Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| CELLO & ORCHESTRA | KENTISH, OLIVER | ETERNITY | Iceland | ITM | 1999 | EST 15+ MIN | H | C/U | THREE MOVEMENTS OF INTERESTING MATERIAL - ESPECIALLY FOR THE CELLIST, BUT A COMFORTABLE ACCOMPANIMENT BY THE STRING ORCHESTRA. SOME NICE EFFECTS. SEE ALSO HIS TRIPTYCH WITH SAME INSTRUMENTATION. |
| CELLO & ORCHESTRA | NORHOLM, IB | CONCERTO FOR CELLO AND ORCHESTRA | Denmark | KONTRAPUNKT | 1991 | 29 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),BSN(CBSN),4HN,2TRPT,3TRB,TBA,HARP,CELEST,4PERC,STRINGS. MOVEMENTS: WITH OPEN EYES, ECHOES, REFLECTIONS ON SIMPLICITY. HARD WORK FOR CELLO AND ORCHESTRA. SCORE IS IN A GOOD MS. |
| CELLO & ORGAN | ALFVEN, HUGO | NOTTURNO ELEGIACO, OP 5 | Sweden | GEHRMANS | 1952 | EST 6+MIN | M | C/U/HS | A SINGING MELODY BY FAMOUS SWEDISH COMPOSER. ALSO WORKS WELL WITH PIANO. |
| CELLO & ORGAN | KARLSEN, KJELL MORK | CHORALE SONATE NR 2 | Norway | NORSK | 1973 | M | C/U | SUGGEST USE FOR TROMBONE, EUPHONIUM OR BASSOON. A GENTLY FLOWING PIECE YOU WILL LIKE. BASED ON 'AUS TIEFER NOT SCHREI ISH ZU DIR'. | |
| CELLO & ORGAN | LOFBERG, MARIA | DAGSVIT FOR CELLO OCH ORGEL | Sweden | SMIC | 2005 | EST 8:00 | E/M | C/U | MOVEMENTS: MORGON, DAGVISA, AFTON, NATT. GOOD MATERIAL FOR THE CELLIST WITH AN ORGAN ACCOMPANIST AVAILABLE. GOOD LINES FOR THE CELLIST. NO SURPRISES. A NICE ‘DAY SUITE’. |
| CELLO & ORGAN | TOMASSON, JONAS | SONATA V | Iceland | ITM | 1973 | M | C/U | ACCESSIBLE PIECE THAT CAN WORK ON FOR A NUMBER OF INSTRUMENTS. SUGGEST EUPHONIUM AND/OR TROMBONE. | |
| CELLO & PERCUSSION | GUDMUNDSEN-HOLMGREEN, PELLE | PLATEAUX POUR DEUX | Denmark | WHANSEN | 1970 | 12 MIN | E/M/H | C/U/HS | FIVE MOVEMENTS WITH SOME NONTRADITIONAL WORK. PERCUSSION USES USUAL AND UNUSUAL INSTRUMENTS. MOVEMENTS OF VARYING DIFFICULTY. PERCUSSION PART EASIER THAN CELLO. |
| CELLO & PIANO | ANDERSSON, B TOMMY | SONAT FOR HORN | Sweden | SMIC | 1985 | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. PIANO PART IS HARD. COMPOSER ALSO SUGGESTS FOR CELLO. | |
| CELLO & PIANO | BJERRE, JENS | 5 SHORT PIECES | Denmark | WHANSEN | 1972 | EST 5 MIN | M | C/U | FIVE SHORT WORKS THAT HAVE MUSICAL POTENTIAL. RECITAL MATERIAL. |
| CELLO & PIANO | BLUM, THOMAS | CANZONA PASTORELLA | Sweden | SMIC | 1993 | 7 MIN | M/H | C/U | MARGINAL MS. BUT, THE WORK SHOULD BE PLAYED. THE PIANO PART HAS SOME DIFFICULTIES, SO GET A GOOD ACCOMPANIST. MUSIC FOLLOWS THE TITLE. |
| CELLO & PIANO | ENGLUND, EINAR | SONATA | Finland | FAZER | 1982 | EST 15+MIN | H | C/U | FOUR MOVEMENTS FROM A GOOD COMPOSER. A SCORE WITH NO SURPRISES JUST A LOT OF WORK! |
| CELLO & PIANO | ENGSTROM, TORBJORN | SONAT FOR CELLO OCH PIANO | Sweden | SMIC | 1996 | 7 MIN 30 SEC | M/H | C/U | MOVEMENTS: INQUIETO, VOCALISE, FEROCE, LENTO. NEEDING NEAR PROFESSIONAL STANDING TO PLAY THIS WELL. BASS AND TENOR CLEF, PLAY THE FULL RANGE OF THE INSTRUMENT AND OTHER CHALLENGES. BUT, THERE IS MUSIC HERE. |
| CELLO & PIANO | FRUMERIE, GUNNAR DE | ELEGISK SVIT, OP 37 | Sweden | SUECIA | 1984 | EST 10-12 MIN | M/H | C/U | I. ARIA 2. DANS 3. RECITATIV 4. MARSCH 5. INTERMEZZO 6. FINALE: ALLEGRO FURIOSO. FINE COMPOSER AND GOOD USE OF THE INSTRUMENTS IN A STRAIGHT AHEAD WORK. |
| CELLO & PIANO | GRAESVOLD, HANS MAGNE | KONTRASTER | Norway | NMIC | 1994 | EST 12+ MIN | M/H | C/U | TWO CONTRASTING MOVEMENTS. SOLO NEEDS BASS, TENOR AND TREBLE CLEFS. ALMOST HARD! NEED GOOD PIANIST. SOME MIXED METER. |
| CELLO & PIANO | HALLGRIMSSON, HALFLIDI | FIMMA (SEA NOCTURNE) | Iceland | CHESTER | 1986 | H | C/U | FIVE MOVEMENTS WITH RHYTHMIC PROBLEMS FOR THE ENSEMBLE, CHALLENGING. | |
| CELLO & PIANO | HALLGRIMSSON, HALFLIDI | SEVEN FOLK SONGS FROM ICELAND | Iceland | RICORDI | 1986 | E | HS/JHS | EASY MATERIALS FOR THE YOUNG STUDENT. | |
| CELLO & PIANO | JOHANSEN, DAVID MONRAD | SUITE, OP 24 | Norway | MUSIKK-HUSET | 1969 | 18 MIN | M | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE, STRAIGHT AHEAD MUSIC WITH CHALLENGES IN 5 DIFFERENT STYLES. |
| CELLO & PIANO | JORGENSEN, ERIK | FIGURE IN TEMPO | Denmark | SAMFUNDET | 1965 | EST 4 MIN | M/H | C/U | CONTEMPORARY SOUNDS AND RHYTHMICALLY CHALLENGING, MANY CHANGES OF TIME SIGNATURE. |
| CELLO & PIANO | KJELDAAS, ARNLJOT | SONATE FOR CELLO OG KLAVER, OP 68 | Norway | NMIC | 1987 | M | C/U | THREE MOVEMENTS(FSF) OF MATERIAL FOR COLLEGE RECITALS. NO PROBLEMS. | |
| CELLO & PIANO | KOCH, ERLAND VON | DANS NO 2 | Sweden | NORDISKA | 1938 | CA 3 MIN | M/H | C/U | STRAIGHT AHEAD RECITAL TYPE PIECE. |
| CELLO & PIANO | KOKKONEN, JOONAS | SONATA | Finland | FAZER | 1977 | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WELL LAID OUT WITH PLAYABLE CHALLENGES AND ACCESSIBILITY. | |
| CELLO & PIANO | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 10 | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CELLO & PIANO | LINDBERG, OSKAR | GAMMAL FABODPSALM FRAN DALARNA | Sweden | NORDISKA | 1950 | CA 3 MIN | E/M | C/U/HS | SWEDEN'S MOST FAMILIAR FOLK TUNE AND A BEAUTIFUL MELODY! |
| CELLO & PIANO | LINJAMA, JAAKKO | SARAH SUITE FOR CELLO & PIANO | Finland | FAZER | 1970 | EST 12 MIN | H | C/U | THREE MOVEMENTS. 3 IS A CHALLENGE. 2 IS A CRADLE SONG IN 11/4. MOVEMENTS CAN STAND ALONE. |
| CELLO & PIANO | LUNDIN, DAG | MANSVIT NR. 3 | Sweden | SMIC | 2005 | EST 7 MIN | M/H | C/U | EXCELLENT MS WITH PLAYABLE PARTS FOR BOTH PARTIES. GET ACQUAINTED WITH THIS COMPOSER FOR MANY OTHER WORKS FOR ALL OF THE INSTRUMENTS WITH MATERIAL LIKE THIS VERY USEABLE WORK. |
| CELLO & PIANO | MADSEN, TRYGVE | SONATE, OP 49 | Norway | MUSIKK-HUSET | 1986 | H | C/U | MADSEN WRITES THINGS THAT WORK WELL MUSICALLY AND FOR PEDAGOGICAL PURPOSES. | |
| CELLO & PIANO | MEYERS, RANDALL | TRITTICO | Norway | WHANSEN | 1994 | 16 MIN | H | C/U | THREE MOVEMENTS OF DIFFICULT MATERIAL FOR THE MOST ADVANCED C/U STUDENT OR PROFESSIONAL. PIANIST ALSO MUST BE EXCELLENT. GREAT SCORE. |
| CELLO & PIANO | NICOTRA, ALFREDO | ELEGI | Norway | NMIC | 1998 | 5 MIN 10 SEC | E/M | C/U/HS | SOLO NEEDS TREBLE AS WELL AS BASS CLEFS. JUST A NICE SOLO TO SING OUT WITH SOME MODEST MODERN HARMONY. |
| CELLO & PIANO | NIELSEN, CARL | CANTO SERIOSO | Denmark | WHANSEN | 1944 | EST 4 MIN | M | C/U/HS | ALSO SCORED FOR HORN AND PIANO. COMFORTABLE RANGE FOR CELLO. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH MANY OF NOTES, END IS MELODIC AGAIN. |
| CELLO & PIANO | NORDGREN, PEHR HENRIK | AS IN A DREAM, OP 21 | Finland | FiMIC | 1974 | 13 MIN | H | C/U | ONE MOVEMENT PLAYABLE BY HIGHLY QUALIFIED COLLEGE STUDENTS THAT WANT A NICE CHALLENGE. |
| CELLO & PIANO | NORDGREN, PEHR HENRIK | EPILOGUE, OP 61 | Finland | HELLASEDITION | 1983 | 4 MIN | E/M | C/U/HS | MELODIC AND VERY PLAYABLE. WORTHY OF SERIOUS PERFORMANCE AND PROFESSIONAL ATTENTION. |
| CELLO & PIANO | OLSON, LARS JERGEN | FEM SANGER OM KARLEK (FIVE SONGS OF LOVE) | Sweden | SMIC | 2003 | 8 MIN | E/M | C/U/HS | RATHER EASY SONGS FOR THE STUDENT TO DEMONSTRATE THE ABILITY TO PLAY PRETTY. THIS IS GOOD MUSIC FOR ANY LEVEL PERFORMER. SENSITIVE ACCOMPANIMENT PART FOR THE PIANIST. |
| CELLO & PIANO | RAUTAVAARA, EINOJUHANI | TWO PRELUDES AND FUGUES, OP 36 | Finland | FAZER | 1969 | M/H | C/U | EACH PRELUDE HAS ITS FUGUE. CONTEMPORARY SOUNDS, BUT NO UNUSUAL DEMANDS ON THE PERFORMERS. 2ND MOVEMENT IS TITLED "EPITAPH TO BELA BARTOK". | |
| CELLO & PIANO | ROSENBERG, HILDING | ETT LITET STYCKE | Sweden | SUECIA | 1976 | EST 3 MIN | M | C/U/HS | GOOD SCORE FROM A FINE COMPOSER. STRING QUARTET ACCOMPANIMENT AVAILABLE. |
| CELLO & PIANO | SAEVERUD, HARALD | ANDANTE FUNEBRE, OP 44 | Norway | MUSIKK-HUSET | 1981 | EST 4 MIN | M | C/U | LYRICAL PIECE AND A GOOD COMPOSER. |
| CELLO & PIANO | SAIKKOLA, LAURI | SONATINA | Finland | FiMIC | 1969 | EST 10 MIN | M/H | C/U | TWO MOVEMENTS. 2ND IS A THEME AND VARIATIONS. MANY KEYS USED. |
| CELLO & PIANO | SALLINEN, AULIS | METAMORFORA | Finland | FAZER | 1974 | EST 4 MIN | M/H | C/U | CONTEMPORARY SOUNDS & STYLE. NEEDS A FINE PIANIST. FINE COMPOSER AND A GOOD SCORE. |
| CELLO & PIANO | SALMENHAARA, ERKKI | POEMA | Finland | FAZER | 1983 | EST 7 MIN | M | C/U | SLOW MOVING, INTENSE, MELODIC PIECE FOR VIOLIN, CELLO OR VIOLA. |
| CELLO & PIANO | SALMENHAARA, ERKKI | SONATA | Finland | FAZER | 1972 | M | C/U | USUAL THREE MOVEMENTS THAT CAN STAND ALONE. COLLEGE RECITAL AND STUDY MATERIAL THAT IS STRAIGHT AHEAD. | |
| CELLO & PIANO | SCHAATHUN, ASBJORN | STILLEBEN | Norway | WHANSEN | 1991/99 | 9 MIN | M/H | C/U | MIXED METER, NEED CLEFS, IN A WELL CONSTRUCTED SCORE THAT SHOULD PLAY OUR READILY FOR THE C/U STUDENT WITH SOME WORK. |
| CELLO & PIANO | WESSMAN, HARRI | SONATA NO 2 FOR CELLO & PIANO | Finland | FiMIC | 1979 | EST 18-20 MIN | M/H | C/U | THREE MOVEMENTS OF A MAJOR WORK BY A FINE COMPOSER. THIS DESERVES SERIOUS ATTENTION. |
| CELLO & PIANO | WIREN, DAG | SONATIN, OP 1 | Sweden | SUECIA | 1945 | EST 8 MIN | M/H | C/U | ONE MOVEMENT IN THREE PARTS(FSF). MOSTLY TENOR CLEF. COMFORTABLE CHALLENGE FOR COLLEGE STUDENT. |
| CELLO & PIANO | VOGT, HERMAN | DIE LIEBE FARBE | Norway | NMIC | 2006 | 8 MIN 30 SEC | H | C/U | HARD IN MOST EVERY WAY, BUT THIS IS A FINE COMPOSER WHO LAYS OUT A SCORE TO HELP THE PERFORMER UNDERSTAND. WILL TAKE A LOT OF TIME TO WORK OUT WITH THE ACCOMPANIMENT, BUT SHOULD BE WORTH IT. |
| CELLO & STRING ORCHESTRA | BJORKLUND, STAFFAN | VID ALVASTRA KLOSTERRUIN | Sweden | SMIC | 1992 | 12 MIN | H | C/U | RHYTHMICALLY STRAIGHT AHEAD, HOWEVER THERE WILL BE EAR CHALLENGES AS THE HARMONIES DO GET DENSE FROM TIME TO TIME, THUS THE ‘H’ LISTING ABOVE. IT IS REALLY EASIER THAN THAT EXCEPT FOR THE EXPECTATION OF HARMONY AND DISSONANCE. |
| CELLO & STRING ORCHESTRA | ENGSTROM, TORBJORN | CONCERTINO FOR CELLO OCH STRAKORKESTER | Sweden | SMIC | 1992 | 11 MIN | H | C/U | CONTEMPORARY HARMONIES FOR ALL. SOLO PART MUCH HARDER THAN THE STRING ACCOMPANIMENT PARTS, BUT ALL MUST PAY ATTENTION TO TENSION BUILDING NOTES AND HARMONIES. ENGSTROM ALSO HAS A CELLO CONCERTO (CELLOKONSERT) YOU MAY WANT TO LOOK AT. |
| CELLO & STRING ORCHESTRA | ENGSTROM, TORBJORN | KORALFANTASI | Sweden | SMIC | 1995 | 4 MIN | M | C/U/HS | WELL LAID OUT SCORE THAT DOES NOT COMPETE WITH THE SOLOIST. A SLOW TEMPO ALLOWING THE SOLOIST WORKING IN BASS AND TENOR CLEF TO CONCENTRATE ON THE MUSICAL ASPECTS OF THE COMPOSITION. |
| CELLO & STRING ORCHESTRA | HAUTA-AHO, TEPPO | PIENI VALSSI JA JOLKUTUS | Finland | FiMIC | 1984 | 11 MIN | M | C/U/HS | TWO MOVEMENTS FOR A GOOD STUDENT CELLIST AND WITH MODEST STRING ORCHESTRA NEEDS. RENTAL ONLY. |
| CELLO & STRING ORCHESTRA | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 10 | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CELLO & WIND ENSEMBLE | LARSSON GOTHE, MATS | CONCERTO FOR CELLO AND WIND INSTRUMENTS | Sweden | SMIC | 1999 |
23 MIN | H | C/U | PIC),2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,MARIMBA. MUTES FOR ALL BRASS. WE LIKE THIS SCORE! NO REAL MOVEMENTS, JUST A FEW BREAKS, USUALLY WHILE THE CELLIST IS PLAYING A CADENZA. THE WORK OPENS WITH A LONG CADENZA. SOME EXCELLENT COMPOSITIONAL IDEAS HERE! |
| CELLO ALONE | AAGAARD-NILSEN, TORSTEIN | PROLOG FOR SOLO CELLO | Norway | NMIC | 1995 | EST 3 MIN | E | C/U/HS | A NICE EASY SOLO ALONE FOR A FIRST WITH THIS MEDIUM, CELLO MUST SING WITH A GOOD SOUND. |
| CELLO ALONE | BENTZON, NIELS VIGGO | SONATA, OP 110 | Denmark | WHANSEN | 1956 | 20 MIN | H | C/U | THREE LARGE MOVEMENTS, ONLY THE BEST SHOULD APPLY! GOOD COMPOSER, BIG CHALLENGE. |
| CELLO ALONE | BJERRE, JENS | SONATE | Denmark | SAMFUNDET | 1947 | EST 12 MIN | H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE IN A GOOD WORK OUT FOR CELLO ALONE. NO SPECIAL TECHNIQUES, JUST MANY NOTES. FREE, NO BAR LINES. |
| CELLO ALONE | FABRICIUS, JACOB C (B.1949) | SONATE PATETICO NR 2 | Denmark | ENGSTROM & SODRING | 1987 | EST 12 MIN | H | C/U | FOUR MOVEMENTS OF A MAJOR SOLO WORK WITH MANY NOTES, CLEFS, STOPS, ETC. YOU MUST BE COMPETENT! |
| CELLO ALONE | GAATHAUG, MORTEN | SUITE NR. 2 FOR SOLO CELLO, OP 57 | Norway | NMIC | 2002/04 | 17 MIN | M/H | C/U | FOUR DESCRIPTIVE MOVEMENTS. BASS, TENOR CLEF & TREBLE CLEFS. DOUBLE STOPS. A WELL LAID OUT SCORE AND READY FOR PLAY! |
| CELLO ALONE | HAUG, HALVOR | SONATA ELEGICA | Norway | NORSK | 1981 | 10 MIN | M | C/U | THREE MOVEMENTS OF GOOD MATERIAL FROM A FINE COMPOSER. PARTS LAY OUT WELL FOR THE INSTRUMENTS. |
| CELLO ALONE | HELGE, OLOV | ETTOLARCO | Sweden | SMIC | 1996 | 4 MIN 30 SEC | H | C/U | FOR THE ADVANCED CELLIST. DOUBLE AND TRIPLE STOPS LOTS OF USE OF THE GLIZZANDO WITH SPECIAL INSTRUCTIONS. |
| CELLO ALONE | HOJSGAARD, ERIK | SONATE IN C - DUR, OP 18 | Denmark | SAMFUNDET | 1980 | 16 MIN | H | C/U | THREE MOVEMENTS OF VERY CHALLENGING MATERIAL. ADVANCED CELLISTS ONLY! |
| CELLO ALONE | HOLMBOE, VAGN | SONATA FOR VIOLINCELLO SOLO, OP 101 | Denmark | WHANSEN | 1969 | EST 15 MIN | H | C/U | FOUR MOVEMENTS (3 & 4 ATTACCA). GOOD CHALLENGE FOR THE SERIOUS C/U PLAYER. NO UNUSUAL DEMANDS, JUST A LOT OF NOTES. |
| CELLO ALONE | JOHANSEN, BERTIL PALMAR | SUITE NR. 1 | Norway | NMIC | 2002 | EST 10 MIN | M/H | C/U | 7 SHORT MOVEMENTS WITH SOME NONTRADITIONAL TECHNIQUES IN SOME OF THE MOVEMENTS (EXPLAINED VERY WELL IN THE SCORE). MOST MOVEMENTS COULD STAND ALONE. GOOD WORK! |
| CELLO ALONE | LORENTZEN, BENT | GRANITE | Denmark | WHANSEN | 1971 | 8 MIN | H | C/U | FOUR MOVEMENTS, SPECIAL TECHNIQUES SUGGESTED, FREE FEELING TO THE WORK. |
| CELLO ALONE | MARMORSTEIN, DAN | SKELETON KEYS IN THE RAIN | Denmark | DKF | 1995 | EST 9+MIN | H | C/U | BASS, TREBLE AND TENOR CLEFS, DOUBLE STOPS, AND ENOUGH NOTES TO KEEP ALL INTERESTED. |
| CELLO ALONE | NORDHEIM, ARNE | SUITE | Norway | WHANSEN | 1997 | 25 MIN | H | C/U | 5 MOVEMENTS FOR THE MOST ADVANCED STUDENT OR PROFESSIONAL CELLIST. NORDHEIM IS ONE OF NORWAY’S MOST ADVANCED COMPOSERS USING ADVANCED TECHNIQUES AND ALWAYS CHALLENGING. DMA RECITAL? |
| CELLO ALONE | OLSEN, SPARRE | METAMORFOSE, OP 80 NR 2 | Norway | NORSK | 1982 | EST 3 MIN | M | C/U/HS | SOME LYRICAL AND SOME TECHNICAL WORK. MODEST INTRO TO CELLO ALONE. |
| CELLO ALONE | SALLINEN, AULIS | ELEGIE | Finland | FAZER | 1966 | EST 3 1/2/MIN | M/H | C/U | FINE WORK BY ONES OF FINLAND'S BEST. |
| CELLO ALONE | SAVERY, FINN | SPIL - RUM - ROCK VIGNET | Denmark | SAMFUNDET | CIR 2000 | EST 10+ MIN | H | C/U | THE MOVEMENTS ARE AS LISTED IN THE TITLE OF THE WORK. A LITTLE SWING TYPE THING IN FIRST MOVE. SECOND IS LIKE A BALLAD AND THE LAST - A LITTLE ROCK. THE TITLES DO NOT MAKE IT EASY - JUST INTERESTING! |
| CELLO ALONE | SOMMERFELDT, OISTEIN | MONOLOGI, OP 45 | Norway | NORSK | 1976 | 7 MIN | H | C/U | THREE MOVEMENTS WITH HARMONIC AND TECHNICAL CHALLENGES AND PLAYABLE BY THE GOOD COLLEGE STUDENT. |
| CELLO ENSEMBLE | LARSSON, HAKAN | AUBADE - NOTTURNO PER 10 CELLI | Sweden | SMIC | 2001 | 10 MIN | H | C/U | YES, TEN CELLOS! AND, THEY MUST BE VERY GOOD PLAYERS. EVERYONE GETS IN THE ACT. THERE AR A NUMBER OF CELLO ENSEMBLE PIECES IN THE SMIC LIBRARY NEEDING A VARIETY OF NUMBERS OF CELLOS. |
| CLARINET,TROMBONE,CELLO & PO | SVEINSSON, ATLI HEIMIR | FANTASTIC RONDOS | Iceland | ITM | 1980 | H | C/U | PLAYERS WHISPER, SPEAK, CLAP HANDS, SNAP FINGERS & STOMP FEET AS WELL AS PLAY THE INSTRUMENTS. RHYTHMICALLY CHALLENGING, BUT SHOULD BE FUN! | |
| FLUTE & CELLO | HALLGRIMSSON, HALFLIDI | VERSE I | Iceland | CHESTER | 1975 | H | C/U | FREE RHYTHM WITH NO BAR LINES, SUGGESTED BEAT LENGTHS, FORMIDABLE. | |
| FLUTE, CELLO & PERCUSSION | SVEINSSON, GUNNAR R | PENDULATIONS (SVEIFLUR) | Iceland | ITM | 1966 | 4 MIN 25 SEC | H+ | C/U | FOUR PERCUSSIONISTS. INTRICATE AND DELICATE - HARD TO PUT TOGETHER, NEEDS CONDUCTOR. GOOD CHALLENGE. |
| FLUTE, CELLO & PIANO | THORARINSSON, LEIFUR | A SMALL TRIO | Iceland | ITM | 1975 | 10 MIN | H | C/U | A DIFFICULT WORK BUT INTERESTING ENOUGH TO MAKE THE EFFORT. SCORE A BIT MESSY. |
| FLUTE, VIOLIN & CELLO | SIGURBJORNSSON, THORKELL | SIX ICELANDIC FOLK SONGS | Iceland | ITM | 1988 | M | C/U | PLAYED IN ONE MOVEMENT. NO EXTREME PROBLEMS AND PLAYABLE WITH REASONABLE PREPARATION. | |
| TROMBONE, CELLO & PIANO | SANDBERG, LARS | FALL | Sweden | SUECIA | 1989 | 9+MIN | H | C/U | MANY RHYTHMIC PROBLEMS. ALL PARTS PLAY FROM A SCORE. |
| VIOLIN, CELLO & PIANO | HELGASON, HALLGRIMMUR | TRIO | Iceland | ITM | M | C/U | THREE MOVEMENTS THAT ARE MELODIC AND STRAIGHT AHEAD. GOOD SCORE AND PLAYABLE. | ||
| VIOLIN, CELLO & PIANO | SPEIGHT, JOHN A | TRIO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| VIOLIN, CELLO & PIANO | SPEIGHT, JOHN A | TRIO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| VIOLIN, CELLO & PIANO | STEFANSSON, FINNUR TORFI | TRIO FOR VIOLIN, CELLO & PIANO | Iceland | ITM | 1989 | 7 MIN | H+ | C/U | LOADED WITH RHYTHMIC PROBLEMS. FREQUENT METER CHANGES AND A CONTEMPORARY SOUND. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission