Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| BAGATELLE | KENTISH, OLIVER | STRING BASS ALONE | Iceland | ITM | 2001 | 7 MIN | M/H | C/U | SOME NICE PERCUSSIVE EFFECTS BY TAPPING THE BASS WHILE PLAYING -- SOMETHING OF A JAZZ FEEL TO THE WORK. LOOKS LIKE FUN! |
| BAGATELLE POUR TROMPETTE | WILKENSCHILDT, GEORG | TRUMPET & PIANO | Denmark | WHANSEN | 1969 | 3 MIN 35 SEC | E/M | C/U/HS | SHORT CONTEST OR RECITAL PIECE. TO C AND D ONCE EACH, OTHERWISE MODEST RANGE FOR THE Bb TRUMPET. |
| BAGATELLEJA, OP 18 | PUHAKKA, JARI | BASSOON ALONE | Finland | FiMIC | 1977 | E/M | C/U/HS | THREE SHORT MOVEMENTS OF MODEST CHALLENGE. | |
| BAGATELLER, OP 79 | ROIKJER, KJELL | WOODWIND TRIO | Denmark | DMIC | 1985 | 11 MIN | M | C/U | FIVE MOVEMENTS WITH MARGINAL MS. STRAIGHT AHEAD MATERIAL FOR FLUTE, OBOE AND CLARINET. |
| BALATON | LEHTINEN, RAUNO | ORCHESTRA | Finland | FiMIC/FAZER | 1967 | EST 5 MIN | E/M | C/U/HS | 2FL,2CL,2BSN,2HN,2TRPT,2TRB,TBA,TMP,HARP,STRINGS AND OBOE SOLO. LIGHT MUSIC FOR THE POPS OR TO LIGHTEN A SERIOUS CONCERT. |
| BALKAN BLUES | FAHLSTROM, ORJAN | WIND ENSEMBLE | Sweden | SMIC | 1992 | ET 7 MIN | M | C/U | 2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,STBS,2ERC. ORIGINALLY FOR MUSCIAL, ‘BERGETS HJARTA’ . RE-ORCHESTRATED FOR BAND IN 2001. NOT LOW DOWN BLUES - IT IS THE CONCERT VARIETY AS KNOWN IN THE BALKANS! (QUARTER NOTE = 190!) HANG ON! WILL LIKE THIS COMPOSER! |
| BALLAD | LINDSTROM, ERIK | STAGE BAND | Finland | FiMIC/ERIK LINDSTRöM | EST 5 MIN | M | C/U/HS | SLOW BALLAD. FLUGELHORN FEATURE. | |
| BALLAD FRAN MOCKFJARD | LINDBERG, NILS | TRUMPET & STRING ORCHESTRA | Sweden | NORDISKA | 1974 | EST 6 MIN | M | C/U | FOLK TUNE SOUNDED BY THE TRUMPET, FOLLOWED BY STRINGS IN HARMONY, THEN TRUMPET IMPROVISATION WITH DRUM SET & STRINGS. |
| BALLADE FOR FOUR TROMBONES | HAUTA-AHO, TEPPO | TROMBONE QUARTET | Finland | FiMIC | 1980 | 13 MIN | H | C/U | SOME NONTRADITIONAL NOTATION. FIRST PART HAS HIGH TESSITURA. GOOD SCORE FROM A FINE COMPOSER, EDUCATOR, MUSICIAN. |
| BALLET III | TOMASSON, JONAS | STRING QUARTET | Iceland | ITM | 10 MIN 10 SEC | M | C/U | ONE MOVEMENT IN A FINE SCORE. | |
| BARBARIUS | LEHTINEN, RAUNO | ORCHESTRA | Finland | FiMIC/FAZER | 1969 | EST 5 MIN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,3COR,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. POP CONCERT MUSIC. |
| BAROQUE SONATA | RONNES, ROBERT | BASSOON & PIANO | Norway | ACCOLADE | 1994 | EST 8 MIN | M/H | C/U | MOVEMENTS: ADAGIO, ALLEGRO, ALLEGRO, GIGUE. LOTS OF NOTES FOR THE BASSOONIST AND THE PIANO PLAYER STAYS OUT OF THE WAY. |
| BASIE STREET | LASANEN, PENTTI | STAGE BAND | Finland | ELVIS | 4+MIN | M | C/U/HS | CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE. | |
| BASSOON CONCERTO, OP 44 | SAEVERUD, HARALD | BASSOON & ORCHESTRA | Norway | MUSIKK-HUSET | 1987 | 18 MIN | M/H | C/U | 2FL,2CL,2OB,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. SCORE FOR SALE AND PARTS ON HIRE. PIANO ACCOMP. AVAILABLE. |
| BASSOON CONCERTO, OP 44 | SAEVERUD, HARALD | BASSOON & PIANO | Norway | MUSIKK-HUSET | 1987 | 18 MIN | M/H | C/U | ORCHESTRA VERSION AVAILABLE - SEE OTHER LISTING. SOLOIST CAN BE GOOD COLLEGE STUDENT. CONSERVATIVE 20TH CENTURY COMPOSER, WORKS WELL AS PEDAGOGICAL MATERIAL. |
| BASSOON SONATA | PALSSON, RIKARDUR ORN | BASSOON & PIANO | Iceland | ITM | 1996 | 13 MIN | H | C/U | USUAL THREE MOVEMENTS. A LOT OF NOTES AND RHYTHM THINGS IN A CONTEMPORARY SETTING. KNOWLEDGEABLE PIANO SCORING. |
| BASTA | RABE, FOLKE | TROMBONE ALONE | Sweden | REIMERS | 1982 | H | C/U | A VIRTUOSO PIECE BY AN INVENTIVE COMPOSER. MULTI-PHONICS, ETC. RECORDED BY CHRISTIAN LINDBERG. | |
| BASUNUKONSERT (TROMBONE CONCERTO) | MASSON, ASKELL | TROMBONE & ORCHESTRA | Iceland | ITM | 1987 | 24 MIN | H | C/U | 2FL,2CL,2OB,2BSN,6HN,3TRPT,3TRB,EUP,TBA,3PERC,TMP,STRINGS. DEDICATED FOR AND PREMIERED BY CHRISTIAN LINDBERG. A VIRTUOSO PIECE FOR TROMBONE & NEAR PROFESSIONAL ORCHESTRA. |
| BEAT, BEAT, BEATEN (SLAG I SLAG) | JOHANSON, SVEN-ERIC | PERCUSSION ALONE | Sweden | SMIC | 1979 | H | C/U | A GOOD SCORE OF DIFFICULT MUSIC WITH ONE PERSON PLAYING MANY INSTRUMENTS. | |
| BEATE-CHRISTINE | SYLVAIN, JULES & DIX DENNIE/MATS OLSSON | STAGE BAND | Sweden | EHRLING | 1978 | E/M/ | C/U/HS | 3/4 BALLAD, TRPT PART TO C, TRB 1 SOLO. | |
| BELGABESK | SIGURBJORNSSON, THORKELL | WOODWIND QUINTET | Iceland | ITM | 1979 | M/H | C/U | GOOD SCORE WITH SOME RHYTHMIC PROBLEMS FROM MANY METER CHANGES. | |
| BEN BAY | LINKOLA, JUKKA | STAGE BAND | Finland | FiMIC | 1985 | EST 6-7 MIN | H | C/U | TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'. |
| BESVSMICARJELSER | MELLNAS, ARNE | BAND | Sweden | SMIC | 1978 | 11 MIN | H | C/U/HS | 2PIC,2FL,4CL,2AS,2TS,BS,3HN,4TRPT,4TRB,2EUP,2TBA,4PERC. NOTE UNUSUAL INSTRUMENTATION. THREE MOVEMENTS THAT LOOK VERY GOOD AND PLAYABLE. |
| BETWEEN 2ND AND 3RD | LINKOLA, JUKKA | STAGE BAND | Finland | FiMIC | 1978 | EST 6 MIN | M | C/U/HS | LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4. |
| BEYOND BAYAT | KOCH, DAGFINN | BAND | Norway | WARNER/CHAPPELL | 1999/2000 | EST 4 MIN | M | C/U/HS | 2FL(PIC),OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. THE WORK MAY BE PLAYED BY A SMALLER INSTRUMENTATION AS NOTED IN THE SCORE BY THE COMPOSER. A SLOW, EUROPEAN STYLE MARCH. NICE SWEEPING WW LINES AND SOME EXCITEMENT. |
| BLA KONTRASTER | KJAERNES, BJORN MORTEN | BAND | Norway | FROST | 1987 | 5 MIN 45 SEC | E/M | HS | PIC,2FL,3CL,ACL,BCL,OB,AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,3PERC,TMP, SB. OVERTURE WITH LOTS OF PERCUSSION AND SOME NONTRADITIONAL NOTATION. CLEAN SCORE & PLAYABLE. |
| BLACK JOY | KILPIO, LAURI | HORN ALONE | Finland | Uusinta | 2002 | EST 4 MIN | H | RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT | |
| BLAD FRAN MITT GULSIPPEANGE, NO 1 | BUCHT, GUNNAR | CLARINET & PIANO | Sweden | SMIC | 1985 | 12 MIN | M/H | C/U/HS | TWELVE SHORT MOVEMENTS WITH MUCH VARIETY. NOT ALL NEED TO BE PLAYED FOR SUCCESSFUL PERFORMANCE. SOME MOVEMENTS VERY CHALLENGING WHILE OTHERS QUITE ACCESSIBLE. |
| BLÆSERKVINTET NR 1 | COUR, NIELS LA | WOODWIND QUINTET | Denmark | SAMFUNDET | 1977 | 12 MIN | M | C/U | ONE MOVEMENT WITH MODEST CHALLENGE FOR GOOD C/U PERFORMER. NO SURPRISES. |
| BLÆSERKVINTET NR 2 | COUR, NIELS LA | WOODWIND QUINTET | Denmark | SAMFUNDET | 1980 | 27 MIN | H | C/U | A MAJOR 4 MOVEMENT WORK WITH COMFORTABLE CHALLENGE FOR ALL PLAYERS. |
| BLÆSERKVINTET NR 3, OP 29 | BENTZON, NIELS VIGGO | WOODWIND QUINTET | Denmark | WHANSEN | 1944 | 16 MIN | M/H | C/U | THREE MOVEMENTS OF A PLAYABLE, MAJOR WORK. TRADITIONAL IN RHYTHM, HARMONICALLY MORE CONTEMPORARY. |
| BLAESERKVINTET, OP 11 | MAEGAARD, JAN | WOODWIND QUINTET | Denmark | ENGSTROM & SODRING | 1998 | M/H | C/U | MOVEMENTS: PRELUDIO, TEMA CON VARIAZIONO, FINALE-METAMORFOSE. THE THEME AND 9 VARIATIONS. CL IN A. LOT OF NOTES AND THE BASSOON PLAYER SPENDS SOME TIME IN TENOR CLEF. | |
| BLAESERTRIO FOR OBOE, CLARINET AND BASSOON | SAVERY, FINN | WOODWIND TRIO | Denmark | SAMFUNDET | 1959 | EST 12+MIN | H | C/U | MOVEMENTS: 1/8 = 152, VIVACE, ANDANTE CON VARIAZIONI. MOVE 1 ALTERNATES 7/8 AND 5/8, OTHER MOVEMENTS MORE TRADITIONAL. THE PARTS ARE IN COMFORTABLE RANGES AND PLAYABLE EXCEPT THE MS IS MARGINAL. |
| BLANDADIR DANSAR | RUNARSDOTTIR, HILDIGUNNUR | ORCHESTRA | Iceland | ITM | 1998 | 20 MIN | M | C/U/HS | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2PERC,STRINGS. MOVEMENTS: MARS, VALS, MAZURKA,JARORARFARARMARS, SVEITADANS. A VERY NICE SUITE OF DANCES THAT CAN STAND ALONE. CLEAN SCORE AND READY TO PLAY! |
| BLASEKVINTET NO.1 | SAEVERUD, HARALD | WOODWIND QUINTET | Norway | MUSIKK-HUSET | 1983 | 14 MIN | H | C/U | GOOD CHALLENGE FROM A FINE COMPOSER. |
| BLASEKVINTET NO.2 | SAEVERUD, HARALD | WOODWIND QUINTET | Norway | MUSIKK-HUSET | 1985 | H | C/U | HARDER THAN NO. 1 SO FOR ONLY THE BEST OF QUINTETS. | |
| BLASEKVINTETT FOR DE UNGE | BERGE, SIGURD | WOODWIND QUINTET | Norway | NORSK | 1978 | 10 MIN | M/H | C/U | LONG BASSOON CADENZA, RHYTHMICALLY STRAIGHT AHEAD WITH CONTEMPORARY HARMONY. |
| BLASEKVINTETT NR 2 | HOVLAND, EGIL | WOODWIND QUINTET | Norway | NMIC | 1980 | 12 MIN | M | C/U | MOVEMENT I IS FOR HORN ALONE PLAYING A NORWEGIAN FOLK TUNE, III IS A HARMONIZED VERSION OF I AND SHORT. THE QUINTET IS MAINLY IN MOVE II. STRAIGHT AHEAD AND A GOOD COMPOSER. |
| BLASEKVINTETT NR 2 | SONSTEVOLD, GUNNAR | WOODWIND QUINTET | Norway | NMIC | 14 MIN 20 SEC | M/H | C/U | CONTEMPORARY HARMONIES, STRUCTURAL IDEAS AND SOME RHYTHMIC COMPLEXITY. | |
| BLASEKVINTETT NR. 2 | LILLEBJERKA, SIGMUND | WOODWIND QUINTET | Norway | NMIC | 1999 | 13 + MIN | M/H | C/U | USUAL INSTR. MOVEMENTS: ALLEGRO, ALLEGRETTO, VIVACE, ALLEGRO. VERY NICE SCORE AND MATERIAL. A WELCOME ADDITION TO THE LITERATURE. PLAYABLE! |
| BLASEN NU ALLA | BELLMAN, CARL MICHAEL/GOSTA MORBERG | BAND | Sweden | EHRLING | 1978 | EST.4MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS IN MS. PLAYABLE BY THE YOUNG BAND. MEDLEY OF FOUR SWEDISH TUNES. |
| BLASER-BLUES | GRIMS-LAND,EBBE | WIND ENSEMBLE | Sweden | SMIC | 1979 | 7 MIN 30 SEC | H | C/U | PIC,CL,OB,BSN,TS,3HN,2TRPT,2TRB,TBA,PERC,TMP. BEST WITH ONE ON A PART. CLARINET CAN DOUBLE THE SAXOPHONE PART. |
| BLASKLANG II | BLOMBERG, ERIK | BAND | Sweden | SMIC | 1982 | 5 MIN | E/M | C/U/HS | 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). THIS ONE DOES PLAY! NOTE INSTRUMENTATION, SUGGEST ONE ON A PART. |
| BLASKLANG III | BLOMBERG, ERIK | BAND | Sweden | SMIC | 1982 | 5 MIN | M/H | C/U | 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). NOTE THE INSTRUMENTATION, BEST PLAYED ONE ON A PART. |
| BLASKVINTETT | HALLNAS, EYVIND | WOODWIND QUINTET | Sweden | SMIC | 1985 | 11 MIN | M | C/U | FL,OB,EH,CL,BCL. NOTE THE INSTRUMENTATION. THREE MOVEMENTS THAT ARE PLAYABLE WITH THIS UNUSUAL INSTRUMENTATION. |
| BLAST | INGOLFSSON, ATLI | TRUMPET ALONE | Iceland | ITM | 1998 | 3 MIN 6 SEC | H | C/U | MUCH EMPHASIS UPON TIME, FREQUENT TIME CHANGE AND RHYTHMIC PROBLEMS WITHIN THOSE CHANGES. RANGE TO B. |
| BLIK | MASSON, ASKELL | CLARINET ALONE | Iceland | ITM | 1979 | H | C/U | MILDLY NONTRADITIONAL NOTATION & APPROACH. SOME MULTI PHONICS. | |
| BLOPARK | VALKARE, GUNNAR | BAND | Sweden | SMIC | 1982 | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP, TBA,5PERC. FEATURES THE PERCUSSION SECTION. PLAYABLE WITH NO SURPRISES. | |
| BLOW | MELLNAS, ARNE | BAND | Sweden | SMIC | 1974 | 12 MIN | M/H | C/U | PIC,FL,EbCL,3CL,OB,BSN,AS,TS,3HN,4TRPT,3TRB,EUP,TBA,2PERC,SB. SOME NONTRADITIONAL TECHNIQUES THAT ARE WELL SET OUT. MIXED METER. SOME FUN AS WELL AS MUSICAL INTEREST HERE FROM A FINE COMPOSER. |
| BLOWING | BERG, OLAV | BAND | Norway | NMIC | 1980 | EST 7+MIN. | M | C/U/HS | PIC,FL,3CL,OB,AS,TS,4HN,2COR,2TRPT,3TRB,EUP,2TBA,PERC,TMP. LIKE AN OVERTURE. VERY PLAYABLE WORK THAT SINGS. TEMPOS VARY, LITTLE PERC. NICE SCORE. |
| BLUEBOLD | JUUTILAINEN, PETRI | STAGE BAND | Finland | FiMIC | 1987 | 6-7 MIN | H | C/U/HS | BLUES AT 144. GOOD WORK. NICE TROMBONE WRITING AND SOLOS. |
| BLUES FOR BILL | LINDBERG, NILS | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES. | |
| BLUES IN D | SVEINSSON, GUNNAR R | JAZZ ENSEMBLE | Iceland | ITM | 1983 | M | C/U | FL, DRUMS, SB, GUITAR, VIBES. CONCERT STYLE HEAD WITH CHANGES. | |
| BLUES/TRE ETAGER | BROEDSGAARD, ANDERS | CLARINET ALONE | Denmark | DKF | 2002 | 2+ MIN | H | C/U | WORKS THE LOW RANGE OF THE CLARINET WITH 19/16 TIME SIGNATURE AND QUITE SLOW. MODERN AND DIFFICULT! |
| BOAST | COLDING-JORGENSEN, HENRIK | TUBA ALONE | Denmark | SAMFUNDET | 1980 | 5 MIN | H | C/U | A CHALLENGE! HIGH TESSITURA, LARGE INTERVALS, RHYTHMIC PROBLEMS AND ALL BY YOURSELF! |
| BOBINETTE | AMDAHL, MAGNE | STRING QUARTET | Norway | NMIC | 1977 | EST 3 MIN | E | C/U/HS | EASY FIRST STRING QUARTET. PLAYERS MUST BE COMPETENT BUT IT PLAYS. |
| BOLOS | BARK, JAN & FOLKE RABE | TROMBONE QUARTET | Sweden | WHANSEN | 1962 | M/H | C/U | AN EXCELLENT WORK USING NONTRADITIONAL NOTATION. VERY SUCCESSFUL COMPOSITION. AUDIENCE PLEASER. THEATRICAL ASPECTS. | |
| BOOK OF BEAT | NELSON, DANIEL | SAXOPHONE QUARTET & BAND | Sweden | SMIC | 2003 | 16 MIN, 30 SEC | M | C/U | 2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS. |
| BOPBOP | ANDERSSON, MAGNUS F | BASSOON QUARTET | Sweden | SMIC | 2002 | 4 MIN | H | C/U | 3 BASSO0NS AND CONTRABASSOON. ALL THREE BASSOON PLAYERS GO BACK FORTH BETWEEN BASS AND TENOR CLEFS. THE SCORE IS FUN TO STUDY AND THE PLAYERS WILL ENJOY THIS CHALLENGE ALSO. BASSOONS CAN HAVE FUN TOO! |
| BOREAS | JOHANSEN, BERTIL PALMAR | BRASS QUINTET | Norway | NORSK | 1992 | EST 8 IN | H | C/U | THREE ESOTERIC, DIFFICULT MUSIC. ADVANCED QUINTET PLAYER WITH MUCH CURIOSITY. GOOD SCORE, BUT MUSICIANS WILL HAVE TO PRACTICE AND REHEARSE -- A LOT! |
| BOREAS | MASSON, ASKELL | TUBA ALONE | Iceland | BIM | 1999 | 6 MIN | H | C/U | SOME NONTRADITIONAL THINGS, BUT THE SCORE LOOKS INVITING JUST LOOKING FOR THE TALENTED, AMBITIOUS C/U STUDENT. |
| BORERO | HELGE, OLOV | ORCHESTRA | Sweden | SMIC | 1996/98 | 6 MIN 30 SEC | M/H | C/U | 2FL(PIC),2OB,CL,BCL,BSN,CBSN,2HN,2TRPT,TIMP,STRINGS. TIMPANI PLAYS AN IMPORTANT, THOUGH NOT DOMINANT ROLE. THE SCORE 1S INVITING AND SHOULD BE PLAYED! |
| BOUBOU | MELIN, STEN | TROMBONE QUARTET | Sweden | SMIC | 1987 | EST 6 MIN | H | C/U | EXCELLENT USE OF THE SLIDE, INTRICATE RHYTHMS AND FREQUENT TEMPO CHANGES. ONE ON A PART, NO DOUBLES. |
| BOUNCE | NELSON, DANIEL | BAND | Sweden | SMIC | 2003 | 6 MIN 30 SEC | M/H | C/U | PIC,2FL,2OB,2BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. IN THE DANCE BAND WORLD THIS WAS CALLED, MEDIUM BOUNCE. THAT IS WHAT IT IS WITH SOME SOPHISTICATION. LIKE A 6/4 SECTION. AUDIENCE APPEAL. |
| BOURREE BURLESQUE FROM FJORTON SOLOSTYCKEN | LUNDIN, DAG | TUBA & PIANO | Sweden | SMIC | 2003 | EST 2 MIN | E | C/M/HS | GOOD MANUSCRIPT WITH SUPPORTIVE ACCOMPANIMENT FOR THE YOUNGER SOLOIST. RANGE TO A ON TOP LINE FOR THE BASS CLEF FOR THE TUBA PLAYER. |
| BRASS | HVOSLEF, KETIL | BRASS ENSEMBLE | Norway | NMIC | 1978 | H | C/U | 4TRPT,4HN,4TRB,TBA. GOOD COMPOSER OF A HARD BUT PLAYABLE PIECE. | |
| BRASS IN ACTION | SODERBERG, HANS | BRASS ENSEMBLE | Sweden | SMIC | EST 12+ MIN | H | C/U | 4TRPT,4HN,3TRB,EUP,TBA,3PERC. ONE MOVEMENT USING NONTRADITIONAL TECHNIQUES AND WELL LAID OUT. THIS IS 'NOW' MUSIC. | |
| BRASS MASS | HEINIO, MIKKO | BRASS ENSEMBLE | Finland | FAZER | 1979 | 16 MIN | H | C/U | 4TRPT,4TRB,TBA. ANTIPHONAL CHOIRS. 5 SECTIONS TO THE MASS. HARD BUT WORTH THE EFFORT. |
| BRASS QUINTET | HANSEN, THORVALD/MOGENS ANDRESEN | BRASS QUINTET | Denmark | DANISH BRASS | 1984 | EST 10 MIN | M | C/U | FOUR MOVEMENTS WITH NICE CONTRASTS. VERY PLAYABLE AND ACCESSIBLE. |
| BRASS QUINTET | WESTBY, OIVIND | BRASS QUINTET | Norway | MUSIKK-HUSET | 1998 | 13 MN | H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, ALLEGRO VIVO, MAESTOSO. NO RANGE PROBLEMS, SOME RHYTHMIC THINGS TO WORK OUT. WILL NEED A LOT OF REHEARSAL TO GET A TIGHT ENSEMBLE SOUND. |
| BRASS QUINTET NO. 2 | LINKOLA, JUKKA | BRASS QUINTET | Finland | FiMIC | 1996 | ST 15+ MIN | H | C/U | MOVEMENTS: ANIMATO, LENTO-SOSTENUTO, ALLEGRO BRILLANTE. IF YOU DO NOT HAVE HIS FIRST QUINTET YOU SHOULD, THEN THIS ONE. HARD, MUCH MIXED METER THAT MAKES SENSE AND OTHER PERFORMANCE PROBLEMS, BUT AN EXCELLENT COMPOSER WITH MARGINAL MS. |
| BRASS SCENER (BRASS SCENES) | HURUM, HELGE | BRASS QUINTET | Norway | NMIC | 1981 | EST 10 MIN | M | C/U | FOUR MOVEMENTS. IN IST TRPT 2 DOUBLES FLUEGELHORN. PROGRAM AND PERFORMANCE INTEREST. |
| BRASS-FEST | FAHLSTROM, ORJAN | BRASS ENSEMBLE | Sweden | SMIC | 1980 | 27 MIN | H | C/U | 3TRPT,3TRBN,HN,TUBA,ELECTRIC PIANO,PERC. FOUR MOVEMENTS. A MAJOR, WORK WITH RHYTHMIC INTEREST AND PROBLEMS. MUCH REHEARSAL FOR SUCCESSFUL PERFORMANCE. |
| BRASSKVINTETT | ZWEDBERG, TOMMY | BRASS QUINTET | Sweden | SMIC | 1989 | 7 MIN | H | C/U | A HARD PIECE BECAUSE OF THE RHYTHMIC PROBLEMS. RANGES REASONABLE AND 4/4 ALL OF THE WAY. NEEDS ACCURATE COUNTING. |
| BRASSKVINTETT | ZWEDBERG, TOMMY | BRASS QUINTET | Sweden | SMIC | 1989 | 7 MIN | H | C/U | A HARD PIECE BECAUSE OF HE RHYTHMIC DEMANDS. RANGES ARE REASONABLE AND 4/4 ALL THE WAY. NEED ACCURATE COUNTING. |
| BREAKING ANOTHER WALL | VAAGE, KNUT | BAND | Norway | NMIC | 2002 | 17 MIN | H | C/U | PIC,FL,0B,EbCL,4CL,BCL,AS,TS,BSN,3TRPT,3HN,3TRB,EUP,2TBA,STBS,3 PERC. EPISODIC AND HARD! ONLY THE BEST MAY APPLY! NOTE THE LIMITED INSTRUMENTATION INDICATING THE C/U WIND ENSEMBLE, HOWEVER IT LOOKS LIKE IT COULD BE PERFORMED BY A LARGER ENS.. ALL THE USUAL CHALLENGES |
| BREKKUGATA | INGOLFSSON, ATLI | ORCHESTRA | Iceland | ITM | 1993 | 11 MIN | H | C/U | 2FL,2OB(EH),2CL(BCL),BSN,2PERC,PIANO,STRINGS. A WELL KNOWN ICELANDIC COMPOSER WITH A VERY HARD WORK FOR CHAMBER ORCHESTRA. ONLY THE BEST WILL WANT TO ATTEMPT THIS. USUAL TRAPS IN RHYTHMIC THINGS AND EVERYBODY WORKS! |
| BREV, OP 31D | KVAM, ODDVAR S | VIOLIN & PIANO | Norway | MUSIKK-HUSET | 1982 | CA 7 MIN | M | C/U | FEW SURPRISES IN SOUND BUT SATISFYING TO PLAY. MOSTLY STRAIGHT AHEAD. |
| BRIDGES | ROSELL, LARS-ERIK | HORN & ORGAN | Sweden | REIMERS | 1980 | H | C/U | SOME INTERESTING SURPRISES FOR THE EAR. FITS TOGETHER WELL AND PLAYABLE. | |
| BRIDGING THE WORLD | BROSTROM, TOBIAS | PERCUSSION ENSEMBLE | Sweden | SMIC | 2004 | 6 MIN | C/U/HS | THREE PLAYERS: MULTIPLE INSTRUMENTS EACH INCLUDING MARIMBA AND VIBRAPHONE. SOME MIXED METER, BUT GENERALLY STRAIGHT AHEAD AND VERY PLAYABLE BY C/U AND GOOD HS ENSEMBLES. CHECK THE SMIC CATALOG ON LINE FOR MORE ITEM BY THIS COMPOSER AS WELL AS KEYBOARD PERCUSSION PUBLICATIONS BY MARIMBA PUB. P.O.BOX 467, ASBURY PARK, NJ USA 07712 KPP@MOSTLYMARIMBA.COM. WEB SITE SAME AVAILABLE. | |
| BRIGADEMUSIKK | SLETTHOLM, YNGVE | BAND | Norway | NMIC | 1986 | 19 MIN | H | C/U | PIC,FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP,Eb CORNET,2FLUEGELHORN,3TENORHORNS IN Bb. SOME NONTRADITIONAL NOTATION. 3 MOVEMENTS. HARMONIC DENSITY AND RHYTHMICALLY STRAIGHT AHEAD. |
| BROKIGA BLAD | SORENSON, TORSTEN | STRING ORCHESTRA | Sweden | GEHRMANS | 1981 | 21 MIN | M | C/U/HS | NINE MOVEMENTS THAT ARE VERY PLAYABLE WITH NO SURPRISES. |
| BROLLOPSMARSCH | SODERMAN, AUGUST/STIG GUSTAFSON | BAND | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | HS/JHS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,2EUP, TBA,PERC,TMP,SB. CONDENSED SCORE. GOOD ARRANGER FOR HS BANDS. |
| BRUDARMARS (BRIDESMARCH) | MASSON, ASKELL | TRUMPET & ORGAN | Iceland | ITM | 1984 | 3 MIN | E | C/U/HS | A LITTLE, PLAYABLE MARCH WITH SPECIAL ATTENTION NEEDED FOR TRILLS AND OTHER SPECIAL TECHNIQUES. |
| BRUDMARSCH FRAN DELSBO | MORBERG, GOSTA | BAND | Sweden | GEHRMANS | 1977 | 3 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SLOW MARCH, TRADITIONAL SWEDISH FOLK MUSIC. |
| BRYLLUPSMUSIKK | VOLLE, BJARNE | TRUMPET & ORGAN | Norway | NOTON | 1995 | E/M | C/U/HS | 6 TUNES ARRANGED BY VOLLE OF VARYING LENGTH AND DIFFICULTY. Bb AND C PARTS FOR THE TRUMPET PLAYER. PRACTICAL AND USEFUL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE NOTON CATALOG OR THROUGH NMIC. | |
| BUILE | NORDHAGEN, STIG | PERCUSSION ENSEMBLE & BAND | Norway | NMIC | 1998 | 15 MIN 30 SEC | H | C/U | FL(PIC),OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,2PERC. ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS. MIXED METER, BUT SOLOIST AND BAND WILL WORK HARD TO GET THIS TO GO. HARD, BUT THE SCORE IS VERY INTERESTING. C/U GROUPS CAN HANDLE IT! |
| BURLONI | EYSER, EBERHARD | BAND | Sweden | SMIC | 1985 | 7 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,SSAX. ONE MOVEMENT, 3 SECTIONS(F-S-F), FINE COMPOSER, MANUSCRIPT MAY BE A LITTLE PROBLEM. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission