Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| BASS CLARINET & PIANO | GAATHAUG, MORTEN | TEMA CON VARIAZIONI | Norway | NMIC | 1983/2001 | 8 MIN | H | C/U | THE PIANO PART MIGHT BE A BIT MUCH AND HARD, BUT THE BASS CLARINET GETS TO SHOW WHAT S/HE CAN DO IN 6 VARIATIONS. |
| BASS CLARINET & PIANO | NICOTRA, ALREDO | SONATA DEL CLARON LATINO | Norway | NMIC | 1997 | 12 MIN | M/H | C/U | MOVEMENTS: QUASI FANTASIA, RONDO LATINO, LIED SONATE, FINALE LATINO. PLAYABLE AND A GOOD ADDITION TO THE BASS CLARINET LITERATURE. |
| BASS CLARINET ALONE | BALDVINSSON, TRYGGVI M. | FROM GLASS | Iceland | ITM | 2003 | 10 MIN | H | C/U | THE FULL RANGE OF THE BASS CLARINET - EXTREME UPPER RANGE NEEDED. A GOOD C/U CHALLENGE. MOSTLY A NOTE THING, RHYTHM WILL TAKE CARE OF IT SELF! |
| BASS CLARINET ALONE | KENTISH, OLIVER | RUNE ROW | Iceland | ITM | 2003 | 20 MIN | H | C/U | THREE MOVEMENTS OF INTERESTING MATERIAL FOR THE DEDICATED BASS CLARINETIST. SHORT SECTION OF SUGGESTED MULTI-PHONICS, BUT WE THINK YOU WILL LIKE THIS ONE! |
| BASS CLARINET ALONE | MARTTINEN, TAUNO | DER GNOM, OP. 198 | Finland | ERES | 1982 | 7 MIN | M/H | C/U/HS | FLOWING MUSIC FOR THE BASS CLARINETIST FOR RECITAL AND PRACTICE TO MAKE MUSIC. NO SPECIAL DEMANDS. |
| CLARINET | SIMAI, PAVOL | CLARISSON | Sweden | SUECIA | 1996 | H | C/U | THIS WORK OFFERS ALL OF THE CHALLENGES: MIXED METER, RANGE, MOVING NOTES, PLAYING TOGETHER WITH THE ACCOMPANIST,ETC. TWO MOVEMENTS: 1. IS BURLESCAMENT 2. IS RONDO. FOR THE HIGHLY COMPETENT PLAYER WITH A FINE ACCOMPANIST, A CHANCE TO SHOW OFF! | |
| CLARINET & BAND | BALDVINSSON, TRYGGVI M. | CONCERTO FOR CLARINET & BAND | Iceland | ITM | 2002 | 24 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,CBCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,2TBA,STBS,3PERC.THE USUAL THREE MOVEMENTS. BAND PART IS VERY ACCESSIBLE. WE LIKE THIS WORK! |
| CLARINET & BAND | DEAK, CSABA | CONCERTO FOR CLARINET & WIND ORCHESTRA | Sweden | SMIC | 1992 | 18 MIN | H | C/U | 3FL(1 DBL PIC, 3 DBL ALTO FL) 3 OB (3DBL ENG HN),1 EbCL,3CL,BCL,BbCONTRA CL,3BSN (3 CONTRA),AS,TS,BARS.3TRPT,3HN,3TRB,EUP,2TBA,STRBS,PIANO,HARP,TIMP,3PERC. USUAL THREE MOVEMENTS, BUT NOTHING USUAL ABOUT THIS COMPOSER OR THIS WORK. FOR THOSE WHO MUST HAVE A CHALLENGE FROM A COMPOSER WHO ENJOYS MAKING IT FOR YOU. A MAJOR WORK! |
| CLARINET & BAND | EEROLA, LASSE | FANTASY FOR CLARINET & WIND ORCHESTRA | Finland | FiMIC | 1986 | 12 MIN | M/H | C/U/HS | PIC,3FL,EbCL,4CL,ACL,BCL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP, 2TBA,3PERC,TMP,PIANO IS OPT. SECTIONS CONNECTED BY CADENZAS OR OTHER MEANS. FREQUENT TIME SIGNATURE CHANGES. OPPORTUNITY TO FEATURE THE BANDS FIRST CLARINETIST. |
| CLARINET & BASSOON | AGUSTSSON, HERBERT H | SEVEN SHORT INVENTIONS, OP 11 | Iceland | ITM | 1964 | 10 MIN | M/H | C/U | FUN FOR THE STUDIO OR RECITAL. |
| CLARINET & MARIMBA | WALLIN, PETER | TRE STAMNINGAR | Sweden | SMIC | 1995 | EST 3 MIN 30 SEC | M | C/U | THREE SHORT MOVEMENTS: 1 MEDITATION, 2 UPPSLUPPENHET (LIGHT IN FEELING) 3. DEPRESSION. CLARINET IN Bb. VERY PLAYABLE. |
| CLARINET & ORCHESTRA | BERG, OLAV | CONCERTO FOR CLARINET AND ORCHESTRA | Norway | NORSK | 1992 | 17 MIN | H | C/U | 2FL,2OB,2CL(BCL),2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. THIS ON THE HARD SIDE OF HARD! GRADUATE OR UPPER DIVISION C/U PLAYERS. ALL SECTIONS ATTACCA. CONTEMPORARY SOUNDS. GOOD SCORE. |
| CLARINET & ORCHESTRA | CRUSELL,BERNHARD HENRIK(1775-1838) | KLARINETTKONSERT NO. 3, OP. 11 | Finland | FiMIC | PUB 1995 | EST 20+ MIN | M/H | C/U | FL,2OB,2BSN,2H,2TRPT,TIMP,STRINGS. MOVEMENTS: ALLEGRO RISOLUTO, ANDANTE MODERATO, ALLA POLLACCA. NOTE THE DATES FOR THE COMPOSER. IDEAL FOR EARLY CONCERTO PLAYING AND HE HAS TWO OTHERS AVAILABLE FROM FIMIC. CLARINETISTS SHOULD KNOW THIS COMPOSER |
| CLARINET & ORCHESTRA | EIRIKSDOTTIR, KAROLINA | KLARINETTUKONSERT | Iceland | ITM | 1994 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,STRINGS -DIVISI. SCORE IS MS, PARTS PRINTED. A MODERN STYLE OF WRITING WITH A LOT OF NOTES FOR THE CLARINETIST AND MODEST PROBLEMS FOR THE ORCHESTRA |
| CLARINET & ORCHESTRA | ENGLUND, EINAR | CONCERTO FOR Bb CLARINET AND ORCHESTRA | Finland | FIMIC | 1991 | EST 15+ MIN | M/H | C/U | 2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. OOD WRITING FORTH CLARINET AND ORCHESTRA. IDEAL FOR THE C/U STUDENT AND C/U ORCHESTRA. NO SPECIAL DEMANDS. |
| CLARINET & ORCHESTRA | HAKOLA, KIMMO | CLARINET CONCERTO | Finland | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC,HARP, STRINGS. MOVMENTS: ALLEGRETTO POMPOSO, ADAGIO AMOROSO, ALLEGRO FARARA. (LAST TWO MOVEMENTS ATTACCA). NO SPECIAL DEMANDS ON THE ORCHESTRA OR CLARINETIST. SOME TRICKY RHYTHM PATTERNS IN 3, BUT ALL PLAYABLE. |
| CLARINET & ORCHESTRA | HOLM, PEDER | CONCERTINO | Denmark | WHANSEN | 1973 | 10 MIN | M | C/U | FL,OB,BSN,HN,STRINGS. ONE MOVEMENT OF PLAYABLE MUSIC. CLARINETIST MAY BE A GOOD COLLEGE PLAYER. GOOD C/U ORCHESTRA CAN PERFORM. SCORE FOR SALE, PARTS RENTAL. |
| CLARINET & ORCHESTRA | HOLMBOE, VAGN | 3. CONCERTO | Denmark | WHANSEN | 1940/42 | EST 16 MIN | H | C/U | 2TRPT,2HN,STRINGS. NOTE THIS INSTRUMENTATION). MOVEMENTS(2): ALLEGRO NON TROPPO,ALLEGRO GIOCOSO. EARLY WORK OF HOLMBOE. IN GOOD MS. N0T AS DIFFICULT AS SOME AND VERY PLAYABLE. NO SURPRISES. |
| CLARINET & ORCHESTRA | NELSON, DANIEL | CLARINET CONCERTO | Sweden | SUECIA | 2000 | 19 MIN | M/H | C/U | 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,PIANO/CELESTA,2PERC,STRINGS. EACH OF THE WINDS HAS A WINE GLASS FILLED TO A CERTAIN PITCH WITH LIQUID TO PLAY. DO NOT LET THAT SCARE YOU, A SERIOUS COMPOSER WITH GREAT THINGS TO SAY IN THREE MOVEMENTS. BUT, IT IS ABOUT THE CLARINET! |
| CLARINET & ORCHESTRA | NIELSEN, CARL | KONCERT FOR KLARINET OG ORKESTER, OP 57 | Denmark | SAMFUNDET | 1931 | M/H | C/U | 2BSN, 2HN, STRINGS. STRINGS MUST BE STRONG. PLAYS AS ONE MOVEMENT. PIANO REDUCTION AVAILABLE. | |
| CLARINET & ORCHESTRA | NORDAL, JON | AUTUMN | Iceland | ITM | 2000 | EST 15+ MIN | H | C/U | 2FL,2OB,CL,BCL,2BSN,2HN,2TRPT,2TRB,2PERC,HARP,PIANO,STRINGS. MAY WORK OUT EASIER THAN IT LOOKS IN THE SCORE. CHANGING METER AND LOTS OF OPEN SPACE FOR THE SOLOIST. |
| CLARINET & ORCHESTRA | RAUTAVAARA, EINOJUHANI | CLARINET CONCERTO | Finland | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,CLBCL,BSN,CBSN,4HN,2TRPT,2TRB,TBA,3PERC,HAP,STRINGS. MOVEMENTS: DRAMMATICO (MA FLESSIBLE), ADAGIO ASSAI, VIVACE. HARD FOR BOTH PARTIES, BUT A GREAT COMPOSER WHO HAS SOMETHING TO SAY AND WORTH THE EFFORT. AT LEAST TRY THE SECOND MOVEMENT! |
| CLARINET & ORCHESTRA | SIGTRYGGSSON, EIRIKUR ARNI | CLARINET CONCERTO | Iceland | ITM | 1994 | 30 MIN | H | C/U | PIC,2FL,2OB,EH,AS,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. THIS COMPOSER LETS THE SOLOIST DO THEIR THING AND FOR THE MOST PART KEEPS THE ORCHESTRA OUT OF THE WAY. SOLOIST WILL WORK MUCH HARDER THAN THE ORCHESTRA. |
| CLARINET & ORCHESTRA | SIGTRYGGSSON, EIRIKUR ARNI | CONCERTINO FOR CLARINET AND CHAMBER ORCHESTRA | Iceland | ITM | 2001 | 16 MIN | M/H | C/U | FL,OB,BSN,HN,TPT,TRB,TBA,PERC,STRINGS. INTERESTING INTERPLAY BETWEEN THE CLARINET AND PERCUSSIONIST. THE ORCHESTRA STAYS OUT OF THE WAY MOST OF THE TIME. CLARINET WORKS! |
| CLARINET & ORCHESTRA | SPEIGHT, JOHN A | LITTLE MUSIC | Iceland | ITM | 1977 | E | C/U | 2FL, 2CL, STRINGS. THREE MOVEMENTS OF A GOOD SCORE WITH STRAIGHT AHEAD MATERIAL. | |
| CLARINET & ORCHESTRA | VEA, KETIL | CONCERTO FOR CLARINET AND ORCHESTRA | Norway | VEANOVA | 1997/2001 | 18 MIN | H | C/U | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,2TRB,2PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE, ALLEGRO. PIANO REDUCTION AVAILABLE. THIS ONE IS ON THE EASY SIDE OF THE HARD CATEGORY AND VERY PLAYABLE. UPPER DIVISION C/U MATERIAL. GOOD COMPOSER. |
| CLARINET & ORGAN | HAEGELAND, EILERT M. | SONATE MED STEVTONER | Norway | NMIC | 1995/96 | 12 MIN | M | C/U/HS | MOVEMENTS: INTRODUKSJON, VIVACE, MEDITASJON, RONDO RAPSODICA, RECITAL MUSIC, NOT NECESSARILY CHURCH MATERIAL. PLAYABLE BY THE GOOD HS STUDENT. |
| CLARINET & ORGAN | HALLNAS, HILDING | LEGEND | Sweden | SMIC | 1974 | 7 MIN | M | C/U/HS | ONE MOVEMENT THAT DOES NOT NECESSARILY SAY 'CHURCH' BUT IT PLAYS. |
| CLARINET & ORGAN | SJOBERG, JOHAN-MAGNUS | MEDITATION | Sweden | SMIC | 2005 | 4 MIN 30 SEC. | M | C/U | THIS WILL TAKE SOME MATURITY BY THE Bb CLARINET PLAYER. MIXED METER, BUT THE LINE IS ALWAYS MOVING. NICE USE OF THE LOWER REGISTER WITH JUST A LITTLE WORK ABOVE THE STAFF. |
| CLARINET & PERCUSSION | ANDERSSON, B TOMMY | IMPROMPTU | Sweden | SMIC | 1987 | 3 MIN 45 SEC | M/H | C/U | VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET. |
| CLARINET & PERCUSSION | MASSON, ASKELL | FANTASY ON A CHINESE POEM | Iceland | ITM | 1987 | H | C/U | A SERIOUS WORK FOR STUDY OR COLLEGE RECITAL. THE PERCUSSION INSTRUMENT IS CALLED 'DARABOUKT' OR HAND DRUM. | |
| CLARINET & PERCUSSION | MOGENSEN, RENE | THOUGHT IN FIVE PARTS | Denmark | DKF | 1998 | 4 MIN 30 SEC | H | C/U | FIVE SHORT MOVEMENTS FOR THE ADVANCED C/U CLARINETIST AND AN ADVENTUROUS PERCUSSIONIST. MULTI-PHONICS, MIXED METER AND TIME NEEDED TO GET THE TWO PARTS TO SOUND TOGETHER! |
| CLARINET & PIANO | BALDVINSSON, TRYGGVI M. | GEGNUM SKOGINN - THROUGH THE WOODS | Iceland | ITM | 1992 | EST 10+ MIN | H | C/U | LOTS OF RHYTHMIC TRAPS, WORK WITH A COMPETENT PIANO PLAYER WHO WANTS TO REHEARSE. THIS WILL WORK WITH THE EXTRA EFFORT! |
| CLARINET & PIANO | BALDVINSSON, TRYGGVI M. | HALLDOR LAXNESS - MUSIC FOR A TV PROGRAMME | Iceland | ITM | 2003 | 5 MIN | E/M | C/U/HS | 12 SHORT MOVEMENTS BY A GOOD COMPOSER THAT CAN BE PLAYED BY MANY LEVELS OF PERFORMER. NO PROBLEMS, BUT NICE! |
| CLARINET & PIANO | BENTZON, JORGEN | KAMMERKONCERT NO 3, OP 39 | Denmark | SAMFUNDET | 1943 | 16 MIN | M | C/U | THREE MOVEMENTS THAT SHOULD BE PLAYED ATTACCA. GOOD MATERIAL FOR MIDLEVEL C/U STUDENT RECITALS. |
| CLARINET & PIANO | BERG, OLAV | FANTASIA BREVE | Norway | NORSK | 1985 | 9 MIN | H | C/U | RECITAL AND STUDY PURPOSES. |
| CLARINET & PIANO | BERGH, SVERRE | CONCERTINO | Norway | LYCHE | 1982 | 12 MIN | E/M | C/U/HS | THREE MOVEMENTS. ONE SHORT CADENZA BETWEEN 2 & 3. SOLO LAYS OUT WELL. SEE ORCHESTRA ENTRY. |
| CLARINET & PIANO | BERGMAN, ERIK | THREE FANTASIAS, OP 42 | Finland | FAZER | 1954 | EST 8 MIN | M/H | C/U | MIXED METER IN THE THREE MOVEMENTS AND ALL TEMPOS QUITE SLOW. CONTEMPORARY SOUNDS AND RHYTHMIC EMPHASIS, YET PLAYABLE. |
| CLARINET & PIANO | BLOMBERG, ERIK | RAPSODISK FORMSTUDIE | Sweden | SMIC | 1985 | 6 MIN | M | C/U/HS | LOTS OF NOTES IN PLAYABLE RANGE. ONE MOVEMENT. |
| CLARINET & PIANO | BUCHT, GUNNAR | BLAD FRAN MITT GULSIPPEANGE, NO 1 | Sweden | SMIC | 1985 | 12 MIN | M/H | C/U/HS | TWELVE SHORT MOVEMENTS WITH MUCH VARIETY. NOT ALL NEED TO BE PLAYED FOR SUCCESSFUL PERFORMANCE. SOME MOVEMENTS VERY CHALLENGING WHILE OTHERS QUITE ACCESSIBLE. |
| CLARINET & PIANO | CHRISTIANSEN, HENNING | DET FORSOMTE FORAR | Denmark | EDITION EGTVED | 1978 | M | C/U | FOUR SHORT MOVEMENTS. INTERESTING & PLAYABLE. | |
| CLARINET & PIANO | COATES, ROBERT | SONATINE NR.1 | Norway | NOTON | 1990 | EST 6+ MIN | E | HS/JHS | GOOD MATERIAL FOR THE YOUNG CLARINET PLAYER FOR CONTEST OR EARLY SOLO OFFERING. COATES HAS A NR. 2 IN THE NOTON CATALOG WHICH ALSO HAS MANY MATERIALS FOR THE HS AND JHS SOLOIST AND ENSEMBLE. |
| CLARINET & PIANO | CRUSELL, BERNHARD | INTRODUCTION ET AIR SUEDOIS VARIE, OP 12 | Finland | FAZER | 1980 | EST 5 MIN | H | C/U | LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. CLARINETS ANSWER TO HERBERT L. CLARK. SHOW OFF MUSIC, RECITAL CLOSER. NOTES! |
| CLARINET & PIANO | DAVIDSSON, ELIAS | LEGENDE | Iceland | ITM | 1996 | EST 4+ MIN | M/H | C/U/HS | SOME LARGE INTERVALS TO MANIPULATE ACCURATELY, OTHERWISE THIS SHOULD PLAY . EXPECT SOME DIFFERENT TONALITIES. |
| CLARINET & PIANO | EEROLA, LASSE | FANTASIA | Finland | HELLAS | 1985 | EST 6+ MIN | H | C/U | NOT AS DIFFICULT AS SOME, JUST LEARN THE NOTES AND MAKE MUSIC. FOR UPPER DIVISION C/U. SOME MODERN SOUNDS! |
| CLARINET & PIANO | EEROLA, LASSE | HAARAPALPAKKO | Finland | FiMIC | 1990 | 6 1/2 MIN | M/H | C/U | THIS COMPOSER WRITES WELL FOR THE CLARINET. DEFINITELY MODERN, BUT LOGICAL MAKING IT EASIER TO PLAY. GOOD C/U RECITAL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE FIMIC CATALOG ONLINE |
| CLARINET & PIANO | EEROLA, LASSE | HEVONHIERAKKA | Finland | FiMIC | 1992 | EST 3+ MIN | M/H | C/U | A CONTEMPORARY SETTING AND MIXED METER, BUT THIS LOOKS LIKE A LOT OF FUN TO WORK OUT. YOU WILL LIKE THE ENDING! SEE OTHER WORKS BY THIS COMPOSER FOR THIS COMBINATION - LIKE “HARMIO”. |
| CLARINET & PIANO | GADE, NIELS W | FANTASIAS, OP 43 | Denmark | WHANSEN | EST 7 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. NICE RANGE FOR THE CLARINET AND VERY PLAYABLE. | |
| CLARINET & PIANO | KARKOFF, MAURICE | POEM (DROMMERI), OP 165 | Sweden | SMIC | 1988 | 17 MIN | H | C/U | A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY. |
| CLARINET & PIANO | KOSTIAINEN, PEKKA | SONATA | Finland | FAZER | 1977 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ADAGIO CANTABILE, ALLEGRO ASSAI, ADAGIO SOSTENUTO. SOME MIXED METER AND TRICKINESS IN THE LAST MOVEMENT. OTHERWISE, THIS PLAYS OUT WELL IN CONTEMPORARY HARMONY FOR THE C/U RECITALIST. |
| CLARINET & PIANO | KUOSMA, KAUKO | SARJA KLARINETILLE JA PIANOLLE | Finland | FiMIC | 1981 | M | C/U | 1. RAGTIME 2. WALTZ 3. BLUES 4. TANGO. NOT ALL RECITALS NEED BE BORING! GOOD SCORE & WORK. | |
| CLARINET & PIANO | KVAM, ODDVAR S | AIR, OP 46 NR 2 | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| CLARINET & PIANO | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 3 | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| CLARINET & PIANO | LILLEBJERKA, SIGMUND | EPISODE | Norway | NMIC | 1999 | 3 MIN | H | C/U | A SHORT , HARD, SHOW OFF WORK FOR THE ADVANCED PLAYER. DRAMATIC TO THE SUBTLE. |
| CLARINET & PIANO | LUNDIN, DAG | SONATA DUO CONCERTANTE | Sweden | SMIC | 1996 | 29 MIN | M/H | C/U | 4 MOVEMENTS THAT CAN STAND ALONE: APPASSIONATO,SCHERZO, CANZONETTA, GIOCOSO. PLAYABLE MUSIC FOR THE ADVANCED STUDENT CLARINETIST. A GOOD COMPOSER AND COMPOSITION FOR THE SENIOR RECITAL. MOSTLY STRAIGHT AHEAD, BUT OPPORTUNITIES FOR MUSICALITY. |
| CLARINET & PIANO | MADSEN, TRYGVE | SONATA, OP. 23 | Norway | MUSIKK-HUSET | 1981 | 15 MIN | H | C/U | GOOD ADDITION TO THE LITERATURE FOR ADVANCED LEVEL STUDENTS. |
| CLARINET & PIANO | MARCUSSEN, KJELL | THREE MOMENTS | Norway | NMIC | 1993 | EST 8+ MIN | M | C/U/HS | USUAL 3 MOVEMENTS. GOOD C/U MATERIAL. STRAIGHT AHEAD RHYTHMICALLY WITH A WELL WRITTEN ACCOMPANIMENT. |
| CLARINET & PIANO | MARTTINEN, TAUNO | KYLALAISTEN TANSSI - DANCE OF THE VILLAGE PEOPLE | Finland | FiMIC | 1962/2001 | EST 2 MIN | E | C/U/HS | A GOOD FIRST SOLO FOR HS CONTEST OR C/U EARLY RECITAL. NO PROBLEMS JUST PLAY THE NOTES AND MAKE MUSIC! SEE OTHER WORK BY THIS COMPOSER FOR CLARINET AND PIANO - “HAATANHU”. |
| CLARINET & PIANO | MONONEN, SAKARI | SONAATTI KLARINETILLE JA PIANOLLE | Finland | FiMIC | 1973 | EST 10 MIN | H | C/U | FOUR MOVEMENTS WITH RHYTHMIC INTEREST AND CONTEMPORARY SOUNDS. |
| CLARINET & PIANO | NAESSEN, RAY | SONATA HUMANIATA | Sweden | SMIC | 2001 | EST 8 MIN | M | C/U | A COMPOSER WHO’S WORKS WOULD BE PLAYED MUCH MORE IF BETTER MS. HE UNDERSTANDS C/U TYPE STUDENTS. THIS ONE FOR YOUR SECOND YEAR COLLEGE PLAYER. NO SURPRISES OR SPECIAL DEMANDS. THE MUSIC WORKS! FOUR MOVEMENTS IN THE USUAL CONTRASTING TEMPOS AND STYLES. |
| CLARINET & PIANO | NIELSEN, CARL | FANTASY | Denmark | WHANSEN | 1881 | E/M | C/U/HS | AN EARLY WORK FROM NIELSEN WITH MUSICAL CHALLENGES BUT TECHNICALLY COMFORTABLE. | |
| CLARINET & PIANO | NORDAL, JON | CARVINGS | Iceland | ITM | 1985 | 8 MIN | M/H | C/U | THREE SHORT MOVEMENTS OF MOSTLY FLOWING LINES. VERY PLAYABLE MUSIC, BUT DIGNIFIED ENOUGH FOR EVERYONE! |
| CLARINET & PIANO | OLAFSSON, KJARTAN | SCORPION DANCE | Iceland | ITM | 1986 | 6 MIN | M | C/U | CONTEMPORARY SOUNDS AND APPROACH. PIANIST MUST BE GOOD! |
| CLARINET & PIANO | PYLKKANEN, TAUNO | PASTORAALI | Finland | FIMIC | 1993 | EST 2+ MIN | E/M | C/U | RATHER EASY PASTORALE IN 6/8. FLOWING LINE READY TO MAKE MUSIC. |
| CLARINET & PIANO | RAGNARSSON, HJALMAR H | THREE PIECES FOR CLARINET & PIANO | Iceland | ITM | 1975 | 8 MIN 25 SEC | M | C/U | THREE MOVEMENTS WITH THE USUAL ICELANDIC RHYTHMIC INTEREST. |
| CLARINET & PIANO | RAUTAVAARA, EINOJUHANI | SONETTO, OP 53. | Finland | FAZER | 1985 | EST 8+ MIN | H | C/U | MIXED METER, OTHER RHYTHMICS OBSTACLES, BUT WORTH EFFORT FROM ONE OF FINLAND’S BEST COMPOSERS. |
| CLARINET & PIANO | SALONEN, ESA-PEKKA | NACHTLIEDER | Finland | FAZER | 1980 | CA 6 MIN | H | C/U | FOUR SHORT MOVEMENTS IN CONTEMPORARY STYLE. SOME NONTRADITIONAL NOTATION AND RHYTHMIC CHALLENGES. |
| CLARINET & PIANO | SANDSTROM, SVEN-DAVID | CLOSE TO | Sweden | NORDISKA | 1972 | 6 MIN | H | C/U | ESOTERIC, ONLY THE BEST WILL SURVIVE, BUT THEY WILL HAVE FUN! |
| CLARINET & PIANO | SIGURBJORNSSON, THORKELL | FOUR ICELANDIC FOLK SONGS | Iceland | NORSK | 1986 | 7 MIN 5 SEC | E/M | C/U/HS | GOOD USE OF THE INSTRUMENT. MUSIC THAT CAN SING AND DANCE. |
| CLARINET & PIANO | SIGURBJORNSSON, THORKELL | REK (DRIFT) | Iceland | ITM | 1988 | EST 5 MIN | H | C/U | SOME FREE RHYTHM BECOMING MORE RHYTHMIC WITH UNEVEN MEASURE LENGTH, IE (3+2), (3+4), ETC. ADVANCED RECITAL MATERIAL. |
| CLARINET & PIANO | SODERLUNDH, LILLE BROR | LITEN SVIT | Sweden | BUSCH | 1987 | 8 MIN | E/M | C/U/HS | FOUR MOVEMENTS FOR RECITAL OR HIGH SCHOOL CONTEST. |
| CLARINET & PIANO | STOYVA, NJAL GUNNAR | THE SMELL OF WILD FLOWERS | Norway | NMIC | 1999 | 10 MIN | M/H | C/U | THREE FLOWING MOVEMENTS. EVEN WHEN THE NOTES GO BY QUICKLY THE KEEP FLOWING. NICE COMPLIMENTARY WORK FOR A RECITAL. |
| CLARINET & PIANO | SVEINSSON, GUNNAR R | SONATA | Iceland | ITM | 1960 | 11 MIN | E/M | C/U/HS | THREE MOVEMENTS WITH A GOOD LOOKING SCORE. MOVEMENTS CAN STAND ALONE. NO PROBLEMS. |
| CLARINET & PIANO | THORARINSSON, JON | SONATA FOR CLARINET AND PIANO | Iceland | ITM | 1969 | 12 MIN 10 SEC | M | C/U/HS | PLAYABLE, GOOD ADDITION TO THE REPERTOIRE FOR COLLEGE AND HIGH SCHOOL STUDENTS. 3 MOVEMENTS - GIVE MOZART A LITTLE REST! |
| CLARINET & PIANO | TIKKA, KARI | YOLLA - IN THE NIGHT | Finland | FiMIC | 2002 | H | C/U | THE NOTES OR NOT HARD, BUT THE CONTEMPORARY SETTING WILL NEED A MUSICIAN WHO HAS HAD SOME EXPERIENCE IN MODERN SOUND AND APPROACH. VERY NICE SCORE IN 3 MOVEMENTS: NIGHTMARE (ALLEGRO PESANTE), LULLABY (DOLCE), IT’S ALMOST MORNING (ALLEGRO PESANTE). | |
| CLARINET & PIANO | WAHLBERG, RUNE | DANSPOEM | Sweden | SMIC | 1992 | 3 MIN 25 SEC | M/H | C/U/HS | YES, DANCE LIKE. GOOD USE OF THE VARIOUS RANGES FOR THE CLARINET. NEED CONTROL IN THE UPPER REGISTER. PIANO PART DOES NOT GET IN THE WAY. THE LINE IS ALWAYS MOVING FORWARD. TWO SECTIONS CONNECTED: ALLEGRETTO GRAZIOSO AND SCHERZANDO. IN GOOD MS. |
| CLARINET & PIANO | WEIS, FLEMMING | SONATE | Denmark | SAMFUNDET | 1928 | 12 MIN | M | C/U | THREE MOVEMENTS FOR CLARINET IN A. RECITAL PIECE WITH MODEST CHALLENGE. |
| CLARINET & STRING ORCHESTRA | BERGH, SVERRE | CONCERTINO | Norway | LYCHE | 1982 | 12 MIN | H | C/U | COLLEGE TEACHER OR SENIOR MUSIC STUDENT AT RECITAL. |
| CLARINET & STRING ORCHESTRA | EKLUND, HANS | MUSICA DA CAMERA VII | Sweden | SMIC | 1982 | EST 10 MIN | M/H | C/U/HS | THREE MOVEMENTS(FSF), ACCESSIBLE MUSIC. SOLOIST CAN BE A GOOD C/U/HS STUDENT. A HIGHLY RECOMMENDED WORK. |
| CLARINET & STRING ORCHESTRA | KROGSETH, GISLE | ELEGI FOR CLARINET & STRINGS | Norway | NMIC | 2005 | 8 MIN 42 SEC | H | C/U | SOME MULTI-PHONICS IN THE CADENZA, CONTEMPORARY HARMONIES AND USE OF THE VERY TOP END OF THE CLARINET REGISTER (CONTROL UP THERE VITAL). OTHER TECHNICAL PROBLEMS NEGLIGIBLE. |
| CLARINET & STRING ORCHESTRA | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 3 | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| CLARINET & STRING ORCHESTRA | MADSEN, TRYGVE | CONCERTO POUR CLARINETTE ET ORCHESTRE,OP.40 | Norway | MUSIKK-HUSET | 1986 | EST 10 MIN | H | C/U | USUAL 3 MOVEMENTS. CHALLENGE FOR GOOD COLLEGE STUDENT, COMPETENT STRINGS NEEDED. PIANO ACCOMPANIMENT AVAILABLE. |
| CLARINET & STRING ORCHESTRA | MARCUSSEN, KJELL | THREE MOMENTS | Norway | NMIC | CIR 2000 | EST 11+ MIN | M | C/U | MOVEMENTS: ALLEGRO MODERATO, ADAGIO ESPRESSIVO, ALLEGRO MA NON TROPPO. CONTEMPORARY HARMONY, BUT VERY PLAYABLE AND FINE ADDITION TO THE C/U REPERTOIRE. |
| CLARINET & STRING ORCHESTRA | SAIKKOLA, LAURI | CONCERTINO | Finland | FiMIC | 1968 | M/H | C/U | THREE MOVEMENTS WITH STRING PARTS, VERY PLAYABLE WITH CLARINET SOLO STRAIGHT AHEAD. GOOD LOOKING SCORE. RENTAL ONLY. | |
| CLARINET & STRING ORCHESTRA | SODERLUNDH, LILLE BROR | DALAMUSIK-SVIT FOR KLARINETT(Bb) OCH STRAKORKESTER | Sweden | SMIC | 1945 | EST 8 MIN | M | C/U/HS | SEVEN SHORT MOVEMENTS. THIS IS NOT A CLARINET SOLO, JUST A MEMBER OF THE ORCHESTRA. CL DOES NOT PLAY ON 2 MOVEMENTS. GOOD SCORE. RENTAL ONLY. |
| CLARINET & STRING ORCHESTRA | SORENSEN, ERLING INGEMANN | CONCERTINO, OP 7 | Denmark | DMIC | 1978 | 14 MIN | M | C/U | THREE MOVEMENTS OF COMFORTABLE CHALLENGE FOR THE CLARINET AND ACCESSIBLE FOR THE STRINGS. |
| CLARINET & STRING ORCHESTRA | WESSMAN, HARRI | CONCERTINO FOR CLARINET AND STRING ORCHESTRA | Finland | FiMIC | 2001 | EST 15+ MIN | M | C/U | MOVEMENTS: MODERATO, ANDANTE MODERATO, ALLEGRO. NO SPECIAL DEMANDS ON EITHER THE SOLOIST OR THE STRINGS. STRAIGHT AHEAD MUSIC. SEE MANY OTHER TITLES BY THIS COMPOSER IN THE FIMIC LISTING ONLINE. |
| CLARINET & STRING QUARTET | CHRISTIANSEN, HENNING | KLARINETKVINTET, OP. 38 | Denmark | ENGSTROM & SODRING | 1971 | EST 10+ MIN | M | C/U | MOVEMENTS: ANDANTE, ALLEGRETTO. TWO SOLID MOVEMENTS THAT WILL PLAY, NOTE THE DATE OF COMPOSITION FOR IDEA OF THE HARMONIC STRUCTURE -- MORE TRADITIONAL. |
| CLARINET & STRING QUARTET | DEAK, CSABA | MAGIE NOIRE | Sweden | SMIC | 1993 | 17 MIN | H | C/U | THIS MAY BE FOR THE GOOD GRADUATE CLARINET PLAYER AND STRING QUARTET OR PROFESSIONALS. MUCH INTRICATE MATERIAL. DEAK DEMANDS THAT THE PLAYERS KNOW WHAT THEY ARE DOING, BUT IF THAT ATTENTION IS PAID, REWARDS ARE ABUNDANT. |
| CLARINET & STRING QUARTET | KALLSTENIUS, EDVIN | KLARINETT-KVINTETT, OP 17 | Sweden | SUECIA | 1930 | EST 11-12 MIN | H | C/U | NOT A CLARINET SOLO - EVERYBODY WORKS! THREE MOVEMENTS THAT CAN STAND ALONE. |
| CLARINET ALONE | ANDERSEN, KJELL MAGNE | TEMA MED VARIASJONER | Norway | NMIC | 1999 | 5 MIN | M/H | C/U | THEME AND 5 VARIATIONS. ALTERNATING TEMPOS AND STYLES. PLAYABLE MATERIAL FOR THE C/U STUDENT. |
| CLARINET ALONE | BENTZON, JORGEN | TEMA MED VARIATIONER, OP.14 | Denmark | WHANSEN | 1928 | M | C/U | STUDY OR RECITAL - INTRO TO SOLO ALONE WORK. | |
| CLARINET ALONE | BIRGISSON, SNORRI SIGFUS | ROTUNDUM | Iceland | ITM | 1979 | EST 10 MIN | H | C/U | NONTRADITIONAL NOTATION WITH PAGE OF EXPLANATIONS. NO BAR LINES BUT LOTS OF NOTES. |
| CLARINET ALONE | BROEDSGAARD, ANDERS | BLUES/TRE ETAGER | Denmark | DKF | 2002 | 2+ MIN | H | C/U | WORKS THE LOW RANGE OF THE CLARINET WITH 19/16 TIME SIGNATURE AND QUITE SLOW. MODERN AND DIFFICULT! |
| CLARINET ALONE | BRUK, FRIDRICH | SONATA FOR CLARINET | Finland | BRUK | 1991 | EST 8+ MIN | M/H | C/U | MOVEMENTS: MODERATO, SCHERZOSO, ALLEGRO. NO PARTICULAR PROBLEMS, NOTES AND STRAIGHT AWAY. EASIER THAN SOME. |
| CLARINET ALONE | EKLUND, HANS | 4 PEZZI BREVI | Sweden | SUECIA | 1968 | M | C/U | FOUR SHORT MOVEMENTS. NOTES NOT DIFFICULT, BUT MATURE SOUND AND MUSICIANSHIP REQUIRED. | |
| CLARINET ALONE | EKLUND, HANS | 5 PEZZI PER CLARINETTO SOLO | Sweden | SMIC | 1988 | 8 MIN | M | C/U/HS | FIVE MOVEMENTS OF INTERESTING MATERIAL FOR RECITAL, CONTEST OR STUDIO. MOVEMENTS CAN STAND ALONE. |
| CLARINET ALONE | EKSTROM, LARS | THE WALL | Sweden | SMIC | 1989 | 10 MIN | H | C/U | CHALLENGING, LONG, ONE MOVEMENT. |
| CLARINET ALONE | ENGSTROM, TORBJORN | WITH HEAD TO THE MUSIC BENT | Sweden | SMIC | 1985 | 7 MIN | E/M | C/U/HS | NOTES ARE EASY BUT MAKING MUSIC WITH THE NOTES WILL BE MORE DIFFICULT. |
| CLARINET ALONE | ERIXSON, PER-ANDERS | TRE MINIATYRER FöR KLARINETT SOLO, OP 4 | Sweden | SMIC | 1964 | 7 MIN | H | C/U | THREE MOVEMENTS, DIFFICULT, BUT PLAYABLE. |
| CLARINET ALONE | FUNDAL, KARSTEN | WOVEN LINES | Denmark | WHANSEN | 1993 | 6 MIN | H | C/U | TYPICAL MODERN DANISH COMPOSITION ALWAYS CHALLENGING THE MUSICIAN IN ALL WAYS. THIS IS FOR THE VERY BEST WITH A DESIRE TO PLAY IT ALL: RANGE, RHYTHM, TONAL SEQUENCE -- IT IS ALL HERE. HAVE FUN! THE SCORE IS GOOD AND WILL HELP LEARNING THE WORK. |
| CLARINET ALONE | GRAHN, ULF | HALLOWEEN | Sweden | SEESAW | 1970 | 10 MIN | H | C/U | NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE. MODEST RANGE REQUIREMENTS. |
| CLARINET ALONE | HEDWALL, LENNART | SONATA AUTONNALE | Sweden | SUECIA | 1991 | EST 9 MIN | H | C/U | INTRODUCTION, THEME AND FIVE VARIATIONS FOLLOWED BY AN EPILOGUE. RANGE TO G AN OCTAVE ABOVE THE STAFF. OPPORTUNITY TO SHOW FINGER FACILITY, EMOTION, MUSICALITY. A BIG CHALLENGE FROM A FINE COMPOSER. |
| CLARINET ALONE | HEININEN, PAAVO | DISCANTUS II, OP 21 | Finland | FAZER | 1969 | 14 MIN | H | C/U | A SONATA FOR CLARINET IN THREE TEMPOS! MULTI-PHONICS WITH GOOD INSTRUCTIONS. CHALLENGING BUT PLAYABLE. |
| CLARINET ALONE | HILLBORG, ANDERS | PRELUDE | Sweden | SMIC | 1998 | 3 MIN | M/H | C/U | THE NOTES ARE NOT THAT DIFFICULT, HOWEVER TO MAKE THE AUDIENCE LISTEN AND APPRECIATE THIS MUSIC, A MORE MATURE MUSICIAN IS NEEDED. YOU WILL LIKE THE SWEEP AND FLOW OF THE LINE. MAKE MUSIC WITH THIS PIECE! |
| CLARINET ALONE | HOGBERG, FREDRIK | CLOUD BALLOON | Sweden | GEHRMANS | 1996 | EST 2 MIN 30 SEC | E/M | C/U/HS | GOOD FLOWING PIECE, MAY BE FOR THE FIST EXPERIENCE TRYING TO MAKE MUSIC WITHOUT AN ACCOMPANIST. GOOD RANGE FOR THE CLARINET PLAYER TO WORK IN. |
| CLARINET ALONE | KOCH, DAGFINN | URBAN RHAPSODY | Norway | NMIC | 1997 | 4 MIN 30 SEC | M/H | C/U | INTERESTING LAYOUT TO THIS SOLO PIECE. C/U STUDENTS SHOULD ENJOY WORKING ON THIS COMPOSITION. OPPORTUNITY TO MAKE MUSIC ALONE. |
| CLARINET ALONE | KOCH, ERLAND VON | MONOLOG NR 3 | Sweden | GEHRMANS | 1977 | 6 MIN | M | C/U | TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER. ALSO FOR Eb CLARINET AND BASS CLARINET. |
| CLARINET ALONE | KVAM, ODDVAR S. | CLARIMPETTE | Norway | MUSIKK-HUSET | 1986 | H | C/U | FOR STUDY OR RECITAL FROM A RESPECTED NORWEGIAN COMPOSER. | |
| CLARINET ALONE | KVAM, ODDVAR S. | MONOFONI FOR CLARINET | Norway | MUSIKK-HUSET | 1978 | 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| CLARINET ALONE | KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | Finland | FiMIC | 2000 | 1+ MIN | H | C/U | A SHORT CHALLENGE THAT IS EASIER THAN SOME OTHERS. THIS IS WELL WITHIN THE REACH OF THE GOOD C/U STUDENT. |
| CLARINET ALONE | KYLLONEN, TIMO-JUHANI | ARTEMIS, OP. 54 | Finland | FiMIC | 1999 | 1 MIN | M/H | C/U | PRACTICE STAND MUSIC AN SHOW OFF AT THE RECITAL. MARKED, ANDANTE UN POCO RUBATO AD LIBITUM. |
| CLARINET ALONE | KYLLONEN, TIMO-JUHANI | CONTEMPLATION IN BLUE | Finland | WARNER/CHAPPELL | 1996 | EST 9+ MIN | M/H | C/U | COMPOSER SUGGESTS ALSO FOR BASS CLARINET. THE USUAL PROBLEMS FOR THE CLARINET ALONE: MIXED METER, ETC. BUT, THIS ONE HAS LESS OF THAT MAKING IT MORE PLAYABLE THAN MANY. |
| CLARINET ALONE | LANSIO, TAPANI | MERRY PIPER | Finland | SULASOL | 2004/05 | EST 4 MIN | H | C/U | FOR THE PRACTICE STAND, THEN SHOW OFF AT RECITAL. NOTES ALL OVER THE PLACE! TOP C/U PLAYERS. |
| CLARINET ALONE | LINDHOLM, HERBERT | SONATIINI, OP. 10 | Finland | FiMIC | 1990 | 6 MIN | H | C/U | MOVEMENTS: RECITANDO, ALLEGRO. NOTES WELL MANAGED BY A COMPOSER WHO KNOWS THE CLARINET. CAN BE PRACTICE STAND MATERIAL OR RECITAL. |
| CLARINET ALONE | MARTTINEN, TAUNO | ILLUSIO, OP. 214 | Finland | FIMIC | 1982 | EST 6+ MIN | M/H | C/U | THIS COMPOSER IS BECOMING MORE POPULAR BECAUSE HIS WORKS ARE PLAYABLE AND LOGICAL AS IS THIS ONE. NOTHING IS PARTICULAR IS HARD, JUST A LOT OF NOTES. |
| CLARINET ALONE | MARTTINEN, TAUNO | THE OLD MILL TELLS ITS TALE, OP. 143 | Finland | ERES | 1982 | 7 MIN | M/H | C/U | GOOD MATERIAL TO BEGIN PLAYING CLARINET ALONE MUSIC. NO SPECIAL DEMANDS. A LOT OF NOTES AND THE CHALLENGE TO TURN THEM IN TO MUSIC. |
| CLARINET ALONE | MASSON, ASKELL | BLIK | Iceland | ITM | 1979 | H | C/U | MILDLY NONTRADITIONAL NOTATION & APPROACH. SOME MULTI PHONICS. | |
| CLARINET ALONE | NORGARD, PER | WITHIN THE FAIRY RING AND OUT OF IT | Denmark | WHANSEN | 1999 | EST 5 MIN | H | C/U | NORGARD IS AN INVENTIVE COMPOSER WHOSE WORKS ALWAYS NEED ATTENTION. THIS WORK IS FOR THE VERY BEST C/U CLARINET PLAYER. MIXED METER, RHYTHMIC THINGS, AND OTHER FUN PROBLEMS. A VERY NICE CHALLENGE |
| CLARINET ALONE | PAPE, ANDY | SEARCHING | Denmark | WHANSEN | 2001 | 6 MIN 30 SEC | H | C/U | FOR A OR Bb CLARINET. THIS IS IMAGINATIVE, COMPLICATED AND FUN! THE CLARINET USES BODY MOTION TO ENHANCE THE MUSIC. ALL WILL ENJOY! CHECK OUT WHAT THIS COMPOSER WRITES! |
| CLARINET ALONE | POHJANNORO, HANNU | HYBRIS | Finland | FiMIC | 1987/88 | EST 10+ MIN | H | C/U | THE ULTIMATE PRACTICE STAND MUSIC FOR THOSE INTERESTED IN KNOWING MODERN TECHNIQUES FOR THE CLARINET. COMPOSER HAS A SPECIAL PAGE OF INSTRUCTIONS IN ENGLISH TO HELP. SHOW OFF AT THE RECITAL. |
| CLARINET ALONE | RABE, FOLKE | DIVERTIMENTO FOR SOLO KLARINETT | Sweden | SMIC | 1958 | M | C/U | A FOUR MOVEMENT EARLY WORK OF RABE. THIS ONE IS VERY PLAYABLE. | |
| CLARINET ALONE | SANDSTROM, SVEN-DAVID | CLOSENESS | Sweden | SMIC | 1972 | 7 MIN 45 SEC | H | C/U | NONTRADITIONAL NOTATION AND PERFORMANCE TECHNIQUES. NICE INTRO TO THIS STYLE. |
| CLARINET ALONE | SIGURBJORNSSON, HRODMAR INGI | MUSIK FYRIR KLARINETT | Iceland | ITM | 1984 | H | C/U | A WELL CONSTRUCTED AND CHALLENGING WORK. MULTI PHONICS, EXTREME REGISTER CHANGES. | |
| CLARINET ALONE | SLETTHOLM, YNGVE | AIR I | Norway | NMIC | 1991 | 9 MIN | H | C/U | NO BAR LINES - JUST INTERPRET AND MAKE MUSIC. EXTREME RANGES AND MUSICAL ACROBATICS. SHOW OFF WORK. |
| CLARINET ALONE | VOGT, HERMAN | WOOD AND WIND IMMANENT | Norway | NMIC | 2005 | 8 MIN | H | C/U | MULTI PHONICS - LAID OUT NICELY BY THE COMPOSER WITH SUGGESTED FINGERINGS. SHOW OFF PIECE FOR THE MOST ADVANCED PLAYER INTERESTED IN THE AVANTE GUARDE. |
| CLARINET CHOIR | LUNDE, IVAR | NUANCES, OPUS 55 | Norway | NORSK | 1976 | 9 MIN 40 SEC | H | C/U | AVAILABLE IN THE U.S. THROUGH KENDOR. |
| CLARINET CHOIR | NORDHAGEN, STIG | OPENING | Norway | NMIC | 2002 | 3 MIN | H | C/U | 2EbCL,3BbCL,ACL,BCL,EbCONTRACL,BbCONTRACL. MIXED METER THROUGHOUT, ALL PLAYERS MUST BE HIGHLY PROFICIENT RHYTHMICALLY. |
| CLARINET DUET | CRUSELL, BERNARD HENRIK | THREE PROGRESSIVE DUETS | Finland | HINRICHSEN | PUB. 1960 | EST 8+ MIN | M | C/U/HS | THE THREE ARE SOLD SEPARATELY. THESE ARE MUST HAVE ITEMS FOR ANY SERIOUS CLARINET PLAYER. JUST STRAIGHT AHEAD AND ENJOY. |
| CLARINET DUET | ISAKSSON, MADELEINE | PATAR | Sweden | SMIC | 1986 | 4 MIN | M/H | C/U | FOR BASS CLARINET & ALTO CLARINET! RHYTHMIC PROBLEMS, BUT PLAYABLE. |
| CLARINET DUET | NORTENSEN, FINN | THREE PIECES FOR TWO CLARINETS, OP 22 NO 3 | Norway | NORSK | 1971 | EST 3 MIN | E/M | C/U/HS | THREE SHORT MOVEMENTS(FSF). PLAYABLE FOR STUDIO, CONTEST OR CONCERT. |
| CLARINET DUET | RABE, FOLKE | SVIT FOR TVA KLARINETTER | Sweden | SMIC | 1958 | 5 MIN 10 SEC | M/H | C/U/HS | THREE MOVEMENTS OF VERY INTERESTING AND UNUSUAL MATERIAL FROM A VERY CREATIVE COMPOSER. |
| CLARINET QUARTET | HURUM, HELGE | DIVERTIMENTO | Norway | FROST | 1980 | M/H | C/U | 3BbCL,BCL. (ALT ACL FOR 3RD CL) MOVEMENTS: RUBATO WITH 3 TEMPOS CHANGES, RUBATO WITH 3 TEMPO CHANGES, TEMPOS MARKING QUARTER = 138. NICE SCORE AND WELL LAID OUT PARTS. THE DIFFICULTY WILL BE TO GET THE FREQUENT CHANGES OF TEMPO WORKING SMOOTHLY. | |
| CLARINET QUARTET | KOPISTO, MARKKU | AVES CLARINETISTAE | Finland | ELVIS | 1991 | EST 8 + MIN | E/M | C/U/HS | FOUR Bb CLARINETS WORKING EASIER MATERIAL IN FIVE MOVEMENTS: ANDANTE, ADAGIO, ADAGIO, ANDANTE, LARGHETTO. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNG CLARINETISTS. |
| CLARINET QUARTET | MADSEN, TRYGVE | CLARINET MARMALADE | Norway | MUSIKK-HUSET | 1992 | EST 8+ MIN | M | C/U/HS | 3BbCL, BCL. MOVEMENTS: ALLEGRETTO, ANDANTE, ALLEGRO. ALL PARTS PLAYABLE AND LOGICAL PROGRESSIONS. THIS COMPOSER EXCELLENT FOR THIS LEVEL LITERATURE. VERY USEFUL MATERIAL IN THE SCHOOL SITUATION. |
| CLARINET QUARTET | SIGURBJORNSSON, HRODMAR INGI | CLARINET QUARTET | Iceland | ITM | 1985 | 10 MIN | H | C/U | A LONG ONE MOVEMENT WORK WITH FREQUENT METER CHANGES. FOR THE RHYTHMICALLY SECURE CLARINETISTS! |
| CLARINET QUARTET | SKJELBRED, BJORN BOLSTAD | CYCLES | Norway | NMIC | 2002 | 6 MIN | M/H | C/U | 3BbCL,BCL. MORE MODERN SETTING WITH A BIT OF UNUSUAL TECHNIQUE CONSIDERED, BUT WELL LAID OUT. a GOOD INTRODUCTION TO CONTEMPORARY LITERATURE. THIS IS ALSO SCORED FOR SAXOPHONE QUARTET. |
| CLARINET QUINTET | SODERBERG, HANS | KVINTETT FOR KLARINETTER | Sweden | SMIC | 1986 | 13 MIN | M/H | C/U | 4BbCL, BCL. SOME NONTRADITIONAL NOTATION WELL LAID OUT AND PLAYABLE. NICE SCORE. |
| CLARINET TRIO | BALDVINSSON, TRYGGVI M. | TRIO | Iceland | ITM | 1993 | 5 MIN | M/H | C/U | MOVEMENTS; ALLEGRO, LARGO, ADAGIO, MOLTO RUBATO-ALLEGRO GIOCOSO. FIRST PARTS CAN BE PLAYED BY EbCL,BbCL,OR ACL. SECOND PART BY EbCL,CCL,BbCL,THIRD PART BY BCL. A CHALLENGE, BUT PLAYABLE CONTEMPORARY MATERIAL. |
| CLARINET TRIO | HAUKSSON, THORSTEINN | MYNDUN | Iceland | ITM | 1993 | SR 12+ MIN | H | C/U | FOR THREE VERY GOOD CLARINETISTS WHO LIKE TO WORK OUT RHYTHMIC THINGS. SOMETIMES QUITE INTRICATE, BUT GOOD COUNTERS WILL PLAY THIS. |
| CLARINET TRIO | KARJALAINEN, KULLERVO | NUOREN MIEHEN MIELI | Finland | FIMIC | 1996 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ANDANTINO, GIOCOSO, IN TEMPO LIBERA, MODERATO, MODERATO. THE MOVEMENTS ALSO HAVE DESCRIPTIVE TITLES LIKE, “SAND AND WITCHES”. A FEW RHYTHMIC PROBLEMS AND A LOT OF NOTES IN PLACES. |
| CLARINET TRIO | RAGNARSSON, HJALMAR H | MORSUGUR | Iceland | ITM | 1981 | M/H | H | C/U | A SHORT AVANT-GARDE WORK THAT SHOULD BE FUN FOR THE PERFORMERS AND A SPECIAL EXPERIENCE FOR THE LISTENER. |
| CLARINET,TROMBONE,CELLO & PO | SVEINSSON, ATLI HEIMIR | FANTASTIC RONDOS | Iceland | ITM | 1980 | H | C/U | PLAYERS WHISPER, SPEAK, CLAP HANDS, SNAP FINGERS & STOMP FEET AS WELL AS PLAY THE INSTRUMENTS. RHYTHMICALLY CHALLENGING, BUT SHOULD BE FUN! | |
| CLARINET(BASS) & PIANO | MARTINSSON, ROLF | TRIPTYK | Sweden | BUSCH | 1989 | 12 MIN | H | C/U | THREE MOVEMENTS TO ADD TO THE CLARINET RECITAL. |
| CLARINET(BASS) & PIANO | TOMASSON, JONAS | SONATA XIX | Iceland | ITM | M | C/U/HS | SIX MOVEMENTS THAT CAN BE VERY USEFUL FOR RECITAL AND STUDY. | ||
| FLUTE & CLARINET | STEFANSSON, FINNUR TORFI | PIECE FOR FLUTE & CLARINET IN C | Iceland | ITM | 1987 | 6 MIN | M | C/U/HS | CAN BE PLAYED BY EITHER INSTRUMENT ALONE OR USE ANOTHER C INSTRUMENT FOR THE CLARINET. THE INSTRUMENTS PLAY IN UNISON. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission