Nordic Instrumental Music
For Colleges and Universities
By Title
| Title | Composer Arranger | Ensemble Medium | Country | Publisher_Code | Date | Time | Difficulty | Recommended Level | Comments |
|---|---|---|---|---|---|---|---|---|---|
| T FOR CONCERT BAND | REBNE, RUNE | BAND | Norway | NMIC | 2004 | 8 MIN | M/H | C/U/HS | FL,OB,BSN,3CL,BCL,2AS,TS,BS.3TRPT,2HN,3TRB,EUP,TBA,3PERC. SMALLER INSTRUMENTATION, BUT PLAYS BIG. HIGH NOTES FOR THE TRPT 1 AND TRB 1. TIGHT RHYTHMIC PASSAGES PLAYED THAT WAY WILL CREATE INTEREST. OTHER TITLES AVAILABLE FROM NMIC BY THIS COMPOSER. |
| TAIKALAMPPU - THE MAGIC LANTERN | ALMILA, ATSO | BRASS TRIO | Finland | FiMIC | 1990 | EST 4 MIN | H | C/U | CTRPT,HN,TRB. A FAST MOVING PIECE WITH SOME TRICKY RHYTHMIC THINGS. CONTEMPORARY SETTING AND CAN BE SOME FUN! |
| TAIKALAMPPU - THE MAGIC LANTERN | ALMLA, ATSO | BRASS QUARTET | Finland | FiMIC | 1993 | ST 3+ MIN | M/H | C/U | 2 TRPT, 2 TRB IN BASS AND TENOR CLEF. THIS IS MADE HARDER THAN IT LOOKS BECAUSE OF THE JUXTAPOSITION OF ONE RHYTHMIC PATTERN UPON ANOTHER, IE 6 ON 4, ETC. A COMPOSER WITH FUN IDEAS. ALSO SEE HIS BRASS TRIO OF THIS MUSIC |
| TALE OF TWO TREES | SJOSTEN, LARS | BRASS ENSEMBLE | Sweden | BLAS-BASEN | 1996 | 6 MIN 30 SEC | M/H | C/U | 4TRPTS,HN,3TRB,TBA OR SUB HN FOR TRPT 4, TRB FOR HN AND HN FOR TRB. TRT4 ASKS FOR FLUGELHORN. SJOSTEN IS A JAZZ PIANIST - EXPECT SOME RESERVED SWING ON THIS SELECTION AS IN HIS OTHER PUBLICATIONS BY THIS COMPANY. |
| TALKING DRUMS II | PAPE, ANDY | PERCUSSION ENSEMBLE(2) | Denmark | WHANSEN | 1992 | 5 MIN | H | C/U | TO KEEP THE ADVANCED DRUMMERS INTERESTED! ALL KIND OF RHYTHMIC THINGS TO WORK OUT AND THE AUDIENCE TO APPRECIATE. SEE OTHER ITEMS FOR PERCUSSION BY THIS COMPOSER! |
| TANGO EROTIQUE | FAHLSTROM, ORJAN | BAND | Sweden | SMIC | 1992 | EST 6 MIN | M | C/U/HS | 2FL,OB,BSN,3CL,BCL,AS,TS,3TRPT,3HN,3TRB,TBA,STBS,3PERC. HIS SHOULD BE A LOT OF FUN. IT MOVES ALONG (QUARTER = 156) AND A STRONG TANGO RHYTHMIC FEEL. SOMETHING FOR THE AUDIENCE. |
| TANGO FOR SEVEN BASSOONS | HJELT, YRJO | BASSOON ENSEMBLE | Finland | FiMIC | 1993 | EST 4+ MIN | M | C/U | FOR THE SCHOOL WITH SEEN BASSOONISTS! ONE MUST PLAY THE CONTRA. FIRST FOUR PARTS NEED TENOR CLEF. THE PARTS ARE NOT THAT HARD IF THE PLAYERS KNOW THE CLEFS. THIS WILL DRAW ATTENTION TO THE BASSOONISTS ON CAMPUS! |
| TANGO-TARANTELLA | LINKOLA, JUKKA | TRUMPET & BAND | Finland | FiMIC | 2001 | EST 10+ MIN | M/H | C/U | FL,2OB,2CL,BSN,[OPT.AS,TS],3HN,TRPT,3TRB,[OPT EUP],TBA,3PERC. CONNECTED SECTIONS. TRUMPET PLAYS MOSTLY COMFORTABLE RANGE. STRAIGHT AHEAD WITH CONTEMPORARY IDEAS. YOU WILL LIKE THIS COMPOSER! |
| TANGOKAVALJEREN | SYLVAIN,JULES & AKE SODERBLOM/GUNNAR SVENSSON | STAGE BAND | Sweden | EHRLING | 1978 | M | C/U/HS | SCORE IS IN MS AND MESSY, TROMBONE SECTION FEATURE, TRB 1 & 2 QUITE HIGH, GOOD MATERIAL. | |
| TAPIOLANDIA FOR ORCHESTRA | POHJOLA, SEPPO | ORCHESTRA | Finland | FiMIC | 2003 | EST 10+ MIN | M | C/U/HS | PIC,FL,2OB,EbCL,CL,2BSN,2HN,2CTPY,TRB,2PERC,STRINGS. MOSTLY STRAIGHT DOWN THE MIDDLE IN 4/4 WITH JUST A FEW DIVERSIONS. SOME DIVISI STRINGS. A FINE SCORE READY TO BE PLAYED WELL! |
| TARANTARA FOR SOLO TRUMPET | RAUTAVAARA, EINOJUHANI | TRUMPET ALONE | Finland | FAZER | 1976 | EST 5+ MIN | H | C/U | COMPOSER UNDERSTANDS THE INSTRUMENT. COMPLETE CHALLENGE OF HE PLAYER AND INSTRUMENT. LAID OUT SO THAT THESE IS NO DOUBT WHAT TO DO! |
| TARAR AV BLOD | RYDELL, THOMAS | OBOE & PIANO | Sweden | SMIC | 1995 | 3 MIN. | E | C/U/HS | A FLOWING WORK IN 6/8 WITH NO TECHNICAL PROBLEMS. NICE OPPORTUNITY TO JUST MAKE MUSIC. |
| TAUROTRIO NR 1 | VOLLE, BJARNE | TRUMPET TRIO | Norway | NOTON | 1995 | EST 5 MIN | M/H | C/U/HS | RANGE IS NOT A PROBLEM, IT MAY BE TOO LONG UNLESS THE REPEATS ARE OMITTED. SOME VERY NICE IDEAS IN THIS SCORE. VERY USEFUL MATERIAL FOR THE PRACTICE ROOM IF NOT FOR PERFORMANCE. |
| TEA FOR TUBA | NORHOLM, IB | TUBA ALONE | Denmark | KONTRAPUNKT | 1986 | EST 6 IN | H | C/U | THE TITLE IS THE EASIEST PART- MULTIPHONICS AND SOME EXTRA ORDINARY MUSICAL THINGS MAKES THIS ONE FOR ONLY THE BEST AND MOST CURIOUS. A VERY NICE SCORE TO WORK FROM. |
| TEATERSVIT NR 4 FROM THE MERCHANT OF VENICE | NYSTROEM, GOSTA | ORCHESTRA | Sweden | SUECIA | 1947 | EST 18 MIN | M/H | C/U | FL,CL,OB,BSN,TRPT,4PERC,TMP,CEMBALO, MANDOLIN, ELECTRIC GUITAR. 4 SECTIONS. MANDOLIN ONLY IN FIRST SECTION. GUITAR IN LAST. PLENTY TO WORK WITH - GOOD AUDIENCE APPEAL. SCORE FOR SALE, PARTS RENTAL. |
| TEMA CON VARIAZIONI | GAATHAUG, MORTEN | BASS CLARINET & PIANO | Norway | NMIC | 1983/2001 | 8 MIN | H | C/U | THE PIANO PART MIGHT BE A BIT MUCH AND HARD, BUT THE BASS CLARINET GETS TO SHOW WHAT S/HE CAN DO IN 6 VARIATIONS. |
| TEMA CON VARIAZIONI, OP. 8 | PALSSON, HELGI | VIOLIN & PIANO | Iceland | ITM | 1963 | EST 11+ MIN | M | C/U/HS | 15 VARIATIONS PLAYED ATTACCA. A FEW DOUBLE STOPS. PLAYS STRAIGHT AHEAD AND MOSTLY MELODICALLY. TELL THE FLUTE PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. |
| TEMA CON VARIAZIONI, OP. 8 | PALSSON, HELGI | FLUTE & PIANO | Iceland | ITM | 1963 | ST 11+ MIN | 15 VARIATIONS PLAYED ATTACCA. A FEW DOUBLE STOPS. PLAYS STRAIGHT AHEAD AND MOSTLY MELODICALLY. TELL THE VIOLIN PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. | ||
| TEMA MED VARIASJONER | ANDERSEN, KJELL MAGNE | CLARINET ALONE | Norway | NMIC | 1999 | 5 MIN | M/H | C/U | THEME AND 5 VARIATIONS. ALTERNATING TEMPOS AND STYLES. PLAYABLE MATERIAL FOR THE C/U STUDENT. |
| TEMA MED VARIATIONER, OP.14 | BENTZON, JORGEN | CLARINET ALONE | Denmark | WHANSEN | 1928 | M | C/U | STUDY OR RECITAL - INTRO TO SOLO ALONE WORK. | |
| TEMAN MED VARIATIONER | ENGSTROM, TORBJORN | ORCHESTRA | Sweden | SMIC | 1999/2000 | 11 MIN | M/H | C/U/HS | FL,AFL,OB,EH,CL,BCL,2BSN,2HN,2TRPT,3TRB,TBA,TIMP,STRINGS. ANOTHER FINE SCORE FROM THIS COMPOSER. WATCH OUT FOR THE ALTO FLUTE- IT IS IMPORTANT. SOME CHANGING AND MIXED METER, BUT ALL WILL PLAY. |
| TEN SHORT PIECES | MARTTINEN, TAUNO | TRUMPET & PIANO | Finland | FAZER | 1976 | EST 8 MIN | E | C/U/HS | VERY SHORT PIECES FOR STUDIO OR INCIDENTAL PERFORMANCE. WORK FOR STYLE AND MUSICIANSHIP. SOLOS & DUETS. |
| TERRA INCOGNITA | SKOG, YLVA | ORCHESTRA | Sweden | SMIC | 2001 | 8 MIN 30 SEC | H | C/U | PIC,2FL,2OB,2CL,BSN,4HN,2TRPT,TRB,TBA,2PERC,STRINGS. CHANGING AND MIXED METER WILL BE THE PROBLEM HERE IN A CLEAN SCORE. PERCUSSIONISTS WITH A LOT OF INSTRUMENTS. GOOD C/U GROUPS AND ADULT AMATEUR ORCHESTRA MATERIAL. COMMISSIONED BY A PROFESSIONAL GROUP. |
| TERRACE | GUDMUNDSEN-HOLMGREN, PELLE | WOODWIND QUINTET | Denmark | WHANSEN | 1970 | 16 MIN | M/H | C/U | FIVE MOVEMENTS THAT CAN STAND ALONE, 1 & 5 SUSTAINED TONES WITH SILENCE, 2 & 3 RHYTHMIC COMPLEXITY, MOVEMENT 4 IS THE HARD ONE! |
| THE BELLS OF VINETA | SORENSEN, BENT | TROMBONE ALONE | Denmark | WHANSEN | 1995 | 7 MIN | H | C/U | DEDICATED TO CHRISTIAN LINDBERG. MULTI-PHONICS, AND EVERYTHING YOU HAVE EVER HEARD CHRISTIAN DO -- HARD AND MOST CHALLENGING. |
| THE BLUE LIGHT | MASSON, ASKELL | FLUTE(2) & PERCUSSION | Iceland | ITM | 1978 | 8 MIN 40 SEC | M/H | C/U | TWO FLUTES AND 2 PERCUSSIONISTS. NEEDS AN ALTO FLUTE. SCORE A LITTLE HARD TO READ. GOOD COMPOSER. |
| THE CHAMBERS OF A GOLDEN HEART | SJOSTEN, LARS | BRASS SEXTET | Sweden | SMIC | 1989 | M | C/U | LAID BACK AND IT SWINGS. GOOD SCORE. | |
| THE DANCE OF LAKE MAGELUNGEN | ARVEHEIM, MATTIAS | BRASS QUARTET | Sweden | BLAS-BASEN | 2002 | EST 4 MIN | M | C/U | 2BbTRPT,2TRB. FOLK LIKE MUSIC - NEED TO OBSERVE THE COMPOSER’S RECOMMENDED STYLE STATED IN THE MUSIC. NO RANGE, RHYTHM OR TECHNICAL PROBLEMS, JUST TAKE CARE TO PLAY IT IN THE CORRECT STYLE. ALSO AVAILABLE IN A SAXOPHONE QUARTET VERSION. |
| THE DANCE THROUGH THE LAND OF THE SHADOWS | GERMETEN, GUNNAR JR | STRING ORCHESTRA | Norway | NORSK | 1986 | EST 10 MIN | M | C/U | GOOD AND PLAYABLE SCORE WITH MANY OPPORTUNITIES TO DISPLAY MUSICALITY. TRADITIONAL HARMONIES. |
| THE DREAM OF THE RHINOCEROS | MADSEN, TRYGVE | HORN ALONE | Norway | MUSIKK-HUSET | 1994 | EST 2 MIN 30 SEC | M/H | C/U | RANGE TO G ABOVE THE STAFF. NO MAJOR PROBLEMS TO KEEP ONE FROM INTERPRETING AND MAKING MUSIC ALONE. SEE OTHER WORKS BY THIS COMPOSER! |
| THE EYE OF ODIN | JOHANSEN, BERTIL PALMAR | BAND |
Norway | NMIC | 2002 | EST 10 MIN | H | C/U | 2FL(PIC),OB,EbCL,3CL,BCL,AS,TS,BSN,2HN,3TRPT,3TRB,EUP,TBA,3PERC. MIXED METER, SOME UNUSUAL TIME SIGNATURES THAT ARE EASILY FATHOMED. THIS IS A GOOD SCORE WITH LOTS OF OPPORTUNITY TO MAKE MUSICAL EXCITEMENT. SEE OTHER WORKS BY THIS COMPOSER IN THE NMIC LIBRARY. |
| THE FLUTES ARE SINGING IN 3 PARTS | FRANZEN, OLOV | FLUTE TRIO | Sweden | FAIMO | 1986 | E/M | C/U/HS | SIX ARRANGEMENTS AND FIVE COMPOSITIONS FOR 3 FLUTES. VERY PLAYABLE MATERIAL. | |
| THE FOG IS LIFTING, OP 41 | NIELSEN, CARL | FLUTE & PIANO | Denmark | WHANSEN | 1952 | EST 2 MIN | E/M | C/U/HS | PIANO PART IS ALSO LISTED FOR HARP. A 6/8 ANDANTINO. |
| THE GAME IS OVER | LINKOLA, JUKKA | PERCUSSION ENSEMBLE | Finland | FiMIC | 1985 | EST 5 MIN | M | C/U | SIX PLAYERS PLUS BASS. MESSY SCORE BUT A GOOD COMPOSER WHO WRITES LIVELY MUSIC. 2 MARIMBA, 2 VIBE, MISC PERCUSSION INSTRUMENTS. |
| THE GREATER GLORY, OP 105 | NYSTEDT, KNUT | BAND | Norway | KJOS | 1987 | 3 1/2 MIN | E/M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,2TRPT,3TRB,EUP, TBA,3PERC,TMP. PROCESSIONAL - SLOW MARCH. |
| THE HAMBO COMBO | GULLIN, LARS/LARS SJOSTEN | BAND | Sweden | SUECIA | 1982 | EST 4 1/2 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,TBA, 2PERC,TMP,SB,ELECTRIC BASS. SWINGS IN 3/4 ALL THE WAY, FINE PROGRAM MATERIAL, GULLIN AND SJÖSTEN - 2 GREAT JAZZ MUSICIANS. |
| THE HUNTING OF THE SNARK | NORDHEIM, ARNE | TROMBONE ALONE | Norway | WHANSEN | 1980 | 6 MIN | H | C/U | AVANT-GARDE WITH SPECIAL TECHNIQUES REQUIRED. MUTES. NONTRADITIONAL NOTATION ALL THE WAY. COMPOSED FOR PER BREVIG. |
| THE LOVELY LADY'S LABOUR | SJOSTEN, LARS | BRASS QUINTET & BAND | Sweden | SMIC | 1981 | 16 MIN | M/H | C/U | PIC,2FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,4TRPT,3TRB,EUP,2TBA, 3PERC,DRUM SET,ELECTBASS,BRASS QUINTET. INTRODUCTION, 1. MED BOUNCE, 2. SLOW BLUES(3/4), 3. MEDIUM FAST. GOOD FEATURE ON CONCERT. |
| THE MAID AND THE WIND (STULKAN OG VINDURINN) | PALSSON, PALL P | FLUTE & HARPSICHORD | Iceland | ITM | 1979 | 9 MIN | H | C/U | STRONG RHYTHMIC ELEMENT AS WELL AS IMPROVISATION. DIFFICULT BUT PLAYABLE. |
| THE MARCH OF THE 77TH TROMBONE | PAPE, ANDY | TROMBONE ALONE | Denmark | WHANSEN | 2001 | 11 MIN | H | C/U | COMPOSER WROTE: A MONOMOBILE FOR SOLO TROMBONE. THIS IS MORE FUN THAN MOST OF THIS TYPE OF WORK WE HAVE SEEN. THE PLAYER MARCHES IN DIFFERENT PATTERNS AS S/HE PLAYS, STOMPS FEET AND MOVES! SHOULD HAVE GREAT AUDIENCE APPEAL! |
| THE MARCH OF THE DOLPHINS | NISSILA, ALLAN | BAND | Sweden | SMIC | 2005 | EST 4 MIN | M | C/U/HS | PIC,2FL,2OB,2BSN,EbCL,3CL,AS,TS,BS,3COR,4HN,3TRB,EUP,TBA,3PERC. A EUROPEAN TEMPO MARCH (QUARTER NOTE = 102). THIS WOULD BE A GOOD INTRODUCTION TO THIS COMPOSER’S STYLE OF ARRANGING. HE HAS MANY GOOD WORKS IN THE SMIC CATALOG. |
| THE MESSENGER | FAGERUDD, MARKUS | HORN & ORCHESTRA | Finland | FiMIC | 2006 | EST 10+ MIN | H | C/U | PIC,2FL,OB,EH,CL,BCL,2BSN,2HN,2PERC,STRINGS. PLAYS AS ONE MOVEMENT. FOR THE HORN: LOTS OF NOTES AND MANY OF THEM ABOVE THE STAFF! ORCHESTRA PARTS ARE ACCESSIBLE. |
| THE MILLSTREAM | ARVEHEIM, MATTIAS | BRASS QUINTET | Sweden | BLAS-BASEN | 2004 | EST 3 MIN 30 SEC | E/M | C/U/HS | USUAL INSTRUMENTATION. SWINGING EIGHTH NOTES IN 3/4 TIME. TUBA PART IS NICE. THIS IS ALSO AVAILABLE IN BRASS AND SAXOPHONE QUARTET VERSIONS. |
| THE MYSTICAL HEXAGON | FUNG, JOSEPH | PERCUSSION ENSEMBLE & GUITAR | Iceland | ITM | 1988 | H | C/U | SIX PERCUSSIONISTS WITH GUITAR SOLO. LOOKS EXCITING! | |
| THE MYTHIC MAN | SERMILA, JARMO | PERCUSSION ENSEMBLE | Finland | FiMIC | 1982 | 12 MIN | H | C/U | NEED FIVE PLAYERS ON A COMPLETE RANGE OF INSTRUMENTS. NON-METRIC NOTATION AND OTHER SURPRISES. |
| THE NIGHT IS FOR CRYING | SVEINSSON, GUNNAR R | JAZZ ENSEMBLE | Iceland | ITM | M | C/U | AS, TS, HN, DRUMS, SB, GUITAR, VIBES, PIANO, VOICE. SLOW BLUESEY AND FUN! | ||
| THE NORTH - SYMPHONIC POEM FOR WINDS, OP 67 | MARTTINEN, TAUNO | BAND | Finland | FiMIC | 1972 | EST 8-9 MIN | M | C/U/HS | 2FL,3CL,BCL,2OB,2BSN,TS,BS,4HN,4TRPT,3TRB,EUP,TBA,PERC,TMP. NO ALTO SAX PART. DRAMATIC WORK. STARTS AND ENDS ADAGIO WITH EXCITEMENT BETWEEN. GOOD SCORE. |
| THE OLD MILL TELLS ITS TALE, OP. 143 | MARTTINEN, TAUNO | CLARINET ALONE | Finland | ERES | 1982 | 7 MIN | M/H | C/U | GOOD MATERIAL TO BEGIN PLAYING CLARINET ALONE MUSIC. NO SPECIAL DEMANDS. A LOT OF NOTES AND THE CHALLENGE TO TURN THEM IN TO MUSIC. |
| THE PALACE RHAPSODY, OP. 72 | SALLINEN, AULIS | BAND | Finland | NOVELLO | 1996 | 16 MIN | H | C/U | 3FL(PIC),3OB,3CL(EbCL,TS,BCL,EbALCL),AS,BS,3BS(CBSN),4HN,3TRPT,3TRB,4PERC,HARP,PIANO. A WELL KNOWN COMPOSER FOR ORCHESTRA WITH A WORK FOR BAND. MIXED METER WILL BE THE HARDEST TO OVERCOME, OTHERWISE THIS SHOULD PLAY WELL FOR THE C/U BANDS. |
| THE PIED PIPER (ROTTUFANGARINN) | SIGURBJORNSSON, THORKELL | FLUTE & STRING ORCHESTRA | Iceland | ITM | 1977 | EST 5 MIN | M/H | C/U/HS | TWO MOVEMENTS. 1.'IN THE HAPPY TOWN OF HAMELN', SOME RHYTHMIC & ADVANCED NOTATION. 2.'THE PIED PIPER ARRIVES', STRAIGHT AHEAD. CAN BE DONE WITH ANNOUNCER AND MIME. |
| THE PIPER'S WEDDING | DEAK, CSABA | WOODWIND QUINTET & BAND | Sweden | SMIC | 1979 | 12 MIN | M/H | C/U/HS | PIC,2FL,3CL,BCL,OB,BSN,AS,TS,BS,3HN,3TRPT,3TRB,EUP,TBA,2PERC,TMP, WOODWIND QUINTET. A GOOD PLAYABLE SCORE, WW QT MUST BE VERY COMPETENT, FINE COMPOSER-GOOD WORK. |
| THE PRINCESS WHO SLEPT HUNDRED YEARS | WESSMAN, HARRI | TRUMPET & PIANO | Finland | FiMIC | 1981 | EST 3+MIN | E | C/M/HS | TRUMPET IN C. JUST A NICE SONG - HAVE THE Bb PLAYER LEARN TO TRANSPOSE ON THIS 0NE. |
| THE RAVEN SONG | JOHANSEN, BERTIL PALMAR | TROMBONE ALONE | Norway | NMIC | 2000 | 5 MIN | H | C/U | TENOR CLEF ALL THE WAY. RANGE TO TO A. GLIZZANDOS, VOCALISMS, AND OTHER FUN THINGS. A COMFORTABLE CHALLENGE FOR THE HIGH LEVEL TROMBONIST. |
| THE SHADOW, OP. 59 | NORHOLM, IB | ORCHESTRA | Finland | KONTRAPUNKT | 1973 | 13 MIN | M/H | C/U | 2FL(PIC),2OB,2CL(BCL),2BSN,2HORN,2TRPT,2TRB,2PERC,HARP,CELEST,STRINGS. MOVEMENTS: SYDEN, DIGEREN OG HANS MUSE, PRINSESSNS VALS, SKYGGENS TRIUMF. HAS TEXT THAT CAN BE READ BETWEEN MOVEMENTS TO EXPLAIN THE STORY. THIS IS PLAYABLE MATERIAL FOR THE C/U ENSEMBLE! |
| THE SMELL OF WILD FLOWERS | STOYVA, NJAL GUNNAR | CLARINET & PIANO | Norway | NMIC | 1999 | 10 MIN | M/H | C/U | THREE FLOWING MOVEMENTS. EVEN WHEN THE NOTES GO BY QUICKLY THE KEEP FLOWING. NICE COMPLIMENTARY WORK FOR A RECITAL. |
| THE SONG OF THE ORANGE GROVES | PASQUET, LUIS | BAND | Finland | BLOSARI | 1997 | 4+ MIN | M | C/U/HS | PIC,FL,OB,3CL,BCL,AS,TS,BS,HN,3TRPT,2TRB,EUP,TBA,4PERC. THIS IS MARKED ZAMBA (SAMBA). FUN IN STORE FOR BAND AND THE AUDIENCE! SAME COMPOSER AND PUBLISHER HAS TWO TITLES WE SAW: OLD CARNIVAL AND EL VALLE DE LAS FLORES. YOU MUST HAVE ONE OF THESE! |
| THE STEPPE | BRUK, FRIDRICH | WOODWIND QUARTET | Finland | FAZER | 1962 | 6 MIN 30 SEC | E/M | C/U/HS | FL,OB,CL,BSN. 1. THE ENDLESS WINTRY STEPPE 2. SPRING FLOW 3. MORNING ON THE STEPPE. TRADITIONAL AND STRAIGHT AHEAD. |
| THE TROMBONE SERENADE | LONDON, POUL | TROMBONE & PIANO | Denmark | WHANSEN | 1963 | H | C/U | ORCHESTRA SCORE & PARTS AVAILABLE, HIGH TESSITURA FOR THE TROMBONIST. | |
| THE TWO CHAMBERS OF A GOLDEN HEART | SJOSTEN, LARS | BRASS SEXTET | Sweden | BLAS-BASEN | 1989/1995 | EST 4 MIN | M/H | C/U | 2 TRPT,HN,2TRB,TBA (TRB SUB FOR HN). A RELAXED SWING PIECE. SEE OTHERS LIKE THIS IN THE BLAS-BASEN CATALOG. |
| THE WALL | EKSTROM, LARS | CLARINET ALONE | Sweden | SMIC | 1989 | 10 MIN | H | C/U | CHALLENGING, LONG, ONE MOVEMENT. |
| THERE ARE PEOPLE WHO... | EKSTROM, LARS | FLUTE ALONE | Sweden | SMIC | 1989 | M/H | C/U | NO PERFORMANCE SURPRISES. | |
| THOUGHT IN FIVE PARTS | MOGENSEN, RENE | CLARINET & PERCUSSION | Denmark | DKF | 1998 | 4 MIN 30 SEC | H | C/U | FIVE SHORT MOVEMENTS FOR THE ADVANCED C/U CLARINETIST AND AN ADVENTUROUS PERCUSSIONIST. MULTI-PHONICS, MIXED METER AND TIME NEEDED TO GET THE TWO PARTS TO SOUND TOGETHER! |
| THREE AFRICAN DANCES | LILJEQUIST, BJORN | PERCUSSION ENSEMBLE | Sweden | BUSCH | 1988 | EST 6 MIN | E/M | C/U/HS | FOUR OR MORE PERCUSSIONISTS. THREE MOVEMENTS: NAIROBI, WEDDING DANCE OF THE PYGMIES, FESTIVAL DANCE FROM THE CONGO - ANGOLA. SOME`HOME MADE' INSTRUMENTS AND OTHER UNUSUAL INSTRUMENTS. |
| THREE BAGATELLES FOR BRASS SEPTET | LINKOLA, JUKKA | BRASS ENSEMBLE | Finland | FiMIC | 1989 | 10 MIN | M | C/U | Eb TRPT,2Bb TRPT,HN IN Eb,2EUP,TBA. THREE MOVEMENTS FROM A GOOD COMPOSER AND WORTH THE EFFORT. |
| THREE BAGATELLES FOR WOODWIND QUINTET | LUNDE, IVAR JR | WOODWIND QUINTET | Norway | SHAWNEE | 1974 | EST 5 MIN | E | HS | EASY, BUT WELL CONSTRUCTED FOR THE YOUNG PLAYERS. |
| THREE DIMENSIONS | BOEHM, ILKKA VON | FLUTE ALONE | Finland | FiMIC | 2002 | 5 MIN | H | C/U | INTERESTING AND INNOVATIVE. LARGE INTERVALS AND NOTES. PRACTICE STAND FOR A TIME, THEN SHOW OFF AT RECITAL. |
| THREE FANTASIAS, OP 42 | BERGMAN, ERIK | CLARINET & PIANO | Finland | FAZER | 1954 | EST 8 MIN | M/H | C/U | MIXED METER IN THE THREE MOVEMENTS AND ALL TEMPOS QUITE SLOW. CONTEMPORARY SOUNDS AND RHYTHMIC EMPHASIS, YET PLAYABLE. |
| THREE HUMOROUS ANIMAL PICTURES | TRAULSEN, PALMER | TROMBONE DUET | Sweden | BUSCH | 1979 | H | C/U | HARD, CHALLENGING AND FUN! | |
| THREE ICELANDIC FOLK SONGS | ASGEIRSSON, JON | STRING QUARTET & PIANO | Iceland | ITM | 1975 | 9 MIN 10 SEC | M | C/U | THREE MOVEMENTS, PLAYABLE BY THE GOOD COLLEGE QUARTET AND PERHAPS FACULTY PIANIST OR EXCELLENT COLLEGE STUDENT. |
| THREE ICELANDIC PICTURES | BALDVINSSON, TRYGGVI M. | WIND ENSEMBLE | Iceland | ITM | 2000 | EST 12+ MIN | M/H | C/U | WE LIKE THIS SCORE. IT IS PLAYABLE BY ALL INSTRUMENTS FROM A GOOD COMPOSER. THREE MOVEMENTS. |
| THREE ICELANDIC RYMES | RUNOLFSSON, KARL O | WIND ENSEMBLE | Iceland | ITM | 4 MIN 55 SEC | M | C/U/HS | FL, CL, OB, BSN, HN, TRPT. PLAYABLE SCORE AND POSSIBLE TO ADAPT FOR WW CHOIR. | |
| THREE IMAGES FOR CHAMBER ORCHESTRA | LEIFS, JON | ORCHESTRA | Iceland | ITM | 1960 | 12 MIN | M/H | C/U | PIC,FL,2CL,BCL,OB,BSN,2HN,TRPT,TRB,TBA,TMP,CBSN,STRINGS. THREE MOVEMENTS OF PLAYABLE MUSIC. A MESSY SCORE BUT GOOD PARTS FROM A FINE COMPOSER. |
| THREE MOMENTS | INGOLFSSON, ATLI | FLUTE & PIANO | Iceland | ITM | 1986 | 3 MIN | E/M | C/U/HS | THREE MOVEMENTS: I MELODIC AND EASY, 2 MOVING WITH METRIC CHANGES AND 3 A FEW RHYTHMIC CHALLENGES. GOOD SCORE. |
| THREE MOMENTS | MARCUSSEN, KJELL | CLARINET & PIANO | Norway | NMIC | 1993 | EST 8+ MIN | M | C/U/HS | USUAL 3 MOVEMENTS. GOOD C/U MATERIAL. STRAIGHT AHEAD RHYTHMICALLY WITH A WELL WRITTEN ACCOMPANIMENT. |
| THREE MOMENTS | MARCUSSEN, KJELL | CLARINET & STRING ORCHESTRA | Norway | NMIC | CIR 2000 | EST 11+ MIN | M | C/U | MOVEMENTS: ALLEGRO MODERATO, ADAGIO ESPRESSIVO, ALLEGRO MA NON TROPPO. CONTEMPORARY HARMONY, BUT VERY PLAYABLE AND FINE ADDITION TO THE C/U REPERTOIRE. |
| THREE PIECES FOR CLARINET & PIANO | RAGNARSSON, HJALMAR H | CLARINET & PIANO | Iceland | ITM | 1975 | 8 MIN 25 SEC | M | C/U | THREE MOVEMENTS WITH THE USUAL ICELANDIC RHYTHMIC INTEREST. |
| THREE PIECES FOR QUARTET OF SAXOPHONES | PASQUET, LUIS | SAXOPHONE QUARTET | Finland | FiMIC | 1993 | EST 9+ MIN | M/H | C/U | SS.AS.TS.BS. MOVEMENTS: CONVERSATION-RHYTMCAL, VALSE FANCAISE-MODERARTO ELEGANT, TANGO-ANIMATO. VERY BAD MS! BUT, THIS COMPOSER HAS MUCH TO SAY, SO HAVE FUN WITH IT AND ENJOY THE MUSIC. |
| THREE PIECES FOR TUBA AND PIANO | EEROLA, LASSE | TUBA & PIANO | Finland | FiMIC | 1993 | EST 9+ MIN | H | C/U | PIECES: ALLEGRO, MODERATO, RISOLUTO. PLAYABLE BY THE STUDENT WITH A GOOD HIGH F (ONE MOVEMENT UP THERE)AND FINGERS. INVENTIVE WRITING - LIKE THE OCTAVES WITH THE PIANO IN FIRST PIECE. MOVEMENTS CAN STAND ALONE. |
| THREE PIECES FOR TWO CLARINETS, OP 22 NO 3 | NORTENSEN, FINN | CLARINET DUET | Norway | NORSK | 1971 | EST 3 MIN | E/M | C/U/HS | THREE SHORT MOVEMENTS(FSF). PLAYABLE FOR STUDIO, CONTEST OR CONCERT. |
| THREE PIECES FOR WIND QUINTET | EEROLA, LASSE | WOODWIND QUINTET | Finland | FiMIC | 1994 | 11 MIN 30 SEC | M/H | C/U | MOVEMENTS: SCHERZANDO, ADAGIO, GIOCOSAMENTE. SOME RHYTHMIC SITUATIONS, OTHER WISE THIS CONTEMPORARY QUINTET WILL PLAY WITHOUT A LOT OF PROBLEMS. SEE ALSO EEROLA’S QUINTET TITLED, FIVE COLOURS FOR WW QUINTET AND OTHERS IN FIMIC ONLINE LISTING. |
| THREE PROGRESSIVE DUETS | CRUSELL, BERNARD HENRIK | CLARINET DUET | Finland | HINRICHSEN | PUB. 1960 | EST 8+ MIN | M | C/U/HS | THE THREE ARE SOLD SEPARATELY. THESE ARE MUST HAVE ITEMS FOR ANY SERIOUS CLARINET PLAYER. JUST STRAIGHT AHEAD AND ENJOY. |
| THREE QUARTETS FOR FOUR HORNS | CRUSELL, BERNHARD/STIG RYBRANT | HORN QUARTET | Sweden | BUSCH | 12 MIN | M | C/U/HS | THREE PLAYABLE MOVEMENTS. INTERESTING FOR EACH PLAYER. | |
| THREE SONGS FROM THE EAST OF ICELAND | BIRGISSON, SNORRI SIGFUS | FLUTE & PIANO | Iceland | ITM | 2003 | 6 MIN | M | C/U/HS | THREE SHORT SONGS THAT ARE WELL SCORED FOR THE YOUNGER PLAYER , BUT WILL SOUND WITH ANY GOOD FLAUTIST. |
| THREE SONGS WITHOUT WORDS | MOGENSEN, RENE | WOODWIND QUINTET & STRING ORCH | Denmark | DKF | 2001 | 7 MIN | M/H | C/U | MOVEMENTS: SONG OF WAVES, SONG WITHOUT PICTURES, DANCE. THERE IS MUCH TO LIKE IN THIS COMPOSITION AND IN THIS COMPOSERS WORKS. THE SCORES ARE BEAUTIFUL! GET ACQUAINTED WITH THIS COMPOSER! |
| THREE SUBJECTS IN DIFFERENT CONTRASTING MOODS,OP68 | LUND, GUDRUN | TROMBONE TRIO | Denmark | DMIC | 1982 | 14 MIN | H | C/U | ALTO, TENOR & BASS TROMBONE. SOME NONTRADITIONAL TECHNIQUES AND PLAYABLE IN 4 MOVEMENTS. |
| THRENODY | KORTEKANGAS, OLLI | HORN & PIANO | Finland | JASEMUSIIKKI | 1985 | EST 3 MIN | M | C/U/HS | ANDANTE, MULTI PHONICS AND NONTRADITIONAL TUNING FOR HORN. INTERESTING AND PLAYABLE. |
| THUNDER DANCE | SCHNELZER, ALBERT | PERCUSSION ENSEMBLE | Sweden | SMIC | 2002 | 10 MIN | H | C/U | TWO PLAYERS, EACH WITH MULTIPLE INSTRUMENTS. CHANGING METER AND A CHALLENGE FOR THE MOST SERIOUS STUDENT. THOSE SERIOUS C/U STUDENTS CAN PLAY THIS. A TEST OF RHYTHMIC SKILL. |
| TID FOR DIALOG | HOEMSNES, BJORN K. | WOODWIND QUINTET & BAND | Norway | NMIC | 1986 | EST 10 MIN | M | C/U | 2FL,EbCL,6CL,BCL,OB,2BSN,2AS,TS,BS,4HN,2COR,2TRPT,3TRB,EUP,TBA, 3PERC. SOME NONTRADITIONAL NOTATION, BAND PARTS QUITE EASY, WW QT MUST BE NEAR PROFESSIONAL. |
| TIEFE | LORENTZEN, BENT | STRING BASS ALONE | Denmark | WHANSEN | 1993 | 9 MIN | M/H | C/U | NEED BASS, TENOR AND TREBLE CLEFS. THE MUSIC IS MARKED QT = 72 AO THERE IS TIME TO PLAY THE NOTES AND MAKE SOME MUSIC. |
| TIL APOLLON, LYSETS GUD | RIISAGER, KNUDAGE | ORCHESTRA | Denmark | SAMFUNDET | 1980 | 10 MIN | H | C/U | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,PERC,TMP,PIANO, STRINGS. A WELL CONSTRUCTED SCORE WITH PLENTY TO DO. SCORE FOR SALE, PARTS RENTAL. |
| TILL STRAKORKESTERNS LOV | LUNDIN, DAG | STRING ORCHESTRA | Sweden | SMIC | 1994 | EST 12+ MIN | M | C/U/HS | MOVEMENTS: OSTINATO, LAMENTOSO, GIOCOSO. STRONG WRITING FOR THE YOUNGER ORCHESTRA OR ANYONE WHO WANTS A WELL COMPOSED PIECE OF MUSIC TO PLAY IN A MORE TRADITIONAL STYLE. |
| TOCATTA | EIRIKSDOTTIR, KAROLINA | ORCHESTRA | Iceland | ITM | 1999 | 9 MIN 11 SEC | H | C/U | 3FL,3OB,3CL,3BSN,4HN,3TRPT,3TRB,TBA,2PERC,STRINGS-DIVISI. YES. IT IS HARD BUT MOSTLY STRAIGHT FORWARD WITH A LOT OF NOTES. A GREAT SECTION IN THE MIDDLE FOR THE THREE BASSOONS AND THE LOW STRINGS! |
| TOCCATA FOR TWO VIOLINS AND STRING ORCHESTRA | LARSSON, HAKAN | VIOLIN & STRING ORCHESTRA | Sweden | SMIC | 2000 | 6 MIN | M/H | C/U | IT IS MAINLY FOR THE TWO VIOLINIST. THE ACCOMPANIMENT PART IS JUST THAT. JUST LET THE TWO SOLOISTS DO IT! CONTEMPORARY HARMONIES. |
| TOCCATA-RONDO | KENTISH, OLIVER | STRING ORCHESTRA | Iceland | ITM | 2005 | 6 MIN 30 SEC | M/H | C/U | A VERY NICE SCORE WITH SOME MIXED METER, BUT ALL PLAYABLE. ALSO SEE THIS COMPOSER’S EASIER WORK TITLED, ‘REGRET’. |
| TOPICS | WESSMAN, HARRI | HORN & PIANO | Finland | MODUS | 1993 | EST 8+ MIN | M/H | C/U | SECTIONS CONNECTED TO B FOR THE HORN. PIANO PART IS EASIER, CONTEMPORARY HARMONIES! |
| TORN ERIK'S SONG | LINDBERG, NILS | STAGE BAND | Sweden | NORDISKA | 1984 | M | C/U/HS | BALLAD BASED ON SWEDISH FOLK MELODY. 3/4. SOLOS FOR PIANO, TRPT 2 AND GUITAR. | |
| TORSTEINEN, OP.68, CONCERT MARCH | SOMMERFELDT, OISTEIN | BAND | Norway | NMIC | 1985 | EST 4 MIN | M | C/U/HS | PIC,2FL,EbCL,3CL,BCL,OB,BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP,TBA,4PERC,TMP. SOMETHING OF 'VALDRES' IN THIS ONE. SCORE IS A BIT MESSY. |
| TOUCHES | PALSSON, PALL P | PERCUSSION ENSEMBLE | Iceland | ITM | 1985 | M | C/U/HS | FOUR MOVEMENTS, EIGHT PLAYERS WITH LOTS OF EQUIPMENT. A VERY ACCESSIBLE WORK. | |
| TOWER MUSIC | EYSER, EBERHARD | BRASS QUARTET | Sweden | SMIC | 1986 | 1 MIN | E | C/U/HS | 2TRPT,2TRB OR 2 HN,2TRB. EASY AND IT WORKS. FLEXIBLE. |
| TOWER MUSIC | SIGURBJORNSSON, THORKELL | TRUMPET & PIANO | Iceland | ITM | 1988 | M/H | C/U | TRPT IN C, MODEST RANGE, MUTES, AND MUCH RHYTHMIC EMPHASIS - CHANGE OF TEMPOS, ETC. | |
| TRAGEN VINNER | EYSER, EBERHARD | BAND | Sweden | SUECIA | 1976 | 7 MIN | M/H | C/U/HS | 2FL,2CL,BCL,2OB,2BSN,SSAX,3HN,3TRPT,3TRB,TBA,PERC,SB. FLUTE CADENZA IN SHORT INTERLUDE, MUSIC WITH A SENSE OF HUMOR, FINE COMPOSER, UNUSUAL INSTRUMENTATION. |
| TRALALA FOR SYMPHONY ORCHESTRA | POHJOLA, SEPPO | ORCHESTRA | Finland | FiMIC | 2000 | EST 5+ MIN | H | C/U | PIC,3FL,2OB,EH,3CL,3BSN,4HN,3TPT,3TRB,4PERC,STRINGS (DIVISI). A HIGH ENERGY WORK THAT WILL EXCITE! FULL ORCHESTRA PLUS! JUST A FEW METER CHANGES OTHER WISE STRAIGHT AHEAD WITH A LOT F NOTES AND FIRE! |
| TRANQUILITY | PLAGGE, WOLFGANG | TRUMPET & STRING ORCHESTRA | Norway | 2L | 2002 | 6 MIN | M/H | C/U | TRUMPET (C) TO B WITH LOTS OF NOTES, BUT NOT TOO MANY TO THAT NOTE. ORCH PARTS ALL DIVISI. WILL TAKE GOOD STRINGS. MOSTLY A FLOWING LINE THROUGHOUT. OTHER WORKS BY THIS COMPOSER IN NMIC HOLDINGS. |
| TRANSOBOIC FUSION | HUNDSNES, SVEIN | OBOE & BAND | Norway | NMIC | 1983 | 12 MIN | M/H | C/U | A GOOD COLLEGE OBOIST, ONE LONG OBOE CADENZA, PERCUSSION INTEREST. |
| TRAUERMUSIK, OP 12 | SODERLIND, RAGNAR | ORCHESTRA | Norway | NORSK | 1968 | 8 MIN 30 SEC | M/H | C/U | 3FL ALL DOUBLE PIC,EbCL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,3PERC,ORGAN,HARP, STRINGS. DRAMATIC PIECE WITH A FEW PERFORMANCE PROBLEMS BUT INTERESTING AND ACCESSIBLE. SIX VIOLIN PARTS, 3 VIOLA AND 2 CELLO. SCORE FOR SALE, PARTS RENTAL. |
| TRE ARABESKER FOR FYRA VALTHORN | HALLNAS, EYVIND | HORN QUARTET | Sweden | SMIC | 1987 | E/M | C/U/HS | THREE SHORT MOVEMENTS OF PLAYABLE MATERIAL. | |
| TRE COLORI, OP 142 | KARKOFF, MAURICE | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 5 MIN | H | C/U | THREE MOVEMENTS, MIXED METER , PARTS PLAYABLE. |
| TRE DANSE, KVINTET, OP 60 | NIELSEN, JOHN | BRASS QUINTET | Denmark | DMIC | 1978 | 16 MIN | H | C/U | THREE MOVEMENTS, A MAJOR WORK. TUBA PLAYS VERY LOW, 2ND TRPT PLAYS HIGH, MUTING, VARIETY OF STYLES. |
| TRE ETYDER | SUND, ROBERT | BAND | Sweden | SUECIA | 1984 | 9 MIN | H | C/U/HS | PIC,2FL,EbCL,4CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3COR,3TRPT,3TRB,EUP, TBA,5PERC,TMP,SB,SSAX,(1 CL IN A, 3 IN Bb). THREE MOVEMENTS, A FEW PROBLEMS TO WORK OUT IN THE SCORE, GOOD PERCUSSION PARTS. |
| TRE MELODIER I ADVENT | GUSTAFSON, STIG | BAND | Sweden | GEHRMANS | 1979 | 4 MIN | E | HS/JHS | PIC,FL,EbCL,3CL,BCL,2OB,2BSN,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA, 3PERC,TMP,SB. 3 SWEDISH MELODIES FOR THE ADVENT SEASON. EXCELLENT ARRANGER AND WORK! |
| TRE MINIATYRER | GRAHN, ULF | BASSOON & PIANO | Sweden | SMIC | 2000 | 5 MIN | M/H | C/U | THREE MOVEMENTS: LENTO, ALLEGRETTO, ADAGIO. THE NOTES ARE NOT TOO HARD, BUT THE HARMONY WILL NEED CAREFUL ATTENTION TO MAKE THIS INTO MUSIC. |
| TRE MINIATYRER FöR KLARINETT SOLO, OP 4 | ERIXSON, PER-ANDERS | CLARINET ALONE | Sweden | SMIC | 1964 | 7 MIN | H | C/U | THREE MOVEMENTS, DIFFICULT, BUT PLAYABLE. |
| TRE ORKESTERSTYCKEN | HALLNAS, EYVIND | ORCHESTRA | Sweden | SMIC | 1997 |
8 MIN | M | C/U/HS | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,TBA,3PERC,STRINGS. MOVEMENTS: ALLEGRO, ALLEGRO MODERATO, ALLEGRO CON BRIO. A NICE, PLAYABLE SCORE FOR MANY ORCHESTRAS, NOT JUST THE C/U ENSEMBLES. |
| TRE PLANETER | ANTONSEN, IVAN | WIND ENSEMBLE | Norway | NMIC | 1978 | 6 MIN | M | C/U/HS | FL,4CL,OB,BSN,2HN,3COR,3TRB,TBA,3PERC. I. MERCUR, II. VENUS, III. MARS, VERY ACCESSIBLE MUSIC, ONE ON A PART OR DOUBLED. |
| TRE RAPSODIER | ANDERSEN, KJELL MAGNE | WOODWIND QUINTET | Norway | NMIC | 1994 | 6 MIN 30 SEC | E/M | C/U/HS | USUAL INSTRUMENTATION. MOVEMENTS: ALLEGRO MODERATO, ALLEGRETTO, ALLEGRO MODERATO, GOOD, EASY MATERIAL FOR THE YOUNG QUINTET |
| TRE SATSER FOR BLECKBLASARKVARTETT | SANDSTROM, SVEN-DAVID | BRASS QUARTET | Sweden | SMIC | 1969 | 7 1/2 MIN | H | C/U | 1. INTRADA, 2. ARIA, 3. BURLESK. RHYTHMIC AND HARD BUT FROM AN INTERESTING COMPOSER AND WORTH THE EFFORT. |
| TRE SMA BAGATELLER FOR ORKESTER | FRIDOLFSON, RUBEN | ORCHESTRA | Sweden | SMIC | 1978 | EST 4 1/2+MIN | M | C/U/HS | 3FL,2CL,BCL,2OB,2BSN,4HN,3TRPT,3TRB,TBA,TMP,STRINGS. THREE MOVEMENTS IN A GOOD SCORE USING CLUSTERS AND CONTEMPORARY HARMONIES, YET HIGHLY PLAYABLE MUSIC. RENTAL ONLY. |
| TRE STAMNINGAR | WALLIN, PETER | CLARINET & MARIMBA | Sweden | SMIC | 1995 | EST 3 MIN 30 SEC | M | C/U | THREE SHORT MOVEMENTS: 1 MEDITATION, 2 UPPSLUPPENHET (LIGHT IN FEELING) 3. DEPRESSION. CLARINET IN Bb. VERY PLAYABLE. |
| TREDJE ANDNINGEN (THIRD BREATH) | STRINDBERG, HENRIK | TROMBONE QUARTET | Sweden | SMIC | 1985 | 9 MIN | H | C/U | PROVOCATIVE, CHALLENGING, INTERESTING! 3 TENOR TRBS AND BASS TRB. |
| TRELEK | MOE, BODVAR D. | TROMBONE TRIO | Norway | NMIC | 1999 | 4 MIN 30 SEC | E/M | C/U/HS | NO RANGE PROBLEMS. GOOD SCORE THAT WILL PLAY. LIKE HIS IDEAS. FINE ADDITION TO THE LITERATURE. |
| TRES NOCHES EN LA HABANA OP. 12 | OLSON, LARS JERGEN | VIOLIN & PIANO | Sweden | SMIC | 2003 | 8 MIN | M/H | C/U | THREE MOVEMENTS. ACCESSIBLE BY THE YOUNGER PLAYER WITH A GOOD BACKGROUND. JUST A FEW RHYTHMIC PROBLEMS TO SOLVE. SHOULD BE ABLE TO CONCENTRATE ON MAKING MUSIC WITH THIS WORK. |
| TRIAD | CARLID, GOTE | SAXOPHONE(ALTO) & PIANO | Sweden | SUECIA | 1985 | CA 3 MIN | M | C/U/HS | A WELL SCORED WORK WITH SOME HIGH F'S. RECITAL OR CONTEST. |
| TRIADE, OP 123 | HOLMBOE, VAGN | TRUMPET & ORGAN | Denmark | WHANSEN | EST 11 MIN | M/H | C/U | THREE MOVEMENTS FOR TRUMPET IN C. COMPOSED FOR EDWARD TARR. WORTHY MUSIC FROM A FINE COMPOSER. | |
| TRILOGIA PASQUALE | KAYSER, LEIF | WOODWIND QUINTET | Denmark | DMIC | 1980 | 14 MIN | M | C/U | THREE MOVEMENTS: 1 BALLATA, 2 SEQUENZA, 3 CHIRLANDE. RHYTHMIC THROUGHOUT, FLOWS IN 2 & 3. HIGHLY POLYPHONIC. |
| TRILOGY | MASSON, ASKELL | WOODWIND TRIO | Iceland | ITM | 1985 | 16 MIN 15 SEC | M/H | C/U | OB, CL, BSN. CALLS FOR DOUBLE ON FLUTE, BUT CAN USE ANOTHER PERSON. THREE MOVEMENTS AND NICE SCORE. |
| TRIM, OP 35 | KVAM, ODDVAR S | STRING ORCHESTRA | Norway | NMIC | EST 8 MIN | E/M | HS | FOUR SHORT MOVEMENTS THAT ARE VERY PLAYABLE. | |
| TRIO | BADEN, CONRAD | WOODWIND TRIO | Norway | LYCHE | 1967 | 9 MIN | M | C/U | FLUTE, OBOE & CLARINET. PLAYABLE WITH NO PROBLEMS. |
| TRIO | BALDVINSSON, TRYGGVI M. | CLARINET TRIO | Iceland | ITM | 1993 | 5 MIN | M/H | C/U | MOVEMENTS; ALLEGRO, LARGO, ADAGIO, MOLTO RUBATO-ALLEGRO GIOCOSO. FIRST PARTS CAN BE PLAYED BY EbCL,BbCL,OR ACL. SECOND PART BY EbCL,CCL,BbCL,THIRD PART BY BCL. A CHALLENGE, BUT PLAYABLE CONTEMPORARY MATERIAL. |
| TRIO | BENTZON, NIELS VIGGO | BRASS TRIO | Denmark | WHANSEN | 1964 | M/H | C/U | THREE MOVEMENTS(M-F-M) THAT LOOK LIKE FUN. TRPT,HN,TRB. | |
| TRIO | GRAHN, ULF | WOODWIND TRIO | Sweden | SEESAW | 1967 | 8 MIN | M/H | C/U | FL,OB,CL. FOUR SHORT MOVEMENTS. 1. HAS MANY METER CHANGES AND 4. IS VERY ENERGETIC. A GOOD SCORE. |
| TRIO | HALLNAS, EYVIND | WOODWIND TRIO | Sweden | SMIC | 1985 | M | C/U/HS | FL,EH,BCL. NOTE THE INSTRUMENTATION. THREE SHORT MOVEMENTS THAT ARE PLAYABLE. | |
| TRIO | HELGASON, HALLGRIMMUR | VIOLIN, CELLO & PIANO | Iceland | ITM | M | C/U | THREE MOVEMENTS THAT ARE MELODIC AND STRAIGHT AHEAD. GOOD SCORE AND PLAYABLE. | ||
| TRIO | OLAFSSON, GUNNSTEINN | STRING TRIO | Iceland | ITM | 1985 | M | C/U | GOOD SCORE AND PLAYABLE MUSIC WITH INTEREST FOR PERFORMER AND LISTENER. VIOLIN, VIOLA & STRING BASS. | |
| TRIO | SPEIGHT, JOHN A | VIOLIN, CELLO & PIANO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| TRIO | SPEIGHT, JOHN A | VIOLIN, CELLO & PIANO | Iceland | ITM | 1978 | M | C/U | THREE MOVEMENTS. A GOOD SCORE OF PLAYABLE, STRAIGHT AHEAD MATERIAL. | |
| TRIO FOR FLUTE, CLARINET & BASSOON | HONGISTO, MAURI | WOODWIND TRIO | Finland | PINE | CIR 2000 | EST 6+ MIN | M/H | C/U/HS | MOVEMENTS: DECISO, ANDANTE, GIOCOSO, VIVACE. ALL PARTS IN NORMAL REGISTERS WITH MODERN HARMONY. NOTES FOR ALL IN THE FULL RANGE OF THE INSTRUMENTS. |
| TRIO FOR FLUTE, CLARINET & BASSOON, OP 154 | MELARTIN, ERKKI | WOODWIND TRIO | Finland | FiMIC | EST 11 MIN | M | C/U | FOUR MOVEMENTS OF PLAYABLE MUSIC AND A FINE SCORE. | |
| TRIO FOR FLUTE, CLARINET AND BASSOON | TOIVIO, LAURI | WOODWIND TRIO | Finland | Uusinta | 1988/90 | 13 MIN | M/H | C/U | MOVEMENTS: KOLERIA(ALLEGRO VIVO), FOBIA (ADAGIO), MELANKOLIA (ANDANTE), FINALE (ALLEGRO GIOCOSO). A FEW LITTLE PROBLEMS TO WORK OUT, BUT MOSTLY STRAIGHT AHEAD. |
| TRIO FOR FLUTE, CLARINET AND BASSOON, OP. 154 | MELARTIN, ERKKI | WOODWIND TRIO | Finland | FiMIC | 1929 PUB 1993 | EST 12+ MN | M/H | C/U | MOVEMENTS: ALLEGRO, ANDANTE, MENUETTO, FUGA (ALLEGRO). TRADITIONAL HARMONIES AND STRAIGHT AHEAD. A FINE ADDITION TO THE WW TRIO LIBRARY. |
| TRIO FOR FLUTE, CLARINET, BASSOON | ANDERSEN, KJELL MAGNE | WOODWIND TRIO | Norway | NMIC | 1996 | 11 MIN 30 SEC | M | C/U/HS | MOVEMENTS: ALLEGRO, VIVACE, ADAGIO, RONDO-ALLEGRO. VERY PLAYABLE MATERIAL FOR ANY UPPER LEVEL OF PLAYER. NO SURPRISES, JUST STRAIGHT AHEAD AND HAVE FUN MAKING MUSIC |
| TRIO FOR FLUTE, OBOE AND Bb CLARINET | LUNDE, JR., IVAR | WOODWIND TRIO | Norway | SKYLINE | 1989 | EST 3 MIN 30 SEC | E/M | C/U/HS | ACCESSIBLE MATERIAL FOR THE YOUNG ENSEMBLE. SEE OTHER ITEMS LIKE THIS BY CONTACTING THE COMPANY AS NOTED HERE. |
| TRIO FOR OBOE, CLARINET & HORN | NORDAL, JON | WOODWIND TRIO | Iceland | ITM | 1948 | M/H | C/U | FOUR MOVEMENTS OF CLEAN, GOOD LOOKING SCORE. I.PREAMBULUM, 2.ROMANZA, 3.SCHERZO, 4.FUGA. | |
| TRIO FOR OBOE, CLARINET OG FAGOT | MAEGAARD, JAN | WOODWIND TRIO | Denmark | SAMFUNDET | 1950 | 8 MIN | M | C/U | ONE MOVEMENT IN 3 SECTIONS. COMFORTABLE CHALLENGE FOR 3 COMPETENT PLAYERS. |
| TRIO FOR OBOE, KLARINETT OCH FAGOTT | BLOMDAHL, KARL-BIRGER | WOODWIND TRIO | Sweden | SMIC | 1938 | 15 MIN | M/H | C/U/HS | FOUR MOVEMENTS WITH WORK FOR ALL. OBOE,CLARINET & BASSOON. |
| TRIO FOR VIOLIN, CELLO & PIANO | STEFANSSON, FINNUR TORFI | VIOLIN, CELLO & PIANO | Iceland | ITM | 1989 | 7 MIN | H+ | C/U | LOADED WITH RHYTHMIC PROBLEMS. FREQUENT METER CHANGES AND A CONTEMPORARY SOUND. |
| TRIO FOR VIOLIN, VIOLA & CELLO | STEFANSSON, FINNUR TORFI | STRING TRIO | Iceland | ITM | 1985 | M | C/U | MUSICALLY INTERESTING SCORE AND PARTS. SCORE IS A BIT HARD TO READ. | |
| TRIO NO 1 | HAUTA-AHO, TEPPO | WOODWIND TRIO | Finland | FiMIC | 1976 | 14 MIN | M/H | C/U | FL,OB,BSN. OBOE DOUBLES ENGLISH HORN, FLUTE DOUBLES ALTO FLUTE. SCORE IS MESSY BUT PARTS CLEAN. WORK FOR ALL. |
| TRIO OP. 81 FOR TRUMPET, HORN AND TROMBONE | ROIKJER, KJELL | BRASS TRIO | Denmark | ENGSTROM & SODRING | 1987 | EST 7+ MIN | M/H | C/U | MOVEMENTS: ALLEGRO MODERATO, ANDANTE MOLTO, GAIO. THIS IS IN MS AND SCORE FORM, BUT CONSIDER THE LACK OF MATERIAL FOR HIS MEDIUM! RANGES FOR ALL ARE COMFORTABLE. |
| TRIO, OP 7B | CHRISTIANSEN, HENNING | WOODWIND TRIO | Denmark | DMIC | 1954 | 17 MIN | M | C/U | FIVE MOVEMENTS, MODEST RANGES, CONTEMPORARY HARMONY & RHYTHMIC CONTENT. OB,CL IN A, BSN. |
| TRIO, OP. 122, NO.4 | FONGAARD, BJORN | WOODWIND TRIO | Norway | LYCHE | 1981 | 10 MIN | M | C/U | FLUTE,'A' CLARINET & BASSOON. SOME NONTRADITIONAL NOTATION, BUT VERY PLAYABLE. |
| TRIPTYCHON | KVANDAL, JOHAN | ORCHESTRA | Norway | NORSK | 1979/1982 | EST 11+ MIN | H | PIC,2FL,2OB,2CL,2BSN,4HN,3TRB,3TRB,TBA,3PERC,STRINGS. MUSIC FOR HIRE. COULD BE PLAYED BY SELECT HS ENSEMBLES ALA ALL STATE GROUPS. VERY PLAYABLE BY C/U ENSEMBLES. A WELL RESPECTED NORWEGIAN COMPOSER. SEE OTHER WORKS BY IM IN THE NORSK CATALOG. | |
| TRIPTYK | MARTINSSON, ROLF | CLARINET(BASS) & PIANO | Sweden | BUSCH | 1989 | 12 MIN | H | C/U | THREE MOVEMENTS TO ADD TO THE CLARINET RECITAL. |
| TRIQUETRA | ENGSTROM, TORBJORN | VIOLIN & ORCHESTRA | Sweden | SMIC | 1995 | 10 MIN | M/H | C/U | FL,OB,CL,BSN,HN,TRPT,TRB,STRINGS. NOTE THE CHAMBER SIZE ORCHESTRA. SOLO PART IS MAINLY SINGING, NOT TECHNICAL. SOME OF THE ORCHESTRA INSTRUMENTS HAVE A FEW TRICKY PASSAGES TO WORK OUT. GOOD C/U MATERIAL |
| TRISTIA | AHO, KALEVI | BAND | Finland | FiMIC | 1999 | 11 MIN | H | C/U | PIC,2FL,2OB,3CL,BCL,2AS,TS,BS,2BSN,3TRPT,4HN,EUP,3TRB,TBA,2PERC. THE SCORE IS IN A MESSY MS - THE PARTS ARE PRINTED. LOTS OF CHANGING METER AND OTHER PROBLEMS, BUT WE SEE NOTHING THAT MAKES THIS IMPOSSIBLE, DIFFICULT, YES. |
| TRITTICO | MEYERS, RANDALL | CELLO & PIANO | Norway | WHANSEN | 1994 | 16 MIN | H | C/U | THREE MOVEMENTS OF DIFFICULT MATERIAL FOR THE MOST ADVANCED C/U STUDENT OR PROFESSIONAL. PIANIST ALSO MUST BE EXCELLENT. GREAT SCORE. |
| TROCORTRO FOR TRUMPET, HORN AND TROMBONE | SERMILA, JARMO | BRASS TRIO | Finland | JASEMUSIIKKI | 1992 | EST 18+ MIN | H | C/U | FOUR MOVEMENTS OF AVANTE GUARDE BRASS TRIO LITERATURE. AS RECORDED BY A FINNISH BASS TRIO. ABOUT AS HARD AS IT GETS - NOT THE NOTES, BUT WHERE TO PUT THE NOTES. IT IS ALL ABOUT ENSEMBLE. HIGHLY ADVANCED ENSEMBLE ONLY! |
| TROMBA SOLO | HVOSLEF, KETIL | TRUMPET ALONE | Norway | NMIC | 1971 | EST 4 MIN | M/H | C/U | TRPT IN C. RANGE TO B WITH RHYTHMIC COMPLEXITY MAKE THIS WORK INTERESTING TO PLAY AND ALSO FOR THE LISTENER. |
| TROMBONE CONCERTO | ALMILA, ATSO | TROMBONE & ORCHESTRA | Finland | FiMIC | 1994 | EST 12+ MIN | H | C/U | FL,OB,BSN,HN,TRPT,STRINGS. WE ARE RELUCTANT TO PUT THIS ONE 0N OUR LIST BECAUSE IT IS SO DIFFICULT, BUT SO WELL LAID OUT. SOME THEATER, MUTES, AND DEMONSTRATIONS OF THE COMPOSER’S COMPLETE KNOWLEDGE OF THE TROMBONE. |
| TROMBONE QUARTET I | SIGTRYGGSSON, ERIKUR ARNI | TROMBONE QUARTET | Iceland | ITM | 2004 | 3 MIN | M | C/U/HS | RANGE TO G. MOSTLY STRAIGHT AHEAD MUSIC. NO PROBLEMS! |
| TROMBONE UNACCOMPANIED!?! | GRAHN, ULF | TROMBONE ALONE | Sweden | SEESAW | 1977 | 8 MIN | H | C/U | A WELL CONSTRUCTED SOLO PIECE WITH MULTI-PHONICS AND OTHER NONTRADITIONAL TECHNIQUES. |
| TROMBONIA | KOCH, ERLAND VON | TROMBONE & ORGAN | Sweden | SMIC | 1983 | CA 5 MIN | H | C/U | ONE MOVEMENT, MODERATO, SOME HIGH REGISTER. STRING ORCHESTRA PARTS AVAILABLE. |
| TROMPET KONTRASTER | HURUM, HELGE | TRUMPETS(2) & BAND | Norway | NMIC | 1986 | M/H | C/U | THREE MOVEMENTS. MOVE III - PICCOLO TRPT, GOOD COLLEGE PLAYERS FOR SOLOS. | |
| TROMPET POLKA | NIELSEN, HANS PETER | TRUMPET & PIANO | Denmark | WHANSEN | 1967 | EST 4 MIN | E | C/M/HS | PLAYABLE BY EVEN THE MOST YOUNG, SERIOUS PLAYER. THE USUAL POLKA FORMAT WITH REPEATS, DS, ETC. RANGE TO HIGH C WITH OPTIONAL DOWN AN OCTAVE. |
| TRUMPET CONCERTO II | LINKOLA, JUKKA | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1993/95 | 20 MIN | H | C/U | MOVEMENTS: CANTANDO-QUASI RUBATO, BALLADE-MODERATO, RITMICO. WE WISH HE HAD BETTER MS, BUT WHEN HE WRITES, WE PAY ATTENTION. TRUMPET IN C WITH AN OPTIONAL VERSION FOR Eb TRUMPET. SOME MIXED METER. |
| TRUMPET MUSIC | LUNDQUIST, TORBJORN IWAN | TRUMPET & PIANO | Sweden | SMIC | 1980 | EST 12 MIN | H | C/U | THREE MOVEMENTS WRITTEN FOR BO NILSSON. FLUEGELHORN, PICCOLO TRUMPET AND LOTS OF NOTES. WOULD LIKE TO SEE A FEW MORE RESTS. |
| TRUMPET SONG (VISA MED TRUMPET) | LINDBERG, NILS | STAGE BAND | Sweden | NORDISKA | 1980 | M | C/U/HS | A TRUMPET SOLO BASED IN A LARGE PART ON IMPROVISATION. | |
| TRUMPETKONSERT, OP 25 | BOLDEMANN, LACI | TRUMPET & PIANO | Sweden | SMIC | 1968 | M/H | C/U | THREE MOVEMENTS WITH MODEST RANGE AND A GOOD SCORE. RECITAL OR STUDY. | |
| TRUMPETTIKONSERTTO | HAMEENNIEMI, EERO | TRUMPET & STRING ORCHESTRA | Finland | FiMIC | 1997/98 | EST 5+ MIN | M/H | C/U | TRUMPET IN C. TO HIGH C ONE TIME. SOME MIXED METER. SEVERAL MUTED SECTIONS. DIVISI IN THE STRINGS. MAY BE HARD TO PUT TOGETHER, SO NEED REHEARSAL TIME. |
| TUBA BUFFO | JACOBSEN, JULIUS | TUBA & BAND | Sweden | SMIC | CA 7 MIN | H | C/U | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TBA,2PERC,TMP,PIANO. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS. | |
| TUBA BUFFO | JACOBSEN, JULIUS | TUBA & PIANO | Sweden | SMIC | CA 7 MIN | H | C/U | BAND ACCOMPANIMENT AVAILABLE. TRY ALSO WITH EUPHONIUM. PLAYABLE AND WORTHWHILE MUSIC. MODEST RANGE REQUIREMENTS. | |
| TUBA CONCERTO | KOCH, ERLAND VON | TUBA & STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. SCORE FOR SALE, PARTS RENTAL. |
| TUBA CONCERTO | KOCH, ERLAND VON | TUBA & PIANO | Sweden | GEHRMANS | 1978 | 14 MIN | H | C/U | THREE MOVEMENTS AND PLAYABLE. SUGGEST ALSO FOR EUPHONIUM. STRING ORCHESTRA PARTS AVAILABLE. |
| TUBA CONCERTO | KOPPEL, ANDERS | TUBA & ORCHESTRA | Denmark | WHANSEN | 2003 | 20 MIN | M/H | C/U | PIC,2FL,2OB,2CL,2BSN,4HN,2TRPT,3TRB,3PERC,STRINGS. MOVEMENTS: MODERATO, ANDANTE MISTERISO, LENTO-ALLEGRO ASSAI. OUTSIDE OF SOME VERY HIGH NOTES THAT A SOLOIST MAY WANT TO TAKE DOWN AN OCTAVE, THIS IS NOT AN EXTREMELY DIFFICULT WORK FOR THE SOLOIST. |
| TUBANIA | KOCH, ERLAND VON | TUBA & PIANO | Sweden | SMIC | 1983 | H | C/U | EXTREME HIGH REGISTER FOR TUBA. IT LAYS WELL FOR THE EUPHONIUM. GOOD SCORE. ONE MOVEMENT. | |
| TUBO TURBANO | RUNARSDOTTIR, HILDIGUNNUR | TUBA ALONE | Iceland | ITM | 1990 | 4 MIN 13 SEC | M/H | C/U/HS | THE ONLY THING MAKING THIS HARD IS THE RANGE - TO D. OTHERWISE THERE IS TIME TO CONTEMPLATE THE MAKING OF MUSIC. |
| TUKU TUKU | ANDERSSON, KJELL | ORCHESTRA | Sweden | SMIC | 1985 | 11 MIN | M/H | C/U/HS | PIC,2FL,2CL,2OB,2BSN,4HN,3TRPT,2TRB,TBA,3PERC,TMP,HARP,STRINGS. NEED GOOD PERCUSSIONISTS. ONE OF THE CL PARTS IS IN 'A'. GOOD SCORE. FOR RENTAL ONLY. |
| TUULENPESA - NEST OF WIND | JALAVA, PERTTI | BAND | Finland | MUSACT | 2000/01 | EST 8 MIN | H | C/U | 2FL,OB,2CL,BCL,BSN,2AS,TS,BS,3HN,3TRPT,3TRB,2-4PERC. NEED STRONG MARIMBA AND VIB PLAYERS! THE PERCUSSION SECTION WILL LIKE THIS. FAST TEMPO WITH LOTS OF 3 ON 2 AND 5 ON 2 RHYTHMS. |
| TVA FOLKMELODIER | ALFVEN, HUGO | STRING ORCHESTRA | Sweden | GEHRMANS | 1978 | EST 3 1/2 MIN | E | C/U/HS | TWO SHORT FOLK TUNES. SCORE FOR SALE, PARTS RENTAL. |
| TVA INTERMEZZI | FRIDOLFSON, RUBEN | ORCHESTRA | Sweden | SMIC | 1978 | EST 6 1/2 MIN | M | C/U/HS | 2FL,2CL,2OB,2BSN,4HN,3TRPT,3TRB,PERC,TMP,STRINGS. TWO MOVEMENTS WITH DENSE CHORDS, CLUSTERS AND CONTEMPORARY SOUNDS. RHYTHMICALLY NOT DIFFICULT, BUT SOME EXTREME REGISTERS. RENTAL ONLY. |
| TWELVE SONGS WITHOUT WORDS | GOTSKOSIK, OLEG | FLUTE ALONE | Sweden | SMIC | 1986 | 22 MIN | H | C/U | VERY DIFFICULT, 12 SHORT MOVEMENTS. |
| TWO BALLADS FOR STRINGS | JEVERUD, JOHAN | STRING ORCHESTRA | Sweden | SMIC | 1996 | 17 MIN | M/H | C/U | TWO MOVEMENTS OF PLAYABLE MUSIC. BOTH MOVEMENTS WITH A SONG TO SING PLUS A FEW EXTRA NOTES HERE AND THERE! GOOD SCORE. SEE ALSO THIS COMPOSERS, ’AUBADE FOR STRINGS’. BOTH ARE IN EXCELLENT MS. |
| TWO CONCEPTS | BALDVINSSON, TRYGGVI M. | BAND | Iceland | ITM | 2000 | 14 MIN | H | C/U/HS | PIC,2FL,OB,2BSN,EbCL,3CL,BCL,2AS,TS,BS,4HN,3TRPT,3TRB,EUP,TBA,5PERC. HARDER THAN SOME OTHER BAND WORKS BY THIS COMPOSER, BUT A STRONG SCORE THAT WILL BE ENJOYED BY MUSICIANS AND AUDIENCE ALIKE! |
| TWO FANFARES | DANIELSSON, CHRISTER | BRASS ENSEMBLE | Sweden | GEHRMANS | 1985 | 1 MIN | M | C/U | 4TRPT,4TRB,TBA,TIMP, PERC, ALTERNATE PARTS PROVIDED. VERY PLAYABLE. |
| TWO FANTASY PIECES, OP 2 | NIELSEN, CARL | OBOE & PIANO | Denmark | WHANSEN | EST 5 MIN | E/M | C/U/HS | ROMANZA AND HUMORESQUE PLAYABLE BY MANY. NO PERFORMANCE PROBLEMS. FINE FOR STUDIO, STUDY, RECITAL OR CONTEST. | |
| TWO MOVEMENTS | STEFANSSON, FINNUR TORFI | STRING QUARTET | Iceland | ITM | 1987 | 8 MIN | H | C/U | PLAYABLE BY A SERIOUS AND COMPETENT COLLEGE ENSEMBLE OR PROFESSIONALS. MESSY SCORE BUT GOOD PARTS. |
| TWO PIECES | JONSSON, THORARINN | VIOLIN & PIANO | Iceland | ITM | 1923 | EST 3 MIN 30" | E/M | C/U/HS | HUMORESQUE AND MEDITATION. EASY PIECES THAT ARE PLAYABLE FOR RECITAL OR PROGRAM - NO SURPRISES. |
| TWO PIECES - HUMORESQUE & MEDITATION | JONSSON, THORARINN | FLUTE & PIANO | Iceland | ITM | 1969 | EST 6+ MIN | M | C/U/HS | TWO EASIER MOVEMENTS THAT CAN STAND ALONE AND MAINLY MELODIC. PIANO PART HAS MORE NOTES. TELL THE VIOLIN PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. |
| TWO PIECES - HUMORESQUE & MEDITATION | JONSSON, THORARINN | VIOLIN & PIANO | Iceland | ITM | 1969 | EST 6+ MIN | M | C/U/HS | TWO EASIER MOVEMENTS THAT CAN STAND ALONE THAT ARE MAINLY MELODIC. PIANO PART HAS MORE NOTES. TELL THE VIOLIN PLAYERS ABOUT THIS ONE ON SUGGESTION OF THE COMPOSER. |
| TWO PIECES FOR OBOE & PIANO, OP 41 | BENTZON, NIELS VIGGO | OBOE & PIANO | Denmark | WHANSEN | 1948 | EST 5 MIN | H | C/U | COMFORTABLE CHALLENGE FROM A GOOD COMPOSER WITH NICE RHYTHMIC CONTENT. |
| TWO PIECES FOR WIND QUINTET | HOLM,PEDER | WOODWIND QUINTET | Denmark | WHANSEN | 1971 | H | C/U | NONTRADITIONAL SCORING, MIXED METER - HARD. | |
| TWO PRELUDES AND FUGUES, OP 36 | RAUTAVAARA, EINOJUHANI | CELLO & PIANO | Finland | FAZER | 1969 | M/H | C/U | EACH PRELUDE HAS ITS FUGUE. CONTEMPORARY SOUNDS, BUT NO UNUSUAL DEMANDS ON THE PERFORMERS. 2ND MOVEMENT IS TITLED "EPITAPH TO BELA BARTOK". | |
| TWO ROMANCES | BJORNSSON, ARNI | VIOLIN & PIANO | Iceland | ITM | 4 MIN 30 SEC | M | C/U/HS | GOOD MUSIC IN TWO MOVEMENTS THAT ARE PLAYABLE BY COMPETENT PLAYERS OF ANY AGE. VERY MELODIC PIECES. | |
| TWO SENTIMENTAL ROMANCES, OP 28 NR 1 | STENHAMMAR, WILHELM | VIOLIN & PIANO | Sweden | NORDISKA | 1970 | EST 15 MIN | M/H | C/U/HS | TWO PLAYABLE PIECES FROM A FINE COMPOSER. |
| TYON MERKEISSA | FUHRMANN, ARTHUR | BRASS ENSEMBLE | Finland | FiMIC | 1987 | EST 3-4 MIN | M | C/U/HS | 3TRPT,2HN,3TRB,TBA. FAST TEMPO AND LOOKS LIKE FUN! |
©1991, 2007 Mark Lammers
This Edition ©2005, 2007 WASBE — Content used with permission