Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| HORN & TUBA | MADSEN, TRYGVE | DIVERTIMENTO, OP 43 | Norway | MUSIKK-HUSET | 1986 | EST 8 MIN | H | C/U | TUBA PART IN F FOR FUN WITH AN UNUSUAL COMBINATION. |
| HORN, TUBA & PIANO | TOMASSON, JONAS | SONATA XVII | Iceland | ITM | 1987 | M/H | C/U | SIX MOVEMENTS OF FUN IN AN UNUSUAL COMBINATION. NOT ALL MOVEMENTS HAVE TO BE PLAYED FOR FORMAL PERFORMANCE. | |
| TRUMPET & TUBA | LUNDE, IVAR JR | EMBELLISHMENTS | Norway | NORSK | 1976 | EST 2 1/2 MIN | M/H | C/U | TRPT PART CAN BE PICCOLO(Bb). MIXED METER AND RHYTHMIC CHALLENGES. |
| TUBA & BAND | ALMIA, ATSO | CONCERTO II PER TUBA | Finland | FiMIC | 2004 | EST 20+ MIN | H | C/U | PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER. |
| TUBA & BAND | JACOBSEN, JULIUS | TUBA BUFFO | Sweden | SMIC | CA 7 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TBA,2PERC,TMP,PIANO. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS. | |
| TUBA & BAND | JANSSON, LEIF A | LASSIE | Sweden | LEMA | 1990 | 7 MIN | M | C/U/HS | PIC,2FL.OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,2HN,3COR,2TRPT,BAR,3TRB,TBA,STRBS,TIMP,2PERC. SOLO FOR FINE COLLEGE OR PROFESSIONAL PLAYER, BAND PART EASIER. |
| TUBA & BAND | JOHANSEN, BERTIL PALMAR | CONCERTO FOR TUBA AND WIND ENSEMBLE | Norway | NMIC | 2005 | EST 10 MIN | M/H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,BBEST SCHERZOSN,AS,TS,2HN,3TRPT,3TRB,TBA,4PERC. MOVE: LIP BEAT SCHERZO, AIR, GRANDMA’S TUBA THEME. SHOULD BE FUN. TUBA SOLO HAS SOME UNUSUAL THINGS, LIKE HALF VALVE, ETC, MOSTLY STRAIGHT FORWARD FOR SOLO AS WELL AS FOR ACCOMP. |
| TUBA & BAND | KARLSEN, KJELL MORK | CONCERTO FURVUS | Norway | NMIC | 1990 | 17 MIN | H | C/U | 3FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,EbTBA,BbTBA,4PERC. ALL SECTIONS CONNECTED. TUBA NEEDS THE HIGH F. BAND ACCOMPANIMENT IS EASIER THAN THE SOLO PART. OUTSIDE THE OCCASIONAL RANGE QUESTION THE SOLO PART IS NOT TOO DIFFICULT. |
| TUBA & BAND | MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLO OR TOP LEVEL AMATEUR. | |
| TUBA & BAND | NISSILA, ALLAN | ASPECTS ON A MIDSUMMER NIGHT | Sweden | SMIC | 1994 | 3 MIN 30 SEC | M | C/U/HS | 3FL(PIC),2OB,4CL,2BSN,AS,TS,BS,4HN,2CNT,2TPT,3TRB,EUP,PERC. STRAIGHT AHEAD PIECE AS A FIRST SOLO FOR THE ASPIRING TUBA PLAYER. RANGE TO C ABOVE THE STAFF. THIS COMPOSER GREAT FOR THIS TYPE OF WORK. PLAYABLE! ALSO SUGGEST FOR EUPHONIUM. |
| TUBA & BAND | MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | Norway | NMIC | EST 10 MIN | M | C/U | PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLOIST OR TOP LEVEL AMATEUR. | |
| TUBA & BRASS QUINTET | DANIELSSON, CHRISTER | CAPRICCIO DA CAMERA | Sweden | NORDISKA | 1979 | 6 MIN 45 SEC | M/H | C/U | ONE MOVEMENT SOLO TUBA WITH BRASS QUINTET THAT IS QUITE PLAYABLE. |
| TUBA & BRASS QUINTET | GAATHAUG, MORTEN | SONATA CONCERTANTE | Norway | NMIC | 1991/92 | 19 MIN | H | C/U | MOVEMENTS: ALLEGRO, ANDANTE MOLTO MODERATO, MOLTO ALLEGRO ALL PLAYED ATTACCA. RANGE TO G FOR THE TUBA. MAY BE SUCCESSFUL WITH EUPHONIUM ON THE SOLO PART. DIFFICULT! |
| TUBA & ORCHESTRA | AAGAARD-NILSEN, TORSTEIN | CONCERTO FOR TUBA & ORCHESTRA | Norway | NMIC | 1997/2002 | 15 MIN | H | C/U | 2FL(PIC),2OB,CL,BCL,BSN,CBBSN,4HN,2TRPT,3TRB,2PERC,STRINGS. ONE MOVEMENT THAT IS FOR THE VERY BEST C/U OR PROFESSIONAL SOLOIST AND A GOOD ORCHESTRA. EXTREME HIGH RANGE FOR THE SOLO AND LOTS OF NOTES. |
| TUBA & ORCHESTRA | BENTZON, NIELS VIGGO | CONCERTO FOR TUBA AND ORCHESTRA | Denmark | WHANSEN | CIR 1950 | EST 18 MIN | H | C/U | 3FL(PIC),2OB,2CL2BSN,CBSN,4HN,3TRPT,3TRB,TBA,TIMP,STRINGS. MOVEMENTS: (? ALLEGRO ?), MODERATO MA NON TROPPO,ALLEGRO MOLTO MODERATO. EASIER THAN SOME OF THE OTHER DANISH COMPOSERS. THE SCORE IS IN PASSABLE MS. THE SOLO PART PLAYS WITH AN A TOP NOTE. |
| TUBA & ORCHESTRA | BULL, EDVARD HAGERUP | CONCERTINO GIOCOSO BUCOLICO | Norway | COMBRE | 1992/95 | 14 MIN | H | C/U | FL,EH,TRPT,PO,STRINGS. MOVEMENTS: ALLEGRETTO, ADAGIO, ALLEGRO. FORTUNATE TO HAVE THIS WORK NOW PUBLISHED. GOOD ADDITION TO THE LITERATURE BY A FINE COMPOSER. RANGE TO G, BUT EVERYTHING IS STRAIGHT AHEAD. |
| TUBA & ORCHESTRA | EEROLA, LASSE | MUSIC FOR TUBA AND ORCHESTRA | Finland | FiMIC | 1991 | 11 MIN | H | C/U | 2FL(PIC),2CL(BCL),BSN,2HN,PIANO,3PERC,STRINGS. ONE MOVEMENT WITH SOLO TO HIGH Ab AND VICINITY A FEW TIMES. PIANO REDUCTION AVAILABLE. 2 LARGE CADENZAS. |
| TUBA & ORCHESTRA | FAGRERUDD, MARKUS | IIGO-IIGO | Finland | Uusinta | 2000 | EST 12+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,2PERC,STRINGS. SECTIONS CONNECTED. PIANO REDUCTION AVAILABLE. SOME UNUSUAL THINGS - LIKE AN ELEPHANT SCREAM ON THE TUBA AND THE PIANO KNOCKING ON PARTS OF THE PIANO IN ABSENCE OF THE ORCH. HARD+, BUT A GREAT SCORE AND SOME WILL PLAY IT! |
| TUBA & ORCHESTRA | HOLMBOE, VAGN | CONCERTO FOR TUBA | Denmark | WHANSEN | 1977 | EST 18 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2TRPT,4HN,2PERC,STRINGS. ALL MUSICAL SECTIONS ARE CONNECTED. THIS IS HARD MUSIC FOR THE BEST TUBA PLAYER, BUT WE PAY ATTENTION TO THIS COMPOSER, WE THIN HE WRITES WELL FOR BRASS. TUBA TO Ab. |
| TUBA & ORCHESTRA | KOPPEL, ANDERS | TUBA CONCERTO | Denmark | WHANSEN | 2003 | 20 MIN | M/H | C/U | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE MISTERISO, LENTO-ALLEGRO ASSAI. OUTSIDE OF SOME VERY HIGH NOTES THAT A SOLOIST MAY WANT TO TAKE DOWN AN OCTAVE, THIS IS NOT AN EXTREMELY DIFFICULT WORK FOR THE SOLOIST. |
| TUBA & ORCHESTRA | MADSEN. TRYGVE | CONCERTO FOR TUBA AND ORCHESTRA, OP 35 | Norway | MUSIKK-HUSET | 1986 | M/H | C/U | 2FL,2CL,2OB,2BSN,3PERC,TMP,EH,STRINGS,TUBA SOLO. IMPORTANT ENGLISH HORN PART. HARD FOR TUBA, ORCHESTRA MEDIUM. 4 MOVEMENTS - MOVE. 3 FOR TUBA AND STRINGS ONLY. GOOD SCORE! | |
| TUBA & ORCHESTRA | MASSON, ASKELL | MAES HOWE - CONCERTO FOR TUBA & ORCHESTRA | Iceland | BIM | 1999 | 14 min | H | C/U | FL,OB,CL,BSN,HN,3PERC,STRINGS. TUBA TO A UP THERE WHICH MAKES THIS FOR THE BEST PLAYERS OR ONES WITH A SMALL INSTRUMENT. MIXED METER AND SOME NONTRADITIONAL THINGS TO WORK OUT. STRONG WORK FOR A FINE PLAYER. |
| TUBA & ORCHESTRA | NISSILA, ALLAN | CONCERTO FOR TUBA AND ORCHESTRA | Sweden | SMIC | 2002 | 7 MIN 30 SEC | M/H | C/U | 2FL(PIC),2OB,2BSN,2CL,ACL,2TRPT,4HN,2TRB,3PERC,STRINGS. THERE IS A SHORTAGE OF THIS TYPE OF MATERIAL AND THIS IS A GOOD ONE TO ADD TO WHAT WE KNOW OF THIS LITERATURE. A GOOD C/U UNDERGRAD TUBA STUENT CAN PLAY THE SOLO AND THE C/U ORCHESTRA CAN PLAY THE ACCOMPANIMENT. |
| TUBA & ORCHESTRA | WESSMAN, HARRI | CONCERTO FOR TUBA AND ORCHESTRA | Finland | FiMIC | 1996 | EST 20+ MIN | H | C/U | FL,OB,CL,HN,2TRPT,TRB,PERC,STRINGS. MOVEMENTS: MODERATO, ALLEGRO, LARGHETTO, MODERATO. TO G ONCE AND UP NEAR THERE A FEW TIMES. A LOT OF NOTES, BUT MOSTLY STRAIGHT FORWARD. ORCHESTRA ACCOMPANIMENT IS NOT DIFFICULT. |
| TUBA & PIANO | BORG, KIM | FINNISH RHAPSODY, OP 32 | Finland | FiMIC | EST 6-7 MIN | M | C/U/HS | THREE MOVEMENTS. RANGE TO D. 1. ON THE ROAD 2. SUMMER NIGHT 3. WEDDING. RECITAL CONCERT PROGRAM. CHAMBER ORCHESTRA ACCOMPANIMENT AVAILABLE. | |
| TUBA & PIANO | EEROLA, LASSE | THREE PIECES FOR TUBA AND PIANO | Finland | FiMIC | 1993 | EST 9+ MIN | H | C/U | PIECES: ALLEGRO, MODERATO, RISOLUTO. PLAYABLE BY THE STUDENT WITH A GOOD HIGH F (ONE MOVEMENT UP THERE)AND FINGERS. INVENTIVE WRITING - LIKE THE OCTAVES WITH THE PIANO IN FIRST PIECE. MOVEMENTS CAN STAND ALONE. |
| TUBA & PIANO | HELWEG, KIM | SHLAG UNS NOCH LIEFDO | Denmark | DKF | 1993/97 | EST 12 MIN | H | C/U | THE RANGE IS HIGH AND LOW, OUTSIDE OF THAT PROBLEM THIS IS PLAYABLE SOLO. PIANO PART NEEDS A GOOD PLAYER. THIS IS ADVANCED, CONTEMPORARY MATERIAL! THREE MOVEMENTS: ALLEGRO ENERGICO, ADAGIO, SCHERZOFINALE. (TRANSLATION MAY BE, ‘HIT ME AGAIN LIEFDO’) |
| TUBA & PIANO | JACOBSEN, JULIUS | TUBA BUFFO | Sweden | SMIC | CA 7 MIN | H | C/U | BAND ACCOMPANIMENT AVAILABLE. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS. | |
| TUBA & PIANO | KOCH, ERLAND VON | TUBA CONCERTO | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. STRING ORCHESTRA PARTS AVAILABLE. |
| TUBA & PIANO | KOCH, ERLAND VON | TUBANIA | Sweden | SMIC | 1983 | H | C/U | EXTREME HIGH REGISTER FOR TUBA. IT LAYS WELL FOR THE EUPHONIUM. GOOD SCORE. ONE MOVEMENT. | |
| TUBA & PIANO | LANGGAARD, RUED | DIES IRAE | Denmark | DANISH BRASS | 1986 | EST 3 MIN | E/M | C/U/HS | NOTES ARE EASY, BUT RANGE TO D AND A NUMBER OF LARGE INTERVALS. |
| TUBA & PIANO | LUNDIN, DAG | BOURREE BURLESQUE FROM FJORTON SOLOSTYCKEN | Sweden | SMIC | 2003 | EST 2 MIN | E | C/M/HS | GOOD MANUSCRIPT WITH SUPPORTIVE ACCOMPANIMENT FOR THE YOUNGER SOLOIST. RANGE TO A ON TOP LINE FOR THE BASS CLEF FOR THE TUBA PLAYER. |
| TUBA & PIANO | LUNDQUIST, TORBJORN IWAN | SEA ROOM | Sweden | SMIC | 1976 | 16 MIN | H | C/U | ALSO AVAILABLE FOR HORN. OPTIONAL STRING PARTS AVAILABLE. |
| TUBA & PIANO | MADSEN, TRYGVE | INTRODUKSJON OG ALLEGRO | Norway | NMIC | 10 MIN | H | C/U | ALSO AVAILABLE WITH ORCHESTRA. GOOD WORK AND A NICE CHALLENGE. | |
| TUBA & PIANO | MADSEN, TRYGVE | MICHAEL & I | Norway | NMIC | CR. 2000 | EST 2 MIN 45 SEC. | M | C/U/HS | PA NICE MEDIUM TEMPO SONG LEADS TO A MOLTO ALLEGRO, BUT ALMOST ALWAYS SINGING. VERY PLAYABLE WITH GOOD ACCOMPANIMENT. IN CLEAN MS. |
| TUBA & PIANO | MADSEN, TRYGVE | SONATA FOR TUBA AND PIANO, OP. 34 | Norway | MUSIKK-HUSET | 1980 | H | C/U | HIGH TESSITURA, WRITTEN FOR THE F TUBA, BUT POSSIBLE ON THE BBb INSTRUMENT. | |
| TUBA & PIANO | SCHMIDT, OLE | CONCERTO | Denmark | WHANSEN | 1977 | EST 10 MIN | H | C/U | THREE MOVEMENTS WITH RANGE TO F#, BUT NOT CONSISTANTLY HIGH. GOOD BRASS COMPOSER. |
| TUBA & PIANO | WESSMAN, HARRI | SONATA FOR TUBA AND PIANO | Finland | FiMIC | 1995 | EST 11+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, VIVACE. NOT AS HARD AS SOME, IDEAL FOR THE GOOD C/U SERIOUS STUDENT FOR RECITAL. PIANO PART ACCOMPANIES AND STAYS OUT OF THE WAY. EXCELLENT COMPOSER FOR THIS LEVEL OF MATERIAL. |
| TUBA & STRING ORCHESTRA | ALMILA, ATSO | CONCERTO FOR TUBA AND STRING ORCHESTRA | Finland | FiMIC | 1986 | 16 MIN | H | C/U | COMPOSED FOR MICHAEL LIND. USUAL THREE MOVEMENTS WITH RANGE TO D JUST ONCE, OTHERWISE MODEST DEMANDS. STRING PARTS QUITE PLAYABLE. RENTAL ONLY. |
| TUBA & STRING ORCHESTRA | KOCH, ERLAND VON | TUBA CONCERTO | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. SCORE FOR SALE, PARTS RENTAL. |
| TUBA & STRING ORCHESTRA | PLAU, ARILD | CONCERTO | Norway | OVATION | 1990 | 15 MIN | M/H | C/U | 3 MOVEMENTS: PROLOG, CANZONE, FINALE-ALLEGRO. RANGE TO G A FEW TIMES, OTHERWISE COMFORTABLE FOR THE GOOD TUBA PLAYER. PIANO REDUCTION AVAILABLE. |
| TUBA & STRING ORCHESTRA | SANDSTROM, SVEN-DAVID | CONCERT PIECES FOR TUBA, STRINGS AND PERCUSSION | Sweden | KMH | 2003 | 10 MIN | H | C/U | TUBA PLAYER WITH A GREAT UPPER REGISTER OR A EUPHONIUM WITH A STRONG LOW REGISTER. SANDSTROM DOES NOT KNOW THE WORD, ’EASY’. BE PREPARED FOR EVERYTHING! FOUR MOVEMENTS. TWO PERCUSSION PARTS. EVERY PART WILL BE CHALLENGED. GO FOR IT! |
| TUBA & STRING ORCHESTRA | SORENSEN, ERLING INGEMANN | SENSOMMER, OP 10 | Denmark | DMIC | 1981 | 10 MIN | M | C/U | GOOD WORKABLE RANGE FOR THE TUBA. IN SEVERAL SECTIONS PLAYED ATTACCA. STRING PARTS QUITE EASY. |
| TUBA & TIMPANI | BAKKE, RUTH | ROCK BOTTOM | Norway | NMIC | 1988 | CA 12 MIN | H | C/U | MS COULD BE BETTER, BUT THIS CAN BE FUN FOR PLAYERS AND LISTENERS. TIMPANI ALSO DOES A LITTLE SNARE. FEW BAR LINES - VERY FREE. |
| TUBA ALONE | BASHMAKOV, LEONID | CASSIONE | Finland | FAZER | 1976 | EST 3-4 MIN | M/H | C/U | RANGE TO D AND PLAYABLE. |
| TUBA ALONE | COLDING-JORGENSEN, HENRIK | BOAST | Denmark | SAMFUNDET | 1980 | 5 MIN | H | C/U | A CHALLENGE! HIGH TESSITURA, LARGE INTERVALS, RHYTHMIC PROBLEMS AND ALL BY YOURSELF! |
| TUBA ALONE | HAAPAMAKI, SAMPO | EMFA | Finland | FiMIC | 1979 | 3 MIN 30 SEC. | H | C/U | PRACTICE STAND MATERIAL. STARTS ON HIGH E, BUT ONLY GETS CLOSE TO THAT LATER. NOTES FIRST THEN OPPORTUNITY TO EMOTE LATER ON. |
| TUBA ALONE | KOCH, ERLAND VON | MONOLOG NR 9 | Sweden | GEHRMANS | 1977 | 2 1/2 MIN | M/H | C/U/HS | TWO MOVEMENTS WITH HIGH TESSITURA, BUT OSSIA PARTS AVAILABLE. |
| TUBA ALONE | KOHLENBERG, OLIVER | LE TORRE DI BOLOGNA | Finland | JASEMUSIIKKI | 1985/91 | EST 8+ MIN | M/H | C/U | EIGHT SECTIONS, EACH WITH A DIFFERENT RHYTHMIC PATTERN AND TWO WITH HIGH RANGE NEEDED. SECTIONS MAY BE WORKED ON SEPARATELY. GOOD PRACTICE STAND MATERIAL. |
| TUBA ALONE | LUNDIN, DAG | SIX VARIATIONS ON A SORMLANDSK VALLVISA | Sweden | SMIC | 1994 | 8 MIN 30 SEC. | M/H | C/U | IN GOOD MS. THEME AND 6 VARIATIONS. RANGE TO C ABOVE THE STAFF. WILL TAKE MUSICIANSHIP AS WELL AS TECHNIQUE TO MAKE THIS HAPPEN. ENJOY! |
| TUBA ALONE | LYYTIKAINEN, PASI | AGORA | Finland | Uusinta | 1999 | 3 MIN 45 SEC | H | C/U | TRY THIS ONE AS SOMETHING YOU WORK ON IN THE PRACTICE ROOM TO EXPAND YOUR ABILITY THEN, WHEN READY, SHOW OFF IN A RECITAL. HARD+. NOT IN HIGH RANGE, JUST A LOT OF NOTES AND RHYTHMIC THINGS. |
| TUBA ALONE | MAROS, MIKLOS | ETUDES FOR TUBA (ETYDER FÖR TUBA) | Sweden | NORDISKA | 1976 | 6 MIN 30 SEC | H | C/U | ONLY FOR THE MOST ABLE PLAYERS WHO ARE INTERESTED IN AN AVANT-GARDE CHALLENGE. |
| TUBA ALONE | MASSON, ASKELL | BOREAS | Iceland | BIM | 1999 | 6 MIN | H | C/U | SOME NONTRADITIONAL THINGS, BUT THE SCORE LOOKS INVITING JUST LOOKING FOR THE TALENTED, AMBITIOUS C/U STUDENT. |
| TUBA ALONE | NORHOLM, IB | TEA FOR TUBA | Denmark | KONTRAPUNKT | 1986 | EST 6 IN | H | C/U | THE TITLE IS THE EASIEST PART- MULTIPHONICS AND SOME EXTRA ORDINARY MUSICAL THINGS MAKES THIS ONE FOR ONLY THE BEST AND MOST CURIOUS. A VERY NICE SCORE TO WORK FROM. |
| TUBA ALONE | ROIKJER, KJELL | 5 SOLOSTYKKER FOR TUBA | Denmark | ENGSTROM & SODRING | 1994 | M/H | C/U | FOR THE SERIOUS TUBA PLAYER. SOME OF THE SOLO PIECES EASIER THAN OTHER AND CAN STAND ALONE. DEDICATED TO MICHAEL LIND. | |
| TUBA ALONE | RUNARSDOTTIR, HILDIGUNNUR | TUBO TURBANO | Iceland | ITM | 1990 | 4 MIN 13 SEC | M/H | C/U/HS | THE ONLY THING MAKING THIS HARD IS THE RANGE - TO D. OTHERWISE THERE IS TIME TO CONTEMPLATE THE MAKING OF MUSIC. |
| TUBA AND TIMPANI | EK, HANS | FIVE STUDIES | Sweden | SMIC | 1997/99 | 7 MN | H | C/U | 5 TIMPANI AND TWO WOOD BLOCKS FOR THE PERCUSSION. TO HIGH G FOR THE TUBA AND A COMPLETE LOW REGISTER REQUIRED. HARD , BUT VERY PLAYABLE BY THE ASTUTE UNDERGRAD STUDENTS WHO WANT SOMETHING SPECIAL FOR THE SENIOR RECITAL. INTERESTING MATERIAL. |
| TUBA DUET | ROIKJER, KJELL | 10 INVENTIONS | Denmark | WHANSEN | 1969 | M/H | C/U | TUBA DUETS: 1 TO Eb ON 2 OF THE DUOS, OTHERS MORE MODEST RANGES. TRY EUPHONIUM & TUBA ALSO. | |
| TUBA QUARTET | AAGAARD-NILSSEN, TORSTEIN | EFFORESCENT | Norway | NORDIC SOUNDS | 2000 | EST 8+ MIN | H | C/U | 4TBA. MOVEMENTS: PAS DE QUATRE, MEDITATION, THE TUBA SHALL SOUND. VERY HIGH, VERY HARD, SOME ALEATORY AND A LOTS OF NOTES! |
| TUBA QUARTET | MOE, BODVAR D. | IKKE TRAKK PA MINE TUBA SKO | Norway | NMIC | 2004 | 15 MIN 30 SEC | H | C/U | 4 TBA. IF ALL ARE TUBA PLAYERS, THE FIRST TWO PARTS WILL NEED GREAT UPPER REGISTERS. THREE MOVEMENTS WITH ALL THE CHALLENGE A TUBA PLAYER WILL EVER WANT. BRAGGING RIGHTS ONCE THIS ONE IS PERFORMED WELL. GREAT SCORE. |
| TUBA QUARTET | NICOTRA, ALFREDO | FRA HELE BUENOS AIRES | Norway | NMIC | CIR 2000 | 7 MIN 35 SEC | M | C/U/HS | 2 EUP,2TBA. MOVEMENTS: TANGO DRAMA, PAMPERA, MILONGA DOLCE, MALAMBO. GOOD, NEW AND FUN MATERIAL FOR THE TUBA QUARTET. PLAYABLE RANGES FOR ALL AND NO REAL COUNTING PROBLEMS. |
| TUBA QUARTET | ROIKJER, KJELL | 10 INVENTIONER FOR 4 TUBAER | Denmark | ENGSTROM & SODRING | M | C/U/HS | SUGGEST EUPHONIUM FOR AT LEAST THE TOP PART IF NOT THE TOP TWO PARTS. THIS IS HIGHLY PLAYABLE MATERIAL IF THE EUPHONIUM IS USED. STRAIGHT AHEAD AND ENJOY. A FORWARD IS INCLUDED BY MICHAEL LIND. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission