U | FL(PIC),OB,4CL,BCL,BSN,2AS,TS,BS,4HN,3TRPT,EUP,3TRB,TBA,3PERC,BRASS QUINTET. MOVEMENT: BRISKLY, SLOWLY, QUICKLY. FOR THE FACULTY BRASS QUINTET AND THE COLLEGE BAND. EACH GROUP GETS TO SHOW OFF AT DIFFERENT TIMES. |
| CLARINET & BAND | BALDVINSSON, TRYGGVI M. | CONCERTO FOR CLARINET & BAND | Iceland | ITM | 2002 | 24 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,CBCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,2TBA,STBS,3PERC.THE USUAL THREE MOVEMENTS. BAND PART IS VERY ACCESSIBLE. WE LIKE THIS WORK! |
| CLARINET & BAND | DEAK, CSABA | CONCERTO FOR CLARINET & WIND ORCHESTRA | Sweden | SMIC | 1992 | 18 MIN | H | C/U | 3FL(1 DBL PIC, 3 DBL ALTO FL) 3 OB (3DBL ENG HN),1 EbCL,3CL,BCL,BbCONTRA CL,3BSN (3 CONTRA),AS,TS,BARS.3TRPT,3HN,3TRB,EUP,2TBA,STRBS,PIANO,HARP,TIMP,3PERC. USUAL THREE MOVEMENTS, BUT NOTHING USUAL ABOUT THIS COMPOSER OR THIS WORK. FOR THOSE WHO MUST HAVE A CHALLENGE FROM A COMPOSER WHO ENJOYS MAKING IT FOR YOU. A MAJOR WORK! |
| CLARINET & BAND | EEROLA, LASSE | FANTASY FOR CLARINET & WIND ORCHESTRA | Finland | FiMIC | 1986 | 12 MIN | M/H | C/U/HS | PIC,3FL,EbCL,4CL,ACL,BCL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP, 2TBA,3PERC,TMP,PIANO IS OPT. SECTIONS CONNECTED BY CADENZAS OR OTHER MEANS. FREQUENT TIME SIGNATURE CHANGES. OPPORTUNITY TO FEATURE THE BANDS FIRST CLARINETIST. |
| EUPHONIUM & BAND | MADSEN, TRYGVE | CONCERTINO FOR EUPHONIUM AND SYMPHONIC BAND | Norway | MUSIKK-HUSET | 2004 | EST 11 MIN | M | C/U/HS | 2FL,2OB,3CL,2BSN,2AS,TS,BS,2HN,2TRPT,TRB,TBA,3PERC. MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, POCO ADAGIO/ALLEGRO. RANGE TO HIGH Bb FOR THE SOLOIST, BUT NO REALLY TOUGH TECHNICAL MATERIAL UNLESS YOU TAKE THE LAST MOVE VERY FAST. THERE IS A PIANO REDUCTION! |
| EUPHONIUM & BAND | MATRE, ORJAN | HUNTING HIGH AND LOW | Norway | NMIC | 2006 | EST 19 MIN | H | C/U | 2FL(PIC),OB(EH),EbCL,5CL,BCL,BSN,ABS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. S(SS),TS(SS)BS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. HUNTING FOR HIGH AND LOW NOTES FOR THE SOLOIST AND THE ACCOMPANIMENT. THIS IS VERY HARD MATERIAL. A CHALLENGE RESERVED FOR THE BEST! |
| EUPHONIUM & BAND | NORDHAGEN, STIG | CONCERTO FOR EUPHONIUM AND BAND | Norway | NMIC | 1996/97 | 18 MIN 30 SEC. | H | C/U | PIC,2FL,2OB(EH),2BSN,EbCL,3CL,ACL,BL,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,5PERC. ONE MOVEMENT WITH ADEQUATE REST FOR THE SOLOIST. THE TOP C/U PLAYER WILL HAVE NO TROUBLE WITH THE SOLO PART. CONDUCTOR WILL NEED TIME TO GET THE ACCOMPANIMENT WORKED OUT. |
| EUPHONIUM & BAND | WESSMAN, HARRI | PRELUDE AND TOCCATA | Finland | FiMIC | 2001 | 10 MIN | M/H | C/U | 3FL,OB,3CL,BCL,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. BAND PART IS QUITE EASY, JUST LISTEN TO THE SOLOIST PLAY A LOT OF NOTES IN BASS AND TENOR CLEF TO HIGH C. METAL MUTE NEEDED. THE TOCCATA IN 6/8 CAN GET TRICKY FOR THE SOLOIST. PIANO REDUCTION AVAILABLE. |
| EUPHONIUM & BRASS BAND | KARLSEN, KJELL MORK | CONCERTO FOR EUPHONIUM AND BRASS BAND, OP.26 | Norway | NMIC | 1986 | 17 MIN | H | C/U | A MAJOR WORK FOR EUPHONIUM! STANDARD BRASS BAND INSTRUMENTATION. |
| FLUTE & BAND | SIGURBJORNSSON, THORKELL | OREITHYIA | Iceland | ITM | 1994 | EST 7+ MIN | M/H | C/U/HS | PIC,2FL,2OB,2BSN,4CL,2AS,TS,BS,3TRPT,5HN,4TRB,EUP,TBA,3PERC. A LOT OF CHANGING METER. BAND PARTS TEND TO BE SPARSE. HIGH LEVEL FLUTE PLAYER! |
| FLUTE & BAND | TOIVIO, LAURI | KIMPALE | Finland | FiMIC | 2003 | EST 3 MIN | E/M | C/U/HS | FL,OB,2CLBSN,AS,TS,2TRPT,HN,EUP,TRB,TBA,3PERC. AT LAST A FLUTE SOLO WITH BAND THAT WILL WORK FOR MANY STUDENTS AND MANY BANDS. TRADITIONAL IN MOST WAYS. |
| HARP AND BAND | AM, MAGNAR | GRATIA | Norway | NMIC | 1994,2002 | 10 MIN | E/M | C/U/HS | 2FL(PIC),EH,4CL,BCL,BSN,AS(SS),TS,3TRPT,2HN,2TRB,EUP,2TBA,3PERC. IT IS MAINLY THE HARPIST. PARTS ARE QUITE EASY, JUST A NICE ACCOMPANIMENT FOR THE HARP SOLOIST. |
| HORN & BAND | MADSEN, TRYGVE | CONCERTINO FOR HORN SOLO & SYMPHONIC BAND | Norway | NMIC | CIR. 2005 | EST 12 MIN | M/H | C/U/HS | 2FL(PIC),EbCL,3CL,BCL,BSN,2AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC. MOVEMENTS: INTRADA, CAVATINA, RONDO. THIS IS IN A LEGIBLE MS. ALL PARTS PLAYABLE. GOOD ADDITION TO THE LITERATURE. |
| HORN & BAND | PLAGGE, WOLFGANG | CONCERTO FOR HORN AND WIND ORCHESTRA | Norway | NMIC | 1990/98 | 23 MN | M/H | C/U | OIC,2FL,OB(EH),4CL,BCL,BSN,AS,4TRPT,4HN,3TRB,TBA,4PER. MOVEMENTS: MOLTO MARCATO, ADAGIO, TARANTELLA PERCIPITATO. IN A READABLE MS. ALL PARTS IN GOOD RANGES INCLUDING THE SOLOIST. |
| HORN & BAND | HURUM, HELGE | HORNKONTRASTER | Norway | NMIC | CIR 2000 | ST 8 MIN | M | C/U/HS | FL,OB,3CL,AS,TS,LOW WW,3TRPT,2TRB,EUP,TBA,2PERC. COMES WTH A MODIFIED CONDENSED SCORE THUS THE DECLARED LOW WW’S. AN ADVANCED HORN PLAYER WITH A MODEST REQUIREMENT FOR THE BAND. |
| OBOE & BAND | HUNDSNES, SVEIN | TRANSOBOIC FUSION | Norway | NMIC | 1983 | 12 MIN | M/H | C/U | A GOOD COLLEGE OBOIST, ONE LONG OBOE CADENZA, PERCUSSION INTEREST. |
| PERCUSSION ENSEMBLE & BAND | NESS, JON OIVIND | GIST | Norway | NMIC | 2004 | 17 MIN | H | C/U | 2FL,OB,5CL,BSN,AS,BS,4HN,3TRPT,3TRB,EUP,TBA,3PERC,STBS. A ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS AND BAND. THE BAND PART IS HARD AS WELL AS THE SOLO ENSEMBLE PARTS. EXCITING MATERIAL! |
| PERCUSSION ENSEMBLE & BAND | NORDHAGEN, STIG | BUILE | Norway | NMIC | 1998 | 15 MIN 30 SEC | H | C/U | FL(PIC),OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,2PERC. ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS. MIXED METER, BUT SOLOIST AND BAND WILL WORK HARD TO GET THIS TO GO. HARD, BUT THE SCORE IS VERY INTERESTING. C/U GROUPS CAN HANDLE IT! |
| SAXOPHONE QUARTET & BAND | KOCH, ERLAND VON | SAXOPHONIA | Sweden | DORN PUBLICATIONS | 1976 | 18 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES. |
| SAXOPHONE QUARTET & BAND | LERSTAD, TERJE | CONCERTO GROSSO NO.2 | Norway | NMIC | 1985 | 16 MIN 30 SEC | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION. |
| SAXOPHONE QUARTET & BAND | MAROS, MIKLOS | WINDINGS | Sweden | SMIC | 2006 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC. SOLO INSTRUMENTS: 2AS,TS,BS. THERE ARE SEVERAL CONTRASTING SECTIONS THAT ARE CONNECTED. THE SAXOPHONE SECTION WILL WORK FOR THIS ONE, BUT THE BAND HAS IT A LITTLE EASIER. GOOD COMPOSER AND INTERESTING MUSIC. |
| SAXOPHONE QUARTET & BAND | NELSON, DANIEL | BOOK OF BEAT | Sweden | SMIC | 2003 | 16 MIN, 30 SEC | M | C/U | 2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS. |
| SAXOPHONE(ALTO) & BAND | THEORIN, HAKAN | SAXOFONCONCERTINO | Sweden | SMIC | 1987 | 12 MIN | E/M | C/U/HS | FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING. |
| SAXOPHONE(SOPRANO) & BAND | HYTONEN, TIMO | SONG FOR SUNDAY | Finland | BLOSARI | 1995 | 3 MIN 50 SEC | E/M/H | C/U/HS | PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK. |
| SAXOPHONE(SOPRANO) & BAND | SANDSTROM, SVEN-DAVID | FOUR PIECES | Sweden | SMIC | 2002 | 12 MIN | H | C/U | 2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND. |
| STAGE BAND | AHVENLAHTI, OLLI | ONE FOR LIBERTAD | Finland | FiMIC | 1978 | EST 4 1/2 MIN | H | C/U | A 'COOKER'! STRAIGHT AHEAD ACTION. |
| STAGE BAND | BORJESSON, LARS-OVE | L-OVE BLUES | Sweden | SMIC | 1975 | M | C/U/HS | GOOD. ALWAYS NEED MORE BLUES. | |
| STAGE BAND | DAHLQUIST, LASSE/LASSE SAMUELSSON | LITE GRANN FRAN OVAN | Sweden | EHRLING | 1978 | M | C/U/HS | POP-BOSSA, HIGH FIRST TRB. & TRPT FOR AN EASY CHART. CAN BE OPENED FOR SOLOS. SCORE IS MS AND NOT TOO CLEAR, BUT PARTS FINE. | |
| STAGE BAND | DAHLQUIST, LASSE/MATS OLSSON | LILLE KLUMPEDUMP | Sweden | EHRLING | 1978 | M | C/U/HS | MEDIUM BOUNCE, TRUMPET TO HIGH E, TRPT 2 SOLO, SCORE IN MS AND COULD BE CLEANER. | |
| STAGE BAND | EHRLING, THORE & OTHERS/LASSE SJOSTEN | REGNTUNGA SKYAR | Sweden | EHRLING | 1978 | E | C/U/HS | BALLAD. GOOD PIECE, SCORE IS IN FAINT MS, BUT PARTS GOOD. TENOR SOLO. | |
| STAGE BAND | FRYMAN AND PADDOCK/LASSE SAMUELSSON | I EN GRONMALAD BAT | Sweden | EHRLING | 1978 | M | C/U/HS | EASY SWING, TENOR SOLO, MESSY SCORE. | |
| STAGE BAND | GULLIN, LARS | MAY-DAY | Sweden | SMIC | M/H | C/U | CONCERT STYLE PIECE WITH MANY DOUBLES SUCH AS FLUTE, CLARINET, BASS CLARINET, FLUEGELHORN AND SSAX. TIME SIGNATURE CHANGES BUT MOSTLY IN 3/4. | ||
| STAGE BAND | GULLIN, LARS/LARS SJOSTEN | DYNINGAR | Sweden | SMIC | M | C/U/HS | DOUBLES ON FLUTE, CLARINET. SOLOS FOR TENORS, PIANO & TRUMPET. JAZZ WALTZ. GOOD SCORE. | ||
| STAGE BAND | GULLIN, LARS/LARS SJOSTEN | S.H.T. | Sweden | SMIC | M | C/U | DOUBLES ON FLUTE. SOME TIME AND STYLE CHANGES. | ||
| STAGE BAND | GULLIN, PETER | PANORAMA I-II | Sweden | SMIC | 1984 | H | C/U/HS | IN MS AND A NICE CHALLENGE. | |
| STAGE BAND | HIETALA, TIMO | COOL COVER GIRLS | Finland | FiMIC | M/H | C/U/HS | FREQUENT TIME SIGNATURE CHANGES, BUT BEAT IS STEADY. EASY SWING. | ||
| STAGE BAND | JUUTILAINEN, PETRI | BLUEBOLD | Finland | FiMIC | 1987 | 6-7 MIN | H | C/U/HS | BLUES AT 144. GOOD WORK. NICE TROMBONE WRITING AND SOLOS. |
| STAGE BAND | KOISITOINEN, EERO | EN VOI UNHOITTAA SUA MIELESTANI POIES | Finland | ELVIS | 1982 | M/H | C/U | STANDARD INSTRUMENTATION, TRUMPETS DOUBLE FLUGELHORNS, TENOR SOLO, KEY OF G. SWING. | |
| STAGE BAND | KOIVISTOINEN, EERO | KUKONPESA | Finland | FiMIC | EST 7+MIN | H | C/U/HS | MEDIUM UP TEMPO STRAIGHT AWAY JAZZ. GOOD THINGS FOR THE SAX AND BLOWERS WITHOUT RHYTHM SECTION A LA ROB MCCONNELL. | |
| STAGE BAND | KOIVISTOINEN, EERO | SMORREBROD | Finland | FiMIC | EST 6+MIN | M/H | C/U/HS | MEDIUM FAST SWING. GOOD SCORE. ENSEMBLE AND SOLO BACKGROUNDS ARE GOOD. | |
| STAGE BAND | KOMPPA, KARI | A FRENCH CONNECTION | Finland | ELVIS | 1988 | 7 MIN | M/H | C/U/HS | NEED STRONG BASS AND RHYTHM GUITARISTS. LATIN/BEBOP. IT MOVES - SOLOS. |
| STAGE BAND | KOMPPA, KARI | MAKUMOKA | Finland | FiMIC | 1984 | EST 7-8 MIN | H | C/U | HIGH TRUMPET WORK IN 'LAID BACK' SWING. ACOUSTIC AND DX7 PIANOS. |
| STAGE BAND | LASANEN, PENTTI | BASIE STREET | Finland | ELVIS | 4+MIN | M | C/U/HS | CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE. | |
| STAGE BAND | LINDBERG, NILS | BLUES FOR BILL | Sweden | NORDISKA | 1980 | M | C/U/HS | LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES. | |
| STAGE BAND | LINDBERG, NILS | FAR AWAY STAR | Sweden | NORDISKA | 1984 | M | C/U/HS | VOCAL - OR CAN BE AN INSTRUMENTAL SOLO. BALLAD. FINE TUNE! | |
| STAGE BAND | LINDBERG, NILS | OLD WEDDING TUNE FROM AHL | Sweden | NORDISKA | 1985 | E/M | C/U/HS | EXCELLENT SCORE OF AN OLD WEDDING MARCH FROM THE AREA OF ÅHL. SOME GOOD BUT TRICKY SAXOPHONE WORK. | |
| STAGE BAND | LINDBERG, NILS | POLSKA WITH A TRUMPET | Sweden | NORDISKA | 1983 | M/H | C/U/HS | USUAL INSTRUMENTATION PLUS 2 FLUTES & 2 HORNS. SOLO TRUMPET WRITTEN AND IMPROVISATION. FINE ARRANGER. | |
| STAGE BAND | LINDBERG, NILS | ROLF BILLBERG IN MEMORIUM | Sweden | NORDISKA | 1985 | H | C/U/HS | LONG CHART, CONCERT FEATURE, TRPT 2 AND PIANO SOLOS, SPECIAL RHYTHMIC PROBLEMS IN A VERY SLOW TEMPO. | |
| STAGE BAND | LINDBERG, NILS | TORN ERIK'S SONG | Sweden | NORDISKA | 1984 | M | C/U/HS | BALLAD BASED ON SWEDISH FOLK MELODY. 3/4. SOLOS FOR PIANO, TRPT 2 AND GUITAR. | |
| STAGE BAND | LINDBERG, NILS | TRUMPET SONG (VISA MED TRUMPET) | Sweden | NORDISKA | 1980 | M | C/U/HS | A TRUMPET SOLO BASED IN A LARGE PART ON IMPROVISATION. | |
| STAGE BAND | LINDBERG, NILS & RED MITCHELL | AS YOU ARE (PETRA) | Sweden | NORDISKA | 1980 | M | C/U/HS | VERY NICE SLOW BALLAD. | |
| STAGE BAND | LINDBERG, NILS(TRADITIONAL) | SOMETIMES I FEEL LIKE A MOTHERLESS CHILD | Sweden | NORDISKA | 1985 | M | C/U/HS | VOCALIST NEEDS A GOOD EAR, MUCH WORK WITHOUT BACKUP. NICE CHART. | |
| STAGE BAND | LINDHOLM AND OTHERS/GUNNAR SVENSSON | FLOTTANS KAVALJERER | Sweden | EHRLING | 1978 | E/M | C/U/HS | SWING, SCORE IS MESSY, TENOR SOLO AND CAN BE OPENED, HIGH TRB 1 & 2 FOR E/M CHART. | |
| STAGE BAND | LINDSTROM, ERIK | BALLAD | Finland | FiMIC/ERIK LINDSTRöM | EST 5 MIN | M | C/U/HS | SLOW BALLAD. FLUGELHORN FEATURE. | |
| STAGE BAND | LINDSTROM, ERIK | EIKU | Finland | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | FAST SWING, GOOD SAX PARTS, SOLOS, A BARNBURNER! | |
| STAGE BAND | LINDSTROM, ERIK | FRESKO | Finland | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | A FEW HIGH NOTES FOR TRUMPET 1, SLOW SWING. TRB SOLO OPENING. | |
| STAGE BAND | LINDSTROM, ERIK | INTRODUCTION BLUES | Finland | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM UP SWING, TROMBONE SECTION WORK, SOLOS. GOOD THINGS HERE. | |
| STAGE BAND | LINDSTROM, ERIK | OVER BOILING | Finland | FiMIC/LINDSTRÖM, ERIK | EST 4 MIN | M/H | C/U/HS | MEDIUM SWING, TIGHT ENSEMBLE, SOLOS, SCORE & PARTS A BIT MESSY. | |
| STAGE BAND | LINKOLA, JUKKA | BEN BAY | Finland | FiMIC | 1985 | EST 6-7 MIN | H | C/U | TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'. |
| STAGE BAND | LINKOLA, JUKKA | BETWEEN 2ND AND 3RD | Finland | FiMIC | 1978 | EST 6 MIN | M | C/U/HS | LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4. |
| STAGE BAND | LINKOLA, JUKKA | STRUCTURES | Finland | FiMIC | 1987 | 14 MIN | H | C/U | A CONCERT JAZZ PIECE. LIKE THREE MOVEMENTS. LOTS OF GOOD TIGHT ENSEMBLE AND IMPROVISATIONAL SOLOS. |
| STAGE BAND | NISKA, PAUL/NACKE JOHANSSON | SAMBA LA BAMBA | Finland | FiMIC | 4 MIN | M | C/U/HS | SAMBA STRAIGHT AHEAD! | |
| STAGE BAND | SAMSON & WILSON/CLAES ROSENDAHL | NATTENS MELODI | Sweden | EHRLING | 1978 | E | C/U/HS | SCORE IS MESSY, SOFT SWING, TRPT 2 SOLO AND CAN BE OPENED, NICE CHART. | |
| STAGE BAND | SJOSTEN, LARS | UTSIKT FRAN ETT PEPPARKAKSHUS | Sweden | SMIC | 1985 | 17 MIN | H | C/U/HS | LONG CHART BY A GREAT SWEDISH JAZZ PIANIST. CONCERT FEATURE. |
| STAGE BAND | SYLVAIN, JULES & DIX DENNIE/MATS OLSSON | BEATE-CHRISTINE | Sweden | EHRLING | 1978 | E/M/ | C/U/HS | 3/4 BALLAD, TRPT PART TO C, TRB 1 SOLO. | |
| STAGE BAND | SYLVAIN, JULES & KARL-EWERT/CLAES ROSENDAHL | RAKNA DE LYCKLIGA STUNDERNA BLOTT | Sweden | EHRLING | 1978 | E | C/U/HS | SLOW WALTZ, MESSY SCORE, TRPT 1 SOLO, CAN BE OPENED FOR MORE SOLOS. GOOD MATERIAL. | |
| STAGE BAND | SYLVAIN, JULES & SS WILSON/LASSE SJOSTEN | NAR EN STJARNA FRAN HIMLEN FALLER | Sweden | EHRLING | 1978 | E | C/U/HS | SCORE IN MS AND MESSY BUT GOOD MATERIAL. ALTO AND TENOR SOLOS. | |
| STAGE BAND | SYLVAIN, JULES/MATS OLSSON | JAG VET ETT LITET HOTELL | Sweden | EHRLING | 1978 | E/M/ | C/U/HS | MESSY SCORE IN MS, TANGO, LOTS OF MUTING IN BRASS, NEED STRONG PIANO FOR SOLO. | |
| STAGE BAND | SYLVAIN,JULES & AKE SODERBLOM/GUNNAR SVENSSON | TANGOKAVALJEREN | Sweden | EHRLING | 1978 | M | C/U/HS | SCORE IS IN MS AND MESSY, TROMBONE SECTION FEATURE, TRB 1 & 2 QUITE HIGH, GOOD MATERIAL. | |
| TROMBONE & BAND | AAGAARD-NILSEN, TORSTEIN | CANTILENA (CRADLE SONG) | Norway | NMIC | 2002 | EST 8 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3TRPT,4H,3TRB,EUP,TBA,4PERC,OPT-PIANO. A ONE MOVEMENT WORK WITH MUCH MIXED METER AND OTHER RHYTHMIC PROBLEMS. TRB SOLO TO HIGH C. SCORE IS WELL DESIGNED FOR EASY COMPREHENSION. |
| TROMBONE & BAND | EKLUND, HANS | KONSERT FOR TROMBONE | Sweden | SUECIA | 1982 | 12 MIN | H | C/U | FL,EbCL,3CL,BCL,OB,BSN,2HN,3TRPT,3TRB,TBA,PERC,TMP,SB. THREE MOVEMENTS PLAYABLE BY THE EXCELLENT COLLEGE STUDENT. BAND ACCOMPANIMENT IS HARD BUT PLAYABLE. NOTE THE INSTRUMENTATION. |
| TROMBONE & BAND | GRONDAHL, LAUNY | CONCERTO FOR TROMBONE & ORCHESTRA | Denmark | SAMFUNDET | 1984 | 16 MIN | M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRB,2EUP,TBA,PERC,TMP,SB,OPT PIANO. PIANO SCORE. BAND PARTS MODERATE DIFFICULTY. |
| TROMBONE & BAND | LARSSON, LARS-ERIK/MARK F. WALKER | CONCERTINO FOR TROMBONE, OP 45 NR 7 | Sweden | GEHRMANS | 1979 | 11 MIN | M | C/U | 3CL,BCL,OB,2BSN,4HN,3TRPT,3TRB,EUP,2TBA,CONTRA CL IN Eb OR SB. FINE SCORING OF THIS EXCELLENT SOLO MAKES THIS VERY PLAYABLE AND USEABLE. |
| TROMBONE & BAND | LEHTO, JUKKA-PEKKA | CONCERTINO | Finland | MUSACT | 1995 | EST 12 + MIN | H | C/U | PIC,2FL2OB,eBCL,3CL,BCL,2BSN,AS,TS,BS,RHN,3TRPT,3TRB,EUP,2TBA,STRBS,3PERC,PIANO. HIGH TESSETURA NEEDED.MIXED METER, SOME ALEATORY, BUT WELL EXPLAINED. GOOD LOOKING SCORE. |
| TROMBONE & BAND | SVEINSSON, ATLI HEIMIR | JUBILUS II | Iceland | ITM | 1986 | 21 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,EH,CBSN,TAPE. THREE MOVEMENTS PLAYED BY CHRISTIAN LINDBERG. NONTRADITIONAL NOTATION AND SCORING. FOR PROFESSIONAL SOLOIST WITH AN EXCELLENT BAND. |
| TRUMPET & BAND | BERGE, HAKON | CORIOLAN | Norway | NMIC | 1981 | 23 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,2EUP,2TBA,8PERC,SB,PIANO. GOOD RANGE FOR TRUMPET SOLO, FINE COLLEGE PLAYER. LOTS OF PERCUSSION, QUICK METER CHANGES. |
| TRUMPET & BAND | KARKOFF, INGVAR | CONCERTO FOR TRUMPET & SYMPHONIC BAND | Sweden | SMIC | 2002 | 18 MIN. | H | C/U | 2FL (PIC),2OB (ENGHN),EbCL,3CL,BASCL,2BSN,2AS.TS,BS,4HN,4TRB,2TBA,3PERC,PIANO,STRBS. SOLO TRUMPET IN C. ONE LONG PIECE, ACCOMPANIMENT PARTS ARE INTERESTING, THE TRPT SOLO IS VERY PLAYABLE AND THE WORK DESERVES PERFORMANCES. |
| TRUMPET & BAND | LARSSON, LARS-ERIK/STIG GUSTAFSON | CONCERTINO FOR TRUMPET, OP 45 NR 6 | Sweden | GEHRMANS | 1979 | 8 MIN | M | C/U | 2FL,3CL,BCL,OB,2BSN,AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,2PERC,TMP,SB. GOOD ARRANGEMENT BY LEADING SWEDISH ARRANGER OF A FINE TRUMPET SOLO. |
| TRUMPET & BAND | LINKOLA, JUKKA | TANGO-TARANTELLA | Finland | FiMIC | 2001 | EST 10+ MIN | M/H | C/U | FL,2OB,2CL,BSN,[OPT.AS,TS],3HN,TRPT,3TRB,[OPT EUP],TBA,3PERC. CONNECTED SECTIONS. TRUMPET PLAYS MOSTLY COMFORTABLE RANGE. STRAIGHT AHEAD WITH CONTEMPORARY IDEAS. YOU WILL LIKE THIS COMPOSER! |
| TRUMPET & BAND | NISSILA, ALLAN | CONCERTINO | Sweden | SMIC | 2004 | 8 MIN 30 SEC | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,AS,TS, BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC. THE C TRUMPET SOLO IS NOT TOO DIFFICULT, THE BAND PARTS INTERESTING AND WE LIKE THIS COMPOSER. GOOD MATERIAL. |
| TRUMPET TRIO & BAND | LINDGREN, OLOF | DE TRE TRUMPEDORERNA - CONCERT POLKA | Sweden | BLAS-BASEN | 1997 | 5 MN | M | C/U/HS | A CHANCE FOR THE TRUMPETS TO SHOW OFF IN A COMFORTABLE SETTING. RANGE FOR TRUMPET I TO C AT THE END, OTHERWISE EASILY PLAYABLE RANGES. A GREAT FEATURE WORK. BAND PART IS ACCESSIBLE FOR THE GOOD HS OR COLLEGE BAND. |
| TRUMPET TRIO & BAND | RUNNE, OSSI | LASTENKUTSUT (CHILDRENS PARTY) | Finland | ELVIS | 1986 | EST 5 MIN | M | C/U/HS | 2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3 SOLO COR,3TRPT,3TRB,EUP,TBA,2PERC,2 TENOR HORNS. CONDENSED SCORE. JAZZ WALTZ FOR FUN AT THE CONCERT. |
| TRUMPETS(2) & BAND | HURUM, HELGE | TROMPET KONTRASTER | Norway | NMIC | 1986 | M/H | C/U | THREE MOVEMENTS. MOVE III - PICCOLO TRPT, GOOD COLLEGE PLAYERS FOR SOLOS. | |
| TRUMPETS(2) & BAND | NISSILA, ALLAN | PASI’S POLKA | Sweden | SMIC | 2002 | EST 4-5 MIN | E/M | C/U/HS | IN THE STYLE OF THE CONCERT IN THE PARK MUSIC. GOOD COMPOSER WITH STRAIGHT AHEAD MUSIC. NO PROBLEMS FOR THE TWO SOLOISTS, IN COMFORTABLE RANGES, SOME TRIPLE TONGUE, AND EASY MUSIC TO LISTEN TO! |
| TUBA & BAND | ALMIA, ATSO | CONCERTO II PER TUBA | Finland | FiMIC | 2004 | EST 20+ MIN | H | C/U | PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER. |
| TUBA & BAND | JACOBSEN, JULIUS | TUBA BUFFO | Sweden | SMIC | CA 7 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TBA,2PERC,TMP,PIANO. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS. | |
| TUBA & BAND | JANSSON, LEIF A | LASSIE | Sweden | LEMA | 1990 | 7 MIN | M | C/U/HS | PIC,2FL.OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,2HN,3COR,2TRPT,BAR,3TRB,TBA,STRBS,TIMP,2PERC. SOLO FOR FINE COLLEGE OR PROFESSIONAL PLAYER, BAND PART EASIER. |
| TUBA & BAND | JOHANSEN, BERTIL PALMAR | CONCERTO FOR TUBA AND WIND ENSEMBLE | Norway | NMIC | 2005 | EST 10 MIN | M/H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,BBEST SCHERZOSN,AS,TS,2HN,3TRPT,3TRB,TBA,4PERC. MOVE: LIP BEAT SCHERZO, AIR, GRANDMA’S TUBA THEME. SHOULD BE FUN. TUBA SOLO HAS SOME UNUSUAL THINGS, LIKE HALF VALVE, ETC, MOSTLY STRAIGHT FORWARD FOR SOLO AS WELL AS FOR ACCOMP. |
| TUBA & BAND | KARLSEN, KJELL MORK | CONCERTO FURVUS | Norway | NMIC | 1990 | 17 MIN | H | C/U | 3FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,EbTBA,BbTBA,4PERC. ALL SECTIONS CONNECTED. TUBA NEEDS THE HIGH F. BAND ACCOMPANIMENT IS EASIER THAN THE SOLO PART. OUTSIDE THE OCCASIONAL RANGE QUESTION THE SOLO PART IS NOT TOO DIFFICULT. |
| TUBA & BAND | MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLO OR TOP LEVEL AMATEUR. | |
| TUBA & BAND | NISSILA, ALLAN | ASPECTS ON A MIDSUMMER NIGHT | Sweden | SMIC | 1994 | 3 MIN 30 SEC | M | C/U/HS | 3FL(PIC),2OB,4CL,2BSN,AS,TS,BS,4HN,2CNT,2TPT,3TRB,EUP,PERC. STRAIGHT AHEAD PIECE AS A FIRST SOLO FOR THE ASPIRING TUBA PLAYER. RANGE TO C ABOVE THE STAFF. THIS COMPOSER GREAT FOR THIS TYPE OF WORK. PLAYABLE! ALSO SUGGEST FOR EUPHONIUM. |
| TUBA & BAND | MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLOIST OR TOP LEVEL AMATEUR. | |
| VIOLIN & BAND | LILLEBJERKA, SIGMUND | CONCERTO FOR VIOLIN | Norway | NMIC | 2001 | 17 MIN | M | C/U | 2FL,OB,3CL,BCL,BSN,AS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. MOVEMENTS: ALLEGRO MODERATO, ADAGIO, VIVACE. THIS WORK WAS ORIGINALLY FOR CHAMBER ORCH ACCOMP. BUT WORKS WELL WITH THIS COMBINATION. NOTE THE REDUCED INSTRUMENTATION. |
| VIOLIN AND BAND | LARSSON GOTHE, MATS | CONCERTO FOR VIOLIN AND WIND INSTRUMENTS | Sweden | SMIC | 2000/2001 | 20 MIN | H | C/U | 2FL,OB,EH,2CL,2BSN,2HN,2TRPT(C),2TRB,TBA,TIMP,GLOCK. THEME AND VARIATIONS. PLAYABLE BY BEST C/U SMALL BANDS OR WIND ENSEMBLES AND VIOLINIST WILLING TO LEARN THE SOLO PART. THIS COMPOSER PRODUCES A BEAUTIFUL, LOGICAL AND DIFFICULT SCORE. YOU WILL LIKE. |
| VIOLIN AND BAND | LILJEHOLM, THOMAS | ADJACENT TRACKS | Sweden | SMIC | 2004 | 18 MIN | H | C/U | PIC,2FL,2OB,EbCL,3CL,BCL,2BS, (BSN),4HN,4TRPT,4TRB,2TBA,4PERC. FOR THE C/U BAND AND A STUDENT VIOLINIST OR GUEST SOLOIST. PLAYABLE, WE LIKE PARTS FEATURING FOUR HORNS. PERCUSSION HAS A LOT OF NICE PLAY. ONE MOVE. IN GOOD MS WITH MIXED METER. |
| WOODWIND QUINTET & BAND | DEAK, CSABA | THE PIPER'S WEDDING | Sweden | SMIC | 1979 | 12 MIN | M/H | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP, WOODWIND QUINTET. A GOOD PLAYABLE SCORE, WW QT MUST BE VERY COMPETENT, FINE COMPOSER-GOOD WORK. |
| WOODWIND QUINTET & BAND | JANSSON, LEIF A | PRESENTATION OCH PROMENAD I SKANE | Sweden | LEMA | 1982 | 9 MIN | M | C/U/HS | BAND GETS TO SING ONE CHORUS IF IT WANTS! GOOD CHANGE AND VARIETY IN THE MUSIC, IDEAL FOR CONCERT. |
| WOODWIND QUINTET & BAND | HOEMSNES, BJORN K. | TID FOR DIALOG | Norway | NMIC | 1986 | EST 10 MIN | M | C/U | 2FL,EbCL,6CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. SOME NONTRADITIONAL NOTATION, BAND PARTS QUITE EASY, WW QT MUST BE NEAR PROFESSIONAL. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission