Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| FLUTE & BAND | SIGURBJORNSSON, THORKELL | OREITHYIA | Iceland | ITM | 1994 | EST 7+ MIN | M/H | C/U/HS | PIC,2FL,2OB,2BSN,4CL,2AS,TS,BS,3TRPT,5HN,4TRB,EUP,TBA,3PERC. A LOT OF CHANGING METER. BAND PARTS TEND TO BE SPARSE. HIGH LEVEL FLUTE PLAYER! |
| FLUTE & BAND | TOIVIO, LAURI | KIMPALE | Finland | FiMIC | 2003 | EST 3 MIN | E/M | C/U/HS | FL,OB,2CLBSN,AS,TS,2TRPT,HN,EUP,TRB,TBA,3PERC. AT LAST A FLUTE SOLO WITH BAND THAT WILL WORK FOR MANY STUDENTS AND MANY BANDS. TRADITIONAL IN MOST WAYS. |
| FLUTE & BASSOON | OLSEN, SPARRE | DIALOG FOR FLUTE & BASSOON, OP 50, NO 1 | Norway | MUSIKK-HUSET | 1978 | H | C/U | A NICE CHALLENGE IN AN UNUSUAL COMBINATION. | |
| FLUTE & CELLO | HALLGRIMSSON, HALFLIDI | VERSE I | Iceland | CHESTER | 1975 | H | C/U | FREE RHYTHM WITH NO BAR LINES, SUGGESTED BEAT LENGTHS, FORMIDABLE. | |
| FLUTE & CLARINET | STEFANSSON, FINNUR TORFI | PIECE FOR FLUTE & CLARINET IN C | Iceland | ITM | 1987 | 6 MIN | M | C/U/HS | CAN BE PLAYED BY EITHER INSTRUMENT ALONE OR USE ANOTHER C INSTRUMENT FOR THE CLARINET. THE INSTRUMENTS PLAY IN UNISON. |
| FLUTE & HARP | AHLBERG, GUNNAR | OSTINATO | Sweden | SMIC | 1989 | M | C/U/HS | THREE SECTIONS PLAYED ATTACCA: SOSTENUTO, MOBILE & MESTO. COLLEGE RECITAL MATERIAL. | |
| FLUTE & HARP | EYSER, EBERHARD | CIRCUITS MAGIGUES | Sweden | SMIC | 1987 | H | C/U | THREE MOVEMENTS FROM A FINE COMPOSER AND WORTH THE EFFORT. | |
| FLUTE & HARPSICHORD | PALSSON, PALL P | THE MAID AND THE WIND (STULKAN OG VINDURINN) | Iceland | ITM | 1979 | 9 MIN | H | C/U | STRONG RHYTHMIC ELEMENT AS WELL AS IMPROVISATION. DIFFICULT BUT PLAYABLE. |
| FLUTE & HARPSICHORD | TOMASSON, JONAS | AUBE ET SERENA | Iceland | ITM | 9 MIN 35 SEC | M/H | C/U | RECITAL PIECE FOR COLLEGE STUDENTS. WELL CONSTRUCTED. | |
| FLUTE & ORCHESTRA | HOLMBOE, VAGN | CONCERTO NO. 2 | Denmark | WHANSEN | 1981/82 | EST 20 MIN | H | C/U | 2OB,2CL,2BSN,4HN,2TRPT,CELEST,VIB,STRINGS. MOVEMENTS: ALLEGRO GIUSTO, ANDANTE DEVOZIONE, ALLEGRO CON BRIO. IN A GOOD MS. IMPORTANT COMPOSER FOR THIS TYPE OF MATERIAL. ALWAYS HARD, ALWAYS PLAYABLE BY GOOD STUDENTS. |
| FLUTE & ORCHESTRA | HOLMBOE, VAGN | CONCERTO, OP 126 | Denmark | WHANSEN | 1978 | 25 MIN | H | C/U | PIC,FL,2CL,2OB,2BSN,4HN,2TRPT,4PERC,TMP,STRINGS. 3 MOVEMENTS FOR C/U STUDENT. SOLO PART AND ACCOMPANIMENT NOT EASY BUT WELL CONSTRUCTED BY A FINE COMPOSER. SCORE FOR SALE, PARTS RENTAL. |
| FLUTE & ORCHESTRA | LUNDIN, DAG | VIOLONCELLKONSERT | Sweden | SMIC | 1998 | EST 25 MIN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,3PERC,STRINGS. MOVMENTS: ELEGIACO APPASSIONATO, NOTTURNO,FINALE:ENTHUSIASTICO. VERY CLEAN MS. THIS COMPOSER ALWAYS PRESENTS A CLEAN, GOOD LOOKING SCORE AND READILY PLAYABLE MUSIC. IT IS NOT EASY, BUT HIGHLY ACCESSIBLE. IDEAL FOR C/U/STUDENTS. |
| FLUTE & ORCHESTRA | MARTINSSON, ROLF | SHIMMERING BLUE - FLUTE CONCERTO NO. 1 | Sweden | SMIC | 2005 | 25 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),2BSN(CBSN),2HN,2TRPT,TRB,PERC,STRINGS. ONE LONG MOVEMENT WITH MUSIC FOR THE MOST PRACTICED PLAYERS AS SOLOIST AND ORCHESTRA MUSICIANS. NICE USE OF VIBRAPHONE. HARMON MUTES IN THE TRUMPETS. |
| FLUTE & ORCHESTRA | NIELSEN, CARL | KONCERT FOR FLOJTE | Denmark | SAMFUNDET | 1952 | M/H | C/U | 2CL,2OB,2BSN,2HN,TRB,TMP,STRINGS. 2 MOVEMENTS. FLUTE IS A PART OF THE ORCHESTRA AS WELL AS A SOLOIST. GOOD SCORE. PIANO REDUCTION AVAILABLE. | |
| FLUTE & ORCHESTRA | RAUTAVAARA, EINOJUHANI | KONZERT, OP. 69 | Finland | BREITKOPF & HÄRTEL | 1975 | EST 12+ MIN | H | C/U | 2BSN,CBSN,3HN,3TRPT,2PERC,HARP,STRINGS. MOVEMENTS: ANDANTINO, VIVACE, ANDANTE MODERATO. MIXED METER AND OTHER ADVANCED TECHNICAL DEMANDS, BUT THIS COMPOSER KNOWS HOW TO USE THEM WITHOUT MAKING THEM IMPOSSIBLE. |
| FLUTE & ORCHESTRA | TARP, SVEND ERIK | CONCERTINO, OP 30 | Denmark | SAMFUNDET | 1939 | M | C/U/HS | 2OB,2BSN,2HN,PERC,STRINGS. 3 MOVEMENTS THAT ARE PLAYABLE BY ALL. GOOD SCORE. | |
| FLUTE & ORCHESTRA | TOMASSON, HAUKUR | CONCERTO FOR FLUTE AND ORCHESTRA | Iceland | ITM | 1997 | 18 MIN | H | C/U | 2FL,3OB,3CL(BCL),3BSN(CBSN),4HN,3TRPT,3TRB,TBA,PIANO(AMPLIFIED),HARP(AMPLIFIED),4PERC. LARGE STRING SECTION. INSTRUMENTATION SHOWS WHAT YOU HAVE HERE. EVEN WITH LARGE NUMBERS THE ORCH PART STAYS OUT OF THE WAY. SEE ALSO HIS CONCERTO NO. 2 |
| FLUTE & ORGAN | FRUMERIE, GUNNAR DE | ANDANTE SERIOSO | Sweden | GEHRMANS | 1980 | 4 MIN | E | C/U/HS | NICE, SHORT PIECE THAT IS MUSICAL. |
| FLUTE & ORGAN | HARTMANN, J.P.E. | PRELUDE | Denmark | ENGSTROM & SODRING | (1805-1900) | EST 4+ MIN | E/M | C/U | ONE OF DENMARK’S EARLY RECOGNIZED COMPOSERS. A NICE MELODY WITH ORGAN. THE ORGAN PART COULD POSSIBLY BE PLAYED BY PIANO. |
| FLUTE & ORGAN | KAYSER, LEIF | CALEIDOSCOPIO | Denmark | DMIC | 1976 | 15 MIN | M/H | C/U | FREQUENT CHANGE OF TIME SIGNATURE BUT A STEADY PULSE. FLUTE PART MODERATE, ORGAN DIFFICULT. |
| FLUTE & ORGAN | LINDHOLM, HERBERT | QUATTRO CANZONI, OP. 15 | Finland | FiMIC | 1992 | 20 MIN | M/H | C/U | CANZONAS: RECITATIVO, MISTERIOSO/ALLEGRO GIOCOSO, ANDANTE/COM LAMENTO, ALLEGRO MISTERIOSO.ORGAN PLAYS QUITE DELICATELY THROUGH THE MOST IF IT. LETS THE FLUTE, PLAYING MANY NOTES, BE HEARD. |
| FLUTE & ORGAN | NORBY, ERIK | PARTITA | Denmark | ENGSTROM & SODRING | 1981 | EST 6 MIN | M/H | C/U/HS | INTRODUCTION, PAVANE, CANTILENA, GIGUE. GLISSANDOS, RHYTHMIC COMPLEXITY IN A GOOD SCORE AND PLAYABLE. |
| FLUTE & ORGAN | NORBY, ERIK | PARTITA FOR FLUTE AND ORGAN | Denmark | ENGSTROM & SODRING | 1981 | EST 6+ MN | E/M | C/U | MOVEMENTS: INTRODUCTION, PAVANE, CANTELINA, GIGUE. GOOD CONTEST OR RECITAL MUSIC BY RECOGNIZED COMPOSER. NO SURPRISES, JUST LAY THE MUSIC. |
| FLUTE & ORGAN | NYHUS, ROLF | PASTORALE | Norway | MUSIKK-HUSET | 2001 | EST 4 MIN | M | C/U/HS | THE ONLY DIFFICULTY IS FOR THE FLUTE TO PLAY IN THE UPPER REGISTER WITH A GOOD SOLID SOUND. THIS MUSIC FLOWS N A MODERN SETTING. |
| FLUTE & ORGAN | STORM, STAFFAN | SONATIN | Sweden | SMIC | 2001 | 12 MIN | M | C/U/HS | THREE MOVEMENTS WITH MODERATELY GOOD MANUSCRIPT. THIS IS VERY PLAYABLE MUSIC THAT SHOULD ALSO BE PLAYABLE WITH PIANO ACCOMPANIMENT. |
| FLUTE & ORGAN | THEORIN, HAKAN | CANTO | Sweden | SMIC | 1987 | E | C/U/HS | EASY, TONAL, SUSTAINED WORK. | |
| FLUTE & ORGAN | WESSMAN, HARRI | RHETORICAL SUITE FOR TRAVERSO AND BAROQUE ORGAN | Finland | FiMIC | 1999 | EST 5+ MIN | M | C/U | MOVEMENTS: SUSPIRATIO, OBSTINATIO, DISTENDENTE MANIERA, ARIETTA, GIGUE. MOVEMENTS CAN STAND ALONE. NOT NECESSARILY CHURCH MUSIC. EASIER THAN MUCH OF THE CONTEMPORARY LITERATURE. |
| FLUTE & PIANO | AHLBERG, GUNNAR | SONATA | Sweden | SMIC | 1987 | 13 MIN 20 SEC | M/H | C/U | ONE MOVEMENT MARKED MODERATO TEMOROSO. RHYTHMIC CHALLENGES. |
| FLUTE & PIANO | BENTZON, NIELS V. | SIX VARIATIONS OVER EGET TEMA | Denmark | WHANSEN | 1943 | H | C/U | WELL PUT TOGETHER AND PLAYABLE. | |
| FLUTE & PIANO | BIRGISSON, SNORRI SIGFUS | THREE SONGS FROM THE EAST OF ICELAND | Iceland | ITM | 2003 | 6 MIN | M | C/U/HS | THREE SHORT SONGS THAT ARE WELL SCORED FOR THE YOUNGER PLAYER , BUT WILL SOUND WITH ANY GOOD FLAUTIST. |
| FLUTE & PIANO | BJERRE, JENS | VARIETE | Denmark | WHANSEN | 1952 | EST 10 MIN | M/H | C/U/HS | ELEVEN SHORT MOVEMENTS OF VARYING DIFFICULTY, SOME MELODIC AND SOME RHYTHMIC. |
| FLUTE & PIANO | BJORNSSON, ARNI | FOUR ICELANDIC FOLK SONGS | Iceland | ITM | 1973 | M | C/U/HS | GOOD MUSIC PLAYABLE BY THE YOUNG AND COMPETENT PLAYER FOR CONTEST OR COLLEGE RECITAL. | |
| FLUTE & PIANO | CHRISTIANSEN, HENNING | WHY-THERFORE-PLAY, OP 137 | Denmark | DMIC | 1981 | 15 MIN 30 SEC | H | C/U | SOME THEATER EXPECTATIONS, VOCALIZATIONS, NEEDS EXCELLENT PIANIST. THREE MOVEMENTS AND FUN! |
| FLUTE & PIANO | CRUSELL, BERNHARD HENRIK | SONATA FOR FLUTE AND PIANO | Finland | FAZER | 1990 | EST 12+ MIN | M/H | C/U/HS | ARRANGED FOR THIS COMBINATION BY TIMO HONGISTO FROM THE OPUS 8 FOR FLUTE QUARTET BY CRUSELL. TRADITIONAL HARMONIES AND WELL SCORED. GOOD HS CONTEST OR EARLY C/U RECITAL. MOVEMENTS. |
| FLUTE & PIANO | EDLUND, LARS | SONATA FOR FLUTE AND PIANO | Sweden | NORDISKA | 1986 | 13 MIN 5 SEC | H | C/U | GOOD SCORE AND PLAYABLE BUT YOU WILL WORK! |
| FLUTE & PIANO | EDLUND, SWANTE | CANZONETTA, OP 16 | Sweden | SMIC | 1989 | E/M | C/U/HS | A SHORT PIECE FOR CONTEST OR RECITAL. NO PERFORMANCE PROBLEMS. | |
| FLUTE & PIANO | FORSMAN, JOHN VAINOE | SONATINA DIVERTANTE, OP 16A | Denmark | BARENREITER | 1955 | EST 8 MIN | M | C/U | THREE MOVEMENTS, STUDENT RECITAL MATERIAL, MANY NOTES BUT STRAIGHT AHEAD. |
| FLUTE & PIANO | FRUMERIE, GUNNAR DE | PASTORAL SVIT | Sweden | NORDISKA | 1944 | E/M | C/U/HS | 1 .PRELUDIUM 2. GAVOTT 3. SARABAND 4. SICILIANO 5. FINAL: ALLEGRO VIVACE. CONTEST OR RECITAL. ORCHESTRA ACCOMPANIMENT IS SUPPOSED TO BE AVAILABLE, CONTACT NORDISKA MUSIKFÖRLAGET. | |
| FLUTE & PIANO | GAATHAUG, MORTEN | SONATA FOR FLUTE AND PIANO, OP. 13 | Norway | NORSK | 1985 | 17 MIN 30 SEC | H | C/U | A MAJOR WORK WITH INTERESTING PIANO ACCOMPANIMENT. |
| FLUTE & PIANO | HABBESTAD, KJELL | ORPHEUS, OP. 34 | Norway | NMIC | 1993 | 34 MIN | H | C/U | 7 MOVEMENTS OF VARYING DIFFICULTY, EACH CAN STAND ALONE. MOVEMENT 6 HAS A SECTION OF ALEATORY OTHERWISE MOSTLY TRADITIONAL RHYTHMS WITH CONTEMPORARY HARMONIES FREQUENTED. |
| FLUTE & PIANO | HOLMBOE, VAGN | CONCERTO PER FLAUTO E ORCHESTRA, OP 147 | Denmark | WHANSEN | 1981 | 15 MIN | M | C/U/HS | THREE MOVEMENTS THAT ARE TECHNICALLY CHALLENGING, AND A MUSICAL CHALLENGE. GOOD COMPOSER, GOOD MUSIC. |
| FLUTE & PIANO | HONGISTO, MAURI | MUSIC FOR FLUTE AND PIANO | Finland | FAZER | 1981 | EST 9+MIN | H | C/U | MOVEMENTS: MODERATO, LENTO, ALLEGRO. TRADITIONAL SONATA FORM WITH TRADITIONAL HARMONIES AND DEMANDS ON THE SOLOIST AD PIANIST. A LOT OF NOTES TO GET UNDER THE FINGERS HERE. |
| FLUTE & PIANO | INGOLFSSON, ATLI | THREE MOMENTS | Iceland | ITM | 1986 | 3 MIN | E/M | C/U/HS | THREE MOVEMENTS: I MELODIC AND EASY, 2 MOVING WITH METRIC CHANGES AND 3 A FEW RHYTHMIC CHALLENGES. GOOD SCORE. |
| FLUTE & PIANO | JONSSON, THORARINN | TWO PIECES - HUMORESQUE & MEDITATION | Iceland | ITM | 1969 | EST 6+ MIN | M | C/U/HS | TWO EASIER MOVEMENTS THAT CAN STAND ALONE AND MAINLY MELODIC. PIANO PART HAS MORE NOTES. TELL THE VIOLIN PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. |
| FLUTE & PIANO | KARLSEN, KJELL MORK | SONATINE OVER EN FOLKETONE FRA ETNE | Norway | NORSK | 1992 | EST 8 MIN | M/H | C/U | MOVEMENTS: ALLEGRO,BICINIUM OSTINATO E CHORALE, FUGE. COMPOSER SUGGEST THAT THE WORK CAN BE PLAYED BY FLUTE AND ORGAN. SOME MIXED METER. GOOD ACCOMPANIST NEEDED. |
| FLUTE & PIANO | KLEIBERG, STALE | SONATA FOR FLUTE & PIANO | Norway | NORSK | 1999.2003 | EST 10+ MIN | H | C/U | TWO MOVEMENTS, THE FIRST IS HIGHLY RUBATO WITH FREQUENT CHANGES OF TEMPO ENDING WITH A STRICT TEMPO EXCHANGE WITH THE PIANO. 2ND MOVEMENT IS MORE RHYTHMIC. NEED AN EXCELLENT, UNDERSTANDING AND SENSITIVE PIANIST! GREAT ADDITION TO THE LITERATURE. |
| FLUTE & PIANO | KOCH, ERLAND VON | CAPRICIETTO | Sweden | SMIC | 1992 | est. 2 min | M | C/U/HS | OTHER THAN SOME VERY HIGH REGISTER PLAYING, THIS IS VERY PLAYABLE MUSIC. PIANO ACCOMPANIMENT IS NOT HARD, BUT APPROPRIATE. |
| FLUTE & PIANO | KOCH, ERLAND VON | MELODI | Sweden | SMIC | I992 | est. 2 min 15 sec | E/M | C/U/HS | THE COMPOSER SUGGESTS THAT THE WORK MAY BE PLAYED BY ANY TREBLE CLEF INSTRUMENT. HE ALSO WRITES THAT IT CAN BE PLAYED SUCCESSFULLY WITHOUT PIANO ACCOMPANIMENT. |
| FLUTE & PIANO | KOPPEL, HERM D | CAPRICCIO, OP 73 | Denmark | LEDUC | 1961 | 8 MIN | H | C/U | ONE MOVEMENT, VIVACE ALL THE WAY. SHOW OFF PIECE FOR C/U STUDENT RECITAL. |
| FLUTE & PIANO | KOSTIAINEN, PEKKA | 0PUSCULUM SONABILE | Finland | HELLAS | 1984 | 5 MIN | M | C/U/HS | MAINLY FLOWING WITH OPPORTUNITY TO SHOW SOME NOTES. HIGHLY PLAYABLE MUSIC. HS CONTEST OR EARLY RECITAL IN C/U |
| FLUTE & PIANO | KVAM, ODDVAR S | AIR, OP 46 NR 2 | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
| FLUTE & PIANO | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 1 | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC. |
| FLUTE & PIANO | LEHTO, JUKKA-PEKKA | FUUSIO | Finland | MUSACT | 2001 | EST 2+ MIN | E/M | C/U/HS | FLUTE PLAYER STOMPS FOOT IN THREE PLACES. A FEW RHYTHMIC PROBLEMS, BUT THIS WILL PLAY AND BE FUN. |
| FLUTE & PIANO | LINDHOLM, HERBERT | CHAMBER CONCERTO FOR FLUTE, OP. 31 | Finland | FiMIC | 1999 | EST 9+ MIN | H | C/U | THIS IS ALSO AVAILABLE WITH 2 VIOLINS, CLARINET, CELLO, STRING BASS AND PIANO. MOVEMENTS: TRANQUILLO - MODERATO, ANDANTE LACRIMOSO, MOLTO VIVACE. MOSTLY STRAIGHT AHEAD IN MODERN HARMONIC SETTING. LOTS OF NOTES AND A SUPPORTIVE PIANO PART. |
| FLUTE & PIANO | LUNDQUIST, TORBJORN IWAN | AL FRESCO | Sweden | SMIC | 1976 | 8 MIN | H | C/U | A MAJOR WORK WITH RHYTHMIC CHALLENGE. IT FITS TOGETHER NICELY. |
| FLUTE & PIANO | MAROS, MIKLOS | CAUSERIE | Sweden | NORDISKA | 1976 | 6 MIN 30 SEC | H | NONTRADITIONAL NOTATION ALL THE WAY! | |
| FLUTE & PIANO | MARTTINEN, TAUNO | PAN JA HUILU, OP. 29 B | Finland | FIMIC | 1985 | EST 4 MN | M | C/U | MOSTLY A NICE FLOWING LINE WITH ONE SECTION OF ARTICULATING NOTE PATTERNS. NOT AS MODERN SOUNDING AS SOME. |
| FLUTE & PIANO | NIELSEN, CARL | KONCERT FOR FLOJTE OG ORKESTER | Denmark | SAMFUNDET | 1926 | M/H | C/U | TWO MOVEMENTS BY A MAJOR COMPOSER. ALSO SEE FLUTE AND ORCHESTRA. | |
| FLUTE & PIANO | NIELSEN, CARL | THE FOG IS LIFTING, OP 41 | Denmark | WHANSEN | 1952 | EST 2 MIN | E/M | C/U/HS | PIANO PART IS ALSO LISTED FOR HARP. A 6/8 ANDANTINO. |
| FLUTE & PIANO | NORGARD,PER | PASTORALE | Denmark | WHANSEN | 1975 | 3 MIN | M | C/U | ONE OF DENMARK'S LEADING COMPOSERS. SOME NOTATION QUESTIONS ON THIS PIECE. |
| FLUTE & PIANO | NORHOLM, IB | CRIES OF SPRING | Denmark | KONTRAPUNKT | 1992 | EST 10 MIN | H | C/U | MOVEMENTS: QT = 92, QT = 56, QT = 72. LOTS OF NOTES FOR THE SOLOIST. ACCOMPANIMENT STAYS OUT OF THE WAY UNTIL THE LAST MOVEMENT, THEN NOTES. HIGH LEVEL FLUTIST AND PIANO NEEDED. |
| FLUTE & PIANO | NYSTEDT, KNUT | EN STJERNE KLAR | Norway | NORSK | 1990 | EST 3 MIN | E/M | C/U/HS | JUST A NICE EASY MUSIC FOR CHRISTMAS. GREAT COMPOSER. |
| FLUTE & PIANO | NYSTROEM, GOSTA | PARTITA | Sweden | SUECIA | 1956 | H | C/U | FIVE MOVEMENTS IN A MAJOR WORK. STRAIGHT AHEAD FOR RECITAL. AVAILABLE ALSO WITH HARP & STRING ORCHESTRA. | |
| FLUTE & PIANO | OSTERN, PER HROAR | FIRE ARSTIDSMINIATYRER | Norway | NORSK | 1991 | EST 4 MIN | E | C/U/HS | FOUR SHORT MOVEMENTS, EACH CAN STAND ALONE. TITLE REFERS TO THE SEASONS OF THE YEAR. GOOD LITERATURE THAT IS EASY. |
| FLUTE & PIANO | PALSSON, HELGI | TEMA CON VARIAZIONI, OP. 8 | Iceland | ITM | 1963 | ST 11+ MIN | 15 VARIATIONS PLAYED ATTACCA. A FEW DOUBLE STOPS. PLAYS STRAIGHT AHEAD AND MOSTLY MELODICALLY. TELL THE VIOLIN PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. | ||
| FLUTE & PIANO | PALSSON, PALL PAMPICHLER | MIXED THINGS | Iceland | ITM | 1976 | EST 8+ MIN | H | C/U | VERY CONTEMPORARY STYLE RHYTHMICALLY AND HARMONICALLY. THE SCORE IS INVITING THE BEST C/U STUDENTS TO PLAY IT! |
| FLUTE & PIANO | SENSTIUS, KAI | CONCERTINO, OP 5 | Denmark | SAMFUNDET | 1937 | M/H | C/U/HS | THREE MOVEMENTS WITH A LOT OF PLAYABLE NOTES AND TRADITIONAL APPROACH. | |
| FLUTE & PIANO | SERMILA, JARMO | A WEEPING MYTH | Denmark | JASEMUSIIKKI | 1982 | 6 MIN | H | C/U | A GOOD INTRODUCTION TO SOME NONTRADITIONAL NOTATION AND TECHNIQUES. EXPLANATIONS FOR PERFORMANCE INCLUDED. |
| FLUTE & PIANO | SIGURBJORNSSON, THORKELL | COLUMBINE | Iceland | NORSK | 1992/98 | EST 15+ MIN | H | C/U | USUAL THREE MOVEMENTS ALA SONATA. ONE OF ICELAND’S BEST COMPOSERS WITH SOME MIXED METER AND NOTES, BUT A GOOD ADDITION TO THE LITERATURE. ALSO AVAILABLE WITH STRINGS. FOR A MORE COMPLICATED WORK FOR FLUTE AND PIANO SEE HIS ‘EURIDICE’. |
| FLUTE & PIANO | SIGURBJORNSSON, THORKELL | OSLO REEL (OSLARRÆLL) | Iceland | ITM | M | C/U | ENCORE MATERIAL FOR RECITAL. RHYTHMICALLY CHALLENGING AND FUN. | ||
| FLUTE & PIANO | SKOLD, YNGVE | SONATINA, OP 57 | Sweden | SUECIA | 1961 | 17 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. LOTS OF NOTES BUT STRAIGHT AHEAD AND PLAYABLE. CONCERT OR RECITAL MATERIAL. |
| FLUTE & PIANO | SPEIGHT, JOHN A | VIER STUCKE | Iceland | ITM | 1977 | 3 MIN 30 SEC | M | C/U | RHYTHMICALLY CHALLENGING WORK THAT NEEDS MUCH COORDINATION FOR ENSEMBLE. THREE MOVEMENTS FOR THE GOOD COLLEGE STUDENT. |
| FLUTE & PIANO | STEFANSSON, FINNUR TORFI | MOVEMENTS ‘01 FOR FLUTE AND PIANO | Iceland | ITM | 2001 | EST 9+ MIN | H | C/U | RHYTHMICALLY INTRICATE. THE WHOLE RANGE OF THE FLUTE IS USED. CHANGING METER AND OTHER PROBLEMS IN A WELL SCORED CONTEMPORARY WORK. |
| FLUTE & PIANO | SVEINSSON, ATLI HEIMIR | INTERMEZZO | Iceland | WHANSEN | 1982 | EST 2+ MIN | M | C/U/HS | A NICE, FLOWING WORK WITH FREQUENT TIME CHANGE THAT SHOULD NOT BOTHER MAKING MUSIC WITH THIS NICE PIECE OF MUSIC. |
| FLUTE & PIANO | VAAGE, KNUT | FORTUNA | Norway | NMIC | 1996 | 16 MIN | H | C/U | CONTEMPORARY SETTINGS TONALLY AND RHYTHMICALLY. HARD FOR BOTH PLAYERS, BUT A WELL LAID OUT SCORE AND VERY INTERESTING. FOUR MOVEMENTS. PROFESSIONAL OR GRADUATE LEVEL MATERIAL. |
| FLUTE & PIANO | WESSMAN, HARRI | FIVE FLUTE PIECES | Finland | FiMIC | 2003 | E/M/H | C/U/HS | MOVEMENTS: TRIPLETS, LEGATO, FIGURATION, THE FLIGHT OF THE MASQUITO, DOUBLE TONGUE MARCH. WHEN YOU DO NOT WANT TO GET TOO SERIOUS AT THE RECITAL. THIS SHOULD BE FUN FOR PLAYERS AND AUDIENCE. | |
| FLUTE & PIANO | WIREN, DAG | CONCERTINO, OP 44 | Sweden | GEHRMANS | 1974 | 14 MIN | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL WITH EMPHASIS ON THE UPPER REGISTER. ORCHESTRA ACCOMPANIMENT PARTS AND SCORE AVAILABLE. |
| FLUTE & SAXOPHONE QUARTET | STRINDBERG, HENRIK | HJARTATS SLAG (HEART BEATS) | Sweden | SMIC | 1986 | 6 MIN 30 SEC | M/H | C/U | S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES. |
| FLUTE & STRING BASS | LUND, GUDRUN | SPIL FOR ULIGE PARTNERE, OP 58 | Denmark | DMIC | 1981 | 16 MIN | M | C/U/HS | FOUR MOVEMENTS OF FUN FOR TWO UNLIKELY DUETISTS! |
| FLUTE & STRING ORCHESTRA | BORTZ, DANIEL | SUMMER ELEGY FOR FLUTE AND STRINGS | Sweden | GEHRMANS | 1983 | 15 MIN | H | C/U | SOLID COMPOSER IN CONTEMPORARY STYLE, SOME NONTRADITIONAL WORK AND A BIG CHALLENGE. SCORE FOR SALE, PARTS RENTAL. |
| FLUTE & STRING ORCHESTRA | JOHANSEN, BERTIL PALMAR | ELEGI FOR FLUTE AND STRING ORCHESTRA | Norway | NMIC | 2000 | EST 4 MIN | E | C/U/HS | A NICE FLOWING MELODY WITH GENTLE STRING ACCOMPANIMENT. PLAYABLE AND NICE. |
| FLUTE & STRING ORCHESTRA | LARSSON, LARS-ERIK | CONCERTINO, OP 45 NR 1 | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS. EXCELLENT COMPOSER AND MOST WORTHY MUSIC. |
| FLUTE & STRING ORCHESTRA | SCHMIDT, OLE | SUITE, OP 20 | Denmark | WHANSEN | 1964 | 13 MIN | H | C/U | FOUR MOVEMENTS: RONDINO, WALTZER, INTERMEZZO, MARCH. STRINGS PLUS HARP AND PERCUSSION(2). MAJOR WORK FOR FLUTE, FRESH, 2OTH CENTURY SOUNDS. SCORE FOR SALE, PARTS RENTAL. |
| FLUTE & STRING ORCHESTRA | SIGURBJORNSSON, THORKELL | THE PIED PIPER (ROTTUFANGARINN) | Iceland | ITM | 1977 | EST 5 MIN | M/H | C/U/HS | TWO MOVEMENTS. 1.'IN THE HAPPY TOWN OF HAMELN', SOME RHYTHMIC & ADVANCED NOTATION. 2.'THE PIED PIPER ARRIVES', STRAIGHT AHEAD. CAN BE DONE WITH ANNOUNCER AND MIME. |
| FLUTE & STRING ORCHESTRA | SJOBLOM, HEIMER | CONCERTINO SPEL | Sweden | SMIC | 1975 | 17 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE AND PLAYABLE. RENTAL ONLY. |
| FLUTE & STRING ORCHESTRA | TANGGAARD, SVEND ERIK | RAPSODISK | Denmark | DKF | 1981 | EST 4 MIN | M/H | C/U | THIS IS HIGHLY MARGINAL MS. SO BEWARE! COMPOSER HAS NICE IDEAS AND IF THE MUSIC WERE PRINTED WOULD BE POPULAR. HE HAS MANY WORKS WITH THE SAME UNFORTUNATE PROBLEM - UNFORTUNATE BECAUSE HE HAS GOOD IDEAS FOR THE MUSIC STUDENT WITH WHICH TO MAKE MUSIC.. |
| FLUTE & VIOLIN | ROIKJER, KJELL | DUOLOG, OP 84 NR 5 | Denmark | ENGSTROM & SODRING | 1987 | EST 7 MIN | M | C/U/HS | THREE MOVEMENTS WITH MODERATE PERFORMANCE DEMANDS FOR STUDIO OR RECITAL. |
| FLUTE & VIOLIN | SIGURBJORNSSON, THORKELL | 28 PIECES OF WEDDING CAKE (KRANSAKOKNBLILAR) | Iceland | ITM | M | C/U | STUDIO FUN OR FOR INTIMATE PERFORMANCE. 28 VARIATIONS ON A SHORT THEME. | ||
| FLUTE ALONE | AHLBERG, GUNNAR | PEZZO PER FLAUTO SOLO | Sweden | SMIC | 1986 | 4 MIN | M | C/U/HS | GOOD COMPOSER AND PIECE. RECITAL OR STUDY. PLAYABLE MUSIC. |
| FLUTE ALONE | ANDERSEN, KJELL MAGNE | FANTASY FOR SOLO FLUTE | Norway | NMIC | 2003 | EST 3 MIN | M/H | C/U/HS | NEED A SOLID UP REGISTER AND MODEST DIGITAL FACILITY. THE PART INVITES INTERPRETATION AND MUSICALITY. NICE SHORT WORK. |
| FLUTE ALONE | BACK, SVEN-ERIK | SONATA FOR FLUTE SOLO | Sweden | WHANSEN | 1959 | 13 MIN | H | C/U | THREE MOVEMENTS OF CHALLENGE BY A FINE COMPOSER. LOTS OF NOTES! |
| FLUTE ALONE | BASHMAKOV, LEONID | FANTASIA PER FLAUTI | Finland | FiMIC | 1972 | 6 MIN 30 SEC | M/H | C/U | A FINE COMPOSER AND A MOST INTERESTING PIECE. SOLOIST SWITCHES BETWEEN GRAND FLUTE, ALTO FLUTE AND BASS FLUTE! |
| FLUTE ALONE | BOEHM, ILKKA VON | THREE DIMENSIONS | Finland | FiMIC | 2002 | 5 MIN | H | C/U | INTERESTING AND INNOVATIVE. LARGE INTERVALS AND NOTES. PRACTICE STAND FOR A TIME, THEN SHOW OFF AT RECITAL. |
| FLUTE ALONE | BREVIK, TOR | FANTASI FOR FLUTE SOLO | Norway | MUSIKK-HUSET | 1979 | EST 2 MIN | E | C/U/HS | LYRICAL, SHORT PIECE. FIRST SOLO ALONE FOR STUDENTS. |
| FLUTE ALONE | DEAK, CSABA | FUVOLA | Sweden | SMIC | 2000 | 6 MIN. | H | C/U | FIRST RATE COMPOSER USING ADVANCED TECHNIQUES AND ALWAYS WORTH THE EFFORT. |
| FLUTE ALONE | EIRIKSDOTTIR, KAROLINA | FLUTE REEL | Iceland | ITM | 1998 | 7 MIN 41 SEC | H | C/U | A LOT OF NOTES IN PLACES, BUT THIS LAYS OUR WELL FOR THE GOOD FLUTIST WHO CAN MAKE MUSIC OUT OF NOTES. |
| FLUTE ALONE | EKSTROM, LARS | THERE ARE PEOPLE WHO... | Sweden | SMIC | 1989 | M/H | C/U | NO PERFORMANCE SURPRISES. | |
| FLUTE ALONE | GOTSKOSIK, OLEG | TWELVE SONGS WITHOUT WORDS | Sweden | SMIC | 1986 | 22 MIN | H | C/U | VERY DIFFICULT, 12 SHORT MOVEMENTS. |
| FLUTE ALONE | GRAESVOLD, HANS MAGNE | PIECE POUR FLUTE | Norway | NMIC | 2000 | EST 3 MIN | M/H | C/U | LAID OUT NICELY FOR HE MATURING FLUTE PLAYER OR FOR THE MATURE FLUTE PLAYER WHO WANTS TO SHOW OFF MUSIC MAKING SKILLS ALONE. |
| FLUTE ALONE | GRAHN, ULF | ALONE | Sweden | SEESAW | 1972 | 8 MIN | H | C/U | NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE WITH CLEAR EXPLANATIONS. GOOD INTRO TO NONTRADITIONAL NOTATION. |
| FLUTE ALONE | HERMANSON, AKE | FLAUTO DEL SOLE | Sweden | WHANSEN | 1982 | 4 1/2 MIN | H | C/U | ONE MOVEMENT WITH MODEST CHALLENGE. |
| FLUTE ALONE | HOLMBOE, VAGN | SONATE, OP 71 | Denmark | DMIC | 1957 | EST 9 MIN | H | C/U | FOUR MOVEMENTS FROM A FINE COMPOSER. NO MAJOR PROBLEMS AND WORTHY. |
| FLUTE ALONE | JANSSON, GUNNAR | AS LONG AS YOU BREATHE | Sweden | SMIC | 1987 | E/M | C/U/HS | SHORT - A GOOD INTRODUCTION TO FLUTE ALONE LITERATURE. | |
| FLUTE ALONE | KOCH, ERLAND VON | MONOLOG NR 1 | Sweden | GEHRMANS | 1977 | 6 MIN | M/H | C/U/HS | TWO MOVEMENTS OF PLAYABLE CHALLENGE BY A GOOD COMPOSER. |
| FLUTE ALONE | KONDRUP, EVA NOER | DIARY FROM THE MOUNTAINS | Denmark | SAMFUNDET | 1996 | 9 MIN | H | C/U | A SHORT AND INNOCENT PRELUDE AS A FIRST MOVEMENT FOLLOWED BY A CHALLENGING SECOND. MIXED METER, LARGE INTERVAL SKIPS AND LOTS OF NOTES. SCORE IS LAID OUT WELL. |
| FLUTE ALONE | KVAM, ODDVAR S. | MONOFONI FOR FLUTE | Norway | MUSIKK-HUSET | 1978 | EST 2 MIN | M | C/U | SOLO CAN BE PLAYED ALONE OR IN SEQUENCE WITH A WW QUINTET. |
| FLUTE ALONE | LINDHOLM, HERBERT | 24 ETUDES FOR FLUTE, OP. 16 | Finland | FiMIC | 1992 | EACH 1 -2 MIN | E/M/H | C/U/HS | EACH ETUDE CAN SAND ALONE AND ARE WORTHY OF PERFORMANCE. OF VARYING DIFFICULTY. COMPOSER WRITES WELL FOR THE FLUTE. |
| FLUTE ALONE | MALMLOF-FORSSLING, CARIN | SONATA SVICKEL | Sweden | SMIC | M | C/U | MEDIUM LENGTH AND DIFFICULTY WITH NO SURPRISES. | ||
| FLUTE ALONE | NORBY, ERIK | ARABESQUE I & II | Denmark | ENGSTROM & SODRING | 1987 | 7 MIN | H | C/U | TWO STUDIES THAT CHALLENGE RHYTHMICALLY, ALSO SOME MULTI-PHONICS. |
| FLUTE ALONE | NORHOLM, IB | IMMANENS, OP 87 | Denmark | WHANSEN | 1982 | 10 MIN | H | C/U | THREE MOVEMENTS OF CHALLENGING MUSIC BOTH MUSICALLY AND TECHNICALLY. GOOD PEDAGOGICAL MATERIAL FOR THE ADVANCED STUDENT. |
| FLUTE ALONE | RAGNARSSON, HJALMAR H | IN BLACK & WHITE | Iceland | ITM | 1978 | H | C/U | TWO MOVEMENTS WITH NONTRADITIONAL TECHNIQUES AND APPROACH. SPECIAL PERFORMANCE INSTRUCTIONS ARE GOOD. NICE SCORE. | |
| FLUTE ALONE | RAITIO, PENTTI | DREAM | Finland | JASEMUSIIKKI | 1986 | EST 3 MIN | H | C/U | SHORT AN CHALLENGING. NEED STRONG HIGH REGISTER AND EAR FOR THE BIG INTERVALS. |
| FLUTE ALONE | REHNQVIST, KARIN | WINGS | Sweden | SMIC | 1998 | 10 MIN | H | C/U | A THREE MOVEMENT WORK WITH CHALLENGES FOR THE SERIOUS STUDENT. THE COMPOSER USES QUICK DYNAMIC CHANGE AS WELL AS ADVANCED TECHNIQUES TO MAKE THIS INTERESTING MUSIC. |
| FLUTE ALONE | ROIKJER, KJELL | PRELUDE ET RONDEAU, OP 43A | Denmark | ENGSTROM & SODRING | 1972 | EST 4 MIN | M | C/U/HS | NO PROBLEMS, JUST STRAIGHT AHEAD. NICELY LAID OUT. |
| FLUTE ALONE | ROSENBERG, HILDING | SONATA PER FLAUTO SOLO | Sweden | SUECIA | 1965 | H | C/U | TWO MOVEMENTS FROM ONE OF SWEDEN'S LEADING COMPOSERS OF THE RECENT PAST. | |
| FLUTE ALONE | RUNARSDOTTIR, HILDIGUNNUR | CYRADIS | Iceland | ITM | 1999 | EST 3+ MIN | M | C/U/HS | AN EASIER FLUTE ALONE SOLO. THE USUAL MIXED METER THINGS, BUT ALL CAN BE DONE BY THE GOOD HS - C/U STUDENT. |
| FLUTE ALONE | SAARIAHO, KAIJA | CANVAS | Finland | FiMIC | 1978 | M/H | C/U | THREE MOVEMENTS THAT WOULD BE COMFORTABLE FOR THE GOOD COLLEGE PLAYER. | |
| FLUTE ALONE | SAGVIK, STELLAN | SOLAR PLEXUS, OP. 191 | Sweden | SMIC | 2000 | 30 MIN. | H | C/U | 11 SHORT MOVEMENTS WITH MANY CHALLENGES. A FINE COMPOSER WITH MUSIC THAT IS INTERESTING FOR THE PLAYER AS WELL AS THE AUDIENCE. |
| FLUTE ALONE | SALMENHAARA, ERKKI | PRELUDE, POPTUNE AND FUGUE | Finland | FAZER | 1967 | EST 9 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. 'POPTUNE' IS THEME AND VARIATIONS. SHOWOFF MUSIC! |
| FLUTE ALONE | SERMILA, JARMO | PROLAPSES | Finland | FAZER | 1973 | EST 5 MIN | M/H | C/U/HS | A GOOD LOOKING WORK WITH ACCESSIBILITY. |
| FLUTE ALONE | TYBONI, BORJE | ROMANZA | Sweden | SMIC | 2000 | 3 MIN. | E/M | C/M/HS | SUGGEST YOU PLAY WITH SAME COMPOSER’S VAGEN. SHOULD BE GOOD AS A FIRST EXPERIENCE WITH SOLO ALONE PLAYING. |
| FLUTE ALONE | TYBONI, BORJE | VAGEN | Sweden | SMIC | 1996 | 3 MIN. | E/M | C/M/HS | SUGGEST TO PLAY WITH SAME COMPOSER’S ROMANZA. THE TWO TOGETHER WILL MAKE A NICE ADDITION TO A RECITAL EVEN FOR THE ADVANCED PLAYER. |
| FLUTE ALONE | VAINIO, JAN MIKAEL | MAGMA MOON | Finland | Uusinta | 2000 | 6 MIN | H | C/U | THIS HAS EVERYTHING: MULTI PHONICS, KEY NOISE, BREATH TONES, AND OTHER THINGS TO MAKE IT VERY INTERESTING. PREPARE TO PRACTICE! |
| FLUTE ALONE | WESSMAN, HARRI | OLLI'S SOLO | Finland | FiMIC | 1980 | EST 3 MIN | M | C/U/HS | GOOD INTRO TO FLUTE ALONE LITERATURE. |
| FLUTE DUET | HAMBRAEUS, BENGT | CINQUE STUDI CANONICI PER DUE FLAUTI | Sweden | CANADIAN MUSIC CENTRE | 1988 | 12 MIN | H | C/U | FIVE CHALLENGING MOVEMENTS FROM A FINE COMPOSER WITH ELECTRONIC AND IVESIAN BACKGROUND. |
| FLUTE DUET | HEDWALL, LENNART | VARIATIONER OCH FUGA | Sweden | NORDISKA | 1975 | 7 MIN | M | C/U | ALSO FOR FLUTE AND OBOE. |
| FLUTE DUET | SEVAG, OYSTEIN | SUITE FOR 2 FLUTES | Sweden | LYCHE | 1981 | EST 6 MIN | H | C/U | NOT ALL THE 5 MOVEMENTS ARE DIFFICULT. LOTS OF NOTES, BUT NO SURPRISES. |
| FLUTE ENSEMBLE | RYDMAN, KARI | SONATA XIII | Finland | FiMIC | 1978 | EST 7-8 MIN | M | C/U/HS | SIX FLUTES IN ENSEMBLE. TWO MOVEMENTS. MOST OF IT CAN BE PLAYED BY A CHOIR OF FLUTES. |
| FLUTE ENSEMBLE | SIGURBJORNSSON, THORKELL | RA'S DOZEN | Iceland | ITM | 1980 | H | C/U | FOR 12 OR MORE FLUTES, NONTRADITIONAL NOTATION MAKES IT APPEAR HARDER THAN IT REALLY IS. CLEVER EXCHANGES AND SURPRISES. | |
| FLUTE QUARTET | BENTZON, NIELS VIGGO | QUARTETTO TERTIO, OP 385 | Denmark | WHANSEN | 1978 | EST 6+ MIN | H | C/U | MOVEMENTS: CON MOTO, ANDANTE TRANQUILLO, MOLTO ALLEGRO. NOTHING UNUSUAL, BUT IT WILL TAKE REHEARSAL AND INDIVIDUAL PRACTICE TO MAKE MUSIC. GOOD COMPOSER WITH IDEAS! |
| FLUTE QUARTET | GRANDERT, JOHNNY | KVARTETT FOR FLOJTER NR. 2 | Sweden | SMIC | 4 MIN. | 3FL,A-FL. | |||
| FLUTE QUARTET | GRANDERT, JOHNNY | KVARTETT FOR FLOJTER NR. 3 | Sweden | SMIC | 3 MIN. 30 SEC. | M | C/U/HS | 3FL,A-FL. NO SURPRISES. FOUR COMPETENT PLAYERS SHOULD BE ABLE TO MAKE MUSIC AND ENJOY DOING IT. | |
| FLUTE QUARTET | MAROS, MIKLOS | RIPPLE | Sweden | SMIC | 2002 | 6 MIN. | M/H | C/U/HS | SOME MIXED METER AND OTHER RHYTHMIC PROBLEMS TO SOLVE. FOR ADVANCED PLAYERS WHO ENJOY A MODEST CHALLENGE. |
| FLUTE QUINTET | GRANDERT, JOHNNY | KVINTETT FOR FLOJTER NR. 1 | Sweden | SMIC | 3 MIN. 30 SEC. | M/H | PIC-FL,2FL,A-FL,B-F. STRAIGHT AHEAD MATERIAL, BUT EVEN THE BASS FLUTE HAS TO MOVE THE FINGERS. | ||
| FLUTE TRIO | FRANZEN, OLOV | THE FLUTES ARE SINGING IN 3 PARTS | Sweden | FAIMO | 1986 | E/M | C/U/HS | SIX ARRANGEMENTS AND FIVE COMPOSITIONS FOR 3 FLUTES. VERY PLAYABLE MATERIAL. | |
| FLUTE, CELLO & PERCUSSION | SVEINSSON, GUNNAR R | PENDULATIONS (SVEIFLUR) | Iceland | ITM | 1966 | 4 MIN 25 SEC | H+ | C/U | FOUR PERCUSSIONISTS. INTRICATE AND DELICATE - HARD TO PUT TOGETHER, NEEDS CONDUCTOR. GOOD CHALLENGE. |
| FLUTE, CELLO & PIANO | THORARINSSON, LEIFUR | A SMALL TRIO | Iceland | ITM | 1975 | 10 MIN | H | C/U | A DIFFICULT WORK BUT INTERESTING ENOUGH TO MAKE THE EFFORT. SCORE A BIT MESSY. |
| FLUTE, VIOLIN & CELLO | SIGURBJORNSSON, THORKELL | SIX ICELANDIC FOLK SONGS | Iceland | ITM | 1988 | M | C/U | PLAYED IN ONE MOVEMENT. NO EXTREME PROBLEMS AND PLAYABLE WITH REASONABLE PREPARATION. | |
| FLUTE(2) & PERCUSSION | MASSON, ASKELL | MELODIES (LAGASAFN) | Iceland | ITM | 1974 | 9 MIN | M | C/U/HS | TWO FLUTES AND VIBRAPHONE. SIX MOVEMENTS, SOME FOR JUST THE FLUTES AND OTHER COMBINATIONS. GOOD SCORE AND MUSIC! |
| FLUTE(2) & PERCUSSION | MASSON, ASKELL | THE BLUE LIGHT | Iceland | ITM | 1978 | 8 MIN 40 SEC | M/H | C/U | TWO FLUTES AND 2 PERCUSSIONISTS. NEEDS AN ALTO FLUTE. SCORE A LITTLE HARD TO READ. GOOD COMPOSER. |
| FLUTE(2) & PIANO | MADSEN, TRYGVE | SONATA FOR FLUTES AND PIANO, OP. 21 | Norway | MUSIKK-HUSET | 1978 | H | C/U | STRAIGHT AHEAD MUSIC WITH NO SURPRISES. WORKS. | |
| FLUTE(ALTO) & HARP | KARKOFF, INGVAR | NATTSTYCKEN (NIGHT PIECES) | Sweden | SMIC | 1989 | H | C/U | FOUR MOVEMENTS FOR AN UNUSUAL COMBINATION. WORK NEEDED BUT NO SPECIAL PROBLEMS. | |
| FLUTE(ALTO) & ORGAN | DEGEN, JOHANNES D | DAGEN SOM GATT, OP 69 | Sweden | SMIC | 1986 | 9 MIN | M | C/U | ONE MOVEMENT IN SLOW TEMPO. WORTH LOOKING AT! |
| FLUTE(ALTO) ALONE | ENGSTROM, TORBJORN | SULING - SUNYI | Sweden | SMIC | 1987 | 4 MIN 30 SEC | M | C/U | GOOD TO ADD SPICE TO A FLUTE RECITAL. NO PERFORMANCE PROBLEMS. |
©1991, 2007 Mark Lammers
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