Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| CADANCE (1984) | PAPE, ANDY | PERCUSSION ENSEMBLE | Denmark | SAMFUNDET | 1984/1989 | 10 MIN | H | C/U | FOUR PARTS, NO MALLET INSTRUMENTS, STYLE A LA S. REICH. POLY-RHYTHMIC. |
| CADENZA | MASSON, ASKELL | VIOLA ALONE | Iceland | ITM | 1987 | EST 3 1/2 MIN | H | C/U | ONE MOVEMENT WITH TRADITIONAL CHALLENGES AND NOTES - NO SURPRISES. |
| CADENZA (1985) | MASSON, ASKELL | TROMBONE ALONE | Iceland | ITM | 1987 | 8 MIN | H | C/U | ONLY THE BEST MAY APPLY, COMPOSED FOR CHRISTIAN LINDBERG. MULTI PHONICS - THE WORKS! |
| CADENZE | SALLINEN, AULIS | VIOLIN ALONE | Finland | FAZER | 1965 | EST 4 MIN | H | C/U | VERY FREE MUSIC - NO BARS LINES. MATURE TECHNIQUE AND MUSICIANSHIP NEEDED. |
| CALEIDOSCOPIO | KAYSER, LEIF | FLUTE & ORGAN | Denmark | DMIC | 1976 | 15 MIN | M/H | C/U | FREQUENT CHANGE OF TIME SIGNATURE BUT A STEADY PULSE. FLUTE PART MODERATE, ORGAN DIFFICULT. |
| CAMERA OSCURA | RASMUSSEN, KARL AAGE | SAXOPHONE QUARTET | Denmark | WHANSEN | 2000/20001 | EST 15+ MIN | M/H | C/U | 9 MOVEMENTS OF VARYING LENGTH AND STYLE. WAS COMMISSIONED BY THE RASCHER QUARTET. THE SCORE IS IN C, BUT WE ASSUME THE PARTS ARE FOR SS,AS,TS AND BS. SOME MOVEMENTS HARDER THAN OTHERS BUT, THIS IS MATERIAL FOR THE FINE C/U ENSEMBLE. |
| CANARIE NR. 3 | VOLLE, BJARNE | TROMBONE & PIANO | Norway | NOTON | 1996 | EST 2 MIN 30 SEC | M/H | C/U/HS | ABA: SLOW,FAST,SLOW. TO Ab. TECHNICALLY REASONABLE WITH GOOD ACCOMPANIMENT. SCHOOL MATERIAL. CONTACT NMIC IF YOU CANNOT FIND THIS PUBLISHER. |
| CANTATE CANTICA SOCII | SONNINEN, AHTI | STRING ORCHESTRA | Finland | FAZER | 1979 | EST 5 MIN | E | C/U/HS | THREE MELODIES FROM 'PIAE CANTIONES', 1582. EARLY STYLE. |
| CANTILENA - VIVO | KOCH, ERLAND VON | SAXOPHONE QUARTET | Sweden | GEHRMANS | 1978 | 4 1/2 MIN | E/M | C/U/HS | S.A.T.B. CONTEST, RECITAL OF PLAYABLE AND GOOD MATERIAL. |
| CANTILENA (CRADLE SONG) | AAGAARD-NILSEN, TORSTEIN | TROMBONE & BAND | Norway | NMIC | 2002 | EST 8 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3TRPT,4H,3TRB,EUP,TBA,4PERC,OPT-PIANO. A ONE MOVEMENT WORK WITH MUCH MIXED METER AND OTHER RHYTHMIC PROBLEMS. TRB SOLO TO HIGH C. SCORE IS WELL DESIGNED FOR EASY COMPREHENSION. |
| CANTILENA E MARCIA POPULARE NO.1 | KOCH, ERLAND VON | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 5 MIN | E | C/U/HS | GOOD COMPOSER OF MUSIC THAT IS PLAYABLE AND WORTHWHILE FOR SCHOOL ENSEMBLES. |
| CANTILENA FOR URD | JOHANSEN, BERTIL PALMAR | HORN , TROMBONE AND STRING ORCHESTRA | Norway | NMIC | 1987/2003 | 10 MIN | M/H | C/U | SLOW TEMPOS, MAY BE HARDER FOR THE STRINGS THAN THE SOLOIST EXCEPT THE HIGH RANGE FOR THE TROMBONE (TO C). |
| CANTINO | KANKANEN, AIMO | TRUMPET & PIANO | Finland | FiMIC | 1993 | EST 3 MN | E/M | C/U/HS | TRUMPET IN C. THIS IS A LYRICAL PIECE, GOES TO B AND STRAIGHT FORWARD. COMPOSER ALSO HAS SEVERAL OTHER WORKS AT THIS LEVEL FOR THIS COMBINATION WITH FIMIC. |
| CANTO | NYSTEDT, KNUT | HORN ALONE | Norway | NORSK | 1990 | 4 MIN 30 SEC | M/H | C/U | THE NOTES ARE NOT HARD - TO B ABOVE THE STAFF. FROM ONE OF NORWAY’S FINEST COMPOSERS. YOU WILL WANT TO TRY THIS ONE. |
| CANTO | THEORIN, HAKAN | FLUTE & ORGAN | Sweden | SMIC | 1987 | E | C/U/HS | EASY, TONAL, SUSTAINED WORK. | |
| CANTO OSTINATO, OP 9 | SAEVERUD, HARALD | ORCHESTRA | Norway | NORSK | 1937 | EST 9 MIN | M/H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CELESTE, HARP,STRINGS. TRADITIONAL MUSIC BY A FINE NORWEGIAN COMPOSER AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL. |
| CANTO SERIOSO | NIELSEN, CARL | CELLO & PIANO | Denmark | WHANSEN | 1944 | EST 4 MIN | M | C/U/HS | ALSO SCORED FOR HORN AND PIANO. COMFORTABLE RANGE FOR CELLO. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH MANY OF NOTES, END IS MELODIC AGAIN. |
| CANTO SERIOSO | NIELSEN, CARL | HORN & PIANO | Denmark | WHANSEN | 1944 | EST 4 MIN | M | C/U/HS | ALSO SCORED FOR CELLO AND PIANO. EMPHASIS ON LOW HORN RANGE. OPENING IS A LOW MELODY, MIDDLE AN ADAGIO WITH A LOT OF NOTES, END IS MELODIC AGAIN. |
| CANTOR HENRY’S POLKA | VIITASAARI, JUKKA | BAND | Finland | 7IKKO | 2005 | 2 MIN 10 SEC | M | C/U/HS | PIC,2FL,OB,BSN,3CL,BCL,2AS,TS,BS,3TRPT,2COR,2HN,2TRB,EUP,TBA,4PERC. JUKKA HAS ARRANGED A NUMBER OF THESE TRADITIONAL FINNISH FOLK TUNES FOR BAND VERY PLAYABLE AND FUN. ALSO SEE, HINTRIIKKI PELTONIEMI’S FUNERAL MARCH’, ‘STAR GAZER’ AND ‘WIND BREEZES BEND THE TREES.’ |
| CANTUS | JOHANSEN, BERTIL PALMAR | VIOLIN ALONE | Norway | NORSK | 1988 | 6 MIN | M/H | C/U | CONTEMPORARY SOUNDS FOR THE VIOLINIST. MANY CHROMATICS. |
| CANTUS BOREALIS | RASMUSSEN, SUNLEIF | WOODWIND QUINTET | Denmark | SAMFUNDET | 2003 | 10 MIN 30 SEC | H | C/U | MULTIPHONICS, MIXED METER AND A NUMBER OF OTHER WAYS TO MAKE THIS DIFFICULT TO PLAY. BUT, THE SCORE IS THE PRODUCT OF A KNOWLEDGEABLE COMPOSER AND IS LAID OUT SO THE PROBLEMS DO NOT SEEM AS GREAT AS THEY MIGHT BE. |
| CANTUS III, OP 103 | HOVLAND, EGIL | VIOLIN & PIANO | Norway | NORSK | 1980 | EST 7 MIN | M/H | C/U | SOME NONTRADITIONAL WORK MOSTLY STRAIGHT AHEAD. NEEDS FINE PIANIST. |
| CANTUS IV, OP 97 | HOVLAND, EGIL | BRASS QUINTET | Norway | NORSK | 1981 | EST 5 1/2 MIN | H | C/U | TWO MOVEMENTS IN A GOOD SCORE. NEEDS STRONG PLAYERS WITH GOOD RANGE STRENGTH. SECOND MOVEMENT IS SHORT, THE MAJOR WORK IS IN 1ST MOVE. |
| CANTUS V, OP 120 | HOVLAND, EGIL | TROMBONE & ORGAN | Norway | NORSK | 1982 | M | C/U | GOOD MATERIAL WITH A LITTLE NONTRADITIONAL TECHNIQUE REQUIRED. | |
| CANTUS VII, OPUS 132 | HOVLAND, EGIL | BRASS & ORGAN | Norway | NMIC | 1985 | H | C/U | 3TRPT,2HN,3TRB,TBA,TIMP. GOOD PIECE FROM A FINE COMPOSER. | |
| CANVAS | SAARIAHO, KAIJA | FLUTE ALONE | Finland | FiMIC | 1978 | M/H | C/U | THREE MOVEMENTS THAT WOULD BE COMFORTABLE FOR THE GOOD COLLEGE PLAYER. | |
| CANZONA | NYSTEDT, KNUT | STRING BASS ALONE | Norway | NORSK | 1991 | 7 MIN | M/H | C/U | TWO MOVEMENTS BY AN EXCELLENT NORWEGIAN COMPOSER. A GOOD CHALLENGE, BUT ALL WITHIN REASON. THERE IS TIME TO MAKE MUSIC. |
| CANZONA PASTORELLA | BLUM, THOMAS | CELLO & PIANO | Sweden | SMIC | 1993 | 7 MIN | M/H | C/U | MARGINAL MS. BUT, THE WORK SHOULD BE PLAYED. THE PIANO PART HAS SOME DIFFICULTIES, SO GET A GOOD ACCOMPANIST. MUSIC FOLLOWS THE TITLE. |
| CANZONE DEVOTA | DEGEN, JOHANNES D | SAXOPHONE QUARTET | Sweden | SMIC | 1981 | 4 MIN 10 SEC | E/M | C/U/HS | TONAL WITH DEVOTION. SLOW. |
| CANZONETTA, OP 16 | EDLUND, SWANTE | FLUTE & PIANO | Sweden | SMIC | 1989 | E/M | C/U/HS | A SHORT PIECE FOR CONTEST OR RECITAL. NO PERFORMANCE PROBLEMS. | |
| CANZONI A BALLO PER BANDA | NORBY, ERIK | BAND | Denmark | SAMFUNDET | 1989 | M/H | C/U/HS | PIC,3FL,EbCL,3CL,BCL,3OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, 3TBA,2PERC,TMP,EH,2 TENOR HORN. FIVE MOVEMENTS WITH HIGH RHYTHMIC INTEREST ALL THE WAY. MANY CHANGES OF METER. | |
| CAPRICCIO | NELVIG, BENGT | VIOLIN & PIANO | Sweden | GEHRMANS | 2000 | EST 4 MIN | M/H | C/U | NICE LAYOUT OF THE PARTS AND INTERPLAY BETWEEN THE TWO PERFORMERS. LOTS OF NOTES, BUT VERY PLAYABLE! |
| CAPRICCIO | NORBY, ERIK | TRUMPET & STRING ORCHESTRA | Denmark | WHANSEN | 1978 | H | C/U | 6VLN, 2VLA, 2CELLO, 2SB, PIANO. TRUMPET RANGE MODEST, MANY RHYTHMIC HURDLES. SCORE FOR SALE, PARTS RENTAL. | |
| CAPRICCIO | PALSSON, PALL P | TRUMPET QUARTET | Iceland | ITM | 1961 | M | C/U | FOUR SECTIONS, MODEST RANGES, USE OF MUTES, AND A GOOD SCORE WITH NO REAL PERFORMANCE PROBLEMS. | |
| CAPRICCIO | PALSSON, PALL P. | SAXOPHONE QUARTET | Iceland | ITM | 1992 | 5 MIN | M/H | C/U | SS,AS,TS,BS. RELUCTANT TO LIST THIS BECAUSE OF THE MS. HOWEVER, IT IS LAID OUT SO WELL IT SHOULD BE PLAYED. IT SHOULD PLAY EASIER THAN IT LOOKS BECAUSE OF THE MS. GIVE IT A TRY! |
| CAPRICCIO & CANZONE | HURUM, HELGE | BAND | Norway | NMIC | 1984 | EST 8+MIN | M | C/U/HS | FL,3CL,BCL,OB,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST, GOOD WORK FOR PERCUSSION AND BRASS, WW'S MUST WORK A LITTLE HARDER! |
| CAPRICCIO DA CAMERA | DANIELSSON, CHRISTER | TUBA & BRASS QUINTET | Sweden | NORDISKA | 1979 | 6 MIN 45 SEC | M/H | C/U | ONE MOVEMENT SOLO TUBA WITH BRASS QUINTET THAT IS QUITE PLAYABLE. |
| CAPRICCIO FOR SOLOVIOLIN, OP. 29 | MARTINSSON, ROLF | VIOLIN ALONE | Sweden | SMIC | 1991 | 10 MN | H | C/U | IN CLEAN MS. ADVANCED TECHNIQUE REQUIRED. VIOLINIST MUST HAVE GREAT COMMAND OF HE INSTRUMENT. AT TIMES QUITE DRAMATIC! |
| CAPRICCIO, OP 16 NR 2 | KVANDAL, JOHAN | VIOLIN & PIANO | Norway | NORSK | 1976 | EST 6 MIN | M | C/U | ADAGIO OPENING THEN ALLEGRO SCHERZANDO IN 9/8. GOOD COMPOSER AND A GOOD PIECE. |
| CAPRICCIO, OP 73 | KOPPEL, HERM D | FLUTE & PIANO | Denmark | LEDUC | 1961 | 8 MIN | H | C/U | ONE MOVEMENT, VIVACE ALL THE WAY. SHOW OFF PIECE FOR C/U STUDENT RECITAL. |
| CAPRICCIOSO | KARJALAINEN, KARI | TROMBONE & PIANO | Finland | FENNICA | 2003 | 5 MIN | M | C/U/HS | MIDDLE REGISTER ON THE TROMBONE. QUITE LYRICAL, SOME MIXED METER, BUT MOSTLY STRAIGHT AHEAD. EARLY RECITAL OR CONTEST. |
| CAPRICE | WILKENSCHILDT, GEORG | TROMBONE & PIANO | Denmark | WHANSEN | 1969 | 6 MIN 30 SEC | H | C/U | ALL IN TENOR CLEF, RANGE TO C#, MANY NOTES, BUT LYRICAL. |
| CAPRICIETTO | KOCH, ERLAND VON | FLUTE & PIANO | Sweden | SMIC | 1992 | est. 2 min | M | C/U/HS | OTHER THAN SOME VERY HIGH REGISTER PLAYING, THIS IS VERY PLAYABLE MUSIC. PIANO ACCOMPANIMENT IS NOT HARD, BUT APPROPRIATE. |
| CAPRICIOUS SUITE FOR BAND,OP 72 | LUNDE, IVAR, JR. | BAND | Norway | SHAWNEE | 1983 | 14 MIN 30 SEC | E/M | HS/JHS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,3HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP,Eb & Bb CONTRA CL. 6 MOVEMENTS THAT CAN STAND ALONE. NONTRADITIONAL NOTATION IN 4TH MOVEMENT IS EASY TO FOLLOW. |
| CARTE POSTALE à STEN FRYKBERG | NILSSON, BO | BRASS QUINTET | Sweden | SMIC | 1985 | EST 4 MIN | M/H | C/U | TRPT I DOUBLES PICCOLO TRPT. FREQUENT METER CHANGES IN A VERY INTERESTING SCORE. |
| CARVINGS | NORDAL, JON | CLARINET & PIANO | Iceland | ITM | 1985 | 8 MIN | M/H | C/U | THREE SHORT MOVEMENTS OF MOSTLY FLOWING LINES. VERY PLAYABLE MUSIC, BUT DIGNIFIED ENOUGH FOR EVERYONE! |
| CASCADE | DANIELSSON, CHRISTER | BRASS QUINTET | Sweden | SMIC | 1986 | 7 MIN | M/H | C/U | IN MS, GOOD COMPOSER, PLAYABLE. |
| CASSIONE | BASHMAKOV, LEONID | TUBA ALONE | Finland | FAZER | 1976 | EST 3-4 MIN | M/H | C/U | RANGE TO D AND PLAYABLE. |
| CAUSERIE | MAROS, MIKLOS | FLUTE & PIANO | Sweden | NORDISKA | 1976 | 6 MIN 30 SEC | H | NONTRADITIONAL NOTATION ALL THE WAY! | |
| CAVATINA, OPUS 48 | EDLUND, SWANTE | VIOLA & PIANO | Sweden | SMIC | 1999 | 5 MIN | M | C/U | A LONG MIDDLE SECTION IN 7/4 AND A LOT OF ATTENTION TO THE UPPER REGISTER. THERE WOULD HAVE TO BE SOME THOUGHT GIVEN TO INTERPRETATION. MORE HELP COULD HAVE BEEN PROVIDED BY THE COMPOSER. |
| CELEBRATION, OP 94 | NYSTEDT, KNUT | BAND | Norway | NMIC | 1982 | 10 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,4PERC. WELL KNOWN COMPOSER. 3 MOVEMENTS WITH NICE SCORE AND PLAYABLE! |
| CEREMONIMUSIK NR 1, OP 134 | KARKOFF, MAURICE | BAND | Sweden | SMIC | 1977 | 4 MIN | H | C/U | 3FL,EbCL,6CL,AS,TS,BS,4HN,6COR,3TRB,2EUP,2TBA,2PERC,TMP. NOTE INSTRUMENTATION! FREQUENT METER CHANGES IN A PLAYABLE SCORE. |
| CHA-CHA-CHA | RUDERS, POUL | PERCUSSION ALONE | Denmark | WHANSEN | 1981 | EST 5 MIN | H | C/U | MAINLY AT THE DRUM SET. SOME THEATER AND LOTS OF NOTES. |
| CHACONNE | JOHANSSON, BENGT | VIOLIN & PIANO | Finland | FAZER | 1983 | EST 6+MIN | H | C/U | CONTEMPORARY SOUNDS AND RHYTHMICALLY STRAIGHT AHEAD. A LOT OF DOUBLE STOP WORK AT BRISK TEMPOS. |
| CHAMBER CONCERTO FOR FLUTE, OP. 31 | LINDHOLM, HERBERT | FLUTE & PIANO | Finland | FiMIC | 1999 | EST 9+ MIN | H | C/U | THIS IS ALSO AVAILABLE WITH 2 VIOLINS, CLARINET, CELLO, STRING BASS AND PIANO. MOVEMENTS: TRANQUILLO - MODERATO, ANDANTE LACRIMOSO, MOLTO VIVACE. MOSTLY STRAIGHT AHEAD IN MODERN HARMONIC SETTING. LOTS OF NOTES AND A SUPPORTIVE PIANO PART. |
| CHAMPAGNE GALOP | LUMBYE, H C/MOGENS ANDRESEN | BRASS ENSEMBLE | Denmark | DANISH BRASS | 1986 | 2 MIN 10 SEC | M/H | C/U | Eb COR,2BbCOR,TRPT,2HN,2TRB,EUP,TBA,PERC. FAST MOVING AND FUN! SUGGEST Eb PART BE TRANSPOSED FOR Bb OR PICCOLO TRUMPET. |
| CHAMPAGNE GALOP | LUMBYE, H.C. | WOODWIND QUINTET | Denmark | WEMUS | EST PUB 2002 | EST 2 MIN | E | C/U/HS | ARRANGED FOR WW QT BY MICHAEL WEHDING. LUMBYE IS AN EARLIER DANISH COMPOSER OF THIS POPULAR WORK PLAYED FREQUENTLY BY BRASS INSTRUMENTS. FUN FOR ALL INCLUDING THE AUDIENCE. ALSO AVAILABLE FOR 8 CLARINETS. |
| CHANGES | WALLIN, ROLF | BAND | Norway | NMIC | 1984 | H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,3PERC,TMP,SB. SOME NONTRADITIONAL NOTATION, HARMONY & STYLE. SCORE IS WELL LAID OUT TO ACCOMMODATE THE 'CHANGES'! | |
| CHANT | KARKOFF, INGVAR | SAXOPHONE AND ORGAN | Sweden | SMIC | 1997 | 3 MIN | E/M | C/U/HS | AS. NICE, FLOWING LINE FOR THE ALTO SAXOPHONE WITH MILD PUNCTUATION BY THE ORGAN. IN A ROOM WITH GOOD ACOUSTICS, THIS SHOULD BE QUITE A HAUNTING EXPERIENCE. |
| CHEERS | WENSTROM-LEKARE, LENNART | HORN & PIANO | Sweden | SMIC | 1996 | EST 4 MIN | M | C/U/HS | THREE SHORTER MOVEMENTS IN CLEAR MS. NO TECHNICAL PROBLEMS, GOOD RECITAL MATERIAL. THIS COMPOSER HAS A LONGER WORK LIKE THIS TITLED, DIVERTIMENTO. SO, IF YOU LIKE THIS ONE TRY THAT. |
| CHIARO | LINJAMA, JYRKI | HORN ALONE | Finland | SULASOL | 2004 | EST 3+ MIN | H | C/U | HARD, BUT PLAYABLE BY THE C/U STUDENT OF HIGH LEVEL. USUAL ISSUES TO SOLVE LIKE RHYTHM - NO RANGE PROBLEM. A WELL LAID OUT SCORE. |
| CHLOE | BJORKLUND, TERJE | TRUMPET, TROMBONE & STRING ORCHESTRA | Norway | NMIC | 2000 | EST 8+ MI | M/H | C/U | MIXED METER AND OTHER PROBLEMS FOR THE TWO SOLO PLAYERS, BUT WHEN THEY KNOW THEIR PARTS IT SHOULD WORK OUT EASILY WITH THE STRINGS. ALTERNATE CADENZAS! |
| CHORALE SONATE NR 2 | KARLSEN, KJELL MORK | BASSOON & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| CHORALE SONATE NR 2 | KARLSEN, KJELL MORK | CELLO & ORGAN | Norway | NORSK | 1973 | M | C/U | SUGGEST USE FOR TROMBONE, EUPHONIUM OR BASSOON. A GENTLY FLOWING PIECE YOU WILL LIKE. BASED ON 'AUS TIEFER NOT SCHREI ISH ZU DIR'. | |
| CHORALE SONATE NR 2 | KARLSEN, KJELL MORK | EUPHONIUM & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| CHORALE SONATE NR 2 | KARLSEN, KJELL MORK | TROMBONE & ORGAN | Norway | NORSK | 1973 | M | C/U | A GENTLY FLOWING PIECE YOU WILL LIKE. COMPOSED FOR CELLO. 'AUS TIEFER NOT SCHREI ISH ZU DIR' | |
| CHURCH MUSIC, OP 26 | BORG, KIM | TROMBONE & ORGAN | Finland | FiMIC | 1977 | H | C/U | 1. PSALM 2. MEDITATION 3. PRAYER. RANGE TO D. A GOOD SCORE COMPOSED FOR CARSTEN SVANBERG. | |
| CIELO | LARSSON GOTHE, MATS | ORCHESTRA | Sweden | SMIC | 2003 | 12 MIN | H | C/U | 2FL(PIC),2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,4PERC,CELESTA,HARP,STRINGS. SEVERAL MUTES FOR THE BRASS. COMPOSED FOR THE ROYAL STOCKHOLM PHILHARMONIC ORCH. PROFESSIONAL MUSIC POSSIBLE BY FINE C/U GROUPS. |
| CINQUE STUDI CANONICI PER DUE FLAUTI | HAMBRAEUS, BENGT | FLUTE DUET | Sweden | CANADIAN MUSIC CENTRE | 1988 | 12 MIN | H | C/U | FIVE CHALLENGING MOVEMENTS FROM A FINE COMPOSER WITH ELECTRONIC AND IVESIAN BACKGROUND. |
| CIRCLES | LORENTZEN, BENT | TROMBONE ALONE | Denmark | WHANSEN | 1996 | EST 7 MIN | H | C/U | USES THE AVANTE GUARDE TECHNIQUES AVAILABLE: MULTI-PHONICS, FLUTTER TONGUE, RIPS, GLISSANDO, ETC. COMFORTABLE PLAYING RANGE. |
| CIRCUITS MAGIGUES | EYSER, EBERHARD | FLUTE & HARP | Sweden | SMIC | 1987 | H | C/U | THREE MOVEMENTS FROM A FINE COMPOSER AND WORTH THE EFFORT. | |
| CIRKUS SUITE | JACOBSEN, JULIUS | BAND | Sweden | SUECIA | 15 MIN | M/H | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,3COR,2TRPT,3TRB,EUP,TBA,2PERC. FOUR MOVEMENTS WITH MUCH AUDIENCE APPEAL, FREQUENT METER CHANGES, PLAYABLE AND WELL SCORED! | |
| CLARIMPETTE | KVAM, ODDVAR S. | CLARINET ALONE | Norway | MUSIKK-HUSET | 1986 | H | C/U | FOR STUDY OR RECITAL FROM A RESPECTED NORWEGIAN COMPOSER. | |
| CLARIMPETTE | KVAM, ODDVAR S. | TRUMPET ALONE | Norway | MUSIKK-HUSET | 1986 | H | C/U | STUDIO CHALLENGE THEN TO THE RECITAL STAGE. (ALSO CLARINET ALONE). | |
| CLARINET CONCERTO | HAKOLA, KIMMO | CLARINET & ORCHESTRA | Finland | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,2PERC,HARP, STRINGS. MOVMENTS: ALLEGRETTO POMPOSO, ADAGIO AMOROSO, ALLEGRO FARARA. (LAST TWO MOVEMENTS ATTACCA). NO SPECIAL DEMANDS ON THE ORCHESTRA OR CLARINETIST. SOME TRICKY RHYTHM PATTERNS IN 3, BUT ALL PLAYABLE. |
| CLARINET CONCERTO | NELSON, DANIEL | CLARINET & ORCHESTRA | Sweden | SUECIA | 2000 | 19 MIN | M/H | C/U | 2FL(PIC),2OB,2CL,2BSN,2HN,2TRPT,PIANO/CELESTA,2PERC,STRINGS. EACH OF THE WINDS HAS A WINE GLASS FILLED TO A CERTAIN PITCH WITH LIQUID TO PLAY. DO NOT LET THAT SCARE YOU, A SERIOUS COMPOSER WITH GREAT THINGS TO SAY IN THREE MOVEMENTS. BUT, IT IS ABOUT THE CLARINET! |
| CLARINET CONCERTO | RAUTAVAARA, EINOJUHANI | CLARINET & ORCHESTRA | Finland | FENNICA | 2001 | EST 20+ MIN | H | C/U | 2FL,2OB,CLBCL,BSN,CBSN,4HN,2TRPT,2TRB,TBA,3PERC,HAP,STRINGS. MOVEMENTS: DRAMMATICO (MA FLESSIBLE), ADAGIO ASSAI, VIVACE. HARD FOR BOTH PARTIES, BUT A GREAT COMPOSER WHO HAS SOMETHING TO SAY AND WORTH THE EFFORT. AT LEAST TRY THE SECOND MOVEMENT! |
| CLARINET CONCERTO | SIGTRYGGSSON, EIRIKUR ARNI | CLARINET & ORCHESTRA | Iceland | ITM | 1994 | 30 MIN | H | C/U | PIC,2FL,2OB,EH,AS,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. THIS COMPOSER LETS THE SOLOIST DO THEIR THING AND FOR THE MOST PART KEEPS THE ORCHESTRA OUT OF THE WAY. SOLOIST WILL WORK MUCH HARDER THAN THE ORCHESTRA. |
| CLARINET MARMALADE | MADSEN, TRYGVE | CLARINET QUARTET | Norway | MUSIKK-HUSET | 1992 | EST 8+ MIN | M | C/U/HS | 3BbCL, BCL. MOVEMENTS: ALLEGRETTO, ANDANTE, ALLEGRO. ALL PARTS PLAYABLE AND LOGICAL PROGRESSIONS. THIS COMPOSER EXCELLENT FOR THIS LEVEL LITERATURE. VERY USEFUL MATERIAL IN THE SCHOOL SITUATION. |
| CLARINET QUARTET | SIGURBJORNSSON, HRODMAR INGI | CLARINET QUARTET | Iceland | ITM | 1985 | 10 MIN | H | C/U | A LONG ONE MOVEMENT WORK WITH FREQUENT METER CHANGES. FOR THE RHYTHMICALLY SECURE CLARINETISTS! |
| CLARISSON | SIMAI, PAVOL | CLARINET | Sweden | SUECIA | 1996 | H | C/U | THIS WORK OFFERS ALL OF THE CHALLENGES: MIXED METER, RANGE, MOVING NOTES, PLAYING TOGETHER WITH THE ACCOMPANIST,ETC. TWO MOVEMENTS: 1. IS BURLESCAMENT 2. IS RONDO. FOR THE HIGHLY COMPETENT PLAYER WITH A FINE ACCOMPANIST, A CHANCE TO SHOW OFF! | |
| CLOCKWORKS | LARSSON GOTHE, MATS | BRASS QUINTET & BAND | Sweden | SMIC | 1992 | 10 MIN. 30 SEC | H | C/U | HARD FOR THE BAND AS WELL AS THE QUINTET. MANY CHANGES OF METER FROM THIS IMPORTANT SWEDISH COMPOSER. BOTH QUINTET AND BAND WILL HAVE TO WORK TO MAKE THIS PRESENTABLE. BUT, THE AUDIENCE WILL BE REWARDED. BIG WORK! |
| CLOSE TO | SANDSTROM, SVEN-DAVID | CLARINET & PIANO | Sweden | NORDISKA | 1972 | 6 MIN | H | C/U | ESOTERIC, ONLY THE BEST WILL SURVIVE, BUT THEY WILL HAVE FUN! |
| CLOSENESS | SANDSTROM, SVEN-DAVID | CLARINET ALONE | Sweden | SMIC | 1972 | 7 MIN 45 SEC | H | C/U | NONTRADITIONAL NOTATION AND PERFORMANCE TECHNIQUES. NICE INTRO TO THIS STYLE. |
| CLOUD BALLOON | HOGBERG, FREDRIK | CLARINET ALONE | Sweden | GEHRMANS | 1996 | EST 2 MIN 30 SEC | E/M | C/U/HS | GOOD FLOWING PIECE, MAY BE FOR THE FIST EXPERIENCE TRYING TO MAKE MUSIC WITHOUT AN ACCOMPANIST. GOOD RANGE FOR THE CLARINET PLAYER TO WORK IN. |
| CLOWNERNAS UPPTAG CIRKUS-UVERTYR | EYSER, EBERHARD | WIND ENSEMBLE | Sweden | SMIC | 5 MIN | M/H | C/U | PIC,FL,EbCL,2CL,OB,2BSN,AS,HN,2TRPT,TBA,PERC,SB. BEST ONE ON A PART - NOTE THE INSTRUMENTATION. ENJOYABLE MUSIC FROM A FINE COMPOSER. | |
| CLUSHOES, OVERTURE OP. 187 | SAGVIK, STELLAN | ORCHESTRA | Sweden | SMIC | 1996/97 | 9 MIN 30 SEC | H | C/U | 2FL(PIC),2OB,EH,SCL,BCL,2BSN,4HN,3TRPT,3TRB,TBA,5PERC,STRINGS. NEED A LARGE ORCHESTRA WITH AMPLE STRINGS. ALWAYS PAY ATTENTION TO THIS FINE COMPOSER. HIS FINE SCORE MAKES THIS EASIER TO PLAY. |
| COL MARE PER ORCHESTRA D’ARCHI | ENGSTROM, TORBJORN | STRING ORCHESTRA | Sweden | SMIC | 1998 | 19 MIN | M/H | C/U | MOVEMENTS: PRELUDIO, CANTO, UNIVERSO, O NOTTE, MATTINA. WE LIKE THE WAY HE USES THE GLISSANDO EFFECT TO CATCH THE EAR. THERE IS SOME DIVISI. A BEAUTIFUL SCORE! NEED MORE FROM THIS COMPOSER! |
| COLLOQIUM | EYSER, EBERHARD | SAXOPHONE(TENOR) & PIANO | Sweden | SMIC | 1987 | 4 MIN | M | C/U | RHYTHMICALLY CHALLENGING, NO BAR LINES. PLAYABLE FROM A FINE COMPOSER. ALTO OR TENOR SAX. |
| COLLOQUIUM | EYSER, EBERHARD | SAXOPHONE(ALTO) & PIANO | Sweden | SMIC | 1987 | 4 MIN | M | C/U | RHYTHMICALLY CHALLENGING, NO BAR LINES. ALTO OR TENOR SAX. |
| COLOURS FOR ORCHESTRA - METAMORPHOSES | NISSILA, ALLAN | ORCHESTRA | Sweden | SMIC | 2004 | 6 MIN 15 SEC | M/H | C/U/HS | 2FL,2OB(EH),2CL,2BSN,3HN,2TRPT,2TRB,3PERC.STRINGS. MUST HAVE EXCELLENT MARIMBA AND XYLOPHONE PLAYERS. SOME STRING DIVISI. ENDS IN A SHORT RUSH! |
| COLUMBINE | SIGURBJORNSSON, THORKELL | FLUTE & PIANO | Iceland | NORSK | 1992/98 | EST 15+ MIN | H | C/U | USUAL THREE MOVEMENTS ALA SONATA. ONE OF ICELAND’S BEST COMPOSERS WITH SOME MIXED METER AND NOTES, BUT A GOOD ADDITION TO THE LITERATURE. ALSO AVAILABLE WITH STRINGS. FOR A MORE COMPLICATED WORK FOR FLUTE AND PIANO SEE HIS ‘EURIDICE’. |
| COLUMBINE POLKA-MAZURKA | LUMBYE, H.C./STIG GUSTAFSON | BAND | Sweden | GEHRMANS | 1978 | E | HS | STANDARD INSTRUMENTATION. FINE ARRANGER. BUT NO FULL SCORE. | |
| COMMUNIO - STRING QUARTET NO 3 | COUR, NIELS LA | STRING QUARTET | Denmark | SAMFUNDET | 1977 | 17 MIN | H | C/U | TWO MOVEMENTS OF PLAYABLE MUSIC WITH A FEW SURPRISES THAT ARE EASILY WORKED OUT FOR THE C/U ENSEMBLE. |
| CONCERT | BULL, EDVARD HAGERUP | BRASS TRIO | Norway | EDITIONS MUSICALES | 1967 | EST 10 MIN | H | C/U | THREE MOVEMENTS IN A SCORE THAT IS GOOD BUT NEEDS FINE PLAYERS AND TIME TO WORK OUT. |
| CONCERT ETUDE | SALONEN, ESA-PEKKA | HORN ALONE | Finland | CHESTER | 2000 | EST 4+ MIN | H | C/U | THIS COMPOSER SHOWS A GREAT KNOWLEDGE OF THE INSTRUMENT IN THIS WORK. IT IS HARD, (HIGH, RHYTHM, ETC) BUT AN EDUCATION IN WHAT THE HORN CAN DO BY AN IMAGINATIVE COMPOSER. |
| CONCERT PIECES FOR TUBA, STRINGS AND PERCUSSION | SANDSTROM, SVEN-DAVID | TUBA & STRING ORCHESTRA | Sweden | KMH | 2003 | 10 MIN | H | C/U | TUBA PLAYER WITH A GREAT UPPER REGISTER OR A EUPHONIUM WITH A STRONG LOW REGISTER. SANDSTROM DOES NOT KNOW THE WORD, ’EASY’. BE PREPARED FOR EVERYTHING! FOUR MOVEMENTS. TWO PERCUSSION PARTS. EVERY PART WILL BE CHALLENGED. GO FOR IT! |
| CONCERT TRIO | CRUSELL, BERNHARD/STIG RYBRANT | WOODWIND TRIO | Sweden | BUSCH | 1978 | EST 6+MIN | M/H | C/U | SEVERAL SECTIONS ATTACCA. BASSOON CADENZA. GOOD SCORE AND WORK. HORN, CLAR, BSN. |
| CONCERT-TANGO | ALMILA, ATSO | BRASS ENSEMBLE | Finland | FiMIC | 1977 | 7 MIN | M/H | C/U | ONE MOVEMENT OF A SOMETIMES DRAMATIC TANGO. MODEST RANGE DEMANDS. |
| CONCERTINO | BERGH, SVERRE | CLARINET & PIANO | Norway | LYCHE | 1982 | 12 MIN | E/M | C/U/HS | THREE MOVEMENTS. ONE SHORT CADENZA BETWEEN 2 & 3. SOLO LAYS OUT WELL. SEE ORCHESTRA ENTRY. |
| CONCERTINO | BERGH, SVERRE | CLARINET & STRING ORCHESTRA | Norway | LYCHE | 1982 | 12 MIN | H | C/U | COLLEGE TEACHER OR SENIOR MUSIC STUDENT AT RECITAL. |
| CONCERTINO | CRUSELL, BERNHARD | BASSOON & PIANO | Finland | FAZER | 1984 | EST 8+MIN | M/H | C/U | LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. A VERY PLAYABLE PIECE FOR RECITAL. |
| CONCERTINO | HELLVIN, ROY | SAXOPHONE QUARTET | Norway | NMIC | 1988 | EST 5 MIN | E/M | C/U/HS | THREE SHORT MOVEMENTS PLAYED ATTACCA. SATB. UNCOMPLICATED MATERIAL. |
| CONCERTINO | HENNEBERG, ALBERT | BASSOON & STRING ORCHESTRA | Sweden | SMIC | 1958 | 18 MIN | H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL. MODEST CHALLENGE FOR THE BASSOONIST. RENTAL ONLY. |
| CONCERTINO | HOLM, PEDER | CLARINET & ORCHESTRA | Denmark | WHANSEN | 1973 | 10 MIN | M | C/U | FL,OB,BSN,HN,STRINGS. ONE MOVEMENT OF PLAYABLE MUSIC. CLARINETIST MAY BE A GOOD COLLEGE PLAYER. GOOD C/U ORCHESTRA CAN PERFORM. SCORE FOR SALE, PARTS RENTAL. |
| CONCERTINO | LEHTO, JUKKA-PEKKA | TROMBONE & BAND | Finland | MUSACT | 1995 | EST 12 + MIN | H | C/U | PIC,2FL2OB,eBCL,3CL,BCL,2BSN,AS,TS,BS,RHN,3TRPT,3TRB,EUP,2TBA,STRBS,3PERC,PIANO. HIGH TESSETURA NEEDED.MIXED METER, SOME ALEATORY, BUT WELL EXPLAINED. GOOD LOOKING SCORE. |
| CONCERTINO | NISSILA, ALLAN | TRUMPET & BAND | Sweden | SMIC | 2004 | 8 MIN 30 SEC | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,AS,TS, BS,4HN,3COR,2TRPT,3TRB,EUP,TBA,3PERC. THE C TRUMPET SOLO IS NOT TOO DIFFICULT, THE BAND PARTS INTERESTING AND WE LIKE THIS COMPOSER. GOOD MATERIAL. |
| CONCERTINO | SAIKKOLA, LAURI | CLARINET & STRING ORCHESTRA | Finland | FiMIC | 1968 | M/H | C/U | THREE MOVEMENTS WITH STRING PARTS, VERY PLAYABLE WITH CLARINET SOLO STRAIGHT AHEAD. GOOD LOOKING SCORE. RENTAL ONLY. | |
| CONCERTINO | SöDERLUNDH, LILLE BROR | OBOE & PIANO | Sweden | BUSCH | 1944 | 13 MIN 25 SEC | M/H | C/U | PIANO REDUCTION. THREE MOVEMENTS(FSF). MAJOR CADENZA IN 2ND MOVEMENT. NO SPECIAL DEMANDS, JUST A LOT OF NOTES. |
| CONCERTINO FOR CELLO OCH STRAKORKESTER | ENGSTROM, TORBJORN | CELLO & STRING ORCHESTRA | Sweden | SMIC | 1992 | 11 MIN | H | C/U | CONTEMPORARY HARMONIES FOR ALL. SOLO PART MUCH HARDER THAN THE STRING ACCOMPANIMENT PARTS, BUT ALL MUST PAY ATTENTION TO TENSION BUILDING NOTES AND HARMONIES. ENGSTROM ALSO HAS A CELLO CONCERTO (CELLOKONSERT) YOU MAY WANT TO LOOK AT. |
| CONCERTINO FOR CLARINET AND CHAMBER ORCHESTRA | SIGTRYGGSSON, EIRIKUR ARNI | CLARINET & ORCHESTRA | Iceland | ITM | 2001 | 16 MIN | M/H | C/U | FL,OB,BSN,HN,TPT,TRB,TBA,PERC,STRINGS. INTERESTING INTERPLAY BETWEEN THE CLARINET AND PERCUSSIONIST. THE ORCHESTRA STAYS OUT OF THE WAY MOST OF THE TIME. CLARINET WORKS! |
| CONCERTINO FOR CLARINET AND STRING ORCHESTRA | WESSMAN, HARRI | CLARINET & STRING ORCHESTRA | Finland | FiMIC | 2001 | EST 15+ MIN | M | C/U | MOVEMENTS: MODERATO, ANDANTE MODERATO, ALLEGRO. NO SPECIAL DEMANDS ON EITHER THE SOLOIST OR THE STRINGS. STRAIGHT AHEAD MUSIC. SEE MANY OTHER TITLES BY THIS COMPOSER IN THE FIMIC LISTING ONLINE. |
| CONCERTINO FOR EUPHONIUM AND SYMPHONIC BAND | MADSEN, TRYGVE | EUPHONIUM & BAND | Norway | MUSIKK-HUSET | 2004 | EST 11 MIN | M | C/U/HS | 2FL,2OB,3CL,2BSN,2AS,TS,BS,2HN,2TRPT,TRB,TBA,3PERC. MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, POCO ADAGIO/ALLEGRO. RANGE TO HIGH Bb FOR THE SOLOIST, BUT NO REALLY TOUGH TECHNICAL MATERIAL UNLESS YOU TAKE THE LAST MOVE VERY FAST. THERE IS A PIANO REDUCTION! |
| CONCERTINO FOR HORN AND STRING ORCHESTRA | WESSMAN, HARRI | HORN & STRING ORCHESTRA | Finland | MODUS | 1995 | EST 7+ MIN | M | C/U/HS | MOVEMENTS: MODERATO, ANDANTE MA NON TROPPO, ALLEGRO. (ALL HAVING TO DO WITH RAIN). ACCESSIBLE BY THE LESS EXPERIENCED PLAYER AND HAS PIANO REDUCTION AVAILABLE. |
| CONCERTINO FOR HORN AND STRINGS, OP 63 | OLSEN, SPARRE | HORN & STRING ORCHESTRA | Norway | LYCHE | 1978 | 11 MIN | E/M | C/U/HS | ONE MOVEMENT THAT IS MOSTLY LYRICAL. MODEST DEMANDS ON THE HORN AND EASY ACCOMPANIMENT. |
| CONCERTINO FOR HORN SOLO & SYMPHONIC BAND | MADSEN, TRYGVE | HORN & BAND | Norway | NMIC | CIR. 2005 | EST 12 MIN | M/H | C/U/HS | 2FL(PIC),EbCL,3CL,BCL,BSN,2AS,TS,BS,2TRPT,2TRB,EUP,TBA,3PERC. MOVEMENTS: INTRADA, CAVATINA, RONDO. THIS IS IN A LEGIBLE MS. ALL PARTS PLAYABLE. GOOD ADDITION TO THE LITERATURE. |
| CONCERTINO FOR KONTRABAS OCH PIANO | FREDIN, THORVALD | STRING BASS & PIANO | Sweden | SMIC | 1998 | 10 MIN | M | C/U | MOVEMENTS: SCHERZO, ARIOSO, ALLEGRO. SLIGHTLY MORE DIFFICULT THAN THE OTHER LISTING HERE BY THIS COMPOSER. IN A CLEAN MS. NOTES IN TENOR CLEF AS WELL AS BASS CLEF. |
| CONCERTINO FOR PIANO AND SYMPHONIC BAND | KVERNDOKK, GISLE | BAND & PIANO | Norway | NMIC | 1986 | EST 20 MIN | H | C/U | PIC,2FL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,2EUP,2TBA,4PERC,TMP,ELEC.GUITAR,BASS GUITAR. FINE PIANIST NEEDED, BAND PARTS NOT SO HARD. NICE PERCUSSION WORK. |
| CONCERTINO FOR STRYGEORKESTER | WEIS, FLEMMING | STRING ORCHESTRA | Denmark | SAMFUNDET | 1960 | 16 MIN | M/H | C/U | THREE MOVEMENTS WITH FEW SURPRISES AND PLAYABLE MUSIC. SOME DIVISI. |
| CONCERTINO FOR TROMBONE AND STRING ORCHESTRA | WESSMAN, HARRI | TROMBONE & PIANO | Finland | MODUS | 1993 | EST EST 6+ MIN | M | C/U/HS | MOVEMENTS: ANDANTE,ETC, ADAGIO-ANDANTE, VIVACE - TEMPO GIUSTO. NICE ACCOMPANIMENT WITH PIANO OR THE STRING ORCHESTRA VERSION. COMFORTABLE RANGE FOR THE TROMBONE AND NICE USE OF THE PLUNGER! |
| CONCERTINO FOR TROMBONE, OP 45 NR 7 | LARSSON, LARS-ERIK | TROMBONE & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | H | C/U | STANDARD LITERATURE FOR COLLEGE TROMBONE PLAYER, STRING ORCHESTRA PARTS AVAILABLE. |
| CONCERTINO FOR TROMBONE, OP 45 NR 7 | LARSSON, LARS-ERIK/MARK F. WALKER | TROMBONE & BAND | Sweden | GEHRMANS | 1979 | 11 MIN | M | C/U | 3CL,BCL,OB,2BSN,4HN,3TRPT,3TRB,EUP,2TBA,CONTRA CL IN Eb OR SB. FINE SCORING OF THIS EXCELLENT SOLO MAKES THIS VERY PLAYABLE AND USEABLE. |
| CONCERTINO FOR TRPT,TRB,WIND ORCH. AND PERC. | DANIELSSON, CHRISTER | BAND | Sweden | GEHRMANS | 1985 | 15 MIN 40 SEC | H | C/U | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,2TRPT,2TRB,EUP,TBA,7PERC,SB. (SOLO TRPT & TRB). THREE MOVEMENTS. SOLOISTS MUST BE STRONG COLLEGE OR BETTER. GOOD SCORE PLAYABLE BY C/U GROUP. SCORE FOR SALE, PARTS RENTAL. |
| CONCERTINO FOR TRUMPET | LINDSTEN, RUNE | TRUMPET & ORGAN | Sweden | SMIC | 1996 | 10 MIN | E/M/H | C/U/HS | GOOD MS. THREE MOVEMENTS. THE ADVANCED HS PLAYER SHOULD BE ABLE TO MAKE MUSIC WITH THESE NOTES (TRUMPET TO B ABOVE THE STAFF INFREQUENTLY). THE NATURE OF THE ORGAN PART SUGGESTS THAT IT MAY WORK WITH PIANO ALSO. |
| CONCERTINO FOR TRUMPET & ORCHESTRA | BERG, OLAV | TRUMPET & ORCHESTRA | Norway | NMIC | 1980 | 13 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,4HN,2TRPT,3TRB,TBA,2PERC,TMP,STRINGS. PIANO ACCOMPANIMENT AVAILABLE. THREE MOVEMENTS FOR C TRUMPET. ORCHESTRA PARTS VERY PLAYABLE. MODEST RANGE FOR TRUMPET. SOME DOUBLE TONGUE. SCORE FOR SALE, PARTS RENTAL. |
| CONCERTINO FOR TRUMPET AND CHAMBER ORCHESTRA | HOLM, PEDER | TRUMPET & ORCHESTRA | Denmark | WHANSEN | 1970 | H | C/U | TRUMPET PART IS VERY PLAYABLE AND THE STRING PARTS INTERESTING. SCORE FOR SALE, PARTS RENTAL. | |
| CONCERTINO FOR TRUMPET AND STRING ORCHESTRA | WESSMAN, HARRI | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1997 | EST 9+ MIN | M/H | C/U | MOVEMENTS: MODERATO, ANDANTE, ADAGIO/MOLTO ALLEGRO. TRUMPET IN C. WE SAW THE STRING REDUCTION WHICH WORKS AS A PIANO ACCOMPANIMENT. EXCELLENT MODERN C/U MATERIAL. A LOT OF 5 TO THE BEAT IN LAST MOVEMENT. |
| CONCERTINO FOR TRUMPET AND SYMPHONIC BAND | MADSEN, TRYGVE | TRUMPET & PIANO | Norway | MUSIKK-HUSET | 2001 | EST 10 MIN | M | C/U/HS | MOVEMENTS: ALLEGRO, ANDANTE CON MOTO, ALLEGRO, NGE JUTS TO Ab ABOVE STAFF. HIS IS GOOD EDUCATIONAL MATERIAL. THERE IS A BAND ACCOMPANIMENT AVAILABLE. COMPOSER HAS MANY THINGS LIKE THIS IN THE MUSIKK-HUSETS CATALOG. |
| CONCERTINO FOR TRUMPET IN C | PEDERSEN, GUNNAR MOLLER | TRUMPET & ORCHESTRA | Denmark | DKF | 2004 | EST 9+ MIN | H | C/U | FL,CL,BSN,HARP,PO,STRINGS. MOVEMENTS: QT = 80 (6/8), 8TH = 92 (6/8), QT = 60 (7/8). SMALL INSTRUMENTATION. MODEST RANGE FOR SOLOIST. MOVE I, COMPOSER MAKES MOST OF RHYTHMIC POSSIBILITIES OF 6/8, DEVELOPS WITH 7/8 IN THE LAST. |
| CONCERTINO FOR TRUMPET, OP 45 NR 6 | LARSSON, LARS-ERIK/STIG GUSTAFSON | TRUMPET & BAND | Sweden | GEHRMANS | 1979 | 8 MIN | M | C/U | 2FL,3CL,BCL,OB,2BSN,AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,2PERC,TMP,SB. GOOD ARRANGEMENT BY LEADING SWEDISH ARRANGER OF A FINE TRUMPET SOLO. |
| CONCERTINO FOR VALTHORN OCH STRAKORKESTER | HALLNAS, EYVIND | HORN & STRING ORCHESTRA | Sweden | SMIC | 1985 | 10 MIN | M | C/U | A GOOD WORK FOR THE COLLEGE STUDENT. RENTAL ONLY. |
| CONCERTINO GIOCOSO BUCOLICO | BULL, EDVARD HAGERUP | TUBA & ORCHESTRA | Norway | COMBRE | 1992/95 | 14 MIN | H | C/U | FL,EH,TRPT,PO,STRINGS. MOVEMENTS: ALLEGRETTO, ADAGIO, ALLEGRO. FORTUNATE TO HAVE THIS WORK NOW PUBLISHED. GOOD ADDITION TO THE LITERATURE BY A FINE COMPOSER. RANGE TO G, BUT EVERYTHING IS STRAIGHT AHEAD. |
| CONCERTINO NO 2, OP 66 | KOPPEL HERM D | STRING ORCHESTRA | Denmark | SAMFUNDET | 1957 | 20 MIN | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL IN A WELL CRAFTED SCORE AND A LOT OF DIVISI. |
| CONCERTINO NO. 2 FOR TRUMPET & STRING ORCHESTRA | BERG, OLAV | TRUMPET & STRING ORCHESTRA | Norway | NMIC | 1884 | 12 MIN 30 SEC | H | C/U | MIXED METER, UPPER REGISTER FOR THE SOLOIST, DIVISI IN THE STRINGS AND IN A MARGINAL MS. BUT, WE LIKE THE SCORE AND POTENTIAL FOR THIS HARD SONG. GIVE IT A TRY! |
| CONCERTINO PER CINQUE STRUMENTI A FIATO | JOHANSSON, BJORN | WOODWIND QUINTET | Sweden | SMIC | CA 19 MIN | M/H | C/U | FOUR MOVEMENTS THAT CAN STAND ALONE. A MAJOR WORK BY A WELL RESPECTED COMPOSER. | |
| CONCERTINO PER TROMBONE ALTO ED ORGANO, OP 93 | NILSSON, TORSTEN | TROMBONE(ALTO) & ORGAN | Sweden | REIMERS | 1986 | H | C/U | RECORDED BY CHRISTER TORGE, LAYS WELL FOR THE INSTRUMENT. | |
| CONCERTINO PER TROMBONE ED ORGANO, OP 81 | NILSSON, TORSTEN | TROMBONE & ORGAN | Sweden | REIMERS | 1978 | EST 6 MIN | H | C/U | SOME HIGH TESSITURA. LYRICAL WITH FREQUENT METER CHANGES. COMPOSED FOR CHRISTER TORGE. |
| CONCERTINO PICCOLO NO III | HAUTA-AHO, TEPPO | STRING BASS & STRING QUARTET | Finland | FiMIC | 1981 | 15 MIN | M/H | C/U | ONE MOVEMENT FOR A GOOD COLLEGE STRING BASS PLAYER AND COMPETENT STRING QUARTET. |
| CONCERTINO SPEL | SJOBLOM, HEIMER | FLUTE & STRING ORCHESTRA | Sweden | SMIC | 1975 | 17 MIN | H | C/U | THREE MOVEMENTS THAT CAN STAND ALONE AND PLAYABLE. RENTAL ONLY. |
| CONCERTINO, OP 29 | RIISAGER, KNUDAGE | TRUMPET & STRING ORCHESTRA | Denmark | WHANSEN | 1935 | 10 MIN | M | C/U | TRPT IN C, MODEST RANGE FOR TRUMPET AND PLAYABLE STRING PARTS. SCORE & PIANO REDUCTION FOR SALE, PARTS RENTAL. |
| CONCERTINO, OP 30 | TARP, SVEND ERIK | FLUTE & ORCHESTRA | Denmark | SAMFUNDET | 1939 | M | C/U/HS | 2OB,2BSN,2HN,PERC,STRINGS. 3 MOVEMENTS THAT ARE PLAYABLE BY ALL. GOOD SCORE. | |
| CONCERTINO, OP 44 | WIREN, DAG | FLUTE & PIANO | Sweden | GEHRMANS | 1974 | 14 MIN | M/H | C/U | THREE MOVEMENTS OF STRAIGHT AHEAD MATERIAL WITH EMPHASIS ON THE UPPER REGISTER. ORCHESTRA ACCOMPANIMENT PARTS AND SCORE AVAILABLE. |
| CONCERTINO, OP 45 NR 1 | LARSSON, LARS-ERIK | FLUTE & PIANO | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC. |
| CONCERTINO, OP 45 NR 1 | LARSSON, LARS-ERIK | FLUTE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 10 MIN | M/H | C/U | THREE MOVEMENTS. EXCELLENT COMPOSER AND MOST WORTHY MUSIC. |
| CONCERTINO, OP 45 NR 10 | LARSSON, LARS-ERIK | CELLO & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 10 | LARSSON, LARS-ERIK | CELLO & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 11 | LARSSON, LARS-ERIK | STRING BASS & PIANO | Sweden | GEHRMANS | 1957 | 12 MIN | H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 11 | LARSSON, LARS-ERIK | STRING BASS & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 MIN | H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 2 | LARSSON, LARS-ERIK | OBOE & PIANO | Sweden | GEHRMANS | 1957 | 9 1/2 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. WORTHY MUSIC. |
| CONCERTINO, OP 45 NR 2 | LARSSON, LARS-ERIK | OBOE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 9 MIN 30 SEC | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 3 | LARSSON, LARS-ERIK | CLARINET & PIANO | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| CONCERTINO, OP 45 NR 3 | LARSSON, LARS-ERIK | CLARINET & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS, STRING ORCHESTRA PARTS AVAILABLE FOR ACCOMP. RECITAL OR CONCERT. GOOD MATERIAL. |
| CONCERTINO, OP 45 NR 4 | LARSSON, LARS-ERIK | BASSOON & PIANO | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS ARE ATTACCA. STRING ORCHESTRA PARTS AVAILABLE. RECITAL OR CONCERT. GOOD MATERIAL. |
| CONCERTINO, OP 45 NR 4 | LARSSON, LARS-ERIK | BASSOON & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 5 | LARSSON, LARS-ERIK | HORN & PIANO | Sweden | GEHRMANS | 1957 | 13 MIN | M/H | C/U | THREE MOVEMENTS OF MATERIAL TO GIVE THE MOZART SONATAS A LITTLE REST. |
| CONCERTINO, OP 45 NR 5 | LARSSON, LARS-ERIK | HORN & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 6 | LARSSON, LARS-ERIK | TRUMPET & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 8 MIN | M | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE. |
| CONCERTINO, OP 45 NR 7 | LARSSON, LARS-ERIK | TROMBONE & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 11 MIN | H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. BAND ACCOMPANIMENT ALSO AVAILABLE. |
| CONCERTINO, OP 45 NR 8 | LARSSON, LARS-ERIK | VIOLIN & PIANO | Sweden | GEHRMANS | 1957 | 12 1/2 MIN | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 8 | LARSSON, LARS-ERIK | VIOLIN & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | 12 MIN 30 SEC | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. |
| CONCERTINO, OP 45 NR 9 | LARSSON, LARS-ERIK | VIOLA & PIANO | Sweden | GEHRMANS | 1957 | M/H | C/U | THREE MOVEMENTS WITH STRING ORCHESTRA PARTS AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| CONCERTINO, OP 45 NR 9 | LARSSON, LARS-ERIK | VIOLA & STRING ORCHESTRA | Sweden | GEHRMANS | 1957 | M/H | C/U | THREE MOVEMENTS WITH PIANO REDUCTION AVAILABLE. IDEAL FOR THE COLLEGE RECITAL OR CONCERT. | |
| CONCERTINO, OP 5 | SENSTIUS, KAI | FLUTE & PIANO | Denmark | SAMFUNDET | 1937 | M/H | C/U/HS | THREE MOVEMENTS WITH A LOT OF PLAYABLE NOTES AND TRADITIONAL APPROACH. | |
| CONCERTINO, OP 7 | SORENSEN, ERLING INGEMANN | CLARINET & STRING ORCHESTRA | Denmark | DMIC | 1978 | 14 MIN | M | C/U | THREE MOVEMENTS OF COMFORTABLE CHALLENGE FOR THE CLARINET AND ACCESSIBLE FOR THE STRINGS. |
| CONCERTINO, OP. 29 | RIISAGER, KNUDAGE | TRUMPET & STRING ORCHESTRA | Finland | WHANSEN | 1935 | EST 10 MIN | M | C/U | TRUMPET IN C. SOLID MATERIAL FROM THE EARLIER HARMONIES AND RHYTHMIC PATTERNS. NORMAL SOLO RANGE AND STRAIGHT AHEAD MUSIC. ENJOY! |
| CONCERTO | HOLMBOE, VAGN | TROMBONE & ORCHESTRA | Denmark | WHANSEN | 1960 | EST 18 MIN | H | C/U | 3FL(PIC),2OB,2CL,2BSN,4HN,3TRPT,2PERC,STRINGS. PLAYS LIKE ONE MOVEMENT WITH SECTIONS ATTACHED. TROMBONE TO C, BUT PLAYS MOST OF THE TIME IN COMFORTABLE RANGE. GOOD COMPOSER, GOOD MUSIC. |
| CONCERTO | HOVLAND, EGIL OP.76 | TROMBONE & ORCHESTRA | Norway | NORSK | 1978 | 20 MIN | H | C/U | ORCHESTRA WITH HARP-NO TRPTS OR LOW BRASS. |
| CONCERTO | KAYSER, LEIF | HORN & STRING ORCHESTRA | Denmark | DMIC | 1951 | 25 MIN | M/H | C/U | SECTIONS ATTACCA - NO STOPS! DIFFICULT FOR HORN, MEDIUM FOR ORCHESTRA. A MAJOR WORK AND WORTHY. |
| CONCERTO | ROMAN, JOHAN HELMICH (1694-1758) | VIOLIN & PIANO | Sweden | NORDISKA | 1961 | M/H | C/U | THREE MOVEMENTS EDITED BY HILDING ROSENBERG. CLASSICAL IN APPROACH, ORCHESTRA ACCOMPANIMENT IS AVAILABLE. | |
| CONCERTO | SCHMIDT, OLE | HORN & ORCHESTRA | Denmark | WHANSEN | 1972 | 16 MIN | M/H | C/U | FL,CL,OB,BSN,TRPT,TRB,3PERC,TMP,HARP,STRINGS. 2 MOVEMENTS FROM A GOOD COMPOSER OF BRASS MUSIC. A FEW SURPRISES TO MAKE IT A LITTLE HARD TO PLAY, BUT INTERESTING! SCORE FOR SALE, PARTS RENTAL. |
| CONCERTO | SCHMIDT, OLE | TUBA & PIANO | Denmark | WHANSEN | 1977 | EST 10 MIN | H | C/U | THREE MOVEMENTS WITH RANGE TO F#, BUT NOT CONSISTANTLY HIGH. GOOD BRASS COMPOSER. |
| CONCERTO | PLAU, ARILD | TUBA & STRING ORCHESTRA | Norway | OVATION | 1990 | 15 MIN | M/H | C/U | 3 MOVEMENTS: PROLOG, CANZONE, FINALE-ALLEGRO. RANGE TO G A FEW TIMES, OTHERWISE COMFORTABLE FOR THE GOOD TUBA PLAYER. PIANO REDUCTION AVAILABLE. |
| CONCERTO DANESE, OP 51 | NIELSEN, JOHN | TRUMPET & ORCHESTRA | Denmark | DMIC | 1972 | 17 MIN | M | C/U | FL,CL,BCL,OB,BSN,HN,TRPT,TRB,TBA,PERC,STRINGS. TWO MOVEMENTS: MODERATO & RONDO AMABILE. MODEST DEMANDS ON THE TRUMPET BUT NOT EASY FOR THE ORCHESTRA. SCORE AND PARTS RENTAL. |
| CONCERTO FOR BASSOON | ALMILA, ATSO | BASSOON & ORCHESTRA | Finland | FiMIC | 2001/2002 | 19 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TIMP,STRINGS. SECTIONS ARE CONNECTED. SOLO FOR TOP UPPER LEVEL C/U OR GRADUATE STUDENT. ORCHESTRA PART HAS JUST A FEW PLACES TO BE CONCERNED WITH. NICE SCORE! |
| CONCERTO FOR BASSOON AND ORCHESTRA | MADSEN, TRYGVE | BASSOON & ORCHESTRA | Norway | NMIC | 1994 | EST 15 MIN | M/H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),BSN,3PERC,STRINGS. MOVEMENTS: ALLEGRO MODERATO, POCO ADAGIO, VIVACE (LAST TWO ATTACCA). MADSEN WRITES FOR GOOD C/U STUDENT. NO SURPRISES, JUST STRAIGHT AHEAD MATERIAL. CHECK WITH MUSIKK-HUSETS IF THERE IS A PIANO REDUCTION AVAILABLE. |
| CONCERTO FOR BASSOON AND ORCHESTRA | PALSSON, PALL PAMPICHLER | BASSOON & ORCHESTRA | Iceland | ITM | 1961 | 24 MIN | H | C/U | PIC/FL,OB,2CL,BSN,3HN,PERC,STRINGS. SCORE IN A PASSABLE MS. THREE MOVEMENTS, THE THIRD IS THEME AND 5 VARIATIONS. NOTE THE INSTRUMENTATION. |
| CONCERTO FOR BASSOON AND STRING ORCHESTRA | ROIKJER, KJELL | BASSOON & PIANO | Denmark | ENGSTROM & SODRING | 1994 | 18 MIN | M/H | C/U | MOVEMENTS: ALLEGRO MODERATO, ANDANTE MOLTO E UN POCO TRANQUILLO, ALLEGRETTO SCHERZANDO. IDEAL MATERIAL OF THE C/U STUDENT. STRING ORCHESTRA ACCOMPANIMENT AVAILABLE. STRAIGHT AHEAD MUSIC! |
| CONCERTO FOR Bb CLARINET AND ORCHESTRA | ENGLUND, EINAR | CLARINET & ORCHESTRA | Finland | FIMIC | 1991 | EST 15+ MIN | M/H | C/U | 2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. OOD WRITING FORTH CLARINET AND ORCHESTRA. IDEAL FOR THE C/U STUDENT AND C/U ORCHESTRA. NO SPECIAL DEMANDS. |
| CONCERTO FOR CELLO AND ORCHESTRA | NORHOLM, IB | CELLO & ORCHESTRA | Denmark | KONTRAPUNKT | 1991 | 29 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL(BCL),BSN(CBSN),4HN,2TRPT,3TRB,TBA,HARP,CELEST,4PERC,STRINGS. MOVEMENTS: WITH OPEN EYES, ECHOES, REFLECTIONS ON SIMPLICITY. HARD WORK FOR CELLO AND ORCHESTRA. SCORE IS IN A GOOD MS. |
| CONCERTO FOR CELLO AND WIND INSTRUMENTS | LARSSON GOTHE, MATS | CELLO & WIND ENSEMBLE | Sweden | SMIC | 1999 |
23 MIN | H | C/U | PIC),2OB,2CL,2BSN,2HN,2TRPT,2TRB,TBA,MARIMBA. MUTES FOR ALL BRASS. WE LIKE THIS SCORE! NO REAL MOVEMENTS, JUST A FEW BREAKS, USUALLY WHILE THE CELLIST IS PLAYING A CADENZA. THE WORK OPENS WITH A LONG CADENZA. SOME EXCELLENT COMPOSITIONAL IDEAS HERE! |
| CONCERTO FOR CLARINET & BAND | BALDVINSSON, TRYGGVI M. | CLARINET & BAND | Iceland | ITM | 2002 | 24 MIN | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,ACL,BCL,CBCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,2TBA,STBS,3PERC.THE USUAL THREE MOVEMENTS. BAND PART IS VERY ACCESSIBLE. WE LIKE THIS WORK! |
| CONCERTO FOR CLARINET & WIND ORCHESTRA | DEAK, CSABA | CLARINET & BAND | Sweden | SMIC | 1992 | 18 MIN | H | C/U | 3FL(1 DBL PIC, 3 DBL ALTO FL) 3 OB (3DBL ENG HN),1 EbCL,3CL,BCL,BbCONTRA CL,3BSN (3 CONTRA),AS,TS,BARS.3TRPT,3HN,3TRB,EUP,2TBA,STRBS,PIANO,HARP,TIMP,3PERC. USUAL THREE MOVEMENTS, BUT NOTHING USUAL ABOUT THIS COMPOSER OR THIS WORK. FOR THOSE WHO MUST HAVE A CHALLENGE FROM A COMPOSER WHO ENJOYS MAKING IT FOR YOU. A MAJOR WORK! |
| CONCERTO FOR CLARINET AND ORCHESTRA | BERG, OLAV | CLARINET & ORCHESTRA | Norway | NORSK | 1992 | 17 MIN | H | C/U | 2FL,2OB,2CL(BCL),2BSN,4HN,2TRPT,3TRB,3PERC,HARP,STRINGS. PIANO REDUCTION AVAILABLE. THIS ON THE HARD SIDE OF HARD! GRADUATE OR UPPER DIVISION C/U PLAYERS. ALL SECTIONS ATTACCA. CONTEMPORARY SOUNDS. GOOD SCORE. |
| CONCERTO FOR CLARINET AND ORCHESTRA | VEA, KETIL | CLARINET & ORCHESTRA | Norway | VEANOVA | 1997/2001 | 18 MIN | H | C/U | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,2TRB,2PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE, ALLEGRO. PIANO REDUCTION AVAILABLE. THIS ONE IS ON THE EASY SIDE OF THE HARD CATEGORY AND VERY PLAYABLE. UPPER DIVISION C/U MATERIAL. GOOD COMPOSER. |
| CONCERTO FOR DOUBLE BASS AND STRING QUARTET | KOPPEL, ANDERS | STRING BASS & STRING QUARTET | Denmark | WHANSEN | 2000/01 | 17 MIN | H | C/U | ALL SECTIONS ATTACCA. AN EXPERIENCED QUARTET IS NECESSARY AS WELL AS A TOP STRING BASS PLAYER. HOWEVER, HE SCORE IS VERY CLEAN WHICH SHOULD MAKE LEARNING THE MUSIC A LITTLE EASIER. |
| CONCERTO FOR EUPHONIUM AND BAND | NORDHAGEN, STIG | EUPHONIUM & BAND | Norway | NMIC | 1996/97 | 18 MIN 30 SEC. | H | C/U | PIC,2FL,2OB(EH),2BSN,EbCL,3CL,ACL,BL,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,5PERC. ONE MOVEMENT WITH ADEQUATE REST FOR THE SOLOIST. THE TOP C/U PLAYER WILL HAVE NO TROUBLE WITH THE SOLO PART. CONDUCTOR WILL NEED TIME TO GET THE ACCOMPANIMENT WORKED OUT. |
| CONCERTO FOR EUPHONIUM AND BRASS BAND, OP.26 | KARLSEN, KJELL MORK | EUPHONIUM & BRASS BAND | Norway | NMIC | 1986 | 17 MIN | H | C/U | A MAJOR WORK FOR EUPHONIUM! STANDARD BRASS BAND INSTRUMENTATION. |
| CONCERTO FOR EUPHONIUM AND ORCHESTRA | AAGAARD-NILSEN, TORSTEIN | EUPHONIUM & ORCHESTRA | Norway | NMIC | 2000 | 20 MIN | H | C/U | FOR HIRE MATERIAL. PIC,2FL,2OB,2CL,BCL,2BSN,CBSN,3TRPT,4HN,3TRB,TBA,3ERC,HARP,STRINGS. A FINE SCORE FOR THE FINE ORCHESTRA AND VIRTUOSO EUPHONIUM PLAYER. EXCELLENT ADDITION TO THE LITERATURE. |
| CONCERTO FOR FLUTE AND ORCHESTRA | TOMASSON, HAUKUR | FLUTE & ORCHESTRA | Iceland | ITM | 1997 | 18 MIN | H | C/U | 2FL,3OB,3CL(BCL),3BSN(CBSN),4HN,3TRPT,3TRB,TBA,PIANO(AMPLIFIED),HARP(AMPLIFIED),4PERC. LARGE STRING SECTION. INSTRUMENTATION SHOWS WHAT YOU HAVE HERE. EVEN WITH LARGE NUMBERS THE ORCH PART STAYS OUT OF THE WAY. SEE ALSO HIS CONCERTO NO. 2 |
| CONCERTO FOR FRENCH HORN AND CHAMBER ORCHESTRA | WESSMAN, HARRI | HORN (2) & STRING ORCHESTRA | Finland | FiMIC | 1993 | EST 12+ MIN | M/H | C/U | MOVEMENTS: ALLA PLACCA, INTERMEZZO: SLOW WALTZ, ANDANTINO, INTERMEZZO: FOX TROT, FINALE. 2 HORNS, WITH THE MAIN EMPHASIS ON THE FIRST HORN EXCEPT THE FOX TROT, WHICH IS PLAYED BY THE SECOND HORN W/O THE FIRST. |
| CONCERTO FOR HORN AND ORCHESTRA | AGUSTSSON, HERBERT H | HORN & ORCHESTRA | Iceland | ITM | 1965 | 14 MIN | H | C/U | FL,2CL,2OB,2BSN,TMP,STRINGS. 3 MOVEMENTS IN TRADITIONAL STYLE. |
| CONCERTO FOR HORN AND ORCHESTRA | NYSTEDT, KNUT | HORN & ORCHESTRA | Norway | NORSK | 1990 | 17 MIN | H | C/U | PIC,2FL,2OB,2CL,2BSN,3HN,3TRPT,3TRB,TIMP,PERC,STRINGS. MOVEMENTS: ALLEGRO, ADAGIETTO, ALLEGRO VIVACE. SCORE IS IN VERY GOOD MS. NOT EASY BUT WONDERFUL LITERATURE FROM AN OUTSTANDING COMPOSER. PIANO REDUCTION AVAILABLE. |
| CONCERTO FOR HORN AND ORCHESTRA, OP 45 | MADSEN, TRYGVE | HORN & ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | EST 8+MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,TMP,STRINGS. THREE MOVEMENTS PLAYABLE BY A GOOD COLLEGE STUDENT. ORCHESTRA PARTS MEDIUM DIFFICULTY. |
| CONCERTO FOR HORN AND ORCHESTRA, OP. 61 | KAIPAINEN, JOUNI | HORN & ORCHESTRA | Finland | WHANSEN | 2001 | 24+ MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,3TRB,3PERC,PIANO,STRINGS. MOVEMENTS: MAESTOSO, LARGHETTO, VIVACE. SOME RANGE PROBLEMS FOR THE HORN AND LOTS OF NOTES. ORCHESTRA WILL NEED REHEARSAL TIME TO GET THE RHYTHMIC THINGS TO WORK OUT |
| CONCERTO FOR HORN AND WIND ORCHESTRA | PLAGGE, WOLFGANG | HORN & BAND | Norway | NMIC | 1990/98 | 23 MN | M/H | C/U | OIC,2FL,OB(EH),4CL,BCL,BSN,AS,4TRPT,4HN,3TRB,TBA,4PER. MOVEMENTS: MOLTO MARCATO, ADAGIO, TARANTELLA PERCIPITATO. IN A READABLE MS. ALL PARTS IN GOOD RANGES INCLUDING THE SOLOIST. |
| CONCERTO FOR OBOE AND ORCHESTRA | GAATHAUG, MORTEN | OBOE AND ORCHESTRA | Norway | NMIC | 1994/95 | 25 MIN | H | C/U | FL,2CL,BSN,2HN,PO,STRINGS. MOVEMENTS: ALLEGRO POCO MODERATO, ADAGIO CANTABILE, ALLEGRO CONSPIRITO. NICE ACCOMPANIMENT FOR THE ORCH. OBOE SOLO IS DIFFICULT, BUT PLAYABLE. GOOD LITERATURE. |
| CONCERTO FOR OBOE AND ORCHESTRA | HOVLAND, EGIL | OBOE AND ORCHESTRA | Norway | NMIC | 1996 | 23 MIN | H | C/U | 3FL,3CL,3BSN,4HN,3TRB,TBA,TIMP,PERC,HARP,PO,STRINGS. SCORE IS IN A VERY GOOD MS. THE THREE SECTIONS ARE PLAYED ALMOST ATTACCA. MANY NOTES FOR THE OBOE, HARP AND PIANO. OTHER PARTS REASONABLE. WE PAY ATTENTION WHEN THIS COMPOSER WORKS! |
| CONCERTO FOR OBOE AND SMALL ORCHESTRA, OP.30 | MADSEN, TRYGVE | OBOE & STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1981 | EST 10 MIN | M/H | C/U | ADVANCED PLAYERS ONLY. 3 MOVEMENTS IN GOOD SCORE AND GOOD COMPOSER. STRINGS PLUS CELESTE AND XYLOPHONE. PIANO ACCOMPANIMENT AVAILABLE. |
| CONCERTO FOR ORCHESTRA | KARJALAINEN, AHTI | TROMBONE & ORCHESTRA | Finland | FiMIC | 1942 | 19 MIN | H | C/U | 2FL,2CL,2OB,2BSN,2HN,2TRPT,PERC,TMP,STRINGS. USUAL THREE MOVEMENTS. HAS BEEN FREQUENTLY PERFORMED IN FINLAND. RANGE TO C. SCORE IS OLD AND IN MS. RENTAL ONLY. |
| CONCERTO FOR ORGAN & SYMPHONIC BAND, OP 28B | KARLSEN, KJELL MORK | BAND & ORGAN | Norway | NMIC | 20 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 2PERC,TMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. LOTS OF EXCITEMENT FOR A ROOM WITH SPACE FOR THE LARGE ENSEMBLE BUT NOT TOO WILLING ACOUSTICALLY. | |
| CONCERTO FOR ORGAN AND BAND | KARLSEN, KJELL MORK | BAND AND ORGAN | Norway | NMIC | 1973/1986 | 20 MIN. | M/H | C/U | PIC,2FL,OB,BSN,EbCL,3CL,BCL,AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,3PERC. MOVEMENTS: DIALOG, CHORAL, RONDO-FINALE. FOR SCHOOLS WITH A GOOD ORGAN AND ORGANIST A WORK THEY CAN COMBINE ON. THIS IS PLAYABLE MUSIC ON A SCORE WITH GOOD MS. . |
| CONCERTO FOR ORGAN, BRASS INSTRUMENTS & PERC,OP 28 | KARLSEN, KJELL MORK | BRASS & ORGAN | Norway | NMIC | 20 MIN | M | C/U | 3TRPT,2HN,3TRB,TBA,PERC,TIMP. 1 DIALOG, 2 CHORAL, 3 RONDO - FINALE. MUCH EXCITEMENT. SEE BAND VERSION (OP 28B). | |
| CONCERTO FOR PERCUSSION | KOPPEL, ANDERS | PERCUSSION AND ORCHESTRA | Denmark | WHANSEN | 2001 | 2 MIN | H | C/U | 3FL(PIC),2OB,2CL,3BSN(CBSN),4HN,2TRPT,3TRB,TBA,PO,STRINGS. FIVE CONTRASTING MOVEMENTS. SOLOIST PLAYS 40 PERCUSSION INSTRUMENTS. ORCH ACCOMPANIMENT IS NOT TOO DIFFICULT. |
| CONCERTO FOR STRING ORCHESTRA | LEVITT, VLADIMIR | STRING ORCHESTRA | Sweden | SMIC | 2002 | 19 MIN | M | C/U | IN TWO MOVEMENTS. GOOD MS TO READ. NO GREAT PROBLEMS TO MAKE THIS SOUND. NO DIVISI, BUT THE COMPOSER RECOMMENDS 6 - 5 - 4 - 3 - 1 PEOPLE FOR THE PARTS, VIOLIN I - STRING BASS. ALSO SEE THIS COMPOSER’S CONCERTO GROSSO NO. 3 FOR STRING ORCHESTRA. |
| CONCERTO FOR STRINGS, OP 54 | NORDGREN, PEHR HENRIK | STRING ORCHESTRA | Finland | FAZER | 1982 | EST 12 MIN | H | C/U | 1. PREMONITIONS OF A BAD DAY, 2. DANCE AWAY YOUR WORRIES, 3. A BELATED PRAYER FOR ACHIEVING FULFILLMENT. MOVEMENTS CAN STAND ALONE. PLAYABLE WITH NO SURPRISES. SCORE FOR SALE, PARTS RENTAL. |
| CONCERTO FOR TROMBONE & ORCHESTRA | GRONDAHL, LAUNY | TROMBONE & BAND | Denmark | SAMFUNDET | 1984 | 16 MIN | M | C/U/HS | 2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRB,2EUP,TBA,PERC,TMP,SB,OPT PIANO. PIANO SCORE. BAND PARTS MODERATE DIFFICULTY. |
| CONCERTO FOR TROMBONE & ORCHESTRA | GRONDAHL, LAUNY | TROMBONE & PIANO | Denmark | SAMFUNDET | 1924 | 16 MIN | M | C/U/HS | ONE OF THE FINE TROMBONE SOLOS AVAILABLE. ALSO SEE BAND & ORCHESTRA LISTINGS. |
| CONCERTO FOR TROMBONE & ORCHESTRA | MADSEN, TRYGVE | TROMBONE & PIANO | Norway | MUSIKK-HUSET | 2001 | EST 12+ MIN | M/H | C/U | GREAT C/U RECITAL MATERIAL. SAME LEVEL AS L E LARSSON. MOVEMENTS: ALLEGRO,ANDANTE CON MOTO ALLEGRO. NOTE THAT ORCH ACCOMPANIMENT IS AVAILABLE. |
| CONCERTO FOR TROMBONE & ORCHESTRA, OP 21 | BORG, KIM | TROMBONE & PIANO | Finland | FiMIC | 1977 | H | C/U | USUAL THREE MOVEMENTS, RANGE TO D. ORCHESTRA PARTS AVAILABLE. SCORE IS A BIT MESSY. GOOD CONTRASTS IN THE MUSIC. | |
| CONCERTO FOR TROMBONE AND STRING ORCHESTRA | WESSMAN, HARRI | TROMBONE & STRING ORCHESTRA | Finland | FiMIC | 1992 | EST 12+ MIN | H | C/U | EIGHT MOVEMENTS DEALING WITH”AFFECTIONS” IE. LOVE, SORROW, ETC.IN VARYING DIFFICULTY - ALL CAN STAND ALONE. RANGE TO C IN LAST MOVEMENT. FIRST MOVEMENT ONLY PEDAL TONES. |
| CONCERTO FOR TRUMPET | GLINDEMANN, IB | TRUMPET & ORCHESTRA | Denmark | WHANSEN | 1988 | EST 25 MIN | M/H | C/U | 2FL(PIC),2OB,EH,2CL,BCL,2BSN,4HN,3TRPT,3TRB,TBA,4PERC,STRINGS. MOVEMENTS: ALLEGRO CON BRIO, ANDANTE CON SENTIMENTO, ALLEGRO SPAGNUOLO. MANY NEWER DANISH COMPOSITIONS USE VERY MODERN HARMONIES. THIS ONE NO -- MORE TRADITIONAL. RANGE TO D FOR THE C TRUMPET. THREE PLAYABLE MOVEMENTS. |
| CONCERTO FOR TRUMPET & ORCHESTRA | VAINIKKA, SAKARI | TRUMPET & ORCHESTRA | Finland | FiMIC | 1988 | EST 12 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db). RENTAL ONLY. |
| CONCERTO FOR TRUMPET & ORCHESTRA | VAINIKKA, SAKARI | TRUMPET & PIANO | Finland | FiMIC | 1988 | EST 12 MIN | M/H | C/U | 2FL,2CL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. ONE MOVEMENT FOR TRUMPET IN C. MODEST RANGE (TO Db). |
| CONCERTO FOR TRUMPET & SYMPHONIC BAND | KARKOFF, INGVAR | TRUMPET & BAND | Sweden | SMIC | 2002 | 18 MIN. | H | C/U | 2FL (PIC),2OB (ENGHN),EbCL,3CL,BASCL,2BSN,2AS.TS,BS,4HN,4TRB,2TBA,3PERC,PIANO,STRBS. SOLO TRUMPET IN C. ONE LONG PIECE, ACCOMPANIMENT PARTS ARE INTERESTING, THE TRPT SOLO IS VERY PLAYABLE AND THE WORK DESERVES PERFORMANCES. |
| CONCERTO FOR TRUMPET AND ORCHESTRA | WESSMAN, HARRI | TRUMPET & PIANO | Finland | LOVE | 1987 | 18 MIN | M/H | C/U | MOVEMENTS: ANDANTE, LARGHETTO MOLTO ELASTICO, ALLEGRO. WESSMAN WRITES FOR THE ADVANCED STUDENT PLAYER. RANGE TO B. MUTE USED. PIANO PART ACCOMPANIES, - DOES NOT GET IN THE WAY WHICH MEANS THE ORCHESTRA PARTS SHOULD BE VERY PLAYABLE AND IT IS! |
| CONCERTO FOR TRUMPET AND STRING ORCHESTRA | AAGAARD-NILSEN, TORSTEIN | TRUMPET & STRING ORCHESTRA | Norway | NMIC | 1996 | 18 MIN 20 SEC | H | C/U | MOVEMENTS: ADAGIO, ALLEGRO MOD. E LEGGIERO, LENTO MOLTO, VIVACE. ALL STRING PARTS DIVISI. TRUMPET (IN C) TO D, BUT PLAYS IN MODEST RANGE MOST OF THE TIME. NOT EASY, BUT PLAYABLE BY THE FINE C/U STUDENT. |
| CONCERTO FOR TRUMPET, TROMBONE AND ORCHESTRA | LINDBERG, NILS | TRUMPET, TROMBONE & ORCHESTRA | Sweden | GEHRMANS | 1991 | 15 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2HN,3TRPT,3TRB,MUCH PERCUSSION,PIANO,STRINGS AND JAZZ BASS. THIS IS JAZZ. IMPROVISATION FOR THE TWO SOLOISTS AND THE PIANO PLAYER. IN ONE MOVEMENT. SHOULD BE A LOT OF FUN FROM A FINE COMPOSER/ MUSICIAN. |
| CONCERTO FOR TUBA | HOLMBOE, VAGN | TUBA & ORCHESTRA | Denmark | WHANSEN | 1977 | EST 18 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2TRPT,4HN,2PERC,STRINGS. ALL MUSICAL SECTIONS ARE CONNECTED. THIS IS HARD MUSIC FOR THE BEST TUBA PLAYER, BUT WE PAY ATTENTION TO THIS COMPOSER, WE THIN HE WRITES WELL FOR BRASS. TUBA TO Ab. |
| CONCERTO FOR TUBA & ORCHESTRA | AAGAARD-NILSEN, TORSTEIN | TUBA & ORCHESTRA | Norway | NMIC | 1997/2002 | 15 MIN | H | C/U | 2FL(PIC),2OB,CL,BCL,BSN,CBBSN,4HN,2TRPT,3TRB,2PERC,STRINGS. ONE MOVEMENT THAT IS FOR THE VERY BEST C/U OR PROFESSIONAL SOLOIST AND A GOOD ORCHESTRA. EXTREME HIGH RANGE FOR THE SOLO AND LOTS OF NOTES. |
| CONCERTO FOR TUBA AND ORCHESTRA | BENTZON, NIELS VIGGO | TUBA & ORCHESTRA | Denmark | WHANSEN | CIR 1950 | EST 18 MIN | H | C/U | 3FL(PIC),2OB,2CL2BSN,CBSN,4HN,3TRPT,3TRB,TBA,TIMP,STRINGS. MOVEMENTS: (? ALLEGRO ?), MODERATO MA NON TROPPO,ALLEGRO MOLTO MODERATO. EASIER THAN SOME OF THE OTHER DANISH COMPOSERS. THE SCORE IS IN PASSABLE MS. THE SOLO PART PLAYS WITH AN A TOP NOTE. |
| CONCERTO FOR TUBA AND ORCHESTRA | NISSILA, ALLAN | TUBA & ORCHESTRA | Sweden | SMIC | 2002 | 7 MIN 30 SEC | M/H | C/U | 2FL(PIC),2OB,2BSN,2CL,ACL,2TRPT,4HN,2TRB,3PERC,STRINGS. THERE IS A SHORTAGE OF THIS TYPE OF MATERIAL AND THIS IS A GOOD ONE TO ADD TO WHAT WE KNOW OF THIS LITERATURE. A GOOD C/U UNDERGRAD TUBA STUENT CAN PLAY THE SOLO AND THE C/U ORCHESTRA CAN PLAY THE ACCOMPANIMENT. |
| CONCERTO FOR TUBA AND ORCHESTRA | WESSMAN, HARRI | TUBA & ORCHESTRA | Finland | FiMIC | 1996 | EST 20+ MIN | H | C/U | FL,OB,CL,HN,2TRPT,TRB,PERC,STRINGS. MOVEMENTS: MODERATO, ALLEGRO, LARGHETTO, MODERATO. TO G ONCE AND UP NEAR THERE A FEW TIMES. A LOT OF NOTES, BUT MOSTLY STRAIGHT FORWARD. ORCHESTRA ACCOMPANIMENT IS NOT DIFFICULT. |
| CONCERTO FOR TUBA AND ORCHESTRA, OP 35 | MADSEN. TRYGVE | TUBA & ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | M/H | C/U | 2FL,2CL,2OB,2BSN,3PERC,TMP,EH,STRINGS,TUBA SOLO. IMPORTANT ENGLISH HORN PART. HARD FOR TUBA, ORCHESTRA MEDIUM. 4 MOVEMENTS - MOVE. 3 FOR TUBA AND STRINGS ONLY. GOOD SCORE! | |
| CONCERTO FOR TUBA AND STRING ORCHESTRA | ALMILA, ATSO | TUBA & STRING ORCHESTRA | Finland | FiMIC | 1986 | 16 MIN | H | C/U | COMPOSED FOR MICHAEL LIND. USUAL THREE MOVEMENTS WITH RANGE TO D JUST ONCE, OTHERWISE MODEST DEMANDS. STRING PARTS QUITE PLAYABLE. RENTAL ONLY. |
| CONCERTO FOR TUBA AND WIND ENSEMBLE | JOHANSEN, BERTIL PALMAR | TUBA & BAND | Norway | NMIC | 2005 | EST 10 MIN | M/H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,BBEST SCHERZOSN,AS,TS,2HN,3TRPT,3TRB,TBA,4PERC. MOVE: LIP BEAT SCHERZO, AIR, GRANDMA’S TUBA THEME. SHOULD BE FUN. TUBA SOLO HAS SOME UNUSUAL THINGS, LIKE HALF VALVE, ETC, MOSTLY STRAIGHT FORWARD FOR SOLO AS WELL AS FOR ACCOMP. |
| CONCERTO FOR WINDS AND PERCUSSION | PALSSON, PALL P | BAND | Iceland | ITM | 1989 | 9 MIN 45 SEC | M | C/U/HS | PIC,2FL,3CL,BCL,BSN,AS,TS,BS,4HN IN Eb,2COR,2TRPT,3TRB,2EUP,2TBA,PERC. SOME MIXED METER IN A PLAYABLE SCORE WITH INTERESTING PARTS FOR ALL. |
| CONCERTO FOR VIOLA AND ORCHESTRA | TREDE, YNGVE JAN | VIOLA & ORCHESTRA | Denmark | WHANSEN | 1985 | 22 MIN | H | C/U | PIC,FL,2CL,OB,2BSN,2HN,TMP,STRINGS. A MAJOR CHALLENGE FOR VIOLIST AND ORCHESTRA. LONG CADENZA. SOLID SCORE AND WORK. SCORE FOR SALE,PARTS RENTAL. |
| CONCERTO FOR VIOLA AND ORCHESTRA | NYSTROEM, GOSTA | VIOLA & PIANO | Sweden | SUECIA | 1989 | 18 MIN. | H | C/U | IN BEAUTIFUL MS. ORCHESTRA ACCOMPANIMENT AVAILABLE FROM THE SAME PUBLISHER. SUGGEST FOR THE ADVANCED UNDERGRAD OR GRAD STUDENT. THE MUSIC IS PLAYABLE AND REWARDING. FROM A HIGHLY REGARDED SWEDISH COMPOSER. |
| CONCERTO FOR VIOLIN | LILLEBJERKA, SIGMUND | VIOLIN & BAND | Norway | NMIC | 2001 | 17 MIN | M | C/U | 2FL,OB,3CL,BCL,BSN,AS,3HN,3TRPT,3TRB,EUP,TBA,3PERC. MOVEMENTS: ALLEGRO MODERATO, ADAGIO, VIVACE. THIS WORK WAS ORIGINALLY FOR CHAMBER ORCH ACCOMP. BUT WORKS WELL WITH THIS COMBINATION. NOTE THE REDUCED INSTRUMENTATION. |
| CONCERTO FOR VIOLIN & ORCHESTRA, OP 32 | KLAMI, UUNO | VIOLIN & PIANO | Finland | FAZER | 1967 | EST 12+MIN | H | C/U | THREE MOVEMENTS. LATE 19TH CENTURY COMPOSER. WORK WAS COMPLETED BY OTHERS FROM COPIES OF THE ORIGINAL. ORCHESTRA PARTS NOT AVAILABLE. |
| CONCERTO FOR VIOLIN AND WIND INSTRUMENTS | LARSSON GOTHE, MATS | VIOLIN AND BAND | Sweden | SMIC | 2000/2001 | 20 MIN | H | C/U | 2FL,OB,EH,2CL,2BSN,2HN,2TRPT(C),2TRB,TBA,TIMP,GLOCK. THEME AND VARIATIONS. PLAYABLE BY BEST C/U SMALL BANDS OR WIND ENSEMBLES AND VIOLINIST WILLING TO LEARN THE SOLO PART. THIS COMPOSER PRODUCES A BEAUTIFUL, LOGICAL AND DIFFICULT SCORE. YOU WILL LIKE. |
| CONCERTO FURVUS | KARLSEN, KJELL MORK | TUBA & BAND | Norway | NMIC | 1990 | 17 MIN | H | C/U | 3FL(PIC),OB,3CL,BCL,BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,EbTBA,BbTBA,4PERC. ALL SECTIONS CONNECTED. TUBA NEEDS THE HIGH F. BAND ACCOMPANIMENT IS EASIER THAN THE SOLO PART. OUTSIDE THE OCCASIONAL RANGE QUESTION THE SOLO PART IS NOT TOO DIFFICULT. |
| CONCERTO GROSSO | KVAM, ODDVAR S. | BASSOON & PIANO | Norway | NMIC | 1996 | 16+MIN | H | C/U | MOVEMENTS: PRELUDIUM, SARABANDE, CHACONNE, BOUREE, POSTLUDIUM. ALL MOVEMENTS CAN STAND ALONE. FOR HE ADVANCED STUDENT, MAYBE GRADUATE/PROFESSIONAL LEVEL. |
| CONCERTO GROSSO NO.2 | LERSTAD, TERJE | SAXOPHONE QUARTET & BAND | Norway | NMIC | 1985 | 16 MIN 30 SEC | H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP, 2TBA,5PERC,EH,EbCBCL,BbCBCL,BASS SAX,CBSN. 1.PASSACAGLIA, 2.TANGO, 3.TOCCATA. SOME NONTRADITIONAL NOTATION. BAND PARTS PLAYABLE, BUT MUST HAVE NEAR PROFESSIONAL SAXOPHONISTS. NOTE INSTRUMENTATION. |
| CONCERTO II | HOLMBOE, VAGN | TRUMPET & STRING ORCHESTRA | Denmark | WHANSEN | 1948 | E/M | C/U/HS | THREE MOVEMENTS FOR SOLO TRUMPET IN C. ORCHESTRA: 2 HORNS & STRINGS. MODEST DEMANDS FOR ALL FROM A FINE COMPOSER. SCORE AND PARTS RENTAL. | |
| CONCERTO II PER TUBA | ALMIA, ATSO | TUBA & BAND | Finland | FiMIC | 2004 | EST 20+ MIN | H | C/U | PIC,FL,OB,2CL,AS,BSN,2HN,2TRPT,2TRB,EUP,TBA,TIMP. PLAYS IN ONE MOVEMENT. BAND PART IS STRAIGHT FORWARD AND PLAYABLE. TUBA SOLO MUST BE TOP C/U STUDENT. EXCELLENT SCORE FROM A FINE COMPOSER. |
| CONCERTO MAEUTRO (FOR MARIMBA,EUPHONIUM & TRUMPET) | DEAK, CSABA | BAND | Sweden | SMIC | 1989 | EST 12+MIN | M/H | C/U/HS | 3FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP,SB. THREE MOVEMENTS CONCERTO GROSSO STYLE. TRUMPET, EUPHONIUM AND MARIMBA SOLOISTS. CONTEMPORARY SOUNDS. ALWAYS A FEW SURPRISES WITH DEAK. SOLOIST MUST BE HIGH CALIBER. |
| CONCERTO MINIATURA | SAIKKOLA, LAURI | VIOLA & STRING ORCHESTRA | Finland | FiMIC | 1979 | 15 MIN | M/H | C/U | ONE MOVEMENT. ORCHESTRA PARTS VERY EASY. MARKED MODERATO & VIVACE. VIOLA PART ACCESSIBLE BY GOOD COLLEGE STUDENT. RENTAL ONLY. |
| CONCERTO NO 3 `MINI' | TOMASSON, JONAS | BRASS QUINTET | Iceland | ITM | 1946 | M | C/U | RHYTHMICALLY DIFFICULT, BUT MUSICALLY INTERESTING. METER CHANGES AND NOTE LENGTH CHANGES W/O TIME SIGNATURE CHANGES. | |
| CONCERTO NO. 2 | HOLMBOE, VAGN | FLUTE & ORCHESTRA | Denmark | WHANSEN | 1981/82 | EST 20 MIN | H | C/U | 2OB,2CL,2BSN,4HN,2TRPT,CELEST,VIB,STRINGS. MOVEMENTS: ALLEGRO GIUSTO, ANDANTE DEVOZIONE, ALLEGRO CON BRIO. IN A GOOD MS. IMPORTANT COMPOSER FOR THIS TYPE OF MATERIAL. ALWAYS HARD, ALWAYS PLAYABLE BY GOOD STUDENTS. |
| CONCERTO NO. 4 FOR MARIMBA AND ORCHESTRA | KOPPEL, ANDERS | PERCUSSION AND ORCHESTRA | Denmark | WHANSEN | 2006 | 21 MIN | H | C/U | 2FL(PIC),2OB(EH),2CL,BCL(Eb),2BSN(CBSN),4HN,2TRPT,2TRB,TBA,2PERC,ORGAN,HARP,STRINGS. ALL SECTIONS PLAYED ATTACCA. THE ORCHESTRA ACCOMPANIMENT IS EASIER THAN THE SOLO MARIMBA. SO, IF THE MARIMBA PLAYER KNOWS THE MUSIC, THIS COULD PREPARE QUICKLY. |
| CONCERTO NO.2 FOR SAXOPHONE & ORCHESTRA | KOPPEL, ANDERS | SAXOPHONE(ALTO) & ORCHESTRA | Denmark | WHANSEN | CIR 2000 | 28 MIN | H | C/U | 3FL(PIC),2OB,EH,3CL,2BSN,CBSN,4HN,3TRPT,3TRB,TBA,2PERC,HARP,STRINGS. ALL SECTIONS ATTACCA. THE SCORE LAYS OUT VERY NICELY, WE WISH THE ORCHESTRA PARTS WERE NOT AS DIFFICULT AS THEY ARE. BUT, A GOOD COMPOSER AND GOOD SERIOUS SAXOPHONE LITERATURE. |
| CONCERTO PER ARCHI | THYBO, LEIF | STRING ORCHESTRA | Denmark | SAMFUNDET | 1957 | 20 MIN | H | C/U | THREE MOVEMENTS, (2VLN, VLA, 2CELLO, BASS), A FEW RHYTHMIC SURPRISES. |
| CONCERTO PER ARCHI, TIMPANI E PERCUSSIONE | HALLNAS, HILDING | STRING ORCHESTRA | Sweden | SUECIA | 1959 | M/H | C/U | FOUR MOVEMENTS OF VARYING DIFFICULTY THAT CAN STAND ALONE. ACCESSIBLE MUSIC. SCORE FOR SALE, PARTS RENTAL. | |
| CONCERTO PER CONTRABASSO E ORCHESTRA DA CAMERA | MILLER, PHILIP | STRING BASS & ORCHESTRA | Sweden | SMIC | 1998 | 20 MIN | H | C/U | FL(PIC),OB,CL(BCL),BASN(CBSN),HN,TRPT,TRB,PERC.STRINGS. ONLY THE HIGHEST LEVEL PERFORMERS MAY APPLY FOR THIS DIFFICULT WORK. MIXED METER ALL THE WAY ON THIS ONE MOVEMENT COMPOSITION. VERY CLEAN MS. CHALLENGE FOR ALL! |
| CONCERTO PER CONTRABBASSO | JANSSON, JOHANNES | STRING BASS & ORCHESTRA | Sweden | SMIC | 201 | 32 MIN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,2TRPT,2TRB,HARP,STRINGS. IN GOOD MS. IT IS PLAYED AS ONE MOVEMENT (LONG!), SOMETIMES VERY DENSE WHILE THE SOLOIST IS PLAYING. THE ORCHESTRA PARTS ARE CHALLENGING AS IS THE SOLOIST PART. PROFESSIONAL LEVEL MUSIC. |
| CONCERTO PER CORNO ED ORCHESTRA | SALMENHAARA, ERKKI | HORN & PIANO | Finland | FiMIC | 1973 | 17 MIN | M | C/U | MOVEMENTS: SOSTENUTO, LENTO, ALLEGRO MODERATO. FULL ORCHESTRA ACCOMPANIMENT AVAILABLE. THE SCORE IS IN A VERY GOOD MS. THIS IS VERY GOOD, PLAYABLE C/U MATERIAL HORN TO Bb ABOVE THE STAFF. |
| CONCERTO PER FLAUTO E ORCHESTRA, OP 147 | HOLMBOE, VAGN | FLUTE & PIANO | Denmark | WHANSEN | 1981 | 15 MIN | M | C/U/HS | THREE MOVEMENTS THAT ARE TECHNICALLY CHALLENGING, AND A MUSICAL CHALLENGE. GOOD COMPOSER, GOOD MUSIC. |
| CONCERTO PER ORGANO E ORCHESTRA | BASHMAKOV, LEONID | BRASS & ORGAN | Finland | FiMIC | 1975 | 17 MIN | H | C/U | 4TRPT,4HN,3TRB,TBA,PERC,ORGAN. THREE MOVEMENTS WITH MANY RHYTHMIC CHALLENGES FROM A FINE COMPOSER. |
| CONCERTO PER SASSOFONO E ORCHESTRA | LINTINEN, KIRMO | SAXOPHONE(ALTO) & ORCHESTRA | Finland | FiMIC | 2000 | 20 MIN | H | PIC,LOB,EH,CL,BCL,2BSN,2HN,2TPT,TRB,TIMP,STRINGS.MOVEMENTS: PRESTO, CANONZONA ANDANTE, LAMENTO, TARENTELLA-ALLEGRO VOANTE. Eb ALTO IN MOVE 1 & 3 SOP 2 & 4. MIXED METER AND RHYTHMIC SITUATIONS. DIFFICULT FOR THE ORCHESTRA. | |
| CONCERTO PICCOLO, OP 12 | HOLM, MOGENS WINKEL | ORCHESTRA | Denmark | SAMFUNDET | 1965 | 7 MIN | M/H | C/U | PIC,FL,2CL,BCL,2OB,EH,BSN,CBSN,4HN,2TRPT,2TRB,TBA,5PERC,TMP, PIANO,STRINGS. FOUR SHORT MOVEMENTS THAT ARE RHYTHMIC AND HAVE LOTS OF PERCUSSION. PIANO IS ESSENTIAL. |
| CONCERTO POUR CLARINETTE ET ORCHESTRE,OP.40 | MADSEN, TRYGVE | CLARINET & STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1986 | EST 10 MIN | H | C/U | USUAL 3 MOVEMENTS. CHALLENGE FOR GOOD COLLEGE STUDENT, COMPETENT STRINGS NEEDED. PIANO ACCOMPANIMENT AVAILABLE. |
| CONCERTO, OP 126 | HOLMBOE, VAGN | FLUTE & ORCHESTRA | Denmark | WHANSEN | 1978 | 25 MIN | H | C/U | PIC,FL,2CL,2OB,2BSN,4HN,2TRPT,4PERC,TMP,STRINGS. 3 MOVEMENTS FOR C/U STUDENT. SOLO PART AND ACCOMPANIMENT NOT EASY BUT WELL CONSTRUCTED BY A FINE COMPOSER. SCORE FOR SALE, PARTS RENTAL. |
| CONCERTO, OP 132 | KARKOFF, MAURICE | TRUMPET & ORCHESTRA | Sweden | SMIC | 1976 | 20 MIN | H | C/U | FL,CL,BCL,OB,BSN,2HN,TRB,4PERC,STRINGS. FOUR MOVEMENT WORK FOR THE VERY BEST. STRAIGHT AHEAD AND HARD FOR BOTH SOLOIST AND ORCHRSTRA. RENTAL ONLY. |
| CONCERTO, OP 31 | HOLMBOE, VAGN | VIOLA & ORCHESTRA | Denmark | WHANSEN | 1959 | EST 20 MIN | H | C/U | 2FL,2OB,2CL,2BSN,2TRPT,2HN,TIMP,STRINGS. MOVEMENTS; ALLEGRO MOLTO E CON BRIO, ANDANTE CON MOTO, VIVACE. THIS INSTRUMENT IS ALWAYS LOOKING FOR GOOD COMPOSERS AND GOOD THINGS TO PLAY WITH ORCHESTRA. TAKE A GOOD LOOK AT THIS ONE. PLAYABLE MUSIC! |
| CONCERTO: HOUSE OF SEVEN ROOMS | ANDERSSON, MAGNUS F. | BAND | Sweden | SMIC | 1994 | EST 15 MIN | H | C/U | 3FL(ALFL,PIC,)EbCL,6CL,BCL,CBCL,2BSN,2AS,TS,BS,3CTRPT,2BbTRPT,4HN,4TRB,EUP,3TBA2STBS,4PERC. SEVEN MOVEMENTS! THIS IS A HUGE WORK, LOTS OF PERCUSSION INSTRUMENTS NEEDED AND GOOD PLAYERS. INTENDED FOR THE LARGE COLLEGE BAND WITH LOTS OF MUSICAL FACILITY. |
| CONSOLATION, OP 66 | LEIFS, JON | STRING ORCHESTRA | Iceland | ITM | 1968 | EST 9+MIN | M | C/U | AN INTERMEZZO WITH DIVISI FOR ALL BUT STRING BASS. MARKED ANDANTE TRANQUILLO. MESSY SCORE, GOOD PARTS. FINE COMPOSER. |
| CONTEMPLATION IN BLUE | KYLLONEN, TIMO-JUHANI | CLARINET ALONE | Finland | WARNER/CHAPPELL | 1996 | EST 9+ MIN | M/H | C/U | COMPOSER SUGGESTS ALSO FOR BASS CLARINET. THE USUAL PROBLEMS FOR THE CLARINET ALONE: MIXED METER, ETC. BUT, THIS ONE HAS LESS OF THAT MAKING IT MORE PLAYABLE THAN MANY. |
| CONTRACANTHUS | ORE, CECILIE | STRING BASS ALONE | Norway | NMIC | 1986 | 8 MIN 30 SEC | H | C/U | HARD PIECE FROM A GOOD COMPOSER. LOTS OF NOTES & TECHNICAL PROBLEMS. AN ACHIEVABLE CHALLENGE FOR THE SERIOUS C/U STUDENT. |
| CONTRASTS, THREE EPISODES FOR SYMPHONIC BAND | SUNDBO, GEIR | BAND | Norway | NMIC | 2005 | 7 MIN 30 SEC. | H | C/U | PIC,2FL,2OB,3CL,BCL,2BSN,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. PRESENTABLE MS. MIXED METER, HARMONICS NUANCES, AND INTERESTING ALL THE WAY. FOR THE BETTER CONDUCTOR AND C/U ENSEMBLE. SEE OTHER GOOD SCORES BY THIS COMPOSER IN THE NMIC CATALOG ONLINE. |
| CONTRO | HANSEN, JAN | STRING ORCHESTRA | Sweden | SMIC | 1989 | EST 8 MIN | H | C/U | HARMONIC AND RHYTHMIC INTEREST, MUCH DIVISI IN A GOOD SCORE FOR GOOD PERFORMERS. RENTAL ONLY. |
| CONVERSATION | GRAHN, ULF | PERCUSSION ENSEMBLE | Sweden | SMIC | 2002 | EST 4 MIN 30 SEC | M | C/U | FOUR PERCUSSIONISTS EACH USING 2 WOODBLOCKS/2 DRUMS. IF PITCHED, THE TWO PITCHES SHOULD BE BE LARGER THAN m3. COMPOSER SUGGESTS HAT THE FOUR PERFORMERS SURROUND THE AUDIENCE. SHOULD HAVE GOOD AUDIENCE APPEAL. |
| CONVERSAZIONE, OP 26A | RIISAGER, KNUDAGE | WOODWIND TRIO | Denmark | ENGSTROM & SODRING | 1966 | EST 6 MIN | M | C/U | THREE MOVEMENTS WITH FUN FOR ALL. NO SCORE. OB ,CL IN A, BSN. |
| COOL COVER GIRLS | HIETALA, TIMO | STAGE BAND | Finland | FiMIC | M/H | C/U/HS | FREQUENT TIME SIGNATURE CHANGES, BUT BEAT IS STEADY. EASY SWING. | ||
| COPENHAGEN QUARTET | SIGURBJORNSSON, THORKELL | STRING QUARTET | Iceland | ITM | 1979 | 14 MIN 40 SEC | H | C/U | ONE MOVEMENT. COMMISSIONED BY THE COPENHAGEN STRING QUARTET. |
| CORDIALE | HAUG, HALVOR | BAND | Norway | NMIC | 1982 | 8 MIN | M/H | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,2TBA,2PERC,TMP. MUCH MUSICAL INTEREST IN A FINE SCORE. VARIETY OF TEMPOS & TIME SIGNATURES. |
| CORIOLAN | BERGE, HAKON | TRUMPET & BAND | Norway | NMIC | 1981 | 23 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,2EUP,2TBA,8PERC,SB,PIANO. GOOD RANGE FOR TRUMPET SOLO, FINE COLLEGE PLAYER. LOTS OF PERCUSSION, QUICK METER CHANGES. |
| CRESCENDO | BASHMAKOV, LEONID | BAND | Finland | FiMIC | 1980 | 5 MIN | M/H | C/U | PIC,2FL,4CL,BCL,2OB,EH,2BSN,2AS,TS,BS,4HN,8TRPT,4TRB,EUP,2TBA,2PERC,TMP,STRB. GOOD SCORE BUT A BIT MESSY. A FINE COMPOSER WHO KNOWS HOW TO USE THE INSTRUMENTS. |
| CRIES OF SPRING | NORHOLM, IB | FLUTE & PIANO | Denmark | KONTRAPUNKT | 1992 | EST 10 MIN | H | C/U | MOVEMENTS: QT = 92, QT = 56, QT = 72. LOTS OF NOTES FOR THE SOLOIST. ACCOMPANIMENT STAYS OUT OF THE WAY UNTIL THE LAST MOVEMENT, THEN NOTES. HIGH LEVEL FLUTIST AND PIANO NEEDED. |
| CRIMSON SKIES | BROSTROM, TOBIAS | ORCHESTRA | Sweden | SMIC | 2006 | 8 MIN | H | C/U | FL(PIC),OB,EbCL,CL(BCL),BSN,HN,TRB,CELESTA,PIANO,2PERC,STRINGS. NEED STRONG KEYBOARD AND PERCUSSION. ENDS VERY QUIETLY. |
| CRISS FOR TWO PERCUSSIONISTS | ENGSTROM, TORBJORN | PERCUSSION ENSEMBLE | Sweden | SMIC | 1995 | 6 MIN | M/H | C/U | TWO MULTIPLE PERCUSSIONISTS (NO TUNED INSTRUMENTS) WITH A WELL LAID OUT SCORE MAKING THIS VERY PLAYABLE. |
| CROSSING THE BOSPORUS | VIITASAARI, JUKKA | BAND | Finland | 7IKKO | 1999 | 3 MIN 45 SEC | E/M | C/M/HS | PIC,2FL,2OB,EH,2BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,4TRPT,3COR,4HN,4TRB,EUP,TBA,STBS,8PERC,PIANO. YES, 8 PERCUSSIONISTS NEEDED - IDEAL FOR THE YOUNG ENSEMBLE WITH A LOT OF DRUMMERS. PLAYABLE BY A LOT OF DIFFERENT TYPES OF BANDS. |
| CROSSINGS | MASSON, ASKELL | PERCUSSION & ORCHESTRA | Iceland | BIM | 2002 | 22 MIN | H | C/U | 2FL(PIC),3CL(BCL),2BSN,CBSN,4HN,2TRPT,3TRB,TBA,4PERC,HARP,STRINGS. FOR TWO SOLO PERCUSSIONISTS WITH ORCH. A GREAT ADDITION TO THE PERCUSSIONISTS WORLD! PLENTY TO WORK 0N! |
| CYCLES | SKJELBRED, BJORN BOLSTAD | CLARINET QUARTET | Norway | NMIC | 2002 | 6 MIN | M/H | C/U | 3BbCL,BCL. MORE MODERN SETTING WITH A BIT OF UNUSUAL TECHNIQUE CONSIDERED, BUT WELL LAID OUT. a GOOD INTRODUCTION TO CONTEMPORARY LITERATURE. THIS IS ALSO SCORED FOR SAXOPHONE QUARTET. |
| CYRADIS | RUNARSDOTTIR, HILDIGUNNUR | FLUTE ALONE | Iceland | ITM | 1999 | EST 3+ MIN | M | C/U/HS | AN EASIER FLUTE ALONE SOLO. THE USUAL MIXED METER THINGS, BUT ALL CAN BE DONE BY THE GOOD HS - C/U STUDENT. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission