Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| FAIRY TALE SISTERS | NORDAL, JON | VIOLIN & PIANO | Iceland | ITM | 1944 | 12 MIN | M | C/U/HS | THREE MOVEMENTS (SISTERS) OF CONTRASTING STYLE. GOOD MUSIC PAYABLE BY MANY. |
| FALL | SANDBERG, LARS | TROMBONE, CELLO & PIANO | Sweden | SUECIA | 1989 | 9+MIN | H | C/U | MANY RHYTHMIC PROBLEMS. ALL PARTS PLAY FROM A SCORE. |
| FANFAARI | RAUTAVAARA, EINOJUHANI | TRUMPET CHOIR | Finland | FiMIC | 1992 | 30 SEC | E | C/U/HS | 4 TRUMPETS - FOR THAT SPECIAL OCCASION WHEN YOU WANT A SPECIAL FANFARE. RAUTAVAARA TO THE FORE! |
| FANFAARI | VIITALA, MAURI | BRASS ENSEMBLE | Finland | FiMIC | 1974 | 1 MIN 40 SEC | E/M | C/U/HS | 6/8 FANFARE WITH MODEST RANGES AND IT MOVES. POOR MANUSCRIPT IN THE SCORE. |
| FANFANFARA | SAGVIK, STELLAN | BRASS QUINTET | Sweden | SMIC | 1989 | 8 MIN | M/H | C/U | FINE SCORE, RHYTHMIC INTEREST AND PLAYABLE. |
| FANFARE | WESTMAN, LENNART | BAND | Sweden | SMIC | 2006 | 1 MIN 35 SEC | M | PIC,FL,OB,CL,BSN,SS,AS,BS,HN,2TRPT,3TRB,TBA,STBS,2PERC. SHORT, DRAMATIC FANFARE, SEEMS THAT DOUBLINGS WOULD WORK WELL. YOU WILL LIKE! | |
| FANFARE AND ASCENDING | NORDHAGEN, STIG | BRASS ENSEMBLE | Norway | NMIC | CIR 2000 | 3 MIN | H | C/U | PIC TRPT,3 C TRPT,HN,4TRB,TBA. TWO MOVEMENTS. MIXED METER LOTS OF NOTES AND MAKE SURE YOU HAVE A GOOD PIC TRUMPET. HIS COMPOSER ALSO HAS AN OVERTURE THAT IS IN MS FROM NMIC WITH 4 Bb TRUMPETS AND THE REST AS ABOVE. |
| FANFARE AND CHORAL | HOVLAND, EGIL | BAND | Norway | NORSK | 1966 | M/H | C/U | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP, TBA,5PERC,TMP,EH,CBCL,CELESTE. COMMISSIONED BY THE ST.OLAF COLLEGE BAND. A DENSE SCORE WITH A LOT OF DOUBLING. FANFARE-LIKE THEN FUGAL & BACK TO THE FANFARE MATERIAL. RENTAL ONLY. | |
| FANFARE AND CHORALE | HOVLAND, EGIL | ORCHESTRA | Norway | NORSK | 1968 | EST 12 MIN | H | C/U | PIC,2FL,2OB,EH,2CL,BCL,2BSN,CBSN,4HN,3TRPT,4TRB,2TBA,2PERC,CELESTE,STRINGS. EXCELLENT SCORE AND PLAYABLE BY THE C/U ORCHESTRA. FREQUENTLY PLAYED IN NORDIC COUNTRIES BY SELECT STUDENT GROUPS, ETC. |
| FANFARE OG HYMNE, OP 48 | SAEVERUD, HARALD | ORCHESTRA | Norway | MUSIKK-HUSET | 1974 | CA 5 MINN | M | C/U/HS | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,CBSN, CELESTE,PIANO,STRINGS. TRIPLET RHYTHMNS THROUGHOUT, IE: 6/8, 9/8, 12/8. NO PROBLEMS - SAEVERUD IS ALWAYS ACCESSIBLE. |
| FANFARE, OP. 59 | SALLINEN, AULIS | BRASS ENSEMBLE | Finland | NOVELLO | 1986 | EST 1+ MIN | H | C/U | 4HN,4TRPT,3TRB,TBA PERC. IN MS - A DRAMATIC FANFARE BY ONE OF FINLAND’S FINEST. NOTHING SPECIAL JUST SOLID WRITING. |
| FANFARER | ODEGAARD, HENRIK | BRASS ENSEMBLE | Norway | NMIC | 2005 | 14 MIN | H | C/U | 4 TRPT,HN,4TRB,TBA. FIVE FANFARES EACH ABOUT 2 MIN 30 SEC. EACH CAN BE PLAYED ALONE. HARD, MIXED METER, RHYTHMIC THIS, RANGES SHOULD NOT BOTHER THE ADVANCED ENSEMBLE. |
| FANFARES | LORENTZEN, BENT | TRUMPET ALONE | Denmark | ENGSTROM & SODRING | 1994 | M/H | C/U | TWO FANFARES, EACH ABOUT ONE MINUTES OR LESS. `ALL TRUMPET PLAYERS SHOULD HAVE SOMETHING LIKE THIS READY TO PLAY. THESE WILL MAKE YOURS A LITTLE SPECIAL.COMFORTABLE RANGE. | |
| FANTASI | NYHUS, ROLF | TRUMPETS(2) & ORGAN | Norway | MUSIKK-HUSET | 1976 | H | C/U | GOOD LOOKING MATERIAL FOR THIS MEDIUM. | |
| FANTASI FOR FLUTE SOLO | BREVIK, TOR | FLUTE ALONE | Norway | MUSIKK-HUSET | 1979 | EST 2 MIN | E | C/U/HS | LYRICAL, SHORT PIECE. FIRST SOLO ALONE FOR STUDENTS. |
| FANTASI FOR VIOLA/CELLO AND PIANO | HOLM, PEDER | VIOLA & PIANO | Denmark | SAMFUNDET | 1954 | EST 5 + MIN | M/H | C/U | THE MS IS READABLE. TELL YOUR FRIENDS IT CAN BE PLAYED BY CELLO ALSO. THE ONE THING THAT MAY GET IN THE WAY OF QUICK LEARNING IS THE LARGE NUMBER OF ACCIDENTALS. |
| FANTASI OVER NORSKE FOLK MELODIER, NR 2 | REISSIGER, F A /KARL-ERIK OLSEN | BAND | Norway | FROST | 1983 | EST 6 MIN | E/M | HS | PIC,FL,EbCL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,2COR,2TRPT,3TRB,EUP,2TBA, 3PERC,TMP,SB. ALL MELODIES PLAYED ATTACCA. VARIETY OF STYLES AND TEMPOS. VERY PLAYABLE. |
| FANTASI OVER: ZIONS VÆGTER HÆVER ROSTEN | VIDERO, FINN | BRASS QUINTET | Denmark | ENGSTROM & SODRING | 1965 | EST 2 MIN | E/M | C/U/HS | 3TRPTS, 2TRBS. 6/4, FLOWING, SHORT. |
| FANTASIA | EEROLA, LASSE | CLARINET & PIANO | Finland | HELLAS | 1985 | EST 6+ MIN | H | C/U | NOT AS DIFFICULT AS SOME, JUST LEARN THE NOTES AND MAKE MUSIC. FOR UPPER DIVISION C/U. SOME MODERN SOUNDS! |
| FANTASIA | HAUTA-AHO, TEPPO | TRUMPET & ORCHESTRA | Finland | FiMIC | 1987 | 16 MIN | H | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,3HN,3TRPT,3TRB,TBA,3PERC,TMP,PIANO, CELESTE. FOUR MOVEMENTS WITH MOST WORK FOR TRUMPET SOLO IN 1 & 4. CALLS FOR TRUMPET IN Eb AND SOME PICCOLO TRUMPET. SOME NONTRADITIONAL NOTATION BUT MOSTLY STRAIGHT AHEAD. RENTAL ONLY. |
| FANTASIA BREVE | BERG, OLAV | CLARINET & PIANO | Norway | NORSK | 1985 | 9 MIN | H | C/U | RECITAL AND STUDY PURPOSES. |
| FANTASIA ELEGIACA | JONSSON, JOSEF | VIOLA & PIANO | Sweden | SUECIA | 1940 | EST 3 MIN | M | C/U | A FLOWING MUSICAL LINE WITH APPROPRIATE PIANO ACCOMPANIMENT. USUAL ALTO CLEF, BUT MOVES TO TREBLE CLEF AND SOME DOUBLE STOPS. |
| FANTASIA PER FLAUTI | BASHMAKOV, LEONID | FLUTE ALONE | Finland | FiMIC | 1972 | 6 MIN 30 SEC | M/H | C/U | A FINE COMPOSER AND A MOST INTERESTING PIECE. SOLOIST SWITCHES BETWEEN GRAND FLUTE, ALTO FLUTE AND BASS FLUTE! |
| FANTASIAS, OP 43 | GADE, NIELS W | CLARINET & PIANO | Denmark | WHANSEN | EST 7 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. NICE RANGE FOR THE CLARINET AND VERY PLAYABLE. | |
| FANTASIAS, OP 43 | GADE, NIELS W | VIOLIN & PIANO | Denmark | WHANSEN | EST 7 MIN | M | C/U/HS | FOUR MOVEMENTS THAT CAN STAND ALONE. NICE RANGE FOR THE VIOLIN AND VERY PLAYABLE. | |
| FANTASTIC RONDOS | SVEINSSON, ATLI HEIMIR | CLARINET,TROMBONE,CELLO & PO | Iceland | ITM | 1980 | H | C/U | PLAYERS WHISPER, SPEAK, CLAP HANDS, SNAP FINGERS & STOMP FEET AS WELL AS PLAY THE INSTRUMENTS. RHYTHMICALLY CHALLENGING, BUT SHOULD BE FUN! | |
| FANTASY | NIELSEN, CARL | CLARINET & PIANO | Denmark | WHANSEN | 1881 | E/M | C/U/HS | AN EARLY WORK FROM NIELSEN WITH MUSICAL CHALLENGES BUT TECHNICALLY COMFORTABLE. | |
| FANTASY FOR CLARINET & WIND ORCHESTRA | EEROLA, LASSE | CLARINET & BAND | Finland | FiMIC | 1986 | 12 MIN | M/H | C/U/HS | PIC,3FL,EbCL,4CL,ACL,BCL,2OB,2BSN,AS,TS,BS,4HN,4TRPT,3TRB,EUP, 2TBA,3PERC,TMP,PIANO IS OPT. SECTIONS CONNECTED BY CADENZAS OR OTHER MEANS. FREQUENT TIME SIGNATURE CHANGES. OPPORTUNITY TO FEATURE THE BANDS FIRST CLARINETIST. |
| FANTASY FOR PERCUSSION ENSEMBLE | LILJEQUIST, BJORN | PERCUSSION ENSEMBLE | Sweden | BUSCH | 1984 | CA 6 MIN | H | C/U | WELL LAID OUT FOR TIMPANI AND NON-TUNED INSTRUMENTS. 5 PLAYERS. |
| FANTASY FOR SOLO FLUTE | ANDERSEN, KJELL MAGNE | FLUTE ALONE | Norway | NMIC | 2003 | EST 3 MIN | M/H | C/U/HS | NEED A SOLID UP REGISTER AND MODEST DIGITAL FACILITY. THE PART INVITES INTERPRETATION AND MUSICALITY. NICE SHORT WORK. |
| FANTASY FOR TROMBONE SOLO, OP.46A | MORTENSEN, FINN | TROMBONE ALONE | Norway | NORSK | 1980 | 3 MIN | M | C/U/HS | STUDY SOLO FOR RECITAL OR FUN. |
| FANTASY ON A CHINESE POEM | MASSON, ASKELL | CLARINET & PERCUSSION | Iceland | ITM | 1987 | H | C/U | A SERIOUS WORK FOR STUDY OR COLLEGE RECITAL. THE PERCUSSION INSTRUMENT IS CALLED 'DARABOUKT' OR HAND DRUM. | |
| FAR AWAY STAR | LINDBERG, NILS | STAGE BAND | Sweden | NORDISKA | 1984 | M | C/U/HS | VOCAL - OR CAN BE AN INSTRUMENTAL SOLO. BALLAD. FINE TUNE! | |
| FEM MINIMALER | RIEDEL, GEORG | BRASS QUINTET & JAZZ ENSEMBLE | Sweden | SMIC | 1978 | 7 MIN | H | C/U | INTERESTING COMBINATION BY A HIGHLY RESPECTED SWEDISH COMPOSER. JAZZ ENSEMBLE: AS,TS,GUIT,PO,BASS,DRUMS. |
| FEM SANGER OM KARLEK (FIVE SONGS OF LOVE) | OLSON, LARS JERGEN | CELLO & PIANO | Sweden | SMIC | 2003 | 8 MIN | E/M | C/U/HS | RATHER EASY SONGS FOR THE STUDENT TO DEMONSTRATE THE ABILITY TO PLAY PRETTY. THIS IS GOOD MUSIC FOR ANY LEVEL PERFORMER. SENSITIVE ACCOMPANIMENT PART FOR THE PIANIST. |
| FEST - OUVERTURE, OP 33 | KOPPEL HERM D | ORCHESTRA | Denmark | SAMFUNDET | 1939 | 8 MIN | M | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. SOLID SCORE, MOSTLY RHYTHMIC, MANY NOTES, BUT STRAIGHT AHEAD. |
| FEST-OUVERTURE | SONSTEVOLD, MAJ | ORCHESTRA | Norway | NMIC | 1983 | EST 10 MIN | M/H | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,4RPT,3TRB,TBA,PERC,TMP,HARP,CELESTE,STRINGS. ONE MOVEMENT AND VERY PLAYABLE. SCORE IS IN FINE MS. |
| FEST-OUVERTURE,OP 29 | ALFVEN, HUGO/GUNNAR JOHANSSON | BAND | Sweden | SUECIA | 1974 | 7 MIN | M/H | C/U/HS | 3FL,EbCL,4CL,ACL,BCL,2OC,2BSN,2AS,TS,BS,2COR,4TRPT,4HN,3TRB,EUP, 2TBA,2PERC,TMP,SB. PROGRAM OPENER, GOOD EXCITEMENT, ALL PARTS DO SOMETHING. SAXOPHONE PARTS OPTIONAL. |
| FESTFANFAR 1995 | SEVIUS, SVEN | BRASS & PERCUSSION | Sweden | SMIC | 1995 | 1 MIN. | M | C/U/HS | R TRPT, 3 TRB,TUBA,3 PERC. SOLID, FULL WRITING. TRB 1 TO HIGH Bb OTHERWISE ALL INSTRUMENTS IN A COMFORTABLE RANGE. PERCUSSION: SNARE, TYMPANI AND CYMBALS. |
| FESTFANFARE | SODERLIND, RAGNAR | BRASS ENSEMBLE | Norway | NORSK | 1971 | CA 2 MIN | M | C/U | 3TRPT IN C,3HN,3TRB,TBA,3PERC. STRONG WORK THAT IS PLAYABLE AND VERY INTERESTING. |
| FESTIVAL OVERTURE | ISOLFSSON, PALL | ORCHESTRA | Iceland | ITM | 1950 | M/H | C/U/HS | 2FL,2OB,2CL,2BSN,3HN,3TRPY,2TRB,5PERC,STRINGS. THIS WILL CAHLLENGE THE GOOD HS ENSEMBLE, BUT IT IS A FINE SCORE. GREAT FOR C/U ORCHESTRA OVERTURE, ALL STATE GROUPS, ETC. | |
| FESTIVAL OVERTURE, OP 39 | HOVLAND, EGIL | BAND | Norway | NMIC | 1962 | 6 1/2 MIN | H | C/U/HS | PIC,2FL,EbCL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB, EUP,TBA,2PERC,TMP,SB,EH,CBSN,CBCL. MIXED METER. BIG OPENING. A GOOD SCORE TO PLEASE THE AUDIENCE AND THE PLAYERS. SCORE FOR SALE, PARTS RENTAL. |
| FESTIVALOUVERTURE | MARCUSSEN, KJELL | BAND | Norway | NMIC | 1994 | 10 MIN. | M/H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. A NICE SCORE THAT EXHIBITS SOME INTERESTING HARMONIC STRUCTURE FORM TIME TO TO TIME. VERY USEABLE MATERIAL. |
| FESTIVALOUVERTURE | MARCUSSEN, KJELL | ORCHESTRA | Norway | NMIC | 1994 | EST 12+ MN | H | C/U | 2FL,2OB,2CL,2BSN,4HN,3TRPT,3TRB,TBA,3PERC,STRINGS. A BOLD PIECE THAT IS GREAT IN SCORE AND PLAYABLE BY THE BEST HS SELECT GROUP ALA ALL-STATE GROUPS AND C/U ENSEMBLES. CONTEMPORARY SETTING, MIXED METER, MODERN HARMONY. GOOD PIECE. |
| FESTIVO FOR BRASS ENSEMBLE AND PERCUSSION | DANIELSSON, CHRISTER | BRASS ENSEMBLE | Sweden | GEHRMANS | 1981 | 3 MIN | M | C/U | 4TRPT,2HN,2TRB,2TBA,2PERC.A FANFARE, TRUMPET 1 TO C AND MUST BE A SOLID PLAYER. |
| FESTIVO POMPOSO | SJOBLOM, HEIMER | BAND | Sweden | SMIC | 1976 | 6 MIN | M | C/U/HS | PIC,FL,3CL,OB,BSN,AS,TS,2HN,3TRPT,2TRB,TBA,2PERC,SB. WELL LAID OUT SCORE, NOTE THE INSTRUMENTATION. |
| FESTMARSCH | KOCH, ERLAND VON | ORCHESTRA | Sweden | SMIC | 1974 | 4 1/2 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,STRINGS. A SLOW CONCERT MARCH MARKED MM=80. GOOD SCORE. RENTAL ONLY. |
| FESTOUVERTURE | FONGAARD, BJORN | BAND | Norway | NMIC | M | C/U/HS | PIC,2FL,EbCL,4CL,BCL,AS,TS,4HN,4COR,3TRB,EUP,TBA,3PERC. VERY PLAYABLE WORK, VARIETY OF TEMPOS, NO PROBLEMS. | ||
| FESTOUVERTURE, OP 53 | MADSEN, TRYGVE | ORCHESTRA | Norway | MUSIKK-HUSET | 1988 | EST 7 MIN | M/H | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,2PERC,TMP,STRINGS. PROGRAM OPENER OF STRAIGHT AHEAD MATERIAL. FINE HS ORCH, COLLEGE OR COMMUNITY ORGANIZATION. SCORE FOR SALE AND PARTS ON HIRE. |
| FIGURE IN TEMPO | JORGENSEN, ERIK | CELLO & PIANO | Denmark | SAMFUNDET | 1965 | EST 4 MIN | M/H | C/U | CONTEMPORARY SOUNDS AND RHYTHMICALLY CHALLENGING, MANY CHANGES OF TIME SIGNATURE. |
| FIMMA (SEA NOCTURNE) | HALLGRIMSSON, HALFLIDI | CELLO & PIANO | Iceland | CHESTER | 1986 | H | C/U | FIVE MOVEMENTS WITH RHYTHMIC PROBLEMS FOR THE ENSEMBLE, CHALLENGING. | |
| FINE I, OP 55 | LEIFS, JON | ORCHESTRA | Iceland | ITM | 1963 | EST 4 MIN | E/M | C/U | PIC,2FL,2CL,BCL,2OB,2BSN,4HN,4TRPT,3TRB,TBA,2PERC,TMP,EH,CBSN, STRINGS. ONE MOVEMENT WITH SOME STRING DIVISI, SOMETIMES QUITE THINLY SCORED. SCORE IS MESSY BUT GOOD PARTS. FINE COMPOSER. |
| FINE II, OP 56 | LEIFS, JON | STRING ORCHESTRA | Iceland | ITM | 1963 | EST 4 MIN 30" | E/M | C/U/HS | ALSO USES A VIBRAPHONE BUT NOT AS A SOLOIST. ANDANTE AND STRAIGHT AHEAD. VERY PLAYABLE. |
| FINNISH RHAPSODY, OP 32 | BORG, KIM | TUBA & PIANO | Finland | FiMIC | EST 6-7 MIN | M | C/U/HS | THREE MOVEMENTS. RANGE TO D. 1. ON THE ROAD 2. SUMMER NIGHT 3. WEDDING. RECITAL CONCERT PROGRAM. CHAMBER ORCHESTRA ACCOMPANIMENT AVAILABLE. | |
| FIRE ARSTIDSMINIATYRER | OSTERN, PER HROAR | FLUTE & PIANO | Norway | NORSK | 1991 | EST 4 MIN | E | C/U/HS | FOUR SHORT MOVEMENTS, EACH CAN STAND ALONE. TITLE REFERS TO THE SEASONS OF THE YEAR. GOOD LITERATURE THAT IS EASY. |
| FIRE PROFILER (FOUR PROFILES) | SLETTHOLM, YNGVE | SAXOPHONE ALONE | Norway | LYCHE | 1982 | 14 MIN | M | C/U/HS | FOR ANY SAXOPHONE. FOUR MOVEMENTS. NOT EASY BUT PLAYABLE AND GOOD STUDY/RECITAL MATERIAL. MOVEMENTS CAN STAND ALONE. |
| FIVE FLUTE PIECES | WESSMAN, HARRI | FLUTE & PIANO | Finland | FiMIC | 2003 | E/M/H | C/U/HS | MOVEMENTS: TRIPLETS, LEGATO, FIGURATION, THE FLIGHT OF THE MASQUITO, DOUBLE TONGUE MARCH. WHEN YOU DO NOT WANT TO GET TOO SERIOUS AT THE RECITAL. THIS SHOULD BE FUN FOR PLAYERS AND AUDIENCE. | |
| FIVE IMPROVISATIONS | BERGH, SVERRE | STRING TRIO | Norway | LYCHE | 1983 | 10 MIN | M | C/U | FIVE MOVEMENTS. MODEST TECHNICAL DEMANDS AND PLAYABLE. |
| FIVE NORDIC MELODIES | SONNINEN, AHTI | STRING ORCHESTRA | Finland | FAZER | 1981 | EST 12 MIN | M | C/U/HS | ONE FOLK TUNE FROM EACH OF THE FIVE NORDIC COUNTRIES. THEY ALL FLOW BUT ICELAND'S IS IN MIXED METER! |
| FIVE PRELUDES | NIELSEN, CARL/MOGENS ANDRESEN | BRASS QUINTET | Denmark | WHANSEN | 1984 | EST 7 MIN | M | C/U/HS | SHORT MOVEMENTS FROM 29 SMALL PRELUDES FOR PIANO. |
| FIVE SHORT PIECES | DEAK, CSABA | BAND | Sweden | GEHRMANS | 1983 | 10 MIN | H | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,2AS,TS,BS,2HN,4TRPT,3TRB,EUP,TBA,PERC,TMP, SB. AN EXCELLENT SCORE. NONTRADITIONAL NOTATION IN MOVEMENTS 2, 4, & 5, WITH GOOD EXPLANATIONS. VERY PLAYABLE WORK. |
| FIVE STUDIES | EK, HANS | TUBA AND TIMPANI | Sweden | SMIC | 1997/99 | 7 MN | H | C/U | 5 TIMPANI AND TWO WOOD BLOCKS FOR THE PERCUSSION. TO HIGH G FOR THE TUBA AND A COMPLETE LOW REGISTER REQUIRED. HARD , BUT VERY PLAYABLE BY THE ASTUTE UNDERGRAD STUDENTS WHO WANT SOMETHING SPECIAL FOR THE SENIOR RECITAL. INTERESTING MATERIAL. |
| FIVE TROMBONE PIECES | WESSMAN, HARRI | TROMBONE & PIANO | Finland | LOVE | 1992 | EST 5+ IN | E/M | C/U/HS | MOVEMENTS (CAN STAND ALONE): SYNCOPATIONS, WHISPERS, ETUDE, BALLAD, EPILOGUE. MUTES, GIZZANDOS, FLUTTER TONGUE, ALL WRITTEN TO BE HIGHLY PLAYABLE. |
| FLAMES | MARTINSSON, ROLF | WOODWIND QUARTET | Sweden | SMIC | 2003 | 11 MIN | H | C/U | FL,CL,HN,BSN. IN FOUR CONNECTED SECTIONS. OPENS WITH A DRAMATIC FLUTE CADENZA LIKE SECTION THEN TO ENSEMBLE PROBLEMS WITH INTEREST FOR ALL. REHEARSAL TIME WILL BE NEEDED. BUT, THE SCORE IS VERY INTERESTING. FROM A FINE COMPOSER. |
| FLAUTO DEL SOLE | HERMANSON, AKE | FLUTE ALONE | Sweden | WHANSEN | 1982 | 4 1/2 MIN | H | C/U | ONE MOVEMENT WITH MODEST CHALLENGE. |
| FLEETING TARRY | GRAUGAARD, LARS | WOODWIND TRIO | Denmark | ENGSTROM & SODRING | 1996 | EST EST 9+ MIN | H | C/U | FLUTE, OBOE AND BASSOON. IN THE VERY HARD ZONE HERE, WITH CHALLENGES FOR ALL INSTRUMENTS. A GOOD SCORE WILL HELP THE LEARNING PROCESS. |
| FLOTTANS KAVALJERER | LINDHOLM AND OTHERS/GUNNAR SVENSSON | STAGE BAND | Sweden | EHRLING | 1978 | E/M | C/U/HS | SWING, SCORE IS MESSY, TENOR SOLO AND CAN BE OPENED, HIGH TRB 1 & 2 FOR E/M CHART. | |
| FLUTE REEL | EIRIKSDOTTIR, KAROLINA | FLUTE ALONE | Iceland | ITM | 1998 | 7 MIN 41 SEC | H | C/U | A LOT OF NOTES IN PLACES, BUT THIS LAYS OUR WELL FOR THE GOOD FLUTIST WHO CAN MAKE MUSIC OUT OF NOTES. |
| FOLKLATAR FOR KLARINETTER | GUSTAFSON, STIG | WOODWIND ENSEMBLE | Sweden | GEHRMANS | 1978 | E/M | C/U/HS | FL,OB,3CL,BCL,BSN. 5 FOLK TUNES ARRANGED BY ONE OF SWEDEN'S BEST ARRANGERS. | |
| FOLKLIG MARSCH NR 2 | KOCH, ERLAND VON | STRING ORCHESTRA | Sweden | SMIC | 1983 | EST 3 MIN | E | C/U/HS | FOLK TUNE & STRAIGHT AHEAD. VLN 3 SUB FOR VIOLA IF NEEDED. NICE AND EASY. RENTAL ONLY. |
| FOLKTONSRAPSODI (THE FOLK TUNE RHAPSODY) | ÖJEBO, PAR/STIG GUSTAFSON | BAND | Sweden | LEMA | 1985 | 12 MIN 30 SEC | E/M | C/U/HS | 2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,2TBA,PERC, TMP,SB. FINE ONE MOVEMENT WORK WITH SOLO CELLO AND OBOE. GOOD WAY TO FEATURE OUTSTANDING STUDENTS. SOME RHYTHMIC PROBLEMS. |
| FOR FOUR NUMBER FOUR “SAXOPHONIA” | HEGDAL, MAGNE | SAXOPHONE QUARTET | Norway | NMIC | 1998/99 | 22 MINUTES | H | C/U | SS,AS,TS,BS. MOVEMENTS: MONOCROMA, POLIFONIA, DODECAFONIA, OMOFONIA, TRE MONOCROME, ETEROFONIA. THERE IS ALSO AN ALTERNATE VERSION OF THE 1ST MOVEMENT IF DESIRED. HARD, ESOTERIC AND NORDIC! TAKE A LOOK IF YOU WANT A CHALLENGE. |
| FOR THE OCCASION | BALDVINSSON, TRYGGVI | TROMBONE & BRASS QUINTET | Iceland | ITM | 1987 | E/M | C/U/HS | FLOWING TUNE THAT IS VERY PLAYABLE AND GOOD MUSICAL INTEREST. | |
| FORM AND COLOURS | KJAERNES, BJORN MORTEN | BAND | Norway | WARNER/CHAPPELL | 2000 | EST 11 MIN | H | C/U | PIC,2FL,2OB,3CL,ACL,BCL,2BSN,2AS,TS,BS,3COR,2TRPT,4HN,3TRB,EUP,TBA,STBS,4PERC. BASED ON A MATHEMATIC FORMULA OR TONE ROW. A SHORT ALEATORIC SECTION. GOOD WORK FOR THE YOUNG ENSEMBLE WILLING TO WORK AT A CONTEMPORARY STYLE OF WRITING. GOOD INSTRUCTIONS BY THE COMPOSER. |
| FORM OG FARGER | KJAERNES, BJORN MORTEN | BAND | Norway | NMIC | 1982 | H | C/U/HS | PIC,2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,2PERC,TMP,SB. OVERTURE -LIKE WITH ACTION FOR ALL, MUCH VARIETY. FUN FOR PLAYERS AND AUDIENCE. | |
| FORTUNA | VAAGE, KNUT | FLUTE & PIANO | Norway | NMIC | 1996 | 16 MIN | H | C/U | CONTEMPORARY SETTINGS TONALLY AND RHYTHMICALLY. HARD FOR BOTH PLAYERS, BUT A WELL LAID OUT SCORE AND VERY INTERESTING. FOUR MOVEMENTS. PROFESSIONAL OR GRADUATE LEVEL MATERIAL. |
| FOUR FANFARES | DANIELSSON, CHRISTER | WOODWIND QUINTET | Sweden | GEHRMANS | 1978 | 3 MIN 30 SEC | E | C/U/HS | SHORT, PLAYABLE, USEFUL. |
| FOUR FINNISH FOLK SONGS, OP 12 | KLAMI, UUNO | STRING ORCHESTRA | Finland | FAZER | 1942 | EST 9+MIN | E/M/ | C/U/HS | NEEDS PIANO. IN FOUR MOVEMENTS THAT CAN STAND ALONE. PLAYABLE AND ACCESSIBLE. |
| FOUR FINNISH FOLKTUNES | HEINIO, MIKKO | TROMBONE QUARTET | Finland | FAZER | 1986 | EST 6 1/2 MIN | E/M | C/U/HS | FIRST PART IN TENOR CLEF. MUTING. ACCESSIBLE, STRAIGHT AHEAD MUSIC. |
| FOUR ICELANDIC FOLK SONGS | BJORNSSON, ARNI | FLUTE & PIANO | Iceland | ITM | 1973 | M | C/U/HS | GOOD MUSIC PLAYABLE BY THE YOUNG AND COMPETENT PLAYER FOR CONTEST OR COLLEGE RECITAL. | |
| FOUR ICELANDIC FOLK SONGS | SIGURBJORNSSON, THORKELL | CLARINET & PIANO | Iceland | NORSK | 1986 | 7 MIN 5 SEC | E/M | C/U/HS | GOOD USE OF THE INSTRUMENT. MUSIC THAT CAN SING AND DANCE. |
| FOUR PIECES | SANDSTROM, SVEN-DAVID | SAXOPHONE(SOPRANO) & BAND | Sweden | SMIC | 2002 | 12 MIN | H | C/U | 2FL,2OB,2CL,BSCL,2BSN,2HN,2TRPT,3TRB,TUBA,STBS,ELECTBS,2PERC. MIXED METER, HIGH RANGE FOR SOLOIST, IF THERE IS NO CHALLENGE IN THIS ONE IT IS NOT BECAUSE THE COMPOSER DID NOT TRY. PERHAPS THE COLLEGE/UNIVERSITY SAXOPHONE INSTRUCTOR WITH THE SCHOOL BAND. |
| FOUR PRACTICAL PIECES, OP.5 | KARJALAINEN, KARI | TRUMPET & PIANO | Finland | FAZER | 1982 | 4 MIN 30 SEC | E | C/U/HS | 1. LULLABY, 2. CRAZY TONES, 3. BLUE HARMONY, 4. QUICK TONES. GOOD WORK AND FUN. |
| FOUR SQUARE DANCES | HEGAARD, LARS | SAXOPHONE QUARTET | Denmark | SAMFUNDET | 1991 | 11 MIN | H | C/U | SS,AS,TS,BS. MOVEMENTS: QT = 66, SOTTO VOCE ED ESPRESSIVO, ESATICO E DANZANTE, LEGGIERO E ON BRIO.SAXQUARTET IN THESE COUNTRIES IS LARGE AND MUSIC COMPOSED FOR THEM REFLECTS THE MANY ASPECTS OF AVANTE GUARDE AND ESOTERIC WRITING AVAILABLE. A CLEAN SCORE PLAYABLE BY THE BEST! |
| FRA HELE BUENOS AIRES | NICOTRA, ALFREDO | TUBA QUARTET | Norway | NMIC | CIR 2000 | 7 MIN 35 SEC | M | C/U/HS | 2 EUP,2TBA. MOVEMENTS: TANGO DRAMA, PAMPERA, MILONGA DOLCE, MALAMBO. GOOD, NEW AND FUN MATERIAL FOR THE TUBA QUARTET. PLAYABLE RANGES FOR ALL AND NO REAL COUNTING PROBLEMS. |
| FRA SOR OG NORD (FROM SOUTH AND NORTH) | SODERLIND, RAGNAR | BAND | Norway | NMIC | 1967 | 4 MIN | M | C/U/HS | PIC,FL,EbCL,3CL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRB,EUP,TBA,3PERC,(HNS IN Eb). CONCERT MARCH, STRAIGHT AHEAD WITH A SOLID SCORE. |
| FRAGA MEJ INTE VARFOR(DO NOT ASK ME WHY) | ERICSON,BOBBIE/GOSTA MORBERG | BAND | Sweden | INTERSONG | 1978 | E | HS/JHS | 2FL,3CL,ACL,BCL,OB,BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC,TMP,SB.(EH OPT) GOOD WORK. ONE SHORT CHALLENGE FOR FLUTES, 3/4 IN F-Bb-F & ON GREEN PAPER! | |
| FRAGMENT UR DEN VITTFARNES AVENTYR | BLUM, THOMAS | BRASS QUINTET | Sweden | SMIC | 1993 | 8 MIN. | M/H | C/U | SCORE IS IN GOOD MS, UNFORTUNATELY,THE PARTS GET A LITTLE MESSY. HOWEVER, HAVING PLAYED HIS WORK WE CAN SAY IT IS WORTHWHILE. THE ENSEMBLE WILL ENJOY PLAYING THE PIECE. A NUMBER OF SHORT SECTIONS IN THE WORK. |
| FREMAD MARSJ | VAAGE, KNUT | BAND | Norway | WARNER/CHAPPELL | 2000 | 2 MIN 45 SEC | E/M | C/U/HS | PIC,FL,OB,BSN,EbCL,3CL,ACL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,4PERC. FROM SERIES OF MARCHES PUBLISHED BY WARNER/CHAPPELL- NORWAY TITLED, 21 MARCHES FOR THE 21ST CENTURY. ACCESSIBLE, POSSIBLE TO PLAY WITH A SMALLER GROUP - PLAYABLE BY MOST ENSEMBLES. |
| FRESKO | LINDSTROM, ERIK | STAGE BAND | Finland | FiMIC/LINDSTRÖM, ERIK | EST 5 MIN | M/H | C/U/HS | A FEW HIGH NOTES FOR TRUMPET 1, SLOW SWING. TRB SOLO OPENING. | |
| FRIDA-SVIT | SJOBERG, BIRGER/STIG GUSTAFSON | BAND | Sweden | GEHRMANS | 1980 | 8 MIN | E | HS/JHS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 2PERC,SB. 5 MOVEMENTS, CONDENSED SCORE, PLAYABLE BY ALL, GOOD WORK. |
| FROM GLASS | BALDVINSSON, TRYGGVI M. | BASS CLARINET ALONE | Iceland | ITM | 2003 | 10 MIN | H | C/U | THE FULL RANGE OF THE BASS CLARINET - EXTREME UPPER RANGE NEEDED. A GOOD C/U CHALLENGE. MOSTLY A NOTE THING, RHYTHM WILL TAKE CARE OF IT SELF! |
| FROM THE MERRY LIFE OF A SPY | NORHOLM, IB | BRASS QUINTET | Denmark | KONTRAPUNKT | 1999/2000 | EST 7 MIN 30 SEC | M/H | C/U/HS | MOVEMENTS: CAMARILLA, MISS Q, RESCUE-POST SCRIPT. FROM THE TITLE YOU AN TELL THAT THERE MIGHT BE SOME FUN HERE. ALL PARTS IN PLAYABLE REGISTERS. SOME TRICKY RHYTHMS AND LOTS OF NOTES IN SOME PLACES. |
| FROM THE YOUNG PEOPLE'S WORLD, OP. 46 | KVAM, ODDVAR S. | ORCHESTRA | Norway | MUSIKK-HUSET | 1979 | 14 MIN | M | C/U/HS | 3FL,2CL,2OB,2BSN,EH,4HN,2TRPT,2TRB,TBA,3PERC,TMP,ELECTRIC BASS GUITAR, STRINGS. THREE MOVEMENTS, MOSTLY STRAIGHT AHEAD. GOOD SCORE. |
| FUGA GAUCHESCA | NICOTRA, ALFREDO | SAXOPHONE QUARTET | Norway | NMIC | 1994 | 5 MIN | M | C/U/HS | SS.AS.TS.BS. ALWAYS A TOUGH OF LATIN IN THIS COMPOSER’S WORKS. ALL PARTS PLAYABLE AND GOOD MATERIAL FOR THE YOUNGER ENSEMBLE. |
| FUGLINN I FJORUNNI - BIRD ON THE BEACH | SVEINSSON, ATLI HEIMIR | ORCHESTRA | Iceland | ITM | 1937/1998 | EST 1+ MIN | E/M | C/U/HS | FL,CL,TRPT,PIANO,STRINGS. AN EASIER, FAST MOVING, LIGHT HEARTED PIECE IN 2/4 ALL THE WAY. A GOOD FIRST EXPERIENCE IN ICELANDIC MUSIC. IT IS IN MARGINAL MS. BASED UPON AN EARLIER WORK BY JON THORARINSSON. |
| FUUSIO | LEHTO, JUKKA-PEKKA | FLUTE & PIANO | Finland | MUSACT | 2001 | EST 2+ MIN | E/M | C/U/HS | FLUTE PLAYER STOMPS FOOT IN THREE PLACES. A FEW RHYTHMIC PROBLEMS, BUT THIS WILL PLAY AND BE FUN. |
| FUVOLA | DEAK, CSABA | FLUTE ALONE | Sweden | SMIC | 2000 | 6 MIN. | H | C/U | FIRST RATE COMPOSER USING ADVANCED TECHNIQUES AND ALWAYS WORTH THE EFFORT. |
| FYNSK FORAR, OP. 42 | NIELSEN, CARL | ORCHESTRA | Denmark | WHANSEN | 19 MIN | M/H | C/U/HS | 2FL,2OB,2CL,2BSN,4HN,2TRPT,TIMP,STRINGS. MOVEMENTS: ALLEGRETTO U POSO, DANSEVISEN. THIS CAN AND SHOULD BE PLAYED BY GOOD HS ENSEMBLES AS WELL AS COLLEGE GROUPS. I T IS PLAYABLE AND MOST WORTHY MUSIC. | |
| FYRA BAGATELLER FOR STRAKAR | BORTZ, DANIEL | STRING ORCHESTRA | Sweden | GEHRMANS | 1985 | 11 MIN | H | C/U | FOUR MOVEMENTS PLUS A POSTLUDIUM, LOTS OF DIVISI AND CHALLENGE FOR THE C/U STRINGS WITH CONTEMPORARY SOUNDS. |
| FYRA FOLKVISOR | DANIELSSON, CHRISTER | BRASS ENSEMBLE | Sweden | GEHRMANS | 1978 | E | C/U/HS | 2TRPT,HN,2TRB,TUBA. FOUR SHORT TUNES THAT ARE VERY PLAYABLE. | |
| FYRA MINIATYRER | LUNDIN, DAG | SAXOPHONE QUARTET | Sweden | SMIC | 1995 | 8 MIN 30 SEC | E | C/M/HS | 2AS,TS,BA. FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. STARTING WTH A LITTLE MARCH, THEN A GAVOTTE, SICILIANO AND FINALE. THIS COMPOSER SPECIALIZES IN STUDENT MATERIALS THAT ARE TEACHING YET INTERESTING. GOOD MS. |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission