Nordic Instrumental Music
For Colleges and Universities
By Ensemble / Medium
| Ensemble Medium | Composer Arranger | Title | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| SAXOPHONE(ALTO) & WOODWIND QUINTET | BJORKLUND, PER | SCHERZO | Sweden | LEMA | 1982 | 6 MIN | M | C/U/HS | METER-MIXED METER. NOT A SAXOPHONE SOLO - A SEXTET! |
| WOODWIND ENSEMBLE | AGUSTSSON, HERBERT H | KAMMER MUSIK NO 1 FUR 9 BLASER | Iceland | ITM | 1963 | 10 MIN | M | C/U | FL(PIC),2CL,2OB,2BSN,2HN. FOUR WELL CRAFTED MOVEMENTS. PARTS ARE PLAYABLE. |
| WOODWIND ENSEMBLE | BOLZONI, GIOVANNI/STIG GUSTAFSON | MENUETT | Sweden | LEMA | 1981 | 3 MIN 30 SEC | M | HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,SB. FOR A BAND WOODWIND SECTION. |
| WOODWIND ENSEMBLE | BORRESEN, HAKON | RADHUS INTRADA | Denmark | WEMUS | CIR 2003 | EST 5 MIN | E/M | C/U/HS | 2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. GREAT MATERIAL FOR THE YOUNGER ENSEMBLE - SEE OTHER THINGS WITH THIS COMPANY AND ARRANGER. |
| WOODWIND ENSEMBLE | EYSER, EBERHARD | LITEN SVIT FOR BLASARE | Sweden | SMIC | 1978 | 10 MIN | M | C/U/HS | 2CL,ALCL,BCL,SS,CBCL,HORN(BASSET HORN). THREE MOVEMENTS: MARSCH, ANDANTE & WALTZ. EYSER'S MUSIC HAS A SENSE OF HUMOR. |
| WOODWIND ENSEMBLE | GUSTAFSON, STIG | FOLKLATAR FOR KLARINETTER | Sweden | GEHRMANS | 1978 | E/M | C/U/HS | FL,OB,3CL,BCL,BSN. 5 FOLK TUNES ARRANGED BY ONE OF SWEDEN'S BEST ARRANGERS. | |
| WOODWIND ENSEMBLE | KOCH, ERLAND VON/GOSTA MORBERG | EN SOMMARLAT | Sweden | GEHRMANS | 1979 | M | C/U | 2 FL, 2 OB, 2CL, 2 HN, 2 BSN. MOSTLY STRAIGHT AHEAD MATERIAL. | |
| WOODWIND ENSEMBLE | KVANDAL,JOHAN | OKTETT 1946,OP 54 | Norway | NORSK | 1980 | EST 6 MIN | M/H | C/U | 2OB,2CL,2BSN,2HN,STBS. SOME PROBLEMS WITH MANUSCRIPT. IN TWO MOVEMENTS. ACCESSIBLE PIECE. |
| WOODWIND ENSEMBLE | LUNDEN-WELDEN,GUNNAR | 4 SMABITAR FOR 6 TRABLASARE | Sweden | SUECIA | 1987 | EST 6 MIN | M | C/U | 3FL, 2CL, 1BSN. FOUR VERY SHORT MOVEMENTS. |
| WOODWIND ENSEMBLE | NIELSEN, CARL | HUMORESQUE | Denmark | WEMUS | EST UIB 2003 | EST 2+ MIN | M | C/U/HS | 2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. STRAIGHT AHEAD MATERIAL. NO RANGE OR RHYTHMIC PROBLEMS. ENJOY! ALSO AVAILABLE FOR 8 CLARINETS. |
| WOODWIND ENSEMBLE | NIELSEN, CARL | ROMANCE | Denmark | WEMUS | CIR 2002 | EST 3 MIN | E/M | C/U/HS | 2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. VERY FEW PROBLEMS TO WORK OUT TECHNICALLY, JUST WORK TO MAKE MUSIC. |
| WOODWIND ENSEMBLE | TUULSE, TOOMAS | MENUETT | Sweden | SMIC | 1976 | M | C/U | 2FL, 2OB, 2CL, BCL, 2HN, 2BSN. FLOWING AND EASY. HORN PART IS HIGH AND STAYS THERE. | |
| WOODWIND OCTET | ASGEIRSSON, JON | OKTET | Iceland | ITM | 1977 | 7 MIN | M | C/U | 2FL(PIC),CL,BCL,OB,BSN,EH,CBSN. PLAYABLE WORK - TRY ALTERNATE INSTRUMENTS FOR EH OR CBSN IN A WOODWIND CHOIR. |
| WOODWIND QUARTET | BRUK, FRIDRICH | THE STEPPE | Finland | FAZER | 1962 | 6 MIN 30 SEC | E/M | C/U/HS | FL,OB,CL,BSN. 1. THE ENDLESS WINTRY STEPPE 2. SPRING FLOW 3. MORNING ON THE STEPPE. TRADITIONAL AND STRAIGHT AHEAD. |
| WOODWIND QUARTET | KENTISH, OLIVER | WOODWIND QUARTET | Iceland | ITM | 1989 | 30 MIN | H | C/U | FL,OB,CL,BSN. SOME RHYTHMIC DIFFICULTIES TO SMOOTH OUT. SOMETHING FOR EACH MEMBER OF THE ENSEMBLE TO CONTRIBUTE AND NEED REHEARSAL TIME. |
| WOODWIND QUARTET | LILJA, BERNHARD | LITEN HUMORESK | Sweden | SMIC | EST 3+MIN | E | C/M/HS | A LITTLE PIECE, A LITTLE FUN, NO PROBLEMS. FL,OB,CL,BSN. | |
| WOODWIND QUARTET | MARTINSSON, ROLF | FLAMES | Sweden | SMIC | 2003 | 11 MIN | H | C/U | FL,CL,HN,BSN. IN FOUR CONNECTED SECTIONS. OPENS WITH A DRAMATIC FLUTE CADENZA LIKE SECTION THEN TO ENSEMBLE PROBLEMS WITH INTEREST FOR ALL. REHEARSAL TIME WILL BE NEEDED. BUT, THE SCORE IS VERY INTERESTING. FROM A FINE COMPOSER. |
| WOODWIND QUARTET | MARVIA, EINARI | QUARTET | Finland | WARNER/CHAPPELL | 1999 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO, TRANQUILLO RUBATO, FINALE - VIVACE. EVERYONE HAS TO PLAY, BUT IF THEY DO, THIS WILL NOT BE HARD TO WORK OUT FOR THE GOOD C/U ENSEMBLE. NO BIG SURPRISES. |
| WOODWIND QUARTET | NILSSON, BO | KVARTETT FOR TRABLASARE | Sweden | ALMQVIST & WIKSELL | 1978 | E | C/U/HS | FL, OB, CL, BSN. THREE MOVEMENTS THAT ARE HIGHLY PLAYABLE. | |
| WOODWIND QUARTET | PALSSON, PALL P | QUARTET | Iceland | ITM | 1954 | 15 MIN 5- SEC | M/H | C/U | FL, OB, CL, BSN. THREE MOVEMENTS THAT CAN STAND ALONE. A MAJOR WORK WITH GOOD CRAFTSMANSHIP. |
| WOODWIND QUARTET | RIISAGER, KNUDAGE | DIVERTIMENTO | Denmark | ENGSTROM & SODRING | 1966 | EST 8 MIN | M | C/U/HS | THREE MOVEMENTS OF STRAIGHT AHEAD MUSIC. NO SCORE. FL, OB, HN, BSN. |
| WOODWIND QUARTET | RIISAGER, KNUDAGE | KVARTET, OP 40A | Denmark | SAMFUNDET | 1951 | 13 1/2 MIN | M | C/U | THREE MOVEMENTS(F-S-F) OF STRAIGHT AHEAD MUSIC. EVERYONE PLAYS INTERESTING PARTS. |
| WOODWIND QUINTET | ABRAHAMSEN, HANS | WALDEN (WOODWIND QUINTET NO 2) | Denmark | WHANSEN | 1978 | 11 MIN | H | C/U | FOUR MOVEMENTS: 1 & 2 HAVE SPARSE NOTATION, SILENCES, QUICK DYNAMIC CHANGES. 3 & 4 ARE RHYTHMIC. CONTEMPORARY SOUNDS. |
| WOODWIND QUINTET | AGUSTSSON, HERBERT H | QUINTET | Iceland | ITM | 1986 | 8 MIN 55 SEC | M/H | C/U | A WELL CONSTRUCTED WORK IN 3 MOVEMENTS(FSF). SOME NONTRADITIONAL NOTATION IN 2ND MOVEMENT. WORTHWHILE MUSIC ! |
| WOODWIND QUINTET | AGUSTSSON, HERBERT H | QUINTET FOR WOODWINDS | Iceland | ITM | 1968 | M | C/U | BEAUTIFUL SCORE AND CRAFTSMANSHIP. FREQUENT METER CHANGES. 3 MOVEMENTS. | |
| WOODWIND QUINTET | ALMILA, ATSO | PUHALLINKVINTETTO | Finland | FiMIC | 1993 | EST 14+ MIN | M/H | C/U | MOVEMENTS: ANIMATO, LARGO MA TENSIVO, TRANQUILLO/PRESTO. ALMILA ALWAYS DOES SOMETHING TO MAKE IT UNUSUAL AND INTERESTING. THE ARE A LOT OF NOTES TO PUT IN SOME MEASURES, OTHERWISE THIS ONE GOES STRAIGHT AHEAD. |
| WOODWIND QUINTET | ANDERSEN, JOHANNES | KVINTET | Denmark | SAMFUNDET | 1968 | 23 MIN | M/H | C/U | THREE MOVEMENTS IN A SOLID SCORE THAT IS PLAYABLE, STRAIGHT AHEAD MATERIAL WITH NO SURPRISES. |
| WOODWIND QUINTET | ANDERSEN, KJELL MAGNE | TRE RAPSODIER | Norway | NMIC | 1994 | 6 MIN 30 SEC | E/M | C/U/HS | USUAL INSTRUMENTATION. MOVEMENTS: ALLEGRO MODERATO, ALLEGRETTO, ALLEGRO MODERATO, GOOD, EASY MATERIAL FOR THE YOUNG QUINTET |
| WOODWIND QUINTET | ANDERSSON, KJELL | DIVERTIMENTO FOR BLASKVINTETT | Sweden | SMIC | 1987 | M/H | C/U/HS | THREE MOVEMENTS OF A WELL CONSTRUCTED PIECE IN CONTEMPORARY STYLE. | |
| WOODWIND QUINTET | ASGEIRSSON, JON | QUINTET FOR WOODWINDS | Iceland | ITM | 1971 | 9 MIN 55 SEC | M | C/U | THREE MOVEMENTS WITH A GOOD SCORE. |
| WOODWIND QUINTET | ASGEIRSSON, JON | WIND QUINTET NO. 2 | Iceland | ITM | 1999 | EST 10+ MIN | M | C/U/HS | A GOOD COMPOSER WITH AN EASIER WORK FOR ALL. EXCELLENT C/U MUSIC! |
| WOODWIND QUINTET | BACH, ERIK | SON VENT | Denmark | EDITION EGTVED | 1974 | 14 MIN | M/H | C/U | TWO MOVEMENTS THAT ARE QUITE TRADITIONAL. LOTS OF PLAYABLE NOTES! |
| WOODWIND QUINTET | BACH, ERIK | STRAIGHT FLUSH IN A FUNNY GAME, OP 6 | Denmark | EDITION EGTVED | 1970 | 6-7 MIN | M | C/U | FIVE SHORT MOVEMENTS(NO 5 IS 10 SECONDS). A LITTLE FUN FOR THE CARD PLAYING WW PERFORMERS. |
| WOODWIND QUINTET | BENTZON, NIELS VIGGO | BLÆSERKVINTET NR 3, OP 29 | Denmark | WHANSEN | 1944 | 16 MIN | M/H | C/U | THREE MOVEMENTS OF A PLAYABLE, MAJOR WORK. TRADITIONAL IN RHYTHM, HARMONICALLY MORE CONTEMPORARY. |
| WOODWIND QUINTET | BENTZON, NIELS VIGGO | QUINTET NO 5, OP 116 | Denmark | WHANSEN | 1984 | 16 MIN | M/H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. STRAIGHT AHEAD MATERIAL IN A GOOD SCORE. |
| WOODWIND QUINTET | BERG, OLAV | SUITE FOR BLASEKVINTETT | Norway | NMIC | 9 MIN | M | C/U | FOUR MOVEMENTS: 1. LARGO-ALLEGRO 2. DANS 3. SONG WITHOUT WORDS 4. ALLEGRO MODERATO. PLAYS OUT WELL WITH A LITTLE RHYTHMIC FUN. | |
| WOODWIND QUINTET | BERGE, SIGURD | BLASEKVINTETT FOR DE UNGE | Norway | NORSK | 1978 | 10 MIN | M/H | C/U | LONG BASSOON CADENZA, RHYTHMICALLY STRAIGHT AHEAD WITH CONTEMPORARY HARMONY. |
| WOODWIND QUINTET | BERGE, SIGURD | YANG-GUAN | Norway | NORSK | 1967 | 7 MIN | M/H | C/U | SOME NONTRADITIONAL NOTATION IN ONE OF THE MOVEMENTS. A COMFORTABLE CHALLENGE FOR THE GOOD QUINTET. |
| WOODWIND QUINTET | BIBALO, ANTONIO | SONATINA 2A | Norway | WHANSEN | 1971 | 11 MIN | H | C/U | THREE MOVEMENTS ALL HIGHLY COMPLEX RHYTHMICALLY. CONTEMPORARY HARMONY AND DIFFICULT. |
| WOODWIND QUINTET | BORG, KIM | DIATONIC QUINTET, OP 44 | Finland | FAZER | 1985 | M | C/U | 1. FOLK SONG 2. DANCES 3. LANDSCAPE 4. FANFARE. CLARINET PART IS FOR BASS CLARINET! STRAIGHT AHEAD MUSIC. | |
| WOODWIND QUINTET | BOTTCHER, EBERHARD | ZWEI SATZE FUR BLASERQUINTETT | Norway | NORSK | 1960 | H | C/U | TWO MOVEMENTS WITH RHYTHMIC COMPLEXITY AND HARMONIC SURPRISES. EVERYBODY WORKS. | |
| WOODWIND QUINTET | CARLSTEDT, JAN | PENTASTOMOS, OP 27 | Sweden | SMIC | M/H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE. WELL CRAFTED SCORE AND FUN FOR THE PLAYERS. | ||
| WOODWIND QUINTET | COUR, NIELS LA | BLÆSERKVINTET NR 1 | Denmark | SAMFUNDET | 1977 | 12 MIN | M | C/U | ONE MOVEMENT WITH MODEST CHALLENGE FOR GOOD C/U PERFORMER. NO SURPRISES. |
| WOODWIND QUINTET | COUR, NIELS LA | BLÆSERKVINTET NR 2 | Denmark | SAMFUNDET | 1980 | 27 MIN | H | C/U | A MAJOR 4 MOVEMENT WORK WITH COMFORTABLE CHALLENGE FOR ALL PLAYERS. |
| WOODWIND QUINTET | DANIELSSON, CHRISTER | FOUR FANFARES | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | C/U/HS | SHORT, PLAYABLE, USEFUL. |
| WOODWIND QUINTET | DEAK, CSABA | ANDANTE & RONDO | Sweden | REUTER & REUTER | 1975 | 6 MIN | M/H | C/U | WELL CRAFTED WORK FROM EXCELLENT WIND MUSIC COMPOSER. |
| WOODWIND QUINTET | DEAK, CSABA | UNGERSKA DANSER | Sweden | SMIC | 1977 | M/H | C/U | FINE COMPOSER AND A PLAYABLE PIECE. | |
| WOODWIND QUINTET | DEGEN, JOHANNES D | DIVERTIMENTI, OP 73 | Sweden | SMIC | 1988 | M/H | C/U | THREE MOVEMENTS: MARSCH 2. DOLOROSO 3. WALZER. CLEAN SCORE AND PLAYABLE. SCORE FOR SALE, NO PARTS! | |
| WOODWIND QUINTET | EEROLA, LASSE | THREE PIECES FOR WIND QUINTET | Finland | FiMIC | 1994 | 11 MIN 30 SEC | M/H | C/U | MOVEMENTS: SCHERZANDO, ADAGIO, GIOCOSAMENTE. SOME RHYTHMIC SITUATIONS, OTHER WISE THIS CONTEMPORARY QUINTET WILL PLAY WITHOUT A LOT OF PROBLEMS. SEE ALSO EEROLA’S QUINTET TITLED, FIVE COLOURS FOR WW QUINTET AND OTHERS IN FIMIC ONLINE LISTING. |
| WOODWIND QUINTET | EGGE, KLAUS | QUINTET FOR WINDS, NO.1, OP 13 | Norway | LYCHE | 1969 | 12 MIN | M/H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. |
| WOODWIND QUINTET | ENGLUND, EINAR | KVINTETT | Finland | IMIC | 1989 | EST 20+ MIN | MOVEMENTS: CHORALE, SCHERZO, INTERMEZZO, FINALE - ALLEGRO CON BRIO. WE LIKE THIS SCORE AND THINK IT WILL WORK WELL WITH STANDING QUINTETS AS WELL AS C/U ENSEMBLES. SCORE IS IN GOOD MS. | ||
| WOODWIND QUINTET | FERNSTROM, JOHN | KVINTETT FOR BLASINSTRUMENT | Sweden | SMIC | 1955 | M/H | C/U | A WELL CRAFTED 4 MOVEMENT WORK. MOVEMENTS CAN STAND ALONE. | |
| WOODWIND QUINTET | FOUGSTEDT, N - E | DIVERTIMENTO, OP 35B | Finland | FiMIC | EST 7-8 MIN | M | C/U | THREE MOVEMENTS THAT ARE QUITE EASY. NICE SCORE. | |
| WOODWIND QUINTET | FRUMERIE, GUNNAR DE | SVIT FOR BLASKVINTETT, OP 71 | Sweden | GEHRMANS | 1976 | 17 1/2 MIN | H | C/U | 1. INTRODUKTION 2. FUGA 3. SARABAND 4. SICILIANO 5. TARENTELLA. GOOD SCORE - GOOD COMPOSER. |
| WOODWIND QUINTET | GUDMUNDSEN-HOLMGREN, PELLE | TERRACE | Denmark | WHANSEN | 1970 | 16 MIN | M/H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE, 1 & 5 SUSTAINED TONES WITH SILENCE, 2 & 3 RHYTHMIC COMPLEXITY, MOVEMENT 4 IS THE HARD ONE! |
| WOODWIND QUINTET | HAEGELAND, EILERT M. | SUITE OVER NORDLANDSKE TONER | Norway | NMIC | 1996/97 | 15 MIN 30 SEC | M/H | C/U | USUAL INSTR. MOVEMENTS: INNSPILL, SALME, VISE, POLS, BANSULL, UTSPILL. MOVEMENTS CAN STAND ALONE. GOOD MODEST MUSIC WITH NICE SOUNDS. |
| WOODWIND QUINTET | HALL, PAULINE | SUITE FOR 5 WINDS | Norway | LYCHE | 1952 | 15 MIN | M/N | C/U | FIVE SHORT, PLAYABLE MOVEMENTS. |
| WOODWIND QUINTET | HALLNAS, EYVIND | BLASKVINTETT | Sweden | SMIC | 1985 | 11 MIN | M | C/U | FL,OB,EH,CL,BCL. NOTE THE INSTRUMENTATION. THREE MOVEMENTS THAT ARE PLAYABLE WITH THIS UNUSUAL INSTRUMENTATION. |
| WOODWIND QUINTET | HAMERIK, EBBE | KVINTET | Denmark | SAMFUNDET | 1942 | 15 MIN | M/H | C/U | FOUR MOVEMENTS WITH STRAIGHT AHEAD RHYTHMIC CHALLENGES AND PLAYABLE. |
| WOODWIND QUINTET | HOLM, MOGENS WINKEL | SONATE, OP 25 | Denmark | WHANSEN | 1965 | 18 MIN | H | C/U | NONTRADITIONAL NOTATION WITH GOOD INSTRUCTIONS. PLAYERS WORK FROM A FULL SCORE - FIVE SCORES INCLUDED. |
| WOODWIND QUINTET | HOLM,PEDER | TWO PIECES FOR WIND QUINTET | Denmark | WHANSEN | 1971 | H | C/U | NONTRADITIONAL SCORING, MIXED METER - HARD. | |
| WOODWIND QUINTET | HOLMBOE, VAGN | NOTTURNO, OP 19 | Denmark | WHANSEN | 1940 | EST 12 MIN | M/H | C/U | FOUR MOVEMENTS FROM A FINE COMPOSER, SOLID SCORE AND PLAYABLE. |
| WOODWIND QUINTET | HONGISTO, MAURI | PUHALLINKVINTETTO, OP 121 | Finland | FiMIC | 1987 | 15 MIN | H | C/U | THREE MOVEMENTS. SOME INTERESTING CHALLENGES FOR ALL INSTRUMENTS BUT NO SURPRISES. |
| WOODWIND QUINTET | HONGISTO, MAURI | QUINTET, OP. 121 | Finland | PINE | 1990 | EST 10+ MIN | M/H | C/U | MOVEMENTS: ALLEGRETTO, LARGHETTO, ALLEGRO. SOME DISSONANCE IN A RHYTHMICALLY STRAIGHT FORWARD SETTING. ALL PARTS GET SOME ACTION. |
| WOODWIND QUINTET | HOVLAND, EGIL | BLASEKVINTETT NR 2 | Norway | NMIC | 1980 | 12 MIN | M | C/U | MOVEMENT I IS FOR HORN ALONE PLAYING A NORWEGIAN FOLK TUNE, III IS A HARMONIZED VERSION OF I AND SHORT. THE QUINTET IS MAINLY IN MOVE II. STRAIGHT AHEAD AND A GOOD COMPOSER. |
| WOODWIND QUINTET | HOVLAND, EGIL | QUINTET FOR WINDS | Norway | NORSK | 1965 | H | C/U | NONTRADITIONAL NOTATION. SEVEN MOVEMENTS WITH SOME INTERESTING CHALLENGES FOR THE PERFORMER. | |
| WOODWIND QUINTET | HUNDSNES, SVEIN | HIS MAJESTY'S SOUND AMUSEMENT | Norway | NMIC | EST 12 MIN | M/H | C/U | THEME AND 11 VARIATIONS. BUSY PARTS IN A GOOD LOOKING SCORE. | |
| WOODWIND QUINTET | HVOSLEF, KETIL | QUINTET | Norway | NORSK | 1964 | EST 9 MIN | M/H | C/U | FOUR MOVEMENTS RHYTHMICALLY STRAIGHT AHEAD AND SOME CONTEMPORARY SOUNDS. |
| WOODWIND QUINTET | JANSSON, LEIF A | HOMMAGE | Sweden | LEMA | 1982 | 4 MIN | E/M | C/U/HS | EACH INSTRUMENT GETS TO HAVE ITS MOMENT. SEVERAL TEMPO CHANGES. |
| WOODWIND QUINTET | JERSILD, JORGEN | AT SPILLE I SKOVEN (MUSIC MAKING IN THE FOREST) | Denmark | WHANSEN | 1951 | EST 12 MIN | M/H | C/U | THREE MOVEMENTS WITH A LOT OF ACTION. I GIOCOSO, 2 PASTORALE, 3 VIVO. |
| WOODWIND QUINTET | JOHANSSON, BJORN | CONCERTINO PER CINQUE STRUMENTI A FIATO | Sweden | SMIC | CA 19 MIN | M/H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. A MAJOR WORK BY A WELL RESPECTED COMPOSER. | |
| WOODWIND QUINTET | JOHNSEN, HALLVARD | WIND QUINTET NO. 3, OP. 98 | Norway | NORSK | 1990 | ST 6+ MIN | M/H | C/U | USUAL INSTR. A VERY NICE SCORE AND PARTS THAT ARE JUST MODESTLY CHALLENGING, LEAVING TIME TO MAKE MUSIC WITH THIS GOOD WORK. |
| WOODWIND QUINTET | JORGENSEN, ERIK | IMPROVISATIONER FOR BLÆSERKVINTET | Denmark | SAMFUNDET | 1976 | EST 12 MIN | H | C/U | OPENS WITH AN ALTO FLUTE CADENZA. MANY RHYTHMIC CHALLENGES, IMPROVISATION, CONTEMPORARY SOUNDS & APPROACH. |
| WOODWIND QUINTET | KALLSTENIUS, EDVIN | DIVERTIMENTO, OP 29 | Sweden | SMIC | 1943 | 15 MIN | M/H | C/U | THREE MOVEMENTS OF PLAYABLE MUSIC WITH NO SURPRISES FROM A GOOD COMPOSER. |
| WOODWIND QUINTET | KARJALAINEN, AHTI | KVINTETTO | Finland | FiMIC | 1977 | EST 9/10 MIN | H | C/U | THREE MOVEMENTS. I HAS MANY TIME CHANGES AND RHYTHMIC CHALLENGES, MESSY SCORE BUT GOOD PARTS. |
| WOODWIND QUINTET | KAYSER, LEIF | TRILOGIA PASQUALE | Denmark | DMIC | 1980 | 14 MIN | M | C/U | THREE MOVEMENTS: 1 BALLATA, 2 SEQUENZA, 3 CHIRLANDE. RHYTHMIC THROUGHOUT, FLOWS IN 2 & 3. HIGHLY POLYPHONIC. |
| WOODWIND QUINTET | KOCH, JESPER | DOWN THE RAABBIT-HOLE | Denmark | KONTRAPUNKT | 1996/98 | EST 5+ MIN | M/H | C/U | NOTE CLARINET IN A. THIS IS A MOODY PIECE WITH MANY CHANGES OF EMOTION AND TEMPO. THE TITLE MAKES ONE WANT TO PLAY IT AND IT IS PLAYABLE BY THE ATTENTIVE C/U ENSEMBLE, BUT THEY WILL NEED TIME TO WORK OUT A FEW PROBLEMS. |
| WOODWIND QUINTET | KOKKONEN, JOONAS | QUINTET | Finland | SCHIRMER | 1977 | H | C/U | THREE MOVEMENTS IN A GOOD SCORE AND PLAYABLE MUSIC. | |
| WOODWIND QUINTET | KOPPEL, ANDERS | SONATINE FOR WOODWIND QUINTET | Denmark | WHANSEN | 2002 | 17 MIN | H | C/U | MOVEMENTS: MODERATO, ANDANTE SOSTENUTO, ALLEGRO CON BRIO. WILL TAKE A HIGH LEVEL ENSEMBLE TO PERFORM IN ORDER FOR THE NOTES TO MAKE MUSIC. IT LOOKS QUITE EASY FOR A WHILE THEN SOME DIFFICULTY. NICE SCORE. |
| WOODWIND QUINTET | KOSTA, ENSIO | IN DULCI JUBILO | Finland | FiMIC | 12+MIN | E/M | C/U/HS | SEVEN CHRISTMAS TUNES STARTING WITH "IN DULCI JUBILO". MOVEMENTS CAN STAND ALONE. VERY PLAYABLE. | |
| WOODWIND QUINTET | KOSTIAINEN, PEKKA | HOMMAGE A' PROKOFIEFF | Finland | FiMIC | 1976 | 8 +MIN | M | C/U | THEME & VARIATIONS(4), USEFUL, VERY CLEAN SCORE. LOTS OF VARIETY AND MUSICAL INTEREST. |
| WOODWIND QUINTET | KVANDAL, JOHAN | QUINTET FOR WINDS | Norway | NORSK | 1971 | 18 MIN | M/H | C/U | FOUR MOVEMENTS STRAIGHT AHEAD. NOTES AND NICE CHALLENGE FOR EVERYONE. |
| WOODWIND QUINTET | LILLEBJERKA, SIGMUND | BLASEKVINTETT NR. 2 | Norway | NMIC | 1999 | 13 + MIN | M/H | C/U | USUAL INSTR. MOVEMENTS: ALLEGRO, ALLEGRETTO, VIVACE, ALLEGRO. VERY NICE SCORE AND MATERIAL. A WELCOME ADDITION TO THE LITERATURE. PLAYABLE! |
| WOODWIND QUINTET | LUMBYE, H.C. | CHAMPAGNE GALOP | Denmark | WEMUS | EST PUB 2002 | EST 2 MIN | E | C/U/HS | ARRANGED FOR WW QT BY MICHAEL WEHDING. LUMBYE IS AN EARLIER DANISH COMPOSER OF THIS POPULAR WORK PLAYED FREQUENTLY BY BRASS INSTRUMENTS. FUN FOR ALL INCLUDING THE AUDIENCE. ALSO AVAILABLE FOR 8 CLARINETS. |
| WOODWIND QUINTET | LUNDE, IVAR JR | SERENADE FOR THE WOODWIND QUINTET, OP 26 | Norway | SHAWNEE | 1980 | 9 MIN | M/H | C/U | THREE MOVEMENTS, MIXED METER, VARIED TEMPOS. GOOD INSTRUCTIONS IN THE SCORE FOR PERFORMANCE. |
| WOODWIND QUINTET | LUNDE, IVAR JR | THREE BAGATELLES FOR WOODWIND QUINTET | Norway | SHAWNEE | 1974 | EST 5 MIN | E | HS | EASY, BUT WELL CONSTRUCTED FOR THE YOUNG PLAYERS. |
| WOODWIND QUINTET | LUNDE, IVAR JR | UNE PETITE SUITE, OP 23 | Norway | SHAWNEE | 1979 | 8 1/2 MIN | M/H | C/U | FIVE MOVEMENTS, MIXED METER. MOVEMENT 3 IS A PICCOLO AND BASSOON DUO. |
| WOODWIND QUINTET | MAEGAARD, JAN | BLAESERKVINTET, OP 11 | Denmark | ENGSTROM & SODRING | 1998 | M/H | C/U | MOVEMENTS: PRELUDIO, TEMA CON VARIAZIONO, FINALE-METAMORFOSE. THE THEME AND 9 VARIATIONS. CL IN A. LOT OF NOTES AND THE BASSOON PLAYER SPENDS SOME TIME IN TENOR CLEF. | |
| WOODWIND QUINTET | MERIKANTO, OSKAR | VALSE LENTE FOR WIND QUINTET | Finland | ARTEMUSA | PUB CIR 2000 | EST 5+ MIN | E/M | C/U/HS | ARRANGED BY ARTHUR FUHRMANN. GOOD EARLY WORK FOR THE YOUNG QUINTET. ALL PARTS PLAY IN NORMAL REGISTERS WITH NO SURPRISES. |
| WOODWIND QUINTET | MORTENSEN, OTTO | QUINTETTE | Denmark | WHANSEN | 1944 | 20 MIN | M/H | C/U | OBOE DOUBLES ENGLISH HORN IN MOVEMENT TWO OF A THREE MOVEMENT WORK. TRADITIONAL WW QUINTET WORK IN NORDIC STYLE. |
| WOODWIND QUINTET | NICOTRA, ALFREDO | EPISODIOS | Norway | NMIC | 1997 | 7 MIN | M | C/U/HS | USUAL INSTR. MOVEMENTS: ANDINA LA HUMILDE, PAISANO CON BANDONEON - VALS, ALEGRIA ESPANOLA. THIS COMPOSER ALWAYS OFFERS SOME FUN AND MUSICAL REWARDS. CHECK OUT HIS OTHER WORKS HERE AND IN THE NMIC CATALOG |
| WOODWIND QUINTET | NIELSEN, SVEND HVIDTFELT | SCENARIER | Denmark | WHANSEN | 2002 | 12 MIN | H | C/U | SEVEN SHORT MOVEMENTS THAT CAN STAND ALONE. FLUTE DOUBLES PIC. HIGH LEVEL MATERIAL THAT IS VERY INTERESTING TO STUDY FOR THE ADVANCED ENSEMBLE. |
| WOODWIND QUINTET | NORHOLM, IB | PRELUDES, OP 53 | Denmark | WHANSEN | 1971 | EST 6+ MIN | M/H | C/U | MOVEMENTS: POCO ALLEGRO, POCO ANDANTE E SOSTENUTO, MODERATO. A GOOD COMPOSER. SOME MIXED METER, CL IN A. HARMONIES ALA 1970. |
| WOODWIND QUINTET | OLSEN, SPARRE | QUINTET FOR WINDS, OP 35 | Norway | LYCHE | 1950 | 11 MIN | H | C/U | CHALLENGING WORK FROM GOOD COMPOSER. |
| WOODWIND QUINTET | ORE, CECILIE | HELICES | Norway | NORSK | 1984 | 8 MIN 15 SEC | H | C/U | NONTRADITIONAL SOUNDS AND TECHNIQUES. SCORED CLEARLY SO PLAYABLE, COMFORTABLE CHALLENGE. |
| WOODWIND QUINTET | PANULA, JORMA | SAKKIJARVEN POLKKA | Finland | ARTEMUSA | CIR 2000 | EST 2+ MIN | M | C/U/HS | FOLK MUSIC ARRANGED BY PANULA. ALL PLAY FOR SOME FUN. GOOD PROGRAM/INCIDENTAL PERFORMANCE MUSIC. PANULA HAS THREE MORE LIKE THIS THAT WE SAW AT FIMIC: JAAKKO KULTA, PELTONIENMEN HINTRIIKIN SURMARSSI AND PARTTENKOLIAASET. ALL EASY TO MEDIUM DIFFICULTY. |
| WOODWIND QUINTET | PREHM, GEORG (1873-1916) | QUINTET, OP 4 | Denmark | WEMUS | (1873-1916) | EST 9+ MIN | E | C/U/HS | MOVEMENTS: ANDANTE, ALLEGRO MODERATO, ANDANTE GRAZIOSO, SCHERZO, FINALE-PRESTO. A DANISH COMPOSER FROM EARLIER TIMES PRESENTED WELL BY A MODERN PUBLISHER. EXCELLENT MATERIAL FOR THE YOUNG QUINTET. |
| WOODWIND QUINTET | RASMUSSEN, SUNLEIF | CANTUS BOREALIS | Denmark | SAMFUNDET | 2003 | 10 MIN 30 SEC | H | C/U | MULTIPHONICS, MIXED METER AND A NUMBER OF OTHER WAYS TO MAKE THIS DIFFICULT TO PLAY. BUT, THE SCORE IS THE PRODUCT OF A KNOWLEDGEABLE COMPOSER AND IS LAID OUT SO THE PROBLEMS DO NOT SEEM AS GREAT AS THEY MIGHT BE. |
| WOODWIND QUINTET | ROMPPANEN, ARI | WOODCUTS | Finland | FiMIC | 200/06 | EST 10+ MIN | H | C/U | MOVEMENTS: PRELUDE, CHORAL, FUGUE. THE MIXED METER MAY BE A PROBLEM IN THE FIRST MOVEMENT WHICH PUSHES THIS INTO THE HARD CATEGORY. WHEN YOU ARE PAST THAT THIS ONE WILL PLAY. |
| WOODWIND QUINTET | ROSING-SCHOW, NIELS | MINIATURE FOR WOODWIND QUINTET | Denmark | WHANSEN | 1974 | EST 6 MIN | H | C/U | THE SCORE LAYS OUT INNOCENTLY ENOUGH, BUT HARMONIC DANGER AHEAD AFTER A QUITE AND TONAL OPENING. INTERESTING MATERIAL AND PLAYABLE. |
| WOODWIND QUINTET | SAEVERUD, HARALD | BLASEKVINTET NO.1 | Norway | MUSIKK-HUSET | 1983 | 14 MIN | H | C/U | GOOD CHALLENGE FROM A FINE COMPOSER. |
| WOODWIND QUINTET | SAEVERUD, HARALD | BLASEKVINTET NO.2 | Norway | MUSIKK-HUSET | 1985 | H | C/U | HARDER THAN NO. 1 SO FOR ONLY THE BEST OF QUINTETS. | |
| WOODWIND QUINTET | SAEVERUD, HARALD/A.OSCAR HAUGLAND | RONDO AMOROSO, OPUS 14 #7 | Norway | MUSIKK-HUSET | 1977 | 4 MIN 30 SEC | H | C/U | ROMANTIC STYLE, MANY NOTES, BUT PLAYABLE. |
| WOODWIND QUINTET | SAIKKOLA, LAURI | DIVERTIMENTO, OP 27 | Finland | FiMIC | 1935 | EST 9-10 MIN | M | C/U | FIVE MOVEMENTS INCLUDING A 'POLCA' AND A 'PASTORALE'. CLEAN SCORE AND PARTS. ACCESSIBLE WITH NO SURPRISES. |
| WOODWIND QUINTET | SAIKKOLA, LAURI | QUINTETTO | Finland | FiMIC | 1969 | EST 8-10 MIN | M | C/U | FOUR MOVEMENTS, EACH SHORT BUT CAN STAND ALONE. GOOD COMPOSER AND GOOD SOUNDS. |
| WOODWIND QUINTET | SALMENHAARA, ERKKI | QUINTET FOR BLASER | Finland | FiMIC | 1964 | 12 MIN | M/H | C/U | THREE MOVEMENTS THAT ARE ACCESSIBLE WITH A FEW INTERESTING SURPRISES THAT SHOULD MAKE THIS FUN FOR PERFORMER AND LISTENER. |
| WOODWIND QUINTET | SALONEN, ESA-PEKKA | QUINTETTO, OP 25 | Finland | WHANSEN | EST 12-15 MIN | M/H | C/U | FOUR MOVEMENTS WITH CONTEMPORARY SOUNDS. IT SINGS! A VERY GOOD LOOKING SCORE WITH INTEREST IN ALL PARTS. | |
| WOODWIND QUINTET | SIGURBJORNSSON, THORKELL | BELGABESK | Iceland | ITM | 1979 | M/H | C/U | GOOD SCORE WITH SOME RHYTHMIC PROBLEMS FROM MANY METER CHANGES. | |
| WOODWIND QUINTET | SIGURBJORNSSON, THORKELL | HRÆRA (SCRAMBLE) | Iceland | ITM | 1985 | 12 MIN 35 SEC | M/H | C/U | ONE MOVEMENT WITH FREQUENT METER CHANGES & KEY SIGNATURE CHANGES. GOOD WORK BY A FINE COMPOSER. |
| WOODWIND QUINTET | SIPILA, EERO | PARTITA | Finland | FiMIC | 1955 | EST 8-9 MIN | M | C/U/HS | FIVE SECTIONS IN TRADITIONAL STYLE (A LA BAROQUE). |
| WOODWIND QUINTET | SONSTEVOLD, GUNNAR | BLASEKVINTETT NR 2 | Norway | NMIC | 14 MIN 20 SEC | M/H | C/U | CONTEMPORARY HARMONIES, STRUCTURAL IDEAS AND SOME RHYTHMIC COMPLEXITY. | |
| WOODWIND QUINTET | SUND, ROBERT | PER SPELMAN | Sweden | GEHRMANS | 1975 | M/H | C/U | SOME RHYTHMIC COMPLEXITY BUT PLAYABLE. | |
| WOODWIND QUINTET | SVEINSSON, GUNNAR R | DEPARTED PAPERBIRDS | Iceland | ITM | 1981 | 10 MIN 35 SEC | M | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MUSIC THAT IS VERY PLAYABLE. |
| WOODWIND QUINTET | SYLVAN, SIXTEN | KVINTETT FOR BLASARE | Sweden | SMIC | 1949 | H | C/U | CL DOUBLES BASS CLARINET. THREE MOVEMENTS STRAIGHT AHEAD. | |
| WOODWIND QUINTET | THORARINSSON, LEIFUR | QUINTET | Iceland | ITM | 1973 | 6 MIN 50 SEC | M/H | C/U | INTERESTING MUSIC BUT A MESSY SCORE. |
| WOODWIND QUINTET | TREDE, YNGVE JAN | LE CHANT DES OYSEAUX | Denmark | ENGSTROM & SODRING | 1955 | 16 MIN | M/H | C/U | THREE MOVEMENTS OF A GOOD SCORE IN TRADITIONAL DESIGN. ALL PARTS ARE INTERESTING AND PLAYABLE. |
| WOODWIND QUINTET | VALEN, FARTEIN | SERENADE, OPUS 42 | Norway | LYCHE | 1947 | 10 MIN | M/H | C/U | ONE MOVEMENT WITH ALL PARTS HAVING SOMETHING TO SAY. |
| WOODWIND QUINTET | WELLEJUS, HENNING | KVINTET, OP 36 | Denmark | SAMFUNDET | 1971 | 10 MIN | E/M | C/U/HS | THREE MOVEMENTS OF VERY PLAYABLE MUSIC. MOVEMENTS CAN STAND ALONE. EVERYONE HAS A COMFORTABLE WORKOUT. |
| WOODWIND QUINTET | LAUTRUP-LARSEN, HANS | KVINTET NO.2 | Denmark | ENGSTROM & SODRING | 1990/94 | EST 6+ MIN | E/M | C/U/HS | MOVEMENTS: LENTO CON MOTO/ALLEGRO CON BRIO, LARGHETTO, ALLEGRO. WELL WRITTEN AND QUITE EASY, A GOOD ONE FOR THE NOVICE QUINTET. MOSTLY TRADITIONAL HARMONY - STANDARD RHYTHMS. NO RANGE PROBLEMS. |
| WOODWIND QUINTET & BAND | DEAK, CSABA | THE PIPER'S WEDDING | Sweden | SMIC | 1979 | 12 MIN | M/H | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP, WOODWIND QUINTET. A GOOD PLAYABLE SCORE, WW QT MUST BE VERY COMPETENT, FINE COMPOSER-GOOD WORK. |
| WOODWIND QUINTET & BAND | JANSSON, LEIF A | PRESENTATION OCH PROMENAD I SKANE | Sweden | LEMA | 1982 | 9 MIN | M | C/U/HS | BAND GETS TO SING ONE CHORUS IF IT WANTS! GOOD CHANGE AND VARIETY IN THE MUSIC, IDEAL FOR CONCERT. |
| WOODWIND QUINTET & BAND | HOEMSNES, BJORN K. | TID FOR DIALOG | Norway | NMIC | 1986 | EST 10 MIN | M | C/U | 2FL,EbCL,6CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. SOME NONTRADITIONAL NOTATION, BAND PARTS QUITE EASY, WW QT MUST BE NEAR PROFESSIONAL. |
| WOODWIND QUINTET & JAZZ ENSEMB | RIEDEL, GEORG | DIALOGER | Sweden | SMIC | 1974 | 18 MIN | H | C/U | WW QUINTET WITH AS, TS, FLUTE AS A DOUBLE, GUITAR, PO, BASS, DRUMS. IN QUINTET, FLUTE DOUBLES ALTO FL AND OBOE DOUBLES ENG HN. |
| WOODWIND QUINTET & JAZZ ENSEMBLE | RIEDEL, GEORG | DIALOGER | Sweden | SMIC | 1974 | 18 MIN | H | C/U | WW QUINTET WITH AS, TS, FLUTE AS A DOUBLE, GUITAR, PO, BASS, DRUMS. IN QUINTET, FLUTE DOUBLES ALTO FLUTE AND OBOE DOUBLES ENGLISH HORN. |
| WOODWIND QUINTET & STRING ORCH | LINDE, BO | LITEN KONSERT, OP 35 | Sweden | SMIC | 1967 | EST 12+MIN | H | C/U | FOUR MOVEMENTS WITH LINDE'S USUAL RHYTHMIC INTEREST. RENTAL ONLY. |
| WOODWIND QUINTET & STRING ORCH | MOGENSEN, RENE | THREE SONGS WITHOUT WORDS | Denmark | DKF | 2001 | 7 MIN | M/H | C/U | MOVEMENTS: SONG OF WAVES, SONG WITHOUT PICTURES, DANCE. THERE IS MUCH TO LIKE IN THIS COMPOSITION AND IN THIS COMPOSERS WORKS. THE SCORES ARE BEAUTIFUL! GET ACQUAINTED WITH THIS COMPOSER! |
| WOODWIND QUINTET & STRING QT | HOVLAND, EGIL | MUSIC FOR 10 INSTRUMENTS, OP 28 | Norway | LYCHE | 1957 | 10 1/2 MIN | M/H | C/U | MOVEMENT I FOR WW QT, II FOR STRING QUINTET & III THE ENSEMBLES COMBINED. MOVEMENTS CAN STAND ALONE. SOLID SCORE AND A GOOD WORK. |
| WOODWIND QUINTET & STRING QUARTET | HAUKSSON, THORSTEINN | MOSAIC FOR WOODWIND QUINTET & STRING QUARTET | Iceland | ITM | 1975 | 12 MIN 30 SEC | H | C/U | NEEDS A CONDUCTOR, INSTRUCTIONS FOR SEATING PROVIDED. SPECIAL INSTRUCTIONS IN THE SCORE AND EXPLANATIONS OF THE NONTRADITIONAL THINGS IN THE MUSIC. A WORTHWHILE PIECE WITH A SOUND LIKE A SMALL ORCHESTRA. |
| WOODWIND TRIO | ANDERSEN, BO | PENSIERI NOTTURNI #1 | Denmark | KONTRAPUNKT | 1999 | EST 4+ MIN | M/H | C/U | FLUTE, CL IN A, BASSOON. RHYTHMICALLY INTRICATE, BUT A GOOD SCORE AND PARTS WILL MAKE THE EARNING PROCESS MOVE ALONG. NOT EASY, BUT PLAYABLE BY THE C/U ENSEMBLE. |
| WOODWIND TRIO | ANDERSEN, KJELL MAGNE | TRIO FOR FLUTE, CLARINET, BASSOON | Norway | NMIC | 1996 | 11 MIN 30 SEC | M | C/U/HS | MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, RONDO-ALLEGRO. VERY PLAYABLE MATERIAL FOR ANY UPPER LEVEL OF PLAYER. NO SURPRISES, JUST STRAIGHT AHEAD AND HAVE FUN MAKING MUSIC |
| WOODWIND TRIO | BACH, ERIK | DEPARTURE, OP 29 | Denmark | DMIC | 1978 | 18 MIN | H | C/U | FL, CL IN A, BSN. 4 MOVEMENTS, SOME NONTRADITIONAL NOTATION AND TECHNIQUES. THE MANUSCRIPT IS MARGINAL. |
| WOODWIND TRIO | BADEN, CONRAD | TRIO | Norway | LYCHE | 1967 | 9 MIN | M | C/U | FLUTE, OBOE & CLARINET. PLAYABLE WITH NO PROBLEMS. |
| WOODWIND TRIO | BLOMDAHL, KARL-BIRGER | TRIO FOR OBOE, KLARINETT OCH FAGOTT | Sweden | SMIC | 1938 | 15 MIN | M/H | C/U/HS | FOUR MOVEMENTS WITH WORK FOR ALL. OBOE,CLARINET & BASSOON. |
| WOODWIND TRIO | CHRISTIANSEN, HENNING | TRIO, OP 7B | Denmark | DMIC | 1954 | 17 MIN | M | C/U | FIVE MOVEMENTS, MODEST RANGES, CONTEMPORARY HARMONY & RHYTHMIC CONTENT. OB,CL IN A, BSN. |
| WOODWIND TRIO | CRUSELL, BERNHARD HENRIK (1775-1838) | POT-POURRI FOR CLARINET, HORN AND BASSOON | Finland | ARTEMUSA | 2001 | EST 10+ MIN | M/H | C/U | CRUSELL IS A MUST IN MOST WOODWIND PLAYERS REPERTOIRE. THIS WORK RECONSTRUCTED IN 2001 SHOULD JOIN THE OTHER CRUSELL WORKS IN THOSE PERSONAL LIBRARIES. JUST FUN TO PLAY! |
| WOODWIND TRIO | CRUSELL, BERNHARD/STIG RYBRANT | CONCERT TRIO | Sweden | BUSCH | 1978 | EST 6+MIN | M/H | C/U | SEVERAL SECTIONS ATTACCA. BASSOON CADENZA. GOOD SCORE AND WORK. HORN, CLAR, BSN. |
| WOODWIND TRIO | FONGAARD, BJORN | TRIO, OP. 122, NO.4 | Norway | LYCHE | 1981 | 10 MIN | M | C/U | FLUTE,'A' CLARINET & BASSOON. SOME NONTRADITIONAL NOTATION, BUT VERY PLAYABLE. |
| WOODWIND TRIO | FRIIS, FLEMMING | NOVEMBER, OP. 24 FOR FLUTE, CLARINET & BASSOON | Denmark | SAMFUNDET | 1992 | 17 MIN | H | C/U | MOVEMENTS: ALL SAINTS DAY, DANCE OF DEATH, BUT THE ANGELS!, MEDITATION ON THE CLEAR SUNSETS. CL IN A. WELL LAID OUT SCORE THAT IS PLAYABLE BY BEST C/U PAYERS OR PERHAPS GRADUATE STUDENTS. |
| WOODWIND TRIO | GRAHN, ULF | TRIO | Sweden | SEESAW | 1967 | 8 MIN | M/H | C/U | FL,OB,CL. FOUR SHORT MOVEMENTS. 1. HAS MANY METER CHANGES AND 4. IS VERY ENERGETIC. A GOOD SCORE. |
| WOODWIND TRIO | GRAUGAARD, LARS | ELATIONS | Denmark | ENGSTROM & SODRING | 1994/95 | 13 MN | H | C/U | FLUTE, CLARINET AND BASSOON. ALL INSTRUMENTS NEED EVERYTHING. MOVING NOTES FOR SPECIAL TUNING, DYNAMICS THAT CHANGE CONSTANTLY. GOOD SCORE AND PLENTY OF CHALLENGE |
| WOODWIND TRIO | GRAUGAARD, LARS | FLEETING TARRY | Denmark | ENGSTROM & SODRING | 1996 | EST EST 9+ MIN | H | C/U | FLUTE, OBOE AND BASSOON. IN THE VERY HARD ZONE HERE, WITH CHALLENGES FOR ALL INSTRUMENTS. A GOOD SCORE WILL HELP THE LEARNING PROCESS. |
| WOODWIND TRIO | HAEGELAND, EILERT M. | VANDRELAT FOR FLUTE, OBOE AND CLARINET | Norway | NMIC | 1975 | 2 MIN 30 SEC | E | C/U/HS | GOOD MATERIAL FOR THE NOVICE ENSEMBLE. THE KEY IS E, WHICH MAY BAFFLE SOME, BUT THIS WILL WORK. |
| WOODWIND TRIO | HALLNAS, EYVIND | TRIO | Sweden | SMIC | 1985 | M | C/U/HS | FL,EH,BCL. NOTE THE INSTRUMENTATION. THREE SHORT MOVEMENTS THAT ARE PLAYABLE. | |
| WOODWIND TRIO | HAUTA-AHO, TEPPO | TRIO NO 1 | Finland | FiMIC | 1976 | 14 MIN | M/H | C/U | FL,OB,BSN. OBOE DOUBLES ENGLISH HORN, FLUTE DOUBLES ALTO FLUTE. SCORE IS MESSY BUT PARTS CLEAN. WORK FOR ALL. |
| WOODWIND TRIO | HOLM, MOGENS WINKEL | NOTE-BOOK | Denmark | SAMFUNDET | 1983 | 25 MIN | H | C/U | THIRTEEN MOVEMENTS, ALL HARD IN DIFFERENT WAYS. GREAT CHALLENGE FOR THE BEST STUDENTS OR TEACHERS! CONTEMPORARY APPROACH. OB,CL,BSN. |
| WOODWIND TRIO | HONGISTO, MAURI | TRIO FOR FLUTE, CLARINET & BASSOON | Finland | PINE | CIR 2000 | EST 6+ MIN | M/H | C/U/HS | MOVEMENTS: DECISO, ANDANTE, GIOCOSO, VIVACE. ALL PARTS IN NORMAL REGISTERS WITH MODERN HARMONY. NOTES FOR ALL IN THE FULL RANGE OF THE INSTRUMENTS. |
| WOODWIND TRIO | JALAVA, LASSE | LEIKKEJA - GAMES FOR TWO FLUTES AND CLARINET | Finland | SML | 1992 | 5 MIN | M | C/U/HS | MIXED METER THAT SHOULD NOT GET IN THE WAY. PUBLISHED IN SCORE FORM. GOOD PLAYERS NEEDED, BUT THIS WILL PLAY WITH A LITTLE PRACTICE BY THE GOOD HS OR BETTER PLAYER. |
| WOODWIND TRIO | KOSTIAINEN, PEKKA | DIVERTIMENTO | Finland | FiMIC | 1984 | 17 MIN | M/H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE FOR 2CL AND BSN. STRAIGHT AHEAD MUSIC. |
| WOODWIND TRIO | LUNDE, JR., IVAR | TRIO FOR FLUTE, OBOE AND Bb CLARINET | Norway | SKYLINE | 1989 | EST 3 MIN 30 SEC | E/M | C/U/HS | ACCESSIBLE MATERIAL FOR THE YOUNG ENSEMBLE. SEE OTHER ITEMS LIKE THIS BY CONTACTING THE COMPANY AS NOTED HERE. |
| WOODWIND TRIO | MADSEN. TRYGVE | SERENATA MONELLESEA | Norway | MUSIKK-HUSET | 1980 | 13 MIN | H | C/U | FLUTE, OBOE AND BASSOON. A CHALLENGE FROM A GOOD COMPOSER. |
| WOODWIND TRIO | MAEGAARD, JAN | TRIO FOR OBOE, CLARINET OG FAGOT | Denmark | SAMFUNDET | 1950 | 8 MIN | M | C/U | ONE MOVEMENT IN 3 SECTIONS. COMFORTABLE CHALLENGE FOR 3 COMPETENT PLAYERS. |
| WOODWIND TRIO | MASSON, ASKELL | TRILOGY | Iceland | ITM | 1985 | 16 MIN 15 SEC | M/H | C/U | OB, CL, BSN. CALLS FOR DOUBLE ON FLUTE, BUT CAN USE ANOTHER PERSON. THREE MOVEMENTS AND NICE SCORE. |
| WOODWIND TRIO | MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET & BASSOON, OP 154 | Finland | FiMIC | EST 11 MIN | M | C/U | FOUR MOVEMENTS OF PLAYABLE MUSIC AND A FINE SCORE. | |
| WOODWIND TRIO | MELARTIN, ERKKI | TRIO FOR FLUTE, CLARINET AND BASSOON, OP. 154 | Finland | FiMIC | 1929 PUB 1993 | EST 12+ MN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, MENUETTO, FUGA (ALLEGRO). TRADITIONAL HARMONIES AND STRAIGHT AHEAD. A FINE ADDITION TO THE WW TRIO LIBRARY. |
| WOODWIND TRIO | NICOTRA, ALFREDO | SALONGMUSIKK “TRE VOCES” (FLUTE, CLAR ,BSN) | Norway | NMIC | CIR 1998 | 21 MIN | M | C/U/HS | GOOD MATERIAL FOR THE YOUNG ENSEMBLE. ALL PARTS READILY PLAYABLE BY THE SERIOUS ENSEMBLE. |
| WOODWIND TRIO | NORDAL, JON | TRIO FOR OBOE, CLARINET & HORN | Iceland | ITM | 1948 | M/H | C/U | FOUR MOVEMENTS OF CLEAN, GOOD LOOKING SCORE. I.PREAMBULUM, 2.ROMANZA, 3.SCHERZO, 4.FUGA. | |
| WOODWIND TRIO | NORDHAGEN, SIG | SKJAERGARDSVARIASJONER (CL, HN, BSN) | Norway | NMIC | CIR 2000 | 10 MIN | M | C/U/HS | GOOD COMPOSER WITH MUSIC THAT CAN BE PLAYED BY THE YOUNGER PLAYER BUT INTERESTING FOR THOSE MORE ADVANCED. NICE LOOKING SCORE. |
| WOODWIND TRIO | RIISAGER, KNUDAGE | CONVERSAZIONE, OP 26A | Denmark | ENGSTROM & SODRING | 1966 | EST 6 MIN | M | C/U | THREE MOVEMENTS WITH FUN FOR ALL. NO SCORE. OB ,CL IN A, BSN. |
| WOODWIND TRIO | ROIKJER, KJELL | BAGATELLER, OP 79 | Denmark | DMIC | 1985 | 11 MIN | M | C/U | FIVE MOVEMENTS WITH MARGINAL MS. STRAIGHT AHEAD MATERIAL FOR FLUTE, OBOE AND CLARINET. |
| WOODWIND TRIO | SAVERY, FINN | BLAESERTRIO FOR OBOE, CLARINET AND BASSOON | Denmark | SAMFUNDET | 1959 | EST 12+MIN | H | C/U | MOVEMENTS: 1/8 = 152, VIVACE, ANDANTE CON VARIAZIONI. MOVE 1 ALTERNATES 7/8 AND 5/8, OTHER MOVEMENTS MORE TRADITIONAL. THE PARTS ARE IN COMFORTABLE RANGES AND PLAYABLE EXCEPT THE MS IS MARGINAL. |
| WOODWIND TRIO | TEIRILA, TUOMO | EMMENTAL FOR OBOE, CLARINET AND BASSOON | Finland | SML | 1993 | E/M/H | C/U/HS | MOVEMENTS: ALLEGRO MODERATO, ADAGIO, ALLEGRO MOLTO. SOME TRICKY THINGS HERE AND THERE TO WORK OUT, BUT THIS WILL PLAY WITH THE ADVANCED HS STUDENT AND C/U MUSICIANS. | |
| WOODWIND TRIO | TOIVIO, LAURI | TRIO FOR FLUTE, CLARINET AND BASSOON | Finland | Uusinta | 1988/90 | 13 MIN | M/H | C/U | MOVEMENTS: KOLERIA(ALLEGRO VIVO), FOBIA (ADAGIO), MELANKOLIA (ANDANTE), FINALE (ALLEGRO GIOCOSO). A FEW LITTLE PROBLEMS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. |
| WOODWIND TRIO | WEIS, FLEMMING | MUSIK FOR FLOJTE, CLARINET OG FAGOT | Denmark | SAMFUNDET | 1930 | M/H | C/U | THREE MOVEMENTS WITH FREQUENT METER CHANGES. IN 2ND MOVEMENT, FIRST CLARINET IN A, 2ND & 3RD CL IN Bb. | |
| WOODWIND TRIO | WELANDER, WALDEMAR | DIVERTIMENTO FOR OBOE, KLARINETT OCH FAGOTT | Sweden | SMIC | EST 4-5 MIN | M | C/U | OB, CL, BSN. FOUR MOVEMENTS MOSTLY STRAIGHT AHEAD WITH A FEW CHALLENGES. STUDIO OR RECITAL. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission