Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| ALTO SAXOPHONE & STRING ORCHESTRA | KOCH, ERLAND VON | RONDO | Sweden | SMIC | 1983 | CA 4 MIN | M | C/U/HS | VERY PLAYABLE BY A GOOD COMPOSER. RENTAL ONLY. |
| FLUTE & SAXOPHONE QUARTET | STRINDBERG, HENRIK | HJARTATS SLAG (HEART BEATS) | Sweden | SMIC | 1986 | 6 MIN 30 SEC | M/H | C/U | S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES. |
| SAXOPHONE (ALTO) AND ORGAN | KANKANEN, AIMO | JOY | Finland | FiMIC | 2000 | EST 3 1/2 MIN | M/H | C/U | A SERIOUS MODERN SETTING FOR ‘JOY’ WITH A FINE ORGAN ACCOMPANIMENT. THE SCORE IS JUST FUN TO LOOK AT -- PLAY IT! |
| SAXOPHONE ALONE | JARNUM, KASPER | WHEN YOU LISTEN FOR BARITIONE SAXOPHONE | Denmark | DKF | 2001 | EST 3+ MIN | H | C/U | MULTIPHONICS WITH A FINGERING CHART TO PLAY THEM. NOTES AND OTHER SUGGESTIONS OT MAKE THE MUSIC INTERESTING, FOR INSTANCE HE MARKS NOTES ‘BRUTALE’. EXTREME DYNAMICS ASKED. |
| SAXOPHONE ALONE | KOCH, ERLAND VON | MONOLOG NR 4 | Sweden | GEHRMANS | 1977 | 5 1/2 MIN | M | C/U/HS | TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER AND DEDICATED TO SIGRUD RACSHER. |
| SAXOPHONE ALONE | MOGENSEN, RENE | STUDY FOR SOLO SAXOPHONE (TENOR) | Denmark | DKF | 1994 | EST 6 MIN | H | C/U | MOVEMENTS: PROTAGONIST AND ANTAGONIST, CONFLICT, RESOLUTION. THIS IS NOT EASY MUSIC, BUT THE EXCELLENT MAPPING OF IT ON THE PAGE MAKES IT PLAYABLE. |
| SAXOPHONE ALONE | SLETTHOLM, YNGVE | FIRE PROFILER (FOUR PROFILES) | Norway | LYCHE | 1982 | 14 MIN | M | C/U/HS | FOR ANY SAXOPHONE. FOUR MOVEMENTS. NOT EASY BUT PLAYABLE AND GOOD STUDY/RECITAL MATERIAL. MOVEMENTS CAN STAND ALONE. |
| SAXOPHONE AND ORGAN | KARKOFF, INGVAR | CHANT | Sweden | SMIC | 1997 | 3 MIN | E/M | C/U/HS | AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE. |
| SAXOPHONE AND ORGAN | SIMAI, PAVOL | SUNSET ON CAPRI | Sweden | SMIC | 1995 | 15 MIN | H | C/U | ALTO SAX. THIS MAY BE CALLED ESOTERIC, BUT WE LIKE THE SCORE. TONE CLUSTERS ON THE ORGAN WITH ALMOST IMPROV LIKE PASSAGES BY THE NON SUSTAINING PART, THEN STRICT RHYTHM. THIS IS PLAYABLE AND SHOULD BE VERY EFFECTIVE IN A ROOM WITH GOOD ACOUSTICS. |
| SAXOPHONE DUET | EYSER, EBERHARD | DUO 2.D | Sweden | SMIC | 1988 | 10 MIN | M/H | C/U | ALTO & TENOR SAX. ONE MOVEMENT WITH SOME SURPRISES AND UNUSUAL METER PROBLEMS. WORTHWHILE FROM A GOOD COMPOSER. |
| SAXOPHONE QUARTET | ASHEIM, NILS HENRIK | GLASSHUS | Norway | NMIC | 2001 | 9 MIN | H | C/U | SS,AS,TS,BS. THIS IS VERY HARD MATERIAL, BUT AN EXAMPLE OF THE MUSIC HEARD FROM SAX QUARTETS IN THE NORDIC COUNTRIES. VERY MODERN: MIXED METER, RHYTHMIC PROBLEMS, DRAMATIC. EXCELLENT SCORE. |
| SAXOPHONE QUARTET | BERG, OLAV | SAXOFONKVARTETT | Norway | NMIC | 1988 | 11 MIN 20 SEC | M/H | C/U | SATB. A GOOD SCORE IN THREE MOVEMENTS. SOME RHYTHMIC CHALLENGES. |
| SAXOPHONE QUARTET | BERGE, HAKON | SAXOPHONE QUARTET | Norway | NMIC | 2000 | EST 9+ MIN | H | C/U | SS,AS,TS,BS. ANOTHER FINE EXAMPLE OF THE NORDIC SAXOPHONE LITERATURE. CHALLENGING IN ALL THE WAYS IT CAN BE! BUT,FOR THE OUTSTANDING PLAYERS, YOU NEED THIS ONE OR ONE LIKE IT FROM THE NORDIC COUNTRIES. |
| SAXOPHONE QUARTET | DEAK, CSABA | SAX APPEAL | Sweden | SMIC | 1999 | EST 8 MIN | H | C/U | SS,AS,TS,BS. COMPOSER WRITES - WE PAY ATTENTION. THE MUSIC IS HARD, MAYBE TOO DIFFICULT FOR MOST C/U STUDENT GROUPS, BUT GET ACQUAINTED WITH THE WORK AND THIS COMPOSER. HE STRUCTURES DIFFICULT PASSAGES SO THAT WITH SOME ATTENTION THEY BECOME PLAYABLE. |
| SAXOPHONE QUARTET | DEGEN, JOHANNES D | CANZONE DEVOTA | Sweden | SMIC | 1981 | 4 MIN 10 SEC | E/M | C/U/HS | TONAL WITH DEVOTION. SLOW. |
| SAXOPHONE QUARTET | DMITRIEV, SERGEI | INTRADA | Sweden | SUECIA | 1993 | 2 MIN | M/H | C/U/HS | 2SS,TS,BS. NOTE THE INSTRUMENTATION. HAS A NICE BUILD OF INTENSITY THROUGH SOME MIXED METER AND OTHER RHYTHMIC CHALLENGES. |
| SAXOPHONE QUARTET | DMITRIEV, SERGEI | SALVOES | Sweden | SMIC | 2000 | 5 MIN | M/H | C/U | SS,SA,TS,BS. EASIER THAN SOME OTHERS, BUT STILL DEMANDING. METER CHANGES, SOME RANGE CHALLENGES AND MANY NOTES TO HAVE FUN WITH. THE GOOD C/U GROUP CAN PLAY THIS ONE. |
| SAXOPHONE QUARTET | EYSER, EBERHARD | SAXOPHONE QUARTET 2 | Sweden | SMIC | 1986 | 15 MIN | H | C/U | SATB. TWO MOVEMENTS OF WORTHY MUSIC FROM A FINE COMPOSER. CHALLENGING. |
| SAXOPHONE QUARTET | EYSER, EBERHARD | SAXOPHONE QUARTET 3.(BAGATELLES) | Sweden | SMIC | 1987 | 11 MIN 30 SEC | M/H | C/U | S.A.T.B FOUR MOVEMENTS OF CHALLENGING BUT PLAYABLE MUSIC. |
| SAXOPHONE QUARTET | EYSER, EBERHARD | SAXOPHONE QUARTET 4 (DELICIAE SCANIENSES) | Sweden | SMIC | 1987 | 14 MIN | M/H | C/U | S.A.T.B SEVEN MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD INTRODUCTION TO A FINE COMPOSER. |
| SAXOPHONE QUARTET | EYSER, EBERHARD | SAXOPHONE QUARTET 5.(DIVERTIMENTO) | Sweden | SMIC | 1989 | 17 MIN | M/H | C/U | S.A.T.B SIX MOVEMENTS OF PLAYABLE MUSIC FROM A GOOD COMPOSER. 1.VIGNETTA VENEZIANA 2.BALLATA 3.FUGHETTA 4.SERENADE 5.THE BARD 6.ANTHEM |
| SAXOPHONE QUARTET | FRANZEN, OLOV | HEPTYK | Sweden | FAIMO | 1987 | 14 MIN 30 SEC | M | C/U/HS | S.A.T.B. SEVEN MOVEMENTS OF CONTRASTING STYLES, SOME WITH RHYTHMIC COMPLEXITY. MOVEMENTS CAN STAND ALONE. |
| SAXOPHONE QUARTET | GLASER, WERNER WOLF | QUARTETTO PER SASSOFONI | Sweden | SMIC | 1984 | 18 MIN | M/H | C/U | THREE MOVEMENTS IN A MAJOR WORK WITH PLAYABLE RHYTHMIC CHALLENGES. |
| SAXOPHONE QUARTET | GREEN, OLE-CARSTEN | INTERRUPTIONS | Denmark | DMIC | 1980 | 12 MIN | E/M | C/U/HS | SIX SHORT MOVEMENTS OF STRAIGHT AHEAD MATERIAL, NO PROBLEMS, JUST PLAY IT! |
| SAXOPHONE QUARTET | GRIMSSON, LARUS H. | SAXOPHONE QUARTET | Iceland | ITM | 1992 | 7 MIN 30 SEC | M/H | C/U/HS | SS,AS,TS,BS. A FAST MOVING, LOT OF NOTES PIECE. SOME MIXED METER LATER ON . THIS SHOULD BE FUN! |
| SAXOPHONE QUARTET | HANNULA, ILKKA | LIBRES PARVI | Finland | FiMIC | 2004 | 5+ MIN | E/M | C/U/HS | SS,AS,TS,BS. THREE SHORT, PLAYABLE MOVEMENTS .A FEW RHYTHMIC THINGS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. GOOD EARLY ENSEMBLE PIECE. |
| SAXOPHONE QUARTET | HAUKSSON,, THORSTEINN | EXHALATIO | Iceland | ITM | 1996 | EST 9+ MIN | H | C/U | SS,AS,TS,BS. MANY NOTES TO FIT TOGETHER - MAKE SURE YOU HAVE ENOUGH REHEARSAL TIME AND KNOW YOUR PART! |
| SAXOPHONE QUARTET | HEGAARD, LARS | FOUR SQUARE DANCES | Denmark | SAMFUNDET | 1991 | 11 MIN | H | C/U | SS,AS,TS,BS. MOVEMENTS: QT = 66, SOTTO VOCE ED ESPRESSIVO, ESATICO E DANZANTE, LEGGIERO E ON BRIO.SAXQUARTET IN THESE COUNTRIES IS LARGE AND MUSIC COMPOSED FOR THEM REFLECTS THE MANY ASPECTS OF AVANTE GUARDE AND ESOTERIC WRITING AVAILABLE. A CLEAN SCORE PLAYABLE BY THE BEST! |
| SAXOPHONE QUARTET | HEGDAL, MAGNE | FOR FOUR NUMBER FOUR “SAXOPHONIA” | Norway | NMIC | 1998/99 | 22 MINUTES | H | C/U | SS,AS,TS,BS. MOVEMENTS: MONOCROMA, POLIFONIA, DODECAFONIA, OMOFONIA, TRE MONOCROME, ETEROFONIA. THERE IS ALSO AN ALTERNATE VERSION OF THE 1ST MOVEMENT IF DESIRED. HARD, ESOTERIC AND NORDIC! TAKE A LOOK IF YOU WANT A CHALLENGE. |
| SAXOPHONE QUARTET | HELLVIN, ROY | CONCERTINO | Norway | NMIC | 1988 | EST 5 MIN | E/M | C/U/HS | THREE SHORT MOVEMENTS PLAYED ATTACCA. SATB. UNCOMPLICATED MATERIAL. |
| SAXOPHONE QUARTET | JEVERUD, JOHAN | INTRODUKTION | Sweden | SMIC | 1986 | 4 MIN | M/H | C/U/HS | SOME RHYTHMIC COMPLEXITY IN A NICE SCORE. |
| SAXOPHONE QUARTET | JOHANSEN, BERTIL PALMAR | SAXOPHONE QUARTET NO. 1 UNDA ARCTICA | Norway | NMIC | 1995 | 15 MIN | H | C/U | SS,AS,TS,BS. LIKE THE OTHER NORDIC SAX QUARTETS THIS OFFERS A CHALLENGE, PERHAPS A LITTLE EASIER THAN SOME OF THE OTHERS, SO WHY NOT START HERE? |
| SAXOPHONE QUARTET | JOHNSEN, HALLVARD | QUARTET, OP 65 | Norway | NORSK | 1984 | EST 6 MIN | M | C/U | SATB. ONE MOVEMENT WITH CONTRASTING SECTIONS. STRAIGHT AHEAD MATERIAL. |
| SAXOPHONE QUARTET | KARKOFF, INGVAR | SOMMARMUSIK FOR SAXOFONKVARTETT | Sweden | SMIC | 2004 | 9 MIN 30 SEC | E/M | C/U/HS | SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS. |
| SAXOPHONE QUARTET | KOCH, ERLAND VON | CANTILENA - VIVO | Sweden | GEHRMANS | 1978 | 4 1/2 MIN | E/M | C/U/HS | S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL. |
| SAXOPHONE QUARTET | KOCH, ERLAND VON | "MINIATYRER" FOR SAXOPHONE QUARTET | Sweden | BREITKOPF & HÄRTEL | 1970 | M/H | C/U/HS | S.A.T.B. FOUR MOVEMENTS OF VERY PLAYABLE MATERIAL IN GOOD RANGES FOR THE INSTRUMENTS. | |
| SAXOPHONE QUARTET | KRUSE, BJORN | REFLECTIONS | Norway | FROST | 1976 | 4 MIN | E/M | C/U/HS | SATB. GOOD FOR COLLEGE OR HS. |
| SAXOPHONE QUARTET | KRUSE, BJORN | STATEMENT | Norway | NMIC | 1975 | 10 MIN | M | C/U | SATB. TWO MOVEMENTS, SOME FREE FORM WITH EASY ACCESS AT START OF MOVEMENT 2. NICE 7/8 SECTION IN 2. |
| SAXOPHONE QUARTET | LARSSON GOTHE, MATS | GOPAK | Sweden | REIMERS | 1994 | EST 8 MIN | H | C/U | SS,AS,TS,,BS. ANOTHER FINE SWEDISH COMPOSER WHO WRITES FOR THE SAXOPHONE QUARTET AND WRITES VERY WELL. THIS IS VERY HARD, BUT LOGICAL AND PLAYABLE WITH ATTENTION TO DETAIL MIXED METER, ETC. GOOD WORK! |
| SAXOPHONE QUARTET | LARSSON GOTHE, MATS | PAESAGGI DI WAHLBERG | Sweden | SMIC | 2000 | 16 MIN | H | C/U | SS,AS,TS,BS. DIFFICULT!! GREAT SAX QUARTETS IN SWEDEN, SO THE DEMANDS BY THE COMPOSERS IS HIGH. 6 MOVEMENTS: CITY LANDSCAPE, GREY INTERIOR, EVENING LANDSCAPE, FANTASY LANDSCAPE AND MAGIC MUFFLER’S FIAT. NOT IMPOSSIBLE BY THE HIGHEST LEVEL SAXOPHONE QUARTET. |
| SAXOPHONE QUARTET | LINTINEN, KIRMO | QUATTRO CAPRICCI | Finland | FiMIC | 2002/06 | 13 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: ALLEGRETO MECCANICO (NEON), NOSTALGICO (MIGN0N), VIVACE PERSISTENTE (CANON), SPIRITOSO (KEATON). CONTEMPORARY HARMONIC SETTINGS AND ALL PLAYABLE - SOME HUMOR OR CAPRICIOUSNESS IN THE MUSIC. |
| SAXOPHONE QUARTET | LUNDE, IVAR JR | QUARTET FOR SAXOPHONES, OP 54 | Norway | NMIC | 1975 | EST 5 MIN | M | C/U | SATB. SOME NONTRADITIONAL TECHNIQUES IN ONE MOVEMENT. LOTS OF NOTES THAT LAY WELL AND FIT TOGETHER. |
| SAXOPHONE QUARTET | LUNDIN, DAG | FYRA MINIATYRER | Sweden | SMIC | 1995 | 8 MIN 30 SEC | E | C/M/HS | 2AS,TS,BA. FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. STARTING WTH A LITTLE MARCH, THEN A GAVOTTE, SICILIANO AND FINALE. THIS COMPOSER SPECIALIZES IN STUDENT MATERIALS THAT ARE TEACHING YET INTERESTING. GOOD MS. |
| SAXOPHONE QUARTET | MADSEN, TRYGVE | SAXOPHONE MARMALADE | Norway | MUSIKK-HUSET | 1997 | EST 9:00 MIN | M | C/U/HS | SS,AS,TS,BS. MOVEMENTS: POCO ADAGIO/ALLEGRO, MODERATO, POCO ADAGIO/ALLEGRO. NOT ALL NORDIC SAX QUARTETS ARE TOUGH -- TIS ONE IS RELATIVELY EASY AND A SOLID ADDITION TO THE HS, EARLY COLLEGE MATERIAL. ALWAYS CHECK OUT THIS COMPOSER FOR PLAYABLE MUSIC. |
| SAXOPHONE QUARTET | MALMBORG WARD, PAULA AF | YAKUZI | Sweden | SMIC | 1993 | 6 MIN 30 SEC | M/H | C/U | SS,AS,TS,BS. THE WORK MOVES ALONG WITH TIGHT ENSEMBLE NEEDED, THEN GETS A LITTLE TRICKY, BUT NOTHING THE GOOD C/U ENSEMBLE CANNOT HANDLE. MUCH ATTENTION TO ACCENTS AND DYNAMICS! |
| SAXOPHONE QUARTET | MARCUSSEN, KJELL | STREETDANCE | Norway | NMIC | CIR 2001 | EST 10 MIN | E/M/H | C/U/HS | SS,AS,TS,BS. MOVEMENTS: FUNKY, BALLADE, METALBOOGIE. HIS IS MUSIC FOR THE YOUNGER GROUP, BUT FUN FOR ALL. PLAYABLE, BUT THE BARI SAX WILL HAVE TO CONCENTRATE ON THE RHYTHM IN THE FIRST MOVEMENT WHICH IS HE HARDEST MOVEMENT FOR ALL. |
| SAXOPHONE QUARTET | MAROS, MIKLOS | MUSICA DA CACCIA | Sweden | SMIC | 1997 | 9 MIN. | M | C/U | SS,AS,TS,BS. TIGHT ENSEMBLE PLAYING NEEDED WITH MOVING PATTERNS AND CONTRASTING STYLES WITHIN THE WORK. STRAIGHT AHEAD MATERIAL - SHOULD BE NO PROBLEMS FOR THE SOLID C/U ENSEMBLE. |
| SAXOPHONE QUARTET | MELLNAS, ARNE | NO ROSES FOR MADAME F. | Sweden | SUECIA | 1991 | 3 MIN | H | C/U | SS.AS,TS,BS. SHORT AND PLAYABLE FOR THE TALENTED ENSEMBLE. EXHIBIT TIGHT ENSEMBLE WITH SWEEPING PATTERNS OF NOTES AND STOCCATO MOTIFS. EXAMINE 0THER WORKS BY THIS FINE COMPOSER. |
| SAXOPHONE QUARTET | MELLNAS, ARNE | STAMPEDE | Sweden | REIMERS | 1985 | 7 MIN | M/H | C/U | ONE MOVEMENT WITH INTERESTING RHYTHMIC PROBLEMS. COMPOSED FOR THE RASCHER QUARTET. A FEW UNUSUAL DEMANDS ON THE PERFORMERS. PERFORMANCE SCORE FOR SALE. |
| SAXOPHONE QUARTET | NICOTRA, ALFREDO | FUGA GAUCHESCA | Norway | NMIC | 1994 | 5 MIN | M | C/U/HS | SS.AS.TS.BS. ALWAYS A TOUGH OF LATIN IN THIS COMPOSER’S WORKS. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNGER ENSEMBLE. |
| SAXOPHONE QUARTET | NORHOLM, IB | IMPULS,OP 148 | Denmark | KONTRAPUNKT | 1998 | EST 6+ MIN | H | C/U | SS,AS,TS,BS. UNUSUAL TIME SIGNATURES, LIKE 10/8 WITH THE EIGHTH NOTE OT THE BEAT. A CLEAN SCORE AND IN SPITE OF THE UNUSUAL TIME SIGNATURES AND A FEW OTHER THINGS. THIS SHOULD PLAY WITH THE C /U ENSEMBLE. |
| SAXOPHONE QUARTET | NORHOLM, IB | KVARTET FOR SAXOFONER, P 122 | Denmark | KONTRAPUNKT | 1992 | EST 10+ MIN | M/H | C/U | MOVEMENTS: UDVIKING I, SNAPSHOT, STILLEBEN, UDVIKING II. A LITTLE EASIER THAN SOME OF THE NORDIC SAXOPHONE QUARTETS IN A WELL SCORED WORK. PARTS ARE PRINTED AS DUETS SS & AS - TA & BS). WORTHY MATERIAL IN MODERN STYLE. |
| SAXOPHONE QUARTET | PALSSON, PALL P. | CAPRICCIO | Iceland | ITM | 1992 | 5 MIN | M/H | C/U | SS,AS,TS,BS. RELUCTANT TO LIST THIS BECAUSE OF THE MS. HOWEVER, IT IS LAID OUT SO WELL IT SHOULD BE PLAYED. IT SHOULD PLAY EASIER THAN IT LOOKS BECAUSE OF THE MS. GIVE IT A TRY! |
| SAXOPHONE QUARTET | PASQUET, LUIS | THREE PIECES FOR QUARTET OF SAXOPHONES | Finland | FiMIC | 1993 | EST 9+ MIN | M/H | C/U | SS.AS.TS.BS. MOVEMENTS: CONVERSATION-RHYTMCAL, VALSE FANCAISE-MODERARTO ELEGANT, TANGO-ANIMATO. VERY BAD MS! BUT, THIS COMPOSER HAS MUCH TO SAY, SO HAVE FUN WITH IT AND ENJOY THE MUSIC. |
| SAXOPHONE QUARTET | RASMUSSEN, KARL AAGE | CAMERA OSCURA | Denmark | WHANSEN | 2000/20001 | EST 15+ MIN | M/H | C/U | 9 MOVEMENTS OF VARYING LENGTH AND STYLE. WAS COMMISSIONED BY THE RASCHER QUARTET. THE SCORE IS IN C, BUT WE ASSUME THE PARTS ARE FOR SS,AS,TS AND BS. SOME MOVEMENTS HARDER THAN OTHERS BUT, THIS IS MATERIAL FOR THE FINE C/U ENSEMBLE. |
| SAXOPHONE QUARTET | RIDDERSTROM, BO | SAXOFONKVARTETT | Sweden | SMIC | 1984 | 10 MIN | H | C/U | ALLEGRO, MODERATO, CADENZA, ANDANTE CON MOTO, CADENZA, ALLEGRO MOLTO. IN MS FOR S, A, T, & B SAXOPHONES. |
| SAXOPHONE QUARTET | ROIKJER, KJELL | DIVERTIMENTO NO 6, OP.72 | Denmark | KONTRAPUNKT | 1992 | EST 5+ MIN | M | C/U/HS | MOVEMENTS: MOLTO LENTO, ALLEGRETTO LEGGIERO E CON ELEGANZA, ANDANTE LENTO E MESTO,ALLERO RISOLUTO E RISVEGLIATO. ALL PARTS PLAY A LOT OF NOTES, BUT THE SCORE IS LAID OUT WELL AND THIS SHOULD SOUND! |
| SAXOPHONE QUARTET | SANDSTROM, JAN | WAHLBERG VARIATIONS | Sweden | SMIC | 1993 | 15 MIN | H | C/U | SOP,ALSO,TEN,BAR SAX. COMMISSIONED BY A PROFESSIONAL ENSEMBLE AND MAY NEED THAT LEVEL OF PLAYER. BUT, A TERRIFIC CHALLENGE FOR THE MOST ADVANCED C/U STUDENT. PARTS ARE NOT GRATUITOUSLY DIFFICULT - IT JUST WORKS OUT THAT WAY. THERE IS MUSIC HERE! |
| SAXOPHONE QUARTET | SLETTHOLM, YNGVE | WIE EIN HAUCH | Norway | NMIC | 1989 | 16 MIN 15 SEC | H | C/U | SATB. RHYTHMICALLY COMPLEX. A FORMIDABLE CHALLENGE FOR THE ESTABLISHED ENSEMBLE. |
| SAXOPHONE QUARTET | SODERLUNDH, LILLE BROR | IDEA 1 & 2 | Sweden | BUSCH | 1987 | E/M | C/U/HS | A.S.T.B. OR S.S.T.B. FOR CONTEST OR RECITAL. 2 MOVEMENTS. | |
| SAXOPHONE QUARTET | WAHLBERG, RUNE | PRISMA | Sweden | SMIC | 1961 | 12 MIN 30 SEC | M | C/U/HS | FOUR MOVEMENTS OF GOOD WRITING AND A FINE SCORE. |
| SAXOPHONE QUARTET | VAKKILAINEN, ARI | SAXOPHONE QUARTET | Finland | FiMIC | 2004 | EST 6+ MIN | M/H | C/U | SS.AS.TS,BS. LOTS OF INDIVIDUAL PART MOVEMENT AND MODERN HARMONY. INDIVIDUAL PARTS NOT HARD, BUT PUTTING IT TOGETHER WILL TAKE SOME REHEARSAL TIME. |
| SAXOPHONE QUARTET & BAND | KOCH, ERLAND VON | SAXOPHONIA | Sweden | DORN PUBLICATIONS | 1976 | 18 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES. |
| SAXOPHONE QUARTET & BAND | LERSTAD, TERJE | CONCERTO GROSSO NO.2 | Norway | NMIC | 1985 | 16 MIN 30 SEC | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION. |
| SAXOPHONE QUARTET & BAND | MAROS, MIKLOS | WINDINGS | Sweden | SMIC | 2006 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC. SOLO INSTRUMENTS: 2AS,TS,BS. THERE ARE SEVERAL CONTRASTING SECTIONS THAT ARE CONNECTED. THE SAXOPHONE SECTION WILL WORK FOR THIS ONE, BUT THE BAND HAS IT A LITTLE EASIER. GOOD COMPOSER AND INTERESTING MUSIC. |
| SAXOPHONE QUARTET & BAND | NELSON, DANIEL | BOOK OF BEAT | Sweden | SMIC | 2003 | 16 MIN, 30 SEC | M | C/U | 2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS. |
| SAXOPHONE(2) AND ORGAN | HEGAARD, LARS | INVOCATIONS | Denmark | SAMFUNDET | 1995 | 7 MIN | H | C/U | SS,AS AND ORGAN. JUST ON THE EASIER SIDE OF DIFFICULT. THIS CAN BE PLAYED BY TOP LEVEL C/U STUDENTS AND A TALENTED ORGANIST. IT IS ESOTERIC, CONTEMPORARY AND INTERESTING. |
| SAXOPHONE(ALTO) & BAND | THEORIN, HAKAN | SAXOFONCONCERTINO | Sweden | SMIC | 1987 | 12 MIN | E/M | C/U/HS | FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING. |
| SAXOPHONE(ALTO) & ORCHESTRA | GUNAROPULOS, YRJO | KONSERTTO NO 2 | Finland | FiMIC | 1946 | EST 16-20 MIN | M/H | C/U | PIC,2FL,2CL,ACL,BCL,2OB,2BSN,AS-SOLO,4HN,2TRPT,2TRB,TMP,STRINGS. THREE MOVEMENTS IN TRADITIONAL STYLE. ORCHESTRA PARTS ARE NOT DIFFICULT. A MAJOR OFFERING. RENTAL ONLY. |
| SAXOPHONE(ALTO) & ORCHESTRA | GUNAROPULOS, YRJO | SAXOPHONE CONCERTO NO. 1 IN C MINOR | Finland | FiMIC | 1935/2005 | 22 MIN | M/H | C/U | 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,TRB,3PERC.STRINGS. MOVEMENTS: MODERATO, POCO ADAGIO, MODERATO. RECONSTRUCTED FROM ORIGINAL BY JARI ESKOLA. NOTICE THAT WE RATED IT M/H. THIS IS VERY PLAYABLE MATERIAL IN A VERY GOOD SCORE. |
| SAXOPHONE(ALTO) & ORCHESTRA | KOPPEL, ANDERS | CONCERTO NO.2 FOR SAXOPHONE & ORCHESTRA | Denmark | WHANSEN | CIR 2000 | 28 MIN | H | C/U | 3FL(PIC),2OB,EH,3CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. ALL SECTIONS ATTACCA. THE SCORE LAYS OUT VERY NICELY, WE WISH THE ORCHESTRA PARTS WERE NOT AS DIFFICULT AS THEY ARE. BUT, A GOOD COMPOSER AND GOOD SERIOUS SAXOPHONE LITERATURE. |
| SAXOPHONE(ALTO) & ORCHESTRA | LINTINEN, KIRMO | CONCERTO PER SASSOFONO E ORCHESTRA | Finland | FiMIC | 2000 | 20 MIN | H | PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA. | |
| SAXOPHONE(ALTO) & ORCHESTRA | SLETTHOLM, YNGVE | NETTENE FINNES | Norway | NMIC | 1998/2000 | 22 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,AS,2BSN,4HN,3TRPT,3TRB,TBA,PO,3PERC,STRINGS. ONE MOVEMENT. MIXED METER, LOTS OF NOTES, NEED FOR A VERY GOOD ORCHESTRA AND CONDUCTOR! SUGGEST FOR THE GRADUATE STUDENT OR PROFESSIONAL PLAYER. IMPORTANT COMPOSER. |
| SAXOPHONE(ALTO) & PIANO | BULL, EDVARD HAGERUP | 3 MORCEAUX BREFS, OP 17 | Norway | EDITIONS MUSICALES | 1955 | M/H | C/U | EASIER THAN OTHER WORKS BY THIS COMPOSER. ORCHESTRA PARTS AVAILABLE FROM THE PUBLISHER. THREE MOVEMENTS. THE HORN SINGS ON THIS ONE! | |
| SAXOPHONE(ALTO) & PIANO | BULL, EDVARD HAGERUP | DUO CONCERTANT, OP 52 | Norway | NORSK | 1984 | EST 8 MIN | H | C/U | THREE MOVEMENTS THAT NEED EACH OTHER. RHYTHMIC COMPLEXITY. DIFFICULT PIANO PART AND THE ENSEMBLE EFFORT MUST BE BIG! |
| SAXOPHONE(ALTO) & PIANO | CARLID, GOTE | TRIAD | Sweden | SUECIA | 1985 | CA 3 MIN | M | C/U/HS | A WELL SCORED WORK WITH SOME HIGH F'S. RECITAL OR CONTEST. |
| SAXOPHONE(ALTO) & PIANO | EYSER, EBERHARD | COLLOQUIUM | Sweden | SMIC | 1987 | 4 MIN | M | C/U | RHYTHMICALLY CHALLENGING, NO BAR LINES. ALTO OR TENOR SAX. |
| SAXOPHONE(ALTO) & PIANO | GLASER, WERNER WOLF | ALLEGRO, CADENZA E ADAGIO | Sweden | SUECIA | 1950 | EST 5-6 MIN | H | C/U | MANY NOTES BUT OPPORTUNITY TO DISPLAY MUSICIANSHIP AS WELL. |
| SAXOPHONE(ALTO) & PIANO | GLASER, WERNER WOLF | SONATA | Sweden | SMIC | 1986 | 15 MIN | M/H | C/U | THREE MOVEMENTS THAT ARE IDEAL FOR THE COLLEGE RECITALIST. A COMFORTABLE CHALLENGE. |
| SAXOPHONE(ALTO) & PIANO | KARKOFF, MAURICE | POEM (DROMMERI), OP 166 | Sweden | SMIC | 1988 | 17 MIN | H | C/U | A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY. |
| SAXOPHONE(ALTO) & PIANO | LUNDE, IVAR JR | SONATA FOR ALTO SAXOPHONE IN ONE MOVEMENT,OP 49 | Norway | NMIC | 1973 | EST 11 MIN | M/H | C/U | MANY NOTES, BUT RHYTHMICALLY STRAIGHT AHEAD. COLLEGE RECITAL MATERIAL. FLOWS. |
| SAXOPHONE(ALTO) & PIANO | LUOLAJAN-MIKKOLA, VILHO | ELOKUISESSA HELSINGISSÄ | Finland | FiMIC | M | C/U/HS | THREE MOVEMENTS OF MATERIAL FOR RECITAL OR CONTEST. | ||
| SAXOPHONE(ALTO) & PIANO | MADSEN, TRYGVE | SONATA FOR ALTO SAXOPHONE & PIANO | Norway | MUSIKK-HUSET | 1994 | EST 12 MIN | M/H | C/U/HS | MOVEMENTS: THEME AND VARIATIONS, AIR, FINALE-ALLEGRO. THIS COMPOSER WORKS FOR THE C/U STUDENT. THE PARTS ARE ALWAYS PLAYABLE AND THE ACCOMPANIMENTS REASONABLE. NOTE THAT HE ALSO HAS SONATAS FOR SOPRANO, TENOR AND BARITONE SAXOPHONE. |
| SAXOPHONE(ALTO) & PIANO | TUBIN, EDUARD | SONATE | Sweden | SMIC | 1951 | M/H | C/U/HS | THREE MOVEMENTS FOR COLLEGE RECITAL THAT PLAYS OUT WELL. | |
| SAXOPHONE(ALTO) & PIANO | TUOMELA, TAPIO | PILKE 1 | Finland | FiMIC | 2005 | 11 MIN | H | C/U | SOME AVANTE GUARDE TECHNIQUES REQUIRED AND COMPLETE MASTERY OF THE INSTRUMENT ALONG WITH A FINE AND ADVENTUROUS PIANIST. THE SCORE IS VERY WELL LAID OUT FOR ITS UNDERSTANDING. |
| SAXOPHONE(ALTO) & PIANO | VILEN, ASKO | SONAATTI | Finland | FiMIC | 1976 | EST 7-8 MIN | M/H | C/U | THREE MOVEMENTS. MS IS NOT GREAT, BUT A GOOD COMPOSER AND SOME WORTHWHILE MUSIC. |
| SAXOPHONE(ALTO) & STRING ORCH | BENTZON, JORGEN | INTRODUCTION, VARIATIONS & RONDO | Denmark | WHANSEN | 1938 | M/H | C/U/HS | THREE MOVEMENTS PLAYED ATTACCA. SOLO PART IN COMFORTABLE RANGE. GOOD SCORE AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL. | |
| SAXOPHONE(ALTO) & STRING ORCH | BENTZON, JORGEN | INTRODUCTION, VARIATIONS AND RONDO | Denmark | WHANSEN | 1989 | EST 20+ MIN | M/H | C/U | MORE TRADITIONAL WORK ALTHOUGH THE COMPOSER DEFINITELY USES CONTEMPORARY TECHNIQUES. EASIER THAN MANY -- PLAYABLE BY BOTH HE AVERAGE COLLEGE STUDENT AND THE SCHOOL ORCHESTRA. |
| SAXOPHONE(ALTO) & STRING ORCH | KOCH, ERLAND VON | RONDO | Sweden | DORN PUBLICATIONS | 1983 | CA 4 MIN | M | C/U/HS | VERY PLAYABLE BY A GOOD COMPOSER. |
| SAXOPHONE(ALTO) & WOODWIND QUINTET | BJORKLUND, PER | SCHERZO | Sweden | LEMA | 1982 | 6 MIN | M | C/U/HS | METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET! |
| SAXOPHONE(SOP) & STRING ORCHESTRA | KRUSE, BJORN | PIERROT’S LAMENT | Norway | NMIC | 1996 | 10 MIN | H | C/U | MIXED METER, LOTS OF NOTES AND SOME METRIC PROBLEMS TO SOLVE BY BOTH THE SOLOIST AND THE STRING PLAYERS IN A CONTEMPORARY SETTING. |
| SAXOPHONE(SOP) ALONE | NIELSEN, SVEND HVIDTFELT | ELEGI FOR SOPRANO SAXOPHONE | Denmark | WHANSEN | 2002 | EST 4 MIN 30 SEC | H | C/U | INTENDED FOR THE HIGH LEVEL SAXOPHONE PLAYER. NOTES ARE ARE IN RANGE, BUT THERE WILL BE SOME INTERESTING PROBLEMS TO WORK OUT TO MAKE THIS INTO A MUSICAL PRESENTATION. |
| SAXOPHONE(SOPRANO) & BAND | HYTONEN, TIMO | SONG FOR SUNDAY | Finland | BLOSARI | 1995 | 3 MIN 50 SEC | E/M/H | C/U/HS | PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK. |
| SAXOPHONE(SOPRANO) & BAND | SANDSTROM, SVEN-DAVID | FOUR PIECES | Sweden | SMIC | 2002 | 12 MIN | H | C/U | 2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND. |
| SAXOPHONE(SOPRANO) & PIANO | KRUSE, BJORN | GYDAS HEMMELIGHET | Norway | NMIC | 1989 | CA 5 MIN | M/H | C/U | ONE MOVEMENT, LARGELY LYRICAL. MS IS MARGINAL BUT MUSIC IS WORTH THE EFFORT. |
| SAXOPHONE(TENOR) & ORCHESTRA | CHRISTENSEN, SIMON | SAXOFILIA | Denmark | SAMFUNDET | CIR 2000 | 7 MIN 30 SEC | H | C/U | CTRPT,2TRB,PERC,PO,2VLN,VIOLA,CELLO,STRBASS. DANISH COMPOSERS ARE THINKING OF THE BEST MUSICIANS WHEN THEY WORK. THIS FINE SCORE IS NO EXCEPTION, BENT NOTES, CONTEMPORARY HARMONY AND THE NEED FOR AN EXCEPTIONAL PIANIST. |
| SAXOPHONE(TENOR) & ORCHESTRA | KRUSE, BJORN | SAXOPHONE CONCERTO | Norway | FROST | 1991 | 20 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,4TRPT,3TRB,TBA,4PERC.HARP,PIANO(CELESTA),STRINGS. THIS IS FOR A VIRTUOSO SAXOPHONE PLAYER AND FINE ORCHESTRA. SOLOIST HAS SOME IMPROVISING WITH ACCOMPANIMENT AND A CADENZA TO IMPROVISE. |
| SAXOPHONE(TENOR) & ORCHESTRA | ROEMER, HANNE | SAXOPHONE CONCERTO | Denmark | DKF | 1986 | EST 20+ MIN | M/H | C/U | 2FL,CL,OB,BSN,2TRPT/FLG,TRB,2PERC,HARP,STRINGS AND BASS PLAYING WITH PIANO AND DRUM SET. THREE MOVEMENTS: PRIORITIES, POSTPONED UNTIL TOMORROW, EVERYDAY I BELIEVE IN SOMETHING DIFFERENT. TITLES TELL YOU SOMETHING: SWING, JAZZ, IMPROVE, ETC. FUN AND PLAYABLE! |
| SAXOPHONE(TENOR) & PIANO | EYSER, EBERHARD | COLLOQIUM | Sweden | SMIC | 1987 | 4 MIN | M | C/U | RHYTHMICALLY CHALLENGING, NO BAR LINES. PLAYABLE FROM A FINE COMPOSER. ALTO OR TENOR SAX. |
| SAXOPHONE(TENOR) & PIANO | KVAM, ODDVAR S | AIR, OP 46 NR 2 | Norway | MUSIKK-HUSET | 1981 | EST 4 1/2 MIN | E/M | C/U/HS | LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission