Nordic Instrumental Music

For Colleges and Universities

By Ensemble / Medium

Ensemble Medium Composer Arranger Title Country Publisher_Code Date Time Difficulty Recommended Level Comments
ALTO SAXOPHONE & STRING ORCHESTRA KOCH, ERLAND VON RONDO Sweden SMIC 1983 CA 4 MIN M C/U/HS VERY PLAYABLE BY A GOOD COMPOSER. RENTAL ONLY.
FLUTE & SAXOPHONE QUARTET STRINDBERG, HENRIK HJARTATS SLAG (HEART BEATS) Sweden SMIC 1986 6 MIN 30 SEC M/H C/U S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES.
SAXOPHONE (ALTO) AND ORGAN KANKANEN, AIMO JOY Finland FiMIC 2000 EST 3 1/2 MIN M/H C/U A SERIOUS MODERN SETTING FOR ‘JOY’ WITH A FINE ORGAN ACCOMPANIMENT. THE SCORE IS JUST FUN TO LOOK AT -- PLAY IT!
SAXOPHONE ALONE JARNUM, KASPER WHEN YOU LISTEN FOR BARITIONE SAXOPHONE Denmark DKF 2001 EST 3+ MIN H C/U MULTIPHONICS WITH A FINGERING CHART TO PLAY THEM. NOTES AND OTHER SUGGESTIONS OT MAKE THE MUSIC INTERESTING, FOR INSTANCE HE MARKS NOTES ‘BRUTALE’. EXTREME DYNAMICS ASKED.
SAXOPHONE ALONE KOCH, ERLAND VON MONOLOG NR 4 Sweden GEHRMANS 1977 5 1/2 MIN M C/U/HS TWO MOVEMENTS OF MODEST CHALLENGE BY A GOOD COMPOSER AND DEDICATED TO SIGRUD RACSHER.
SAXOPHONE ALONE MOGENSEN, RENE STUDY FOR SOLO SAXOPHONE (TENOR) Denmark DKF 1994 EST 6 MIN H C/U MOVEMENTS: PROTAGONIST AND ANTAGONIST, CONFLICT, RESOLUTION. THIS IS NOT EASY MUSIC, BUT THE EXCELLENT MAPPING OF IT ON THE PAGE MAKES IT PLAYABLE.
SAXOPHONE ALONE SLETTHOLM, YNGVE FIRE PROFILER (FOUR PROFILES) Norway LYCHE 1982 14 MIN M C/U/HS FOR ANY SAXOPHONE. FOUR MOVEMENTS. NOT EASY BUT PLAYABLE AND GOOD STUDY/RECITAL MATERIAL. MOVEMENTS CAN STAND ALONE.
SAXOPHONE AND ORGAN KARKOFF, INGVAR CHANT Sweden SMIC 1997 3 MIN E/M C/U/HS AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE.
SAXOPHONE AND ORGAN SIMAI, PAVOL SUNSET ON CAPRI Sweden SMIC 1995 15 MIN H C/U ALTO SAX. THIS MAY BE CALLED ESOTERIC, BUT WE LIKE THE SCORE. TONE CLUSTERS ON THE ORGAN WITH ALMOST IMPROV LIKE PASSAGES BY THE NON SUSTAINING PART, THEN STRICT RHYTHM. THIS IS PLAYABLE AND SHOULD BE VERY EFFECTIVE IN A ROOM WITH GOOD ACOUSTICS.
SAXOPHONE DUET EYSER, EBERHARD DUO 2.D Sweden SMIC 1988 10 MIN M/H C/U ALTO & TENOR SAX. ONE MOVEMENT WITH SOME SURPRISES AND UNUSUAL METER PROBLEMS. WORTHWHILE FROM A GOOD COMPOSER.
SAXOPHONE QUARTET ASHEIM, NILS HENRIK GLASSHUS Norway NMIC 2001 9 MIN H C/U SS,AS,TS,BS. THIS IS VERY HARD MATERIAL, BUT AN EXAMPLE OF THE MUSIC HEARD FROM SAX QUARTETS IN THE NORDIC COUNTRIES. VERY MODERN: MIXED METER, RHYTHMIC PROBLEMS, DRAMATIC. EXCELLENT SCORE.

SAXOPHONE QUARTET BERG, OLAV SAXOFONKVARTETT Norway NMIC 1988 11 MIN 20 SEC M/H C/U SATB. A GOOD SCORE IN THREE MOVEMENTS. SOME RHYTHMIC CHALLENGES.
SAXOPHONE QUARTET BERGE, HAKON SAXOPHONE QUARTET Norway NMIC 2000 EST 9+ MIN H C/U SS,AS,TS,BS. ANOTHER FINE EXAMPLE OF THE NORDIC SAXOPHONE LITERATURE. CHALLENGING IN ALL THE WAYS IT CAN BE! BUT,FOR THE OUTSTANDING PLAYERS, YOU NEED THIS ONE OR ONE LIKE IT FROM THE NORDIC COUNTRIES.
SAXOPHONE QUARTET DEAK, CSABA SAX APPEAL Sweden SMIC 1999 EST 8 MIN H C/U SS,AS,TS,BS. COMPOSER WRITES - WE PAY ATTENTION. THE MUSIC IS HARD, MAYBE TOO DIFFICULT FOR MOST C/U STUDENT GROUPS, BUT GET ACQUAINTED WITH THE WORK AND THIS COMPOSER. HE STRUCTURES DIFFICULT PASSAGES SO THAT WITH SOME ATTENTION THEY BECOME PLAYABLE.
SAXOPHONE QUARTET DEGEN, JOHANNES D CANZONE DEVOTA Sweden SMIC 1981 4 MIN 10 SEC E/M C/U/HS TONAL WITH DEVOTION. SLOW.
SAXOPHONE QUARTET DMITRIEV, SERGEI INTRADA Sweden SUECIA 1993 2 MIN M/H C/U/HS 2SS,TS,BS. NOTE THE INSTRUMENTATION. HAS A NICE BUILD OF INTENSITY THROUGH SOME MIXED METER AND OTHER RHYTHMIC CHALLENGES.
SAXOPHONE QUARTET DMITRIEV, SERGEI SALVOES Sweden SMIC 2000 5 MIN M/H C/U SS,SA,TS,BS. EASIER THAN SOME OTHERS, BUT STILL DEMANDING. METER CHANGES, SOME RANGE CHALLENGES AND MANY NOTES TO HAVE FUN WITH. THE GOOD C/U GROUP CAN PLAY THIS ONE.
SAXOPHONE QUARTET EYSER, EBERHARD SAXOPHONE QUARTET 2 Sweden SMIC 1986 15 MIN H C/U SATB. TWO MOVEMENTS OF WORTHY MUSIC FROM A FINE COMPOSER. CHALLENGING.
SAXOPHONE QUARTET EYSER, EBERHARD SAXOPHONE QUARTET 3.(BAGATELLES) Sweden SMIC 1987 11 MIN 30 SEC M/H C/U S.A.T.B FOUR MOVEMENTS OF CHALLENGING BUT PLAYABLE MUSIC.
SAXOPHONE QUARTET EYSER, EBERHARD SAXOPHONE QUARTET 4 (DELICIAE SCANIENSES) Sweden SMIC 1987 14 MIN M/H C/U S.A.T.B SEVEN MOVEMENTS OF STRAIGHT AHEAD MATERIAL. GOOD INTRODUCTION TO A FINE COMPOSER.
SAXOPHONE QUARTET EYSER, EBERHARD SAXOPHONE QUARTET 5.(DIVERTIMENTO) Sweden SMIC 1989 17 MIN M/H C/U S.A.T.B SIX MOVEMENTS OF PLAYABLE MUSIC FROM A GOOD COMPOSER. 1.VIGNETTA VENEZIANA 2.BALLATA 3.FUGHETTA 4.SERENADE 5.THE BARD 6.ANTHEM
SAXOPHONE QUARTET FRANZEN, OLOV HEPTYK Sweden FAIMO 1987 14 MIN 30 SEC M C/U/HS S.A.T.B. SEVEN MOVEMENTS OF CONTRASTING STYLES, SOME WITH RHYTHMIC COMPLEXITY. MOVEMENTS CAN STAND ALONE.
SAXOPHONE QUARTET GLASER, WERNER WOLF QUARTETTO PER SASSOFONI Sweden SMIC 1984 18 MIN M/H C/U THREE MOVEMENTS IN A MAJOR WORK WITH PLAYABLE RHYTHMIC CHALLENGES.
SAXOPHONE QUARTET GREEN, OLE-CARSTEN INTERRUPTIONS Denmark DMIC 1980 12 MIN E/M C/U/HS SIX SHORT MOVEMENTS OF STRAIGHT AHEAD MATERIAL, NO PROBLEMS, JUST PLAY IT!
SAXOPHONE QUARTET GRIMSSON, LARUS H. SAXOPHONE QUARTET Iceland ITM 1992 7 MIN 30 SEC M/H C/U/HS SS,AS,TS,BS. A FAST MOVING, LOT OF NOTES PIECE. SOME MIXED METER LATER ON . THIS SHOULD BE FUN!
SAXOPHONE QUARTET HANNULA, ILKKA LIBRES PARVI Finland FiMIC 2004 5+ MIN E/M C/U/HS SS,AS,TS,BS. THREE SHORT, PLAYABLE MOVEMENTS .A FEW RHYTHMIC THINGS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. GOOD EARLY ENSEMBLE PIECE.
SAXOPHONE QUARTET HAUKSSON,, THORSTEINN EXHALATIO Iceland ITM 1996 EST 9+ MIN H C/U SS,AS,TS,BS. MANY NOTES TO FIT TOGETHER - MAKE SURE YOU HAVE ENOUGH REHEARSAL TIME AND KNOW YOUR PART!
SAXOPHONE QUARTET HEGAARD, LARS FOUR SQUARE DANCES Denmark SAMFUNDET 1991 11 MIN H C/U SS,AS,TS,BS. MOVEMENTS: QT = 66, SOTTO VOCE ED ESPRESSIVO, ESATICO E DANZANTE, LEGGIERO E ON BRIO.SAXQUARTET IN THESE COUNTRIES IS LARGE AND MUSIC COMPOSED FOR THEM REFLECTS THE MANY ASPECTS OF AVANTE GUARDE AND ESOTERIC WRITING AVAILABLE. A CLEAN SCORE PLAYABLE BY THE BEST!
SAXOPHONE QUARTET HEGDAL, MAGNE FOR FOUR NUMBER FOUR “SAXOPHONIA” Norway NMIC 1998/99 22 MINUTES H C/U SS,AS,TS,BS. MOVEMENTS: MONOCROMA, POLIFONIA, DODECAFONIA, OMOFONIA, TRE MONOCROME, ETEROFONIA. THERE IS ALSO AN ALTERNATE VERSION OF THE 1ST MOVEMENT IF DESIRED. HARD, ESOTERIC AND NORDIC! TAKE A LOOK IF YOU WANT A CHALLENGE.
SAXOPHONE QUARTET HELLVIN, ROY CONCERTINO Norway NMIC 1988 EST 5 MIN E/M C/U/HS THREE SHORT MOVEMENTS PLAYED ATTACCA. SATB. UNCOMPLICATED MATERIAL.
SAXOPHONE QUARTET JEVERUD, JOHAN INTRODUKTION Sweden SMIC 1986 4 MIN M/H C/U/HS SOME RHYTHMIC COMPLEXITY IN A NICE SCORE.
SAXOPHONE QUARTET JOHANSEN, BERTIL PALMAR SAXOPHONE QUARTET NO. 1 UNDA ARCTICA Norway NMIC 1995 15 MIN H C/U SS,AS,TS,BS. LIKE THE OTHER NORDIC SAX QUARTETS THIS OFFERS A CHALLENGE, PERHAPS A LITTLE EASIER THAN SOME OF THE OTHERS, SO WHY NOT START HERE?
SAXOPHONE QUARTET JOHNSEN, HALLVARD QUARTET, OP 65 Norway NORSK 1984 EST 6 MIN M C/U SATB. ONE MOVEMENT WITH CONTRASTING SECTIONS. STRAIGHT AHEAD MATERIAL.
SAXOPHONE QUARTET KARKOFF, INGVAR SOMMARMUSIK FOR SAXOFONKVARTETT Sweden SMIC 2004 9 MIN 30 SEC E/M C/U/HS SS,AS,TS,BS. THREE CONNECTED MOVEMENTS. PLAYABLE MUSIC BY MOST YOUNG QUARTETS. NO SPECIAL PROBLEMS.
SAXOPHONE QUARTET KOCH, ERLAND VON CANTILENA - VIVO Sweden GEHRMANS 1978 4 1/2 MIN E/M C/U/HS S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL.
SAXOPHONE QUARTET KOCH, ERLAND VON "MINIATYRER" FOR SAXOPHONE QUARTET Sweden BREITKOPF & HÄRTEL 1970
M/H C/U/HS S.A.T.B. FOUR MOVEMENTS OF VERY PLAYABLE MATERIAL IN GOOD RANGES FOR THE INSTRUMENTS.
SAXOPHONE QUARTET KRUSE, BJORN REFLECTIONS Norway FROST 1976 4 MIN E/M C/U/HS SATB. GOOD FOR COLLEGE OR HS.
SAXOPHONE QUARTET KRUSE, BJORN STATEMENT Norway NMIC 1975 10 MIN M C/U SATB. TWO MOVEMENTS, SOME FREE FORM WITH EASY ACCESS AT START OF MOVEMENT 2. NICE 7/8 SECTION IN 2.
SAXOPHONE QUARTET LARSSON GOTHE, MATS GOPAK Sweden REIMERS 1994 EST 8 MIN H C/U SS,AS,TS,,BS. ANOTHER FINE SWEDISH COMPOSER WHO WRITES FOR THE SAXOPHONE QUARTET AND WRITES VERY WELL. THIS IS VERY HARD, BUT LOGICAL AND PLAYABLE WITH ATTENTION TO DETAIL MIXED METER, ETC. GOOD WORK!
SAXOPHONE QUARTET LARSSON GOTHE, MATS PAESAGGI DI WAHLBERG Sweden SMIC 2000 16 MIN H C/U SS,AS,TS,BS. DIFFICULT!! GREAT SAX QUARTETS IN SWEDEN, SO THE DEMANDS BY THE COMPOSERS IS HIGH. 6 MOVEMENTS: CITY LANDSCAPE, GREY INTERIOR, EVENING LANDSCAPE, FANTASY LANDSCAPE AND MAGIC MUFFLER’S FIAT. NOT IMPOSSIBLE BY THE HIGHEST LEVEL SAXOPHONE QUARTET.
SAXOPHONE QUARTET LINTINEN, KIRMO QUATTRO CAPRICCI Finland FiMIC 2002/06 13 MIN M C/U/HS SS,AS,TS,BS. MOVEMENTS: ALLEGRETO MECCANICO (NEON), NOSTALGICO (MIGN0N), VIVACE PERSISTENTE (CANON), SPIRITOSO (KEATON). CONTEMPORARY HARMONIC SETTINGS AND ALL PLAYABLE - SOME HUMOR OR CAPRICIOUSNESS IN THE MUSIC.
SAXOPHONE QUARTET LUNDE, IVAR JR QUARTET FOR SAXOPHONES, OP 54 Norway NMIC 1975 EST 5 MIN M C/U SATB. SOME NONTRADITIONAL TECHNIQUES IN ONE MOVEMENT. LOTS OF NOTES THAT LAY WELL AND FIT TOGETHER.
SAXOPHONE QUARTET LUNDIN, DAG FYRA MINIATYRER Sweden SMIC 1995 8 MIN 30 SEC E C/M/HS 2AS,TS,BA. FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. STARTING WTH A LITTLE MARCH, THEN A GAVOTTE, SICILIANO AND FINALE. THIS COMPOSER SPECIALIZES IN STUDENT MATERIALS THAT ARE TEACHING YET INTERESTING. GOOD MS.
SAXOPHONE QUARTET MADSEN, TRYGVE SAXOPHONE MARMALADE Norway MUSIKK-HUSET 1997 EST 9:00 MIN M C/U/HS SS,AS,TS,BS. MOVEMENTS: POCO ADAGIO/ALLEGRO, MODERATO, POCO ADAGIO/ALLEGRO. NOT ALL NORDIC SAX QUARTETS ARE TOUGH -- TIS ONE IS RELATIVELY EASY AND A SOLID ADDITION TO THE HS, EARLY COLLEGE MATERIAL. ALWAYS CHECK OUT THIS COMPOSER FOR PLAYABLE MUSIC.
SAXOPHONE QUARTET MALMBORG WARD, PAULA AF YAKUZI Sweden SMIC 1993 6 MIN 30 SEC M/H C/U SS,AS,TS,BS. THE WORK MOVES ALONG WITH TIGHT ENSEMBLE NEEDED, THEN GETS A LITTLE TRICKY, BUT NOTHING THE GOOD C/U ENSEMBLE CANNOT HANDLE. MUCH ATTENTION TO ACCENTS AND DYNAMICS!
SAXOPHONE QUARTET MARCUSSEN, KJELL STREETDANCE Norway NMIC CIR 2001 EST 10 MIN E/M/H C/U/HS SS,AS,TS,BS. MOVEMENTS: FUNKY, BALLADE, METALBOOGIE. HIS IS MUSIC FOR THE YOUNGER GROUP, BUT FUN FOR ALL. PLAYABLE, BUT THE BARI SAX WILL HAVE TO CONCENTRATE ON THE RHYTHM IN THE FIRST MOVEMENT WHICH IS HE HARDEST MOVEMENT FOR ALL.
SAXOPHONE QUARTET MAROS, MIKLOS MUSICA DA CACCIA Sweden SMIC 1997 9 MIN. M C/U SS,AS,TS,BS. TIGHT ENSEMBLE PLAYING NEEDED WITH MOVING PATTERNS AND CONTRASTING STYLES WITHIN THE WORK. STRAIGHT AHEAD MATERIAL - SHOULD BE NO PROBLEMS FOR THE SOLID C/U ENSEMBLE.
SAXOPHONE QUARTET MELLNAS, ARNE NO ROSES FOR MADAME F. Sweden SUECIA 1991 3 MIN H C/U SS.AS,TS,BS. SHORT AND PLAYABLE FOR THE TALENTED ENSEMBLE. EXHIBIT TIGHT ENSEMBLE WITH SWEEPING PATTERNS OF NOTES AND STOCCATO MOTIFS. EXAMINE 0THER WORKS BY THIS FINE COMPOSER.
SAXOPHONE QUARTET MELLNAS, ARNE STAMPEDE Sweden REIMERS 1985 7 MIN M/H C/U ONE MOVEMENT WITH INTERESTING RHYTHMIC PROBLEMS. COMPOSED FOR THE RASCHER QUARTET. A FEW UNUSUAL DEMANDS ON THE PERFORMERS. PERFORMANCE SCORE FOR SALE.
SAXOPHONE QUARTET NICOTRA, ALFREDO FUGA GAUCHESCA Norway NMIC 1994 5 MIN M C/U/HS SS.AS.TS.BS. ALWAYS A TOUGH OF LATIN IN THIS COMPOSER’S WORKS. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNGER ENSEMBLE.
SAXOPHONE QUARTET NORHOLM, IB IMPULS,OP 148 Denmark KONTRAPUNKT 1998 EST 6+ MIN H C/U SS,AS,TS,BS. UNUSUAL TIME SIGNATURES, LIKE 10/8 WITH THE EIGHTH NOTE OT THE BEAT. A CLEAN SCORE AND IN SPITE OF THE UNUSUAL TIME SIGNATURES AND A FEW OTHER THINGS. THIS SHOULD PLAY WITH THE C /U ENSEMBLE.
SAXOPHONE QUARTET NORHOLM, IB KVARTET FOR SAXOFONER, P 122 Denmark KONTRAPUNKT 1992 EST 10+ MIN M/H C/U MOVEMENTS: UDVIKING I, SNAPSHOT, STILLEBEN, UDVIKING II. A LITTLE EASIER THAN SOME OF THE NORDIC SAXOPHONE QUARTETS IN A WELL SCORED WORK. PARTS ARE PRINTED AS DUETS SS & AS - TA & BS). WORTHY MATERIAL IN MODERN STYLE.
SAXOPHONE QUARTET PALSSON, PALL P. CAPRICCIO Iceland ITM 1992 5 MIN M/H C/U SS,AS,TS,BS. RELUCTANT TO LIST THIS BECAUSE OF THE MS. HOWEVER, IT IS LAID OUT SO WELL IT SHOULD BE PLAYED. IT SHOULD PLAY EASIER THAN IT LOOKS BECAUSE OF THE MS. GIVE IT A TRY!
SAXOPHONE QUARTET PASQUET, LUIS THREE PIECES FOR QUARTET OF SAXOPHONES Finland FiMIC 1993 EST 9+ MIN M/H C/U SS.AS.TS.BS. MOVEMENTS: CONVERSATION-RHYTMCAL, VALSE FANCAISE-MODERARTO ELEGANT, TANGO-ANIMATO. VERY BAD MS! BUT, THIS COMPOSER HAS MUCH TO SAY, SO HAVE FUN WITH IT AND ENJOY THE MUSIC.
SAXOPHONE QUARTET RASMUSSEN, KARL AAGE CAMERA OSCURA Denmark WHANSEN 2000/20001 EST 15+ MIN M/H C/U 9 MOVEMENTS OF VARYING LENGTH AND STYLE. WAS COMMISSIONED BY THE RASCHER QUARTET. THE SCORE IS IN C, BUT WE ASSUME THE PARTS ARE FOR SS,AS,TS AND BS. SOME MOVEMENTS HARDER THAN OTHERS BUT, THIS IS MATERIAL FOR THE FINE C/U ENSEMBLE.
SAXOPHONE QUARTET RIDDERSTROM, BO SAXOFONKVARTETT Sweden SMIC 1984 10 MIN H C/U ALLEGRO, MODERATO, CADENZA, ANDANTE CON MOTO, CADENZA, ALLEGRO MOLTO. IN MS FOR S, A, T, & B SAXOPHONES.
SAXOPHONE QUARTET ROIKJER, KJELL DIVERTIMENTO NO 6, OP.72 Denmark KONTRAPUNKT 1992 EST 5+ MIN M C/U/HS MOVEMENTS: MOLTO LENTO, ALLEGRETTO LEGGIERO E CON ELEGANZA, ANDANTE LENTO E MESTO,ALLERO RISOLUTO E RISVEGLIATO. ALL PARTS PLAY A LOT OF NOTES, BUT THE SCORE IS LAID OUT WELL AND THIS SHOULD SOUND!
SAXOPHONE QUARTET SANDSTROM, JAN WAHLBERG VARIATIONS Sweden SMIC 1993 15 MIN H C/U SOP,ALSO,TEN,BAR SAX. COMMISSIONED BY A PROFESSIONAL ENSEMBLE AND MAY NEED THAT LEVEL OF PLAYER. BUT, A TERRIFIC CHALLENGE FOR THE MOST ADVANCED C/U STUDENT. PARTS ARE NOT GRATUITOUSLY DIFFICULT - IT JUST WORKS OUT THAT WAY. THERE IS MUSIC HERE!
SAXOPHONE QUARTET SLETTHOLM, YNGVE WIE EIN HAUCH Norway NMIC 1989 16 MIN 15 SEC H C/U SATB. RHYTHMICALLY COMPLEX. A FORMIDABLE CHALLENGE FOR THE ESTABLISHED ENSEMBLE.
SAXOPHONE QUARTET SODERLUNDH, LILLE BROR IDEA 1 & 2 Sweden BUSCH 1987
E/M C/U/HS A.S.T.B. OR S.S.T.B. FOR CONTEST OR RECITAL. 2 MOVEMENTS.
SAXOPHONE QUARTET WAHLBERG, RUNE PRISMA Sweden SMIC 1961 12 MIN 30 SEC M C/U/HS FOUR MOVEMENTS OF GOOD WRITING AND A FINE SCORE.
SAXOPHONE QUARTET VAKKILAINEN, ARI SAXOPHONE QUARTET Finland FiMIC 2004 EST 6+ MIN M/H C/U SS.AS.TS,BS. LOTS OF INDIVIDUAL PART MOVEMENT AND MODERN HARMONY. INDIVIDUAL PARTS NOT HARD, BUT PUTTING IT TOGETHER WILL TAKE SOME REHEARSAL TIME.
SAXOPHONE QUARTET & BAND KOCH, ERLAND VON SAXOPHONIA Sweden DORN PUBLICATIONS 1976 18 MIN M C/U/HS PIC,2FL,2CL,BCL,2OB,2BSN,AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC,TMP,SB,SS. THREE MOVEMENTS COMPOSED FOR THE RASCHER QUARTET. NO SURPRISES.
SAXOPHONE QUARTET & BAND LERSTAD, TERJE CONCERTO GROSSO NO.2 Norway NMIC 1985 16 MIN 30 SEC H C/U PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION.
SAXOPHONE QUARTET & BAND MAROS, MIKLOS WINDINGS Sweden SMIC 2006 15 MIN H C/U 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC. SOLO INSTRUMENTS: 2AS,TS,BS. THERE ARE SEVERAL CONTRASTING SECTIONS THAT ARE CONNECTED. THE SAXOPHONE SECTION WILL WORK FOR THIS ONE, BUT THE BAND HAS IT A LITTLE EASIER. GOOD COMPOSER AND INTERESTING MUSIC.
SAXOPHONE QUARTET & BAND NELSON, DANIEL BOOK OF BEAT Sweden SMIC 2003 16 MIN, 30 SEC M C/U 2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS.
SAXOPHONE(2) AND ORGAN HEGAARD, LARS INVOCATIONS Denmark SAMFUNDET 1995 7 MIN H C/U SS,AS AND ORGAN. JUST ON THE EASIER SIDE OF DIFFICULT. THIS CAN BE PLAYED BY TOP LEVEL C/U STUDENTS AND A TALENTED ORGANIST. IT IS ESOTERIC, CONTEMPORARY AND INTERESTING.
SAXOPHONE(ALTO) & BAND THEORIN, HAKAN SAXOFONCONCERTINO Sweden SMIC 1987 12 MIN E/M C/U/HS FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,CBSN. A WELL SCORED WORK PLAYABLE BY A GOOD HS SAXOPHONIST. THE ACCOMPANIMENT IS ALSO INTERESTING.
SAXOPHONE(ALTO) & ORCHESTRA GUNAROPULOS, YRJO KONSERTTO NO 2 Finland FiMIC 1946 EST 16-20 MIN M/H C/U PIC,2FL,2CL,ACL,BCL,2OB,2BSN,AS-SOLO,4HN,2TRPT,2TRB,TMP,STRINGS. THREE MOVEMENTS IN TRADITIONAL STYLE. ORCHESTRA PARTS ARE NOT DIFFICULT. A MAJOR OFFERING. RENTAL ONLY.
SAXOPHONE(ALTO) & ORCHESTRA GUNAROPULOS, YRJO SAXOPHONE CONCERTO NO. 1 IN C MINOR Finland FiMIC 1935/2005 22 MIN M/H C/U 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,TRB,3PERC.STRINGS. MOVEMENTS: MODERATO, POCO ADAGIO, MODERATO. RECONSTRUCTED FROM ORIGINAL BY JARI ESKOLA. NOTICE THAT WE RATED IT M/H. THIS IS VERY PLAYABLE MATERIAL IN A VERY GOOD SCORE.
SAXOPHONE(ALTO) & ORCHESTRA KOPPEL, ANDERS CONCERTO NO.2 FOR SAXOPHONE & ORCHESTRA Denmark WHANSEN CIR 2000 28 MIN H C/U 3FL(PIC),2OB,EH,3CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. ALL SECTIONS ATTACCA. THE SCORE LAYS OUT VERY NICELY, WE WISH THE ORCHESTRA PARTS WERE NOT AS DIFFICULT AS THEY ARE. BUT, A GOOD COMPOSER AND GOOD SERIOUS SAXOPHONE LITERATURE.
SAXOPHONE(ALTO) & ORCHESTRA LINTINEN, KIRMO CONCERTO PER SASSOFONO E ORCHESTRA Finland FiMIC 2000 20 MIN H
PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA.
SAXOPHONE(ALTO) & ORCHESTRA SLETTHOLM, YNGVE NETTENE FINNES Norway NMIC 1998/2000 22 MIN H C/U PIC,2FL,2OB,EH,2CL,AS,2BSN,4HN,3TRPT,3TRB,TBA,PO,3PERC,STRINGS. ONE MOVEMENT. MIXED METER, LOTS OF NOTES, NEED FOR A VERY GOOD ORCHESTRA AND CONDUCTOR! SUGGEST FOR THE GRADUATE STUDENT OR PROFESSIONAL PLAYER. IMPORTANT COMPOSER.
SAXOPHONE(ALTO) & PIANO BULL, EDVARD HAGERUP 3 MORCEAUX BREFS, OP 17 Norway EDITIONS MUSICALES 1955
M/H C/U EASIER THAN OTHER WORKS BY THIS COMPOSER. ORCHESTRA PARTS AVAILABLE FROM THE PUBLISHER. THREE MOVEMENTS. THE HORN SINGS ON THIS ONE!
SAXOPHONE(ALTO) & PIANO BULL, EDVARD HAGERUP DUO CONCERTANT, OP 52 Norway NORSK 1984 EST 8 MIN H C/U THREE MOVEMENTS THAT NEED EACH OTHER. RHYTHMIC COMPLEXITY. DIFFICULT PIANO PART AND THE ENSEMBLE EFFORT MUST BE BIG!
SAXOPHONE(ALTO) & PIANO CARLID, GOTE TRIAD Sweden SUECIA 1985 CA 3 MIN M C/U/HS A WELL SCORED WORK WITH SOME HIGH F'S. RECITAL OR CONTEST.
SAXOPHONE(ALTO) & PIANO EYSER, EBERHARD COLLOQUIUM Sweden SMIC 1987 4 MIN M C/U RHYTHMICALLY CHALLENGING, NO BAR LINES. ALTO OR TENOR SAX.
SAXOPHONE(ALTO) & PIANO GLASER, WERNER WOLF ALLEGRO, CADENZA E ADAGIO Sweden SUECIA 1950 EST 5-6 MIN H C/U MANY NOTES BUT OPPORTUNITY TO DISPLAY MUSICIANSHIP AS WELL.
SAXOPHONE(ALTO) & PIANO GLASER, WERNER WOLF SONATA Sweden SMIC 1986 15 MIN M/H C/U THREE MOVEMENTS THAT ARE IDEAL FOR THE COLLEGE RECITALIST. A COMFORTABLE CHALLENGE.
SAXOPHONE(ALTO) & PIANO KARKOFF, MAURICE POEM (DROMMERI), OP 166 Sweden SMIC 1988 17 MIN H C/U A LONG, ONE MOVEMENT WORK WITH CHALLENGES TO GO AROUND. RHYTHMIC COMPLEXITY.
SAXOPHONE(ALTO) & PIANO LUNDE, IVAR JR SONATA FOR ALTO SAXOPHONE IN ONE MOVEMENT,OP 49 Norway NMIC 1973 EST 11 MIN M/H C/U MANY NOTES, BUT RHYTHMICALLY STRAIGHT AHEAD. COLLEGE RECITAL MATERIAL. FLOWS.
SAXOPHONE(ALTO) & PIANO LUOLAJAN-MIKKOLA, VILHO ELOKUISESSA HELSINGISSÄ Finland FiMIC

M C/U/HS THREE MOVEMENTS OF MATERIAL FOR RECITAL OR CONTEST.
SAXOPHONE(ALTO) & PIANO MADSEN, TRYGVE SONATA FOR ALTO SAXOPHONE & PIANO Norway MUSIKK-HUSET 1994 EST 12 MIN M/H C/U/HS MOVEMENTS: THEME AND VARIATIONS, AIR, FINALE-ALLEGRO. THIS COMPOSER WORKS FOR THE C/U STUDENT. THE PARTS ARE ALWAYS PLAYABLE AND THE ACCOMPANIMENTS REASONABLE. NOTE THAT HE ALSO HAS SONATAS FOR SOPRANO, TENOR AND BARITONE SAXOPHONE.
SAXOPHONE(ALTO) & PIANO TUBIN, EDUARD SONATE Sweden SMIC 1951
M/H C/U/HS THREE MOVEMENTS FOR COLLEGE RECITAL THAT PLAYS OUT WELL.
SAXOPHONE(ALTO) & PIANO TUOMELA, TAPIO PILKE 1 Finland FiMIC 2005 11 MIN H C/U SOME AVANTE GUARDE TECHNIQUES REQUIRED AND COMPLETE MASTERY OF THE INSTRUMENT ALONG WITH A FINE AND ADVENTUROUS PIANIST. THE SCORE IS VERY WELL LAID OUT FOR ITS UNDERSTANDING.
SAXOPHONE(ALTO) & PIANO VILEN, ASKO SONAATTI Finland FiMIC 1976 EST 7-8 MIN M/H C/U THREE MOVEMENTS. MS IS NOT GREAT, BUT A GOOD COMPOSER AND SOME WORTHWHILE MUSIC.
SAXOPHONE(ALTO) & STRING ORCH BENTZON, JORGEN INTRODUCTION, VARIATIONS & RONDO Denmark WHANSEN 1938
M/H C/U/HS THREE MOVEMENTS PLAYED ATTACCA. SOLO PART IN COMFORTABLE RANGE. GOOD SCORE AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL.
SAXOPHONE(ALTO) & STRING ORCH BENTZON, JORGEN INTRODUCTION, VARIATIONS AND RONDO Denmark WHANSEN 1989 EST 20+ MIN M/H C/U MORE TRADITIONAL WORK ALTHOUGH THE COMPOSER DEFINITELY USES CONTEMPORARY TECHNIQUES. EASIER THAN MANY -- PLAYABLE BY BOTH HE AVERAGE COLLEGE STUDENT AND THE SCHOOL ORCHESTRA.
SAXOPHONE(ALTO) & STRING ORCH KOCH, ERLAND VON RONDO Sweden DORN PUBLICATIONS 1983 CA 4 MIN M C/U/HS VERY PLAYABLE BY A GOOD COMPOSER.
SAXOPHONE(ALTO) & WOODWIND QUINTET BJORKLUND, PER SCHERZO Sweden LEMA 1982 6 MIN M C/U/HS METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET!
SAXOPHONE(SOP) & STRING ORCHESTRA KRUSE, BJORN PIERROT’S LAMENT Norway NMIC 1996 10 MIN H C/U MIXED METER, LOTS OF NOTES AND SOME METRIC PROBLEMS TO SOLVE BY BOTH THE SOLOIST AND THE STRING PLAYERS IN A CONTEMPORARY SETTING.
SAXOPHONE(SOP) ALONE NIELSEN, SVEND HVIDTFELT ELEGI FOR SOPRANO SAXOPHONE Denmark WHANSEN 2002 EST 4 MIN 30 SEC H C/U INTENDED FOR THE HIGH LEVEL SAXOPHONE PLAYER. NOTES ARE ARE IN RANGE, BUT THERE WILL BE SOME INTERESTING PROBLEMS TO WORK OUT TO MAKE THIS INTO A MUSICAL PRESENTATION.
SAXOPHONE(SOPRANO) & BAND HYTONEN, TIMO SONG FOR SUNDAY Finland BLOSARI 1995 3 MIN 50 SEC E/M/H C/U/HS PIC,FL,OB,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,DRUM SET. COMPOSER: “A JAZZ BALLAD FOR SOPRANO SAXOPHONE OR FLUGELHORN”. NOT AT ALL HARD FOR THOSE WHO KNOW HOW TO PLAY A JAZZ BALLAD. GREAT FOR THE SUNDAY IN THE PARK.
SAXOPHONE(SOPRANO) & BAND SANDSTROM, SVEN-DAVID FOUR PIECES Sweden SMIC 2002 12 MIN H C/U 2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND.
SAXOPHONE(SOPRANO) & PIANO KRUSE, BJORN GYDAS HEMMELIGHET Norway NMIC 1989 CA 5 MIN M/H C/U ONE MOVEMENT, LARGELY LYRICAL. MS IS MARGINAL BUT MUSIC IS WORTH THE EFFORT.
SAXOPHONE(TENOR) & ORCHESTRA CHRISTENSEN, SIMON SAXOFILIA Denmark SAMFUNDET CIR 2000 7 MIN 30 SEC H C/U CTRPT,2TRB,PERC,PO,2VLN,VIOLA,CELLO,STRBASS. DANISH COMPOSERS ARE THINKING OF THE BEST MUSICIANS WHEN THEY WORK. THIS FINE SCORE IS NO EXCEPTION, BENT NOTES, CONTEMPORARY HARMONY AND THE NEED FOR AN EXCEPTIONAL PIANIST.
SAXOPHONE(TENOR) & ORCHESTRA KRUSE, BJORN SAXOPHONE CONCERTO Norway FROST 1991 20 MIN H C/U PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,4TRPT,3TRB,TBA,4PERC.HARP,PIANO(CELESTA),STRINGS. THIS IS FOR A VIRTUOSO SAXOPHONE PLAYER AND FINE ORCHESTRA. SOLOIST HAS SOME IMPROVISING WITH ACCOMPANIMENT AND A CADENZA TO IMPROVISE.
SAXOPHONE(TENOR) & ORCHESTRA ROEMER, HANNE SAXOPHONE CONCERTO Denmark DKF 1986 EST 20+ MIN M/H C/U 2FL,CL,OB,BSN,2TRPT/FLG,TRB,2PERC,HARP,STRINGS AND BASS PLAYING WITH PIANO AND DRUM SET. THREE MOVEMENTS: PRIORITIES, POSTPONED UNTIL TOMORROW, EVERYDAY I BELIEVE IN SOMETHING DIFFERENT. TITLES TELL YOU SOMETHING: SWING, JAZZ, IMPROVE, ETC. FUN AND PLAYABLE!
SAXOPHONE(TENOR) & PIANO EYSER, EBERHARD COLLOQIUM Sweden SMIC 1987 4 MIN M C/U RHYTHMICALLY CHALLENGING, NO BAR LINES. PLAYABLE FROM A FINE COMPOSER. ALTO OR TENOR SAX.
SAXOPHONE(TENOR) & PIANO KVAM, ODDVAR S AIR, OP 46 NR 2 Norway MUSIKK-HUSET 1981 EST 4 1/2 MIN E/M C/U/HS LYRICAL PIECE WITH C & Bb PARTS PROVIDED. GOOD PIECE.

©1991, 2007 Mark Lammers

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