Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| H20 | WENDELBOE, JENS | BAND AND SYNTHESIZER | Norway | NMIC | 1997 | EST 6 MIN | H | C/U | 2FL,OB,EbCL,3CL,BCL,2AS,TS,BS,BSN,3TRPT,4HN,3TRB,EUP,TBA,3PERC,ELECTBASS,SYNTHESIZER. A GOOD INTRODUCTION OT THIS GENRE OF MUSIC. THE SYNTHESIZER PART COULD BE PLAYED BY A GOOD ELECTRIC PIANO. WORTH THE EFFORT TO EXPAND THE REPERTOIRE. HARMONICALLY QUITE TRADITIONAL. |
| HAARAPALPAKKO | EEROLA, LASSE | CLARINET & PIANO | Finland | FiMIC | 1990 | 6 1/2 MIN | M/H | C/U | THIS COMPOSER WRITES WELL FOR THE CLARINET. DEFINITELY MODERN, BUT LOGICAL MAKING IT EASIER TO PLAY. GOOD C/U RECITAL MATERIAL. SEE OTHER WORKS BY THIS COMPOSER IN THE FIMIC CATALOG ONLINE |
| HALLDOR LAXNESS - MUSIC FOR A TV PROGRAMME | BALDVINSSON, TRYGGVI M. | CLARINET & PIANO | Iceland | ITM | 2003 | 5 MIN | E/M | C/U/HS | 12 SHORT MOVEMENTS BY A GOOD COMPOSER THAT CAN BE PLAYED BY MANY LEVELS OF PERFORMER. NO PROBLEMS, BUT NICE! |
| HALLINGFANTASI | NORDHAGEN, STIG | BASSOON TRIO | Norway | NMIC | 2002 | 5 MIN 30 SEC | H | C/U | BASSOON I ALTERNATES TENOR CLEF AND BASS CLEF. LOTS OF NOTE, BUT PLAYABLE AND SHOULD BE FUN! |
| HALLOWEEN | GRAHN, ULF | CLARINET ALONE | Sweden | SEESAW | 1970 | 10 MIN | H | C/U | NONTRADITIONAL APPROACH, BUT NOTE CENTERED AND PLAYABLE. MODEST RANGE REQUIREMENTS. |
| HALLRISTNINGAR (ROCK-CARVINGS) | HALLBERG,BENGT | WIND ENSEMBLE | Sweden | NORDISKA | 1974 | 15 MIN | H | C/U | 2FL,2CL,2OB,2BSN,AS,TS,2HN,2TRPT,TRB,2PERC,TMP,SB,GUITAR,PIANO. TONE POEM FOR JAZZ SOLOISTS, INTERESTING RHYTHMIC THINGS, CAN OPEN FOR MORE SOLOS, HALLBERG IS A LEADING SWEDISH JAZZ MUSICIAN. |
| HAPPINESS IS A G-STRING | BARTOSCH, CARIN | VIOLA ALONE | Sweden | SMIC | 1996 | EST 4 MIN | H | C/U | THIS IS HARD MUSIC WITH ALL OF THE TECHNIQUES NECESSARY TO GET THE JOB DONE. WE HAVE TO ADMIT THAT THE TITLE CAUGHT OUR ATTENTION, BUT THERE IS MORE HERE THAN JUST A TITLE - LIKE LOTS OF HARD PRACTICE TIME TO MAKE IT GO! INTERESTING! |
| HAPPY HOUR | ANDERSEN, KJELL MAGNE | OBOE ALONE | Norway | NMIC | 2003 | EST 1 MIN | M/H | C/U | SHORT, MARKED SCHERZOSO. THE TITLE SUGGESTS THE SPIRIT OF THE PIECE. |
| HAPPY MUSIC | SIGURBJORNSSON, THORKELL | BRASS ENSEMBLE | Iceland | ITM | 1971 | 7 MIN | H | C/U | 3TRPT,2TRB,2HN,TBA. POLYRHYTHMS, MIXED METER, CHALLENGING WORK. |
| HAR DEN ARAN | SYLVAIN, JULES & OTHERS/LENNART FORS | BAND | Sweden | EHRLING | 1978 | EST 4 MIN | E | HS/JHS | 2FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA,PERC, TMP,SB. SCORE IS NOT BOUND. PARTS ARE MS BUT GOOD. THIS MEDLEY OF SWEDISH TUNES INCLUDES THE BIRTHDAY SONG, 'JA MÅ HAN LEVA'. |
| HARMO | EEROLA, LASSE | BRASS QUINTET | Finland | FiMIC | 1991 | EST 4 MIN 30 SEC | M/H | C/U | SOME CLOSE HARMONIC EVENTS AND IN 6/8 @ 108 MOST OF THE WAY. CONFOUNDING 5/8 ENDING. DYNAMICS IMPORTANT ERE! |
| HEIDURSGJALL | PALSSON, PALL P | BRASS ENSEMBLE | Iceland | ITM | 1982 | 2 MIN | M | C/U | 3TRPT,3TRB,4HN,TBA,PERC,TIMP. A SHORT AND NICE FANFARE. |
| HEKAS! | BENGTSON, PETER | BAND | Sweden | SMIC | 1992 | 6MIN | H | C/U | FL,OB,4CL,2BSN,AS,TS,BS,4TRPT,2HN,3TRB,EUP,TBA IN F,STBS,2-3PERC. NEED FINE WW’S. MIXED METER, ALWAYS MOVING FORWARD. SCORE IS INNOCENT ENOUGH, BUT WE EXPECT THE PERFORMANCE OF THIS WORK TO BE HARDER THAN THE SCORE APPEARS. NOTE THE SOMEWHAT UNUSUAL INSTRUMENTATION. |
| HEKLA, ORCHESTRAL PRELUDE, OP 52 | LEIFS, JON | ORCHESTRA | Iceland | ITM | 1961 | 9 MIN | H | C/U | 2PIC,2FL,2CL,BCL,2OB,2BSN,3HN,4TRPT,3TRB,TBA,4PERC,TMP,CBSN,STRINGS. A MESSY SCORE BUT GOOD PARTS, CONTEMPORARY SOUNDS FROM A FINE COMPOSER. NICE PERCUSSION WORK. |
| HELICES | ORE, CECILIE | WOODWIND QUINTET | Norway | NORSK | 1984 | 8 MIN 15 SEC | H | C/U | NONTRADITIONAL SOUNDS AND TECHNIQUES. SCORED CLEARLY SO PLAYABLE, COMFORTABLE CHALLENGE. |
| HELSINKI OUVERTURE, OP. 51 | KYLLONEN, TIMO-JUHANI | TRUMPET & ORCHESTRA | Finland | FiMIC | 1998 | EST 5+ MIN | M | C/U | 2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,4PERC,STRINGS. TRUMPET IN C. MARIMBA PART IS IMPORTANT. EXCELLENT SCORE WITH NICE IDEAS. EASY RANGE FOR THE TRUMPET. |
| HEPTYK | FRANZEN, OLOV | SAXOPHONE QUARTET | Sweden | FAIMO | 1987 | 14 MIN 30 SEC | M | C/U/HS | S.A.T.B. SEVEN MOVEMENTS OF CONTRASTING STYLES, SOME WITH RHYTHMIC COMPLEXITY. MOVEMENTS CAN STAND ALONE. |
| HER LAST CRADLE SONG, OP 22A | SAEVERUD, HARALD | STRING ORCHESTRA | Norway | MUSIKK-HUSET | 1946 | CA 3 MIN | E | C/U/HS | LITTLE SONG WITH SOME DIVISI AND IT SINGS OF COURSE! |
| HERKOMST | HURUM, HELGE | BAND | Norway | NMIC | 1999 | EST 4 MIN | M | C/U/HS | PIC,FL,OB,3CL,BCL,2AS,TS,BS,3TRPT,4HN,3TRB,EUP,TBA,3PERC. A MOST INTERESTING AND NICELY LAID OUR SCORE, WITH GOOD USE OF PERCUSSION, KEY CHANGES AND TIME CHANGES. THIS COMPOSER HAS A NUMBER OF OTHER BAND SCORE AVAILABLE THROUGH NMIC. |
| HERYKON | DEAK, CSABA | BRASS QUINTET | Sweden | SMIC | 1981 | 9 MIN | H | HS/JHS | SOME NONTRADITIONAL MATERIAL, EASY TO UNDERSTAND. CHANGING METER. MUSIC THAT IS FUN FOR PLAYERS AND THE AUDIENCE. |
| HEVONHIERAKKA | EEROLA, LASSE | CLARINET & PIANO | Finland | FiMIC | 1992 | EST 3+ MIN | M/H | C/U | A CONTEMPORARY SETTING AND MIXED METER, BUT THIS LOOKS LIKE A LOT OF FUN TO WORK OUT. YOU WILL LIKE THE ENDING! SEE OTHER WORKS BY THIS COMPOSER FOR THIS COMBINATION - LIKE “HARMIO”. |
| HIC ET NUNC FOR WIND BAND | AHMAS, HARRI | BAND | Finland | FiMIC | 2000 | H | C/U | PIC,2FL,2OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4TRPT,4HN,3TRB,EUP,2TBA,4PERC. THIS ONE HAS ALL THE TRAPS THAT WILL MAKE ALL WORK, INCLUDING THE CONDUCTOR! MIXED METER, NOTES, - EVERYBODY DOES SOMETHING. EXCITING AND HARD! THE BEST C/U GROUPS. | |
| HILLBORG-VARIATIONERNA | LARSSON GOTHE, MATS | BRASS QUINTET | Sweden | SMIC | 1996 | 12 MIN | H | C/U | USUAL INSTRUMENTATION - TRUMPETS IN C. ONE LONG PIECE WITH NUMEROUS CHANGES OF TEMPO AND STYLE. FINE COMPOSER WHO WROTE THIS FOR A PROFESSIONAL ENSEMBLE. MUTES NEEDED FOR TRUMPET AND TROMBONE. |
| HIPPO VIIKARI V | HAUTA-AHO, TEPPO | STRING BASS & STRING ORCHESTRA | Finland | FiMIC | 1989 | 11 MIN | H | C/U | MS IS JUST PASSABLE. NEEDS STRONG BASS PLAYER AND GOOD STRINGS. THIS COMPOSER SPECIALIZES IN STRING BASS WORKS. RENTAL ONLY. |
| HIS MAJESTY'S SOUND AMUSEMENT | HUNDSNES, SVEIN | WOODWIND QUINTET | Norway | NMIC | EST 12 MIN | M/H | C/U | THEME AND 11 VARIATIONS. BUSY PARTS IN A GOOD LOOKING SCORE. | |
| HIT’ N’ RUN | PAPE, ANDY | PERCUSSION ENSEMBLE | Denmark | WHANSEN | 1997 | 6-7 MIN | H | C/U | FOUR PERCUSSIONISTS WITH MANY INSTRUMENTS AND THE PLAYERS VOICES. THIS IS A GREAT SCORE - THE AUDIENCE IS WAITING TO HEAR IT PLAYED BY A FINE C/U ENSEMBLE. |
| HJALAR-LJOD OUVERTURE | GROVEN, EIVIND | ORCHESTRA | Norway | LYCHE | 1967 | 7 MIN | M | C/U/HS | 3FL,3CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,EH,STRINGS. PROGRAM OPENER IN A GOOD SCORE. TRADITIONAL STYLE & APPROACH - NO PROBLEMS. MINIATURE SCORE FOR SALE, SCORE & PARTS RENTAL. |
| HJARTATS SLAG (HEART BEATS) | STRINDBERG, HENRIK | FLUTE & SAXOPHONE QUARTET | Sweden | SMIC | 1986 | 6 MIN 30 SEC | M/H | C/U | S.A.T.B, GRADUAL AND QUICK METER CHANGES. SOME TONE MANIPULATION AND NONTRADITIONAL TECHNIQUES. |
| HOBBYHORSING AROUND - KEPPIHEVOSTELLEN | TALVITIE, RIIKKA | STRING ORCHESTRA | Finland | FiMIC | 1999 | EST 12+ MIN | H | C/U | MOVEMENTS: WALKING AND PACING (ANDANTE), GALLOPING AND TROTTING (SCHERZO). ENJOY THIS PIECE MADE DIFFICULT BY THE MANY CHANGES OF METER. THERE IS SOME DIVISI. FOR THE GOOD C/U ENSEMBLE WITH MUSICIANS THAT CAN COUNT AND HAVE REHEARSAL TIME. |
| HOMAGE TO EV | SERMILA, JARMO | BRASS ENSEMBLE | Finland | FiMIC | 1972 | 10 MIN | H | C/U | 2TRPT,3TRB,2HN,XYLOPHONE,TIMPANI. GOOD SCORE AND WORTHY OF PERFORMANCE. |
| HOMMAGE | JANSSON, LEIF A | WOODWIND QUINTET | Sweden | LEMA | 1982 | 4 MIN | E/M | C/U/HS | EACH INSTRUMENT GETS TO HAVE ITS MOMENT. SEVERAL TEMPO CHANGES. |
| HOMMAGE A G BOTTESINI | HAUTA-AHO, TEPPO | STRING BASS ALONE | Finland | FiMIC | 1985 | 10 MIN | H | C/U | A CHALLENGING WORK FOR STRING BASS BY A STRING BASS PLAYER, COMPOSER, EDUCATOR, COMPOSER. |
| HOMMAGE A HAENDEL, OP 21 | KLAMI, UUNO | STRING ORCHESTRA | Finland | FAZER | 1931 | EST 30 MIN | M | C/U/HS | FOUR MOVEMENTS WITH PIANO. NOT A PIANO SOLO, BUT PIANIST MUST BE COMPETENT. BAROQUE IN SOUND AND APPROACH. |
| HOMMAGE A' PROKOFIEFF | KOSTIAINEN, PEKKA | WOODWIND QUINTET | Finland | FiMIC | 1976 | 8 +MIN | M | C/U | THEME & VARIATIONS(4), USEFUL, VERY CLEAN SCORE. LOTS OF VARIETY AND MUSICAL INTEREST. |
| HORISONT | FAHLMAN, FREDRIK | EUPHONIUM & PIANO | Sweden | SMIC | 1999 | 7 MIN | H | C/U | ESOTERIC. IN 4/8 WITH A SLOW TEMPO. FOR THE EUPHONIUM PLAYER WHO WANTS SOMETHING DIFFERENT AND A PIANIST WHO CAN COUNT AND IS WILLING TO WORK THINGS OUT! |
| HORN CALL | BERGE, SIGURD | HORN ALONE | Norway | NORSK | 1973 | EST 4 MIN | H | C/U | REASONABLE RANGE, BUT MANY NOTES AND MUSICAL CHALLENGES. |
| HORN SOLO 2000 | BERGE, SIGURD | HORN ALONE | Norway | NMIC | 1999/2000 | 7 MIN | H | C/U | JUST A LITTLE UPPER REGISTER WORK. BERGE LIKES TO DWELL AT THE LOWER PARTS OF THE HORN RANGE. WILL TAKE MUSICAL MATURITY AND PREVIOUS EXPERIENCE WITH HORN ALONE TO MAKE THIS ONE GO. |
| HORN TRIO | BERGE, SIGURD | HORN TRIO | Norway | NMIC | 1987 | EST 11 MIN | M/H | C/U/HS | FOUR MOVEMENTS OF VARYING LENGTH, STYLE AND DIFFICULTY. EACH MOVEMENT CAN STAND ALONE. |
| HORNKONTRASTER | HURUM, HELGE | HORN & BAND | Norway | NMIC | CIR 2000 | ST 8 MIN | M | C/U/HS | FL,OB,3CL,AS,TS,LOW WW,3TRPT,2TRB,EUP,TBA,2PERC. COMES WTH A MODIFIED CONDENSED SCORE THUS THE DECLARED LOW WW’S. AN ADVANCED HORN PLAYER WITH A MODEST REQUIREMENT FOR THE BAND. |
| HORNKVARTETT | NICOTRA, ALFREDO | HORN QUARTET | Norway | NMIC | 1994 | 6+ MIN | E/M | C/U/HS | MOVEMENTS: FEBDEL BLA, INFANTE, TIL ASUNCION, JEG HUSKER “ASTOR” PIAZZOLA. FOUR INTERESTING LITTLE MOVEMENTS. THE LAST OFFERS THE OPPORTUNITY FOR HORN 1 TO IMPROVISE ALTHOUGH A PART IS WRITTEN OUT. |
| HOS GUD ER EVIG GLEDE | SLETTHOLM, YNGVE | BAND | Norway | FROST | 1986 | EST 3 1/2 MIN | E | HS | FL,2CL,AS,TS,HN,2COR,2TRB,EUP,2TBA,3PERC,TMP. NOTE THE INSTRUMENTATION! SOME NONTRADITIONAL NOTATION, BUT EASILY DONE. FOLK TUNE. GOOD FOR THE SMALL BAND. |
| HRÆRA (SCRAMBLE) | SIGURBJORNSSON, THORKELL | WOODWIND QUINTET | Iceland | ITM | 1985 | 12 MIN 35 SEC | M/H | C/U | ONE MOVEMENT WITH FREQUENT METER CHANGES & KEY SIGNATURE CHANGES. GOOD WORK BY A FINE COMPOSER. |
| HUH! | VIITASAARI, JUKKA | BAND | Finland | 7IKKO | 2001 | 1 MIN 50 SEC | E | C/M/HS | FL,OB,BN,CL,AS,TS,TRPT,HN,TRB,EUP,TBA,STBS,5PERC,PIANO. STBS,TS AND PIANO ARE OPTIONAL. (SUB TITLE: SHUT OFF THE COMPUTER GAMES, FINISH YOUR HOMEWORK AND GO TO BED). EASY MUSIC,BUT FUN FOR ALL! |
| HUMORESKI FOR TRUMPET AND STRING ORCHESTRA | BORG, KIM | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1995 | 8 MIN | M | C/U | MOVEMENTS: MARCH, WALTZ, POLKA. TRUMPET N C. RANGE TO C, BUT MOSTLY COMFORTABLE RANGE. SCORE IS IN DECENT MS. ALL PLAYABLE MUSIC FLIRTING WITH CONTEMPORARY HARMONY. |
| HUMORESQUE | NIELSEN, CARL | WOODWIND ENSEMBLE | Denmark | WEMUS | EST UIB 2003 | EST 2+ MIN | M | C/U/HS | 2OB,2CL,2HN,2BSN. ARRANGED BY LARS PALLE JORGENSEN. STRAIGHT AHEAD MATERIAL. NO RANGE OR RHYTHMIC PROBLEMS. ENJOY! ALSO AVAILABLE FOR 8 CLARINETS. |
| HUMORESQUE,OP 36 & CHANSON TRISTE,OP36/2 | KLAMI, UUNO | VIOLIN & PIANO | Finland | FAZER | 1985 | 7 MIN | E/M | C/U/HS | EACH PIECE CAN STAND ALONE. SOLO AND RECITAL MATERIAL. LYRICAL, FLOWING AND STRAIGHT AHEAD. |
| HUNTING HIGH AND LOW | MATRE, ORJAN | EUPHONIUM & BAND | Norway | NMIC | 2006 | EST 19 MIN | H | C/U | 2FL(PIC),OB(EH),EbCL,5CL,BCL,BSN,ABS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. S(SS),TS(SS)BS,3HN,3TRPT,3TRB,EUP,2TBA,3PERC. HUNTING FOR HIGH AND LOW NOTES FOR THE SOLOIST AND THE ACCOMPANIMENT. THIS IS VERY HARD MATERIAL. A CHALLENGE RESERVED FOR THE BEST! |
| HYBRIS | POHJANNORO, HANNU | CLARINET ALONE | Finland | FiMIC | 1987/88 | EST 10+ MIN | H | C/U | THE ULTIMATE PRACTICE STAND MUSIC FOR THOSE INTERESTED IN KNOWING MODERN TECHNIQUES FOR THE CLARINET. COMPOSER HAS A SPECIAL PAGE OF INSTRUCTIONS IN ENGLISH TO HELP. SHOW OFF AT THE RECITAL. |
| HYMNE | SANDE, FILIP | TRUMPET & ORGAN | Norway | NMIC | 2005 | 8 MIN 30 SEC | H | C/U | THIS COULD WORK AS A RECITAL PIECE OR AS A PART OF A CHURCH SERVICE. THE SCORE IS VERY INTERESTING. TRUMPET TO Bb JUST A FEW TIMES. ORGANIST MUST HAVE A STRONG RHYTHMICAL SENSE. LOTS OF NOTES FOR THE ORGANIST. |
| HYMNER FOR KORPS | SLETTHOLM, YNGVE | BAND | Norway | NMIC | 1981 | 19 MIN | E/M | C/U/HS | PIC,FL,3CL,BCL,OB,BSN,AS,TS,BS,2HN,2TRPT,3TRB,EUP,TBA,3PERC,TMP. 4 MOVEMENTS OF STRAIGHT AHEAD MATERIAL. SOME DRAMATIC DYNAMICS AND EXTENDED SOFT SECTIONS. |
| HYMNUS | RAUTAVAARA, EINOJUHANI | TRUMPET & ORGAN | Finland | FiMIC | 1998 | EST 8+ MIN | M | C/U/HS | TRUMPET IN C TO B ONE TIME. SOME LOGICAL MIXED METER. THE PART WE SAW WAS QUESTIONABLE MS. CHECK THAT OUT, BUT THIS IS WORTH WHILE MATERIAL. COMPOSER USES MODERN HARMONIES! |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission