Nordic Instrumental Music

For Colleges and Universities

By Ensemble / Medium

Ensemble Medium Composer Arranger Title Country Publisher_Code Date Time Difficulty Recommended Level Comments
BRASS & PERCUSSION DANIELSSON, CHRISTER SUITE NO.3 FOR BRASS & PERCUSSION Sweden GEHRMANS 1984 11 MIN 30 SEC M C/U 4TRPT,4HN,4TRB,2TBA,3PERC. ,3 MOVEMENTS, TRADITIONAL SOUNDS AND APPROACH.
BRASS & PERCUSSION SEVIUS, SVEN FESTFANFAR 1995 Sweden SMIC 1995 1 MIN. M C/U/HS R TRPT, 3 TRB,TUBA,3 PERC. SOLID, FULL WRITING. TRB 1 TO HIGH Bb OTHERWISE ALL INSTRUMENTS IN A COMFORTABLE RANGE. PERCUSSION: SNARE, TYMPANI AND CYMBALS.
CELLO & PERCUSSION GUDMUNDSEN-HOLMGREEN, PELLE PLATEAUX POUR DEUX Denmark WHANSEN 1970 12 MIN E/M/H C/U/HS FIVE MOVEMENTS WITH SOME NONTRADITIONAL WORK. PERCUSSION USES USUAL AND UNUSUAL INSTRUMENTS. MOVEMENTS OF VARYING DIFFICULTY. PERCUSSION PART EASIER THAN CELLO.
CLARINET & PERCUSSION ANDERSSON, B TOMMY IMPROMPTU Sweden SMIC 1987 3 MIN 45 SEC M/H C/U VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET.
CLARINET & PERCUSSION MASSON, ASKELL FANTASY ON A CHINESE POEM Iceland ITM 1987
H C/U A SERIOUS WORK FOR STUDY OR COLLEGE RECITAL. THE PERCUSSION INSTRUMENT IS CALLED 'DARABOUKT' OR HAND DRUM.
CLARINET & PERCUSSION MOGENSEN, RENE THOUGHT IN FIVE PARTS Denmark DKF 1998 4 MIN 30 SEC H C/U FIVE SHORT MOVEMENTS FOR THE ADVANCED C/U CLARINETIST AND AN ADVENTUROUS PERCUSSIONIST. MULTI-PHONICS, MIXED METER AND TIME NEEDED TO GET THE TWO PARTS TO SOUND TOGETHER!
FLUTE, CELLO & PERCUSSION SVEINSSON, GUNNAR R PENDULATIONS (SVEIFLUR) Iceland ITM 1966 4 MIN 25 SEC H+ C/U FOUR PERCUSSIONISTS. INTRICATE AND DELICATE - HARD TO PUT TOGETHER, NEEDS CONDUCTOR. GOOD CHALLENGE.
FLUTE(2) & PERCUSSION MASSON, ASKELL MELODIES (LAGASAFN) Iceland ITM 1974 9 MIN M C/U/HS TWO FLUTES AND VIBRAPHONE. SIX MOVEMENTS, SOME FOR JUST THE FLUTES AND OTHER COMBINATIONS. GOOD SCORE AND MUSIC!
FLUTE(2) & PERCUSSION MASSON, ASKELL THE BLUE LIGHT Iceland ITM 1978 8 MIN 40 SEC M/H C/U TWO FLUTES AND 2 PERCUSSIONISTS. NEEDS AN ALTO FLUTE. SCORE A LITTLE HARD TO READ. GOOD COMPOSER.
OBOE, PERCUSSION & HARP PALSSON, PALL P LANTAO Iceland ITM 1979 9 MIN M/H C/U OPENS WITH AN OBOE CADENZA. DIFFICULTY LIES IN THE ENSEMBLE WORK.
PERCUSSION & ORCHESTRA MASSON, ASKELL CROSSINGS Iceland BIM 2002 22 MIN H C/U 2FL(PIC),3CL(BCL),2BSN,CBSN,4HN,2TRPT,3TRB,TBA,4PERC,HARP,STRINGS. FOR TWO SOLO PERCUSSIONISTS WITH ORCH. A GREAT ADDITION TO THE PERCUSSIONISTS WORLD! PLENTY TO WORK 0N!
PERCUSSION ALONE BALDVINSSON, TRYGGVI M. INTROITUS Iceland ITM 1995 EST 5+ MIN M/H C/U INSTRUMENTS: CROTALES, VIBES,GONG(D), TAMTAM, SINGING BOWL D). A WELL SCORED WORK FOR THE SINGLE PERCUSSIONIST. NOT TOO DIFFICULT FOR AN EARLY EXPERIENCE IN MULTIPLE INSTRUMENTS FOR ONE PLAYER.
PERCUSSION ALONE BROEDSGAARD, ANDERS SOFT MACHINE Denmark WHANSEN 1995 8 MIN H C/U FUN FOR THE ADVANCED C/U PERCUSSIONIST. DIAGRAM IS INCLUDED ON HOW TO SET UP ALL OF THE INSTRUMENTS TO MAKE THIS SOLO WORK. A SOW OFF PIECE FOR RECITAL!
PERCUSSION ALONE FRANDSEN, JOHN RITE OF PASSAGE Denmark DKF 1999 12 MIN H C/U A VERY GOOD SCORE FOR THE SOLO PERCUSSIONIST PLAYING INSTRUMENTS THAT ARE STRUCK: WOOD BLOCK, TOM TOM, COWBELLS, GR.CASSA, GONG AND A FEW NOTES ON TUBULAR BELLS. ALWAYS CHANGING METER! FRANDSEN HAS OTHER PERCUSSION PIECES AVAILABLE.
PERCUSSION ALONE HENDZE, JESPER ESCALATIONS FOR PERCUSSION Denmark SAMFUNDET 1986 9 MIN H C/U FOR THE PERCUSSIONIST WHO DOES IT ALL. THREE MOVEMENTS WITH CONTRACTING SETS OF INSTRUMENTS. DIAGRAM INCLUDED TO ILLUSTRATE HOW TO SET UP THE INSTRUMENTS FOR PERFORMANCE.
PERCUSSION ALONE JOHANSON, SVEN-ERIC BEAT, BEAT, BEATEN (SLAG I SLAG) Sweden SMIC 1979
H C/U A GOOD SCORE OF DIFFICULT MUSIC WITH ONE PERSON PLAYING MANY INSTRUMENTS.
PERCUSSION ALONE KOCH, ERLAND VON MONOLOG NR 11 Sweden GEHRMANS 1978
M/H C/U MANY INSTRUMENTS AND EXCELLENT FOR RECITAL.
PERCUSSION ALONE LILJEQUIST, BJORN IL CALAMARO Sweden BUSCH 1986
H C/U FOR THE OUTSTANDING COLLEGE PERCUSSIONIST!
PERCUSSION ALONE MASSON, ASKELL PRIM FOR SNARE DRUM Iceland BIM 1984 7 MIN M/H C/U/HS SEVEN WONDERFUL MINUTES OF SNARE DRUM FANTASTICS! THE PERCUSSIONISTS WILL WANT TO TRY THIS! ALSO, SAME COMPOSER, SAME INSTRUMENT - ‘KIM’.
PERCUSSION ALONE NORGARD, PER I CHING Denmark WHANSEN 1982
H C/U FOUR MOVEMENTS, A MAJOR SOLO WORK USING MOST OF THE PERCUSSION FAMILY OF INSTRUMENTS.
PERCUSSION ALONE PALMER, CATHARINA IMPRESSIONS - IMAGINATIONS Sweden SMIC 2000 10 MIN H C/U ONE PERSON, LOTS OF PERCUSSION INSTRUMENTS, SO THE SETUP WILL BE A PROBLEM. IF THAT IS DONE SUCCESSFULLY, THIS WORK IS VERY PLAYABLE. VERY GOOD MS.
PERCUSSION ALONE PAPE, ANDY MARRRIMBA Denmark WHANSEN 1991/92 EST 5 MIN H C/U THIS CAN BE A SOLO OR DUET WITH VIBRAPHONE. CONTINUOUS MIXED METER PLUS OTHER RHYTHMIC PROBLEMS TO SOLVE. FUN FOR THE ACCOMPLISHED PERCUSSIONIST(S).
PERCUSSION ALONE RUDERS, POUL CHA-CHA-CHA Denmark WHANSEN 1981 EST 5 MIN H C/U MAINLY AT THE DRUM SET. SOME THEATER AND LOTS OF NOTES.
PERCUSSION ALONE (MARIMBA) JORGENSEN, KLAUS IB 5 STUDIES FOR MARIMBA Denmark SAMFUNDET 1995 13 MIN H C/U PLAYABLE BY THE C/U SERIOUS STUDENT NEEDING A CHALLENGE. A WELL CRAFTED SCORE THAT NEEDS PLAYING! IT HAS ALL THE USUAL PROBLEMS TO KEEP THE PLAYERS ATTENTION. ALL WILL LIKE.
PERCUSSION AND ORCHESTRA KOPPEL, ANDERS CONCERTO FOR PERCUSSION Denmark WHANSEN 2001 2 MIN H C/U 3FL(PIC),2OB,2CL,3BSN(CBSN),4HN,2TRPT,3TRB,TBA,PO,STRINGS. FIVE CONTRASTING MOVEMENTS. SOLOIST PLAYS 40 PERCUSSION INSTRUMENTS. ORCH ACCOMPANIMENT IS NOT TOO DIFFICULT.
PERCUSSION AND ORCHESTRA KOPPEL, ANDERS CONCERTO NO. 4 FOR MARIMBA AND ORCHESTRA Denmark WHANSEN 2006 21 MIN H C/U 2FL(PIC),2OB(EH),2CL,BCL(Eb),2BSN(CBSN),4HN,2TRPT,2TRB,TBA,2PERC,ORGAN,HARP,STRINGS. ALL SECTIONS PLAYED ATTACCA. THE ORCHESTRA ACCOMPANIMENT IS EASIER THAN THE SOLO MARIMBA. SO, IF THE MARIMBA PLAYER KNOWS THE MUSIC, THIS COULD PREPARE QUICKLY.
PERCUSSION AND ORCHESTRA MASSON, ASKELL KONZERTSTUCK FOR SNARE DRUM & ORCHESTRA Iceland BIM 1982 10 MIN H C/U 2FL,2OB,2CL,2BSN,6HN,2TRPT,3TRB,TBA,4PERC,STRINGS. TEN MINUTES OF HEAVY WORK FOR THE SNARE DRUMMER! CHANGING TIME SIGNATURES, BUT THIS SHOULD PLAY - LOOKS GREAT IN SCORE!
PERCUSSION ENSEMBLE AHLIN, SVEN RITUAL FOR HUITZILOPOCHTLI Sweden SMIC
10 MIN H C/U SIX PLAYERS. HUITZILOPCHTLI WAS AN AZTEC WAR GOD. TUNED & NON-TUNED INSTRUMENTS.
PERCUSSION ENSEMBLE BASHMAKOV, LEONID SONATA FOR RAINER Finland FiMIC 1970 CA 12 MIN H C/U FOUR MOVEMENTS THAT CAN STAND ALONE. 2-5 PERSONS PLAYING AT ONE TIME. BOTH TUNED & NON-TUNED INSTRUMENTS.
PERCUSSION ENSEMBLE BROSTROM, TOBIAS BRIDGING THE WORLD Sweden SMIC 2004 6 MIN
C/U/HS THREE PLAYERS: MULTIPLE INSTRUMENTS EACH INCLUDING MARIMBA AND VIBRAPHONE. SOME MIXED METER, BUT GENERALLY STRAIGHT AHEAD AND VERY PLAYABLE BY C/U AND GOOD HS ENSEMBLES. CHECK THE SMIC CATALOG ON LINE FOR MORE ITEM BY THIS COMPOSER AS WELL AS KEYBOARD PERCUSSION PUBLICATIONS BY MARIMBA PUB. P.O.BOX 467, ASBURY PARK, NJ USA 07712 KPP@MOSTLYMARIMBA.COM. WEB SITE SAME AVAILABLE.
PERCUSSION ENSEMBLE ENGSTROM, TORBJORN CRISS FOR TWO PERCUSSIONISTS Sweden SMIC 1995 6 MIN M/H C/U TWO MULTIPLE PERCUSSIONISTS (NO TUNED INSTRUMENTS) WITH A WELL LAID OUT SCORE MAKING THIS VERY PLAYABLE.
PERCUSSION ENSEMBLE GRAHN, ULF CONVERSATION Sweden SMIC 2002 EST 4 MIN 30 SEC M C/U FOUR PERCUSSIONISTS EACH USING 2 WOODBLOCKS/2 DRUMS. IF PITCHED, THE TWO PITCHES SHOULD BE BE LARGER THAN m3. COMPOSER SUGGESTS HAT THE FOUR PERFORMERS SURROUND THE AUDIENCE. SHOULD HAVE GOOD AUDIENCE APPEAL.
PERCUSSION ENSEMBLE HELGE, OLOV ELASTIC DREAM Sweden SMIC 1978/2005 3 MIN 15 SEC M C/U/HS 3 PLAYERS, EACH WITH SEVERAL NON-PITCHED INSTRUMENTS. SHORT, WELL LAID OUT FOR EASY LEARNING.
PERCUSSION ENSEMBLE HENDZE, JESPER GO Denmark DKF 1995 10 MIN H C/U FOUR PLAYERS PLAYING LOTS OF INSTRUMENTS. PLAYER 1 SHOULD HAVE A DRUM SET. BASED UPON A WEST AFRICAN RHYTHM.
PERCUSSION ENSEMBLE HENDZE, JESPER KVARTS Denmark SAMFUNDET 1982 5 MIN 30 SEC H C/U MARIMBA, VIBRAPHONE, [GLOCKENSPIEL, SNARE DRUM,TOM-TOM], [BASS MARIMBA AND CYMBAL]. LOADED WITH THE USUAL PERCUSSION PROBLEMS, BUT LAID OUT WELL AND PLAYABLE WITH PRACTICE.
PERCUSSION ENSEMBLE HENDZE, JESPER ZEITBILDER Denmark SAMFUNDET 1991/95 EST 12 MIN H C/U FOUR PLAYERS, MULTIPLE INSTRUMENTS IN THREE MOVEMENTS: AGITATO, TENUTO, QT =90-100. GOOD MATERIAL FOR THE UPPER DIVISION PERCUSSIONISTS.
PERCUSSION ENSEMBLE JEVERUD, JOHAN SPEL MED HOGA KLUBBOR Sweden SMIC 1992 7 MIN 30 SEC M/H C/U SIX PLAYERS, MANY INSTRUMENTS. IN A GOOD MS. GOOD INSTRUCTIONS IN THE SCORE. EASIER THAN SOME AND PLAYABLE. NO SURPISES.
PERCUSSION ENSEMBLE LILJEQUIST, BJORN FANTASY FOR PERCUSSION ENSEMBLE Sweden BUSCH 1984 CA 6 MIN H C/U WELL LAID OUT FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS.
PERCUSSION ENSEMBLE LILJEQUIST, BJORN THREE AFRICAN DANCES Sweden BUSCH 1988 EST 6 MIN E/M C/U/HS FOUR OR MORE PERCUSSIONISTS. THREE MOVEMENTS: NAIROBI, WEDDING DANCE OF THE PYGMIES, FESTIVAL DANCE FROM THE CONGO - ANGOLA. SOME`HOME MADE' INSTRUMENTS AND OTHER UNUSUAL INSTRUMENTS.
PERCUSSION ENSEMBLE LINKOLA, JUKKA EL MONGO Finland FiMIC 1987 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, 2 MARIMBA, SET, LATIN INSTRUMENTS. COMPOSER WHO WRITES WELL FOR THIS MEDIUM.
PERCUSSION ENSEMBLE LINKOLA, JUKKA POLONEESI Finland FiMIC 1987 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. VIBES, XYLOPHONE, MARIMBA, TIMPANI, ETC. GOOD COMPOSER & PLAYABLE.
PERCUSSION ENSEMBLE LINKOLA, JUKKA THE GAME IS OVER Finland FiMIC 1985 EST 5 MIN M C/U SIX PLAYERS PLUS BASS. MESSY SCORE BUT A GOOD COMPOSER WHO WRITES LIVELY MUSIC. 2 MARIMBA, 2 VIBE, MISC PERCUSSION INSTRUMENTS.
PERCUSSION ENSEMBLE LUNDQUIST, TORBJORN IWAN SISU Sweden SUECIA 1989 8 MIN M/H C/U/HS RECORDED BY KROUMATA. SIX PLAYERS PLAYING MANY INSTRUMENTS. GOOD SCORE AND WORK.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 10 Denmark WHANSEN 1970 2 MIN E/M C/U/HS SIX PLAYERS, TRIANGLE, TAMBOURINE, SNARE, CYMBALS & BASS DRUM, TIMPANI. SOME MIXED METER, BUT VERY PLAYABLE.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 11 Denmark WHANSEN 1970 2 MIN M C/U/HS FOUR PLAYERS, SLIGHTLY MORE DIFFICULT THAN OTHERS IN THIS SERIES, BUT NO PROBLEM FOR THE COMPETENT PERCUSSIONIST.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 2 Denmark WHANSEN 1970 1 MIN E C/U/HS SNARE, STREET DRUM, CYMBALS, BASS DRUM, TIMP. EASY, FAST MOVING - COULD BE A STREET BEAT. 5 PLAYERS.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 4 Denmark WHANSEN

E C/U/HS FOUR PLAYERS. TRIANGLE, SNARE, CYMBALS & BASS DRUM. EASY AND FAST MOVING.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 5 Denmark WHANSEN 1970 2 MIN 15 SEC E/M C/U/HS THREE PLAYERS, EACH PLAYING AT LEAST 3 INSTRUMENTS. SOME TRICKY RHYTHMS. SUGGEST MEDLEY WITH OTHER LYLLOFF PIECES.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 6 Denmark WHANSEN 1970 2 MIN E/M C/U/HS THREE PLAYERS, 2 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. MARKED ADAGIO WITH SOME TRICKY RHYTHMS BUT VERY PLAYABLE.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 7 Denmark WHANSEN 1970 2 MIN E/M C/U/HS FIVE PLAYERS, 4 PLAYING MISCELLANEOUS PERCUSSION INSTRUMENTS AND ONE TIMPANI. FREQUENT METER CHANGES, QUICK TEMPO.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO 8 Denmark WHANSEN 1970 2 MIN E/M C/U/HS FIVE PLAYERS, ALL PLAYING AT LEAST 2 INSTRUMENTS, MOSTLY MEMBRANOPHONES - ONE VIBRAPHONE. LARGHETTO IN 12/8.
PERCUSSION ENSEMBLE LYLLOFF, BENT ARHUS ETUDE NO.3 Denmark WHANSEN 1970 2 MIN E C/U/HS SHORT AND EASY, BUT WORTHY. FOUR PLAYERS.
PERCUSSION ENSEMBLE MARTTINEN, TAUNO LOITSU Finland FAZER 1963
M/H C/U/HS THREE MOVEMENTS FOR THREE OR MORE PLAYERS. NO MALLET EXCEPT FOR TIMPANI.
PERCUSSION ENSEMBLE MASSON, ASKELL SILJA (CECILIA) Iceland ITM 1972 11 MIN M/H C/U VERY CLEAR NONTRADITIONAL NOTATION. 3 PERSONS PLAYING MANY INSTRUMENTS.
PERCUSSION ENSEMBLE MASSON, ASKELL SONATA (SONATA FANTASIA) Iceland ITM 1981 10 MIN M C/U/HS FOR TUNED PERCUSSION INSTRUMENTS, GOOD SCORE.
PERCUSSION ENSEMBLE MASSON, ASKELL SPARKS (SINDUR) Iceland ITM 1989 25 MIN H C/U FOUR MOVEMENTS FOR 4 PLAYERS. MOVEMENTS CAN STAND ALONE. A GOOD SCORE FOR MANY PERCUSSION INSTRUMENTS.
PERCUSSION ENSEMBLE NISSILA, ALLAN NO MORE BELLS FOR VIBRAPHONE AND MARIMBA Sweden SMIC 2002 6 MIN 30 SEC M/H C/U 3 MOVEMENTS WITH MIXED METER AND THE USUAL PROBLEMS FOR THE PERCUSSIONIST. GOOD C/U MATERIAL
PERCUSSION ENSEMBLE PALSSON, PALL P TOUCHES Iceland ITM 1985
M C/U/HS FOUR MOVEMENTS, EIGHT PLAYERS WITH LOTS OF EQUIPMENT. A VERY ACCESSIBLE WORK.
PERCUSSION ENSEMBLE PAPE, ANDY CADANCE (1984) Denmark SAMFUNDET 1984/1989 10 MIN H C/U FOUR PARTS, NO MALLET INSTRUMENTS, STYLE A LA S. REICH. POLY-RHYTHMIC.
PERCUSSION ENSEMBLE PAPE, ANDY HIT’ N’ RUN Denmark WHANSEN 1997 6-7 MIN H C/U FOUR PERCUSSIONISTS WITH MANY INSTRUMENTS AND THE PLAYERS VOICES. THIS IS A GREAT SCORE - THE AUDIENCE IS WAITING TO HEAR IT PLAYED BY A FINE C/U ENSEMBLE.
PERCUSSION ENSEMBLE ROSING-SCHOW, NIELS RITUS II Denmark WHANSEN 1990 12 MIN H C/U FOUR PLAYERS. VIBRAPHONE, MARIMBA AND MANY OTHER INSTRUMENTS MIXED METER AND CONSTANTLY CHANGING PATTERNS, C/U STUDENTS CALL DO IT.
PERCUSSION ENSEMBLE SAMKOPF, KJELL INGOMA Norway MUSIKK-HUSET 1989 7 MIN M C/U/HS FIVE PLAYERS, NO MALLET INSTRUMENTS EXCEPT TIMPANI. LOTS OF OTHER PERCUSSION EQUIPMENT NEEDED.
PERCUSSION ENSEMBLE SAMKOPF, KJELL VARIATIONS ON PARANG CHANT Norway MUSIKK-HUSET 1985 10 MIN M C/U/HS SIX PLAYERS, MOSTLY NON MALLET INSTRUMENTS. SOME IMPROVISATION.
PERCUSSION ENSEMBLE SANDSTROM, SVEN-DAVID DRUMS Sweden NORDISKA 1984 15 MIN H C/U WELL SCORED. FIVE MOVEMENTS FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS.
PERCUSSION ENSEMBLE SANDSTROM, SVEN-DAVID KROUMATA PIECES Sweden WARNER/CHAPPELL 1995 15 MIN H C/U COMPOSED FOR A PROFESSIONAL PERCUSSION ENSEMBLE IN SWEDEN, BUT 6 HIGH LEVEL C/U MUSICIANS CAN PLAY THIS WITH ENOUGH PRACTICE TIME. SEE OTHER WORKS OF THIS COMPOSER FOR PERCUSSION ENSEMBLE IN THE WARNER/CHAPPELL CATALOG.
PERCUSSION ENSEMBLE SAVERY, FINN LIKE IN EVERYDAY LIFE Denmark SAMFUNDET 1978
M C/U SIX PLAYERS ON MANY INSTRUMENTS INCLUDING STEEL DRUMS, XYLORIMBA, BASS-MARIMBA, ROT-DRUMS, ETC. FOUR MOVEMENTS OF QUITE STRAIGHT AHEAD MATERIAL. MUCH RHYTHMIC EMPHASIS.
PERCUSSION ENSEMBLE SCHNELZER, ALBERT THUNDER DANCE Sweden SMIC 2002 10 MIN H C/U TWO PLAYERS, EACH WITH MULTIPLE INSTRUMENTS. CHANGING METER AND A CHALLENGE FOR THE MOST SERIOUS STUDENT. THOSE SERIOUS C/U STUDENTS CAN PLAY THIS. A TEST OF RHYTHMIC SKILL.
PERCUSSION ENSEMBLE SERMILA, JARMO THE MYTHIC MAN Finland FiMIC 1982 12 MIN H C/U NEED FIVE PLAYERS ON A COMPLETE RANGE OF INSTRUMENTS. NON-METRIC NOTATION AND OTHER SURPRISES.
PERCUSSION ENSEMBLE SKOG, YLVA VIBRACELL FOR VIBRAPHONE AND MARIMBA Sweden SMIC 2002/2003 7 MIN H C/U HARD, BUT PLAYABLE. EXCELLENT FOR C/U RECITALS. CLEAN SCORE, BUT LOTS OF PAGES TO MANIPULATE.
PERCUSSION ENSEMBLE & BAND NESS, JON OIVIND GIST Norway NMIC 2004 17 MIN H C/U 2FL,OB,5CL,BSN,AS,BS,4HN,3TRPT,3TRB,EUP,TBA,3PERC,STBS. A ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS AND BAND. THE BAND PART IS HARD AS WELL AS THE SOLO ENSEMBLE PARTS. EXCITING MATERIAL!
PERCUSSION ENSEMBLE & BAND NORDHAGEN, STIG BUILE Norway NMIC 1998 15 MIN 30 SEC H C/U FL(PIC),OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,2PERC. ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS. MIXED METER, BUT SOLOIST AND BAND WILL WORK HARD TO GET THIS TO GO. HARD, BUT THE SCORE IS VERY INTERESTING. C/U GROUPS CAN HANDLE IT!
PERCUSSION ENSEMBLE & GUITAR FUNG, JOSEPH THE MYSTICAL HEXAGON Iceland ITM 1988
H C/U SIX PERCUSSIONISTS WITH GUITAR SOLO. LOOKS EXCITING!
PERCUSSION ENSEMBLE(2) PAPE, ANDY TALKING DRUMS II Denmark WHANSEN 1992 5 MIN H C/U TO KEEP THE ADVANCED DRUMMERS INTERESTED! ALL KIND OF RHYTHMIC THINGS TO WORK OUT AND THE AUDIENCE TO APPRECIATE. SEE OTHER ITEMS FOR PERCUSSION BY THIS COMPOSER!

©1991, 2007 Mark Lammers

This Edition ©2005, 2007 WASBE — Content used with permission