Nordic Instrumental Music

For Colleges and Universities

By Title

0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z | By Composer | By Country | By Ensemble/Medium | Publisher List

Title	Composer Arranger	Ensemble Medium	Country	Publisher_Code	Date	Time	Difficulty	Recommended Level	Comments
I 21	DEAK, CSABA	BAND	Sweden	GEHRMANS	1969	10 MIN	H	C/U	PIC,FL,EbCL,3CL,OB,BSN,AS,TS,BS,HN,TRPT,TRB,TBA,3PERC,SB,BASS GUITAR. NONTRADITIONAL NOTATION, LAID OUT VERY WELL. NOTE INSTRUMENTATION. SCORE FOR SALE, PARTS RENTAL.
I CHING	NORGARD, PER	PERCUSSION ALONE	Denmark	WHANSEN	1982		H	C/U	FOUR MOVEMENTS, A MAJOR SOLO WORK USING MOST OF THE PERCUSSION FAMILY OF INSTRUMENTS.
I EN GRONMALAD BAT	FRYMAN AND PADDOCK/LASSE SAMUELSSON	STAGE BAND	Sweden	EHRLING	1978		M	C/U/HS	EASY SWING, TENOR SOLO, MESSY SCORE.
I MITT HJERTES HAVE	KJAERNES, BJORN MORTEN	BAND	Norway	FROST	1985	EST 5 MIN	E/M	HS	3FL,3CL,ACL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. OVERTURE. SWING IN SOME SECTIONS, OTHERS FLOW. GOOD MATERIAL FOR THE YOUNG BAND.
I NORDEN	SKOG, B ARNE	BAND	Sweden	LEMA	1984	10 MIN	M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP, TBA,PERC,TMP,SB. 9 FOLK TUNES OF NORDIC ORIGIN. SCORED FOR SCHOOL USE AND SUMMER CONCERTS IN THE PARK. CAN BE PLAYED BY BANDS WITH LESS THAN FULL INSTRUMENTATION.
I SVENSK FOLKTON	GAFVERT, HANS-AKE/STIG GUSTAFSON	BAND	Sweden	EHRLING	1980	EST 6 MIN	E/M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,PERC,TMP,SB. 4 MOVEMENTS: SLÅTTERTRALL, VALL-LÅT, SKÄN-LÅT, VISA OCH DANS. 2ND MOVE IS CLARINET SOLO. EACH MOVEMENT IN A DIFFERENT KEY. TYPICAL SWEDISH BAND MUSIC. CONDENSED SCORE.
IDEA	HAGSTEDT, FREDRIK	WIND ENSEMBLE	Sweden	SMIC	2001 10 MIN	10 MIN	M/H	C/U	FL,OB,BSN,3CL,BCL,3TRPT,2HN,3TRB,EUP,TBA,STBS,TIMP. A SLOW OPENING IN THE WOODWINDS TO A TRANSITION BY THE TROMBONE SECTION AND THEN TO THE FULL ENSEMBLE. GAINS INTENSITY THROUGH THE WORK AND THEN ENDS QUIETLY.
IDEA 1 & 2	SODERLUNDH, LILLE BROR	SAXOPHONE QUARTET	Sweden	BUSCH	1987		E/M	C/U/HS	A.S.T.B. OR S.S.T.B. FOR CONTEST OR RECITAL. 2 MOVEMENTS.
IIGO-IIGO	FAGRERUDD, MARKUS	TUBA & ORCHESTRA	Finland	Uusinta	2000	EST 12+ MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,TRB,2PERC,STRINGS. SECTIONS CONNECTED. PIANO REDUCTION AVAILABLE. SOME UNUSUAL THINGS - LIKE AN ELEPHANT SCREAM ON THE TUBA AND THE PIANO KNOCKING ON PARTS OF THE PIANO IN ABSENCE OF THE ORCH. HARD+, BUT A GREAT SCORE AND SOME WILL PLAY IT!
IKKE TRAKK PA MINE TUBA SKO	MOE, BODVAR D.	TUBA QUARTET	Norway	NMIC	2004	15 MIN 30 SEC	H	C/U	4 TBA. IF ALL ARE TUBA PLAYERS, THE FIRST TWO PARTS WILL NEED GREAT UPPER REGISTERS. THREE MOVEMENTS WITH ALL THE CHALLENGE A TUBA PLAYER WILL EVER WANT. BRAGGING RIGHTS ONCE THIS ONE IS PERFORMED WELL. GREAT SCORE.
IL CALAMARO	LILJEQUIST, BJORN	PERCUSSION ALONE	Sweden	BUSCH	1986		H	C/U	FOR THE OUTSTANDING COLLEGE PERCUSSIONIST!
IL PAESAGGIO FOR ORCHESTRA DA CAMERA.	KOKKONEN, JOONAS	ORCHESTRA	Finland	FiMIC	1990	EST 6+ MIN	M	C/U/HS	FL,OB,CL,BSN,HN,STRINGS. BASICALLY A WW QUINTET AND STRING ORCHESTRA. NOTHING A GOOD HS OR C/U WW QUINTET AND STRING ORCHESTRA CANNOT PLAY. SCORE IS MS.
ILLUMINATIONS	BAKKE, RUTH	BASSOON & ORCHESTRA	Norway	NMIC	1994	24 MN	H	C/U	2FL(PIC),OB,EH,CL,BCL,BSN,CBSN,2HN,3PERC,STRINGS. MOVEMENTS: INTRO & EXPOSITION, CANTELINA, GIOCSO, FUGATO AND CHORALE. MIXED METER, CONTRA BASSOON IS NECESSARY, SCORE IS IN VERY GOOD MS. GRADUATE LEVEL MATERIAL.
ILLUSIO, OP. 214	MARTTINEN, TAUNO	CLARINET ALONE	Finland	FIMIC	1982	EST 6+ MIN	M/H	C/U	THIS COMPOSER IS BECOMING MORE POPULAR BECAUSE HIS WORKS ARE PLAYABLE AND LOGICAL AS IS THIS ONE. NOTHING IS PARTICULAR IS HARD, JUST A LOT OF NOTES.
IMITATION-RAG	GRONING, BORJE	BAND	Finland	ELVIS	1986	EST 5 MIN	M	C/U/HS	PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,4HN,2COR,3TRPT,3TRB,EUP,2TBA,PERC,2BAR IN ADDITION TO EUP. ANOTHER RAG, THIS ONE FROM FINLAND! CONDENSED SCORE.
IMMANENS, OP 87	NORHOLM, IB	FLUTE ALONE	Denmark	WHANSEN	1982	10 MIN	H	C/U	THREE MOVEMENTS OF CHALLENGING MUSIC BOTH MUSICALLY AND TECHNICALLY. GOOD PEDAGOGICAL MATERIAL FOR THE ADVANCED STUDENT.
IMPRESSIONS - IMAGINATIONS	PALMER, CATHARINA	PERCUSSION ALONE	Sweden	SMIC	2000	10 MIN	H	C/U	ONE PERSON, LOTS OF PERCUSSION INSTRUMENTS, SO THE SETUP WILL BE A PROBLEM. IF THAT IS DONE SUCCESSFULLY, THIS WORK IS VERY PLAYABLE. VERY GOOD MS.
IMPROMPTU	ANDERSSON, B TOMMY	CLARINET & PERCUSSION	Sweden	SMIC	1987	3 MIN 45 SEC	M/H	C/U	VIBRAPHONE NEEDS MULTI-STICK TECHNIQUE. VERY HIGH FOR THE CLARINET.
IMPROMPTU	WILKENSCHILDT, GEORG	TROMBONE & PIANO	Denmark	WHANSEN	1969	EST 2 MIN	M/H	C/U/HS	SHORT WORK IN TRIPLET RHYTHM, EASY WITH RANGE TO Eb, ALL IN TENOR CLEF.
IMPROVISATIONER FOR BLÆSERKVINTET	JORGENSEN, ERIK	WOODWIND QUINTET	Denmark	SAMFUNDET	1976	EST 12 MIN	H	C/U	OPENS WITH AN ALTO FLUTE CADENZA. MANY RHYTHMIC CHALLENGES, IMPROVISATION, CONTEMPORARY SOUNDS & APPROACH.
IMPULS,OP 148	NORHOLM, IB	SAXOPHONE QUARTET	Denmark	KONTRAPUNKT	1998	EST 6+ MIN	H	C/U	SS,AS,TS,BS. UNUSUAL TIME SIGNATURES, LIKE 10/8 WITH THE EIGHTH NOTE OT THE BEAT. A CLEAN SCORE AND IN SPITE OF THE UNUSUAL TIME SIGNATURES AND A FEW OTHER THINGS. THIS SHOULD PLAY WITH THE C /U ENSEMBLE.
IN BLACK & WHITE	RAGNARSSON, HJALMAR H	FLUTE ALONE	Iceland	ITM	1978		H	C/U	TWO MOVEMENTS WITH NONTRADITIONAL TECHNIQUES AND APPROACH. SPECIAL PERFORMANCE INSTRUCTIONS ARE GOOD. NICE SCORE.
IN DEN LANGA VANTANS SKOG	NAESSEN, RAY I DEN LANGO VANTANS SKOG	STRING ORCHESTRA	Sweden	SMIC	2001	4 MIN	M	C/U/HS	6 VIOLIN PARTS, 2 VIOLA, 2 CELLO, STRING BASS. THIS COMPOSER HAS SOMETHING TO SAY, BUT IN A MESSY MS! WE CHOSE ONE TO LET YOU KNOW - IF YOU CAN GET BY THE MS, YOU WILL FIND MANY OTHER GOOD WORKS FOR STRING AND FULL ORCHESTRA THAT HAVE GREAT MERIT.
IN DULCI JUBILO	KOSTA, ENSIO	WOODWIND QUINTET	Finland	FiMIC		12+MIN	E/M	C/U/HS	SEVEN CHRISTMAS TUNES STARTING WITH "IN DULCI JUBILO". MOVEMENTS CAN STAND ALONE. VERY PLAYABLE.
IN G	KENTISH, OLIVER	TROMBONE ALONE	Iceland	ITM	1999	9 MIN	M/H	C/U	THREE MOVEMENTS THAT MAKE REASONABLE DEMANDS UPON THE PLAYER. GOOD FOR A FIRST SOLO ALONE WORK.
IN MEDIAS	ELIASSON, ANDERS	VIOLIN ALONE	Sweden	WARNER/CHAPPELL	1994	4 MIN 30 SEC	H	C/U	A NICE CHALLENGE FOR THE UPPER LEVEL STUDENT. NO SPECIAL PROBLEMS, JUST NEED A THOROUGH KNOWLEDGE OF THE INSTRUMENT.
IN MEMORIAM	LARSSON, LARS-ERIK	STRING ORCHESTRA	Sweden	GEHRMANS	1969	6 MIN	M	C/U/HS	A CONTEMPLATIVE PIECE BY A FINE COMPOSER. PLEASANT CHALLENGE FOR THE STRINGS.
IN VULTU SOLIS	EIRIKSDOTTIR, KAROLINA	VIOLIN ALONE	Iceland	ITM	1980	EST 4+MIN	H	C/U	TRADITIONAL NOTATION BUT NO BAR LINES. PLAYABLE WITH REASONABLE PREPARATION. COMPOSER OF MERIT.
INCANTATION	LYNE, PETER	VIOLIN & ORCHESTRA	Sweden	SMIC	2004	7 MIN	H	C/U	2FL,2OB,2CL,2BSN,2HN,2TRPT,2TRB,4PERC,PO,STRINGS. GREAT SCORE. SOFT, BUT DRAMATIC OPENING. SOME MIXED METER, MOSTLY STRAIGHT AHEAD MATERIAL. CONTEMPORARY HARMONY.
INGOMA	SAMKOPF, KJELL	PERCUSSION ENSEMBLE	Norway	MUSIKK-HUSET	1989	7 MIN	M	C/U/HS	FIVE PLAYERS, NO MALLET INSTRUMENTS EXCEPT TIMPANI. LOTS OF OTHER PERCUSSION EQUIPMENT NEEDED.
INNAN FAGELN LYFTER	GRIMS-LAND, EBBE	VIOLIN & PIANO	Sweden	SUECIA	1993	7 MIN 30 SEC	H	C/U	(BEFORE THE BIRD TAKES WING) HARD MUSIC, BUT AN INTERESTING SCORE FOR THE ADVANCED STUDENT. MIXED METER AND RHYTHMIC PROBLEMS FOR BOTH INSTRUMENTS.
INSIDE	SANDSTROM, SVEN-DAVID	TROMBONE(BASS) & PIANO	Sweden	NORDISKA	1974	7 MIN 45 SEC	H	C/U	NONTRADITIONAL NOTATION, GOOD, BUT HARD WORK.
INTERMEZZO	SVEINSSON, ATLI HEIMIR	FLUTE & PIANO	Iceland	WHANSEN	1982	EST 2+ MIN	M	C/U/HS	A NICE, FLOWING WORK WITH FREQUENT TIME CHANGE THAT SHOULD NOT BOTHER MAKING MUSIC WITH THIS NICE PIECE OF MUSIC.
INTERMEZZO AND EPILOGUE (FROM THE WINTER'S TALE)	LARSSON, LARS-ERIK/STIG GUSTAFSON	BAND	Sweden	GEHRMANS	1978		M	C/U/HS	PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, 2TBA,2PERC,TMP,SB. TWO NICE PIECES FROM A FINE COMPOSER AND ARRANGER.
INTERRUPTIONS	GREEN, OLE-CARSTEN	SAXOPHONE QUARTET	Denmark	DMIC	1980	12 MIN	E/M	C/U/HS	SIX SHORT MOVEMENTS OF STRAIGHT AHEAD MATERIAL, NO PROBLEMS, JUST PLAY IT!
INTERSTELLAR MATTER	EVENSEN, KRISTIAN	BAND	Norway	NMIC	1984	7 1/2 MIN	H	C/U	PIC,2FL,EbCL,2CL,BCL,2OB,2BSN,SS,2AS,TS,BS,4HN,TRPT IN D,3BbTRPT,2CTRPT,3TRB,EUP,2TBA,4PERC,TMP. THREE MOVEMENTS ALL RHYTHMICALLY COMPLEX AND MUCH PERCUSSION. COMPOSER RECOMMENDS ONE ON A PART. EVERYBODY WORKS!
INTIMA MINIATYRER FOR STRAKORKESTER, OP 2	FERNSTROM, JOHN	STRING ORCHESTRA	Sweden	SMIC	1945	17 MIN 30 SEC	M/H	C/U	1.PRELUDIUM 2.INTERMEZZO 3.LAMENTO(ADAGIETTO 4.RONDINO. STRAIGHT AHEAD - NO PROBLEMS, JUST MAKE MUSIC. FINE SCORE. SCORE FOR SALE, PARTS RENTAL.
INTRADA	ANDERSEN, EJVIN	BRASS TRIO	Denmark	WHANSEN	1983		H	C/U	TRPT, HN & TRB. HARD, BUT PLAYABLE.
INTRADA	DANIELSSON, CHRISTER	BAND	Sweden	GEHRMANS	1988	2 MIN	M	C/U/HS	FL,3CL,OB,BSN,AS,TS,3TRPT,2HN,3TRB,EUP,TBA,4PERC,TMP,SB. FANFARE OR CONCERT OPENER.
INTRADA	DMITRIEV, SERGEI	SAXOPHONE QUARTET	Sweden	SUECIA	1993	2 MIN	M/H	C/U/HS	2SS,TS,BS. NOTE THE INSTRUMENTATION. HAS A NICE BUILD OF INTENSITY THROUGH SOME MIXED METER AND OTHER RHYTHMIC CHALLENGES.
INTRADA	HOJSGAARD, ERIK	BRASS QUINTET	Denmark	SAMFUNDET	1981	3 MIN	H	C/U	BIG CHALLENGE. HIGH TESSITURA FOR ALL BUT TUBA, RHYTHMIC PROBLEMS, MUTING.
INTRADA & KORAL	NYSTEDT, KNUT	BRASS QUINTET	Norway	NMIC	1969	EST 2 1/2 MIN	E/M	C/U/HS	3TRPTS, 2TRBS. SHORT PLAYABLE AND NYSTEDT.
INTRADA FESTIVALE	KJELDAAS, ARNLJOT	BAND	Norway	NMIC		4 MIN	E	C/U/HS	PIC,FL,2CL,BCL,OB,BSN,AS,TS,3HN,3COR,2TRPT,2TRB,EUP,2TBA,2PERC, (TBA IN Bb AND Eb.) OPENER FOR CONCERT. 4/4 ALL THE WAY. POSSIBLE CONTEST PIECE. NOTE INSTRUMENTATION.
INTRADA FOR UNGE MUSIKANTER	VEA, KETIL	BAND	Norway	NMIC	1985	6 MIN	E/M	C/U/HS	PIC,3FL,3CL,OB,BSN,AS,TS,3HN,3TRPT,3TRB,EUP,TBA,4PERC. ONE MOVEMENT WITH THREE SECTIONS(F-S-F), VERY PLAYABLE AND STRAIGHT AHEAD.
INTRADA UND ALLEGRO	PALSSON, PALL P	BRASS QUINTET	Iceland	ITM	1959		M	C/U	VERY PLAYABLE MUSIC FROM A GOOD COMPOSER.
INTRADA, HYMN & FANFARE	BOTTCHER, EBERHARD	BRASS QUINTET	Norway	NORSK	1981	EST 5 MIN	E/M	C/U/HS	THREE SHORT MOVEMENTS ACCESSIBLE TO PLAYER AND LISTENER.
INTRADA, OP 43	CARLSTEDT, JAN	ORCHESTRA	Sweden	SMIC	1985	EST 4+MIN	M/H	C/U/HS	PIC,FL,2CL,2OB,2BSN,2HN,2TRPT,2TRB,PERC,STRINGS. CONTEMPORARY STYLE WITH RHYTHMIC CHALLENGES. GOOD MUSICAL INTEREST. RENTAL ONLY.
INTRODUCTION & FUGUE	BJORKLUND, PER	BRASS SEXTET	Sweden	LEMA	1983	6 MIN 30 SEC	M	C/U/HS	TWO PERCUSSIONISTS NEEDED. SOME CONTEMPORARY IDEAS IN A GOOD SCORE. MUTES & MALLETS.
INTRODUCTION AND ALLEGRO, OP 30	KVANDAL, JOHAN	HORN & PIANO	Norway	NORSK	1970		M	C/U/HS	INTRO IN 4/4, ALLEGRO MOSTLY IN 6/8. MODEST RANGE REQUIREMENTS.
INTRODUCTION AND GIGUE	LINTINEN, KIRMO	BASSOON ENSEMBLE	Finland	FiMIC	1993	5 MIN	M/H	C/U	SIX BASSOONS AND A CONTRA! CLEFS NEEDED FOR THE TOP FOUR PARTS. THE SCORE IS CLEAN AND PLAYABLE. SEE ALSO THE LISTING FOR SAME COMBINATION BY HJELT.
INTRODUCTION BLUES	LINDSTROM, ERIK	STAGE BAND	Finland	FiMIC/LINDSTRÖM, ERIK		EST 4 MIN	M/H	C/U/HS	MEDIUM UP SWING, TROMBONE SECTION WORK, SOLOS. GOOD THINGS HERE.
INTRODUCTION ET AIR SUEDOIS VARIE, OP 12	CRUSELL, BERNHARD	CLARINET & PIANO	Finland	FAZER	1980	EST 5 MIN	H	C/U	LATE 18TH TO EARLY 19TH CENTURY COMPOSER FROM FINLAND & SWEDEN. CLARINETS ANSWER TO HERBERT L. CLARK. SHOW OFF MUSIC, RECITAL CLOSER. NOTES!
INTRODUCTION, VARIATIONS & RONDO	BENTZON, JORGEN	SAXOPHONE(ALTO) & STRING ORCH	Denmark	WHANSEN	1938		M/H	C/U/HS	THREE MOVEMENTS PLAYED ATTACCA. SOLO PART IN COMFORTABLE RANGE. GOOD SCORE AND VERY PLAYABLE. SCORE FOR SALE, PARTS RENTAL.
INTRODUCTION, VARIATIONS AND RONDO	BENTZON, JORGEN	SAXOPHONE(ALTO) & STRING ORCH	Denmark	WHANSEN	1989	EST 20+ MIN	M/H	C/U	MORE TRADITIONAL WORK ALTHOUGH THE COMPOSER DEFINITELY USES CONTEMPORARY TECHNIQUES. EASIER THAN MANY -- PLAYABLE BY BOTH HE AVERAGE COLLEGE STUDENT AND THE SCHOOL ORCHESTRA.
INTRODUKSJON OG ALLEGRO	MADSEN, TRYGVE	TUBA & BAND	Norway	NMIC		EST 10 MIN	M	C/U	PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLOIST OR TOP LEVEL AMATEUR.
INTRODUKSJON OG ALLEGRO	MADSEN, TRYGVE	TUBA & BAND	Norway	NMIC		EST 10 MIN	M	C/U	PIC,FL,3CL,ACL,BCL,OB,4TRPT,3TRB,EUP,TBA,PERC,TMP. COMPOSED FOR MICHAEL LIND - SOLO PART DIFFICULT, BAND PARTS NOT AS HARD. PROFESSIONAL SOLO OR TOP LEVEL AMATEUR.
INTRODUKSJON OG ALLEGRO	MADSEN, TRYGVE	TUBA & PIANO	Norway	NMIC		10 MIN	H	C/U	ALSO AVAILABLE WITH ORCHESTRA. GOOD WORK AND A NICE CHALLENGE.
INTRODUKTION	JEVERUD, JOHAN	SAXOPHONE QUARTET	Sweden	SMIC	1986	4 MIN	M/H	C/U/HS	SOME RHYTHMIC COMPLEXITY IN A NICE SCORE.
INTRODUKTION, MARSCH & SCHERZO	BOTTCHER, EBERHARD	WIND ENSEMBLE	Norway	NMIC	1984	10 MIN	E/M	C/U/HS	2FL,2CL,OB,TS,2HN,2TRPT,2TRB,EUP,2TBA,PERC,TMP. THREE MOVEMENTS, PLAYABLE & STRAIGHT AHEAD.
INTRODUZIONE E CAPRICCIO	ENGLUND, EINAR	VIOLIN & PIANO	Finland	FAZER	1875	EST 8 MIN	H	C/U	CONTEMPORARY SOUNDS WITH INTERESTING USE OF RHYTHM AND STOPS.
INTRODUZIONE E MARCIA	MAROS, MIKLOS	BAND	Sweden	SMIC	1986	7 MIN 30 SEC	M/H	C/U/HS	PIC,FL,3CL,BCL,BSN,AS,TS,BS,HN,2TRPT,TRB,EUP,TBA,3PERC,SB. NOTE THE INSTRUMENTATION. SOME NONTRADITIONAL NOTATION AND TECHNIQUES. WELL SCORED.
INTROITUS	BALDVINSSON, TRYGGVI M.	PERCUSSION ALONE	Iceland	ITM	1995	EST 5+ MIN	M/H	C/U	INSTRUMENTS: CROTALES, VIBES,GONG(D), TAMTAM, SINGING BOWL D). A WELL SCORED WORK FOR THE SINGLE PERCUSSIONIST. NOT TOO DIFFICULT FOR AN EARLY EXPERIENCE IN MULTIPLE INSTRUMENTS FOR ONE PLAYER.
INTROITUS	MASSON, ASKELL	BRASS & ORGAN	Iceland	ITM	1985	3 MIN	M	C/U	4TRPT,4TRB,4HN,EUP,TBA,TIMP,ORGAN. MARKED ANDANTE, NO TECHNICAL PROBLEMS AND A NICE LOOKING SCORE.
INVOCATIO FROM FJORTON SOLOSTYCKEN	LUNDIN, DAG	HORN & PIANO	Sweden	SMIC	2003	EST 4 MIN	M	C/U/HS	CLEAN MS OF GOOD RECITAL OR HS CONTEST MATERIAL. CONTRASTING STYLES IN A SHORTER WORK. RANGE TO G ABOVE STAFF. PLAYABLE MUSIC AND NICE FOR THE LISTENER.
INVOCATION	HAMBRAEUS, BENGT	BRASS ENSEMBLE	Sweden	SMIC	1971	8 MIN	H	C/U	2OB,5TRPT,4HN,3TRB,2TBA,3PERC. IVES INFLUENCE, CHALLENGING OBOE PARTS, QUICK NUANCES, MANY SUSTAINED NOTES WITH PERCUSSION OUTBURSTS.
INVOCATIONS	HEGAARD, LARS	SAXOPHONE(2) AND ORGAN	Denmark	SAMFUNDET	1995	7 MIN	H	C/U	SS,AS AND ORGAN. JUST ON THE EASIER SIDE OF DIFFICULT. THIS CAN BE PLAYED BY TOP LEVEL C/U STUDENTS AND A TALENTED ORGANIST. IT IS ESOTERIC, CONTEMPORARY AND INTERESTING.
ISLANDISCHER FESTMARSCH	ISOLFSSON, PALL	ORCHESTRA	Iceland	ITM	1965		M	C/U/HS	PIC,FL,2CL,2OB,2BSN,3HN,2TRPT,3TRB,TBA,PERC,TMP,STRINGS. CONCERT MARCH IN 4/4. STRAIGHT AHEAD AND PLAYABLE.