Nordic Instrumental Music

For Colleges and Universities

By Title

Title Composer Arranger Ensemble Medium Country Publisher_Code Date Time Difficulty Recommended Level Comments
BAGATELLE KENTISH, OLIVER STRING BASS ALONE Iceland ITM 2001 7 MIN M/H C/U SOME NICE PERCUSSIVE EFFECTS BY TAPPING THE BASS WHILE PLAYING -- SOMETHING OF A JAZZ FEEL TO THE WORK. LOOKS LIKE FUN!
BAGATELLE POUR TROMPETTE WILKENSCHILDT, GEORG TRUMPET & PIANO Denmark WHANSEN 1969 3 MIN 35 SEC E/M C/U/HS SHORT CONTEST OR RECITAL PIECE. TO C AND D ONCE EACH, OTHERWISE MODEST RANGE FOR THE Bb TRUMPET.
BAGATELLEJA, OP 18 PUHAKKA, JARI BASSOON ALONE Finland FiMIC 1977
E/M C/U/HS THREE SHORT MOVEMENTS OF MODEST CHALLENGE.
BAGATELLER, OP 79 ROIKJER, KJELL WOODWIND TRIO Denmark DMIC 1985 11 MIN M C/U FIVE MOVEMENTS WITH MARGINAL MS. STRAIGHT AHEAD MATERIAL FOR FLUTE, OBOE AND CLARINET.
BALATON LEHTINEN, RAUNO ORCHESTRA Finland FiMIC/FAZER 1967 EST 5 MIN E/M C/U/HS 2FL,2CL,2BSN,2HN,2TRPT,2TRB,TBA,TMP,HARP,STRINGS AND OBOE SOLO. LIGHT MUSIC FOR THE POPS OR TO LIGHTEN A SERIOUS CONCERT.
BALKAN BLUES FAHLSTROM, ORJAN WIND ENSEMBLE Sweden SMIC 1992 ET 7 MIN M C/U 2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,EUP,TBA,STBS,2ERC. ORIGINALLY FOR MUSCIAL, ‘BERGETS HJARTA’ . RE-ORCHESTRATED FOR BAND IN 2001. NOT LOW DOWN BLUES - IT IS THE CONCERT VARIETY AS KNOWN IN THE BALKANS! (QUARTER NOTE = 190!) HANG ON! WILL LIKE THIS COMPOSER!
BALLAD LINDSTROM, ERIK STAGE BAND Finland FiMIC/ERIK LINDSTRöM
EST 5 MIN M C/U/HS SLOW BALLAD. FLUGELHORN FEATURE.
BALLAD FRAN MOCKFJARD LINDBERG, NILS TRUMPET & STRING ORCHESTRA Sweden NORDISKA 1974 EST 6 MIN M C/U FOLK TUNE SOUNDED BY THE TRUMPET, FOLLOWED BY STRINGS IN HARMONY, THEN TRUMPET IMPROVISATION WITH DRUM SET & STRINGS.
BALLADE FOR FOUR TROMBONES HAUTA-AHO, TEPPO TROMBONE QUARTET Finland FiMIC 1980 13 MIN H C/U SOME NONTRADITIONAL NOTATION. FIRST PART HAS HIGH TESSITURA. GOOD SCORE FROM A FINE COMPOSER, EDUCATOR, MUSICIAN.
BALLET III TOMASSON, JONAS STRING QUARTET Iceland ITM
10 MIN 10 SEC M C/U ONE MOVEMENT IN A FINE SCORE.
BARBARIUS LEHTINEN, RAUNO ORCHESTRA Finland FiMIC/FAZER 1969 EST 5 MIN M C/U/HS PIC,2FL,2CL,BCL,2OB,2BSN,3COR,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. POP CONCERT MUSIC.
BAROQUE SONATA RONNES, ROBERT BASSOON & PIANO Norway ACCOLADE 1994 EST 8 MIN M/H C/U MOVEMENTS: ADAGIO, ALLEGRO, ALLEGRO, GIGUE. LOTS OF NOTES FOR THE BASSOONIST AND THE PIANO PLAYER STAYS OUT OF THE WAY.
BASIE STREET LASANEN, PENTTI STAGE BAND Finland ELVIS
4+MIN M C/U/HS CONDENSED SCORE. 'LAID BACK' SWING AND PLAYABLE.
BASSOON CONCERTO, OP 44 SAEVERUD, HARALD BASSOON & ORCHESTRA Norway MUSIKK-HUSET 1987 18 MIN M/H C/U 2FL,2CL,2OB,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. SCORE FOR SALE AND PARTS ON HIRE. PIANO ACCOMP. AVAILABLE.
BASSOON CONCERTO, OP 44 SAEVERUD, HARALD BASSOON & PIANO Norway MUSIKK-HUSET 1987 18 MIN M/H C/U ORCHESTRA VERSION AVAILABLE - SEE OTHER LISTING. SOLOIST CAN BE GOOD COLLEGE STUDENT. CONSERVATIVE 20TH CENTURY COMPOSER, WORKS WELL AS PEDAGOGICAL MATERIAL.
BASSOON SONATA PALSSON, RIKARDUR ORN BASSOON & PIANO Iceland ITM 1996 13 MIN H C/U USUAL THREE MOVEMENTS. A LOT OF NOTES AND RHYTHM THINGS IN A CONTEMPORARY SETTING. KNOWLEDGEABLE PIANO SCORING.
BASTA RABE, FOLKE TROMBONE ALONE Sweden REIMERS 1982
H C/U A VIRTUOSO PIECE BY AN INVENTIVE COMPOSER. MULTI-PHONICS, ETC. RECORDED BY CHRISTIAN LINDBERG.
BASUNUKONSERT (TROMBONE CONCERTO) MASSON, ASKELL TROMBONE & ORCHESTRA Iceland ITM 1987 24 MIN H C/U 2FL,2CL,2OB,2BSN,6HN,3TRPT,3TRB,EUP,TBA,3PERC,TMP,STRINGS. DEDICATED FOR AND PREMIERED BY CHRISTIAN LINDBERG. A VIRTUOSO PIECE FOR TROMBONE & NEAR PROFESSIONAL ORCHESTRA.
BEAT, BEAT, BEATEN (SLAG I SLAG) JOHANSON, SVEN-ERIC PERCUSSION ALONE Sweden SMIC 1979
H C/U A GOOD SCORE OF DIFFICULT MUSIC WITH ONE PERSON PLAYING MANY INSTRUMENTS.
BEATE-CHRISTINE SYLVAIN, JULES & DIX DENNIE/MATS OLSSON STAGE BAND Sweden EHRLING 1978
E/M/ C/U/HS 3/4 BALLAD, TRPT PART TO C, TRB 1 SOLO.
BELGABESK SIGURBJORNSSON, THORKELL WOODWIND QUINTET Iceland ITM 1979
M/H C/U GOOD SCORE WITH SOME RHYTHMIC PROBLEMS FROM MANY METER CHANGES.
BEN BAY LINKOLA, JUKKA STAGE BAND Finland FiMIC 1985 EST 6-7 MIN H C/U TRUMPETS TO FLUGELHORNS, SAX TO FLUTE, PICCOLO, BASS CLARINET & SOP SAX. A 6/4 GOSPEL WITH 'SOCK' SECTION AND 'LAID BACK'.
BESVSMICARJELSER MELLNAS, ARNE BAND Sweden SMIC 1978 11 MIN H C/U/HS 2PIC,2FL,4CL,2AS,2TS,BS,3HN,4TRPT,4TRB,2EUP,2TBA,4PERC. NOTE UNUSUAL INSTRUMENTATION. THREE MOVEMENTS THAT LOOK VERY GOOD AND PLAYABLE.
BETWEEN 2ND AND 3RD LINKOLA, JUKKA STAGE BAND Finland FiMIC 1978 EST 6 MIN M C/U/HS LATIN, PLAYABLE, STRAIGHT AHEAD. DOUBLES TO FLUTE (AS & BS), FLUGELHORNS FROM TRPT 2 & 4.
BEYOND BAYAT KOCH, DAGFINN BAND Norway WARNER/CHAPPELL 1999/2000 EST 4 MIN M C/U/HS 2FL(PIC),OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. THE WORK MAY BE PLAYED BY A SMALLER INSTRUMENTATION AS NOTED IN THE SCORE BY THE COMPOSER. A SLOW, EUROPEAN STYLE MARCH. NICE SWEEPING WW LINES AND SOME EXCITEMENT.
BLA KONTRASTER KJAERNES, BJORN MORTEN BAND Norway FROST 1987 5 MIN 45 SEC E/M HS PIC,2FL,3CL,ACL,BCL,OB,AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,3PERC,TMP, SB. OVERTURE WITH LOTS OF PERCUSSION AND SOME NONTRADITIONAL NOTATION. CLEAN SCORE & PLAYABLE.
BLACK JOY KILPIO, LAURI HORN ALONE Finland Uusinta 2002 EST 4 MIN H
RANGE, RHYTHM, QUICK HAND STOPS, AND OTHER PROBLEMS TO SOLVE, BUT THE SCORE IS CLEAN AND PLAYABLE BY THE TOPE LEVEL C/U STUDENT
BLAD FRAN MITT GULSIPPEANGE, NO 1 BUCHT, GUNNAR CLARINET & PIANO Sweden SMIC 1985 12 MIN M/H C/U/HS TWELVE SHORT MOVEMENTS WITH MUCH VARIETY. NOT ALL NEED TO BE PLAYED FOR SUCCESSFUL PERFORMANCE. SOME MOVEMENTS VERY CHALLENGING WHILE OTHERS QUITE ACCESSIBLE.
BLÆSERKVINTET NR 1 COUR, NIELS LA WOODWIND QUINTET Denmark SAMFUNDET 1977 12 MIN M C/U ONE MOVEMENT WITH MODEST CHALLENGE FOR GOOD C/U PERFORMER. NO SURPRISES.
BLÆSERKVINTET NR 2 COUR, NIELS LA WOODWIND QUINTET Denmark SAMFUNDET 1980 27 MIN H C/U A MAJOR 4 MOVEMENT WORK WITH COMFORTABLE CHALLENGE FOR ALL PLAYERS.
BLÆSERKVINTET NR 3, OP 29 BENTZON, NIELS VIGGO WOODWIND QUINTET Denmark WHANSEN 1944 16 MIN M/H C/U THREE MOVEMENTS OF A PLAYABLE, MAJOR WORK. TRADITIONAL IN RHYTHM, HARMONICALLY MORE CONTEMPORARY.
BLAESERKVINTET, OP 11 MAEGAARD, JAN WOODWIND QUINTET Denmark ENGSTROM & SODRING 1998
M/H C/U MOVEMENTS: PRELUDIO, TEMA CON VARIAZIONO, FINALE-METAMORFOSE. THE THEME AND 9 VARIATIONS. CL IN A. LOT OF NOTES AND THE BASSOON PLAYER SPENDS SOME TIME IN TENOR CLEF.
BLAESERTRIO FOR OBOE, CLARINET AND BASSOON SAVERY, FINN WOODWIND TRIO Denmark SAMFUNDET 1959 EST 12+MIN H C/U MOVEMENTS: 1/8 = 152, VIVACE, ANDANTE CON VARIAZIONI. MOVE 1 ALTERNATES 7/8 AND 5/8, OTHER MOVEMENTS MORE TRADITIONAL. THE PARTS ARE IN COMFORTABLE RANGES AND PLAYABLE EXCEPT THE MS IS MARGINAL.
BLANDADIR DANSAR RUNARSDOTTIR, HILDIGUNNUR ORCHESTRA Iceland ITM 1998 20 MIN M C/U/HS 2FL,2OB,2CL,2BSN,2HN,2TRPT,2PERC,STRINGS. MOVEMENTS: MARS, VALS, MAZURKA,JARORARFARARMARS, SVEITADANS. A VERY NICE SUITE OF DANCES THAT CAN STAND ALONE. CLEAN SCORE AND READY TO PLAY!
BLASEKVINTET NO.1 SAEVERUD, HARALD WOODWIND QUINTET Norway MUSIKK-HUSET 1983 14 MIN H C/U GOOD CHALLENGE FROM A FINE COMPOSER.
BLASEKVINTET NO.2 SAEVERUD, HARALD WOODWIND QUINTET Norway MUSIKK-HUSET 1985
H C/U HARDER THAN NO. 1 SO FOR ONLY THE BEST OF QUINTETS.
BLASEKVINTETT FOR DE UNGE BERGE, SIGURD WOODWIND QUINTET Norway NORSK 1978 10 MIN M/H C/U LONG BASSOON CADENZA, RHYTHMICALLY STRAIGHT AHEAD WITH CONTEMPORARY HARMONY.
BLASEKVINTETT NR 2 HOVLAND, EGIL WOODWIND QUINTET Norway NMIC 1980 12 MIN M C/U MOVEMENT I IS FOR HORN ALONE PLAYING A NORWEGIAN FOLK TUNE, III IS A HARMONIZED VERSION OF I AND SHORT. THE QUINTET IS MAINLY IN MOVE II. STRAIGHT AHEAD AND A GOOD COMPOSER.
BLASEKVINTETT NR 2 SONSTEVOLD, GUNNAR WOODWIND QUINTET Norway NMIC
14 MIN 20 SEC M/H C/U CONTEMPORARY HARMONIES, STRUCTURAL IDEAS AND SOME RHYTHMIC COMPLEXITY.
BLASEKVINTETT NR. 2 LILLEBJERKA, SIGMUND WOODWIND QUINTET Norway NMIC 1999 13 + MIN M/H C/U USUAL INSTR. MOVEMENTS: ALLEGRO, ALLEGRETTO, VIVACE, ALLEGRO. VERY NICE SCORE AND MATERIAL. A WELCOME ADDITION TO THE LITERATURE. PLAYABLE!
BLASEN NU ALLA BELLMAN, CARL MICHAEL/GOSTA MORBERG BAND Sweden EHRLING 1978 EST.4MIN E HS/JHS 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS IN MS. PLAYABLE BY THE YOUNG BAND. MEDLEY OF FOUR SWEDISH TUNES.
BLASER-BLUES GRIMS-LAND,EBBE WIND ENSEMBLE Sweden SMIC 1979 7 MIN 30 SEC H C/U PIC,CL,OB,BSN,TS,3HN,2TRPT,2TRB,TBA,PERC,TMP. BEST WITH ONE ON A PART. CLARINET CAN DOUBLE THE SAXOPHONE PART.
BLASKLANG II BLOMBERG, ERIK BAND Sweden SMIC 1982 5 MIN E/M C/U/HS 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). THIS ONE DOES PLAY! NOTE INSTRUMENTATION, SUGGEST ONE ON A PART.
BLASKLANG III BLOMBERG, ERIK BAND Sweden SMIC 1982 5 MIN M/H C/U 3FL,3CL,3OB,2BSN,3HN,3TRPT,3TRB,2TBA,CBSN.(TRPTS IN C). NOTE THE INSTRUMENTATION, BEST PLAYED ONE ON A PART.
BLASKVINTETT HALLNAS, EYVIND WOODWIND QUINTET Sweden SMIC 1985 11 MIN M C/U FL,OB,EH,CL,BCL. NOTE THE INSTRUMENTATION. THREE MOVEMENTS THAT ARE PLAYABLE WITH THIS UNUSUAL INSTRUMENTATION.
BLAST INGOLFSSON, ATLI TRUMPET ALONE Iceland ITM 1998 3 MIN 6 SEC H C/U MUCH EMPHASIS UPON TIME, FREQUENT TIME CHANGE AND RHYTHMIC PROBLEMS WITHIN THOSE CHANGES. RANGE TO B.
BLIK MASSON, ASKELL CLARINET ALONE Iceland ITM 1979
H C/U MILDLY NONTRADITIONAL NOTATION & APPROACH. SOME MULTI PHONICS.
BLOPARK VALKARE, GUNNAR BAND Sweden SMIC 1982
M C/U/HS PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,2HN,2COR,2TRPT,2TRB,EUP, TBA,5PERC. FEATURES THE PERCUSSION SECTION. PLAYABLE WITH NO SURPRISES.
BLOW MELLNAS, ARNE BAND Sweden SMIC 1974 12 MIN M/H C/U PIC,FL,EbCL,3CL,OB,BSN,AS,TS,3HN,4TRPT,3TRB,EUP,TBA,2PERC,SB. SOME NONTRADITIONAL TECHNIQUES THAT ARE WELL SET OUT. MIXED METER. SOME FUN AS WELL AS MUSICAL INTEREST HERE FROM A FINE COMPOSER.
BLOWING BERG, OLAV BAND Norway NMIC 1980 EST 7+MIN. M C/U/HS PIC,FL,3CL,OB,AS,TS,4HN,2COR,2TRPT,3TRB,EUP,2TBA,PERC,TMP. LIKE AN OVERTURE. VERY PLAYABLE WORK THAT SINGS. TEMPOS VARY, LITTLE PERC. NICE SCORE.
BLUEBOLD JUUTILAINEN, PETRI STAGE BAND Finland FiMIC 1987 6-7 MIN H C/U/HS BLUES AT 144. GOOD WORK. NICE TROMBONE WRITING AND SOLOS.
BLUES FOR BILL LINDBERG, NILS STAGE BAND Sweden NORDISKA 1980
M C/U/HS LOTS OF PLACE FOR IMPROVISATION, WRITES WELL FOR THE SAXOPHONES.
BLUES IN D SVEINSSON, GUNNAR R JAZZ ENSEMBLE Iceland ITM 1983
M C/U FL, DRUMS, SB, GUITAR, VIBES. CONCERT STYLE HEAD WITH CHANGES.
BLUES/TRE ETAGER BROEDSGAARD, ANDERS CLARINET ALONE Denmark DKF 2002 2+ MIN H C/U WORKS THE LOW RANGE OF THE CLARINET WITH 19/16 TIME SIGNATURE AND QUITE SLOW. MODERN AND DIFFICULT!
BOAST COLDING-JORGENSEN, HENRIK TUBA ALONE Denmark SAMFUNDET 1980 5 MIN H C/U A CHALLENGE! HIGH TESSITURA, LARGE INTERVALS, RHYTHMIC PROBLEMS AND ALL BY YOURSELF!
BOBINETTE AMDAHL, MAGNE STRING QUARTET Norway NMIC 1977 EST 3 MIN E C/U/HS EASY FIRST STRING QUARTET. PLAYERS MUST BE COMPETENT BUT IT PLAYS.
BOLOS BARK, JAN & FOLKE RABE TROMBONE QUARTET Sweden WHANSEN 1962
M/H C/U AN EXCELLENT WORK USING NONTRADITIONAL NOTATION. VERY SUCCESSFUL COMPOSITION. AUDIENCE PLEASER. THEATRICAL ASPECTS.
BOOK OF BEAT NELSON, DANIEL SAXOPHONE QUARTET & BAND Sweden SMIC 2003 16 MIN, 30 SEC M C/U 2FL(PIC),2OB,3CL,BCL,2BSN,2HN,3TRPT,3TRB,TBA,ELECTBASS,PO,2PERC. THE SOLO INSTRUMENTS:2 AS (1 DBL SOP),TS,BS. FIVE MOVEMENTS THAT CAN STAND ALONE. SOME MIXED METER AND RHYTHMIC PROBLEMS, BUT PLAYABLE MUSIC BY THE SAXOPHONE SECTION OF MOST COLLEGE BANDS.
BOPBOP ANDERSSON, MAGNUS F BASSOON QUARTET Sweden SMIC 2002 4 MIN H C/U 3 BASSO0NS AND CONTRABASSOON. ALL THREE BASSOON PLAYERS GO BACK FORTH BETWEEN BASS AND TENOR CLEFS. THE SCORE IS FUN TO STUDY AND THE PLAYERS WILL ENJOY THIS CHALLENGE ALSO. BASSOONS CAN HAVE FUN TOO!
BOREAS JOHANSEN, BERTIL PALMAR BRASS QUINTET Norway NORSK 1992 EST 8 IN H C/U THREE ESOTERIC, DIFFICULT MUSIC. ADVANCED QUINTET PLAYER WITH MUCH CURIOSITY. GOOD SCORE, BUT MUSICIANS WILL HAVE TO PRACTICE AND REHEARSE -- A LOT!
BOREAS MASSON, ASKELL TUBA ALONE Iceland BIM 1999 6 MIN H C/U SOME NONTRADITIONAL THINGS, BUT THE SCORE LOOKS INVITING JUST LOOKING FOR THE TALENTED, AMBITIOUS C/U STUDENT.
BORERO HELGE, OLOV ORCHESTRA Sweden SMIC 1996/98 6 MIN 30 SEC M/H C/U 2FL(PIC),2OB,CL,BCL,BSN,CBSN,2HN,2TRPT,TIMP,STRINGS. TIMPANI PLAYS AN IMPORTANT, THOUGH NOT DOMINANT ROLE. THE SCORE 1S INVITING AND SHOULD BE PLAYED!
BOUBOU MELIN, STEN TROMBONE QUARTET Sweden SMIC 1987 EST 6 MIN H C/U EXCELLENT USE OF THE SLIDE, INTRICATE RHYTHMS AND FREQUENT TEMPO CHANGES. ONE ON A PART, NO DOUBLES.
BOUNCE NELSON, DANIEL BAND Sweden SMIC 2003 6 MIN 30 SEC M/H C/U PIC,2FL,2OB,2BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,4HN,3TRB,EUP,2TBA,STBS,4PERC. IN THE DANCE BAND WORLD THIS WAS CALLED, MEDIUM BOUNCE. THAT IS WHAT IT IS WITH SOME SOPHISTICATION. LIKE A 6/4 SECTION. AUDIENCE APPEAL.
BOURREE BURLESQUE FROM FJORTON SOLOSTYCKEN LUNDIN, DAG TUBA & PIANO Sweden SMIC 2003 EST 2 MIN E C/M/HS GOOD MANUSCRIPT WITH SUPPORTIVE ACCOMPANIMENT FOR THE YOUNGER SOLOIST. RANGE TO A ON TOP LINE FOR THE BASS CLEF FOR THE TUBA PLAYER.
BRASS HVOSLEF, KETIL BRASS ENSEMBLE Norway NMIC 1978
H C/U 4TRPT,4HN,4TRB,TBA. GOOD COMPOSER OF A HARD BUT PLAYABLE PIECE.
BRASS IN ACTION SODERBERG, HANS BRASS ENSEMBLE Sweden SMIC
EST 12+ MIN H C/U 4TRPT,4HN,3TRB,EUP,TBA,3PERC. ONE MOVEMENT USING NONTRADITIONAL TECHNIQUES AND WELL LAID OUT. THIS IS 'NOW' MUSIC.
BRASS MASS HEINIO, MIKKO BRASS ENSEMBLE Finland FAZER 1979 16 MIN H C/U 4TRPT,4TRB,TBA. ANTIPHONAL CHOIRS. 5 SECTIONS TO THE MASS. HARD BUT WORTH THE EFFORT.
BRASS QUINTET HANSEN, THORVALD/MOGENS ANDRESEN BRASS QUINTET Denmark DANISH BRASS 1984 EST 10 MIN M C/U FOUR MOVEMENTS WITH NICE CONTRASTS. VERY PLAYABLE AND ACCESSIBLE.
BRASS QUINTET WESTBY, OIVIND BRASS QUINTET Norway MUSIKK-HUSET 1998 13 MN H C/U MOVEMENTS: ALLEGRO, ANDANTE, ALLEGRO VIVO, MAESTOSO. NO RANGE PROBLEMS, SOME RHYTHMIC THINGS TO WORK OUT. WILL NEED A LOT OF REHEARSAL TO GET A TIGHT ENSEMBLE SOUND.
BRASS QUINTET NO. 2 LINKOLA, JUKKA BRASS QUINTET Finland FiMIC 1996 ST 15+ MIN H C/U MOVEMENTS: ANIMATO, LENTO-SOSTENUTO, ALLEGRO BRILLANTE. IF YOU DO NOT HAVE HIS FIRST QUINTET YOU SHOULD, THEN THIS ONE. HARD, MUCH MIXED METER THAT MAKES SENSE AND OTHER PERFORMANCE PROBLEMS, BUT AN EXCELLENT COMPOSER WITH MARGINAL MS.
BRASS SCENER (BRASS SCENES) HURUM, HELGE BRASS QUINTET Norway NMIC 1981 EST 10 MIN M C/U FOUR MOVEMENTS. IN IST TRPT 2 DOUBLES FLUEGELHORN. PROGRAM AND PERFORMANCE INTEREST.
BRASS-FEST FAHLSTROM, ORJAN BRASS ENSEMBLE Sweden SMIC 1980 27 MIN H C/U 3TRPT,3TRBN,HN,TUBA,ELECTRIC PIANO,PERC. FOUR MOVEMENTS. A MAJOR, WORK WITH RHYTHMIC INTEREST AND PROBLEMS. MUCH REHEARSAL FOR SUCCESSFUL PERFORMANCE.
BRASSKVINTETT ZWEDBERG, TOMMY BRASS QUINTET Sweden SMIC 1989 7 MIN H C/U A HARD PIECE BECAUSE OF THE RHYTHMIC PROBLEMS. RANGES REASONABLE AND 4/4 ALL OF THE WAY. NEEDS ACCURATE COUNTING.
BRASSKVINTETT ZWEDBERG, TOMMY BRASS QUINTET Sweden SMIC 1989 7 MIN H C/U A HARD PIECE BECAUSE OF HE RHYTHMIC DEMANDS. RANGES ARE REASONABLE AND 4/4 ALL THE WAY. NEED ACCURATE COUNTING.
BREAKING ANOTHER WALL VAAGE, KNUT BAND Norway NMIC 2002 17 MIN H C/U PIC,FL,0B,EbCL,4CL,BCL,AS,TS,BSN,3TRPT,3HN,3TRB,EUP,2TBA,STBS,3 PERC. EPISODIC AND HARD! ONLY THE BEST MAY APPLY! NOTE THE LIMITED INSTRUMENTATION INDICATING THE C/U WIND ENSEMBLE, HOWEVER IT LOOKS LIKE IT COULD BE PERFORMED BY A LARGER ENS.. ALL THE USUAL CHALLENGES
BREKKUGATA INGOLFSSON, ATLI ORCHESTRA Iceland ITM 1993 11 MIN H C/U 2FL,2OB(EH),2CL(BCL),BSN,2PERC,PIANO,STRINGS. A WELL KNOWN ICELANDIC COMPOSER WITH A VERY HARD WORK FOR CHAMBER ORCHESTRA. ONLY THE BEST WILL WANT TO ATTEMPT THIS. USUAL TRAPS IN RHYTHMIC THINGS AND EVERYBODY WORKS!
BREV, OP 31D KVAM, ODDVAR S VIOLIN & PIANO Norway MUSIKK-HUSET 1982 CA 7 MIN M C/U FEW SURPRISES IN SOUND BUT SATISFYING TO PLAY. MOSTLY STRAIGHT AHEAD.
BRIDGES ROSELL, LARS-ERIK HORN & ORGAN Sweden REIMERS 1980
H C/U SOME INTERESTING SURPRISES FOR THE EAR. FITS TOGETHER WELL AND PLAYABLE.
BRIDGING THE WORLD BROSTROM, TOBIAS PERCUSSION ENSEMBLE Sweden SMIC 2004 6 MIN
C/U/HS THREE PLAYERS: MULTIPLE INSTRUMENTS EACH INCLUDING MARIMBA AND VIBRAPHONE. SOME MIXED METER, BUT GENERALLY STRAIGHT AHEAD AND VERY PLAYABLE BY C/U AND GOOD HS ENSEMBLES. CHECK THE SMIC CATALOG ON LINE FOR MORE ITEM BY THIS COMPOSER AS WELL AS KEYBOARD PERCUSSION PUBLICATIONS BY MARIMBA PUB. P.O.BOX 467, ASBURY PARK, NJ USA 07712 KPP@MOSTLYMARIMBA.COM. WEB SITE SAME AVAILABLE.
BRIGADEMUSIKK SLETTHOLM, YNGVE BAND Norway NMIC 1986 19 MIN H C/U PIC,FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP,Eb CORNET,2FLUEGELHORN,3TENORHORNS IN Bb. SOME NONTRADITIONAL NOTATION. 3 MOVEMENTS. HARMONIC DENSITY AND RHYTHMICALLY STRAIGHT AHEAD.
BROKIGA BLAD SORENSON, TORSTEN STRING ORCHESTRA Sweden GEHRMANS 1981 21 MIN M C/U/HS NINE MOVEMENTS THAT ARE VERY PLAYABLE WITH NO SURPRISES.
BROLLOPSMARSCH SODERMAN, AUGUST/STIG GUSTAFSON BAND Sweden GEHRMANS 1978 3 MIN 30 SEC E HS/JHS 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,2EUP, TBA,PERC,TMP,SB. CONDENSED SCORE. GOOD ARRANGER FOR HS BANDS.
BRUDARMARS (BRIDESMARCH) MASSON, ASKELL TRUMPET & ORGAN Iceland ITM 1984 3 MIN E C/U/HS A LITTLE, PLAYABLE MARCH WITH SPECIAL ATTENTION NEEDED FOR TRILLS AND OTHER SPECIAL TECHNIQUES.
BRUDMARSCH FRAN DELSBO MORBERG, GOSTA BAND Sweden GEHRMANS 1977 3 MIN E HS/JHS 2FL,3CL,ACL,BCL,OB,2BSN,2AS,TS,BS,2HN,3TRPT,3TRB,EUP,2TBA,SB,EH. CONDENSED SCORE, SLOW MARCH, TRADITIONAL SWEDISH FOLK MUSIC.
BRYLLUPSMUSIKK VOLLE, BJARNE TRUMPET & ORGAN Norway NOTON 1995
E/M C/U/HS 6 TUNES ARRANGED BY VOLLE OF VARYING LENGTH AND DIFFICULTY. Bb AND C PARTS FOR THE TRUMPET PLAYER. PRACTICAL AND USEFUL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE NOTON CATALOG OR THROUGH NMIC.
BUILE NORDHAGEN, STIG PERCUSSION ENSEMBLE & BAND Norway NMIC 1998 15 MIN 30 SEC H C/U FL(PIC),OB,EbCL,3CL,BCL,BSN,2AS,TS,BS,3TRPT,3HN,3TRB,EUP,TBA,2PERC. ONE MOVEMENT WORK FOR THREE PERCUSSIONISTS. MIXED METER, BUT SOLOIST AND BAND WILL WORK HARD TO GET THIS TO GO. HARD, BUT THE SCORE IS VERY INTERESTING. C/U GROUPS CAN HANDLE IT!
BURLONI EYSER, EBERHARD BAND Sweden SMIC 1985 7 MIN M C/U/HS 2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,PERC,SSAX. ONE MOVEMENT, 3 SECTIONS(F-S-F), FINE COMPOSER, MANUSCRIPT MAY BE A LITTLE PROBLEM.

©1991, 2007 Mark Lammers

This Edition ©2005, 2007 WASBE — Content used with permission